Showing posts sorted by relevance for query Kinky Boots. Sort by date Show all posts
Showing posts sorted by relevance for query Kinky Boots. Sort by date Show all posts

Thursday, 13 December 2018

Kinky Boots (UK Tour), Edinburgh Playhouse | Review


Kinky Boots (UK Tour)
Edinburgh Playhouse 
Reviewed on Tuesday 11th December 2018 by Liv Ancell
★★★★★

Audiences at the Edinburgh Playhouse are being transported straight to the Price & Sons Shoe Factory in Northampton this December, to a time and place where drag queens and shoemakers collide in spectacular fashion, in what is a truly unique and special tale.

Kinky Boots has boldly strutted into town and delighted the Edinburgh Playhouse’s audiences since opening night on 11th December. With original music & lyrics by Cyndi Lauper performed by a diverse cast eager to impress, it is impossible not to get swept up in the drama and excitement of this unique spectacle.

The promise of the show’s eponymous red kinky boots seems far off at first, as the curtain rises to reveal the gritty factory belonging to Price & Sons, practical shoemakers. Here we meet Charlie Price, who was portrayed brilliantly by the energetic and tone-perfect Joel Harper-Jackson.


Set design (by Tim McQuillen-Wright) convincingly transforms the stage between its main two states: a working shoe factory and an intimate drag club. This reinforces the contrast between the very different worlds of protagonists Charlie and Lola, as the story dips in and out of Charlie’s tough reality and the exciting world of the exotic drag queen, Lola.

Speaking of Lola, Kayi Ushe who played the show’s famous red-boot bearer on the night stole the show in spectacular fashion. With his perfectly placed sashays, sassy one liners and full range of emotions, Kayi Ushe put on a winning performance in what is undeniably an extremely demanding role. From booty drops to belting out ballads, deadpan put-downs and effortless switches between the character’s macho masculine and drag-queen personas - sometimes done in the very same breath - the audience was absolutely blown away by the level of talent and professionalism Kayi brought to the performance.

Another notable performance in the show was that of Coronation Street veteran Paula Lane, who stepped into the fun role of homegrown Northampton pocket rocket Lauren. Her rendition of The History of Wrong Guys - just one of the show’s long list of incredibly catchy tunes - was underpinned by well-delivered slapstick elements which caused hilarity among the audience.


Lola’s cast of utterly fabulous drag queens, a.k.a The Angels, proved that when drag and theatre cross-over, the result is electric. Played by the kick-ass combination of Connor Collins, John J. Dempsey, Damon Gould, Joshua Lovell, Chileshé Mondelle, and Toyan Thomas-Browne, The Angels left the audience in utter wonderment with their sharply executed choreography. Their performance should almost come with a warning that mere mortals should not attempt their high-tempo sequences of squats, drops, jumps, sashays and moves at home. Not to mention the Angels’ costumes (costumes by Gregg Barnes) which would have put even Ru Paul’s Drag Race contestants to shame, with their dazzling glitter and unashamed flamboyance.

The story of Kinky Boots has its glorious ups, its poignant downs, and beautiful nuances of human emotion which eclipse the themes of loss, love, acceptance and even, the challenges of running a family business. The cast perfectly led us along the full spectrum of emotions, and put on a visual feast for the whole audience. A particular highlight for me in terms of staging was the boxing scene, where strobe lights helped to paint a particularly tense and dramatic scene.

I’ll leave the rest under wraps; this show is an absolute treasure box of surprises, laughs, and delights. The cast and production is of the highest standards and quality rarely seen outside of the West End or Broadway. If you’re looking for a little sparkle and escapism on a cold December evening in Edinburgh, there truly is no better place to be.


Kinky Boots runs at the Edinburgh Playhouse until January 5th 2019

photo credit: Helen Maybanks

Wednesday, 10 August 2022

Kinky Boots the Musical in Concert, Theatre Royal Drury Lane | Review


Kinky Boots the Musical in Concert
Theatre Royal Drury Lane 
Reviewed on Monday 8th August 2022 by Olivia Mitchell 
★★★★

After the success of last week's Chess in Concert, the Theatre Royal Drury Lane have once again opened their doors, this time for concert versions of the acclaimed Kinky Boots, starring an all-star cast. When deciding on musicals to transform into concert editions, Kinky Boots may not be the most obvious choice but the pop score lends itself wonderfully to the setting and really strips everything back to highlight the heartwarming and empowering messages which the show gives out in spades. Plus, the LMTO orchestra, conducted by Freddie Tapner help to showcase all the best parts of Cyndi Lauper's musical score.

Returning to the concert scene after his star turn as Freddie in Chess is Joel Harper-Jackson who once again shows off his vocal chops and wonderfully dynamic acting. As Charlie Price, the son who inherits his father's failing shoe factory, Joel is utterly endearing. He embodies the role and you can physically see his transformation from an unsure man to a strong, sure of himself leader. 

As his co-star, Cedric Neal is vocal perfection as Lola/Simon. His portrayal of Lola feels deeply thought through, with some extremely poignant moments; hopefully we'll get another chance to see him shine in the role in the future.

In one of the most wonderfully witty stage performances, Courtney Bowman is outstanding as Lauren. The comedic role is given extra oomph and feels completely fresh under Courtney's command. Other standouts include Kayleigh McKnight and Nikki Bentley who give stellar vocal moments. This is a really solid cast who have done a great job of putting on such a well rounded production in such a short time.

Whilst billed as a concert, there is some staging and choreography throughout and under Omar F. Okai's direction there's a great balance between subtlety and grand moments which really elevate the concert. Ben Cracknell's lighting is a star in its own right, providing a visual treat which is all things bold and absolutely brilliantly backs up the onstage action.

This is a fantastic showcase of the great cast as well as the heartwarming story that works surprisingly well in concert form. I can only imagine how great this ensemble would be in a fully staged production with all the glitz and glam the show deserves.

Wednesday, 23 February 2022

Francis Mayli McCann and Jordan Luke Gage to Star in Bonnie and Clyde the Musical


DLAP Group are thrilled to announce that Frances Mayli McCann and Jordan Luke Gage will star as the titular Bonnie and Clyde in the West End premiere of the cult-sensation Bonnie and Clyde The Musicalopening at the Arts Theatre from Saturday 9 April 2022


Following the extraordinary reaction to her performance as ‘Bonnie’ in Bonnie and Clyde In Concert in January 2022, Olivier-Award nominated Frances Mayli McCann reprises the role in this full production at The Arts Theatre, performing alongside West End star Jordan Luke Gage as ‘Clyde’. 

 

They join the previously announced Natalie McQueen as ‘Blanche Barrow’ and George Maguire as ‘Buck Barrow’. The full company includes Cleve September as ‘Ted’ and Ako Mitchell as ‘Preacher’, Pippa Winslow as ‘Cumie Barrow/Governor Miriam Ferguson/Eleanore’, Gracie Lai as ‘Emma Parker/Stella’, Alistair So as ‘Sheriff Schmid’, Alexander Evans as ‘Henry Barrow/Deputy Johnson’, Ross Dawes as ‘Captain Frank Hamer’, Barney Wilkinson as ‘Bud/Archie’ and swings Charlie McCullagh and Annie Guy. Casting for the roles of ‘Trish’ and Young ‘Bonnie’ and ‘Clyde’ to be announced. 

 

Frances Mayli McCann is an Olivier Award nominated actress, who originated the role of ‘Kylah’ in “Our Ladies of Perpetual Succour”. Her other West End credits include ‘Heather McNamara’ in “Heathers” at the Theatre Royal Haymarket, ‘The Mistress’ in “Evita” at Regent’s Park Open Air Theatre and ‘Eponine’ in the UK and International Tour of “Les Misérables”.

 

Jordan Luke Gage is best known for his portrayal of ‘Romeo’ in the Olivier Award winning “&Juliet” at The Shaftesbury Theatre. His other West End credits include ‘Strat’ in “Bat Out Of Hell” at The Dominion Theatre and ‘JD’ in “Heathers” at Theatre Royal Haymarket. His television credits include playing ‘Adrian Barber’ in ITV’s Cilla, and ‘Luc’ in Cucumber on Channel 4.

 

Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in “9 to 5 The Musical” at the Savoy Theatre, “Wicked” at the Apollo Victoria Theatre and “Kinky Boots” at the Adelphi Theatre. Her other theatre credits include the UK tour of “Wonderland”, “Murder Ballad” at the Arts Theatre and “Starlight Express” at The Other Palace. 

 

George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in “Sunny Afternoon”. His other theatre credits include “35mm: A Musical Exhibition” at The Other Palace Studio, “Oliver!” at the London Palladium and the European tour of “Rent”. 


Cleve September is perhaps best known for his Olivier Nominated performance as ‘Philip Hamilton/John Laurens’ in the original West End cast of “Hamilton” at the Victoria Palace Theatre. His other theatre credits include “Jesus Chris Superstar” at Regent’s Park Open Air Theatre, “Annie Get Your Gun” at the Crucible Theatre, “In The Heights” at Kings Cross Theatre and “The Last Days of Troy” at The Globe Theatre. 

 

Ako Mitchell is an actor and filmmaker whose recent theatre credits include playing ‘Larry’ in “Indecent Proposal” at the Southwark Playhouse, ‘Bob Baker’ in “Wonderful Town” at Opera Holland Park, ‘Mister’ in “The Color Purple” at Curve and the Birmingham Rep and ‘The Moon/The Bus’ in “Caroline, Or Change” at the Chichester Festival Theatre and The Playhouse Theatre in London’s West End. 

 

At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.

When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.

 

Bonnie and Clyde The Musical has a book by Ivan Menchell(Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents). The production will be directed by Nick Winston (Director of the feature film Tomorrow MorningMAME, The Royal Variety Performance) with Set and Costume Design by Philip Witcomb (Atlantis, Stones In His Pockets, MAME), Musical Supervision from Katy Richardson (SIX, Rent, Jersey Boys), Lighting Design by Zoe Spurr (Fantastically Great Women Who Changed The World, Hamlet at Theatre Royal Windsor), Sound Design by Tom Marshall (The Drifter’s Girl, Nativity The Musical, Curtains), Video Design by Nina Dunn (The Shark Is Broken, Lazuli Sky)Casting Director Jim Arnold CDG (Wicked, The Prince of Egypt)Musical Director Nick Barstow (The Last 5 Years, Zorro), Keys 2/ Assistant Musical Director Debbi Clarke Associate Director/Choreographer Megan Louch (The Bodyguard, Annie), Wigs Designer Darren Ware (The Rocky Horror Show, Matthew Bourne’s The Midnight Bell)Fight Director Kate Waters (The Curious Incident of the Dog in the Night-Time, Constellations), Production Manager Phil McCandlish (Curtains, Rock of Ages), Orchestra Fixer Rich Morris (American Idiot, Jesus Christ Superstar), Costumer Supervisor Jemima Penny (Machinal, Richard III), Props Supervisor Lizzie Frankl for Propworks (2:22 A Ghost Story, Pretty Woman), Company Stage Manager Paul Deavin (Rock of Ages), Drums Zach Okonkwo, Violin Clodagh Kennedy, Bass Guitar Annie Blake. 


Further crew and band to be announced.  


photo credit: Darren Bell


Thursday, 17 February 2022

Natalie McQueen and George Maguire to Star in West End Transfer of Bonnie and Clyde



DLAP Group are delighted to announce that George Maguire and Natalie McQueen will star as Buck and Blanche Barrow in the West End premiere of the cult-favourite BONNIE AND CLYDE THE MUSICAL at the Arts Theatre from Saturday 9 April 2022. Further casting to be announced in due course. www.bonnieandclydemusical.com

Olivier Award winner George Maguire and West End star Natalie McQueen reunite to reprise their roles as Buck and Blanche Barrow following the phenomenal response to their performances as part of Bonnie and Clyde In Concert at the Theatre Royal Drury Lane in January 2022.  

George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in Sunny Afternoon. His other theatre credits include 35mm: A Musical Exhibition at The Other Palace Studio, Oliver! at the London Palladium and the European tour of Rent

Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in 9 to 5 The Musical at the Savoy Theatre, Wicked at the Apollo Victoria Theatre and Kinky Boots at the Adelphi Theatre. Her other theatre credits include the UK tour of Wonderland, Murder Ballad at the Arts Theatre and Starlight Express at The Other Palace. 

At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.

When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.
 
Bonnie and Clyde The Musical has a book by Ivan Menchell (Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents). The production will be directed by Nick Winston (Director of the feature film Tomorrow MorningMAME, The Royal Variety Performance) with Set and Costume Design by Philip Whitcomb (Atlantis, Stones In His Pockets, MAME) and Musical Supervision from Katy Richardson(SIX, Rent, Jersey Boys).

Tuesday, 16 August 2022

Cast Announced for World Premiere of The Time Traveller’s Wife: The Musical



David Hunter will star as Henry and Joanna Woodward as Clare and in the world premiere of The Time Traveller’s Wife: The Musical, based on the best-selling novel by Audrey Niffenegger and the New Line Cinema film screenplay by Bruce Joel Rubin. The new musical will premiere at Storyhouse in Chester from 30 September to 15 October 2022. The two-week season will precede a West End transfer, to be announced at a later date.

David Hunter's theatre credits include: Waitress (Adelphi and UK Tour); Kinky Boots (Adelphi); Once (Phoenix); One Man, Two Guvnors (National Theatre, Adelphi, UK Tour); Songs for a New World (Palladium); Tommy (Prince Edward); Seussical (Arts); The Hired Man (Leicester Curve and Colchester Mercury); Pub and Spinach (the Royal Exchange); The Mayor of Zalamea (Liverpool Everyman). His film and TV credits include: Nativity 3; Holby City and Doctors (BBC); Superstar (ITV). David’s pop/rock band Reemer had support slots, playing alongside The Feeling, Scouting for Girls and McFly on their full UK Arena Tour.

Joanna Woodward most recently understudied and played Vivian Ward in Pretty Woman: The Musical (Piccadilly Theatre & Savoy Theatre). Her other theatre credits include: Emily in Zombies: The Musical and Eulpha Miziam in Confessions (The Other Palace); Mary in The Life (Southwark Playhouse); understudied and played Carole King in Beautiful: The Carole King Musical (Aldwych Theatre); Margaret in Fings Ain't Wot They Used T'Be (Theatre Royal Stratford East); understudied Beth/Meg/KT in Merrily We Roll Along (Menier Chocolate Factory and Harold Pinter Theatre); Tinker Bell in Lost Boy (Finborough Theatre and Charing Cross Theatre); Audrey in Little Shop of Horrors (Kilworth House Theatre).

Also in the cast will be Aisha Davis (UK theatre debut, with previous theatre work in Kingston, Jamaica) as Dr Kendrick, Ross Dawes (Dennis Dupree in the UK Tour of Rock of Ages) as Henry’s Dad, Hiba Elchikhe (Pritti Pasha in Everybody’s Talking About Jamie in West End and Los Angeles) as Charisse, Stevie Hutchinson (UK and Chinese Tour of Ghost: The Musical and UK Tour of Oliver!) as Clare’s Dad, Tim Mahendran (Spring Awakening at Hope Mill Theatre) as Gomez, Sorelle Marsh (Vicky Monroe in Stand Up at the Floral Pavilion, Wirral, and Tessie in White Christmas at the Lowry Theatre) as Henry’s Mum, Benjamin Purkiss (Zorro in Zorro the Musical at Charing Cross Theatre and Hope Mill Theatre and Alternate Strat in Bat Out of Hell at the London Coliseum/International Tour/Manchester Opera House) as Jason / Mark and Alwyne Taylor (won the Manchester Evening News Best Actress Award for Once in a Lifetime, Company, Sweet Charity and Accrington Pals at the Library Theatre and was nominated for Manchester Evening News Best Actress Award for her role as Madame Arcati in Blithe Spirit at the Oldham Coliseum) as Old Clare. The actresses playing Young Clare will be announced shortly.

Henry and Clare’s love story is like no other and yet like all others; they meet, flirt, fight, love, marry... but all out of order. Henry is often and uncontrollably ripped out of time, because he suffers from a rare condition where his genetic clock periodically resets, pulling him into his past or future, vanishing before one’s eyes, never knowing where or when he’s going next. Except he knows he’ll always come back to Clare, at some point in time, dreaming of her time-travelling husband.

The Time Traveller’s Wife: The Musical weaves a heart-breaking and soaring original musical score by multi Grammy Award-winning composers Joss Stone and Dave Stewart with one of the most beloved novels of the last 50 years. All couples ask how to truly know one another, to trust, to commit, to build a family, to work at something bigger than ourselves. Not all of us are time travellers. How do you love across time?

With a book by Lauren Gunderson, original music and lyrics by Joss Stone and Dave Stewart, additional music by Nick Finlow and additional lyrics by Kait Kerrigan, the production will be directed by Bill Buckhurst and designed by Anna Fleischle, with choreography by Shelley Maxwell, lighting design by Lucy Carter, illusions by Chris Fisher, video design by Andrzej Goulding, sound design by Richard Brooker, musical supervision & arrangement by Nick Finlow and orchestrations by Bryan Crook. Casting will be by Grindrod Burton Casting. It will be produced by Colin Ingram for InTheatre Productions, Gavin Kalin Productions, Teresa Tsai and Crossroads Live, by special arrangement with Warner Bros. Theatre Ventures.

Monday, 21 March 2022

Fra Fee, Amy Lennox, Omar Baroud and Vivien Parry in Cabaret at the Kit Kat Club


Released today – production shots of Fra Fee (Emcee), Amy Lennox (Sally Bowles), Omar Baroud (Cliff Bradshaw) and Vivien Parry (Fraulein Schneider) in CABARET at the Kit Kat Club ahead of their first performance this evening, Monday 21 March.

Cabaret at the Kit Kat Club has recently been nominated for 11 Olivier Awards including Best Musical Revival,  Best Director, Best Set Design, Best Costume Design, Best Theatre Choreographer, Best Lighting Design and Best Sound Design.  
 
Fra Fee (Emcee) most recently starred as Kazi in the hit Disney+ series Hawkeye, set in the Marvel Cinematic Universe. He created the role of Michael Carber in the award-winning play The Ferryman at the Royal Court, the Gielgud Theatre in the West End and the Bernard B. Jacobs Theatre on Broadway. His other theatre credits include Owen in Translations and Amiens in As You Like It, both at the National Theatre and the title role in Candide at the Menier Chocolate Factory. He played Courfeyac in the film of the musical Les Misérables and also appeared in the stage production at the Queen’s Theatre.
 
Amy Lennox (Sally Bowles) received an Olivier nomination for Best Actress in a Supporting Role in a Musical for her portrayal of Lauren in the West End production of Kinky Boots. Her other credits include Ellie in the London premiere of the David Bowie and Enda Walsh musical Lazarus. She was in the original West End cast of the musical Legally Blonde and created the role of Doralee in the original UK production of 9 to 5 The Musical.
 
Fra and Amy appeared together in the critically acclaimed production of The Last Five Years in Belfast.
 
Omar Baroud (Cliff Bradshaw) is soon to appear in the series Wedding Season for Disney+. His other TV credits include Baptiste for the BBC and The Innocents for Netflix. His theatre credits include You Bury Me for Paines Plough, As You Like It at the Watermill Theatre, A Song at Twilight at the Theatre Royal Bath and All Places That The Eye of Heaven Visits at Shakespeare’s Globe.
 
Vivien Parry (Fraulein Schneider) has appeared in many West End productions including Madge Hardwick in the original cast of Top Hat at the Aldwych Theatre, Madame Thénardier in Les Misérables at the Queen’s Theatre, Donna in Mamma Mia! at the Prince of Wales Theatre and Mrs Walshingham in Half A Sixpence at the Noel Coward Theatre. Vivien’s other credits include Twelfth Night and The Shoemaker’s Holiday, both for the Royal Shakespeare Company and Celia in The Girls at Leeds Grand Theatre.
 
They join the full company including Elliot Levey as ‘Herr Schultz’ (Olivier Award nominee for his role in this production), Stewart Clarke as ‘Ernst Ludwig’ and Anna-Jane Casey as ‘Fraulein Kost’. The cast is completed by Josh Andrews, Emily Benjamin, Sally Frith, Matthew Gent, Emma Louise Jones, Ela Lisondra, Theo Maddix, Chris O’Mara, Daniel Perry, Andre Refig, Christopher Tendai, Bethany Terry, Lillie-Pearl Wildman and Sophie Maria Wojna.
 
Cabaret is directed by Rebecca Frecknall,  set and costume design is by Tom Scutt with choreography by Julia Cheng. Musical supervision and direction is by Jennifer Whyte. Lighting design is by Isabella Byrd with sound design by Nick Lidster. The casting director is Stuart Burt and the associate director is Jordan Fein.
 
Cabaret at the Kit Kat Club is booking until October 2022. 

Cabaret at the Kit Kat Club

Cabaret at the Kit Kat Club
Photos by Marc Brenner

Cabaret at the Kit Kat Club

Amy Lennox as 'Sally Bowles'

Cabaret at the Kit Kat Club

Fra Fee 'Emcee'.

Cabaret at the Kit Kat Club

Fra Fee 'Emcee' and Amy Lennox 'Sally Bowles'

Cabaret at the Kit Kat Club

Fra Fee 'Emcee'.

Tuesday, 1 March 2022

Cabaret at the Kit Kat Club Announces New Emcee and Sally Bowles


The producers of CABARET at the KIT KAT CLUB in London’s West End are delighted to announce that Fra Fee will play ‘The Emcee’ and Amy Lennox will play ‘Sally Bowles’ from 21 March – 25 June 2022. This unique production opened in December last year to critical and audience acclaim, widely praised as the ultimate theatrical experience.

 

Adam Speers, Ed Bartlam and Charlie Wood, the producers of Cabaret at the Kit Kat Club said today “We are thrilled to be welcoming the perfectly marvellous Fra Fee and Amy Lennox to our production of Cabaret. We wanted to recast these career defining roles with exceptional actors and so we’re just delighted that the stars have aligned with both Fra and Amy’s schedules.  We couldn’t have asked for a more exciting and thrilling duo to follow Eddie and Jessie.”

 

Director Rebecca Frecknall said today “It's always exciting to be able to keep a production live and evolving across its run, to be able to continue digging into the piece and making new discoveries. The fact that we will have new actors taking on the roles of Sally and the Emcee as Cabaret continues to run in the West End is thrilling, the original cast passing the baton to different actors who will bring their own perspectives to the work. I'm thrilled that Fra Fee and Amy Lennox will be the first new pair joining the production this Spring, two of our most exciting stage and screen actors. I know they will bring new creative energy to the production and will show me and our audiences new facets of the show.”

 

Fra Fee most recently starred as Kazi in the hit Disney+ series Hawkeye, set in the Marvel Cinematic Universe. He created the role of Michael Carber in the award-winning play The Ferryman at the Royal Court, the Gielgud Theatre in the West End and the Bernard B. Jacobs Theatre on Broadway. His other theatre credits include Owen in Translations and Amiens in As You Like It, both at the National Theatre and the title role in Candide at the Menier Chocolate Factory. He played Courfeyac in the film of the musical Les Misérables and also appeared in the stage production at the Queen’s Theatre.

 

Amy Lennox received an Olivier nomination for Best Actress in a Supporting Role in a Musical for her portrayal of Lauren in the West End production of Kinky Boots. Her other credits include Ellie in the London premiere of the David Bowie and Enda Walsh musical Lazarus. She was in the original West End cast of the musical Legally Blonde and created the role of Doralee in the original UK production of 9 to 5 The Musical.

 

Fra and Amy appeared together in the critically acclaimed production of The Last Five Years in Belfast.

 

Also joining the production on 21 March 2022 will be Omar Baroud as ‘Cliff Bradshaw’ and Vivien Parry as ‘Fraulein Schneider’. Continuing in their roles will be Elliot Levey as ‘Herr Schultz’, Stewart Clarke as ‘Ernst Ludwig’ and Anna-Jane Casey as ‘Fraulein Kost’.

The cast is completed by Josh Andrews, Emily Benjamin, Sally Frith, Matthew Gent, Emma Louise Jones, Ela Lisondra, Theo Maddix, Chris O’Mara, Daniel Perry, Andre Refig, Christopher Tendai, Bethany Terry, Lillie-Pearl Wildman and Sophie Maria Wojna.

  

Omar Baroud (Cliff Bradshaw) is soon to appear in the series Wedding Season for Disney+. His other TV credits include Baptiste for the BBC and The Innocents for Netflix. His theatre credits include You Bury Me for Paines Plough, As You Like It at the Watermill Theatre, A Song at Twilight at the Theatre Royal Bath and All Places That The Eye of Heaven Visits at Shakespeare’s Globe.

 

Vivien Parry (Fraulein Schneider) has appeared in many West End productions including Madge Hardwick in the original cast of Top Hat at the Aldwych Theatre, Madame Thénardier in Les Misérables at the Queen’s Theatre, Donna in Mamma Mia! at the Prince of Wales Theatre and Mrs Walshingham in Half A Sixpence at the Noel Coward Theatre. Vivien’s other credits include Twelfth Night and The Shoemaker’s Holiday, both for the Royal Shakespeare Company and Celia in The Girls at Leeds Grand Theatre.

 

Elliot Levey (Herr Schultz) most recently appeared in Nine Lessons and Carols at the Almeida where he also appeared in Three Sisters. His other theatre credits include the West End productions of Mary Stuart at the Duke of York’s Theatre, The Ruling Class at Trafalgar Studios and Much Ado About Nothing at the Wyndham’s Theatre. His National Theatre credits include The Habit of Art and His Dark Materials.

 

Stewart Clarke (Ernst Ludwig) most recently appeared in Be More Chill at The Other Palace. His West End theatre credits include Fiddler on the Roof at the Playhouse Theatre and Loserville at the Garrick Theatre. He also appeared in Assassins at the Menier Chocolate Factory and The Rink at the Southwark Playhouse.

 

Anna-Jane Casey (Fraulein Kost) was most recently seen in Girl from the North Country at the Gielgud Theatre in the West End. Her other West End credits include Mrs Wilkinson in Billy Elliot at the Victoria Palace and Lady of the Lake in Spamalot at the Playhouse Theatre. She played Dot in Sunday in the Park with George at the Menier Chocolate Factory, Mabel in Mack and Mabel at the Watermill Theatre and the title roles in Piaf and Sweet Charity and Violet Butterfield in Flowers for Mrs Harris, all at the Sheffield Crucible.

 

In a time when the world is changing forever, there is one place where everyone can be free… Welcome to the Kit Kat Club, home to an intimate and electrifying new production of CABARET. This is Berlin. Relax. Loosen up. Be yourself. 

 

The Kit Kat Club has laid siege to the Playhouse Theatre. The performers have infiltrated the premises. The artists have staked their claim. Who knows for how long they’ll stay, but for now they are enjoying the party. The party at the end of the world.

 

Transforming one of London’s most famous theatres with an in-the-round auditorium and reimagined spaces, before the show guests are invited to enjoy and explore the Kit Kat Club with pre-show entertainment, drinks and dining all on offer. When booking, guests receive a 'club entry time' to allow enough time to take in the world of the Kit Kat Club before the show starts. But of course, the show really starts when you first join us in the club…

 

One of the most successful musicals of all time CABARET features the songs Wilkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Based on the play by John Van Druten and stories by Christopher Isherwood.

 

CABARET is directed by Rebecca Frecknall (the Almeida’s Olivier Award winning Summer and Smoke, The Duchess of Malfi, Three Sisters), set and costume design is by Tom Scutt (A Very Expensive Poison, Constellations, King Charles III, Jesus Christ Superstar, collaborations with Sam Smith, Christine and the Queens) with choreography by Julia Cheng (founder of the House of Absolute, Philharmonia Orchestra Artist in Residence, recipient of the runner-up prize for Hip Hop Dance futures, Resident Choreographer for the Royal Academy of Dance, Judge and mentor for BBC Young Dancer and Breakin’ Convention – the UK’s biggest Hip Hop Festival, collaborations with London Fashion Week, Google and Dr Martens). Musical supervision and direction is by Jennifer Whyte (Les Misérables film, Caroline Or Change, Parade). Lighting design is by Isabella Byrd (Heroes of the Fourth Turning and Light Shining in Buckinghamshire – both in New York, Daddy – A Melodrama at the Almeida and The Flick at the National theatre) with sound design by Nick Lidster (City of Angels, Passion, Pacific Overtures and Parade at the Donmar Warehouse, Sweeney Todd and On The Town for English National Opera, A Chorus Line, Les Misérables and Miss Saigon). The casting director is Stuart Burt (& Juliet, The Drifters Girl and 2021 CDG Award for Best Casting in Theatre for Cyrano De Bergerac) and the associate director is Jordan Fein.

 

Tickets for CABARET at the KIT KAT CLUB are currently on sale until October 2022. kitkat.club

CABARET at the KIT KAT CLUB is produced by Ambassador Theatre Group Productions and Underbelly.