Showing posts sorted by relevance for query Bradley Riches. Sort by date Show all posts
Showing posts sorted by relevance for query Bradley Riches. Sort by date Show all posts
Monday 3 December 2018
A Christmas Story: The Musical, Waterloo East | Review
A Christmas Story: The Musical
Waterloo East
Reviewed on Saturday 1st December 2018 by Olivia Mitchell
★★★
A stage adaptation of the 1983 film, A Christmas Story: The Musical follows young Ralphie who's sole Christmas wish is to receive a Red Ryder Carbine Actin 200-shot Range Model Air Rifle. Besides that there's pretty much no story other than a boatload of coming of age tropes, including bullying, classroom issues and family arguments. It's a simple show, which doesn't contain anything groundbreaking but is well performed by the cast.
The main story is focussed on Ralphie and his family unit who are struggling during the Depression but are still hopeful for a merry Christmas. Ralphie's mother sings stereotypically about a mother's work and his younger brother refuses to eat whilst his father wins a leg lampshade in a crossword competition- random indeed.
Whilst very different in tone to their other works, and particularly less memorable, the music of this show is by highly successful writing duo, Pasek and Paul (The Greatest Showman, Dear Evan Hansen, La La Land) who have provided some charming but repetitive pieces, which despite being somewhat uninspired, do evoke a warm, festive feeling.
The cast are really what make this show. The children (at this performance: Harry Irving, Edward Flynn Haddon, Evan Huntley-Robertson, Flynn Timberlake, Chloe Weir and Sofia-Elena Tait) are full of energy and cheer as they rattle around the stage with young glee and excitement for impending Christmas celebrations. Sofia-Elena Tait is a particular standout throughout. Leading the show as Ralphie, Rufus Kampa is very strong as he barely steps off stage and provides some lovely vocal moments. As Farkus the bully of the school, Bradley Riches is wonderful, and even more so as he shows off his humourous side as an elf who is certainly not loving his life. It's just a shame Bradley doesn't have a little more stage time as he really shines among the cast.
The adult cast who make up the rest of the show are great. Lucyelle Cliffe brings a real warmth to her role whilst her partner, Simon Willmont brings humour as well as sincerity in his solo moments where he just longs to be someone special. Garry Freer narrates the show well, whilst, Jenny Gayner astounds as the hilarious Miss Shields, and performs potentially the best number of the show with her act 2 tap dance (choreographed by Rhainne Butts). Katy Stephens is also strong in her various roles and again, it would be nice to see more of her.
Despite it being a different time and place, there's something jarring about a number of songs focussing on a gun; some transitions are a little clunky and the story is basically non-existent, but thanks to the strength of the performers, I think we can let those things slide and appreciate A Christmas Story: The Musical, for the injection of festivity that it is.
A Christmas Story: The Musical runs at Waterloo East until 22nd December
photo credit: Robert Piwko
Saturday 10 November 2018
Monstersongs, The Other Palace | Review
Monstersongs
The Other Palace Studio
Reviewed on Tuesday 6th November 2018 by Olivia Mitchell
★★★★
The Other Palace played house for the UK premiere of Rob Rokicki's Monstersongs, a theatrical experience that combines rock music, theatre, graphic novels and technology. Taking form as part song cycle, part staged show, Monstersongs is a journey into the minds of often misunderstood 'monsters' and 'baddies'. The music flips the switch on the traditional monster narrative and welcomes us to look at the alternative side of a story and the humanity which unites us all.
This show has the potential to be performed in a number of venues and formats so it will certainly be exciting to see how it evolves and progresses. In its current iteration, we see a series of stories introduced by the young narrator, Bradley Riches who welcomes the creatures to centre stage as well as becoming the Dragon in the rousing song, Reluctantly.
Aside from the vocal performances, the live band are the stars of the show. Providing enough oomph for the rock feel but not becoming overpowering, even in the intimate space of The Other Palace Studio. David O' Neill's graphic novel artwork is also it's own character, with projections adding another layer of interest to the story and helping create the multi-sensory feel of the performance.
Sinéad Wall and Amanda Flynn give a stand out performance with Blood and Brains which is equal measures humourous and gruesome. Sinéad also performs Say Goodbye, a moving number about the pain of Medusa as she freezes another man to stone, with vocal ease and power; whilst Amanda is suitably heartbroken and wicked at the scorned witch in Hell Hath No Fury. Tyrone Huntley is a vocal powerhouse in Down and Under which tells the story of the troll under the bridge and Right Through You is performed with chilling smoothness by Cleopatra Higgins. Another stand out is certainly George Damms in both his first number, The Plans, where he is extremely witty as Igor and his second solo, I'm Sorry in which he showcases his superb vocals.
Whilst I wouldn't say Monstersongs is an immersive show right now, it certainly has the potential to be one and it could definitely do well as a musical which becomes a sort of art installation. It's a 60 minute rock musical about monsters, that provides vocal greatness and heartfelt (if at times predictable) stories- what more could you ask for?
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