Showing posts sorted by relevance for query Wicked. Sort by date Show all posts
Showing posts sorted by relevance for query Wicked. Sort by date Show all posts
Friday, 14 November 2025
Wicked Book Club 2025 Guide: Every New Wicked Book Release and Gift Idea for Oz Fans
All the Book Releases to Dive into Alongside Wicked: For Good
(This post contains affiliate links, from which I may earn a small commission at no extra cost to you)
If you loved the world of Wicked on stage or screen, you need to explore the world of Wicked books which give us fans so many ways to stay in Oz. From collector editions and pop-ups to novel reissues and new prequels, here’s a full guide to what to look out for this season.
Wicked- Special 30th Anniversary Edition by Gregory Maguire
This gorgeous new hardback edition celebrates the original novel that inspired the show and films. Released 1 October 2025, it features a special ‘Glinda’ design with pink soft-touch casing, illustrated endpapers and ribbon marker.
Important note: This novel is aimed at adults, and the tone and content vary considerably from the musical version- so if you’re looking for something for younger readers, proceed with caution.
Elphie: A Wicked Childhood (2025)
This is the most recent release from Gregory Maguire, a prequel novel exploring the early years of Elphaba (before she becomes the famed witch).
If you’re doing Christmas shopping for a fan of the witches of Oz, this is a brilliant gift option, with fresh Ozian lore for 2025.
Wicked: The Ultimate Pop‑Up Book
For fans of visual spectacle, this upcoming December 2025 book by Matthew Reinhart folds out into a large map of Oz and brings to life key locations from the musical film with pop-ups on every page. Ideal for gifting (especially around the holidays) and for fans of design and theatre alike.
Wicked: The Faces & Places of Oz
Arriving 18 November 2025, this book gives a photographic and visual tour of Oz- from Munchkinland’s cottages to the Emerald City’s fountains- and pairs characters and locations for fans who love immersive world-building.
Wicked: The Complete Screenplay
Released 21 October 2025, this hardcover offers the full script to Act I of the film adaptation, including song lyrics and behind-the-scenes notes. A great pick for theatre lovers and readers who want the “inside track” on the film.
Paper Magic: Wicked – 160 Tear‑Off Pages for Writing, Crafting, and Sharing
This title adds a creative twist: a craft-and-writing pad inspired by the Wicked universe. It offers 160 tear-off pages themed around Oz for journaling, crafting and sharing.
Mary Man-Kong’s Wicked Children’s Books
Wicked: We Are Shiz- A picture book that explores the social life and early days at Shiz University.
Wicked: I Am Fiyero- A children’s storybook celebrating Fiyero. Each of the main characters has a sweet book exploring their story alongside beautiful illustrations.
These editions are ideal for younger readers and fans looking for accessible, vibrant introductions to the Oz universe.
Quotes of Grandiosity
A playful gift book filled with iconic Wicked quotes paired with bold typography and vibrant art. This compact edition is perfect for fans who love theatre wisdom and good humour.
Wicked For Good: The Illustrated Lyrics
A stunning full colour book that brings the lyrics of the film to life through new illustrations inspired by Oz. This edition is ideal for musical lovers who want a beautiful keepsake for their shelves.Wicked: The Illustrated Lyrics – Defying Gravity and For Good
A companion edition that focuses exclusively on two of the most beloved songs in musical theatre history. With lush artwork and annotated lyrics, this slim volume makes a perfect stocking filler or gift for fans who hold these songs close to their hearts.Wicked Tarot Deck and Guidebook
A fully illustrated tarot deck inspired by characters, themes and symbolism from Wicked. Paired with a detailed guidebook, this set blends Oz storytelling with intuitive tarot practice. It is already becoming a favourite among collectors of themed tarot.
Wicked: For Good – Illustrated Lyrics Edition
A second illustrated lyric edition focused on the two title songs of the new film. With original artwork, handwritten style typography and elegant design, this version is ideal for collectors who enjoy the artistic side of musical theatre books.
Wicked: Deluxe Paper Dolls
A nostalgic yet modern collectible featuring detailed cut out figures of Glinda, Elphaba and other characters. Each doll comes with a wardrobe of costumes based on the upcoming film. A perfect pick for fans who love theatre memorabilia with a creative twist.
Also available are Replica pop-up editions such as Wicked: The Story of Oz & The Wonderful Wizard Replica Pop‑Up Book are also available. These extras make great add-ons or collector pickups alongside the main releases.
From dazzling pop-ups to script books and collector editions, the 2025 Wicked book releases span a wide variety of styles and reading experiences. Whether you’re shopping for yourself or someone else this Christmas, there’s something in Oz for every kind of fan.
If you're looking for other Wicked: For Good related items, either as gifts or for yourself, check out our list of the top Wicked: For Good Collaborations here.
Monday, 10 November 2025
All the 2025 Wicked: For Good Collaborations Every Fan Needs
The countdown to Wicked: For Good is officially on, and fans are ready to be changed for good. This highly anticipated sequel doesn’t just return Elphaba and Glinda to the big screen, it’s also sparked a full-on pop culture moment through a dazzling wave of brand collaborations.
From limited-edition cookware and nostalgic toys to beauty collections and designer shoes, these collaborations bring Oz to everyday life. Whether you’re Team Glinda or Team Elphaba, there’s something spellbinding for every fan.
Why All These Collaborations?
The world of Wicked has always been about friendship, transformation, and celebrating individuality — themes that fit perfectly with lifestyle and fashion. The 2025 “For Good” campaign expands the film’s message through everything from sustainable beauty to luxury fashion, letting fans live the story beyond the cinema.
For those of us who grew up loving Wicked, it’s a surreal thrill to walk into a high street store and see Emerald City-inspired merch glimmering from the shelves.
Fashion & Accessories
Cambridge Satchel Company
This iconic British brand has created a capsule collection of handbags inspired by the film’s duality. Glinda’s shimmering pinks meet Elphaba’s deep greens in sleek, structured leather designs.
Sophia Webster
Known for her fairytale footwear, Sophia Webster’s Wicked capsule is pure magic. Expect glittering heels, butterfly motifs, and subtle nods to both witches’ personalities.
Roots
The heritage lifestyle brand joins the Wicked lineup with cozy sweatshirts, hoodies, and accessories that channel Oz’s vibrant energy- perfect for fans who want something wearable and timeless.
Loungefly
Loungefly’s collectible bags feature mini designs inspired by the film’s costumes and set pieces. The Glinda bubble backpack and Elphaba’s Grimmerie crossbody are already fan favorites.
Beauty & Self-Care
r.e.m. beauty by Ariana Grande
Ariana Grande’s own brand returns with a luminous Wicked-inspired collection. From emerald shimmer shadows to pink glosses and winged eyeliner kits, it’s the perfect fusion of pop glam and Oz enchantment.
Ariana Grande Fragrances x Wicked
In addition to makeup, Ariana’s fragrance line released limited-edition scents capturing Glinda’s sweetness and Elphaba’s mystery. Each bottle sparkles like a spell in motion.
Lush
The bath and body giant offers “For Good” themed products, including fizzy emerald bath bombs and pastel soaps that look like something straight from Glinda’s dressing table.
Ordo
Ordo has launched Wicked-themed electric toothbrushes and accessories which match the film aesthetics whilst keeping your oral hygiene in prime condition!
Dr Paw Paw
Following on from to success of their Elphaba and Glinda lip duo last year, the beauty brand have launched two more balms: a magical Glinda balm which changes from blue to pink and a beautiful Elphaba nude.
KISS Products
No Wicked: For Good beauty lineup would be complete without a touch of glamour and KISS Products delivers just that. Known for their high-quality press-on nails and fluttery false lashes, KISS has teamed up with Wicked to create a limited-edition collection that’s as bold and bewitching as the film itself.
Home & Lifestyle
Le Creuset
Le Creuset’s Wicked collection has already become a cult hit. Choose between Glinda’s pink enamel Dutch oven or Elphaba’s green-and-black cast iron casserole. Perfect for adding a little drama to your kitchen.
Voluspa
Voluspa’s candle duo captures the personalities of the two witches in fragrance form: one light and floral, one dark and smoky. Ideal for setting the mood before your movie night.
Typo
The lifestyle and stationery brand has sprinkled a little Emerald City magic across its shelves with a Wicked: For Good collaboration that’s as fun as it is functional. The Typo x Wicked collection features a mix of stationery, home décor, and accessories, all infused with the film’s iconic pink-and-green palette.
Primark
Primark has jumped on the Oz train with affordable beauty supplies, pyjamas, cardigans, and hair accessories emblazoned with the film’s designs. It’s one of the most budget-friendly way to join the Wicked celebration.
Marks & Spencer
M&S adds its British charm to the mix with mugs, pyjamas, jumpers and accessories that capture the whimsy of the Emerald City.
Absolut
The vodka brand joins the celebration with a shimmering pink-and-green sequin bottle sleeve and cocktail recipes inspired by Oz’s most iconic potions.
Toys & Collectibles
LEGO
LEGO’s Wicked sets are beautifully detailed, recreating famous scenes like Shiz University, the Emerald City, and even Glinda’s bubble carriage, plus beautiful bookends and wall art. It’s a builder’s dream come true for fans of all ages.
Mattel
Mattel’s Wicked dolls are nothing short of stunning. Each figure features film-accurate costumes, poseable details, and collector-worthy packaging- perfect for display or play.
Funko Pop!
The Funko range covers every major character, from Elphaba in her fierce dress to Glinda in her sparkling gown. They’re must-haves for any shelf of Oz memorabilia.
Polly Pocket
The nostalgic toy brand brings Oz to miniature life with themed playsets, imagine opening a compact to find the Emerald City or the Wizard’s throne room inside.
The Noble Collection
For serious collectors, The Noble Collection’s Wicked: For Good range includes exquisite replicas, jewelry, and wands inspired by the film’s artistry.
Insight Editions
This publishing favorite is releasing behind-the-scenes books, collectible stationery, and lavish visual guides that delve deep into the making of the film.
Ravensburger
Puzzle lovers rejoice as Ravensburger has launched beautifully illustrated Wicked jigsaw puzzles that let you piece together the story of Oz, one tile at a time.
Build-A-Bear
A fan-favourite collab that brings cuddly versions of Glinda and Elphaba to life. Each bear comes with themed outfits and accessories.
Care Bears
A nostalgic nod to kindness and friendship, Care Bears’ Wicked-themed bears are charming limited editions celebrating the film’s core message of being “For Good.”
Alongside all of these, there are a also a whole load of Wicked: For Good themed books. We've collated our favourites to create the Wicked: For Good book club which you can find here.
The Magic Beyond the Screen
The 2025 Wicked: For Good collaborations show just how much this story continues to inspire the world. From the high street to the collector’s shelf, every brand involved adds its own touch of Emerald City sparkle.
Whether you’re lighting a candle, building a LEGO Emerald City, or spritzing a little Glinda perfume, one thing’s certain, this is the year Wicked fans everywhere will truly be changed for good.
Monday, 3 November 2025
Wicked Makes West End History at the Apollo Victoria Theatre
A Magical Milestone for the Beloved West End Musical
The West End musical phenomenon Wicked has achieved another remarkable milestone in London theatre history. The spellbinding show, which tells the untold story of the Witches of Oz, has become the ninth longest-running production in West End history.
Following Saturday’s matinee performance, Wicked also surpassed the record held by Andrew Lloyd Webber’s Starlight Express, becoming the longest-running production ever staged at the Apollo Victoria Theatre. This new record was celebrated with a commemorative plaque, presented to representatives from ATG Entertainment and the cast of Wicked, now proudly displayed both backstage and in the theatre’s Ambassador Lounges.
Producer David Stone said:
“We are thrilled that Wicked has become the ninth longest-running production in West End history and the longest-running production in the history of the Apollo Victoria Theatre, surpassing Starlight Express. This milestone is a testament to the extraordinary talent and dedication of the many performers, musicians, backstage teams and theatre staff who have sustained the production with such care and commitment. We offer our heartfelt thanks to the millions of audience members whose continued enthusiasm and support have made this remarkable achievement possible.”
ATG Entertainment’s Chief Content Officer, Michael Lynas, added:
“As the owners of the Apollo Victoria Theatre, we are immensely proud that Wicked has become the venue’s longest-running show. This remarkable musical is a jewel in the crown of the West End and shines as brightly as when it opened more than 19 years ago.”
Since opening in 2006, Wicked has been a cornerstone of London’s musical theatre scene, captivating audiences with Stephen Schwartz’s unforgettable score and dazzling production design. Nearly two decades later, the story of friendship, destiny, and defying expectations continues to inspire theatregoers from around the world.
With Wicked still performing to packed audiences, its place among the greatest West End musicals of all time is now secured and its magic shows no sign of fading.
photo credit: Troy David Johnston
Monday, 20 October 2025
Colman Domingo Joins Wicked: For Good as the Cowardly Lion
It’s official: Colman Domingo will roar into the Land of Oz. The Oscar, Tony, Olivier, and BAFTA nominated performer has been confirmed to voice the Cowardly Lion in Wicked: For Good, the highly anticipated second instalment of Jon M. Chu’s two-part film adaptation of the beloved stage musical, Wicked.
The announcement was made on Instagram, in a playful reveal video featuring Domingo surrounded by the Wicked x Squishmallows collaboration plush of his new character.
In the stage musical, the Cowardly Lion is only briefly mentioned and never appears onstage, but Chu has promised that Wicked: For Good will expand the role, giving fans a fresh look at one of Oz’s most iconic figures. The reveal comes after weeks of speculation, following Chu’s tease that a “major name” would lend their voice to the role.
Wicked: For Good continues the story from the first Wicked film, which soars into cinemas this November. Ariana Grande stars as Glinda and Cynthia Erivo as Elphaba, leading a star-studded cast that also includes Jonathan Bailey (Company, Bridgerton) as Fiyero, Ethan Slater (SpongeBob SquarePants) as Boq, Peter Dinklage as Dr. Dillamond, Michelle Yeoh as Madame Morrible, Jeff Goldblum as The Wizard, and Marissa Bode as Nessarose.
Additional cast members include Keala Settle, Bowen Yang, Bronwyn James, Aaron Teoh, and Colin Michael Carmichael, bringing to life new and familiar faces within the world of Shiz University.
Directed by Jon M. Chu (In the Heights), the film features new songs by Stephen Schwartz and a screenplay by Winnie Holzman and Dana Fox. Costume design is by Tony winner Paul Tazewell, whose work promises to bring a cinematic richness to the fantasy world of Oz.
Wicked, which reimagines the story behind The Wizard of Oz, premiered on Broadway in 2003 and remains one of the most beloved musical theatre productions in history. With this new casting, the film’s journey down the yellow brick road just got even more exciting.
Wicked: For Good hits cinemas 21 November 2025. Tickets are on sale now.
Thursday, 9 October 2025
Emma Kingston to Lead the Global Wicked Singalong Live from The O2 with Young Voices
Young Voices are thrilled to announce that Emma Kingston, one of the West End’s most dynamic and versatile leading ladies, will headline the Wicked Worldwide Singalong on Thursday 22 January 2026, broadcast live from The O2 in London.
Currently starring as Elphaba in the West End production of Wicked, Emma has captivated audiences with her soaring vocals and magnetic stage presence. Hand-picked by Andrew Lloyd Webber to play Eva Perón in the international tour of Evita, her credits also include In the Heights, Heathers: The Musical, Fiddler on the Roof and Les Misérables, establishing her as a true global theatre star.
At the Wicked Worldwide Singalong, Emma will lead hundreds of thousands of young singers around the world in a specially arranged Wicked Medley, celebrating the show’s timeless messages of friendship, courage, and self-belief.
“We are over the moon to have Emma join us for this special event,” said Ben Lewis, CEO of Young Voices. “Her talent and energy will inspire every child and choir taking part across the globe.”
Emma added:
“It’s an incredible honour to be part of the global Wicked Singalong. Knowing that children everywhere will be singing together with me in real time is magical—a true celebration of how music unites us.”
The Wicked Worldwide Singalong will connect schools and choirs across continents through a live broadcast from The O2, allowing participants everywhere to join simultaneously for free. Registered schools receive exclusive learning materials, including sheet music from Hal Leonard, rehearsal tracks, and classroom resources from Twinkl and Wicked.
📅 Date: Thursday 22 January 2026
🕒 Time: 3 pm GMT / 10 am ET / 7 am PT
🎟️ Sign up for free: youngvoices.co.uk/join-wicked-worldwide-singalong
Wednesday, 20 November 2024
Wicked Movie Review: Everything we Hoped For and More
Like so many, I’ve been enchanted by Wicked since I was young. The musical shaped my childhood, inspired my imagination, and stayed with me through every stage of life (my dog is literally called Elphie!) When news of a film adaptation first surfaced all those years ago, my heart soared, though tempered with the hope that they would do justice to something so pivotal to me and countless others. It’s been a long yellow brick road, with years of speculation, rumours and anticipation, but now that it’s here, Wicked: The Movie exceeds every expectation and delivers a spectacle that was worth every moment of the wait.
Director Jon M. Chu has not only brought the world of Oz to life- he has redefined what a movie musical can be. This film doesn’t just enchant; it moves, it stirs, and it utterly inthralls. From the first soaring notes of 'No One Mourns the Wicked' to the breathtaking final moments, it’s clear that this team poured their hearts into every frame.
The cast, led by the luminous Cynthia Erivo as Elphaba and the effervescent Ariana Grande as Glinda, is extraordinary. Erivo’s performance is as brilliant as we all expected- her Elphaba is fierce, vulnerable, and heartbreakingly human. Of course, she also imbues every note with raw emotion, making every song a transcendent experience. Grande, meanwhile, brings a sparkling charm and necessary depth to Glinda, perfectly balancing her bubbly exterior with a poignant sincerity. The chemistry between the two is electric, capturing the complexities of friendship and rivalry that lie at the heart of the story, I am already buzzing with anticipation of how the pair are going to develop in Wicked: Part Two. Like with every aspect of this film, you can tell how much love has gone into it, Ariana and Cynthia's performances feel so incredibly lived in, you can tell how much they adore the roles and how they planned and turned every stone in finding their own versions. They feel true enough to the originals but also bring newness and fresh energy. The Winkie Prince doesn't have as developed of a role in Part One but Jonathan Bailey as Fiyero is still masterful. His smooth charisma is utterly swoon-worthy but more than that, his sincerity and depth is enchanting to watch. In my opinion, 'Dancing Through Life' is one of the most edited songs from the original, but it works so SO well. The new musical arrangement is very cool, with a more funkified feel that complements the show, while feeling totally relevant for a 2024 Wicked release; the whole scene is a joy to watch. Supporting performances by Ethan Slater as Boq, Jeff Goldblum as The Wizard and Michelle Yeoh as Madame Morrible round out the ensemble, each actor bringing something fresh to the beloved characters and paving the way for Part 2.
The music, brought to life with lush orchestration and gorgeous vocals, feels both reverent to Stephen Schwartz’s original score and fresh for this new medium. Familiar songs like 'Popular' and 'What is This Feeling' shine anew, while the staging and cinematography elevate them into true cinematic moments.
One of the greatest triumphs of this adaptation is its fidelity to the source material. Despite its aspirations of massive commercial success- evident from the ambitious marketing campaign- it never sacrifices the heart of the story or the integrity of the musical’s themes. This feels like a love letter to the fans who’ve cherished Wicked for years. Seeing the iconic Time Dragon Clock, the enigmatic blobby men (yes, the technical term!), guest star appearances, and subtle musical motifs scattered throughout feels like being reunited with an old friend. I also love how the cast were allowed to play around with riffs throughout the movie, something that's a big part of the Wicked fandom. There are whole YouTube compilations of the best 'Defying Gravity Riffs' and I have no doubt that the movie one will be added alongside all the others that perfectly fit and bring a freshness to the score that delivers on every level.
The world-building is nothing short of spectacular. Every corner of Oz is brought to life with meticulous attention to detail, from the verdant forests of Shiz and the university to the glittering, imposing Emerald City. Each setting feels wonderfully alive, creating a fully realised world that you can’t help but get lost in. It’s a treasure trove of visual and thematic delights, packed with details that will have fans poring over every frame on their fourth, fifth, or tenth viewing.
This is the kind of film that makes you want to shout about it, to grab everyone you know and say, “You have to see this!” Jon M. Chu and the entire team behind this masterpiece have created a work that will fill the hearts of longtime fans while dazzling new audiences with its brilliance.
For those of us who grew up with Wicked, this is more than just a movie- it’s a moment, a celebration, and a dream brought to live. I could go on for hours and I'm honestly still tearing up the morning after seeing this film, but in summary- it's perfect! Congratulotions to the cast, crew, and creators for giving us something so magical, so heartfelt, and so, so Wonderful. 💚
Sincerely, Olivia
Wicked Lover since Age 8
★★★★★
{movie tickets were gifted}
Friday, 16 March 2018
Wicked (UK Tour), Bristol Hippodrome | Review
Wicked (UK Tour)
Bristol Hippodrome
Reviewed on Thursday 15th February 2018 by Isobelle Desbrow
★★★★★
Come with me to the Emerald City...
Wicked is a phenomenal show that has been taking the West End by storm over it’s 11 year run and I’m pleased to say that the tour equally amazing. The cast couldn’t have been better and it was a privilege to be able to watch Glinda’s understudy take to the stage during the matinee performance at the Bristol Hippodrome.
Amy Ross’s Elphaba is the seamless combination of good and wicked. Every note she sings is bone chillingly beautiful and her stellar diction allows us to hear every word and become immersed in the story. A stand out was ‘Defying Gravity’ which was a perfect way to end Act 1 and left me eager so the final half.
Unfortunately Helen Woolfe (Glinda) wasn’t performing for this performance. Instead we were treated to the equally cheerful and Popular Charli Baptie who has an excellent voice and plays a fabulous, frilly, humourous Glinda who manages to have depth, light and shade in her performance.
The glorious music is note perfect and I was pleased that it was not too loud (as I have experienced previously) so dialogue could still be heard whilst it was being accompanied.
The dancing was crisp and spell blindly visually; whilst the cast’s singing made each song sound new and exciting. The quality of this tour is almost West End standard and I’d thoroughly recommend anyone who can’t get to London, to see this show as it flies round the UK on it’s current tour.
If you get the opportunity, spend One Short Day watching Wicked as it’s a tour not to be missed!
photo credit: Matt Crockett
Sunday, 4 June 2017
In Conversation With... Rachel Tucker | UK Tour | Interview
Rachel Tucker is basically theatrical royalty, with a an impressive resume, an incredible voice and an extremely dedicated following. Currently touring the UK and about to start her second stint at the Zedel in London, Rachel was lovely enough to discuss what we can expect in her concerts, how she stays motivated, her dream role and much more...
What are some of your career highlights so far?
Wicked on Broadway, it was my absolute dream. The I'd Do Anything programme was a highlight, I loved it, it was great. Oh Wicked 10 is definitely the most recent highlight, it was amazing and a great night.
What keeps you motivated to keep working even when you're knocked down?
I guess the belief in myself, I know I can do it. I think people get confused with not getting the job, they think that it's a personal thing and 99% of the time it's not. It's just you're not right for them or at that particular time or moment for whatever their reasons are. But it's about remembering that it's not me, it's them. I mean not them, but their choice, not because I'm bad but because they don't want me.
Elphaba is obviously a very iconic role. How do you add your own spin on such well known songs and characters?
I try and approach it with a fresh look at it and as close to Rachel as I can because I think it's important to not copy and not be what everybody else thinks you should be and also because it's boring to do it the way someone else has done it when you're not being true to yourself. I'm a very honest person and I think it's very important to be honest with everything you think and how you approach the music and songs and interpret it as close to yourself as you possibly can.
You have a lot of repertoire, so what can people expect when they come and see you perform your solo concerts?
I like an eclectic collection of songs. I've grown up with old school musicals and entertainers and also love very current stuff like Ed Sheeran and I love standards, like some jazz standards. I also love modern musical theatre as well as the old stuff. So yeah, a real mixed bag. A real collection... and a few surprises thrown in for good measure!
If you could bring any guest star on stage with you, dead or alive, who would you pick?
Sammy Davis Jr, Bette Midler and Sting. Oh and probably Beyonce!
You've performed in a variety of venues both in shows and on tour. Do you prefer the bigger, elaborate ones or the smaller, more intimate ones?
They're all different, each of them brings a different thing. The intimate ones I think will be good to start out for me because they're more informal and I love that. You know, I'm not a formal girl, I love being casual and being able to see people and their reactions so that'll be nice. But I also love the big theatres where you have to look up to the balcony and get people joining in and singing along. So I like both.
You're taking this tour to Broadway with 54 Below, but would you ever consider touring it over there?
I think maybe in time, I mean it's taken ten years for me to be able to realistically tour the UK and these things I think take time so I think it'll be a little while longer before doing anything like that in America.
What's one talent you wish you could have?
I wish I could read music or play an instrument. Specifically the piano!
What are some funny moments you had either on stage or off stage?
Oh wow.... funny moments. I'm trying to think what ones I can tell you! At one point when I first did Wicked, I came back from holiday and I completely left out the whole bit of why Elphaba snatches the green bottle before 'Popular'. I literally couldn't remember a word of it and poor Gina Beck had to prompt me and say "was it because your mum was.....?" and she had to literally recite the whole paragraph and I just agreed with her. It was very scary!
Have you ever sneezed or got the hiccups in a performance?
Oh yeah completely. When I did The Wizard of Oz in Belfast, someone sneezed to me and I couldn't finish my lines cause I was laughing so hard. So absolutely, yes.
If you had a magic wand, which show would you do next?
Ohhh which show would I do next? I'd probably do a new show, a brand new show to originate and create a new role, yeah.
If you could go back to any era, when would you go to?
I think I'd go back to the 60s or actually probably the Hollywood MGM era like 20s or 30s
What is your go to karaoke song?
I recently went with my friend and I did 'Simply The Best' by Tina Turner!
What's the best piece of advice you've received or would like to give to someone hoping to get into the performing industry?
You've got to absolutely know your worth, know how good you are and be realistic with yourself and whether you can hack this industry. And think seriously if there's something else you could do then you probably should go and do it because you know, there was nothing else I could do and I think you've got to be very dedicated and very driven and passionate and care a lot about it. And have patience, it takes years and years to get anywhere. It doesn't just happen over night!
A huge thank you to Rachel for taking the time to talk to me. All of Rachel's shows at the Zedel are currently sold out but you may be lucky and get a return! All information about her upcoming dates can be seen here.
Interview by Olivia Mitchell, Editor
Sunday, 17 March 2019
Passion vs Obsession in the Theatre Community
As someone who feels things very strongly, I often find myself fixated on certain topics or hobbies, in the way that when I enjoy something, I will focus my attention on it as a means to make myself more knowledgable about it/better at it. In any creative industry, emotions are heightened already and in theatre especially, it's almost natural that trends occur and passions become prevalent. However, the line between being passionate and obsessive can sometimes become wavy or unclear and there can be an almost scary intensity with which people feel.
Let me start by saying that I think being passionate is fantastic. Having something you can enjoy, relate to and immerse yourself in is truly joyous and caring so much about something can really fill your life. The issue however, is when this passion becomes too much and begins controlling your life, rather than enriching it.
As someone who attends the theatre an average of three times a week, there are many times where I become completely enclosed in the theatre bubble and almost forget that there's a world outside the stagey community. In terms of my life at this time, it isn't a problem as such because the majority of my friends are in the same circles and I have a pretty well-rounded life with and without theatre. When I was younger this was a different story though...
I have always been a theatre fanatic, from when I saw my first musical (Beauty and the Beast at the New Victoria Theatre) I was hooked and haven't looked back since. Like many theatre people, I went through a Wicked phase... like, really went through it. I would listen to it 24/7, create artwork, research the performers, perform it, get my friends to perform it, basically I was obsessed. Whilst I don't regret this phase in my life at all because I was super young and it was something I enjoyed, I do see it in a different way. I was living my best life, but at that time, I was not surrounded by theatre loving people which meant whilst I was in the theatre bubble, I was alone. This is where one problem with crossing from passion to obsession comes into play. By focussing 95% of your attention on something your peers can't relate to, you do face the trial of isolating yourself. There may be an online community alongside you, but in the real, non-virtual world, it's just you.
However, as I said, during my Wicked (and subsequent Les Mis) phases, I was young and this outlook certainly comes with age. The issue with obsession is when it continues into adult life. Barely a day goes by when a West End performer doesn't have to call someone out for overstepping boundaries. A video recently circulated showing a girl publicly hating on a performer and explaining how she has no qualms about verbally abusing those she doesn't like; whilst a number of high profile West End people regularly have to reign people in on their instagrams and twitters for overstepping. So when does passion reach a dangerous level?
Obviously it doesn't take a brain scientist to answer this. People overstep when they try and integrate themselves into the lives of the performers they admire. Be it trying to become their friend, burdening them with their problems or just contacting them constantly. Boundaries have always been an issue in the film and television industry but with the ever developing rise of social media, way West End actors are reaching higher profiles, and the way it's so easy to access a theatre performer compared to a screen actor, means it's a problem which seems to be rapidly seeping into the theatre community and is actually doing a lot of damage.
There's also the aspect of fans often being drawn to, or purposely attaching themselves to unknowns/swings/understudies and 'lesser' cast members (not that anyone is less worthy or talented but you get the gist). It's almost as if people feel they'll be more likely to form a bond with someone who not everyone is trying to chat to. The idea of someone being less well known so therefore easier to, for lack of a better word, target, just feels wrong. Absolutely support the entire cast, crew and team but don't use someone just to validate yourself and feel closer to a show than you are in reality.
Most performers are nice people and they're not going to out you for these things because it would be an awkward conversation to have, but just because you have a nice stage door experience, or because you get friendly at the theatre with them, remember that it's all within the theatre bubble.
Now I completely understand putting energy into theatre because it is, after all an escape and I'm definitely guilty of investing my emotional wellbeing into a show, however, not in terms bringing the actors on stage into that. As human beings, the performers of course do care about the people they talk to and I'm sure take a genuine interest in what they're being told, but at the end of the day, someone at stage door who is not actually a friend, is never going to care as much about you as you care about them so it's not fair to expect them to shoulder your issues.
I know this is all pretty much common sense, and I'm not trying to be preachy about boundaries, but for the few people who may read this and recognise some of the obsessive actions in their own lives, perhaps this can act as a gentle reminder that theatre itself is all an act, and the people who put it on, have very real, very personal lives outside of what you see on stage/social media. Of course be supportive and engaging, and be passionate, but keep in mind that there's a world outside theatre. Your life is there to be filled with as many things to make you happy as possible, but so are the people's who you admire and they pick what they fill it with, so don't use all your energy trying to make yourself an integral part of it off stage. Live your life, love shows and support actors, just keep it chill sometimes, and if you really have a lot to say, keep it to your whatsapp chats.
I hope this doesn't come across as overly negative because I really do admire people who love theatre and I so relate, but continual drama clearly means some people are unable to isolate the real from the stage so I wanted to throw my two pence in! Stay stagey!
I have always been a theatre fanatic, from when I saw my first musical (Beauty and the Beast at the New Victoria Theatre) I was hooked and haven't looked back since. Like many theatre people, I went through a Wicked phase... like, really went through it. I would listen to it 24/7, create artwork, research the performers, perform it, get my friends to perform it, basically I was obsessed. Whilst I don't regret this phase in my life at all because I was super young and it was something I enjoyed, I do see it in a different way. I was living my best life, but at that time, I was not surrounded by theatre loving people which meant whilst I was in the theatre bubble, I was alone. This is where one problem with crossing from passion to obsession comes into play. By focussing 95% of your attention on something your peers can't relate to, you do face the trial of isolating yourself. There may be an online community alongside you, but in the real, non-virtual world, it's just you.
 |
| the peak Wicked days |
However, as I said, during my Wicked (and subsequent Les Mis) phases, I was young and this outlook certainly comes with age. The issue with obsession is when it continues into adult life. Barely a day goes by when a West End performer doesn't have to call someone out for overstepping boundaries. A video recently circulated showing a girl publicly hating on a performer and explaining how she has no qualms about verbally abusing those she doesn't like; whilst a number of high profile West End people regularly have to reign people in on their instagrams and twitters for overstepping. So when does passion reach a dangerous level?
Obviously it doesn't take a brain scientist to answer this. People overstep when they try and integrate themselves into the lives of the performers they admire. Be it trying to become their friend, burdening them with their problems or just contacting them constantly. Boundaries have always been an issue in the film and television industry but with the ever developing rise of social media, way West End actors are reaching higher profiles, and the way it's so easy to access a theatre performer compared to a screen actor, means it's a problem which seems to be rapidly seeping into the theatre community and is actually doing a lot of damage.
There's also the aspect of fans often being drawn to, or purposely attaching themselves to unknowns/swings/understudies and 'lesser' cast members (not that anyone is less worthy or talented but you get the gist). It's almost as if people feel they'll be more likely to form a bond with someone who not everyone is trying to chat to. The idea of someone being less well known so therefore easier to, for lack of a better word, target, just feels wrong. Absolutely support the entire cast, crew and team but don't use someone just to validate yourself and feel closer to a show than you are in reality.
Most performers are nice people and they're not going to out you for these things because it would be an awkward conversation to have, but just because you have a nice stage door experience, or because you get friendly at the theatre with them, remember that it's all within the theatre bubble.
Now I completely understand putting energy into theatre because it is, after all an escape and I'm definitely guilty of investing my emotional wellbeing into a show, however, not in terms bringing the actors on stage into that. As human beings, the performers of course do care about the people they talk to and I'm sure take a genuine interest in what they're being told, but at the end of the day, someone at stage door who is not actually a friend, is never going to care as much about you as you care about them so it's not fair to expect them to shoulder your issues.
I know this is all pretty much common sense, and I'm not trying to be preachy about boundaries, but for the few people who may read this and recognise some of the obsessive actions in their own lives, perhaps this can act as a gentle reminder that theatre itself is all an act, and the people who put it on, have very real, very personal lives outside of what you see on stage/social media. Of course be supportive and engaging, and be passionate, but keep in mind that there's a world outside theatre. Your life is there to be filled with as many things to make you happy as possible, but so are the people's who you admire and they pick what they fill it with, so don't use all your energy trying to make yourself an integral part of it off stage. Live your life, love shows and support actors, just keep it chill sometimes, and if you really have a lot to say, keep it to your whatsapp chats.
I hope this doesn't come across as overly negative because I really do admire people who love theatre and I so relate, but continual drama clearly means some people are unable to isolate the real from the stage so I wanted to throw my two pence in! Stay stagey!
Saturday, 18 November 2017
Rachel Tucker with Stagebox Choir, Shoreditch Town Hall | Review
Rachel Tucker with Stagebox Choir (Concert)
Shoreditch Town Hall
Reviewed on Friday 17th November 2017 by Olivia Mitchell
★★★★★
If you're a regular reader of this site, you'll probably have twigged that I'm a huge fan of Wicked star, Rachel Tucker. Most recently I saw her perform as a special guest at Kristin Chenoweth's concert and previously in Wicked and her solo concerts at the Zedel; every single time she has completely blown me away with her effortless performances and last night was no exception.
Rachel is a masterful performer, both in terms of her faultless vocals and her ability to embody and live every song she sings. She is magical in the way she transports the audience into her thoughts and make us feel the emotions she's portraying as if we're experiencing them ourselves. The way she interprets songs is unique, extremely moving and I find it incredibly impressive how she is able to switch so quickly from one mood to another.
During act 2 Rachel came off the stage to perform an a capella folk song which had the audience in enraptured silence but within moments of finishing she snapped back to her larger-than-life, joyous self and had the audience laughing out loud. That ability to manipulate an audience's emotions is truly remarkable.
The set list for the night included something for everyone from theatre classics such as 'Children Will Listen' to pop songs and a personal favourite, her own composition 'I'm Falling' which always wows me. This varied programme meant the night flew by and by the time it came to her second encore we still wanted more! Other stand outs included 'The Man That Got Away' and Kris Rawlinson's stunning arrangement of 'No Good Deed' which brings new life to the Wicked classic. Kris and Rachel make the perfect duo, bouncing off one another both comedically and musically. Also great, were Jodie Steele and Amanda Coutts who doubled as stage managers and back up singers- 'Proud Mary' was brilliant and got the entire audience on their feet!
With a few ex-Elphaba's and Galinda's in attendance, it was Emma Hatton who took the stage as the special guest of the night. Dressed in a suitably emerald dress, Emma joined forces with Rachel to perform a jazzed up version of 'I'm Not That Girl' and a lively version of 'That's Life'; the two work wonderfully together and it's so enjoyable to see them having fun on stage together. Also joining Rachel were the Stagebox choir who helped out with a notably touching performance of 'You Will Be Found' from Dear Evan Hansen.
Overall it was just a joyous night of glorious music. Rachel is one of the most versatile performers I've seen; funny, relaxed and charming, her voice is like no other. Powering through every song with her own personal style- belting it out and emotionally reigning it in with equal skill and motivation. Rachel is at the top of her game- a master of her craft who continually delivers time and time again. This was billed as Rachel's 'biggest solo concert to date' but I sincerely hope things get bigger and bigger for her as she continues to charm and wow audiences around the world... but preferably mostly in London so I can be at them all!
Watch my vlog of the concert here
Watch my vlog of the concert here
Monday, 7 October 2024
West End Does: Christmas in Oz Casting Announced
West End Does: Christmas is returning this December, and this year, it’s bringing a delightful Oz-themed twist to the festivities. The concert will blend holiday classics with beloved songs from The Wizard of Oz and Wicked, just as the film adaptation of Wicked prepares to grace UK cinemas a few days before the event, making for perfect timing.
The concerts will feature two choirs and a full West End orchestra, all under the direction of musical maestro Samuel Wilson. This year’s impressive lineup includes notable musical theatre stars, particularly alumni from Wicked: Louise Dearman, Sophie Evans, Alice Fearn, Oliver Tompsett, Liam Tamne, and Claudia Kariuki, who have all played key roles in the production.
Hosting the event will be Rob Houchen and Matt Lucas, both known for their work in Les Misérables, promising an evening filled with festive cheer and theatrical magic.
Produced by Chorus Productions Ltd, West End Does: Christmas in Oz will take place in two concerts at Cadogan Hall in London on Sunday, December 1, 2024, at 2:30 PM and 6:30 PM. Tickets are available now through the Cadogan Hall website, so be sure to secure yours early for this festive celebration!
Thursday, 10 February 2022
Full Main Stage Line Up Announced for the 2022 Gaiety Musical Theatre Festival
The Gaiety Musical Theatre Festival is pleased to announce the full main stage line up for this year’s festival at Ragley Hall, Warwickshire.
Britain’s Got Talent Winners Collabro, West End and Broadway star John Owen-Jones (Les Misérables, The Phantom of the Opera), direct from London’s West End Sophie Evans (Wicked, Wizard of Oz) and musical theatre star Lauren Samuels (Bend It Like Beckham, Grease).
They will join fellow headliners Kerry Ellis (We Will Rock You, Wicked, Oliver!), Lee Mead (Joseph and the Amazing Technicolor Dreamcoat, Wicked, Legally Blonde the Musical), Cassidy Janson (&Juliet, Beautiful: The Carol King Musical, Avenue Q) and Marisha Wallace (Dreamgirls, Hairspray, Waitress) at Gaiety Musical Theatre Festival on Sunday 1st May 2022.
Gaiety Musical Theatre Festival, which will take place in the beautiful grounds of Ragley Hall in Warwickshire and is set to become a new highlight of the theatrical calendar.
This brand-new musical theatre event is a must-see for any theatre fan, with ten hours of spectacular entertainment across several stages, family fun at the fairground, and a profusion of excellent food, drink and delights in the festival village.
The London Musical Theatre Orchestra will accompany the star-studded main stage line-up.
Further artists to be announced.
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