Showing posts sorted by date for query Back to the Future. Sort by relevance Show all posts
Showing posts sorted by date for query Back to the Future. Sort by relevance Show all posts
Monday, 10 November 2025
Gravity UK Tour 2026: Kerry Ellis, Louise Dearman, and Rachel Tucker Live
West End Legends Kerry Ellis, Louise Dearman, and Rachel Tucker Bring Gravity to UK Stages
A Celebration of Iconic Musical Theatre Talent
Musical theatre fans across the UK are in for a treat as West End powerhouses Kerry Ellis, Louise Dearman, and Rachel Tucker announce the Gravity tour. After a sold-out, special performance earlier this year at London’s Theatre Royal Drury Lane, the trio is taking their celebrated show on the road, bringing the magic of London theatre to five major cities.
Gravity celebrates the unparalleled talent of three of musical theatre’s most beloved stars. Ellis, the first British Elphaba in Wicked, Dearman, the only performer to play both Elphaba and Glinda in Wicked, and Tucker, who has played Elphaba in both London and Broadway productions, are joined by a repertoire of hit songs spanning iconic shows such as We Will Rock You, Cats, Oliver!, My Fair Lady, Miss Saigon, Les Misérables, Guys and Dolls, Evita, Grease, Joseph, Sunset Boulevard, and Chicago.
Fans can expect powerhouse performances and special nods to each artist’s career highlights. Kerry Ellis will feature songs from her collaboration with Queen guitarist Brian May, Rachel Tucker will revisit highlights from her time on I’d Do Anything, and Louise Dearman will bring back her unforgettable Eva Perón numbers.
Kerry Ellis said,:
"This show is just epic. One of the first proper things I did in my career was the ensemble of The Wizard of Oz where I played so many different roles. I think that's where I realised how much I enjoy being part of a team and that's exactly what I love about Gravity."
Louise Dearman added:
"Being with Kerry and Rachel is honestly wonderful because there's no competition. We've always supported one another and we're constantly cheering each other on. I’ve never felt more comfortable on stage than I do when I’m with my friends."
Rachel Tucker concluded:
"Gravity is a collection of songs that have genuinely shaped us - past, present and hopefully future. We’ve chosen music that inspires us and that we truly love performing together."
Tour Dates:
Manchester Opera House – 10 April 2026
Birmingham Hippodrome – 12 April 2026
Glasgow King’s Theatre – 22 April 2026
Edinburgh Playhouse – 23 April 2026
Canterbury Marlowe Theatre – 28 April 2026
The show is co-created and produced by Simon Schofield and Scott Garnham for Sisco Entertainment, with musical direction by James Doughty and choreography by Chrissy Dahlen.
Tuesday, 28 October 2025
Royal Court Theatre Unveils Landmark 70th Anniversary Season Celebrating the Future of London Theatre
A bumper season full of theatrical delights!
The Royal Court Theatre has unveiled a spectacular year-long programme to mark its 70th anniversary in 2026- a milestone season celebrating seven decades of groundbreaking new writing in London theatre.
Spanning 12 productions across its iconic stages, the Jerwood Theatre Downstairs and Upstairs, the anniversary season blends world premieres, European debuts, legendary revivals, and bold national initiatives. The Royal Court continues its legacy as the beating heart of contemporary British theatre, nurturing emerging playwrights while honouring its trailblazing past.
Artistic Director David Byrne said:
“Everybody back to ours. The Royal Court is turning 70 with the most thrilling season we could imagine. On our stages and far beyond, we’re throwing a legendary, year-long party and you’re all invited.”
Highlights include Luke Norris’ romantic drama Guess How Much I Love You?, starring Robert Aramayo and Rosie Sheehy, and Ryan Calais Cameron’s The Afronauts, inspired by Zambia’s space race. Tilda Swinton makes a long-awaited stage return in Man to Man, while Gary Oldman stars in Krapp’s Last Tape — both paying homage to the Court’s extraordinary history.
The Upstairs Theatre will champion fresh voices discovered through open submissions, including The Shitheads by Jack Nicholls and Are You Watching? by Georgie Dettmer. A new collaboration with BBC Radio 4 will bring Royal Court classics to the airwaves, while the Jerwood Royal Court Commissioning Scheme will fund new writing nationwide.
Executive Director Will Young said:
“Our 70th anniversary isn't just about the past – it's a moment to direct every bit of new thinking and resource into the pipeline for the next 70 years.”
With its bold mix of premieres, partnerships, and a renewed commitment to discovering the next generation of playwrights, the Royal Court’s 70th anniversary season reaffirms its place at the centre of the UK’s cultural stage.
photo credit: Guy J Sanders
Friday, 17 October 2025
Gok Wan to Join Back to the Future The Musical for One-Night Cameo in London
Fashion icon and television personality Gok Wan is heading to the West End for one night only to join the award-winning Back to the Future The Musical at the Adelphi Theatre. To celebrate global Back to the Future Day, Gok will make a special cameo as Principal Strickland, adding his trademark charm and energy to the beloved sci-fi comedy.
The Olivier Award-winning musical, based on the 1985 Universal Pictures classic, continues to be one of London theatre’s most popular shows. Featuring Caden Brauch as Marty McFly and Brian Conley as Doc Brown, the production combines spectacular design, time-traveling special effects and a heart-pounding rock score by Alan Silvestri and Glen Ballard.
Gok said,
“I’m thrilled to be joining the cast for this special celebration. Returning to the stage alongside my good friend Brian Conley is such a treat- it’s going to be fabulous!”
Since its London premiere, Back to the Future The Musical has been seen by over two million people and is now in its fifth year at the Adelphi Theatre. The show has earned critical acclaim and numerous awards, including Best New Musical at the Oliviers.
photo credit: Mark Senior
Monday, 6 October 2025
Rachel Zegler London Palladium Review: A Luminous 5-Star Concert
Rachel Zegler
London Palladium
I honestly don’t even know where to begin with this review because yesterday’s concert at the London Palladium was nothing short of magical. If you’ve followed me for a while, you’ll know that my love for Rachel Zegler goes way back, right to 2017, when I stumbled across her cover of Anyway by Kerrigan and Lowdermilk. (I even featured her in a website post at the time.) Since then, I’ve been following her outrageously amazing career from YouTube videos in her bedroom to, well… global stardom. It’s somewhat depressing how little I’ve achieved in that same time while Rachel has basically achieved world domination… but hey, we won’t harp on that hahaha.
What I will harp on about is how utterly luminous she was on that Palladium stage during her debut solo concert. And luminous really is the word.
We all knew Rachel’s voice was spectacular; her run in Evita was proof enough of that (I’m still mourning the show's closing). But this concert felt like a complete vocal masterclass. Her tone is crystal clear, her breath control flawless, and the strength and health of her voice is something to marvel at. Every note rang out like it was the easiest thing in the world, yet full of emotion and nuance. Rachel’s voice doesn’t just sound beautiful, it feels like it’s telling you a story, every single time.
The setlist was an absolute dream. We got theatrical classics like Jason Robert Brown’s I Can Do Better Than That, a stunning duet from Sunday in the Park with George with none other than Ramin Karimloo (Phantom fans rise up), and a heartfelt tribute to her Taylor Swift YouTube cover days with You’re On Your Own, Kid.
She also gifted us with a gorgeous Amy Winehouse/Ariana Grande mashup (Just Friends/we can’t be friends) which was an inspired blend of styles. On top of all that, she introduced two original songs, both of which were glorious, beautifully written, and made it so clear that Rachel isn’t just an interpreter of music, she’s a creator too.
I truly loved all the choices, with tributes to key parts of Rachel’s career and life so far. There were nods to The Hunger Games, to her being a literal Disney princess, to her Broadway debut in Romeo and Juliet, and to the musical theatre legends who have shaped her artistry. It was like watching her personal and professional journey unfold in song. A reminder of just how much she’s done, and how much she loves what she does.
As dazzling as her voice is, what made this concert unforgettable was Rachel herself. Her banter, her humour and her vulnerability; she was so open, joyful, and clearly utterly in love with theatre and music. As long as I've followed and chatted to Rachel, she has always been so incredibly kind and giving, and that same spirit filled the Palladium. You didn’t just see a star performing; you saw a human being sharing herself with the audience, and it was beautiful.
Rachel joked at one point that Javert is a role she’d never get to play but honestly, having watched how she’s manifested the rest of her career, I wouldn’t be surprised in the slightest if it happens someday. She’s unstoppable.
This concert was a testament to everything Rachel Zegler is: luminous, powerful, generous, and truly unique. She is a once-in-a-generation talent, and I have no doubt she will continue to soar and shine (hopefully back on a West End stage in the not too distant future). Until then, I’ll keep cheering her on, as I always have, from that first Anyway cover in 2017 to now. Here's to continued Rachel Zegler world domination!
★★★★★
Reviewed on Sunday 5th October 2025 by Olivia
Photo Credit: Danny Kaan
Sunday, 27 October 2024
THEATRE NEWS ROUNDUP 20th-26th October 2024
This week in the theatre world saw anniversaries, cast announcements, world premieres and pantomime news....
The highlight of the event was a powerful rendition of The Circle of Life, featuring five Rafikis from productions across Europe, sung in multiple languages.
The UK Theatre Awards 2024 celebrated excellence across British theatre, with Leeds Playhouse’s Oliver! leading the way, winning Best Musical Production and Best Performance in a Musical. Jenny Sealey OBE received the Outstanding Contribution to British Theatre Award, and Polka Theatre was named UK’s Most Welcoming Theatre.
Celebrate Back to the Future Day with a special cameo appearance in the hit musical, and look forward to new international productions and exclusive backstage content.
Historalia Productions will premiere Anne Boleyn the Musical in August 2025, telling the Queen’s powerful story at her childhood home.
Anne-Marie Duff leads a star-studded cast in the revival of Lillian Hellman’s The Little Foxes at the Young Vic, directed by Lyndsey Turner.
Stalled is a powerful new musical premiering at King’s Head Theatre, exploring the intersecting lives of diverse characters with soul-stirring melodies and a commitment to inclusivity.
Matthew Bourne's award-winning show returns, bringing its poignant tales of love and longing on a nationwide UK tour.
The classic holiday musical White Christmas will play at The Mill at Sonning with a heartwarming story, featuring an all-star cast and timeless Irving Berlin hits like "Blue Skies" and the beloved title song.
The Lightning Thief: The Percy Jackson Musical London premiere reveals its star-studded cast, bringing Rick Riordan's beloved characters to life in an epic musical adventure this November.
Celebrate the holidays with the Royal Ballet and Opera at Covent Garden, featuring stunning performances, festive events, delicious dining, and unique gift shopping.
The hit musical comedy embarks on a UK and Ireland tour in 2025, bringing the beloved TV show to life with a fast-paced, laugh-out-loud original score.
Starring Drag Race UK’s Ella Vaday as one of the Ugly Stepsisters and Maddy Erzan-Essien as Cinderella, the production promises a magical mix of comedy, puppetry, and audience participation.
Louis McCartney reprises his award-winning role, marking his highly anticipated Broadway debut in 2025.
See you next Sunday for another theatre news recap! In the meantime, keep an eye on our socials for live news and updates.
Monday, 21 October 2024
Back to the Future Musical Celebrates with New Cast, International Productions, and Special Cameos for Back to the Future Day
This year’s Back to the Future Day gets an extra spark of excitement as Leigh Francis makes a special cameo as Principal Strickland in the West End production, marking the annual celebration of the iconic film trilogy. The day, celebrated worldwide on October 21st, commemorates the date Marty McFly travels to the future in Back to the Future II. Fans of the franchise can also look forward to new international productions and exclusive behind-the-scenes content.
To celebrate Back to the Future Day this year, Leigh Francis will make a one-time appearance as Principal Strickland in the West End show on October 21, adding a touch of humour and nostalgia for fans.
In exciting news for Back to the Future enthusiasts abroad, it’s been announced that a German production of the hit musical will open during the 2025/2026 season, with more details to come. Additionally, Royal Caribbean will debut a special 100-minute version of the musical aboard its newest ship, Star of the Seas, setting sail from Port Canaveral in August 2025.
Following a recent cast change in London, exclusive backstage photos have been released, offering fans a closer look at the talented new lineup. The new cast includes Vasco Emauz as Marty McFly, making his West End debut, and Orlando Gibbs as George McFly. Joining them are C.J. Borger, Alex Runicles, and Talia Palamathanan, along with returning stars like Cory English as Doctor Emmett Brown.
The production continues to break records and win accolades, including the Olivier Award for Best New Musical and multiple WhatsOnStage Awards. It’s now entering its fourth year in London’s West End, with performances currently booking until July 27, 2025, at the Adelphi Theatre.
Back to the Future: The Musical has already captivated audiences across London, Broadway, and North America, with a North American tour currently running through August 2025. The show is also set to open in Japan in 2025, expanding its global reach.
Since its London debut in September 2021, the musical has been seen by over 1.6 million people, and its original cast recording, featuring music by Alan Silvestri and Glen Ballard, has garnered over 20 million streams. The Deluxe Edition of the album, released by Sony Masterworks, offers fans 13 never-before-heard demos and alternate versions of key songs from the show.
With plans for global productions and exciting developments on stage, Back to the Future: The Musical continues to transport audiences back in time, blending nostalgia, music, and unforgettable performances.
Tickets for the West End production are available now through July 2025.
photo credit: Pamela Raith
Friday, 18 October 2024
Bradley Riches, Amber Davies, and Claudia Kariuki Join Scott Alan in Concert at Cadogan Hall
Fourth Wall Live has announced a stellar cast of guest vocalists set to perform with internationally acclaimed songwriter Scott Alan at his upcoming concert at Cadogan Hall on November 10, 2024. Headlining the event are Heartstopper star Bradley Riches (Babies The Musical), Amber Davies (Back to the Future, Pretty Woman), and Claudia Kariuki (Six, Sister Act), alongside previously announced performers Amy di Bartolemeo (The Devil Wears Prada, Bat Out of Hell), Oliver Tompsett (Kinky Boots, Wicked), and Stuart Matthew Price (The Rocky Horror Show, Parade). Tickets are on sale now at www.fw-live.com and www.cadoganhall.com.
Scott Alan is renowned for his work with some of the biggest names in theatre, TV, film, and recording, including Grammy Award-winning Pentatonix, Broadway stars like Sutton Foster and Lea Salonga, and Westlife’s Mark Feehily. Alan has released seven albums, beginning with Dreaming Wide Awake in 2007, and he continues to captivate audiences worldwide with his heartwarming and emotionally charged compositions. His music has been featured on major platforms such as American Idol, So You Think You Can Dance, and Entertainment Tonight, and he has performed sold-out concerts across the globe.
Most recently, Alan released Nothing More, a deeply personal collection of songs written for his daughter, which features Gay and Transgender fathers. His upcoming performance at Cadogan Hall marks the 15th anniversary of his debut album, and he has expressed immense excitement about returning to London, saying:
Returning to London after so many years away feels like coming home... this night feels like a giant hug."
Fourth Wall Live has a history of producing unforgettable musical theatre concerts, with recent successes including Bonnie & Clyde The Musical, headlined by Jeremy Jordan, and the UK premieres of Something Rotten and Oklahoma!, which featured a star-studded cast. FWL’s ongoing commitment to bringing world-class talent to the stage continues with this exciting Scott Alan concert, set to be one of the highlights of the 2024 theatre calendar.
Scott Alan's live concert at Cadogan Hall is a must-see for theatre and music fans alike. Featuring an exceptional lineup of performers and celebrating the legacy of Alan’s impactful music, this one-night-only event will be an unforgettable celebration of musical theatre.
Thursday, 17 October 2024
Complete Cast Announced for UK Premiere of Dave Malloy’s Natasha, Pierre & The Great Comet of 1812 at Donmar Warehouse
The highly anticipated UK premiere of Natasha, Pierre & The Great Comet of 1812, Dave Malloy’s celebrated musical inspired by Tolstoy’s War and Peace, has officially announced its full casting. The production will run at the Donmar Warehouse from December 9, 2024, through February 8, 2025, under the direction of Tim Sheader.
This groundbreaking musical, which garnered 12 Tony Award nominations during its 2017 Broadway run, is set in 19th-century Russia and tells the story of Natasha Rostova, a young aristocrat who falls in love with the dashing Anatole while awaiting her fiancé’s return from war. The tale weaves together passion, scandal, and redemption, with the character of Pierre stepping in as an unlikely hero to restore Natasha’s honour.
The role of Pierre will be played by Jesus Christ Superstar star Declan Bennett, while Chumisa Dornford-May takes on the role of Natasha Rostova. The rest of the cast includes a mix of acclaimed stage performers: Daniel Krikler (Oklahoma!) as Fedya Dolokhov, Eugene McCoy (Only Fools and Horses) as Prince Bolkonsky/Andrey, Annette McLaughlin (Strictly Ballroom) as Marya Dimitriyevna, Maimuna Memon (Standing at the Sky’s Edge) as Sonya Rostova, Jamie Muscato (Heathers) as Anatole, Cedric Neal (Back to the Future) as Balaga, Chloe Saracco (Pride and Prejudice) as Mary, and Cat Simmons (Aladdin) as Helene Kuragina Bezukhova.
Rounding out the ensemble are Andrew Berlin, Kimberly Blake, Ali Goldsmith, Chihiro Kawasaki, Nitai Levi, and Annie Majin, all of whom will add to the show’s immersive, multi-sensory experience.
The Donmar Warehouse production of Natasha, Pierre & The Great Comet of 1812 is helmed by a top-tier creative team. Tim Sheader directs, with Ellen Kane (Matilda the Musical) providing choreography. Nicholas Skilbeck (Follies) will serve as musical supervisor, and Sam Young will conduct the show’s vibrant, eclectic score.
Leslie Travers handles the set design, bringing 19th-century Russia to life, while Evie Gurney designs the period costumes. Lighting design is by Howard Hudson, with sound design by Nick Lidster and Gareth Tucker for Autograph, ensuring an immersive atmosphere throughout the performance. Additional creative support comes from associate director Fiona Dunn, associate choreographer Nuno Silva, associate casting director Richard Johnston, and resident assistant director Grace Duggan.
Casting is directed by industry veterans Pippa Ailion and Natalie Gallacher.
This UK premiere marks a significant moment for British audiences as they get the chance to witness one of Broadway's most unique musical theatre experiences. With a compelling score that blends folk, classical, and modern influences.
Wednesday, 16 October 2024
Go Live Theatre Projects Launches Online Charity Auction Featuring Rare Theatre Memorabilia
Go Live Theatre Projects, the London-based theatre education charity, has launched an exciting online charity auction packed with rare and signed theatre memorabilia. The auction aims to raise funds to support the charity’s mission of making theatre accessible to young people and their families, especially those facing financial, social, or physical barriers.
Bidders can expect exclusive items from some of the West End's biggest productions, including signed posters and programmes from Harry Potter and the Cursed Child, Hadestown, SIX, Les Mis̩rables, Frozen, Back To The Future, Tina РThe Tina Turner Musical, and Wicked. There are also signed t-shirts and hoodies from theatre stars like Michael Ball, Sheridan Smith, Derek Jacobi, Bonnie Langford, and Arlene Phillips. One of the rarest items is a pair of ballet shoes used in The Phantom of the Opera.
To view and bid on these incredible pieces, visit Go Live Theatre's auction page.
If you'd like to see some items in person, visit the Go Live Theatre Projects stand at MusicalCon on October 19-20 at the London Excel Centre.
Go Live Theatre Projects is committed to providing vulnerable and marginalised young people with access to theatre. Donations to support their educational work can be made here.
Wednesday, 31 July 2024
When the Moon Hatched by Sarah A Parker | BOOK REVIEW
When the Moon Hatched by Sarah A Parker
Published: April 2024 by Harper Voyager
When The Moon Hatched by Sarah A. Parker transports readers to a fantastical world where ancient magic and mythical creatures like dragons are brought back to life. The story centres around Raeve, an assassin for the rebel group FÃur du Ath. Her life is upended when a rival bounty hunter causes chaos, leading to her capture by the Guild of Nobles. This powerful fae group uses her as a political pawn. Meanwhile, Kaan Vaegor, haunted by his past, seeks solace and finds himself drawn to Raeve in a high-security prison. As they uncover their intertwined destinies, they face dangerous truths and a burgeoning romance. The novel is a rich blend of fantasy, intrigue, and romance.
Sarah A. Parker delivers an engaging fantasy romance in When The Moon Hatched, filled with magical intrigue and heartfelt moments. The world-building is richly detailed, creating a vivid backdrop for the story. The author constructs a world where ancient magic pulses just beneath the surface, waiting to be discovered. The setting is immersive, with unique cultural and magical elements that add depth to the narrative.
The characters are compelling and well-developed. Raeve stands out as a strong and multi-faceted protagonist. Her journey is captivating, and the romance woven throughout is genuinely engaging. The chemistry between Raeve and Kaan is palpable, and I found myself rooting for their relationship throughout the book. The supporting characters, while sometimes not fully fleshed out, add layers to the narrative and set up potential future conflicts and alliances.
One notable critique is the pacing and length of the book. At over 600 pages, the story feels drawn out at times, with certain sections that could have been more concise. For such a long novel, there are stretches where not a lot happens, and the plot meanders through world-building and side stories. This can make the book feel slower than necessary, though it also provides a comprehensive setup for future instalments. Despite these pacing issues, the writing is compelling and engaging. Sarah A. Parker's style is smooth and immersive, making it easy to race through the book even when the plot slows down.
I personally don't think When The Moon Hatched is quite as good as the hype suggests but it's definitely an enjoyable read that successfully sets the stage for an exciting series. While it could have benefited from being shorter and more tightly paced, the fascinating world-building, endearing romance, and engaging writing make it a worthwhile experience. The book promises much for future entries, and I'm eager to see where Parker takes the story next.
Tuesday, 28 November 2023
He Sang to Me by Casey Tyler book review: A Delightfully Cheesy Ode to Broadway Romance
Self Published: 3rd October 2023 by Truelove Publishing
Casey Tyler's debut novel, He Sang to Me is a book that unabashedly caters to the delulu girlies, and as a self-proclaimed member of that tribe, I found myself both cringing and grinning through its pages. This 320 page tale, is reminiscent of a sweet and charming fanfic; intertwining the enchanting worlds of Broadway and romance – two of this reader's, favourite things.
The narrative unfolds amidst the hustle and bustle of New York City, and the author's vivid descriptions and location name drops skilfully bring the city to life. As well as this the pages are dotted with stagey references that act like hidden treasures for theatre enthusiasts like myself. The book really evokes the frenetic energy of the theatre district and certainly sparked my desire to hop on a flight back to New York to explore every corner of the city.
He Sang to Me follows Sunday Truelove, an aspiring actress who moves to New York to pursue her dreams. Within moments she wins tickets to the hottest show on Broadway and whilst she's there has a magical encounter with the leading man and famous British actor, Tyler Axel. From here the two enter a fairytale romance and discover whether they're truly meant to be.
Honestly, it's as cheesy as it sounds and I kind of loved it. There are all the classic tropes, from being spotted by paparazzi to caring for the sick partner and in a way it's pretty iconic. On the other hand, it's pretty basic. The characters aren't particularly developed, Sunday has extreme 'not like other girls' energy which is a little grating and the book, at times, tips into self-indulgence and lacks a grounded narrative. Despite the characters being in their late twenties and thirties, their personalities and emotional journeys comes across quite immature and lean towards a younger audience. It's clear that a bit more editing and development could add a layer of realism to their characterisations. Some of the British aspects were also inaccurate and took me out of the world a little but these are definitely things that could be tweaked and edited for future prints. Nevertheless, the book shines in capturing the essence swooping romance and is a sweet stagey story, with some charming moments.
There are elements of the characters that I truly enjoyed such as Sunday's bright eyed optimism and Tyler's love for his family and his craft. I know I would fall for an ex-Fiyero with a killer voice, although in my experience they're never quite as unproblematic as Tyler!
The rest of the characters, while somewhat idealised, form a found family that's lovely to discover. The friendships and relationships are sprinkled with relatable moments, creating a sense of nostalgia for those who have ever dreamt of having a dreamy friend group.
The musical theatre aspects of the story are really fun but I do think it would be interesting to include more of the backstage aspect of Broadway. With both of the leads being so heavily ingrained in the world, it would be easy to explore but a lot of the plot points surrounding it are quite surface level and because of the idealised world they are living in, the challenging realities of the Broadway business don't get a light shone on them. I definitely think this is a story that could benefit from a sprinkle of grit to elevate it to the next level.
Casey clearly has a love and talent for writing and whilst I found the initial chapters a bit heavy-handed with unnecessary descriptions, the writing blooms and improves throughout and it's quite wonderful that she's has taken the plunge to write and self publish the story, I'll certainly be keeping an eye our for future (hopefully stagey) treats.
In a nutshell, He Sang to Me offers a quick and enjoyable escape for fans of theatre, celebrity/normal dating dynamics, and the allure of found family tropes. While it may not be a polished piece of literature, its endearing charm, lively New York setting, and relatable theatrical moments make it a worthwhile indulgence for those in need of a cosy break from reality.
Reviewed by Olivia
Follow Casey to keep up with her writing journey
{AD PR product- book gifted by author}
Thursday, 16 November 2023
SuperYou! the Musical in Concert at the Lyric Theatre Review: Potential to be Otherworldly
SuperYou! the Musical in Concert
Lyric Theatre
Having made its UK debut performance at MusicalCon in October 2022, where it was an audience hit, SuperYou went on to do two days of workshop performances in London last year and last night had its West End premiere concert performance. With music, lyrics and book by Lourds Lane, the show tells the story of Katie White, a comic book author whose superheroines aid her in navigating through grief, discovering self-love, and embracing the strength of her own voice.
After being lucky enough to catch one of the workshop performances, I was incredibly excited to follow the development of this show and see how it grows and evolves over its various iterations. Whilst this concert version didn't quite live up to the expectations I'd built up in my head, it did have a number of stand out moments and showcased the potential of this beautifully heartfelt musical, and hopefully paved the way for future outings.
What I love about this show is how much passion and care has clearly gone into telling the tale of embracing your differences and being true to yourself. The energy is next level throughout and the performances are so earnest you can't help be charmed by it all.
Musically there's an array of styles, from rock songs to country ballads, all of which are performed with vigour and power, just as you'd expect in a show about superheroes. Leading the gang, SuperLu-cie Jones once again soars, delivering larynx lifting vocals with ease, sincerity and heart. Her shining voice matched with greatly witty and endearing characterisations once again cement her as a star of musical theatre. As her brother and fellow comic enthusiast, Matty, Jonty Peach gives a wonderful performance, I only wish we got more chance to see and hear him. His chemistry with young Katie (gloriously played by Aaliyah Monk) is really lovely and the pair create a convincing back story to root the show.
Completing the hero squad are Joni Ayton-Kent as Seven, Sharon Ballard as Blast, Lourds Lane as Rise and Jenny O'Leary as Ima-Mazing, who all give strong, well characterised performances. The roles themselves are quite stereotyped and not hugely well-rounded but they're performed well and bring some killer vocals. Luke Brady as Jay is really engaging and gets to really soar vocally in act two.
Choreography is a big part of this show, with Maddy Brennan (Mom) and Will Bozier (MiRoar) communicating almost solely through JoAnn M. Hunter's choreographed dance/movement, to great effect. The concert setting doesn't quite allow the movement to soar as it would in a full production but it's certainly a great way to tell the story and is quite striking at times. I do feel that it sometimes covers for a lack of character development, especially with the Mom who is pretty one dimensional but there's a lot of promise and a number of ways for the movement to elevate the storytelling.
There were also a few balancing issues, with the vocals sometimes being overpowered by music, so crucial lyrics were lost. Also, the setup of music stands across the stage meant the audience were physically disconnected from the action. Moments when it really shone were when these were stepped in front of, such as the closing of act one. Of course, this is a show put on with a week of rehearsal so a lot of issues can be forgiven but it would be great to see and hear the musical in it's full, fine-tuned glory.
Whilst the musical owes a lot to social media, having achieved huge popularity on tiktok during lockdown, something about the social media portrayal in the show doesn't quite work. Compared to the workshop showing, this version regularly mentions virality and tiktok, and whilst this does push the story along, it also feels somewhat cringey and awkward. It does provide opportunity for a discussion on the impact of social media but that doesn't feel necessary in a show like this which already has so many other messages to put across, so instead it just comes across as an underdeveloped layer. Perhaps it's an attempt to appeal to younger audiences but the show has so much to offer in terms of heart, and performances, it really doesn't need anything else to be appealing to a wide range of theatre patrons.
In transitioning the show to be more "mainstream" and 2023 relevant, it has lost a lot of the charm and sincerity which was so abundant before. The changed plot also means the character development is diminished. Previously, Katie had a clear journey from an unconfident girl, brought down by various traumas, to eventually finding herself and making her own choices; however this time, her journey feels less well rounded and the actual big moment of discovery sort of comes from nowhere.
Despite its flaws, SuperYou is a genuinely good show that deserves a future life. The potential is overflowing and I hope it gets a chance to develop further. SuperYou is a life affirming show with some wonderful messages, performances, energy and music and with some tweaks to supercharge it, the show could be a really glorious addition to the theatre scene.
★★★
Reviewed on Wednesday 15th November by Olivia
Photo Credit: Matt Marlin and Simona Sermont for Shooting Theatre
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday, 6 July 2023
Cast Announced for Pretty Woman the UK & Ireland Tour
The popular West End production, Pretty Woman: The Musical, is going on a UK and Ireland tour! The tour will kick off at the Birmingham Alexandra Theatre on October 17, 2023.
The cast includes: Amber Davies as Vivian Ward, Ore Oduba as Happy Man/Mr. Thompson, Oliver Savile as Edward Lewis, and Natalie Paris as Kit De Luca. They will be joined by Becky Anderson, Rebekah Bryant, Josh Damer-Jennings, Ben Darcy, Andrew Davison, Lila Falce-Bass, Noah Harrison, Sydnie Hocknell, Elly Jay, Rachael Kendall Brown, Michael Kholwadia, Joshua Lear, Stuart Maciver, Victoria Rachael McCabe, Eleanor Morrison-Halliday, LJ Neilson, Annell Odartey, Curtis Patrick and Chomba Taulo.
Amber Davies, currently seen as Lorraine Baines in Back to the Future: The Musical, has also performed in 9 to 5 the Musical and Bring It On. Ore Oduba, known for his role as Brad Majors in The Rocky Horror Show, has also appeared in Curtains and Grease. Oliver Savile's credits include Fiyero in Wicked, Whizzer in Falsettos, and performances in The Phantom of the Opera, Les Misérables, Cats, and Joseph and the Amazing Technicolor Dreamcoat. Natalie Paris, nominated for an Olivier Award for her role in SIX, has also been part of Sunday in the Park with George, Billy Elliot, and Les Misérables.
Pretty Woman: The Musical is a spectacular romantic comedy set in Hollywood in the late '80s. The story follows Vivian and Edward's unforgettable love story, brought to life on stage in a dazzling and theatrical way. Prepare to be swept away by this sensational show that will warm your heart and lift your spirits.
The musical features original music and lyrics by Bryan Adams and Jim Vallance, a book by Garry Marshall and J.F. Lawton, and is directed and choreographed by Jerry Mitchell, a two-time Tony Award winner.
The production includes the iconic song "Oh, Pretty Woman" by Roy Orbison and Bill Dee, which served as inspiration for the beloved romantic comedy film of the same name released in 1990.
photo credit: Dan Kennedy
Thursday, 23 March 2023
Eugenius!, Turbine Theatre | Review
Eugenius!
Turbine Theatre
★★★
After a London Palladium concert and subsequent runs at The Other Palace, the comic book tale of Eugenius! has been on the radar of many theatre lovers, and fans were thrilled to hear of the show's reworked return at the Turbine Theatre. The sweet characters and over the top tale are back like before, but somewhere along the way, the musical has lost some of the sparkle and infectious joy that previously made it such a charming production.
Eugenius! tells the story of Eugene, a self proclaimed geek who creates a comic book and gets thrown into a world of Hollywood movies and space dramas. Alongside him are his best friends Janey and Feris who are all trying to make it through school and retain their identities and friendship. With a number of witty side plots and caricature characters, there's lots to be enjoyed, but compared to previous versions of the show, there's not as much of a wholesome, uplifting vibe.
The small Turbine space which works so well for other shows, feels like a hinderance for Eugenius. There's not enough space for the show to reach its soaring potential and some of the bigger moments are squashed. This is through no fault of Andrew Exeter's set design which effectively brings the comic book world to life, as does Andy Walton's excellent video design which is wonderfully aesthetic and in keeping with the show; but nothing fully takes away from the feeling of the show longing for a larger space. Mention must also go to the really well thought out design of the foyer and entrance to the theatre which is adorned in every space with Tough Man posters, as well as comic book memorabilia and neon lights, all of which help to create an immersive experience and are a treat to explore.
Cast wise, the production is bursting with talent. Elliot Evans is endearing as Eugene, and brings a really lovely sense of vulnerability to the role whilst also providing stunning vocals, which especially soar in act two. As his partner in crime (who feels firmly in the friend zone) Jaina Brock-Patel gives a humourous performance and really leans into the comedy which is fun to watch. Equally humourous is James Hameed as Feris who is a funny character for the most part, but sometimes a bit one dimensional. The trio are strong and there are some touching moments. Their chemistry isn't bursting off the stage but they certainly do a good job and really come into their own towards the end of the show.
Dominic Andersen is fabulous in all his roles, especially as the movie star Gerhard who has some of the most laugh out loud moments in the show. As Super Hot Lady, Maddison Firth is great and her solo number is very high octane, although it's somewhat overpowered by so much happening on stage, so she doesn't truly get a chance to shine. There are also some sound issues which plague the show and mean a fair bit of dialogue is lost. The show as a whole is loud, perhaps too much so at points, but the vocals are often too quiet so we miss the talent of the cast.
The 80s-esque music that has references to lots of iconic songs, is really wonderful and you can't help but bop along to the self-aware, hilariously literal tunes. Ben Adams and Chris Wilkins have written some incredibly catchy pieces that continue to shine in this rendition of the show. They also have some sneaky cameos on bedroom posters and music videos which are a nice touch.
It's definitely nostalgic and energetic but this isn't the best Eugenius! has been. There are some great moments but the musical never evokes the same feelings of feel good empowerment and unity that it did previously. Hopefully there will be future iterations of the show where are the stars can align to create the ultimate version.
Reviewed on Wednesday 22nd March 2023
photo credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
Monday, 6 March 2023
London Theatre Week Extends! | ad
There's so much on offer, but our favourites would include:
Back To The Future
Bonnie and Clyde
Oklahoma
Matilda
London Box Office aim to include all West End shows as well as off-West End and fringe theatre so there's certain to be something for you!
The shows available include: Back to the Future: The Musical, Wicked, Disney's The Lion King, Disney's Frozen the Musical, TINA - The Tina Turner Musical, Dirty Dancing, Pretty Woman: The Musical, Newsies, OKLAHOMA!, Mamma Mia!, Crazy For You, Harry Potter and the Cursed Child, The Mousetrap, Matilda the Musical, Grease The Musical, To Kill a Mockingbird, The Book of Mormon, The Great British Bake Off, Groundhog Day, Peaky Blinders: The Rise, Only Fools and Horses The Musical, Sylvia, Jersey Boys, We Will Rock You, Bat Out of Hell, Witness for the Prosecution, The SpongeBob Musical, George Takei's Allegiance, The Choir of Man, Bonnie & Clyde, Heathers The Musical, Cinderella in-the-round, 42nd Street, Symphony of Sorrowful Songs - English National Opera, The Dead City - English National Opera, The Rocky Horror Show, The Walworth Farce, Windfall, Titus Andronicus, Brilliant Jerks and more...
Let us know what you decide to see!
Monday, 20 February 2023
Bag Yourself a Bargain This London Theatre Week | ad
*this post contains sponsored content*
There's one thing better than the theatre, and that's the theatre at an affordable price. Well thanks to London Theatre week, you can snap up an absolute bargain. From the 20th February to the 5th March, tickets are on offer for £15, £25, £35 or £45 which means there's something for many budgets.
What's great about these offers is that you can see something which might otherwise but out of budget. Hugely popular shows such as Matilda, Book of Mormon, The Lion King and Wicked are available at these discounted prices, so it's the perfect time to check them off your list. London Box Office aim to include all West End shows so there's certain to be one for you, or even better, this is the ideal time to buy a gift for someone else without breaking the bank!
The shows available include: Back to the Future: The Musical, Wicked, Disney's The Lion King, Disney's Frozen the Musical, TINA - The Tina Turner Musical, Dirty Dancing, Pretty Woman: The Musical, Newsies, OKLAHOMA!, Mamma Mia!, Crazy For You, Harry Potter and the Cursed Child, The Mousetrap, Matilda the Musical, Grease The Musical, To Kill a Mockingbird, The Book of Mormon, The Great British Bake Off, Groundhog Day, Peaky Blinders: The Rise, Only Fools and Horses The Musical, Sylvia, Jersey Boys, We Will Rock You, Bat Out of Hell, Witness for the Prosecution, The SpongeBob Musical, George Takei's Allegiance, The Choir of Man, Bonnie & Clyde, Heathers The Musical, Cinderella in-the-round, 42nd Street, Symphony of Sorrowful Songs - English National Opera, The Dead City - English National Opera, The Rocky Horror Show, The Walworth Farce, Windfall, Titus Andronicus, Brilliant Jerks and more...
So Honey Whatcha Waiting For? Get searching and grab yourself a ticket for your favourite (or soon to be favourite) show. With tickets for over 60 shows with London Theatre Week, available for a limited time only, there really isn't a better time to book! Happy stagey days!
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