Posts with the label theatre
Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts
Thursday, 5 June 2025
Review: Joseph and the Amazing Technicolor Dreamcoat- A Joyous Revival that Shines Bright on Tour
Joseph and the Amazing Technicolor Dreamcoat (UK Tour)
New Victoria Theatre
Like so many theatre lovers, Joseph holds a special place in my heart. I must have worn out the DVD as a child, rewatching the dazzling colours, catchy tunes, and sheer joy of it all. To this day, I take great pride in knowing every single colour of that famous coat by heart, and one day, I’m convinced it will finally come in handy in a pub quiz.
Seeing the touring production felt like reconnecting with an old friend, and this version couldn’t feel more right for now. There are brief flashes of modern self-awareness that could veer into cringe- a wink here, a gag there- but they never overstay their welcome. It’s one of the rare revivals that manages to feel modernised without being try-hard or losing its sense of self. At its core, Joseph is still what it’s always been: a musical powered by joy, timeless melodies, and that signature blend of heart and humour.
The music, as ever, is the star. From 'Any Dream Will Do' to 'Go, Go, Go Joseph,' the songs are as infectious as I remembered. But what makes this version truly sing is how the whole thing feels so light on its feet. There’s a freshness to the production, a sense of play and invention that keeps it moving briskly and brightly.
Adam Felipe brings a charming sincerity to Joseph, with vocals that land with clarity and ease. He finds both the innocence and confidence in the role, and it’s easy to see why audiences root for him from the start. Joe McElderry’s Pharaoh is a crowd-pleasing standout, leaning into the Elvis pastiche with charisma and a wink that’s impossible not to enjoy. And in the role of the Narrator, Christina Bianco is the glue that holds the whole show together- commanding, warm, commical, and vocally impressive throughout.
Beyond the leads, it was an unexpected delight to watch the ensemble. There’s such care in their performances- it felt like many of them had created full little back stories for their characters. I caught moments between brothers, glances, physical comedy, even subtle through-lines. Honestly, I’d go back just to keep an eye on different people and see what else I might spot.
This show is a proven success, and this production shows exactly why. The audience- young kids, nostalgic adults, and everyone in between- were beaming throughout, myself included. It’s hard not to be swept up by it. This show is a real reminder that it’s a gift to sit in a theatre and just have a great time.
It’s not a reinvention of the wheel, but it doesn’t need to be. Joseph is a show that understands what it is, and this production delivers it with style, heart, and a technicolour sparkle that never fades.
★★★★
Reviewed on Wednesday 4th June 2025 by Olivia
Photo Credit: Tristram Kenton
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 28 May 2025
The Frogs at Southwark Playhouse: A Quirky, Clever Revival That Leaps at Points | Review
The Frogs
Southwark Playhouse
Currently playing at Southwark Playhouse, The Frogs is a spirited and unusual revival of Stephen Sondheim’s rarely-staged musical. It’s a show that wears its eccentricity proudly, and while it doesn’t quite stick the landing, there’s plenty to enjoy- especially in a first act that’s consistently hilarious, sharply performed, and full of unexpected delights.
Loosely based on Aristophanes’ classical Greek comedy, the musical follows Dionysos, the god of theatre, as he travels to the Underworld in search of a great playwright to bring back to Earth and save civilisation. He’s accompanied by his long-suffering servant Xanthias, and along the way they encounter an oddball cast of characters, including a musclebound Herakles, a chorus of glittering jazz-handed frogs, and ultimately, the ghosts of George Bernard Shaw and William Shakespeare, who must battle it out in a literary showdown.
What really shines in this production is the tone of the first half- it’s fast, funny, and refreshingly self-aware. Packed with clever gags, well-placed improvisation, and tongue-in-cheek musical theatre references (including a few knowing nods to Sondheim himself), the show frequently feels like it’s teetering on the edge of chaos, but in the best way. That sense of spontaneity works in its favour, helped along by a cast that clearly knows how to land a joke.
Dan Buckley is a charming Dionysos, blending comic cluelessness with likable energy. Kevin McHale is wonderful as Xanthias, with razor-sharp timing and a strong sense of physical comedy. Joaquin Pedro Valdes makes a memorable entrance as Herakles, playing up the bravado with just the right amount of exaggeration and all three have outstanding vocals to accompany their portrayals. The ensemble bring great versatility and enthusiasm to the staging, keeping the energy high even when the material veers into the absurd.
The design choices support the humour well. The spangly frog costumes are ridiculous in the best possible way, think glitter, jazz hands, and pure musical theatre camp; and moments like Ariadne’s “thread” being reimagined as a literal train trailing behind her costume add a cheeky visual wit to the direction. There’s an inventiveness to the staging that feels right at home in Southwark Playhouse’s flexible space, and the live band, under the direction of Yshani Perpinpanayagam, gives Sondheim’s challenging score the bounce and clarity it needs.
The second act, however, loses some of that initial spark. Once the plot shifts toward a philosophical debate between Shaw and Shakespeare, the momentum slows and the tone becomes more earnest. The satire is still there, but it feels a little more laboured and doesn’t quite recapture the breezy chaos of the first half. It’s a tricky balance, intellectually interesting, yes, but a shift that might leave some audience members wishing for more frogs and fewer speeches.
That said, this is a lively, cleverly staged production that knows exactly what it is. It leans into its own weirdness and largely pulls it off, thanks in no small part to a cast that’s clearly having fun. If you're in the mood for something quirky, referential, and genuinely funny (especially in its early scenes) The Frogs is worth a look. It may not be Sondheim’s most polished show, but in the right hands, like those at Southwark Playhouse, it makes for a surprisingly joyful evening.
★★★
Reviewed on Tuesday 27th May by Olivia
Photo Credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
Keywords: The Frogs Southwark Playhouse review, Kevin McHale The Frogs, Sondheim The Frogs London, Dan Buckley theatre, Joaquin Pedro Valdes Southwark, Off-West End musicals 2025, Southwark Playhouse Sondheim, musical theatre reviews London, quirky musicals 2025, Greek mythology musical.
Thursday, 22 May 2025
Review: Shucked at Regent’s Park Open Air Theatre- A Theatrical Kernel of Joy
Shucked
Regent's Park Open Air Theatre
There’s a whole lot to shuckin’ love about Shucked, now lighting up the stage at Regent’s Park Open Air Theatre. In a world that too often feels dark, this radiant, knee-slappin’, corn-fed musical comedy offers a buttery escape- warm, golden, and just the right amount of corny. Under the ever-imaginative direction of Jack O’Brien, this UK premiere pops with joy, brilliant choreography, and heartfelt hilarity that leaves you grinning from corn ear to corn ear.
Originally grown on Broadway, Shucked is a musical that never takes itself too seriously, and that’s its biggest strength. The show, with book by Tony winner Robert Horn and music and lyrics by the Grammy-winning country duo Brandy Clark and Shane McAnally, is a jubilant celebration of community, connection, and corn. Yes- corn. And trust us, you’ll never look at maize the same way again.
Choreograper Sarah O’Gleby, brings her trademark flair for physical comedy and visual storytelling. From toe-tapping hoedowns to sly little winks in the movement, his direction ensures the action never goes stale. Every beat feels fresh and full of flavour. The choreography is sharp and satirical, leaning into the show’s knowingly silly tone without letting it tip into parody. It’s a-maize-ing how balanced the humour is.
The open-air setting is the perfect patch for this rural romp. Regent’s Park Open Air Theatre has always been a magical venue, but here, with Japhy Weideman’s sunshine-drenched lighting design and Scott Pask’s witty, vibrant set, it becomes a heartland paradise. There’s real theatrical alchemy in watching a musical about growing things, bloom under actual summer skies.
The cast are ear-resistible. Sophie McShera leads with pluck and power as Maizy, delivering powerhouse vocals with a wink of mischief. Ben Joyce is gloriously goofy as Beau, while Monique Ashe-Palmer and Steven Webb- playing the narrators- steal scenes with quick-fire delivery and impeccable comic timing. Their banter snaps, crackles, and pops. Georgina Onuorah shines as Lulu, delivering a performance that’s as crisp and charismatic as fresh-popped corn- her powerhouse vocals and razor-sharp comic timing make her an undeniable stand-out amongst a stellar cast.
Musically, the score is an earworm-stuffed delight. The blend of bluegrass, country, and pop feels authentic and catchy, with standout numbers like 'Independently Owned' getting well-deserved rounds of applause. The band, brings an infectious energy to the whole affair.
What makes Shucked more than just a corny joke-fest is its kernel of sincerity. Amid the pun-filled gags and outrageous plot twists, there's a surprisingly poignant message about the power of community and listening- especially when the world feels like it’s cracking at the seams.
Yes, some of the jokes may make you groan before you giggle, and yes, the plot is bonkers. But that’s the whole point of it. This is a show that dares to be joyful- and in these sometimes difficult times, that’s something worth celebrating.
So grab your friends, head to Regent’s Park, and let Shucked butter you up. It might not change the world, but for a couple of hours, it sure makes it feel a whole lot brighter.
★★★★
Reviewed on 21st May 2025 by Olivia
Photo Credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
Keywords: Shucked review, Regent’s Park Open Air Theatre, Drew McOnie choreography, London theatre 2025, Georgina Onuorah Shucked, feel-good musicals London, summer theatre London, West End musicals, drew mconie musical, comedy musical review UK.
Tuesday, 15 April 2025
Ghost the Musical UK Tour: Great Cast, Ghostly Magic, But Time for a Refresh? | REVIEW
Ghost the Musical (Tour)
New Victoria Theatre
Based on the beloved 1990 film starring Patrick Swayze and Demi Moore, Ghost the Musical first premiered in Manchester in 2011 before transferring to the West End and Broadway. With a book by Bruce Joel Rubin (who also penned the original screenplay) and a pop-infused score by Dave Stewart and Glen Ballard, the musical brings romance, loss, and the supernatural to the stage. The current UK tour proves there's still plenty of love for this story and though a few creaky moments show its age, the emotional core and a jaw-dropping central performance keep it engaging and enjoyable.
This touring production is anchored by a genuinely great cast, with standout performances across the board. At the heart of it all is the phenomenal Rebekah Lowings, whose portrayal of Molly is nothing short of spellbinding. Her vocals are among the best I’ve ever heard. Rich, emotional and technically flawless, she brings such raw depth to the role that you can’t help but root for her from her very first note. Honestly, I want to see her in everything from now on.
Josh St. Clair also provides some great vocal moments and makes for a compelling Sam, navigating the tricky emotional beats of his spectral role with sensitivity. As Carl, James Mateo-Salt is a real standout, bringing a great intensity to the role and some top level vocals to match, while Jacqui Dubois as Oda Mae delivers excellent comic timing and vibrant charisma, perfectly lifting the mood just when it’s needed. The show benefits from this balance of emotional sadness and humour, which helps it maintain a fairly fast pace and keeps the audience emotionally invested throughout.
That said, Ghost the Musical does show its age in places. Some moments feel a little on the cringe-worthy side, especially in the dialogue and transitions, and it’s easy to imagine how a subtle modern refresh-whether through design or direction- could polish off the rougher edges. The choreography also feels a little mismatched with the tone of the piece; while the dance breaks are energetic, they often feel more suited to a pop concert than a supernatural love story.
Despite that, the show offers some strong technical elements. The special effects (particularly those ghostly illusions) are slick and satisfying, and the lighting does a lot to establish mood and movement. While the sound mix could use some fine-tuning (a few ensemble lyrics got lost in the score), the overall production values are solid for a touring show.
Ultimately, this Ghost might not be reinventing the wheel, but it’s still an entertaining and emotionally satisfying night at the theatre. With a cast this talented, and a leading lady who deserves every starring role coming her way, it’s easy to overlook some of the creakier bits. Whether you’re a die-hard fan of the film or simply in the mood for a musical that blends romance, comedy, and a touch of the otherworldly, this tour is worth catching.
★★★
Reviewed on Tuesday 15th April by Olivia
Photo Credit: Alastair Muir
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 25 March 2025
Five Reasons Why Austenland is Going to Be Your New Favourite Musical
Austenland
Savoy Theatre
Last night, I had the absolute pleasure of attending the world premiere concert version of Austenland: The Musical- though calling it a 'concert' feels like a stretch. Directed fantastically by Jonathan O'Boyle this was an almost full-fledged, gloriously staged spectacle, complete with choreography, costumes, and a cast who threw themselves into the period-drama-meets-modern-romcom chaos with raucous enthusiasm. The result? An evening of sheer delight that left me grinning ear to ear.
So with that being said, here’s why Austenland is about to be your next musical obsession:
1. The Songs Are Instantly Addictive
From swooning ballads to toe-tapping ensemble numbers, Austenland delivers a diverse soundtrack that sticks with you long after the final bow. Thanks to the creative team- Jodi Picoult (co-librettist), Timothy Allen McDonald (co-librettist), Elyssa Samsel & Kate Anderson (song writers)- the score feels fresh, interesting and exciting. At times it's a little bit too try hard for me but whether it’s the Regency-style waltz that morphs into a pop anthem or Manly's hilariously over-the-top song dripping with melodrama, every number feels like a hit waiting to happen.
2. It’s Jane Austen… But Make It Hilarious
Austen adaptations often lean into the drama, but this musical leans hard into the comedy- and it absolutely works. The show revels in the absurdity of Austen-obsessed tourists attempting to live out their fantasy in a Regency holiday retreat, complete with exaggerated social etiquette, scandalous misunderstandings, and a delightful send-up of brooding leading men.
3. The Cast Brings the House Down
The performances were electric, blending impeccable comedic timing with genuine heart. Lucie Jones (who I would quite literally listen to if she sung the phonebook) as leading lady Jane delivered a pitch-perfect mix of modern cynicism and romantic longing, while the ‘perfect’ Mr. Darcy-esque love interest (Oli Higginson) was both swoon-worthy and delightfully self-aware. Laura Baldwin and Cassidy Janson were gloriously funny as Miss Heartwright and Aunt Carolyn/Wattlesbrook. As Elizabeth Charming Alex Young was an absolute scene-stealer, milking every single moment for maximum comedic effect. Not a second of stage time was wasted- she wrung every syllable of the script dry, crafting a performance that was equal parts razor-sharp and utterly ridiculous in the best way. As Manly, Idriss Kargbo also took every moment and ran with it in the best way, infusing every moment with energy and draaaaaama. The entire ensemble did a wonderful job, especially given the short rehearsal time and were truly impressive.
Of course, we don’t yet know who will be starring in future productions, but with this incredible cast laying the groundwork, Austenland is already shaping up to be a must-see hit.
4. A Feast for the Eyes
Even in this so-called ‘concert’ setting, the production values were on point. The period-inspired costumes added flair, while clever staging and super fun choreography (Joanna Godwin) gave the show a dynamic, refreshing feel. Mention must also go to the sound (Sound Quiet Time), which was the best I've heard in a concert version in a long time! If this was just a taster, I can’t wait to see what a full-scale production will look like.
5. It Balances Romance and Satire Perfectly
Austenland manages to poke fun at the tropes of romance novels while also delivering a genuinely satisfying love story. Just when you think it’s all ridiculous escapism, the show hits you with a moment of sincerity that reminds you why we all love a good Austen-inspired romance in the first place. Plus of course, all of us romance girlies get what we crave, a swoony story with a Hand Flex included.
Now, I won’t say Austenland is a flawless masterpiece just yet. The pacing needs a little fine-tuning, some songs need altering and a few jokes could land better with some tweaking. But with a few adjustments, this could very well be a 10/10 musical the next time we see it. And honestly? I can’t wait for that moment.
Article written by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 25 February 2025
Calamity Jane 2025 Tour Review: A Rootin’-Tootin’ Revival Where Carrie Hope Fletcher Shines
Calamity Jane (Tour)
New Victoria Theatre
The 2025 UK tour of Calamity Jane bursts onto the stage with energy, charm, and a dose of old-fashioned Wild West fun. Led by the ever-brilliant Carrie Hope Fletcher in the title role, this revival brings a fresh spark to the beloved musical while staying true to its classic appeal. With impressive orchestrations, great lighting design, and dynamic staging, the production proves that Calamity Jane is as entertaining as ever.
If there was ever a performer perfectly suited to bring Calamity Jane to life, it’s Carrie Hope Fletcher. Best known for her powerhouse performances in Les Misérables, Heathers, and The Addams Family, Fletcher steps into the buckskins of the iconic frontierswoman with charisma and confidence. Her portrayal balances tomboyish bravado with heartfelt vulnerability, making her Calamity both lovable and layered.
Vocally, Fletcher is sensational. She delivers showstoppers like 'The Deadwood Stage' and 'Secret Love' with clarity, warmth, and emotional depth. Her rendition of 'My Love Is Higher Than a Hawk' is a standout moment, showcasing her ability to blend rich storytelling with soaring vocals. She brings a modern sensibility to the role without losing the charm and humour that make Calamity such an endearing character.
The production’s lighting design is a major highlight, transporting the audience from the dusty streets of Deadwood to the glittering backstage in Chicago. Soft amber tones create a rustic, sun-drenched frontier feel, while dramatic spotlighting enhances the emotional weight of key scenes. During the climatic 'Secret Love', the transition from warm candlelight to a radiant glow beautifully mirrors Calamity’s personal transformation.
The staging is dynamic and well-paced, with director Nikolai Foster and Co-Director Nick Winston ensuring seamless transitions between the saloon, the theatre, and the open plains. The use of multi-level sets adds depth to the storytelling, and the clever choreography breathes life into the ensemble numbers. The bar fights and comedic misunderstandings play out with precision, bringing a sense of playfulness to the production without feeling over-the-top.
Under the musical direction of Catherine Jayes, the orchestrations remain faithful to the show’s roots while injecting a fresh vibrancy. The lush string and brass arrangements add richness to the score, making classics like 'Windy City' feel both nostalgic and exhilarating. The live band, positioned on stage at times, adds an immersive element, reinforcing the raw, unpolished energy of the Wild West setting.
The 2025 tour of Calamity Jane delivers a highly entertaining, well-executed revival of this beloved musical. Carrie Hope Fletcher leads the charge with a captivating performance, supported by stunning visuals, lively orchestrations, and seamless staging. Modern touches and attitudes mix perfectly with the classic story and show, ensuring a night of laughter, romance, and unforgettable music.
Whether you're a longtime fan of Calamity Jane or discovering it for the first time, this tour is well worth saddling up for. Get ready for a rootin’-tootin’ adventure full of heart, humour, and standout performances.
Reviewed on Tuesday 25th February 2025 by Olivia
Photo Credit: Mark Senior
{AD PR Invite- tickets gifted in exchange for honest review}
Monday, 24 February 2025
Come with me to West End Press Launch for The Great Gatsby
Press launches are always a treat but this one had an extra air of excitement surrounding it as I, alongside a host of stagey people, stepped into the opulent Savoy Hotel for the press launch of the West End's latest sensation, The Great Gatsby musical.
A vintage Rolls Royce parked outside plus the grandeur of the iconic venue, with its art deco interiors, perfectly mirrored the Roaring Twenties ambiance that the production promises to deliver and certainly set the tone for what we can expect from this hotly anticipated Broadway transfer.
The show itself is hugely exciting, but the cast are a whole separate spectacle. Leading the ensemble is the charismatic Jamie Muscato, renowned for his roles in Moulin Rouge!, Heathers and Les Misérables. We got to hear him perform the beautiful, For Her, and I can already see how well he's going to bring the enigmatic, illusive Jay Gatsby to stage. Opposite him, the supremely talented Frances Mayli McCann, celebrated for her performances in Bonnie & Clyde and my personal favourite, Our Ladies of Perpetural Succour, portrays the captivating Daisy Buchanan. Their on-stage chemistry promises to reignite the timeless romance at the heart of F. Scott Fitzgerald's classic.
Adding to the stellar lineup is Corbin Bleu, making his West End debut as the introspective Nick Carraway. Amber Davies steps into the shoes of the vivacious Jordan Baker, while John Owen-Jones takes on the role of the shrewd Meyer Wolfsheim. Jon Robyns and Rachel Tucker round out the principal cast as Tom Buchanan and Myrtle Wilson, respectively. Clad in their finery, this cast are already killing it and I cannot wait to see how they bring their roles and the show to life.
During the launch, we were treated to another exclusive performance by Muscato and McCann, who delivered a mesmerizing rendition of My Green Light, a poignant number that encapsulates Gatsby's yearning and Daisy's allure. The song's haunting melody and evocative lyrics offered a tantalising preview of the musical's rich score.
The creative team behind this adaptation boasts impressive credentials. Director Marc Bruni, known for his work on Beautiful: The Carole King Musical, collaborates with choreographer Dominique Kelley to bring the Jazz Age to life through dynamic staging and dance sequences. The musical features a book by Kait Kerrigan and an original score by Tony Award nominees Jason Howland and Nathan Tysen, blending jazz influences with contemporary musical theater elements to create a soundscape that resonates with modern audiences.
Set to open at the London Coliseum on 11th April, 2025, The Great Gatsby musical invites audiences to immerse themselves in the opulence and decadence of the 1920s. The production promises lavish sets and costumes, transporting theatergoers to Gatsby's extravagant parties and the glamour of West Egg.
Beyond the visual spectacle, the musical delves deep into themes of love, ambition, and the pursuit of the American Dream. Audiences can expect a narrative that honors Fitzgerald's original work while offering fresh interpretations and insights into the characters' psyches.
As the evening at the Savoy concluded and the last of the Laurent Perrier champagne was drunk, it was evident that The Great Gatsby musical is poised to be a landmark event in the West End calendar. With a compelling cast, visionary creative team, and a story that has captivated readers for a century, this production offers a theatrical experience not to be missed.
Tickets are now on sale, and given the buzz surrounding the show, securing seats early is highly recommended. Prepare to be transported back in time and witness a tale of passion, decadence, and the relentless pursuit of dreams.
Friday, 24 January 2025
2025 Theatre: West End and Broadway Shows Opening This Year
2025 is set to be another brilliant one for theatre fans, with both Broadway and the West End set to welcome a host of exciting new productions. From fresh adaptations of beloved classics to innovative original works, the stages are primed to dazzle audiences worldwide.
Here's a list of seven shows we're excited to see open in 2025:
1. The Great Gatsby- West End Premiere
F. Scott Fitzgerald's timeless novel, The Great Gatsby, is set to dazzle the West End in a new musical adaptation. Following a successful Broadway run, this production will grace London's London Coliseum from 11th April. Audiences can expect a lavish portrayal of the Roaring Twenties, complete with opulent sets, period costumes, and a jazz-infused score that brings the enigmatic Jay Gatsby and his world to life. This adaptation promises to capture the essence of the classic tale, exploring themes of love, ambition, and the American Dream.
2. Hercules- Disney's Mythical Musical
After a long wait, Disney's animated favorite, Hercules, is making its way to the West End stage in a grand musical way. Set to open at the Theatre Royal Drury Lane on 6th June, this production reimagines the legendary tale of the demigod Hercules on his quest for heroism. Directed and choreographed by Casey Nicholaw, with music by Alan Menken and lyrics by David Zippel, the show promises a blend of humour, heart, and high-energy numbers. Audiences can look forward to beloved songs from the original film, such as Go the Distance, alongside new compositions crafted for the stage.
3. Dirty Dancing- A Classic Reimagined
For film fans, the iconic love story of Dirty Dancing returns to the stage, offering fans a fresh take on the beloved 1987 film. Opening on 23rd October, 2025, at the newly established Capital Theatre in Westfield London, this production invites audiences to relive the romance of Baby and Johnny, whilst experiencing a new theatre too. With its memorable dance sequences and a soundtrack featuring hits like (I've Had) The Time of My Life, the show captures the essence of the original while introducing innovative choreography and staging. The Capital Theatre, a state-of-the-art venue, promises an intimate experience, ensuring every seat offers a prime view of the performance.
4. The Picture of Dorian Gray- Broadway's Bold Adaptation
After a hugely successful West End run, Oscar Wilde's classic novel, The Picture of Dorian Gray, receives a contemporary twist in this bold Broadway adaptation. Previews begin on March 10th, 2025, at the Music Box Theatre, with an official opening on 27th March. Starring Sarah Snook, renowned for her role in Succession, the production features her in an impressive 26 roles, showcasing her versatility and depth as a performer. Directed by Kip Williams, the play delves into themes of vanity, morality, and the consequences of eternal youth, offering a poignant reflection on society's obsession with appearance.
5. Buena Vista Social Club- A Musical Journey to Cuba
Transporting audiences to the vibrant streets of Havana, Buena Vista Social Club is a new musical inspired by the Grammy Award-winning album of the same name. Set to begin previews on 21st February, 2025, at the Gerald Schoenfeld Theatre, with an official opening on March 19th, the production celebrates the rich musical heritage of Cuba. Produced by John Leguizamo, the show features a live Afro-Cuban band and a cast that brings to life the stories of the legendary musicians who made the album a global sensation. Audiences can expect a rhythmic journey filled with soulful melodies, vibrant dance, and a narrative that honours the resilience and passion of Cuban artists.
6. Operation Mincemeat- The Little Show That Could
Making its Broadway debut after a successful run in London's West End, Operation Mincemeat is a musical comedy that brings to light one of World War II's most audacious deceptions. Previews commence on 15th February, 2025, at the Golden Theatre, with an opening night on 20th March. The story follows a daring British intelligence operation that aimed to deceive the opposition, turning the tide of the war. With a blend of sharp wit, engaging music, and historical intrigue, the production offers a fresh perspective on a remarkable true story, making it a must-see for history buffs and theatre lovers alike.
7. Stereophonic- A Rock 'n' Roll Stage Experience
After garnering critical acclaim and multiple Tony Awards on Broadway, Stereophonic is set to electrify London's West End in May 2025 at the Duke of York’s Theatre. Written by David Adjmi, the play immerses audiences in the dynamic world of a 1970s rock band as they navigate the tumultuous process of recording their second album. Featuring original music by Will Butler of Arcade Fire, the production delves into themes of ambition, creativity, and the personal struggles that come with fame. The show's innovative staging and compelling narrative promise an unforgettable theatrical experience that resonates with music enthusiasts and theatre-goers alike.
This is just a small taste of what's on offer this year, and there's so much more across the UK and USA. Whether you're a fan of dramatic storytelling, musical extravaganzas, or historical tales brought to life, the stages of Broadway, the West End and beyond are set to offer something truly special this year. And of course, we'll be covering as much as we can on Rewrite This Story.
Stay Stagey!
Wednesday, 15 January 2025
Galloping Through the Heart: War Horse Stirs the Soul
War Horse (Tour)
New Victoria Theatre
War Horse returns to the stage with all the emotional resonance and technical mastery that have solidified its place as an iconic theatrical experience. Directed by Tom Morris, with revival direction by Katie Henry, this production feels especially poignant in today’s world, where themes of resilience, connection, and hope resonate more profoundly than ever.
The centrepiece of this production is the breathtaking puppetry, crafted by the visionary Handspring Puppet Company. Joey and Topthorn are engineering marvels, made from lightweight materials that allow for lifelike movements while retaining a skeletal elegance. Each flick of an ear, swish of a tail, and laboured breath is brought to life by the outstanding puppeteers. Matthew Lawrence (Joey- Head), Rafe Young (Heart), and Felicity Donnelly (Hind) infuse Joey with a remarkable blend of power and vulnerability, while Rianna Ash (Head), Chris Milford (Heart), and Thomas Goodridge (Hind) give Topthorn a commanding presence that is as awe-inspiring as it is poignant. It's quite amazing how quickly you fall in love with these animals, and just shows how effective the puppetry is.
The lighting design (Rob Casey), masterfully executed, plays a crucial role in elevating the production’s emotional intensity. Harsh, angular beams during battle sequences evoke the chaos of war, while softer, golden hues in pastoral scenes create a sense of peace and nostalgia. The transitions are seamless, guiding the audience’s emotions as effectively as the narrative itself.
The atmospheric sound design and Adrian Sutton’s stirring score further immerse the audience, evoking the thundering hooves of cavalry charges and the haunting quiet of the battlefield. The interplay of sound and visuals heightens the emotional impact, ensuring each scene lands with maximum resonance. While there are moments where the graphics feel a little basic, they do fit with the general vibe and can't really detract from such a wonderful production.
Joey’s foalhood is depicted with exquisite charm by Eloise Beaumont-Wood (Head), Diany Samba-Bandza (Heart), and Jordan Paris (Hind), whose synchronised movements perfectly capture the playful innocence of a young horse.
Another heart of this emotionally charged production is Tom Sturgess as Albert Narracott, whose heartfelt performance anchors the story with warmth and authenticity. Sturgess masterfully captures Albert’s unyielding determination and deep bond with Joey, imbuing the character with a raw vulnerability that resonates throughout the play. Whether he’s expressing tender affection for his beloved horse or grappling with the horrors of war, Sturgess commands the stage with a magnetic presence that keeps the audience firmly invested in Albert’s journey. His portrayal adds an essential human dimension to the sweeping narrative, making the connection between man and horse all the more poignant.
This production transcends traditional storytelling, blending artistry and innovation into a truly immersive experience. As one character wisely observes, “Where there’s life, there’s hope.” In a world fraught with uncertainty, War Horse is a timely reminder of our shared humanity, perseverance, and capacity for love.
From the remarkable puppetry to the evocative lighting and sound, War Horse is a technical and emotional triumph that gallops straight into your heart. This is theatre at its finest- unmissable and unforgettable.
★★★★★
Reviewed on Tuesday 14th January 2025 by Olivia
Photo Credit: Brinkhoff-Moegenburg
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday, 12 December 2024
Everything You Could Ask For in a Panto: Sleeping Beauty at the New Victoria Theatre REVIEW
Sleeping Beauty (Pantomime)
New Victoria Theatre
The New Victoria Theatre’s Sleeping Beauty was a beautifully crafted production with amazing scenery, atmospheric lighting and flamboyant costumes; it was everything you want a panto to be. From the playful delightful Royal magician (Richard Cadell), Spirit of Dreams Dame played by the national treasure himself Christopher Biggins, to the wicked Evil Sorceress Carabosse delivered by the talented Faye Tozer, everything was wonderful.
To hear the adult’s laughter and the children’s screams of delight was a jubilant piece of escapism from a very grey world of doom and gloom. All the cast were fantastic in their differing roles and together, they transformed the theatre into a magical sanctuary of joy and fun for everyone. It was funny throughout with hilarious one liners that didn’t veer into political territory as is sometimes the case. Instead it focussed more on colloquialism of the local towns and surrounding areas of Woking and general life experiences, which were really effective and brought the audience to tears of laughter. Particular mention must go to the inventive stage design and special effects; the 3D scenes with the helicopter and the dragon were so effective, they had the front rows cowering!
Another real hit with the audience was Sooty accompanied by Sweep and SOO, it certainly transported me back to being a young child and loving that little puppet so much that you begin to believe that they are real, well aren't they? Special mention of course must go to Richard Cadell as Muddles and Faye Tozer as Carabosse. Muddles really galvanized the plot together with brilliant funny one liners, his magical illusions, excellent timing and great engagement with the audience. Tozer as Carabosse made an excellent villain and to be honest was not a role I had thought would naturally suit Faye, but how wrong was I. She delivered both excellent acting and singing- a perfect Panto villain. The rest of the cast equally delivered solid performances. Prince William made a great leading man with a Bridgerton air around his persona and a great singing voice, with both the King and Queen delivering a majestic and humorous performance, Princess Aurora, as the love sick princess being completely oblivious of Muddles’ crush on her and his feelings. With Christoper Biggins delivering a masterclass of being a Panto Dame, as the spirit of dreams whilst precariously hanging in the air above the stage.
I left the theatre in a much happier place after seeing the Pantomime, it made me vow to myself that I would make a promise to upkeep the British tradition of of going every year, after not going to for such a long time. I left the theatre with ringing in my ears of cries of delight "look behind you", "I feel good", "Oh no you don't "and "Goodbye Biggins " and with the whole audience dancing to ‘Tragedy’. In summary- I absolutely loved it!
If you want a feel good feeling, sprinkled with a festive fairy dusting of humour and fun, then Sleeping Beauty is the panto for you! A definite 10/10!
★★★★★
Reviewed on Tuesday 10th December by Glenys Balchin
Photo Credit: Ian Osslon
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 6 December 2024
The West End’s Most Stylish Show? The Devil Wears Prada Musical Delivers Glamour and Heart
The Devil Wears Prada musical delivers a dazzling blend of nostalgia, fresh storytelling, and powerhouse performances- a night out that even Miranda Priestly might deem acceptable"
The Devil Wears Prada
Dominion Theatre
When adapting a cultural phenomenon like The Devil Wears Prada, the stakes are high. Fortunately, this musical adaptation succeeds in channeling the charm and sass of the beloved 2006 film while refreshing the story for modern audiences. With a talented creative team led by Elton John (music), Shaina Taub/Mark Sonnenblick (lyrics), and direction/choreography by Tony Award-winning Jerry Mitchell, the musical brings a vibrant mix of fashion, drama, and heartfelt character development to the stage.
One of the show's strengths lies in its balance of homage and reinvention. Fans of the movie will appreciate iconic nods like the cerulean sweater monologue and Andy’s stunning transformation, while new elements ensure the production feels fresh. For example, Andy's struggles with her weight are taken out, reflecting contemporary sensibilities. Similarly, the character of Nigel (played with warmth and depth by Matt Henry) has been given more of a backstory, highlighting his journey as a gay man and his profound love for fashion. These updates add layers of relatability and emotional resonance to the narrative.
Another welcome change is the improved portrayal of Andy’s boyfriend, Nate (played here by Rhys Whitfield). In the film, he’s often criticised for being unsupportive, but here he’s a far more sympathetic figure, expressing his emotions and making genuine efforts to support Andy as she navigates the high-stakes world of Runway magazine. These tweaks make the story feel less dated and more nuanced.
The cast is a powerhouse, led by Georgie Buckland, who shines as the ambitious and relatable Andy Sachs; her vocals are fantastic and she does a great job of showing Andy's journey and development throughout. As recently promoted assistant Emily, Amy Di Bartolomeo completely steals the show. Her razor-sharp wit and impeccable comedic timing make every scene she’s in a delight, and her big number is a standout moment that earns thunderous applause; her vocals are astounding and she truly shines in every single moment. Vanessa Williams as Miranda Priestly is commanding and effortlessly stylish, capturing the character’s icy exterior and surprising moments of vulnerability with finesse. Universally, the cast are really strong with a number of member multi-rolling to great effect.
Visually, the show is a feast for the eyes. The costumes-unsurprisingly-are spectacular, Gregg Barnes has done a stellar job of bringing high fashion to life on stage. The gala scene, paired with the title number 'The Devil Wears Prada', is a jaw-dropping spectacle where the wardrobe truly takes centre stage. The lighting design (Bruno Poet) is equally impressive, often framing characters as though they’re mannequins in a window display- a clever and effective visual motif that underscores the story’s themes of image and identity.
Elton John’s score is undeniably fun, packed with witty lyrics and catchy melodies. While it doesn’t push the boundaries of musical theatre, it fits the show perfectly, delivering the energy and humour fans expect. Numbers like 'How to Survive at Runway' and 'Miranda Girl' capture the glitzy yet cutthroat world of fashion, while more introspective songs give the characters room to breathe and connect with the audience.
This production knows its audience: die-hard fans of the film and lovers of fashion will relish every moment, but it also has the potential to win over theater newcomers. Its approachable storyline, dazzling production values, and killer performances make it an excellent introduction to musical theatre.
Ultimately, The Devil Wears Prada is not a groundbreaking work of art, but it doesn’t need to be. It’s a stylish, fun, and faithful adaptation that celebrates what we loved about the original while making smart updates for today. With its 2000s nostalgia, enviable wardrobe, and impactful performances, this is a show that delivers exactly what it promises: a fabulous night out.
Miranda Priestly may not gush, but this production earns a well-deserved four stars. That’s all.
★★★★
Reviewed on Sunday 1st December 2024 by Olivia
Photo Credit: Matt Crockett
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 29 November 2024
The Lightning Thief: The Percy Jackson Musical Review- A Vibrant Escape Packed with Heart and Humour
Like Camp Half-Blood itself, this show offers an unforgettable escape filled with friendship, unity, and a world where everyone can be a hero."
The Lightning Thief: The Percy Jackson Musical
The Other Palace
The Lightning Thief the Percy Jackson Musical based on Rick Riordan’s beloved novel of the same name, finds its perfect home on the intimate stage of The Other Palace. This fantastically staged production knows exactly what it’s aiming for: a heartfelt, high-energy story for fans of the books, young theatergoers, and anyone seeking an escapist evening of fun. It’s not a transformative piece of theatre but it never tries to be. Instead, it’s a faithful, joyfully chaotic adaptation that delivers a thoroughly entertaining experience.
The musical, with a book by Joe Tracz and music and lyrics by Rob Rokicki, condenses the sprawling first book of the Percy Jackson & the Olympians series into a fast-paced two-hour show. Percy Jackson, a seemingly average teenager, discovers he’s the demigod son of Poseidon. Alongside his best friend Grover and fellow camper Annabeth, he embarks on a quest to retrieve Zeus’s stolen lightning bolt, battling monsters and confronting his insecurities along the way. Themes of friendship, belonging, and overcoming personal challenges echo throughout, resonating especially with anyone navigating the struggles of growing up.
The standout performances begin with Max Harwood as Percy Jackson. Harwood, known for his starring role as Jamie New in the movie version of Everybody's Talking About Jamie and his recent role in Stranger Things once again demonstrates why he’s a star on the rise. I was lucky enough to see Max's debut as Melchior in Spring Awakening and I knew great things were on the horizon for him so it's so wonderful to see him leading this show with such brilliance. His strong, healthy vocals handle Rokicki’s rock-influenced score with confidence, while his physicality and emotional depth ground Percy’s journey in authenticity. Harwood’s Percy is funny, flawed, and fiercely relatable- a hero in trainers we can all root for. Watching him embody the sarcastic yet earnest demigod is an absolute treat, solidifying his status as one of the most exciting young performers on the stage today.
Mirroring Percy’s charm are Jessica Lee as Annabeth Chase and Scott Folan as Grover. Jessica brings a sharp wit and determined energy to Annabeth, perfectly capturing the daughter of Athena’s intellect and drive. Her duet with Harwood, 'My Grand Plan', is both heartfelt and empowering. Scott, meanwhile, is utterly delightful as Grover, mixing lovely comedic timing with moments of vulnerability that bring the satyr’s loyalty to life.
The ensemble shines, masterfully multi-rolling through a colourful array of characters, from meddling gods to fearsome monsters. Their quick changes and distinct characterisations are a testament to their talent and energy. Whether it’s a eye-dangling Fury or a groovy Poseidon, the ensemble brings Riordan’s mythological world vividly to life.
The creative team deserves immense credit for transforming the small stage of The Other Palace into a dynamic playground of gods and monsters. Charlie Morgan Jones’s vibrant lighting design and Duncan McLean’s imaginative projections work in tandem to expand the space, while clever touches- like bubbles to suggest underwater scenes- immerse the audience in Percy’s world.
The musical’s ability to nod to large-scale moments from the book (like the showdown with Ares) without overcomplicating them is a smart move by director Lizzi Gee. By focusing on character and humour rather than spectacle, the adaptation avoids the pitfalls of feeling overly ambitious.
Rob Rokicki’s score is an infectious blend of rock and pop that captures the angst and excitement of Percy’s story. Songs like 'Good Kid' and 'The Tree on the Hill' resonate emotionally, while the humorous numbers like 'D.O.A.' provide laugh-out-loud moments. That said, at times, the sound mix leaned too heavily on volume, making some lyrics difficult to catch- a minor issue in an otherwise great production.
The Lightning Thief thrives because it knows its audience. It’s not here to change the world- it’s here to celebrate it, offering fans of Riordan’s books and newcomers alike a chance to step into a world of camaraderie and mythological mischief. The Other Palace, with its cosy yet versatile stage, feels tailor-made for this production, inviting the audience into Camp Half-Blood’s warm embrace.
The musical excels at what it sets out to do: entertain, uplift, and provide a few hours of joyous escapism. With a faithful adaptation, a gifted cast led by the brilliant Max Harwood, and a visually inventive production, it’s a treat for fans and a celebration of the power of storytelling- a monster of a show! Like Percy’s time at Camp Half-Blood, it reminds us that even when life gets messy, friendship and unity can see us through.
★★★★
Reviewed on Thursday 28th November 2024 by Olivia
Photo Credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 27 November 2024
Now That’s What I Call a Musical: A Fun Nostalgia-Fest with some Flaws | Review
Now That’s What I Call a Musical
New Victoria Theatre
If you’re craving a night of toe-tapping 80s hits and breezy humour, Now That’s What I Call a Musical might be just the ticket. Currently touring the UK, this jukebox musical delivers big on nostalgia, though it stumbles in depth and pacing. With a talented cast and high-energy set pieces, it’s a fun evening out, even if it doesn’t push any creative boundaries.
The first act introduces a 1989 school reunion and a group of ex-students struggling with love, ambition, and nostalgia. However, while the setup is charming enough, the narrative lacks momentum, with the story often feeling like it’s merely an excuse to lead into the next song. Fortunately, the second act ramps up the stakes. Secrets unravel, tensions surface, and the characters finally confront their dilemmas in earnest. While these revelations might not reinvent the wheel, they bring a welcome spark of drama and emotional resonance.
The cast gives it their all, infusing charisma and vocal talent into even the thinnest material. Nina Wadia (as Gemma who feels stuck in her life) brings a heartfelt performance and vocals. Shakil Hussain steals scenes as the sarcastic but brother, delivering some of the show’s best comedic moments. Meanwhile, Chris Grahamson is compelling as Tim, the sleazy player who's got Gemma wrapped around his finger. The standout is absolutely Melissa Jacques who enters just before the end of act one and provides the best vocals and some really emotional moments. Her portrayal of the larger than life April, who went to LA to live her actress dreams is very well characterised and feels like the most developed of them all. Carol Decker makes a guest appearance for one song and showcases her great vocals in her hit song 'China in Your Hand'.
The humour is light and occasionally sharp, with plenty of laugh-out-loud moments and nods to the 80s. The jokes might not land for everyone, but there’s an endearing self-awareness in the script that keeps it from taking itself too seriously. And, of course, the 80s anthems are the real star here. Whether it’s 'Red Red Wine' or 'Every Breathe You Take', the production knows how to use these iconic songs to maximum effect.
The show’s design team deserves applause. The set design, by Tom Rogers, captures the small-town charm with a versatile backdrop that transitions seamlessly between locations. Ben Cracknell’s lighting design adds flair, particularly in the second act’s climactic moments, bathing the stage in dramatic reds and blues that elevate the mood. The sound design by Adam Fisher ensures the music is crisp and immersive, though there were moments where dialogue got lost beneath the score.
If there’s a weakness, it’s in the writing. Pippa Evans' script doesn’t dig deeply into its themes or characters, sticking to predictable tropes and shallow conflicts. While this simplicity might frustrate those looking for a more substantial narrative, it’s clear the focus here is on entertainment, not profundity.
Now That’s What I Call a Musical won’t change your life, but it’s an enjoyable escape. For fans of 80s music, it’s a nostalgic treat, carried by a dedicated cast and vibrant production design. While the story doesn’t say anything new, the show’s heart and humour make it a worthwhile outing. Go for the tunes, stay for the laughs, and enjoy the trip down memory lane.
★★★
Reviewed on Tuesday 26th November 2024 by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 20 November 2024
Wicked Movie Review: Everything we Hoped For and More
Like so many, I’ve been enchanted by Wicked since I was young. The musical shaped my childhood, inspired my imagination, and stayed with me through every stage of life (my dog is literally called Elphie!) When news of a film adaptation first surfaced all those years ago, my heart soared, though tempered with the hope that they would do justice to something so pivotal to me and countless others. It’s been a long yellow brick road, with years of speculation, rumours and anticipation, but now that it’s here, Wicked: The Movie exceeds every expectation and delivers a spectacle that was worth every moment of the wait.
Director Jon M. Chu has not only brought the world of Oz to life- he has redefined what a movie musical can be. This film doesn’t just enchant; it moves, it stirs, and it utterly inthralls. From the first soaring notes of 'No One Mourns the Wicked' to the breathtaking final moments, it’s clear that this team poured their hearts into every frame.
The cast, led by the luminous Cynthia Erivo as Elphaba and the effervescent Ariana Grande as Glinda, is extraordinary. Erivo’s performance is as brilliant as we all expected- her Elphaba is fierce, vulnerable, and heartbreakingly human. Of course, she also imbues every note with raw emotion, making every song a transcendent experience. Grande, meanwhile, brings a sparkling charm and necessary depth to Glinda, perfectly balancing her bubbly exterior with a poignant sincerity. The chemistry between the two is electric, capturing the complexities of friendship and rivalry that lie at the heart of the story, I am already buzzing with anticipation of how the pair are going to develop in Wicked: Part Two. Like with every aspect of this film, you can tell how much love has gone into it, Ariana and Cynthia's performances feel so incredibly lived in, you can tell how much they adore the roles and how they planned and turned every stone in finding their own versions. They feel true enough to the originals but also bring newness and fresh energy. The Winkie Prince doesn't have as developed of a role in Part One but Jonathan Bailey as Fiyero is still masterful. His smooth charisma is utterly swoon-worthy but more than that, his sincerity and depth is enchanting to watch. In my opinion, 'Dancing Through Life' is one of the most edited songs from the original, but it works so SO well. The new musical arrangement is very cool, with a more funkified feel that complements the show, while feeling totally relevant for a 2024 Wicked release; the whole scene is a joy to watch. Supporting performances by Ethan Slater as Boq, Jeff Goldblum as The Wizard and Michelle Yeoh as Madame Morrible round out the ensemble, each actor bringing something fresh to the beloved characters and paving the way for Part 2.
The music, brought to life with lush orchestration and gorgeous vocals, feels both reverent to Stephen Schwartz’s original score and fresh for this new medium. Familiar songs like 'Popular' and 'What is This Feeling' shine anew, while the staging and cinematography elevate them into true cinematic moments.
One of the greatest triumphs of this adaptation is its fidelity to the source material. Despite its aspirations of massive commercial success- evident from the ambitious marketing campaign- it never sacrifices the heart of the story or the integrity of the musical’s themes. This feels like a love letter to the fans who’ve cherished Wicked for years. Seeing the iconic Time Dragon Clock, the enigmatic blobby men (yes, the technical term!), guest star appearances, and subtle musical motifs scattered throughout feels like being reunited with an old friend. I also love how the cast were allowed to play around with riffs throughout the movie, something that's a big part of the Wicked fandom. There are whole YouTube compilations of the best 'Defying Gravity Riffs' and I have no doubt that the movie one will be added alongside all the others that perfectly fit and bring a freshness to the score that delivers on every level.
The world-building is nothing short of spectacular. Every corner of Oz is brought to life with meticulous attention to detail, from the verdant forests of Shiz and the university to the glittering, imposing Emerald City. Each setting feels wonderfully alive, creating a fully realised world that you can’t help but get lost in. It’s a treasure trove of visual and thematic delights, packed with details that will have fans poring over every frame on their fourth, fifth, or tenth viewing.
This is the kind of film that makes you want to shout about it, to grab everyone you know and say, “You have to see this!” Jon M. Chu and the entire team behind this masterpiece have created a work that will fill the hearts of longtime fans while dazzling new audiences with its brilliance.
For those of us who grew up with Wicked, this is more than just a movie- it’s a moment, a celebration, and a dream brought to live. I could go on for hours and I'm honestly still tearing up the morning after seeing this film, but in summary- it's perfect! Congratulotions to the cast, crew, and creators for giving us something so magical, so heartfelt, and so, so Wonderful. 💚
Sincerely, Olivia
Wicked Lover since Age 8
★★★★★
{movie tickets were gifted}
Tuesday, 12 November 2024
The UK Tour of The Rocky Horror Show Delivers Electrifying Fun
Rocky Horror (UK Tour)
New Victoria Theatre
The current UK tour of The Rocky Horror Show is a dazzling celebration of camp, comedy, and timeless rock ‘n’ roll rebellion. Richard O’Brien’s cult classic continues to delight audiences, and this production pulls out all the stops, blending sensational performances with impressive choreography and vivid lighting design that heightens the show’s electrifying atmosphere.
This 2024-25 tour boasts a stellar ensemble led by the charismatic Stephen Webb as Frank-N-Furter, whose magnetic stage presence and powerful vocals breathe new life into the iconic 'Sweet Transvestite'. Erica Wild (at this performance) shines as Janet, combining comedic timing with vocals that soar in numbers like 'Touch-a, Touch-a, Touch Me'. Opposite her, Connor Carson brings humour and vulnerability to Brad, nailing his transformation from buttoned-up to liberated, as well as providing spectacular vocals.
A special shoutout goes to Edward Bullingham as Eddie/Dr. Scott, whose versatility and energy light up the stage, and Joe Greuter as Riff Raff, whose performance captures both menace and mischief, and brings some of the most amazing vocals to the show. Meanwhile, Natasha Hoeberigs delivers a spellbinding portrayal of Magenta, and Jayme-Lee Zanoncelli infuses Columbia with relentless charm. Together, the cast creates a perfect harmony of chaos, comedy, and glamor.
As always, The Rocky Horror Show thrives on audience interaction, and the current tour embraces this with gusto. The Narrator, played by Nathan Canton, deserves particular praise for his impeccable wit and quick-thinking, delivering ad-libbed responses to audience callouts that kept the theatre roaring with laughter. His dry humour perfectly balances the wild, unrestrained energy of the rest of the production and brought a modern twist to the show that works really well.
The technical brilliance of this production enhances the experience. The lighting design uses bold, neon hues and dramatic contrasts to amplify the show’s gothic and sci-fi aesthetic, especially during key numbers like 'Over at the Frankenstein Place'. The choreography, spearheaded by Nathan M. Wright, is a standout, with each dance number exuding energy and precision while maintaining the delightful chaos that defines Rocky Horror.
What makes this tour particularly noteworthy is how it embraces the timeless themes of liberation, self-expression, and community while subtly nodding to modern sensibilities. The chemistry between the cast and the audience creates a shared experience that feels both nostalgic and refreshingly contemporary.
Whether you’re a longtime “Transylvanian” or a first-time viewer, this tour of The Rocky Horror Show promises a night of unapologetic fun, unforgettable music, and stellar performances. From the iconic 'Time Warp' to the heartfelt 'I’m Going Home', every moment brims with energy and passion.
Book your tickets now to catch this phenomenal production on its UK tour- it’s a thrilling night out that’s guaranteed to leave you grinning and singing along. With its flawless cast, stunning visuals, and classic rock ‘n’ roll charm, The Rocky Horror Show continues to be a cult masterpiece that’s impossible to resist.
★★★★
Reviewed on Monday 11th November 2024 by Olivia
Photo Credit: David Freeman{AD PR Invite- tickets gifted in exchange for honest review}
Sunday, 10 November 2024
THEATRE NEWS ROUNDUP 3rd November- 9th November 2024
Happy Sunday! Here's another week of arts news, including concert headliners, a Broadway transfer, contests and lots more. As always, you can find the full stories by clicking the headline...
Noah Kahan Headlines BST Hyde Park 2025 with Special Guest Gracie Abrams
The duo headline BST Hyde Park 2025 for an epic folk-pop experience on July 4th 2025.
Bradley Jaden’s ‘Recorded Live in London’ Album Set for Release
The album captures the magic of his June 2024 Cadogan Hall concert, featuring iconic musical theatre performances and star-studded duets.
Bradley Jaden’s ‘Recorded Live in London’ Album Set for Release
The album captures the magic of his June 2024 Cadogan Hall concert, featuring iconic musical theatre performances and star-studded duets.
Elektra, the electrifying West End revival of Sophokles’s timeless tragedy, directed by Tony-winning visionary Daniel Fish, features an all star cast.
The 2024 Best New Song Prize Concert will feature an incredible cast in a one-night showcase of emerging musical theatre talent at The Other Palace in London.
Experience the wit and charm of The Pirates of Penzance as the production returns to the ENO for a strictly limited season at the London Coliseum.
Experience the acclaimed adaptation of The Lonely Londoners at Kiln Theatre this January, where Selvon’s evocative story of the Windrush generation in 1950s London brings to life the challenges, dreams, and community spirit of Caribbean migrants
The ballet returns for its 30th anniversary tour, bringing an iconic revival to audiences across the UK and Ireland with 29 weeks of performances in 19 cities.
The smash-hit musical brings the glitz and glamour of the Roaring Twenties to London’s West End in spring 2024 at the historic London Coliseum.
Nominations are now open for the WhatsOnStage Awards, where theatre fans can vote for their favourite shows and performers, culminating in a live event at the London Palladium on February 9, 2025.
London’s new Capital Theatre will open in autumn 2025, at Westfield London, Shepherd’s Bush.
Boublil and Schönberg’s iconic musical is set for a fresh UK tour, opening October 2025 with a reimagined production led by Michael Harrison and Cameron Mackintosh.
Join Maddie Moate’s Very Curious Christmas: A Festive Science Adventure in London’s West End
Experience a holiday science adventure full of fun, facts, and festive cheer, live this December.
That's it for another week! Come back next Sunday for your weekly dose of theatrical stories and in the mean time we'll see you on socials. Stay stagey!
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