Tuesday 23 August 2016
In Conversation With... Natasha O'Brien | Children of Eden | Interview
Last week I had the pleasure of sitting down and chatting with Natasha O'Brien who is currently starring as Eve/Mama Noah in Children of Eden at the Union Theatre (which I reviewed here.) Natasha is an incredible performer and I got to pick her brains about all things stagey, see what we discussed below:
For anyone that doesn’t know, can you explain a little what Children of Eden is about?
So Children of Eden is, its a show in two parts, its almost like, each act, they're very closely related but they’re almost like two separate shows. The first act is the story of Adam and Eve and Father, the creation and act two is the story of Noah, and the Ark, and all the animals. But ultimately Christian Durham the director wanted to stray away from the tendency to get too religious with the show and he wanted to make the show about family and parenthood and what it means to create something and to raise something and ultimately the difficulty of letting it go to become its own thing.
Have there been any challenges with bringing this script to life?
I think trying to make this show palatable for a wide audience can be a challenge sometimes, especially nowadays the show has a tendency to be picked up a lot of religious amateur groups and it really lends itself well to those kinds of theatre groups but to take it into a broader arena maybe with a more professional cast and crew can be a challenge. I think Christian’s done a really good job making the themes very universal and just making the material watchable.
Are Eve and Mama Noah anything like you?
Yeah totally, we all bring elements of ourselves to our characters, you have nothing else to go on than your own experience. Mama Noah, she’s definitely very no-drama , she’s very chilled out, very grounded and i elected to make her that way because thats what I immediately took from her and I mean that was just sort of my first impression and I branched from that to create her. With Eve I think her precociousness and her, I don’t wanna say petulance but just a little bit of cheekiness, I really identified with that. More so in my younger years, I think that there’s a sense of wonder there that I just admire and love about that character, the way she's written and hows she's so flawed. I mean for all intents and purposes she is sort of the antagonist in the first act. You know, if she didn’t eat that apple… there would be no show, but at the same time you love her for it and you see the humanity of it and she is the embodiment of humanity and their flaws and how we have to learn how to love ourselves in spite of it all.
What will the audience be thinking about in the car as they drive home after this show?
I think the show really goes out with a bang, from my experience, what I’ve witnessed and what people have said to me is that from ‘Ain’t it Good’ onwards you can tell that we’re rapping up the show and there are two really big, beautiful vocal numbers. You know, ‘Ain’t it Good’ is such a big piece, for me personally but just for the whole cast, energetically its really joyous and then ‘In The Beginning’ is just really vocally beautiful, the harmonies are so rich and we really get a chance to showcase the true chemistry and love and fun that we are all having together as a company and that seems to really resonate with audience members. I think vocals and the score are something people remember, they leave the theatre and they’re really happy and singing. At least I hope so!
Can you sum it up in 5 words?
Sum up the show in 5 words?! What! I just got so nervous, I just got so anxious! Okay, Family. Love. Encouragement. Belief. Trust. They’re off the top of my head without thinking too much about it which I shouldn’t anyway!
Have you found any differences between Canadian audiences and UK audiences so far?
Yeah! When I think about it the average theatre goer in Canada is much much older and we don’t have as thriving a theatre scene in one city. In London theatre is so engrained in the culture and so much indie theatre is supported by so many age groups and people from different backgrounds, there’s theatre being produced that is really so marketable, like on the West End you’ve got the massive tourist attractions but on the smaller scale, the local community with come to smaller venues like Children of Eden at the Union Theatre and we just have a much more young, excitable and supportive theatre community here in London. Its incredible and its what helps to keep the theatre industry alive. Its struggling in Canada which is one of the reasons I left, we have such a small populations spread over such a huge land mass and in order to work in Canada you have to travel all across the country, which I did. I worked everywhere from Alberta to Montreal and everywhere in between. Whereas in London you can kind of keep it, if not London based then UK based and have an actual career because there are always interesting projects coming up. There’s an actual scene here. And without an audience there’s no industry, so the audience members are younger, more enthusiastic, more supportive, more critical as well. They’re just more seasoned.
Was being a performer something you always yearned for or did you have a different career path in mind when you were younger?
Yeah. I did my first musical when I was 6 and I just kind of always did musical theatre and have always known that was it for me. There was a brief moment in my life where I had a dalliance with the idea of maybe becoming a lawyer just because I liked the sound of my own voice and I considered quite strongly becoming a paramedic. I think its like that seeking of thriving under pressure and drama, but ultimately I chose musical theatre. But it was definitely what I’ve wanted to do my whole life and something that I’ve always had as a part of my life. I’ve always done shows, I’ve always had music and performance in any form like speech competitions or saxophone exams, just always some kind of performance.
What’s the last thing you do before you step out on stage?
You know what, I always look at myself in the mirror. Not like, “how am I looking?” but I spend a moment, have a sip of water and just focus. Its more to tune out everything around me, sometimes backstage before a show can be quite frenetic, the energy can be quite crazy and especially with this show the energy is so high and everyone is having such a good time and we’re all very much in love with each other but I need to make sure that I’m really focussed because the first act of this show goes by in like 10 minutes for me. I never stop so I just sort of stare and myself in the mirror for a few minutes and zone out, almost like an open eyed meditation in a way. Have a sip of water, make sure I pee and I’m good to go!
If you had a magic wand, what show would you do next?
Oh my god, if I had a magic wand! I would love to be in Wicked, oh god I would love it! When it first came out I was just starting drama school so it was just a part of a really magical, exciting time so my feelings attached to the music and everything, its visceral. And I mean, come on, its Wicked! It’d be amazing although part of me gets scared at the concept of that cause its like ‘oh god, every night!’ its a lot!
Alternatively I’d love to do Into The Woods, I mean any role, obviously I’m too old and too tall to play little red now but I think the bakers wife and one day I would love to play the witch. I would love to do Into the Woods and I really love Urinetown! Its so clever and good and the music just takes the piss out of every musical ever written. I would love to be in Les Mis; speaking of musicals it takes the piss out of, it just rips into Les Mis and I would just love to do it because its just a classic and to play Fantine- have a Wicked first act and then boom done!
Whats your best piece of advice for an aspiring performer?
I will share a piece of advice that Nancy Sullivan and David Thaxton shared with me back in February. There’s this amazing company called W1 workshops who I heard about from my friend Carrie O’Dowd who's also a performer and they run these incredible intensive workshops that are super affordable and always in a centrally located area and Nancy and David are both incredible, well respected established performers.
Anyway, the piece of advice that they gave and this resonated so strongly with me, they said: change your environment, surround yourself with people who are doing what you want to do and join in. Do it. Do the workshops. Take the coachings. Go to the classes. If you want to be in this industry, put yourself in the thick of it and surround yourself with people who are doing what you wanna do.
Its really easy to shy away and get overwhelmed and to let our ego and jealousy kind of cloud us but the most important thing you can do is surround yourself with people doing what you want. Its inspiring, it kicks you in the ass, it gives you an idea of whats going on and from a very practical perspective, you’re networking which is so important. I think networking gets such a gross name but networking is really just talking to people, being a normal, interesting human being with something to say and if I can’t have a conversation with someone and make them feel comfortable then I do not belong on a stage! If I can’t talk and make you feel comfortable, I am not an actor!
So I think that is probably the best piece of advice and it is exactly what has afforded me this opportunity. I mean, I’m brand new to this city, I knew no one in this industry when I moved here and it was just about throwing myself into these workshops, finding them online, going in, shaking hands, getting up with your rep and saying, “Hey Danielle Torento, we’ve never met but I’m gonna sing this song for you now” and you know, follow up emails and just do it!
Change your environment. It might be one thing you do differently a day, just one thing at a time and as you change your environment you start to develop this foundation and confidence in yourself that you are in fact, doing it. Because being an actor isn’t just being on stage, its really hard to explain that to people who aren’t in the industry. I don’t just show up somewhere 9 to 5 and have people tell me what to do, its all offstage. That [the performance] is the holiday, thats the treat, the bulk of the work is an unbelievable amount of groundwork, so, change your environment. That would be the advice… and its not even mine, I’m just passing it along because I think its a golden nugget of wisdom.
A huge thank you to Natasha for a wonderful chat!
Children of Eden at the Union Theatre is booking until September 10th, make sure you book to see this fantastic show! Tickets are available here.
Read my review of the show here.
Friday 19 August 2016
Our Ladies of Perpetual Succour, National Theatre | Review
Our Ladies of Perpetual Succour
National Theatre, Dorfman Theatre
Reviewed on Thursday 18th August 2016 by Olivia Mitchell
★★★★★
If you love the feeling of leaving the theatre in a mass of smiling, contented, glowing audience members then this is 100% the show for you. Its an hour fifty minute show with hilarious dialogue and exuberant singing which combines music by Jeff Lynne, Handel and more, all of which contrast and take you on the journey of these girls. The show, an adaptation of Alan Warner's 1998 novel The Sopranos is an absolutely joyous time and a celebration of life and living.★★★★★
Saturday 13 August 2016
Children of Eden, Union Theatre | Review
Children of Eden
Union Theatre
Reviewed on Friday 12th August 2016 by Olivia Mitchell
★★★★★
★★★★★
Inspired by the Book of Genesis, Children of Eden tells the timeless and beautiful story of bringing a child into the world and becoming a parent. It features stunning music and lyrics by acclaimed composer Stephen Schwartz, who is perhaps most well known for Wicked which continues to play all over the world, and a book by the fantastic John Caird who along with Trevor Nunn, adapted and directed Les Miserables.
Thursday 4 August 2016
The Secret Garden, Ambassadors Theatre | Review
What immediately struck me when I heard about this production was the mammoth cast. The productions features over 300 cast members mostly made up of children and young adults. Now of course all these people are not on stage at once, the cast rotates around for performances with only the few adults keeping their roles throughout the run, but there's something lovely about the casting. The programme doesn't feature individual cast lists for each performance but instead a large ensemble list; everyone is equal which just creates a lovely change to some shows nowadays where its all about who's in the cast as opposed to the show itself.
Monday 1 August 2016
In Conversation With... Kerry Ellis | Murder Ballad | Interview
Rewrite This Story caught up with the fantastic Kerry Ellis about her upcoming musical Murder Ballad, working with Brian May, Wicked and more. Check out what she has to say...
For people that may not know about your career, what would you say some of the highlights have been?
There are so many highlights I've been very fortunate to do some incredible things I guess one of the biggest was playing Elphaba on Broadway which was a childhood dream, another was performing in Verona with Brian May live on Italian television in an incredible venue that is like the Colosseum in Rome.
Was being a performer what you always dreamt of or did you have a different career path in mind when you were younger?
I always knew that I wanted to perform I just didn't know how my career would work out, it sounds very cliche but it was in my blood and still is.
I got to see you perform at the Hampton Court Festival with Brian May and you both seemed so natural and at home with each other… Why do you think you work so well together? What have you learnt from one another?
I think the reason Brian and I work so well together is because we both share the same passion for music and performing, or shows and albums and performance is now very simple it's all based around a voice and the guitar the things we care about so it just seems very natural. There is a lot of drama and atmosphere but also a lot of laughing and fun.
Let's talk about Wicked a little bit. Elphaba has become such an iconic character in musical theatre, what was your favourite and least favourite part playing her? Would you like to don the green paint again for the upcoming film?
Playing Elphaba was an incredible experience, in the West End and on Broadway, of course I would love to be involved in the film in some way and I can never say I wouldn't go back to the show ever again however I have such wonderful memories that will stay with me forever.
It's tough so it's like running a marathon eight times a week physically, emotionally and vocally it's tough but also one of the most rewarding roles I have ever played.
You’re an inspiration for many people hoping to get into musical theatre, whats your best piece of advice for an aspiring performer?
You have to love this industry, it can be so competitive and hard at times but also it's one of the best jobs in the world, there are many knock backs many tears but if you are strong enough and passionate enough it's worth the fight
You’re set to star in Murder Ballad from September, can you explain little about the shows storyline and how your character Sara fits into it?
I think you just need to come and see the show. I'm really excited about it it's a forehand are very intimate show something I've never done before. All the cast are stars and I think it's going to be show not to be missed.
Murder Ballad is set in a bar right? You’re used to performing in much bigger venues, how do you feel about performing in the more intimate Arts Theatre?
I'm a little nervous if I'm honest but I like the challenge and I always like to try new things, it's going to be a very new experience of performing so intimately as a character.
Sam Yates will be directing us and I have full confidence that he will make this show incredible.
Can you describe ‘Murder Ballad’ in 5 words?
Dangerous passionate electric emotional and fun
Interview by Olivia Mitchell, Editor
A huge thank you to Kerry for taking the time to answer these questions!
Wednesday 20 July 2016
Footloose (UK Tour), New Victoria Theatre | Review
For a self-confessed musical theatre obsessive its slightly shocking that I'd never seen either Footloose film but it was certainly nice to see a show I had absolutely no ideas about for once. I was very excited to experience something completely new to me and I was not let down!
Monday 18 July 2016
That's Entertainment (UK Tour), New Victoria Theatre | Review
If you want to be transported back to the glam and sequins of the 40s and 50s then this is the show for you. If you want a strong storyline and a West End feel then this is not the show for you. There's no disputing that this show is full of glamour and sparkle but it kind of felt like there were two shows in one.
Thursday 7 July 2016
Breakfast at Tiffany's, Theatre Royal Haymarket | Review
Lets start out by saying that Breakfast at Tiffany's at the Theatre Royal is not the same as the 1961 film starring Audrey Hepburn.
Unlike the film, this play sticks very closely to the novel by Truman Capote, therefore, the production, adapted by award winning Richard Greenberg is set in the 1940's as opposed to the 60's, automatically creating a different feel to the film we've grown to love.
Saturday 2 July 2016
In Conversation with... Gabriela Garcia | In The Heights | Interview
Gabriela Garcia is an incredible performer who recently took over the role of Nina Rosario in In The Heights at the Kings Cross theatre. Since training at Arts Ed, Gaby has starred in some brilliant shows and she is sure one to watch. From her fantastic vocals to stunning acting and amazing dancing Gaby overflows with star power! I was lucky enough to interview Gabriela about her career, goals and all things In The Heights...
Was being a performer something you always yearned for or did you have a different career path in mind when you were younger?
When I was younger I wanted to be writer and archaeologist and I aspired to be the first woman Mexican President. I started dancing at 13 and then said maybe I would want to be a dancer and by 16 I said...actually maybe an actress- hopefully as an actress I could play a writer, an archaeologist and a president at some point ha!
So you recently saw Hamilton which must have been amazing. How does it feel being in one of Lin's shows, do you feel extra pressure now Hamilton has had such success?
No, I wouldn't say I feel pressure. I feel lucky and privileged to be able to perform Lin's material every night.
Your drive, talent and passion have led you to some wonderful shows but you've said Nina was one of your dream roles. What are some of the others?
Anita in WSS...is that too cliche? Fosca in Passion, Molly in Ghost, Evita, Eliza in Hamilton, Jenny in Love Story...gosh so many...I would love to create a new piece where I get to create a new character, maybe a musical based on Frida Kahlo's life!
You studied at Arts Ed which is known for producing West End stars, what was the best piece of advice you were told during your time there?
'Your training never stops' - always keep learning.
Lets talk about In The Heights, you've been in the show since the run at the Southwark, did you know them that you were part of something special? How has the show changed since it moved to Kings Cross?
Yes! we all knew it was something really special as we all gave up our time and money for it. The staging has changed slightly, there's more people in the cast and the band are in a different place but the heart and sentiment of the piece is still the same.
Taking over the role of Nina must have been somewhat daunting. What are the biggest challenges of the show and what are your favourite parts?
I am the luckiest girl in the world! It was really daunting but the support from my cast mates and company made it all much easier. I feel like I got the best of both worlds. I got to know the show from Yolanda's perspective and from Nina's! There are so many favourite parts of mine...if I had to pick one: When you're home when I sing 'my people, my people...' I always think of Mexico then even though I should be thinking of Puerto Rico as Nina...There are so many challenges and every day they change - I guess the biggest one is to be able to tell the story for the first time every day and to not take it for granted.
It must be exciting as a Latina to play a role so focussed around the Latina heritage. Were you always proud of your heritage or did you face some of the same struggles as Usnavi and Nina when you moved to England?
Omg yes as a foreigner you always feel like you don't belong and then you go back home and everything has changed and you feel like you don't belong there either! I have always been very proud of being Mexican and always will although now I say I'm British too as I consider London my home too!
The idea of home and family is very important in the show. What things remind you of home?
My grandma and my whole family, good Mexican food, sunny weather, Mexican music and vibrant colours.
If you had to sum up the show in 5 words, what would they be?
Family, dreams, faith, support, hot.
Finally, do you have any advice for people hoping to get into the performing arts industry?
Be kind and never give up.
Thank you so much Gaby for taking the time to answer these questions. Be sure to catch In The Heights which is currently booking until October!
Interview by Olivia Mitchell, Editor
Friday 1 July 2016
Jeremy Jordan, Hippodrome Casino | Review
You may know him as the heart throb of tv from hits Smash and Supergirl or from his leading Broadway roles in Newsies and Bonnie and Clyde or maybe you're just hearing his name for the first time now.
Whichever it is, all you need to know is that Jeremy is one of the best, if not the best male singer; with a hilarious stage presence, magnetic personality and absolutely stunning voice, he's really the definition of the whole package.
Whichever it is, all you need to know is that Jeremy is one of the best, if not the best male singer; with a hilarious stage presence, magnetic personality and absolutely stunning voice, he's really the definition of the whole package.
Last night I got to witness this package all wrapped in a bow at the last of Jeremy's first ever London concerts, the fastest selling performances the Hippodrome Casino has ever seen! There's something really special about watching performers in these sort of venues because they're so intimate and you just know that every single person is there to support who their watching. The whole room was buzzing before Jeremy came on stage and the excitement could be felt all around, it didn't feel like there could be more joy but when Jeremy stepped on stage the whole room went crazy.
Jeremy opened the show with a hilarious parody of Everything's Coming Up Roses called Everyone's Come To See Me, starting the night on a high which only went up. Jeremy continued performing a mix of all his best songs as well as some originals which will be on his upcoming album, including a beautiful song written for his wife called Memories of Loving You. His infectious personality combined with his killer vocals made an unforgettable evening with jokes and anecdotes creating a wonderful relaxed evening. Jeremy's partner in crime for the night was his hilarious Musical Director Benjamin Rauhala who not only played magnificently but had everyone in hysterics throughout!
There's no way I can pick a favourite part of the concert because I was literally in love with every second of it but I couldn't write this post without mentioning the incredible cover of Take me or Leave Me which Jeremy and his beautiful wife sung (couple goals right!?) and also his medley of song requests. This truly showed off Jeremy's talent, singing clips of songs form Cats to Celine Dion all note perfect and just stunning.
The amazing thing about Jeremy is not just his personality and talent but the way he connects with each song and makes the audience feel like they're experiencing every moment personally. Jeremy is an absolute star and deserves so so so much praise. For anyone reading this I advise you to watch all of the videos you can find of Jeremy, watch everything he's in and buy his album when it comes out! And Jeremy, if by any crazy twist of fate you're reading this, then I want to say thank you for an absolutely brilliant night and please please please come back to London very soon!
Thursday 30 June 2016
Eugenius: Concert Premiere Performance, London Palladium | Review
Last night saw the premiere concert performance of a brilliant new musical that goes by the name of Eugenius at the London Palladium.
With a book, music and lyrics by Ben Adams and Chris Wilkins, Eugenius tells the love story of Janey and Eugene.
Janey is head over heels in love with Eugene but has been placed firmly in the friend-zone, replaced by Eugene's love for comic books. A love so great that he even writes his own and somehow gets thrown into the crazy world of Hollywood. With plot twists and hysterically witty dialogue, Eugenius is set to be the new hit musical! Oh, and it's all based on 80's music! As I'm 19 I wouldn't say the music is nostalgic for me but I know my parents would adore it! It's certainly catchy and the 80's vibe has you dancing in your seat! The stellar cast were absolutely wonderful, with Amy Lennox stealing the show for me with her stunning voice. This is sure a cast to watch out for!
If you're not a fan of the typical musical then this is definitely for you. I found myself laughing out loud from the very start to the very end and the upbeat atmosphere was infectious. Me and many others around me were humming the songs on the train all the way home!
This musical is bound to become a cult classic and pave the way for a whole wave of new musicals. If you want a hilarious, positive, fun night out that celebrates the geeks in us all then this will be the show for you! There are no set plans for when/where Eugenius will open, but if the huge standing ovation at the concert is anything to go by then it will be no time until you can witness the brilliance for yourself! In the mean time, head to http://www.eugeniusthemusical.com/home/4592270352 to learn more about the show and hear some music sneak peeks!
*Thank you to London Theatre Direct for providing me with tickets to this show.
Tuesday 14 June 2016
Samantha Barks Tour, Churchill Theatre | Review
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| Source: https://twitter.com/TheAlexEllison/status/742769269935616001 |
She has also starred in a number of shows such as City of Angels, Chicago, Cabaret and Oliver and has been working on a number of films recently which are set to be released soon and has just released her self titled album under United Music.
Monday 30 May 2016
10 Reasons You Should See In The Heights
If you want some background information on the show check out my review here and if you fancy reading a cast interview, there's one here.
Monday 23 May 2016
Hamilton Dream Cast
My Hamilton obsession has been out in full force recently and the prospect of it coming to the West End in 2017 has got me ridiculously excited and kind of nervous. I'm praying that I'll get tickets and that I won't have to sell a body part to pay for them!
So with all the Hamilton fever going around, I wanted to do my own dream cast for the show (I was inspired by this post.) Before I start I want to say that I basically want the whole of the In The Heights cast to become the Hamilton cast so there's going to be a lot of them in this....!
Thursday 19 May 2016
The Raunch, Spiegeltent | Review
The Raunch is a show starring the Most Wanted of the international cabaret and circus scene and featuring a toe tapping, disco-hoedown soundtrack.
Monday 16 May 2016
In Conversation With... Lily Frazer | In The Heights | Interview
Back in October, I took a little trip to the Kings Cross theatre after my lecture to watch In The Heights. I didn't really know what to expect because I'd only heard a few of the songs but I was utterly blown away and have been in love with the show ever since! Check out my review here.
I recently reached out to Lily Frazer who plays Nina in the show and she has been kind enough to do an interview with me about all things In The Heights...
For those that don't know, can you explain a little about the storyline of In The Heights and how your character Nina fits into it.
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| Lily Frazer as Nina and Cleve September as Sonny |
In The Heights shows a few days in the life of the people who live in Washington Heights. There's a lot of poverty and financial struggle. Rent is rising due to gentrification and everyone seems to be trying to 'make it out' and make their mark on the world. The Rosarios for example own a taxi company which is failing financially. Nina Rosario the daughter has become the hope of the neighbourhood after leaving the barrio to go to Stanford university on a scholarship. However because she's been trying so hard to juggle her school work and working to pay for the rest of her tuition she has been failing her exams and after losing her scholarship has decided to take leave of absence. She obviously feels a huge amount of guilt and anxiety on the way home and feels as if she has let the whole community and most importantly her parents down. She's come home to tell her parents the news and to also to try and get back to her roots and that's where her story begins really.
I know you saw the show on Broadway, in what ways is the West End production similar and different to it?
I didn't actually see the show on Broadway. (AN. I was having a moment writing that question, I thought I'd heard Lily say she'd seen the show on Broadway!) I was studying at Arts Ed in London when it was on Broadway but I remember everyone in college was still just as excited about it. The soundtrack and libretto in the library were always checked out by someone. So naturally years later when it came to London I was thrilled.
As for the West End production the staging is in traverse rather than a traditional proscenium arch so the setting is more intimate I think and with the cast dancing in the aisles as well it allows the audience to feel submerged in the setting. Our theatre is unique! The Kings Cross theatre makes the whole experience quite magical. The audience enter along actual railway tracks and through the 'subway' onto our stage.
You played Eponine in Les Mis who is quite a contrast to Nina to say the least! Do you prefer portraying the family orientated, upbeat dance atmosphere of In The Heights or the highly dramatic, deep emotional atmosphere of Les Mis?
I wouldn't say I prefer either. I like a challenge and both roles are equally as challenging for different reasons. I feel that both roles are equally as vocally and emotionally demanding.
Throughout In The Heights there is the overarching theme of home and the importance of it. What three things remind you of home?
I get home sick after a holiday abroad. I'll be sat on my plane and we'll be landing and I'll get a first glimpse of the green fields through the clouds and I'll suddenly get really excited to feel the cold weather on my face. Hilarious because I hate being cold so this feeling doesn't last long!
I grew up in the West Midlands so I get really excited when I hear someone with a Midlands accent! Especially if they're a fellow actor! Feel like I've found a team mate!
The Eagles greatest hits was played on almost every car journey my family ever went on when I was a kid. So I can't hear The Eagles without thinking of my family!
Congratulations on the Oliviers, 3 awards is incredible for the show and you looked stunning! How has it been for you seeing the positivity of critics and audiences alike? Did you know you were doing something special when rehearsals started?
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| Lily at the 2016 Olivier Awards |
Last year when we opened the theatre wasn't very well known so at the start of our contract a lot of us were worried people wouldn't come. Also with the show being described as a rap musical we were worried about our target audience because of course that's not all In The Heights is. Also if it wasn't for the sell out production at the Southwark Playhouse we might not be here. It's been great to watch the audiences get bigger and to hear more and more people talk about how much they love the show. Turning up to a little gig at the Theatre Café a few weeks ago and not being able to get in the door because it was so packed with fans wanting to show support was so touching! I am extremely proud to be apart of that.
If you switched roles with anyone in the cast, who would you choose and why? (I think we'd all love to see Nina rap!)
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| Lily Frazer as Nina and Joe Aaron Reid as Benny |
Daniela looks like so much fun!
Also I think I'd love to play Benny. I think he gets the best of both worlds. He gets to rap and dance but also gets to sing some beautiful love songs with Nina. Jammy!
As someone who studied and went straight into a West End show, what advice would you give for anyone currently at university hoping to get into the performing arts industry?
I did a degree course at Arts Educational Schools in Chiswick. So I'm not sure if you would call it a university.
Before I got accepted into ArtsEd when I was studying for my A levels a lot of teachers told me to go to university and study drama or Theatre Studies which after doing my own research wasn't the right for the kind of actor I wanted to be. I'm very proud of my degree but I'd say that my training at ArtsEd and the connections the school gave me were key to my success in the industry. Not only is the training impeccable but I would never have had an audition for Les Miserables if I wasn't given the opportunity to audition in front of casting directors when they were invited to audition us in my final year. You need to really do your research on exactly what you're going to get out of your training and more importantly what YOU want to achieve at the end. Eg. Do they provide a showcase or a show at the end of your third year? Do they invite agents and casting directors? Do they specialise in one area of musical theatre or all three? I was lucky in that Arts Ed pride themselves on preparing you so well for everything! If theres something I wish I'd done more of though whilst I was training would be to take class out of school hours to broaden my training. Take class outside of school hours. Get a head start. Always be one step ahead of your classmates and take everything that your teachers tell you with a pinch of salt. Criticism is good for you but don't let it destroy you! Make up your own mind. Take inspiration from other performers but directly comparing yourself to others is poisonous! Don't do it! I had to learn that the hard way. I could talk about this all day but I'll stop now!
Finally, for someone deciding whether to see In The Heights, what 5 words do you think best sum it up?
Olivier
Award
Winning
Breakthrough
Musical
;)
I want to say a huge thank you to Lily for taking the time to answer these questions. The show is unbelievably brilliant and Lily is wonderful as Nina. Please, if you can get to the Kings Cross theatre, go and see In The Heights!
Also, keep and eye out on RewriteThisStory for some more In The Heights themed posts which are coming up! My original review of the show is here!
Interview by Olivia Mitchell, Editor
Interview by Olivia Mitchell, Editor
Wednesday 20 April 2016
Funny Girl, Savoy Theatre | Review
I didn't properly comprehend that I was seeing Funny Girl until I was sat in the theatre. Funny Girl is such a pinnacle of Musical Theatre for me, I grew up watching Barbra Streisand perform the iconic role my whole childhood so it felt like a dream finally seeing Mr Arnstein, Fanny and the Ziegfeld girls in real life... well real life on stage but you know what I mean!
Sunday 3 April 2016
Samantha Barks, St. James Studio | Review
Saturday 27 February 2016
Tori Kelly, O2 Academy Brixton | Review
So this blog post has really been four years in the making. After years of being a fan but never being able to go to a concert for various reasons, yesterday it finally happened, I got to witness the incredible Tori Kelly in action and I don't think I'll ever get over how amazing it was.
To set the scene, the crowd was already buzzing from Samm Henshaw's amazing opening act when Tori came onto the huge stage of the Brixton Academy, and that buzz stayed from the moment the queen stepped on stage to the moment we left the theatre. Tori's voice filled the whole place and her flawless technique and stage presence made me unable to take my eyes off of her. Everything seemed so natural, from the way Ms Kelly moved around the stage, to the way she used her pauses between songs to relish in the moment.
To set the scene, the crowd was already buzzing from Samm Henshaw's amazing opening act when Tori came onto the huge stage of the Brixton Academy, and that buzz stayed from the moment the queen stepped on stage to the moment we left the theatre. Tori's voice filled the whole place and her flawless technique and stage presence made me unable to take my eyes off of her. Everything seemed so natural, from the way Ms Kelly moved around the stage, to the way she used her pauses between songs to relish in the moment.
The set list for this concert was absolute perfection, with Tori belting nearly every song from her album, plus some of her older songs, such as the fan favourite 'Dear No One' and a brilliant cover medley, featuring PYT (with THAT riff of dreams included!) Tori hit every note with ease and her vocal ability and prowess was shown numerous times, with unblemished riffs, sultry low notes and etherial high notes.
I think its always been Tori's realness that has made people fall for her and that was truly the case last night. Tori somehow managed to make a huge venue feel intimate and managed to connect with everyone in the audience as if she were only singing to them. Not only that, but the whole concert felt like a party with friends, everyone there had a common love, admiration and support for Tori so for me at least, it really felt like we were just proud to be watching someone we love on stage. You could really see how happy Tori was on stage and that happiness really translated to the audience.
The thing which baffles me about this curly-haired beauty, is how she can be both angelic with her R&B vibes but also have such swagger that if she started rapping it would be completely normal and no one would bat an eyelash. This is just testament to how talented Tori is, and I hope she gets every success in the future, because that talent, kindness and humble personality, deserves incredible things (just like it deserved the Grammy that was robbed from it...! In my opinion at least!)
If you ever get the chance to see Tori in concert, please take it! I guarantee you'll leave feeling uplifted and in awe. One day it would be amazing if I could work with Tori and maybe sometime I will (it's on my bucket list to sing with her so fingers crossed!) But whether I get to or not, Tori has truly influenced my life and I'm so appreciative that she is there to be somebody for me to look up to and aspire to.
"Don't quit your daydream"
Monday 1 February 2016
Lucie Jones, Waterloo East | Review
The Waterloo East theatre was host to an incredible one night only cabaret from Lucie Jones last night and I'm sorry to rub it in your faces but you missed an epic night if you weren't there!
Lucie entered the stage in a sparkling silver dress and immediately belted out the Annie classic, Tomorrow, wowing the crowd from the get go.
After a number of hilarious anecdotes, we got to the X Factor days when Lucie introduced Anton Stephans who belted out a beautiful song and Lucie (along with some audience participation) performed Sweet Child of Mine.
As the night continued, Lucie sung songs that had been prominent throughout her amazing career such as Somebody To Love, Bring Him Home and an acoustic version of Poker Face (complete with unexpected harmonies!!)
Samantha Barks was another guest who joined Lucie on stage to sing an acoustic version of Justin Bieber's Sorry, which I NEED to be released as a single!! Samantha then sung a soulful jazz number, which was, of course, absolutely stunning! Danyl Johnson was the final guest, who, with a belt-tastic duet of Bridge Over Troubled Water made me fall a little bit in love!
A personal favourite of the evening was the hilarious Musical Theatre Boys song which had me in extremely ugly hysterics! Lucie's bubbly personality had the whole audience laughing throughout and by the end of the night it really felt as if we had all bonded during this intimate performance. The closing number With You left everybody speechless and was a fantastic end to a fantastic night.
Lucie is truly a force to be reckoned with, she's not only got the pipes to sing anything and everything, but her magnetic personality and natural personality, along with stunning sparkly dresses, make her a performer you just can't help but love.
If you want to witness the hurricane of amazingness that is Lucie Jones, you can watch her in the upcoming performances of Legally Blonde at the Leicester Curve!
Friday 23 October 2015
Dogfight in Concert, St James Theatre | Review
A number of the cast reprised their roles: Jamie Muscato, Laura Jane Matthewson, Cellen Chugg Jones, Nicholas Corre, Joshua Dowen, Ciaran Joyce, Amanda Minihan, Rebecca Trehearn and Samuel J. Weir, all of whom you could tell from their high energy, emotive performances and their beaming smiles in the curtain call, absolutely loved getting back into the Dogfight world.
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