Showing posts sorted by relevance for query Adam Fisher. Sort by date Show all posts
Showing posts sorted by relevance for query Adam Fisher. Sort by date Show all posts
Saturday, 23 August 2025
Evita at the London Palladium: Rachel Zegler Soars in Jamie Lloyd's Bold, Electrifying Revival
Evita
London Palladium
Sometimes you sit in a theatre and know you are witnessing something truly historic. That’s exactly how it felt watching Jamie Lloyd’s new production of Evita at the London Palladium. This isn’t just another revival of Andrew Lloyd Webber and Tim Rice’s political rock opera, it’s a seismic moment in musical theatre, led by a cast who feel destined for greatness.
At the centre of it all is Rachel Zegler, who delivers a performance so thrilling, it’s hard to believe this is her London stage debut. I’ve followed Rachel’s journey since 2018, from YouTube covers to West Side Story, and to see her now, utterly at home on the Palladium stage, is nothing short of awe-inspiring. She looks and sounds like she was born for this exact role at this exact moment in theatrical history. Her Eva Perón is fierce, vulnerable, ambitious, and magnetic; and every note of “Don’t Cry for Me Argentina” soared as though it were written for her. We are watching the rise of a star, and how lucky we are to be along for the journey.
Alongside her, Diego Andrés Rodriguez is astonishing as Che. Wry, commanding, and vocally electric, he narrates Eva’s rise and fall with biting precision. At times sardonic, at times full of fire, his performance anchors the show with clarity and bite. Rodriguez is a talent I need to see as Jesus in Jesus Christ Superstar one day, his presence and vocals would be unforgettable. James Olivas also gives an excellent turn as Juan Perón, balancing political ambition with quiet tenderness. The chemistry between Zegler, Rodriguez, and Olivas is magnetic, their trio of performances form the show’s beating heart.
Musically, Evita remains as bold as ever. First staged in 1978, Lloyd Webber and Rice’s rock-opera score brings Eva Perón’s rise to power and enduring legacy to life with urgency and flair. From the bombastic “A New Argentina” to the delicate “Another Suitcase in Another Hall,” the music is at once energetic and informative, serving as both history lesson and thrilling theatre. What makes Jamie Lloyd’s revival so fascinating is its refusal to spoon-feed. The production embraces ambiguity, encouraging the audience to interpret rather than simply receive. For newcomers to the show, this approach might feel a little confusing at times, but for me it was exhilarating. It felt intelligent, trusting the audience to piece together the threads for themselves.
Visually and technically, the production is equally impressive. Jon Clark’s lighting is stark and expressive, shaping scenes with atmosphere and tension. Fabian Aloise’s choreography is muscular, dynamic, and precise. The ensemble moves like a single organism, their synchronicity so tight it’s genuinely breathtaking. Every gesture feels purposeful, from the smallest flick of a wrist to the explosive full-company numbers. The ensemble themselves are powerhouse performers, bringing passion and intensity to every scene. Their strength and unity echo the fervour of Eva’s Argentina, adding another layer of urgency to the storytelling.
Equally vital is Adam Fisher’s sound design, which balances the soaring vocals and Lloyd Webber’s powerful score beautifully. In a theatre as grand as the Palladium, clarity can sometimes be an issue, but here every lyric, every guitar riff, every heartbeat of percussion landed perfectly.
For those unfamiliar with Evita, the show traces the life of Eva Perón, Argentina’s First Lady from 1946 until her death in 1952. Born into poverty, Eva clawed her way into the limelight, first as an actress and then as wife of President Juan Perón, becoming a powerful, controversial figure adored by the working classes and reviled by the elite. Lloyd Webber and Rice’s score examines her legacy with both admiration and critique, embodied in the narrator Che’s cynical commentary. It’s part biography, part cautionary tale, part celebration and in Lloyd’s hands, it feels fiercely relevant once again.
This Evita is not just a revival; it’s a reinvention. Jamie Lloyd has stripped away the excess and laid bare the story, allowing the music, the cast, and the raw energy of the ensemble to speak for themselves. The result is electrifying- a production that feels both timeless and urgently modern.
Walking out of the Palladium, I couldn’t shake the feeling that I had just witnessed a career-defining moment for Rachel Zegler and a bold new chapter for Evita. It is an intelligent, gripping, and emotional triumph. Simply put, this is theatre at its most alive.
★★★★★
Reviewed on Tuesday 22nd July 2025 by Olivia
Photo Credit: Marc Brenner
Keywords: Evita London Palladium review, Jamie Lloyd Evita review, Rachel Zegler Evita London, Diego Andrés Rodriguez Che Evita, James Olivas Juan Perón Evita, Fabian Aloise choreography Evita, Jon Clark lighting design Evita, Adam Fisher sound design Evita, Evita 2025 revival London.
Thursday, 10 October 2024
Full Cast Announced for UK & Ireland Your of Kinky Boots the Musical
Producers ROYO and Curve are thrilled to announce the complete cast for the all-new Made at Curve production of Kinky Boots The Musical, winner of Olivier, Tony, and Grammy Awards. This celebrated musical will tour the UK and Ireland starting from 17 January 2025.
Joining the cast are: Newtion Matthews (Once on This Island) as Lola for select performances and Simon Snr for all others. Kara Lily Hayworth (Cilla the Musical) as Nicola, Joe Caffrey (Billy Elliot) as Don, Kathryn Barnes (Guys & Dolls) as Pat, Lucy Williamson (Fame!) as Trish, Jonathan Dryden Taylor (Fiddler on the Roof) as Mr Price, Scott Paige (I Should Be So Lucky) as George, Liam Doyle (Heathers) as Harry.
The ensemble cast also features: Kofi Dennis, Ru Fisher, Ben Middleton, Ashley-Jordon Packer, Cerys Burton, Cole Dunn, Kaya Farrugia, Jordan Isaac, Deena Kapadia, Tori McDougall, and Liam McEvoy.
These new cast members will join previously announced stars: Johannes Radebe (Strictly Come Dancing) as Lola, Dan Partridge (Grease) as Charlie Price and Courtney Bowman (Legally Blonde) as Lauren.
Kinky Boots The Musical features a score by Cyndi Lauper and a book by Harvey Fierstein, with direction by Curve’s Artistic Director Nikolai Foster. The story, based on real events and the 2005 film, follows Charlie Price, a man trying to save his family’s failing shoe factory. When he meets Lola, a charismatic drag queen, their collaboration brings hope, reinvention, and a splash of glamour to the business.
With its uplifting message of celebrating individuality and finding common ground, Kinky Boots promises to “Raise You Up” starting January 2025.
The production is helmed by Nikolai Foster, featuring choreography by Leah Hill, set and costume design by Robert Jones, musical supervision by George Dyer, lighting design by Ben Cracknell, sound design by Adam Fisher, casting by Harry Blumenau CDG CDA, and wigs, hair, and make-up design by Campbell Young Associates.
Associate direction is by Michaela Powell, with associate choreography by Johnny Bishop, and associate sound design by Harry Barker. Production management is handled by Setting Line.
Kinky Boots is produced by ROYO and Curve. Don’t miss this fabulous production when it kicks off its tour in January 2025!
Tuesday, 7 June 2022
Full Cast and Creative Team Announced for Billy Elliot the Musical
Curve has announced the cast and creative team for its upcoming Made at Curve production of Billy Elliot the Musical.
The first new UK production is directed by Nikolai Foster (A Chorus Line, Sunset Boulevard – At Home, West Side Story) and will run at the Leicester theatre for six weeks only from Thursday 7 July to Sunday 14 August. Press night will take place on Thursday 14 July.
The titular role of Billy Elliot, the miner’s son with a passion for ballet, will be performed by Leo Hollingsworth from Nottinghamshire, Alfie Napolitano from Northamptonshire, Samuel Newby from Hertfordshire and Jaden Shentall-Lee, whose family live in Leicestershire.
Billy’s dance teacher Mrs. Wilkinson will be played by West End and Broadway legend Sally Ann Triplett, whose iconic roles include Reno Sweeney in Anything Goes (National Theatre and Theatre Royal Drury Lane) and Young Phyllis in Follies (Shaftesbury Theatre), as well as Martha in the recent Made at Curve UK tour of White Christmas.
Michael, Billy’s best friend will be performed by Bobby Donald, Lucas Haywood, Ethan Shimwell and Leicester’s Prem Masani, who will make his stage debut in the production.
All hailing from the East Midlands, Pearl Ball, Caitlin Cole, Lola Johnstone and Ellie Copping – who returns to Curve’s stage having previously appeared as Susan Waverly in the 2018 Made at Curve production of White Christmas - will share the role of Debbie, Mrs. Wilkinson’s daughter.
Joe Caffrey, who previously performed in the West End production of Billy Elliot the Musical, will join the cast as Billy’s Dad Jackie, while Broadway and West End sensation Rachel Izen will play Billy’s Grandma Edna. Luke Baker (Everybody’s Talking About Jamie, the Made at Curve UK tour of Grease) will play Billy’s older brother Tony and Jessica Daley (recently seen in Made at Curve productions of White Christmas and The Music of Andrew Lloyd Webber) will play Billy’s Mum.
The adult company will be completed by Craig Armstrong as George, Minal Patel as Big Davey, Cameron Johnson as Mr. Braithwaite, Micky Cochrane as Scab, Robin Paley Yorke as Lesley, Christopher Wright as Mr. Wilkinson, Michael Lin as Pit Supervisor, Jonathan Dryden Taylor as Posh Dad, William Atkinson as Older Billy and ensemble, and Steph Asamoah, Tori McDougall, Anna Rossa and Louie Wood as members of the ensemble.
The young company of ballet dancers and boxers, most of which are Midlands-based or have local family connections, will feature Willow Adamson, Maddie Seren Ashley, Oliver Back, Aneeka Kaur Bains, Ella-Rose Blackburn Price, Harvey Clarridge, Lily Corkill, Miley Dalton, Matisse Didier, Isabelle Francis, Ethan Galeotti, Rahul Gandabhai, Isla Granville, Uzziah Gray, Orlaith Rae Hunt, Ava Rose Johnson, Ava Mia Komisarczuk, Kyrelle Lammy, Lienna-Jean Langdon, Tahlia Maddox, Lorcan Murphy, Nesisa Mhindu, Sophia Pirie, Hayden Polanco, Gopal Thacker and Mirabelle Varakantam.
The Made at Curve production of Billy Elliot the Musical will by choreographed by Lucy Hind, with Musical Supervisor and Musical Director George Dyer. The set will be designed by Michael Taylor with costumes designed by Edd Lindley. Also joining the creative team are Lighting Designer and Curve Associate Ben Cracknell, Sound Designer Adam Fisher, Props Supervisor Lizzie Frankl, RYTDS Resident Assistant Director Lilac Yosiphon, Birkbeck Trainee Director Thyrza Abrahams, Associate Choreographer James Berkery, Dialect Coach Elspeth Morrison, Fight Director Kev McCurdy and Head Chaperone Helen ‘H’ Mclaren-Frost.
Children’s casting is managed by Jo Hawes, with adult casting led by Curve Associate Kay Magson CDG.
Curve’s Chief Executive Chris Stafford and Artistic Director Nikolai Foster said:
“We are beyond excited to share our extraordinary cast for Lee Hall and Elton John’s astonishing musical Billy Elliot, ensuring this summer in Leicester is truly memorable.“Billy Elliot is a musical filled with incredible characters, epic ideas and at its heart, the story of a young boy who has the passion and courage to dance down a different path from the one prescribed for him. We are thrilled to be working with our four Billys - Alfie, Leo, Jaden and Sam - and the entire young company - all hugely talented, brimming with energy and representing the very best young talent in the UK today.“And leading the entire company, theatre legend Sally Ann Triplett takes on the role of the inspirational teacher we all need in our lives, Mrs. Wilkinson. Joining Sally, we are proud to welcome a first-class company to Curve, totally 55 performers! This is by far the most ambitious show we have staged at Curve and there is no better time to present this musical which recognises the value of culture in our society, the importance of expressing your truest self and gives a voice to the courageous working-class communities who are depicted in Lee Hall’s astonishing play. All beautifully framed by Elton John’s electrifying score.”
Based on Stephen Daldry’s BAFTA-winning 2000 film starring Jamie Bell and Julie Walters, Billy Elliot the Musical features music from Elton John and book and lyrics by Lee Hall. The musical first premiered at London’s Victoria Palace Theatre in 2005 and went on to win a host of international awards, including four Olivier Awards and ten Tony Awards.
Tickets for Billy Elliot the Musical at Curve be purchased on Curve’s website www.curveonline.co.uk, over the phone by calling 0116 242 3595 or in-person at Curve’s Box Office.
photo credit: Marc Brenner
Wednesday, 27 November 2024
Now That’s What I Call a Musical: A Fun Nostalgia-Fest with some Flaws | Review
Now That’s What I Call a Musical
New Victoria Theatre
If you’re craving a night of toe-tapping 80s hits and breezy humour, Now That’s What I Call a Musical might be just the ticket. Currently touring the UK, this jukebox musical delivers big on nostalgia, though it stumbles in depth and pacing. With a talented cast and high-energy set pieces, it’s a fun evening out, even if it doesn’t push any creative boundaries.
The first act introduces a 1989 school reunion and a group of ex-students struggling with love, ambition, and nostalgia. However, while the setup is charming enough, the narrative lacks momentum, with the story often feeling like it’s merely an excuse to lead into the next song. Fortunately, the second act ramps up the stakes. Secrets unravel, tensions surface, and the characters finally confront their dilemmas in earnest. While these revelations might not reinvent the wheel, they bring a welcome spark of drama and emotional resonance.
The cast gives it their all, infusing charisma and vocal talent into even the thinnest material. Nina Wadia (as Gemma who feels stuck in her life) brings a heartfelt performance and vocals. Shakil Hussain steals scenes as the sarcastic but brother, delivering some of the show’s best comedic moments. Meanwhile, Chris Grahamson is compelling as Tim, the sleazy player who's got Gemma wrapped around his finger. The standout is absolutely Melissa Jacques who enters just before the end of act one and provides the best vocals and some really emotional moments. Her portrayal of the larger than life April, who went to LA to live her actress dreams is very well characterised and feels like the most developed of them all. Carol Decker makes a guest appearance for one song and showcases her great vocals in her hit song 'China in Your Hand'.
The humour is light and occasionally sharp, with plenty of laugh-out-loud moments and nods to the 80s. The jokes might not land for everyone, but there’s an endearing self-awareness in the script that keeps it from taking itself too seriously. And, of course, the 80s anthems are the real star here. Whether it’s 'Red Red Wine' or 'Every Breathe You Take', the production knows how to use these iconic songs to maximum effect.
The show’s design team deserves applause. The set design, by Tom Rogers, captures the small-town charm with a versatile backdrop that transitions seamlessly between locations. Ben Cracknell’s lighting design adds flair, particularly in the second act’s climactic moments, bathing the stage in dramatic reds and blues that elevate the mood. The sound design by Adam Fisher ensures the music is crisp and immersive, though there were moments where dialogue got lost beneath the score.
If there’s a weakness, it’s in the writing. Pippa Evans' script doesn’t dig deeply into its themes or characters, sticking to predictable tropes and shallow conflicts. While this simplicity might frustrate those looking for a more substantial narrative, it’s clear the focus here is on entertainment, not profundity.
Now That’s What I Call a Musical won’t change your life, but it’s an enjoyable escape. For fans of 80s music, it’s a nostalgic treat, carried by a dedicated cast and vibrant production design. While the story doesn’t say anything new, the show’s heart and humour make it a worthwhile outing. Go for the tunes, stay for the laughs, and enjoy the trip down memory lane.
★★★
Reviewed on Tuesday 26th November 2024 by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday, 26 May 2022
Carrie Hope Fletcher, Danielle Steers & Laura Pitt-Pulford to star in The Witches of Eastwick in Concert
Producer Jack Maple, by arrangement with Cameron Mackintosh Ltd, is delighted to announce that West End stars Carrie Hope Fletcher, Danielle Steers and Laura Pitt-Pulford will star as Sukie, Alexandra and Jane respectively in a special one-off concert of THE WITCHES OF EASTWICK at the Sondheim Theatre on Monday 20 June 2022, directed by Olivier Award-winning Maria Friedman. They join the previously announced Olivier Award-winning actor Giles Terera as Darryl Van Horne.
THE WITCHES OF EASTWICK has a book and lyrics by John Dempsey and music by Dana P. Rowe, based on the novel by John Updike and the Warner Brothers motion picture. This will be the first time the musical has been seen in London since it originally played at the Theatre Royal Drury Lane in 2000, transferring to the Prince of Wales Theatre in 2001.
Further casting is to be announced.
Carrie Hope Fletcher is currently starring as Cinderella in Andrew Lloyd Webber’s Cinderella until 12 June 2022. She has played both Eponine and Fantine in Les Miserables at the Queen’s/Sondheim Theatre and Gielgud Theatre in London’s West End and the Opera House in Dubai. In the UK, she originated the roles of Wednesday Addams in the UK tour of The Addams Family and Veronica Sawyer in Heathers at the Theatre Royal Haymarket which transferred from The Other Palace. Her other credits include Beth in the arena tour of The War of the Worlds, Emily in A Christmas Carol and Brenda Payne in The Christmasaurus Live at the Eventim Apollo. Carrie is also a Sunday Times Best Selling author.
Danielle Steers is currently starring as Cher in the UK and Ireland tour of The Cher Show. Her previous credits include Catherine Parr in Six The Musical (London), Zahara in the original cast of Bat out of Hell: The Musical (Manchester Opera House, London Coliseum, Ed Mirvish Theatre Toronto, Dominion Theatre, New York City Centre), Carmen in Sweet Charity (Donmar Warehouse), Lead Shirelle in the original London cast of Beautiful - The Carole King Musical (Aldwych Theatre), swing and cover Nikki Marron in The Bodyguard (Adelphi Theatre) and cover Killer Queen in We Will Rock You (International Arena Tour). Her debut album, The Future Ain't What It Used To Be, was released in 2021.
Laura Pitt-Pulford’s theatre credits include Louise in Gypsy in concert (Alexandra Palace), Marlene Dietrich in Piaf (Nottingham Playhouse/Leeds Playhouse), Falsettos (The Other Palace), Little Miss Sunshine (Arcola Theatre), Charity Hope Valentine in Sweet Charity (Pimlico Opera), Flowers for Mrs Harris (Chichester Festival Theatre & Sheffield Crucible), Nancy in Oliver (Curve), Milly Bradon in Seven Brides for Seven Brothers (Regent’s Park Open Air Theatre), for which she received an Olivier Award nomination, and Maria in The Sound of Music (Curve).
The Witches of Eastwick tells the tale of the people of the little town of Eastwick. It is a town where everyone knows everything about everyone else, and it is presided over by the indomitable Felicia Gabriel. Bored with their small town lives, three women - Alexandra (Alex), Sukie, and Jane--share a desire for “all manner of man in one man” to provide excitement and variety. That man arrives, literally in a flash, in the devil-like form of Darryl Van Horne. Darryl seduces the women and teaches them powers, which they never knew they had.
THE WITCHES OF EASTWICK has musical staging by Chrissie Cartwright, lighting design by Simon Sherriff, sound design by Adam Fisher and associate direction by Jack McCann.
THE WITCHES OF EASTWICK has a book and lyrics by John Dempsey and music by Dana P. Rowe, based on the novel by John Updike and the Warner Brothers motion picture. This will be the first time the musical has been seen in London since it originally played at the Theatre Royal Drury Lane in 2000, transferring to the Prince of Wales Theatre in 2001.
Further casting is to be announced.
Carrie Hope Fletcher is currently starring as Cinderella in Andrew Lloyd Webber’s Cinderella until 12 June 2022. She has played both Eponine and Fantine in Les Miserables at the Queen’s/Sondheim Theatre and Gielgud Theatre in London’s West End and the Opera House in Dubai. In the UK, she originated the roles of Wednesday Addams in the UK tour of The Addams Family and Veronica Sawyer in Heathers at the Theatre Royal Haymarket which transferred from The Other Palace. Her other credits include Beth in the arena tour of The War of the Worlds, Emily in A Christmas Carol and Brenda Payne in The Christmasaurus Live at the Eventim Apollo. Carrie is also a Sunday Times Best Selling author.
Danielle Steers is currently starring as Cher in the UK and Ireland tour of The Cher Show. Her previous credits include Catherine Parr in Six The Musical (London), Zahara in the original cast of Bat out of Hell: The Musical (Manchester Opera House, London Coliseum, Ed Mirvish Theatre Toronto, Dominion Theatre, New York City Centre), Carmen in Sweet Charity (Donmar Warehouse), Lead Shirelle in the original London cast of Beautiful - The Carole King Musical (Aldwych Theatre), swing and cover Nikki Marron in The Bodyguard (Adelphi Theatre) and cover Killer Queen in We Will Rock You (International Arena Tour). Her debut album, The Future Ain't What It Used To Be, was released in 2021.
Laura Pitt-Pulford’s theatre credits include Louise in Gypsy in concert (Alexandra Palace), Marlene Dietrich in Piaf (Nottingham Playhouse/Leeds Playhouse), Falsettos (The Other Palace), Little Miss Sunshine (Arcola Theatre), Charity Hope Valentine in Sweet Charity (Pimlico Opera), Flowers for Mrs Harris (Chichester Festival Theatre & Sheffield Crucible), Nancy in Oliver (Curve), Milly Bradon in Seven Brides for Seven Brothers (Regent’s Park Open Air Theatre), for which she received an Olivier Award nomination, and Maria in The Sound of Music (Curve).
The Witches of Eastwick tells the tale of the people of the little town of Eastwick. It is a town where everyone knows everything about everyone else, and it is presided over by the indomitable Felicia Gabriel. Bored with their small town lives, three women - Alexandra (Alex), Sukie, and Jane--share a desire for “all manner of man in one man” to provide excitement and variety. That man arrives, literally in a flash, in the devil-like form of Darryl Van Horne. Darryl seduces the women and teaches them powers, which they never knew they had.
THE WITCHES OF EASTWICK has musical staging by Chrissie Cartwright, lighting design by Simon Sherriff, sound design by Adam Fisher and associate direction by Jack McCann.
Wednesday, 7 December 2022
First Ever Relaxed Performance For Back to the Future The Musical
Lead producer Colin Ingram, together with Robert Zemeckis and Bob Gale, the creators of the Back To The Future film trilogy, are delighted to announce that Back To the Future The Musical will play its first ever relaxed performance at the Adelphi Theatre on Sunday 12 March 2023. Please click here to book.
Relaxed performances are open to everyone, but may benefit those who normally find it challenging to access and enjoy theatre. The performance will include reduced volume and lighting states with a laid-back approach to audience movement permitting and encouraging everyone to relax and respond naturally.
The critically acclaimed Olivier, WhatsOnStage and Broadway World Award-winning Best New Musical had its opening night in London on Monday 13 September 2021. The musical recently broke box office records at the Adelphi Theatre for the highest gross sales in one week.
Back To the Future The Musical currently stars Cory English and Ben Joyce as ‘Dr Emmett Brown’ (until 3 January 2023) and ‘Marty McFly’ respectively, with Amber Davies as ‘Lorraine Baines’, Oliver Nicholas as ‘George McFly’, Jordan Benjamin as ‘Goldie Wilson’, Harry Jobson as ‘Biff Tannen’, Sophie Naglik as ‘Jennifer Parker’, Gary Trainor as ‘Strickland’, Will Haswell as alternate ‘Marty McFly’ and ‘Dave McFly’ and Emma Lloyd as ‘Linda McFly’.
Tony Award winner, Roger Bart, will return to the show on 5 January 2023. His final performance in London will be 20 March 2023 after which he will lead the cast of the Broadway production, which begins performances at Winter Garden Theatre (1634 Broadway) on 30 June 2023 with an official opening on 3 August 2023.
Also in the cast are Amy Barker, Simeon Beckett, Sia Dauda, Tyler Davis, Glen Facey, Dylan Gordon-Jones, Adam Margilewski, Cameron McAllister, Alessia McDermott, Bryan Mottram, Laura Mullowney, Anna Murray, Jon Reynolds, Melissa Rose, Georgia Tapp, Justin Thomas, Charley Warburton and Tavio Wright.
The Original Cast Recording, released on Sony Music’s Masterworks Broadway label, is now available on all formats, including vinyl, and has had over 3 million streams. It features the new music by multi-Grammy Award-winners Alan Silvestri and Glen Ballard alongside classic songs from the movie including The Power of Love and Johnny B. Goode.
Back To the Future The Musical won the Olivier Award for Best New Musical, four WhatsOnStage Awards, including Best New Musical, and the Broadway World Award for Best New Musical. The productions in London and Manchester have so far been seen by half a million people and the musical has broken box office records at the Adelphi Theatre.
Based on the Universal Pictures/Amblin Entertainment film, Back To the Future The Musical has a book by Bob Gale and new music and lyrics by Emmy and Grammy Award-winning Alan Silvestri and six-time Grammy Award-winning Glen Ballard, with additional songs from the film including The Power of Love and Johnny B. Goode.
Marty McFly is a rock ‘n’ roll teenager who is accidentally transported back to 1955 in a time-travelling DeLorean invented by his friend, Dr Emmett Brown. But before he can return to 1985, Marty must make sure his high school-aged parents fall in love in order to save his own existence.
Back To the Future The Musical is directed by Tony Award-winning director John Rando (Urinetown, On The Town), alongside the multi Tony and Olivier Award-winning design team of Tim Hatley (set and costume design), Tim Lutkin (lighting), Hugh Vanstone (lighting consultant), Gareth Owen (sound) and Finn Ross (video), with choreography by Chris Bailey, musical supervision and arrangements by Nick Finlow and Illusions by Chris Fisher. Orchestrations are by Ethan Popp and Bryan Crook, with dance arrangements by David Chase. Casting is by David Grindrod Associates.
Back to the Future the movie was released in 1985, starring Michael J. Fox as Marty McFly and Christopher Lloyd as Dr Emmett Brown. The film grossed $360.6 million (£279 million) at the box office worldwide and the total box office for all three films in the Back to the Future franchise was $936.6 million (over $1.8 billion in today’s money).
Back To the Future The Musical is produced by Colin Ingram, Donovan Mannato, Frankel/Viertel/Baruch/Routh Group, Hunter Arnold, Gavin Kalin Productions, Playing Field, Crush Music, CJ ENM, Teresa Tsai, Ivy Herman/Hallee Adelman, Robert L. Hutt, Universal Theatrical Group, Ricardo Marques, Augury, Robert Zemeckis, Bob Gale, in association with Kimberly Magarro, Stage Entertainment, Glass Half Full Productions/ Neil Gooding Productions.
Relaxed performances are open to everyone, but may benefit those who normally find it challenging to access and enjoy theatre. The performance will include reduced volume and lighting states with a laid-back approach to audience movement permitting and encouraging everyone to relax and respond naturally.
The critically acclaimed Olivier, WhatsOnStage and Broadway World Award-winning Best New Musical had its opening night in London on Monday 13 September 2021. The musical recently broke box office records at the Adelphi Theatre for the highest gross sales in one week.
Back To the Future The Musical currently stars Cory English and Ben Joyce as ‘Dr Emmett Brown’ (until 3 January 2023) and ‘Marty McFly’ respectively, with Amber Davies as ‘Lorraine Baines’, Oliver Nicholas as ‘George McFly’, Jordan Benjamin as ‘Goldie Wilson’, Harry Jobson as ‘Biff Tannen’, Sophie Naglik as ‘Jennifer Parker’, Gary Trainor as ‘Strickland’, Will Haswell as alternate ‘Marty McFly’ and ‘Dave McFly’ and Emma Lloyd as ‘Linda McFly’.
Tony Award winner, Roger Bart, will return to the show on 5 January 2023. His final performance in London will be 20 March 2023 after which he will lead the cast of the Broadway production, which begins performances at Winter Garden Theatre (1634 Broadway) on 30 June 2023 with an official opening on 3 August 2023.
Also in the cast are Amy Barker, Simeon Beckett, Sia Dauda, Tyler Davis, Glen Facey, Dylan Gordon-Jones, Adam Margilewski, Cameron McAllister, Alessia McDermott, Bryan Mottram, Laura Mullowney, Anna Murray, Jon Reynolds, Melissa Rose, Georgia Tapp, Justin Thomas, Charley Warburton and Tavio Wright.
The Original Cast Recording, released on Sony Music’s Masterworks Broadway label, is now available on all formats, including vinyl, and has had over 3 million streams. It features the new music by multi-Grammy Award-winners Alan Silvestri and Glen Ballard alongside classic songs from the movie including The Power of Love and Johnny B. Goode.
Back To the Future The Musical won the Olivier Award for Best New Musical, four WhatsOnStage Awards, including Best New Musical, and the Broadway World Award for Best New Musical. The productions in London and Manchester have so far been seen by half a million people and the musical has broken box office records at the Adelphi Theatre.
Based on the Universal Pictures/Amblin Entertainment film, Back To the Future The Musical has a book by Bob Gale and new music and lyrics by Emmy and Grammy Award-winning Alan Silvestri and six-time Grammy Award-winning Glen Ballard, with additional songs from the film including The Power of Love and Johnny B. Goode.
Marty McFly is a rock ‘n’ roll teenager who is accidentally transported back to 1955 in a time-travelling DeLorean invented by his friend, Dr Emmett Brown. But before he can return to 1985, Marty must make sure his high school-aged parents fall in love in order to save his own existence.
Back To the Future The Musical is directed by Tony Award-winning director John Rando (Urinetown, On The Town), alongside the multi Tony and Olivier Award-winning design team of Tim Hatley (set and costume design), Tim Lutkin (lighting), Hugh Vanstone (lighting consultant), Gareth Owen (sound) and Finn Ross (video), with choreography by Chris Bailey, musical supervision and arrangements by Nick Finlow and Illusions by Chris Fisher. Orchestrations are by Ethan Popp and Bryan Crook, with dance arrangements by David Chase. Casting is by David Grindrod Associates.
Back to the Future the movie was released in 1985, starring Michael J. Fox as Marty McFly and Christopher Lloyd as Dr Emmett Brown. The film grossed $360.6 million (£279 million) at the box office worldwide and the total box office for all three films in the Back to the Future franchise was $936.6 million (over $1.8 billion in today’s money).
Back To the Future The Musical is produced by Colin Ingram, Donovan Mannato, Frankel/Viertel/Baruch/Routh Group, Hunter Arnold, Gavin Kalin Productions, Playing Field, Crush Music, CJ ENM, Teresa Tsai, Ivy Herman/Hallee Adelman, Robert L. Hutt, Universal Theatrical Group, Ricardo Marques, Augury, Robert Zemeckis, Bob Gale, in association with Kimberly Magarro, Stage Entertainment, Glass Half Full Productions/ Neil Gooding Productions.
photo credit: Matt Crockett
Tuesday, 1 November 2022
Cory English to Play 'Doctor Emmett Brown' in Back To The Future the Musical for 6 Weeks Only
Lead producer Colin Ingram, together with Robert Zemeckis and Bob Gale, the creators of the Back To The Future film trilogy, are delighted to announce that celebrated theatre actor, Cory English, will join the cast of Back To The Future The Musical at the Adelphi Theatre, playing the role of ‘Doctor Emmett Brown’ from 23 November 2022 until 3 January 2023. Tony Award winner, Roger Bart, who is currently playing the role, will return to the show on 5 January 2023. His final performance in London will be 20 March 2023 after which he will lead the cast of the Broadway production, which begins performances at Winter Garden Theatre (1634 Broadway) on 30 June 2023 with an official opening on 3 August 2023.
The critically acclaimed Olivier, WhatsOnStage and Broadway World Award-winning Best New Musical had its opening night in London on Monday 13 September 2021. Last week the musical broke box office records at the Adelphi Theatre for the highest gross sales in one week.
Cory English played Max Bialystock in the West End and UK Touring productions of The Producers, directed by Susan Stroman. His other credits include Sleepless at Troubadour Theatre Wembley Park, She Loves Me at the Menier Chocolate Factory, Igor in Young Frankenstein on Broadway and in the West End and Benny Southstreet in Michael Grandage’s West End production of Guys & Dolls.
Back To The Future The Musical currently stars Tony Award-winning Roger Bart and Ben Joyce as ‘Dr Emmett Brown’ and ‘Marty McFly’ respectively, with Amber Davies as ‘Lorraine Baines’, Oliver Nicholas as ‘George McFly’, Jordan Benjamin as ‘Goldie Wilson’, Harry Jobson as ‘Biff Tannen’, Sophie Naglik as ‘Jennifer Parker’, Gary Trainor as ‘Strickland’, Will Haswell as alternate ‘Marty McFly’ and ‘Dave McFly’ and Emma Lloyd as ‘Linda McFly’. Also in the cast are Amy Barker, Simeon Beckett, Sia Dauda, Tyler Davis, Glen Facey, Dylan Gordon-Jones, Adam Margilewski, Cameron McAllister, Alessia McDermott, Bryan Mottram, Laura Mullowney, Anna Murray, Jon Reynolds, Melissa Rose, Georgia Tapp, Justin Thomas, Charley Warburton and Tavio Wright.
The Original Cast Recording, released on Sony Music’s Masterworks Broadway label, is now available on all formats, including vinyl, and has had over 3 million streams. It features the new music by multi-Grammy Award-winners Alan Silvestri and Glen Ballard alongside classic songs from the movie including The Power of Love and Johnny B. Goode.
Back To The Future The Musical won the Olivier Award for Best New Musical, four WhatsOnStage Awards, including Best New Musical, and the Broadway World Award for Best New Musical. The productions in London and Manchester have so far been seen by half a million people and the musical has broken box office records at the Adelphi Theatre.
Based on the Universal Pictures/Amblin Entertainment film, Back To The Future The Musical has a book by Bob Gale and new music and lyrics by Emmy and Grammy Award-winning Alan Silvestri and six-time Grammy Award-winning Glen Ballard, with additional songs from the film including The Power of Love and Johnny B. Goode.
Marty McFly is a rock ‘n’ roll teenager who is accidentally transported back to 1955 in a time-travelling DeLorean invented by his friend, Dr Emmett Brown. But before he can return to 1985, Marty must make sure his high school-aged parents fall in love in order to save his own existence.
Back To The Future The Musical is directed by Tony Award-winning director John Rando (Urinetown, On The Town), alongside the multi Tony and Olivier Award-winning design team of Tim Hatley (set and costume design), Tim Lutkin (lighting), Hugh Vanstone (lighting consultant), Gareth Owen (sound) and Finn Ross (video), with choreography by Chris Bailey, musical supervision and arrangements by Nick Finlow and Illusions by Chris Fisher. Orchestrations are by Ethan Popp and Bryan Crook, with dance arrangements by David Chase. Casting is by David Grindrod Associates.
Back to the Future the movie was released in 1985, starring Michael J. Fox as Marty McFly and Christopher Lloyd as Dr Emmett Brown. The film grossed $360.6 million (£279 million) at the box office worldwide and the total box office for all three films in the Back to the Future franchise was $936.6 million (over $1.8 billion in today’s money).
Back To The Future The Musical is produced by Colin Ingram, Donovan Mannato, Frankel/Viertel/Baruch/Routh Group, Hunter Arnold, Gavin Kalin Productions, Playing Field, Crush Music, CJ ENM, Teresa Tsai, Ivy Herman/Hallee Adelman, Robert L. Hutt, Universal Theatrical Group, Ricardo Marques, Augury, Robert Zemeckis, Bob Gale, in association with Kimberly Magarro, Stage Entertainment, Glass Half Full Productions/ Neil Gooding Productions.
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