Showing posts sorted by relevance for query interview. Sort by date Show all posts
Showing posts sorted by relevance for query interview. Sort by date Show all posts
Saturday 7 January 2017
A West End Guide To Singing | Gabriela Garcia
I am one of those people who is obsessed with hearing other peoples stories and tips and tricks of how they do what they do. So when I see any show I instantly want to pick the brains of the cast about how they sing as well as they do. I'm sure I'm not alone in this so I'm starting a series called 'A Stagey Guide To Singing' where West End stars will answer a series of questions about singing! I hope you find it interesting. Let me know if you have any specific questions or people you'd like answers from!
So for our first instalment we have all of Gabriela Garcia's singing secrets! Gaby is currently starring as Nina in In The Heights and her voice is blowing away people every night so without any more rabble, here we go...
When did you realise you could sing? Did you have singing lessons?
I always liked singing since I can remember but I have videos of me being totally tone deaf all the way up to when I was 16! I started taking singing lessons at 16.
How do you keep your voice healthy, do you have any rituals before shows?
I go to singing lessons regularly (once a month maybe once every 2 months) and I do a short vocal warm up - I concentrate more on my breath warming up rather than my voice. I have to sing through 'BREATHE' before every show on my own just to make sure everything is in place lol
Have you always been able to belt? If not, when did you start belting?
hmmm belting...I guess I was always able to belt as I thought belting was just shouting...during my time at drama school my teachers started to teach me a safer way to 'belt' by mixing and making the sound a bit 'smaller' this is to be able to sing 8 shows a week safely.
What vowels do you find easiest to belt? Do you modify words to make them easier to sing?
Yes, its all about the vowel modification - keeping the vowels as narrow as possible work for me.
What tips do you have for singing and dancing at the same time?
hmm I'm still learning how to merge the two as the breathing is so different! I guess identifying the breathing moments in the choreography and being conscious of not 'pushing'
What's the best exercise to get your voice ready for belt/twang?
I just do witchy and baby sounds which works for me
Overall, what's your number one piece of advice for finding and developing your singing voice?
You never stop learning and you are always developing your technique I guess being open to different teachers advice and being able to identify what works for you and what doesn't.
Read our previous interview with Gabriela at: http://www.rewritethisstory.com/2016/07/in-conversation-with-gabriela-garcia.html
Tuesday 20 November 2018
In Conversation With... Mollie Melia-Redgrave | Doctor Dolittle | Interview
Mollie Melia-Redgrave is currently starring as the female lead, Emma Fairfax in the UK Tour of Doctor Dolittle which brings the classic film to the stage and introduces us to a host of marvellous animals. Mollie spoke to Rewrite This Story about her part in the show, what audiences can expect and her advice for aspiring performers...
Can you tell us a little bit about Doctor Dolittle and what we can expect?
Doctor Dolittle is such a family show, brought to life through the pages of the book. We have 36 amazing puppets and a mesmerising Ensemble. There’s something for everyone to learn from it, and it is a story that comes from the heart.
You’re playing Emma Fairfax, what’s she like as a character? Are you alike in any ways?
Emma really knows her own mind and isn’t afraid to stick up for what she knows is right. She would go to the ends of the earth to fight for justice. Her only family mentioned is her Aunt so I don’t think she has many people supporting her and has just ended up working for her Aunt out of convenience, therefore when she meets the doctor and Matthew she sees a completely new outlook on life. But it’s a tough choice to choose between family and the heart. She really comes to life once she lets her hair down.
Emma and I have a few similarities. She is very defensive and I’m sure I can be at times, I hate feeling unjustified. I’m awful at confrontation however Emma is the first to speak up. I’d say our biggest similarity is that we are both super passionate and wear our hearts on our sleeves.
You’ve previously toured with Chitty Chitty Bang Bang, what are your favourite and least favourite parts of touring?
My favourites are the fact we can explore new cities I’ve never been to and would never have the opportunity to spend two weeks there. Also doing it with a great bunch of friends. I don’t really have a least favourite but I guess it’s organising the digs haha!
Puppets are a key part of this production, what has the process of learning to work and move with them been like?
Fascinating. Watching Jimmy, our puppet director, bring them to life is crazy. Our ensemble have worked effortlessly on making all this happen and they really are the best! When a puppeteer holds a puppet you genuinely stroke it or interact with the puppet without realising it’s not real.
Have you got a favourite puppet in the show?
My favourite at the moment are the seals. They make my heart melt. However you’ve got to love them all. Especially Jip, Chee Chee and Gub Gub.
Can you sum up Doctor Dolittle in five words?
Never seen anything like it.
If you had a magic wand, which show would you do next?
I would do anything to work for Disney. However at the moment I’d love to play Sylvia in Finding Neverland.
If you could go back to any era, when would you go to and why?
40’s for sure!!! The classic movies, the fashion, the history, the achievements, the romance!
What’s your top piece of advice for aspiring performers?
Be yourself. Everyone is equal and everyone has a life outside of this world so focus on you and don’t try to change. Also enjoy whatever it is you are striving for, life is too short.
A huge thank you to Mollie for taking the time to chat to us. Doctor Dolittle is currently touring the UK until 2nd November 2019
Interview by Editor, Olivia Mitchell
Friday 25 May 2018
In Conversation With... Anna Crichlow | Confidence | Southwark Playhouse
Confidence opens tonight (May 25th) at the Southwark Playhouse. It features a small cast, some of whom are making their theatrical debuts. Anna Crichlow, who has previously appeared in Pride and Prejudice for Regents Park Open Air and Common at the National Theatre, plays Ruby, who works at the cafe on the pier in the show. Anna took the time to talk to us about Confidence, the 90s and what the audience can expect from the show...
Can you explain a little about Confidence and how your character Ruby fits into it?
Confidence follows four young people who live in a seaside town in the 90s. The world is shaken up by the introduction of Ella, played by Tanya Burr, who’s dreaming and scheming attitude gets some of them into a pickle. Ruby runs the cafe on the promenade and has a more down to earth approach. She’s sweet and seems less ambitious than the other characters but she is a grafter.
The show has a small cast and is playing at the intimate Southwark Playhouse, you must all have had to grow close quickly. What was the initial meeting and rehearsal process like for you?
It was lovely and really chill. We all met initially trying on loads of hilarious 90s clothes on in a vintage shop so I think that definitely broke the ice. It being some of the cast’s first theatre job made it even more exciting because everyone was so ready to get stuck in. The rehearsal space was always really open and Rob made us all feel comfortable to play with each other and the piece.
You get to live out your 90s dreams in this show, what's your favourite song from the 90s?
That’s a really hard question, there are so many bangers from the 90s. I think right now it’s Jade-Don’t Walk Away.
Ruby works in the cafe over summer, have you had any random summer jobs?
Don’t know how random it is but I used to works as an usher at Regents Park Open Air Theatre over summer. It was lush and I got to go back to act there three years later.
Why should people come and see Confidence? What will audiences be saying as they leave the theatre?
Confidence is an explosion of 90s fun but it also explores what it means to work and all the different ways people, especially young people, achieve their dreams.
I think they’ll leave thinking “I didn’t see that coming” and hopefully having laughed.
If you had a magic wand which show would you do next?
Gosh that’d be nice but genuinely I want to do the next show that is meant for me. If I had to say it would be amazing to get stuck into some Shakespeare.
What's your best piece of advice for aspiring performers?
Don’t give up and be your most authentic self.
Thank you so much Anna for taking the time to do this interview. Confidence runs at The Southwark Playhouse until 16th June.
photo credit: Clare Park and Helen Murray
Thursday 5 October 2017
In Conversation With... Jane Booker | Rules For Living | Interview
Jane Booker has had a varied an extensive career, starring in a number of television series and films including Finding Neverland, Agatha Christie's Miss Marple and most recently in Sam Holcroft's play, Rules For Living...
For anyone that doesn't know, can you explain a little about your career and highlights so far?
I was in a sitcom called 'Don't Wait Up' when I was younger. I've done seasons with the RSC and I did work with Johnny Depp!
Have you always aspired to be a performer or did you have a different career in mind when you were younger?
I wanted to be a dancer and for a long time- a vet!
What drew you to the role of Edith in Rules for Living?
She is a woman trapped in a cycle of behaviour and so desperate for everything to be perfect and controlled.
What can people expect when they come and see Rules For Living?
They will get a lot of laughs, some painful truths that may resonate and a lot of mess.
Can you sum up the show in 5 words?
mayhem, rules, christmas, custard, gravy.
What's your usual Christmas like? Have there been any epic fails?
I do the cooking. The turkey 'flew' onto the floor on one occassion. Sometimes I long to be on a beach with a sandwich!
What's a fun fact people may not know about you?
I am a rollercoaster nut
What's the last thing you do before you step out on stage?
I do some chewing so my mouth isn't dry
What's your best piece of advice for an aspiring performer?
Do it! Tell yourself "they'd be lucky to have me" when going up for a job!
Interview by Olivia Mitchell, Editor
Interview by Olivia Mitchell, Editor
Friday 21 February 2020
Laura Baldwin on The Importance of Female Led Musicals | Beautiful: The Carole King Musical | Interview
A jukebox musical with a book by Douglas McGrath, Beautiful: The Carole King Musical tells the story of the life and career of Carole King, using the songs she wrote as well as others by people she knew or were influential in her life.
Taking on the role of one of these, is Laura Baldwin who plays Cynthia Weil, King's best friend and writing rival. Having previously starred in Waitress, Laura is no stranger to female led stories, she sat down to tell us why these stories are so important and what people can expect from this musical...
Give us the lowdown on Beautiful, what can we expect?
Well you can expect a story of what went on behind the music surrounding the life of Carole King, told by an AMAZING cast. You’ll hear incredibly nostalgic songs and hopefully you’ll leave feeling elated, inspired and a little bit warm inside.
Whats your favourite song from Beautiful and why?
God that is SO hard! The Locomotion is definitely up there but it has to be Walking in The Rain. It’s just such a stunning song and it feels so lovely to sing.
You’re playing Cynthia Weil, what do you draw from in your own life and what research do you do to play a real person?
So Cynthia Weil is the first character I’ve played that I don’t feel anything alike. I couldn’t find any similarities for a while so that was a new challenge for me. It did however feel really refreshing to become someone completely different and, play parts of her that don’t come naturally to me. Now we’re well into the run I do see myself in her, like I love making people laugh, so does she! We’re both very ambitious and love our work. It was great to finally identify with her in some way.
I researched lots about Cynthia! I watched so many interviews and we talked extensively with Ed Goggin our director, all about the characters lives and motives throughout the show. I wanted to make sure I do her justice!! Hopefully I’m doing enough!
You previously starred in Waitress, another musical about female empowerment, what do you think makes these musicals so important and special?
Because we need women to be seen as the hero’s that they are and have always been! Waitress was a human story and Beautiful is a real life story, both with an underdog message. The characters find strength from within and that is always incredibly special to watch. Sara Bareilles is a power house as is Carole King. Their stories and music should be heard simply because of the talent behind them. I am honoured to be a small part of their work and portray the characters that are so dear to them, and inspiring to women and to everyone.
If a musical was going to be made about your life, who would you like to play you?
Oh Amy Adam’s or Kristen Wig just because I love them!!
What’s your best piece of advice for aspiring performers?
Keep the gorgeous people around you who lift you up! ALWAYS treat yourself after an audition. You will constantly struggle to balance everything and things will get hard but that’s okay. There will be highs and lows but the lows make it worth it. Stay humble, find ways to reconnect with yourself, book the holiday and know that your career doesn’t define you. I also feel like being yourself is HUGE and the moment I started accepting my weird crazy self, everything started to fall into place :) stay strong! x
Beautiful: The Carole King Musical plays at the New Victoria Theatre until 22nd February before continuing its tour
Interview by Editor, Olivia Mitchell
photo credit: Helen Maybanks
Friday 27 July 2018
In Conversation With... Ian Stroughair aka Velma Celli | Interview
Ian Stroughair aka Velma Celli has the voice of an angel, is as hilarious as they come and truly knows how to put on a show. After seeing Velma Celli's West End Christmas I was completely overwhelmed and have since been following Ian's career (and life) on twitter. His latest venture is Iconic- A History of Drag which will be playing at the Edinburgh fringe...
How did Velma Celli come about?
Well, I have always been a singer much to my siblings annoyance. At age 14 I auditioned for a new musical called ‘Kes’ at The York, Theatre Royal. It was a professional show which needed an ensemble of kids. Much to my surprise I was cast. It was my first time on stage. I joined a Ballet school in York just before my sixteenth birthday. 3 months later my Ballet teacher sent me for an audition for a Theatre School. I got in and started that summer.
After 2.5 years I was out into the world and working as a singer/dancer/actor. I have appeared in West End and musical productions of Cats, Fame, Chicago, Rent and also appeared on Eastenders as myself…. I know, CAMP!!!!
When I was in Chicago I was asked out for an evening of drinks by the “girls" In La Cage and Priscilla. I bought a dress and some makeup and dragged myself up and out of stage door and met them in Madame Jojo’s. Apparently I ended up on stage belting out some queen and dropping into the splits. I can’t remember this, #gin! When I was leaving the manager asked me back the following week and I have never looked back!
You've had a very varied career, what's your favourite part of performing as Velma and creating your own show?
The freedom. When you are in a West End musical it's very strict. You are directed to give the same show every night and there is little room for your own creativity and interpretation. Velma is mine and she can do whatever she wants. Sing whatever songs she like. It’s very freeing!
You're taking your show, Iconic- A Brief History of Drag to Edinburgh. What can people expect from the show?
Iconic - A Brief History of Drag is a journey through my most favourite moments in drag history, whether it be music, pop culture, film or theatre it's those Iconic unforgettable drag events that inspired me to do drag and cultivate me into the queen I am now. They can expect to laugh (a lot) cry (a bit) and learn a bit about drag, things that people may not know. The past hero’s. A blooming good night if anything else!
Can you sum up A Brief History of Drag in 5 words?
Heartfelt, funny, camp, belt and emotional
You have a stunning voice. How do you keep it strong and healthy whilst facing the strains of touring?
Thank you. Lost of water and vocal rest. Healthy food!
If you could go back to any era, when would you go to and why?
I would have to say the 1960’s. I believe I am quite the hippy!
What's your number one piece of advice for aspiring performers who would like to carve their own, unique career?
WORK HARD. Work harder then repeat. This business is not for the faint hearted. It’s tough at times and the competition is high so armour yourselves with as much knowledge and learn as many skills as possible. Bring something to the party too. The odds of getting cast are extremely slim so I encourage all my students to write their own material and / or shows.
Thank you to the incomparable Ian Stroughair/Velma Celli for your amazing advice and story. Iconic- A Brief History of Drag will be at the Edinburgh Fringe from the 1st-26th August, at Assembly Checkpoint.
Interview by Editor, Olivia Mitchell
Monday 1 August 2016
In Conversation With... Kerry Ellis | Murder Ballad | Interview
Rewrite This Story caught up with the fantastic Kerry Ellis about her upcoming musical Murder Ballad, working with Brian May, Wicked and more. Check out what she has to say...
For people that may not know about your career, what would you say some of the highlights have been?
There are so many highlights I've been very fortunate to do some incredible things I guess one of the biggest was playing Elphaba on Broadway which was a childhood dream, another was performing in Verona with Brian May live on Italian television in an incredible venue that is like the Colosseum in Rome.
Was being a performer what you always dreamt of or did you have a different career path in mind when you were younger?
I always knew that I wanted to perform I just didn't know how my career would work out, it sounds very cliche but it was in my blood and still is.
I got to see you perform at the Hampton Court Festival with Brian May and you both seemed so natural and at home with each other… Why do you think you work so well together? What have you learnt from one another?
I think the reason Brian and I work so well together is because we both share the same passion for music and performing, or shows and albums and performance is now very simple it's all based around a voice and the guitar the things we care about so it just seems very natural. There is a lot of drama and atmosphere but also a lot of laughing and fun.
Let's talk about Wicked a little bit. Elphaba has become such an iconic character in musical theatre, what was your favourite and least favourite part playing her? Would you like to don the green paint again for the upcoming film?
Playing Elphaba was an incredible experience, in the West End and on Broadway, of course I would love to be involved in the film in some way and I can never say I wouldn't go back to the show ever again however I have such wonderful memories that will stay with me forever.
It's tough so it's like running a marathon eight times a week physically, emotionally and vocally it's tough but also one of the most rewarding roles I have ever played.
You’re an inspiration for many people hoping to get into musical theatre, whats your best piece of advice for an aspiring performer?
You have to love this industry, it can be so competitive and hard at times but also it's one of the best jobs in the world, there are many knock backs many tears but if you are strong enough and passionate enough it's worth the fight
You’re set to star in Murder Ballad from September, can you explain little about the shows storyline and how your character Sara fits into it?
I think you just need to come and see the show. I'm really excited about it it's a forehand are very intimate show something I've never done before. All the cast are stars and I think it's going to be show not to be missed.
Murder Ballad is set in a bar right? You’re used to performing in much bigger venues, how do you feel about performing in the more intimate Arts Theatre?
I'm a little nervous if I'm honest but I like the challenge and I always like to try new things, it's going to be a very new experience of performing so intimately as a character.
Sam Yates will be directing us and I have full confidence that he will make this show incredible.
Can you describe ‘Murder Ballad’ in 5 words?
Dangerous passionate electric emotional and fun
Interview by Olivia Mitchell, Editor
A huge thank you to Kerry for taking the time to answer these questions!
Monday 16 May 2016
In Conversation With... Lily Frazer | In The Heights | Interview
Back in October, I took a little trip to the Kings Cross theatre after my lecture to watch In The Heights. I didn't really know what to expect because I'd only heard a few of the songs but I was utterly blown away and have been in love with the show ever since! Check out my review here.
I recently reached out to Lily Frazer who plays Nina in the show and she has been kind enough to do an interview with me about all things In The Heights...
For those that don't know, can you explain a little about the storyline of In The Heights and how your character Nina fits into it.
 |
| Lily Frazer as Nina and Cleve September as Sonny |
In The Heights shows a few days in the life of the people who live in Washington Heights. There's a lot of poverty and financial struggle. Rent is rising due to gentrification and everyone seems to be trying to 'make it out' and make their mark on the world. The Rosarios for example own a taxi company which is failing financially. Nina Rosario the daughter has become the hope of the neighbourhood after leaving the barrio to go to Stanford university on a scholarship. However because she's been trying so hard to juggle her school work and working to pay for the rest of her tuition she has been failing her exams and after losing her scholarship has decided to take leave of absence. She obviously feels a huge amount of guilt and anxiety on the way home and feels as if she has let the whole community and most importantly her parents down. She's come home to tell her parents the news and to also to try and get back to her roots and that's where her story begins really.
I know you saw the show on Broadway, in what ways is the West End production similar and different to it?
I didn't actually see the show on Broadway. (AN. I was having a moment writing that question, I thought I'd heard Lily say she'd seen the show on Broadway!) I was studying at Arts Ed in London when it was on Broadway but I remember everyone in college was still just as excited about it. The soundtrack and libretto in the library were always checked out by someone. So naturally years later when it came to London I was thrilled.
As for the West End production the staging is in traverse rather than a traditional proscenium arch so the setting is more intimate I think and with the cast dancing in the aisles as well it allows the audience to feel submerged in the setting. Our theatre is unique! The Kings Cross theatre makes the whole experience quite magical. The audience enter along actual railway tracks and through the 'subway' onto our stage.
You played Eponine in Les Mis who is quite a contrast to Nina to say the least! Do you prefer portraying the family orientated, upbeat dance atmosphere of In The Heights or the highly dramatic, deep emotional atmosphere of Les Mis?
I wouldn't say I prefer either. I like a challenge and both roles are equally as challenging for different reasons. I feel that both roles are equally as vocally and emotionally demanding.
Throughout In The Heights there is the overarching theme of home and the importance of it. What three things remind you of home?
I get home sick after a holiday abroad. I'll be sat on my plane and we'll be landing and I'll get a first glimpse of the green fields through the clouds and I'll suddenly get really excited to feel the cold weather on my face. Hilarious because I hate being cold so this feeling doesn't last long!
I grew up in the West Midlands so I get really excited when I hear someone with a Midlands accent! Especially if they're a fellow actor! Feel like I've found a team mate!
The Eagles greatest hits was played on almost every car journey my family ever went on when I was a kid. So I can't hear The Eagles without thinking of my family!
Congratulations on the Oliviers, 3 awards is incredible for the show and you looked stunning! How has it been for you seeing the positivity of critics and audiences alike? Did you know you were doing something special when rehearsals started?
 |
| Lily at the 2016 Olivier Awards |
Last year when we opened the theatre wasn't very well known so at the start of our contract a lot of us were worried people wouldn't come. Also with the show being described as a rap musical we were worried about our target audience because of course that's not all In The Heights is. Also if it wasn't for the sell out production at the Southwark Playhouse we might not be here. It's been great to watch the audiences get bigger and to hear more and more people talk about how much they love the show. Turning up to a little gig at the Theatre Café a few weeks ago and not being able to get in the door because it was so packed with fans wanting to show support was so touching! I am extremely proud to be apart of that.
If you switched roles with anyone in the cast, who would you choose and why? (I think we'd all love to see Nina rap!)
 |
| Lily Frazer as Nina and Joe Aaron Reid as Benny |
Daniela looks like so much fun!
Also I think I'd love to play Benny. I think he gets the best of both worlds. He gets to rap and dance but also gets to sing some beautiful love songs with Nina. Jammy!
As someone who studied and went straight into a West End show, what advice would you give for anyone currently at university hoping to get into the performing arts industry?
I did a degree course at Arts Educational Schools in Chiswick. So I'm not sure if you would call it a university.
Before I got accepted into ArtsEd when I was studying for my A levels a lot of teachers told me to go to university and study drama or Theatre Studies which after doing my own research wasn't the right for the kind of actor I wanted to be. I'm very proud of my degree but I'd say that my training at ArtsEd and the connections the school gave me were key to my success in the industry. Not only is the training impeccable but I would never have had an audition for Les Miserables if I wasn't given the opportunity to audition in front of casting directors when they were invited to audition us in my final year. You need to really do your research on exactly what you're going to get out of your training and more importantly what YOU want to achieve at the end. Eg. Do they provide a showcase or a show at the end of your third year? Do they invite agents and casting directors? Do they specialise in one area of musical theatre or all three? I was lucky in that Arts Ed pride themselves on preparing you so well for everything! If theres something I wish I'd done more of though whilst I was training would be to take class out of school hours to broaden my training. Take class outside of school hours. Get a head start. Always be one step ahead of your classmates and take everything that your teachers tell you with a pinch of salt. Criticism is good for you but don't let it destroy you! Make up your own mind. Take inspiration from other performers but directly comparing yourself to others is poisonous! Don't do it! I had to learn that the hard way. I could talk about this all day but I'll stop now!
Finally, for someone deciding whether to see In The Heights, what 5 words do you think best sum it up?
Olivier
Award
Winning
Breakthrough
Musical
;)
I want to say a huge thank you to Lily for taking the time to answer these questions. The show is unbelievably brilliant and Lily is wonderful as Nina. Please, if you can get to the Kings Cross theatre, go and see In The Heights!
Also, keep and eye out on RewriteThisStory for some more In The Heights themed posts which are coming up! My original review of the show is here!
Interview by Olivia Mitchell, Editor
Interview by Olivia Mitchell, Editor
Thursday 22 November 2018
In Conversation With... Patrick Sullivan | Doctor Dolittle | Interview
After starring as Blake in Bat Out of Hell, Patrick Sullivan has swapped a motorbike for a cycling bike and a whole load of animals, as he becomes Matthew Mugg in Doctor Dolittle. Patrick told us what we can expect from the show, what Matthew is like and what he'd love to do next...
Can you tell us a little bit about Doctor Dolittle and what we can expect?
Doctor Dolittle is a beautifully charming family show. It deals with important issues like the way we treat animals and in turn the environment. It has real heart and integrity and stands up against some of the more well-known family classics like Mary Poppins and Chitty Chitty Bang Bang.
You recently starred in Bat Out of Hell which is very different from this show, what drew you to Doctor Dolittle?
It was actually that huge difference that attracted me! I had the most incredible time creating and working on Bat. As a cast we were given such freedom to develop and adapt our characters. I had never done a show like Doctor Dolittle and reading the script the character I play, Matthew Mugg, really felt like something I wanted to work on! It's a very traditional show with great song and dance numbers which I've always wanted to do!
As you mentioned, you’re playing Matthew Mugg, what’s he like as a character?
Matthew is a very sweet innocent guy, with the best of intentions. He's an Irish immigrant and so doesn't have any family of his own in Puddleby, where the show is set, so he builds his own family when Doctor Dolittle takes him in. We see Matthew repeating this gesture when he takes in a local orphan Tommy Stubbins. He is driven by a kindness and warmth of character that I find very admirable!
Puppets are a key part of this production, what has the process of learning to work and move with them been like?
It's been a very rewarding challenge! I have had zero experience with puppetry prior to this show so I was really starting from the ground up! It's fantastic to be able to create reality where animals can pack a suitcase or do a dance number! It's really magic!
Have you got a favourite puppet in the show?
I might have a soft spot for him Chee Chee the chimpanzee...
Can you sum up Doctor Dolittle in five words?
Charming
Rich
Joyous
Fun
Heartwarming
If you had a magic wand, which show would you do next?
Oh a very difficult question. I don't really have a favourite show! I would love to do A Man of No Importance or else Catch Me If You Can. I think those are two shows that have never got the attention in London they deserve.
If you could go back to any era, when would you go to and why?
I know this isn’t the question but I'd much rather go into the future a hundred years and just see how it all plays out.
What’s your top piece of advice for aspiring performers?
Perform as much as you can. I was very lucky growing up in Ireland where there was considerably less competition for shows, especially for boys, so I was given loads of opportunities to play parts and develop a stage craft before I ever went to college! I was very lucky but there are still opportunities to be had if you look in the right places!
Also just try and be nice to people! It’s easy to forget to treat people with respect.
A massive thank you to Patrick for taking the time to chat to us. Doctor Dolittle is currently touring the UK until 2nd November 2019
Interview by Editor, Olivia Mitchell
photo credit: Alastair Muir
Friday 7 December 2018
In Conversation With... Sophie Isaacs | Cinderella | Interview
Fresh from starring in the hit musical, Heathers, Sophie Isaac's is getting festive and tackling Panto with Cinderella which opens tonight in Woking at the New Victoria Theatre. Olivia sat down with Sophie for a festive chat...
You've just finished playing Heather McNamara in Heathers, tell us a bit about that...
It was possibly the best experience I've ever had. Seeing a job from workshops, then to a sold out run at The Other Palace and then transferring to the West End; to see a show develop from the start like that has been incredible and also, it's such a special show that I just adore it.
Heathers has obviously already been on, but you basically created this version of Heather Mc yourself, so what was the hardest part?
Probably just getting to grips with the character and her journey because she starts off being a Heather, with the not nice aspect of that but her journey means her character changes throughout the show and her interactions with different people affect her. Especially with Veronica (Carrie Hope Fletcher) and that friendship, which really develops. So getting that journey is the most important in terms of making sure she had heart at the beginning, even though it was a little hidden, and gradually bringing that out.
Did you get a lot of say in the changes in your production of Heathers?
Yeah, we were really lucky. The creative team were unbelievable; so gracious and open to us saying "it doesn't feel natural" but honestly, generally they knew what was right and what was best. They've been with the show for ten years but they were absolutely open to discussion and seeing what works and what doesn't.
Heathers audiences were very different in terms of their live reactions compared to other musical audiences, what was that experience like and do you think it prepped you for the interactive aspect of Panto?
Yes, Heathers was like a rock concert and it's nice because I now won't be put off by people suddenly shouting at me or cheering or being very very involved. We always said that the Heather's audience was the fifth Beatle and pantomime has the fifth Beatle as well, so it was very good prep.
We didn't know how Heathers would land going from 300 seats at The Other Palace to the much bigger, Haymarket but it was bigger and better which was amazing.
So, Cinderella the Panto- are you excited?
Yes! I put the dress on today and I just cannot wait. The shoes are just stunning, jewelled everywhere, with a monster jewel on the front. I am possibly the biggest Christmas fan on the planet so any opportunity to get festive, I love!
What are your favourite parts of Christmas, do you have any traditions?
Of course the whole, advent calendar and chocolate for breakfast everyday thing. My favourite things are generally food related! Mulled wine, piggies in blankets, I love a buffet.... oh and love a mince pie! Just all of it!
I was out of the country last year for Christmas and it was awful, I was just so sad cause I wanted to be here with my family so I thought to myself, "what's the most Christmassy thing I can do next year?" and here we are... Panto!
Are you a big Panto fan?
Yeah I love it, absolutely love it. I haven't been in one for years and years and years but the last one I saw was Cinderella. It was in Swindon and my friend was playing Cinderella so it's nice to be doing this now.
So why should people come and see Cinderella in Woking?
You should come to the Panto because it's an amazing night out, it's a time to have a lot of fun with your family; it's festive; there are jokes that mums and dads will get, and jokes that the children will get, so it's fun for all and I think it's going to be incredible!
Cinderella runs at the New Victoria Theatre until January 6th 2019
Interview by Editor, Olivia Mitchell
photo credit: Grahame Larter
Subscribe to:
Posts (Atom)
Welcome to the BLOG
Into The Spotlight
