Showing posts sorted by relevance for query Natalie McQueen. Sort by date Show all posts
Showing posts sorted by relevance for query Natalie McQueen. Sort by date Show all posts

Thursday, 17 February 2022

Natalie McQueen and George Maguire to Star in West End Transfer of Bonnie and Clyde



DLAP Group are delighted to announce that George Maguire and Natalie McQueen will star as Buck and Blanche Barrow in the West End premiere of the cult-favourite BONNIE AND CLYDE THE MUSICAL at the Arts Theatre from Saturday 9 April 2022. Further casting to be announced in due course. www.bonnieandclydemusical.com

Olivier Award winner George Maguire and West End star Natalie McQueen reunite to reprise their roles as Buck and Blanche Barrow following the phenomenal response to their performances as part of Bonnie and Clyde In Concert at the Theatre Royal Drury Lane in January 2022.  

George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in Sunny Afternoon. His other theatre credits include 35mm: A Musical Exhibition at The Other Palace Studio, Oliver! at the London Palladium and the European tour of Rent

Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in 9 to 5 The Musical at the Savoy Theatre, Wicked at the Apollo Victoria Theatre and Kinky Boots at the Adelphi Theatre. Her other theatre credits include the UK tour of Wonderland, Murder Ballad at the Arts Theatre and Starlight Express at The Other Palace. 

At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.

When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.
 
Bonnie and Clyde The Musical has a book by Ivan Menchell (Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents). The production will be directed by Nick Winston (Director of the feature film Tomorrow MorningMAME, The Royal Variety Performance) with Set and Costume Design by Philip Whitcomb (Atlantis, Stones In His Pockets, MAME) and Musical Supervision from Katy Richardson(SIX, Rent, Jersey Boys).

Wednesday, 23 February 2022

Francis Mayli McCann and Jordan Luke Gage to Star in Bonnie and Clyde the Musical


DLAP Group are thrilled to announce that Frances Mayli McCann and Jordan Luke Gage will star as the titular Bonnie and Clyde in the West End premiere of the cult-sensation Bonnie and Clyde The Musicalopening at the Arts Theatre from Saturday 9 April 2022


Following the extraordinary reaction to her performance as ‘Bonnie’ in Bonnie and Clyde In Concert in January 2022, Olivier-Award nominated Frances Mayli McCann reprises the role in this full production at The Arts Theatre, performing alongside West End star Jordan Luke Gage as ‘Clyde’. 

 

They join the previously announced Natalie McQueen as ‘Blanche Barrow’ and George Maguire as ‘Buck Barrow’. The full company includes Cleve September as ‘Ted’ and Ako Mitchell as ‘Preacher’, Pippa Winslow as ‘Cumie Barrow/Governor Miriam Ferguson/Eleanore’, Gracie Lai as ‘Emma Parker/Stella’, Alistair So as ‘Sheriff Schmid’, Alexander Evans as ‘Henry Barrow/Deputy Johnson’, Ross Dawes as ‘Captain Frank Hamer’, Barney Wilkinson as ‘Bud/Archie’ and swings Charlie McCullagh and Annie Guy. Casting for the roles of ‘Trish’ and Young ‘Bonnie’ and ‘Clyde’ to be announced. 

 

Frances Mayli McCann is an Olivier Award nominated actress, who originated the role of ‘Kylah’ in “Our Ladies of Perpetual Succour”. Her other West End credits include ‘Heather McNamara’ in “Heathers” at the Theatre Royal Haymarket, ‘The Mistress’ in “Evita” at Regent’s Park Open Air Theatre and ‘Eponine’ in the UK and International Tour of “Les Misérables”.

 

Jordan Luke Gage is best known for his portrayal of ‘Romeo’ in the Olivier Award winning “&Juliet” at The Shaftesbury Theatre. His other West End credits include ‘Strat’ in “Bat Out Of Hell” at The Dominion Theatre and ‘JD’ in “Heathers” at Theatre Royal Haymarket. His television credits include playing ‘Adrian Barber’ in ITV’s Cilla, and ‘Luc’ in Cucumber on Channel 4.

 

Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in “9 to 5 The Musical” at the Savoy Theatre, “Wicked” at the Apollo Victoria Theatre and “Kinky Boots” at the Adelphi Theatre. Her other theatre credits include the UK tour of “Wonderland”, “Murder Ballad” at the Arts Theatre and “Starlight Express” at The Other Palace. 

 

George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in “Sunny Afternoon”. His other theatre credits include “35mm: A Musical Exhibition” at The Other Palace Studio, “Oliver!” at the London Palladium and the European tour of “Rent”. 


Cleve September is perhaps best known for his Olivier Nominated performance as ‘Philip Hamilton/John Laurens’ in the original West End cast of “Hamilton” at the Victoria Palace Theatre. His other theatre credits include “Jesus Chris Superstar” at Regent’s Park Open Air Theatre, “Annie Get Your Gun” at the Crucible Theatre, “In The Heights” at Kings Cross Theatre and “The Last Days of Troy” at The Globe Theatre. 

 

Ako Mitchell is an actor and filmmaker whose recent theatre credits include playing ‘Larry’ in “Indecent Proposal” at the Southwark Playhouse, ‘Bob Baker’ in “Wonderful Town” at Opera Holland Park, ‘Mister’ in “The Color Purple” at Curve and the Birmingham Rep and ‘The Moon/The Bus’ in “Caroline, Or Change” at the Chichester Festival Theatre and The Playhouse Theatre in London’s West End. 

 

At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.

When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.

 

Bonnie and Clyde The Musical has a book by Ivan Menchell(Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents). The production will be directed by Nick Winston (Director of the feature film Tomorrow MorningMAME, The Royal Variety Performance) with Set and Costume Design by Philip Witcomb (Atlantis, Stones In His Pockets, MAME), Musical Supervision from Katy Richardson (SIX, Rent, Jersey Boys), Lighting Design by Zoe Spurr (Fantastically Great Women Who Changed The World, Hamlet at Theatre Royal Windsor), Sound Design by Tom Marshall (The Drifter’s Girl, Nativity The Musical, Curtains), Video Design by Nina Dunn (The Shark Is Broken, Lazuli Sky)Casting Director Jim Arnold CDG (Wicked, The Prince of Egypt)Musical Director Nick Barstow (The Last 5 Years, Zorro), Keys 2/ Assistant Musical Director Debbi Clarke Associate Director/Choreographer Megan Louch (The Bodyguard, Annie), Wigs Designer Darren Ware (The Rocky Horror Show, Matthew Bourne’s The Midnight Bell)Fight Director Kate Waters (The Curious Incident of the Dog in the Night-Time, Constellations), Production Manager Phil McCandlish (Curtains, Rock of Ages), Orchestra Fixer Rich Morris (American Idiot, Jesus Christ Superstar), Costumer Supervisor Jemima Penny (Machinal, Richard III), Props Supervisor Lizzie Frankl for Propworks (2:22 A Ghost Story, Pretty Woman), Company Stage Manager Paul Deavin (Rock of Ages), Drums Zach Okonkwo, Violin Clodagh Kennedy, Bass Guitar Annie Blake. 


Further crew and band to be announced.  


photo credit: Darren Bell


Friday, 5 November 2021

Bonnie and Clyde in Concert Full Cast and Company Announced



Fourth Wall Live is delighted to announce the full cast joining Broadway star Jeremy Jordan in the sell-out BONNIE AND CLYDE IN CONCERT at the Theatre Royal Drury Lane on Monday 17 and Tuesday 18 January 2022. www.bonnieandclydeconcert.com
 
Joining the previously announced Jeremy Jordan as ‘Clyde’ will be Olivier-nominated performer Frances Mayli McCann as ‘Bonnie’. The previously announced Laura Osnes is no longer performing in Bonnie and Clyde in Concert.
 
The principal cast is completed by West End stars including Olivier Award winner George Maguire as ‘Buck’, Natalie McQueen as ‘Blanche’, Trevor Dion Nicholas as ‘Preacher’ and Liam Tamne as ‘Ted’.
 
The cast is completed by Casey Al-Shaqsy (The Prince of Egypt, Joseph and the Amazing Technicolor Dreamcoat) as ‘Stella’, Simon Anthony (The Wedding Singer, Ragtime) as ‘Cop/Bud/Archie/Deputy Johnson’ Gillian Bevan (Holby City, Into The Woods) as ‘Cummie Barrow/Eleanor’, Eloise Davies (Be More Chill, Grease) as ‘Trish’, Adrian Grove (Follies, Wonder.land) as ‘Henry Barrow’Olivier Award nominee Debbie Kurup (Girl From The North Country, The Bodyguard) as ‘Governor Miriam Ferguson’, Matthew Malthouse (Matilda, Mrs Henderson Presents) as ‘Bob Alcorn’, Jeremy Secomb (Sweeney Todd, Les Misérables, The Phantom of the Opera) as ‘Judge/Sheriff Schmid’, Russell Wilcox (Billy Elliot, Annie) as ‘Captain Frank Hamer’ and Julie Yammanee (Lazarus, Spamilton) as ‘Emma Parker’.
 
George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in Sunny Afternoon. His other theatre credits include 35mm: A Musical Exhibition at The Other Palace Studio, Oliver! at the London Palladium and the European tour of Rent.
 
Frances Mayli McCann is an Olivier Award nominated actress, who originated the role of Kylah in Our Ladies of Perpetual Succour. Her other West End credits include ‘Heather McNamara’ in Heathers at the Theatre Royal Haymarket, ‘The Mistress’ in Evita at Regent’s Park Open Air Theatre and Eponine’ in the UK and International Tour of Les Misérables.
 
Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in 9 to 5 The Musical at the Savoy Theatre, Wicked at the Apollo Victoria Theatre and Kinky Boots at the Adelphi Theatre. Her other theatre credits include the UK tour of Wonderland, Murder Ballad at the Arts Theatre and Starlight Express at The Other Palace.
 
Trevor Dion Nicholas’s West End credits include ‘George Washington’ in Hamilton at the Victoria Palace Theatre and ‘Genie’ in Aladdin at the Prince Edward Theatre. He also presents on Magic at the Musicals and appears as a panellist on ITV’s All Star Musicals.
 
Liam Tamne’s West End credits include playing ‘Ramses’ in The Prince of Egypt at the Dominion Theatre, The Light in the Piazza at the Royal Festival Hall, The Phantom of the Opera at Her Majesty’s Theatre, Les Misérables at the Queen’s Theatre, Hairspray at the Shaftesbury Theatre and Wicked at the Apollo Victoria Theatre.
 
BONNIE AND CLYDE IN CONCERT has a book by Ivan Menchell (Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents) and is directed by Nick Winston (Director of the feature film Tomorrow Morning, MAME, The Royal Variety Performance) with musical direction by Katy Richardson (SIX, Rent, Jersey Boys). The Assistant Director is Alexzandra Sarmiento (Hamilton, Message in a Bottle), Lighting Designer is Zoe Spurr (The Unreturning, Tiny Dynamite), Set and Costume Designer is Philip Whitcomb (Atlantis, Stones In His Pockets, Mame), Sound Designer is Tom Marshall (The Drifters Girl, Nativity! The Musical), Production Manager is Phil McCandlish (Rock of Ages, Elf), Company Stage Manager is Graham Harrison (Joseph and the Amazing Technicolor Dreamcoat), Deputy Stage Manager is Anne Baxter (Singin’ in the Rain, Spamalot), Assistant Stage Manager is Tom Fisher (The Curious Incident of the Dog in the Night-Time), Dialect Coach is Charmian Hoare (The Curious Incident of the Dog in the Night-Time, War Horse) and children’s casting is by Keston and Keston (Nativity! The Musical, A Christmas Carol).  BONNIE AND CLYDE IN CONCERT is produced by Fourth Wall Live and co-produced by DLAP Group, Jason Haigh-Ellery and David Treatman Creative.

The band is made up of Assistant Musical Director Chris Poon (Keys 2), Kate Ingram (Reed 1), Hannah Lawrance (Reed 2), Kobi Pham (Guitar 1), Jack Pennifold (Guitar 2), Zach Okonkwo (Drums), Elliot Lyte (Fiddle)and Annie Blake (Bass).

At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.
When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.

Fourth Wall Live is a live entertainment company that produces concerts internationally. It regularly brings Broadway artists to the UK, previous concerts include Broadway and TV regulars Laura Benanti, Sierra Boggess, Kelli O'Hara, Chita Rivera, Laura Michelle Kelly, Megan Hilty, Tituss Burgess, Jeremy Jordan, Matthew Morrison, Erich Bergen, Eden Espinosa, Julia Murney and Cynthia Erivo. Other concerts include West End Stars solo concerts including Michael Ball, Matt Cardle, Kerry Ellis, Oliver Tompsett, Hannah Waddingham, Sharon D Clarke and Bonnie Langford. Upcoming productions at Cadogan Hall include Jenna Russell, Shoshana Bean, Keala Settle and Jessica Vosk.

Tori Amos’s musical The Light Princess was presented to critical acclaim, as a special one-off concert in the summer of 2018. Next year Bonnie & Clyde the musical concert will run for two nights to a sold-out audience at Theatre Royal Drury Lane starring Jeremy Jordan. 

Fourth Wall Live also regularly partners with the Hippodrome Casino, in November-December 2020 they produced 25 nights of socially distanced entertainment, proudly being the first live event post lockdown. The current season of Hippodrome concerts runs from September 2021 to December 2021 and features 20 nights of musical entertainment featuring Alice Fearn, Kerry Ellis, Hayley Tamaddon and David O’Reilly.Fourth Wall Live is committed to following all relevant UK Government Covid-19 guidelines, creating a safe working environment for our cast, musicians, creatives, crew and their families.

Wednesday, 13 March 2019

9 to 5 The Musical, Savoy Theatre | Review


9 to 5 The Musical
Savoy Theatre
Reviewed on Tuesday 12th March 2019 by Olivia Mitchell 
★★★★

Its almost forty years since Violet, Judy, Doralee and their misogynistic boss made their way to screens in the film 9 to 5. Musical adaptation by film creator, Patricia Resnick shows that whilst times have changed, unfortunately many of the issues are still prevalent and feel very relevant during the Trump Era and #MeToo movement. 

Despite what you may think, this is not a jukebox musical and apart from the world hit 9 to 5, many of the songs are forgettable although being pleasing to listen to at the time. The arrangements by Stephen Oremus, Alex Lacamoire and Mark Crossland are pretty and Lisa Stevens' buoyant choreography keeps the momentum of the show going but the music itself is not the highlight. 

However, Jeff Calhoun's West End production features a fantastic cast who perform Dolly Parton's score with vigour and drive.  Natalie McQueen completely shines as Dolly's character, Doralee Rhodes. Funny, feisty and a vocal powerhouse, Natalie brings life to the role and provides a memorable moment with Backwards Barbie. Amber Davies is charming as the naive Judy Bernly who finds herself throughout the show. Whilst her acting is somewhat lacking at times, Amber retains her charisma and gives a lovely performance of Get Out and Stay Out. 


Caroline Sheen brings a light to the show as the strong and capable, Violet Newstead. Together the three ladies are a  real force as they take drastic measures to stop their sexist boss, Franklin Hart Jnr. (played comedically by Brian Conley) from blackmailing them.  The real show stealer is Bonnie Langford as Hart's devoted assistant who is completely wonderful is her unrequited love for her CEO. Her high-kicking, leg-splitting performance of Heart to Hart is impressive beyond belief and utterly hilarious.

This is a crowd pleasing production that, with a second act of only 45 minutes, flies by with a flash of hair, power-suits and feminism. There's no denying that the principles are dated and it's more of a period piece  than a modern inspirational tale to live by, but it does provide a laugh. Whilst being set in the 80s, the various nods to 2019 allow it to feel more relatable. 9 to 5 is a feel-good show, helmed by powerful performers who allow you to ignore the shortcomings and enjoy it for what it is: a load of female led fun.

photo credit: Craig Sugden

Sunday, 25 February 2018

West End Live Lounge, The Other Palace | Review


West End Live Lounge (Concert) 
The Other Palace
Reviewed on Sunday 11th February 2018 by Olivia Mitchell
★★★★

If you're a regular reader of this site, you'll know that I am a huge West End Live Lounge fan, I've been going since they started and feel so proud watching them get bigger and better. The most recent concert was the biggest to date, taking over the main stage at The Other Palace; hosting a number of uber talented performers and providing a wonderful, chilled out, musical night. For anyone that doesn't know, West End Live Lounge is a concert every few months featuring some of the best the West End has to offer who perform a variety of non-musical theatre songs to entertain and raise money for a specific charity. This time, the musical theatre performers united to raise money for the charity Barnardo's. Our compère for the night was the fantastic Ian Stroughair (who wowed me before Christmas with his Velma Celli show) who opened the show with a bang and set the tone for the talent and joy to come.

As always every performance was top notch so I'm just going to mention a few stand outs instead of turning this into an essay! Firstly, the stunning Jodie Steele, fresh off her stint on BBC One's All Together Now,  performed 'Castle on the Hill' with ease and smooth riffs which left us all wanting more. Equally riff-tastic was Emma Kingston who joined the West End Live Lounge family during her brief break from touring with Evita, to wow us all with her performance of Lady Gaga's 'Edge of Glory'. The always hilarious Natalie McQueen brilliantly put her own twist on the classic 'Hot N Cold'.  All three ladies continually blow me away with their vocal performances.


Kayleigh McKnight was definitely an audience favourite with her breathtaking performance of 'Creep' which showed off her vocals perfectly and Cleve September brought back his signature loop pedal to create an eerie but stunning vocal performance of 'Spirits'.

Superstar Natalie Green gave a beautiful rendition of Adele's 'When We Were Young' whilst Brady Isaacs Pearce channeled Demi Lovato gloriously with her effortless performance of 'Skyscraper'. My final mention goes to Joel Harper-Jackson who's ridiculously long note in 'Wicked Game' should be put into the World Record books- glorious!


The West End Live Lounge concerts are truly joyous to be a part of because they not only celebrate the fantastic talent the West End has to offer but raise money for fantastic causes. I cannot wait to see what's in store for the next concert; my only hope is that the intimate feel can somehow be brought back. With the previous concerts there has been a very informal vibe but bringing the performance into a theatre did distance it somewhat and the audience stuck to the 'normal' theatre etiquette rules more. Obviously it's amazing to be able to fill a bigger space and allow more people to see and hear these outstanding performances but it's hard to strike a balance between having more space whilst still maintaining an intimate feel.

Regardless, this was a wonderful concert and I know the upcoming ones will be to so do yourself a favour and follow @WELiveLounge on twitter so you can snap up tickets as soon as they go on sale!


Tuesday, 4 April 2017

Wonderland (UK Tour), New Victoria Theatre | Review

Wonderland (UK Tour)
New Victoria Theatre
Reviewed on Monday 3rd April 2017 by Olivia Mitchell
★★

I finished performing in Will Todd's opera Alice's Adventures in Wonderland on Friday and have already taken another trip down the rabbit hole to see the UK Tour of Wonderland- I see an Alice theme becoming part of my life!

Frank Wildhorn, composer of one of my favourite musicals Bonnie and Clyde has reworked the Classic tale of Alice into a contemporary story about finding your place in the world. The story follows single mother Alice (Kerry Ellis) who lives in a bleak city with her ridiculously mature daughter Ellie (Naomi Morris). Stuck in a rut after her manipulative ex-husband kicked all her confidence out of her, she seeks a life away from the real world. When a bunny which promises to take her out of her mundane life hops in front of her, it seems like the logical option to follow him down the hole... or lift! Joined by their neighbour Jack  (Stephen Webb) they end up in the magical and mysterious Wonderland.

The story is about self-belief and self-discovery and touches on some relevant issues. With Alice saying that "girls need to know that they should value themselves" and the rabbit expressing that "nothing can exist 'til you dream it first", it's sweet and heart warming.

Wonderland itself is bizarre, whimsical, quirky and truly bonkers. With all the well known characters such as the Queen and Hatter popping up throughout. Alice discovers that if she steps through the Looking Glass, she'll come out as a different version of herself. She toys with the idea of stepping through but is skeptical to return to the strong woman she was before.

Kerry Ellis is a star as Alice. Her vocals are faultless as she effortlessly belts out each number. Her stage presence is strong and it's joyful to watch her transformation throughout the show. Alongside Naomi Morris as her strong spirited daughter (who has a striking resemblance in voice and looks to Lilla Crawford) the pair create a lovely duo and a believable chemistry onstage.

For me the standout by far is Natalie McQueen. Her voice is off the charts and her scatty, feisty and extremely mad portrayal of the Hatter completely steals the show. She is compelling throughout and her facial expressions are enough to cure all types of illness!

Wendi Peters embraces the role of the evil Queen of Hearts well, mastering the comedic timing impeccably and showing off her superb singing voice. It's a shame how little time she is on stage  as it would be lovely to see her for more than a fleeting moment at a time. Nevertheless, her portrayal is wonderful.

The score is brilliant with wit, pace and just the right amount of craziness but the script is a little weak. At times it feels forced and cringey , with the dialogue not adding much to the show other than filling time. Personally I feel that the overall downfall is that there is not a clear target audience. There are times where it seems better for young adults and adults but others where it's almost pantomime like and seems aimed at very young children. There is a lot of potential but I think there needs to be a little work done to make the show fully solid and fluid.

The music is engaging and enjoyable. The spectacular performers and witty moments make it a really enjoyable show to watch and a fun family night out.

Wonderland is on at the New Victoria Theatre until Saturday April 8th

Thursday, 19 May 2022

Bonnie and Clyde, Arts Theatre | Review


Bonnie and Clyde
Arts Theatre 
Reviewed on Wednesday 18th May 2022 by Olivia Mitchell 
★★★★

After over a decade of waiting, Frank Wildhorn, Don Black and Ivan Menchell's Bonnie and Clyde has finally entered the West End and has done so with a bang. Telling the story of the eponymous duo who became outlaws before being killed together, the romanticised musical is exciting and features some of the strongest performances seen in a long time.

Based on the semi-true story, we follow Bonnie and Clyde from their childhood dreams (her to be a movie star like Clara Bow, and he to be an outlaw like Billy the Kid) to their first flukey meeting, their following life of crime and eventually their downfall and death. Running in parallel to this story is an unrequited love plot as well as some glimpses into the economic depression of the time which highlight why turning to crime was in some ways, necessary, at least for the Barrow Brothers.

At times the book is a little jumbled and some things are over explained, whilst others lack a little development. However, it is equally brilliant in its comedy, especially in the snarky exchanges between Blanche and Bonnie. Aside from the few issues, this is a really wonderful production that is spirited and exudes intensity. As the leading characters, Frances Mayli McCann and Jordan Luke Gage completely own the stage. McCann is a certified star and she brings her clear as glass vocals to life in ballads such as Dyin' Ain't So Bad and she also gives a brilliantly dynamic portrayal as Bonnie. Gage is charming and terrifying in equal measure and vocally her fires on all cylinders. Raise A Little Hell is a complete roof raiser that is powerful, thrilling and aggressive. Together the pair balance one another well and are realistic in their juvenile, all encompassing love story. The sizzling chemistry grows from their first meeting and remains so until the very last second.


The entirety of the small cast are equally strong, with Natalie McQueen giving the most hilarious performance as God-fearing Blanche Barrow. You're Goin' Back To Jail is absolutely hilarious and she imbues every moment with wit, even down to her out of time clapping which is brief but wonderful. Alongside her comedy masterclass, she also brings a more mellow moment in the duet You Love Who You Love which is outstanding. As with much of the show, it's the tight harmonies which really bring the house down and have the audience enraptured. George Maguire is also strong as Buck Barrow and Cleve September nicely balances the hostility of Clyde with his smooth and calmer vocals. 

As well as the performances, the set by Philip Witcomb takes on a life of its own and makes the Arts feel so much bigger than it is. The set is ambitious and impressive and coupled with great projections bu Nina Dunn and sound design by Tom Marshall make the whole show a real spectacle.

Nick Winston has done an outstanding job with this production and it's so wonderful that it's finally getting the run it deserves. How bout' you dance your way to the Arts Theatre and grab yourself a ticket for this theatrical jewel.

photo credit: Richard Davenport