Showing posts sorted by relevance for query interview. Sort by date Show all posts
Showing posts sorted by relevance for query interview. Sort by date Show all posts

Sunday 8 March 2020

Christopher Tendai on Taking Off The Mask | Identity, Turbine Theatre | Interview

Christoper Tendai is an established performer, having starred in many West End musicals, UK tours, television specials and various commercial projects. His most recent and perhaps most daunting endeavour is launching his own dance company: CTC. The company are soon showcasing a new show at the Turbine Theatre, which looks at what makes us individual through the mediums of dance, spoken word, art and more...


Tell us a little about CTC Dance Company and how it came about...
CTC Dance Company is an upcoming company renowned for its versatility and uniqueness through movement. 

The company has been running for 2 years now and started from a short film I created called Imperfections (which can be found on my YouTube channel). Creating CTC was probably one of the best decisions I’ve ever made. It’s my pride and joy and I hope that one day it will be recognised like the McOnie and Mathew Bourne Companies. 


You're broaching a whole host of important topics in just 60 minutes, what's included?
Yes we are and I think these subjects are so relevant to create a discussion in the time we live in. We speak about Mental Health, LGBTQ, Feminism and Social Media Through Society. Within the show we see our main character; Caitlin, go on a journey of self discovery and to explore and embrace her own unique identity. 

Our identities are formed from what people think of us, the laws we follow that have been placed by society and the biggest one of all: social media. 

We always have to be the perfect version of ourselves. But what is perfect? Shouldn’t our own self be enough? Through Identity, we want to inspire people to embrace who they really are. There’s only 1 you in this world. 


Mental health awareness is a big part of this show. Dance and creativity is a great outlet to centre yourself and improve your mental health so what would you tell people wanting to get into dance?
I would tell any aspiring dancer/performer that anything is possible. If you put your mind to it, you can achieve your dreams. I started dancing when I was 18yrs old and I made sure I lived and breathed it so I could be as good as the dancers that had been dancing since they were 3. 

Since graduating I have danced in various musicals from the West End (Hamilton, In The Heights, Matilda, Jesus Christ Superstar) to UK Tours (Hairspray), Commercial work (Strictly Come Dancing, Fleur East, Rita Ora, Hugh Jackman) to Television (Episodes, The Golden Circle). And now I am choreographing and producing my own production by my company which has transferred Off Westend from Edinburgh Fringe 2019. 

So I would say: Stay Focussed. Stay inspired. Work Hard. It all pays off! 


Social media can be both a blessing and a curse, how are you incorporating it into Identity?
We touch on social media within the show and I feel it couldn’t be more relevant right now, especially with the recent awful tragedy of Caroline Flack.

Social media is great in ways of course, but somehow it has become a platform to cause harm to people’s mental health. We showcase a section of our show about the way that we are perceived on social media. The show always goes back to a Polaroid picture which has many different meanings. We want to begin an open and positive conversation about it. 


What would you like people to feel as they leave Identity?
We want people to leave feeling inspired to be their own version of themselves. We want to show people that no matter what you’ve been through, you are still here today and can change your future path to whatever you want it to be. We want to start the conversation of mental health and remind people that they are important within this world.


Why should people come and see Identity?
People should come and see the show because it’s something completely different which hasn’t been done before. We are not just dance but dance theatre, incorporating different elements to the show such as; Spoken Word, Live Music and Physical Theatre. Come and support and start the conversation on Mental Health Awareness!

Identity plays at the Turbine Theatre from 10th-14th March. £12.50 discount tickets are available by using the code: CTCDANCE1 

Interview by Editor, Olivia Mitchell
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Monday 6 February 2017

In Conversation With... Cleve September | Hamilton | Interview

Cleve September is a rising star of the West End. He recently starred in Annie Get Your Gun and In The Heights to much acclaim and has just been cast as Laurens/Philip in the upcoming West End production of Hamilton so it safe to say he's destined for stardom! 




Was being a performer what you always dreamt of or did you have a different career path in mind when you were younger?


I've been singing since I can remember but only started dancing about 6, nearly 7 years ago. Before that I was really into my sports.. I played a lot of basketball and rugby. And I also love 100m and 200m sprints. So I was quite athletic because I got into musical theatre. And the dream back then was to be in the Olympics.
You just finished playing Sonny in In The Heights to much acclaim. It just seems like the funnest show and cast to be a part of. Can you sum up that experience?


Really there are no words to describe how incredible the experience was! In The Heights will always have a place in my heart, as will the cast! They were all such incredible human beings! And they really made my first professional job so amazing.
Did you feel any extra pressure joining so many original Southwark Playhouse cast members when you joined the show at the Kings Cross Theatre? How did you put your own spin on the role?

Not at all because everyone was so welcoming and everyone was so supportive! And I wasn't expected to do the things that Damian can do or did in the show so I could do a bit of creating and figuring out how my body wanted to move in terms of the dance routines. And we just found new things.
You definitely became a fan favourite at Heights; did you expect to gain so many fans in your first role after training?


I didn't know that I was a fan favourite... I had no idea what to expect but I am so thankful for the fans because their love and constant support was amazing throughout the run.
The Kings Cross theatre is super intimate. Are you excited to perform in the Crucible and other larger venues in the future? Do you prefer more intimate or bigger venues?


I'm yet to experience a bigger venue... so I'll let you know!
Annie Get Your Gun is such a Classic musical. Did it get a modern twist in your recent production or did it stick to its original roots?



Nope there was no modern twist to it, we very much stuck to the roots and played it truthfully! The choreography was stunning and it was such an honour and a pleasure working for the team of creatives behind that show!


Can you explain a little about Annie Get Your Gun and how your character Tommy fits into it?


AGYG is about a woman called Annie who is an incredible shooter. She falls in love with a 'swollen headed stiff' named Frank Butler and their story of how they fell in love through the circumstances that they were put through. My character had his own little love story going on with a character called Winnie Tate, who's older sister Dolly, forbids them to be together.
What was your biggest challenge with taking on this role?



I had more than one big challenge haha. The style of Choreo and also singing in a legit style were the two biggest challenges for me as they were both very new to me. However once I managed to kinda wrap my head around it I had the most incredible time! 
If you had a magic wand, which show would you do next? 


Hamilton 👀👀
You have a five minute break during rehearsal, what do you spend that time doing?


If there is food near my I'm eating, or trying to wrap my head around something that may have confused me or I might have done wrong..


You studied at Mountview, what was the best piece of advice your were told during your time there?


To be a sponge and soak everything up that works for me!



Thank you so much to Cleve for taking the time to answer these questions. Make sure you go see Cleve in Hamilton and any other shows he does- you'll love him!


Interview by Olivia Mitchell, Editor

Follow Cleve on twitter here
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Friday 5 July 2019

Rhianne-Louise McCaulsky on Taking Her Version of Rizzo on Tour in Grease the Musical | Interview

Grease is the epitome of a cult-classic musical, after various revivals and reinventions, there's a new tour taking over the country. In this refreshed production, Rhianne-Louise McCaulsky takes on the iconic role of Rizzo and took the time to chat to us all about the experience...


Tell us a bit about your career and highlights so far? 
My first job out of college was cover Nabalungi/Swing in The Book Of Mormon (West End). I stayed there for a year and had the best time there. I then went into Bat Out Of Hell as ensemble/1st Cover Zahara. I have been so lucky to have the experiences I had and the memories I made on both of those jobs. We performed for Prince Harry, performed at Proms in the Park in front of thousands. Mental really. I’m now performing as Rizzo in Grease the UK and Ireland Tour and am having the time of my life. I’m so grateful for the career I’ve had so far.


You finished performing in Bat Out Of Hell at the beginning of the year which featured the iconic Jim Steinman music. Grease is a cult favourite, what’s it like bringing these well-loved songs and characters to life? 
It has been amazing learning and performing this well-loved musical. I grew up with Grease, my family and I watched it pretty much every weekend, I used to sing Hopelessly Devoted To You and There Are Worse Things I Could Do to my teddies in my room haha! So to be performing in it every night really is a dream come true. I never tire of the music and it’s been amazing getting to put my own stamp on the characters, particularly Rizzo. 


Rizzo is a very layered character, which sides of her are you most excited to discover and perform? 
Rizzo is a very layered character indeed. I wanted to try and explore as much of her as I can, and I’m still learning about her every performance I do. I love getting to play the fun, nonchalant side of her seen in Look At Me I’m Sandra Dee as well as the heartbroken side of her in There Are Worse Things I Could Do.


Does this production stick true to expectations from the movie? 
This production still has the fun loving elements from the film; however the creative team have really encouraged us to focus on the truth of the story. We are working class teenagers growing up in the 50s facing all sorts of problems such as body image, love triangles and pressures to fit into society. It’s a lot grittier than the film.


What part of touring are you most excited about? 
It’s my first tour so I’m super excited to get on the road. I think I’m most excited about seeing other parts of the country and exploring. I love travelling! 


If you could play any other character in the show, who would you play? 
If I could play any other character in the show it would have to be Kenickie. He is just so bloody cool! He also sings Greased Lightnin’ and that gets me pumped every time I hear it. 


What’s the last thing you do before you step out on stage? 
The last thing I do before I step on stage is usually drink some water, have a mint and take a couple of breaths just to focus myself. I start the show in the first wing on my own so it usually gives me time to get myself together and focus on the show. 


You have a five minute break in rehearsals, what are you doing? 
If I have 5 minutes in rehearsals I would probably be eating, ha! Or recapping dance steps usually. 


What’s a fun fact that people might not know about you? 
If I wasn’t an actress I would love to be a journalist. I love writing and talking to people. I have short novels that I have written at a young age in my room.


What’s your best piece of advice for an aspiring performer?
LOVE WHAT YOU DO! Keep yourself healthy and keep learning. Never stop working hard. See as much theatre as you can to keep your motivation going.


Grease is currently touring the UK and Ireland, information and tickets can be found here

Interview by Editor, Olivia Mitchell

photo credit: Manuel Harlan 


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Monday 3 August 2020

A Stagey Guide to Singing... Rachel Tucker | Interview

Hello stagey people! Light seems to be shining at the end of the tunnel but there's still a distinct lack of theatre in our lives; so I thought today I would bring you a mini Q&A from the Rewrite This Story vaults. A while back I chatted to Rachel Tucker and asked her a few vocal technique related questions...


What are your go to warm ups?

I have a great warm up that a friend from New York introduced to me. A slow long warm up that slowly builds and is quite a classical warm up and it gets my break from my chest voice to head voice really smoothed out and warm.


You are the Queen of belting, do you have any tips? Do you change vowel shapes or anything like that?
It shouldn't really be the vowels you change it's the back of the throat. You can still sing the same vowel bright and belted with just some adjustment of the throat. It depends but I wouldn't really because it's nothing to do with the vowel shape, you should be able to belt any vowel or consonant. It's about the shape at the back of your throat. Space, space, space!


What are your tips for keeping your body and voice healthy?
Oh definitely to consume more water than you think is physically possible. Don't underestimate how much talking tires your voice, if you have a big sing just go on vocal rest, text friends and write things down. 

 And steaming after a big sing for sure- about 45 minutes with a facial steamer with a mouth piece and it'll bring down any swelling in your throat down, it should be for 30 minutes... at least!


 Thanks so much to Rachel for answering these questions way back when! Stay safe and stay stagey!

 -Olivia
Editor of Rewrite This Story


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Friday 10 March 2023

Jay Bryce on Taking Heathers on the Road | Heathers the Musical | Interview


Heathers is currently making its way around the country, on a high octane, 80s fuelled tour. Currently playing Veronica's Dad/Principal Gowan/Kurt's Dad, Jay Bryce tells us about his experience taking the show on the road and what it's like being part of a show with such a cult following...

How does it feel to be starring in such an iconic and well-loved show?
It feels such a privilege to be part of this great show and part of the Heathers Family. I’m so grateful to be working on this production. I didn’t realise the reach the show had until I joined and how much the show means to people. It is so heart-warming to be bringing this show to people around the UK and Ireland.

Which Heather would you most like to be friends with?
Definitely Heather Mac. I think she needs a good friend to look out for her and I think I could help bring out her kinder side. Plus, I’d want to get a yellow blazer to match with her.

Heathers has a really dedicated fan base, what are some of your favourite fan experiences from the tour so far?
Meeting the fans at stage door is always such a great experience. The Heathers fans are all so kind and lovely and we’ve been made to feel so welcome in the venues we’ve been to so far.

Something I’ve also LOVED is the scrunchy throw during the bows. It is so lovely and something that makes the show so unique.

What's your favourite line in Heathers?
I’m a big fan of my characters line “That was one hell of a fishing trip”. But I do love it when Veronica tells Heather Chandler to “Lick it up”. Definitely have been saying that in my everyday life now…!

Heather C is a big corn nut fan, what would your show snack of choice be?
I would love a Werther’s Original. Is that showing my age…?!

If you could bring any other film to stage, which would you choose?
I think American Pie on the stage would be absolutely brilliant. I’d love to play Jim. But I think my casting is now heading more towards playing Jim’s Dad…!

Why should people come and see Heathers on tour?
The show is just brilliant. It has energy, is fun, whilst also dealing with serious themes. Working with this cast has been such a joy and their energy and joy on and off stage is infectious.

You’ll want to come again and again to see this show.


Heathers The Musical plays at the New Victoria Theatre, Woking until 11th March 2023 and then continues its tour

photo credit: Pamela Raith

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Saturday 18 April 2020

Lockdown but make it Stagey | 7 Ways To Be Theatrical During a Pandemic

Hello stagey people! Olivia here, I hope no one minds these more chatty style posts, but with all that's going on I wanted to switch it up a little bit and bring some more relaxed posts about how we can keep ourselves sane, and of course stagey, in these trying times. So with that, I'm sharing some of the ways I've been spending my time so that it might give you some ideas.


Online Courses: I signed up for both the Open University free courses and the FutureLearn courses. They have lots and lots of free courses in a whole host of subjects, ranging from beginner to advanced and are a great way to kill some time whilst keeping your brain active. So far, I've done three geography courses (I'm a bit of a geog geek) and am mid-way through a film and a music course. I've found them to be hugely informative and I've got my eye on a number of the Arts ones, including Approaching Plays and What Is Good Writing? You can sign up for free one the websites and do as many as you like!

Theatrical Artwork: Okay, so I'm not technically doing the artwork but I'm colouring in so it kinda counts, right?! The lovely John and Kayley aka The Stagey Couple have created a brilliant colouring in sheet featuring loads of wonderful shows and it's just excellent. The pair are creative, original and consistent with their content and I'm sure this isn't the only activity they'll provide us with during this lockdown.


Streaming Shows: If you're reading this, I assume you know that there are a whole host of shows being put online as well as other musical related media. I must admit I haven't watched loads but I thoroughly enjoyed Eugenius! and Jane Eyre. Also, Encore on Disney+ is my new guilty pleasure! I'm really looking forward to the future National Theatre productions that are streamed (fingers crossed for Our Ladies of Perpetual Succour) and it's great that there's so much on offer.

Concerts: As well as all the wonderful shows, there's been a load of streamed and recorded concerts. The Leave The Light On series is an excellent showcase of performers resilience and talent and also a wonderful way to sneakily snoop in people's houses, which we all secretly want to do! All the creative initiatives have been lovely to see, with Rob Fowler and Sharon Sexton's release of Grounded their concert recorded live in their living room, proving a real favourite with the Bat fans! It's all just GREAT!

Q&As: This just seems like the most brilliant time to gain all the inside knowledge on this wonderful community we're part of and that's been easy to do thanks to the plethora of interviews being made available online. FYI I'm about to hit you with a self-plug... I recently started a podcast called Beyond The Boards with my friend (and amazing performer) Stephanie Rojas and we've been doing an interview series called Beyond the Isolation on our instagram. It's all about how creatives are thriving during this time and I've learnt some great things and felt very inspired.

Quizzes: If there's anything I've learnt during this lockdown, it's that I love a quiz! I can't even tell you how many I've taken part in but there are so many on offer and they're so fun! On Monday I took part in The Other Palace's theatre quiz and it was not only entertaining and informative, but was also a brill way of feeling part of the theatre community again. 

Baking: Okay so on the whole my baking has not been specifically theatre related but I feel like it's kind of automatically stagey 'cause it's near impossible to get your ingredients out without bursting into a Waitress number. I did make a pie inspired by the show the other day and it actually turned out pretty well so if you fancy whipping one up, I'll attach my video here. But yeah, baking is just real relaxing, just don't go Sweeney Todd to make it stagey!


So there are a few of my pandemic hobbies! I'm continually amazed at how well our community have come together to create and inform during this time and it can only make us stronger in the end! If you have any stagey ways that you're keeping entertained, let me know in the comments or on social media!

In saying all of this, it's also totally fine to do nothing during this time, you don't have to be working and grinding. Just do what calms you, what makes you happy and what you want to do. In a way we've been blessed with this time so use it however on earth you want!

Stay safe and stay stagey,
Olivia x

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Thursday 8 October 2020

Rachel John on Bringing Back Live Theatre | Songs For a New World | Interview

After the success of the online streamed version of Jason Robert Brown's Songs For a New World, Lambert Jackson have brought the musical back as one of the first live, in person performances in the West End. Theatrical powerhouse Rachel John will be starring in the show and is extremely excited to get back to performing...


You’re going to be starring in Songs For A New World, can you tell us a bit about how it all came about and your journey with the show so far?
I was approached by Lambert Jackson with the exciting idea of being a part of a virtual production of the show. It was unlike anything I had done before, so I was excited to see the way that this format would translate through the screen and into people’s homes. After the show was streamed, we received the exciting news that we would be performing at the Palladium. I felt so blessed.


2020 has been crazy to put it mildly, has all the theatrical innovation in a time when the arts can’t run normally made you love what you do even more?
The innovation that has occurred during lockdown has been very inspiring and has shown me the strength and creativity of our theatre industry. I have had a renewed sense of my love of story-telling and have been reminded how we refused to stop sharing our gifts.


What’s one thing you’ve taken away from lockdown?
There are many things that I have taken away from lockdown, but if I had to pick one it would be valuing family time. I have had more time to speak to my family abroad and here and it has been a blessing.


Going back to live performances must be super exciting, what are you most looking forward to?
I am looking forward to working with a company again and I am really looking forward to hearing and seeing the live audiences. I miss the tangible feeling of the audience. The electricity.


When theatres are fully running in the (hopefully) near future, what show would you like to see first?
I cannot pick what I would like to see first! I am just eager to get back to support my fellow performers and soak up the atmosphere.


What can audiences expect from Songs For a New World?
Audiences can expect to come on a journey with us through this incredible song cycle. Jason Robert Brown’s lyrics and melodies will touch their hearts.


How do you want people to feel after experiencing Songs For a New World?
I would like people to experience the joy of being back together, even if there is distance. I would like them to feel hopeful and optimistic.


Songs for a New World plays at the London Palladium 11th October 2020
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Sunday 4 June 2017

In Conversation With... Rachel Tucker | UK Tour | Interview

Rachel Tucker is basically theatrical royalty, with a an impressive resume, an incredible voice and an extremely dedicated following. Currently touring the UK and about to start her second stint at the Zedel in London, Rachel was lovely enough to discuss what we can expect in her concerts, how she stays motivated, her dream role and much more... 


 What are some of your career highlights so far?

 Wicked on Broadway, it was my absolute dream. The I'd Do Anything programme was a highlight, I loved it, it was great. Oh Wicked 10 is definitely the most recent highlight, it was amazing and a great night.
What keeps you motivated to keep working even when you're knocked down?

 I guess the belief in myself, I know I can do it. I think people get confused with not getting the job, they think that it's a personal thing and 99% of the time it's not. It's just you're not right for them or at that particular time or moment for whatever their reasons are. But it's about remembering that it's not me, it's them. I mean not them, but their choice, not because I'm bad but because they don't want me.
Elphaba is obviously a very iconic role. How do you add your own spin on such well known songs and characters?

 I try and approach it with a fresh look at it and as close to Rachel as I can because I think it's important to not copy and not be what everybody else thinks you should be and also because it's boring to do it the way someone else has done it when you're not being true to yourself. I'm a very honest person and I think it's very important to be honest with everything you think and how you approach the music and songs and interpret it as close to yourself as you possibly can.
You have a lot of repertoire, so what can people expect when they come and see you perform your solo concerts?

 I like an eclectic collection of songs. I've grown up with old school musicals and entertainers and also love very current stuff like Ed Sheeran and I love standards, like some jazz standards. I also love modern musical theatre as well as the old stuff. So yeah, a real mixed bag. A real collection... and a few surprises thrown in for good measure!
If you could bring any guest star on stage with you, dead or alive, who would you pick?

 Sammy Davis Jr, Bette Midler and Sting. Oh and probably Beyonce!
You've performed in a variety of venues both in shows and on tour. Do you prefer the bigger, elaborate ones or the smaller, more intimate ones?

 They're all different, each of them brings a different thing. The intimate ones I think will be good to start out for me because they're more informal and I love that. You know, I'm not a formal girl, I love being casual and being able to see people and their reactions so that'll be nice. But I also love the big theatres where you have to look up to the balcony and get people joining in and singing along. So I like both.
You're taking this tour to Broadway with 54 Below, but would you ever consider touring it over there?

 I think maybe in time, I mean it's taken ten years for me to be able to realistically tour the UK and these things I think take time so I think it'll be a little while longer before doing anything like that in America.
What's one talent you wish you could have?

 I wish I could read music or play an instrument. Specifically the piano!
What are some funny moments you had either on stage or off stage?

 Oh wow.... funny moments. I'm trying to think what ones I can tell you!  At one point when I first did Wicked, I came back from holiday and I completely left out the whole bit of why Elphaba snatches the green bottle before 'Popular'. I literally couldn't remember a word of it and poor Gina Beck had to prompt me and say "was it because your mum was.....?" and she had to literally recite the whole paragraph and I just agreed with her. It was very scary!
Have you ever sneezed or got the hiccups in a performance?

 Oh yeah completely. When I did The Wizard of Oz in Belfast, someone sneezed to me and I couldn't finish my lines cause I was laughing so hard. So absolutely, yes.
If you had a magic wand, which show would you do next?

 Ohhh which show would I do next? I'd probably do a new show, a brand new show to originate and create a new role, yeah.
If you could go back to any era, when would you go to?

 I think I'd go back to the 60s or actually probably the Hollywood MGM era like 20s or 30s
What is your go to karaoke song?

 I recently went with my friend and I did 'Simply The Best' by Tina Turner!
What's the best piece of advice you've received or would like to give to someone hoping to get into the performing industry?

 You've got to absolutely know your worth, know how good you are and be realistic with yourself and whether you can hack this industry. And think seriously if there's something else you could do then you probably should go and do it because you know, there was nothing else I could do and I think you've got to be very dedicated and very driven and passionate and care a lot about it. And have patience, it takes years and years to get anywhere. It doesn't just happen over night!
A huge thank you to Rachel for taking the time to talk to me. All of Rachel's shows at the Zedel are currently sold out but you may be lucky and get a return! All information about her upcoming dates can be seen here.

 Interview by Olivia Mitchell, Editor
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Tuesday 22 August 2017

In Conversation With... Alexandra Silber | After Anatevka | Interview

If you've been on the tube in the last few months I'm sure you'll have spotted the marvellous Alexandra Silber's face plastered over the walls for Today Tix. Whilst Al's face is up there for her performances both on the West End and Broadway, she is also a beautifully eloquent lady and recently published her debut novel, After Anatevka, which tells the story of Hodel after Fiddler on the Roof. 

Alexandra was lovely enough to talk to Rewrite This Story about her writing process, After Anatevka, her transition from West End to Broadway and so much more. Make sure you read until the end to find out how you can win a copy of After Anatevka!



For anyone that doesn’t know, can you explain a little about your career and highlights so far?

I went to drama school in Glasgow at the Royal Conservatoire of Scotland before living in London and working the West End for several years. 

While I was in my final year at RCS, I was cast as Laura Fairlie in Andrew Lloyd Webber’s The Woman in White opposite Ruthie Henshall, Anthony Andrews and Damian Humbley. 

Among many other things, I have also played Julie Jordan in Carousel in the West End, made my Broadway debut opposite Tyne Daly in Terrence McNally’s Master Class, and have sung at Carnegie Hall, Disney Hall in Los Angeles, was nominated for a Grammy for singing Maria in a the first ever symphonic recording of West Side Story with the San Francisco Symphony, and of course, at Royal Albert Hall with the John Wilson Orchestra for the BBC Proms as the titular character in their production of Kiss Me Kate. 

Above all, I have been fortunate enough to play two of Tevye’s daughters, one on each side of the Atlantic— the first was in the West End, portraying After Anatevka’s protagonist Hodel (the second-eldest daughter of Shalom Aleichem’s Tevye the Dairyman who is the star of the 1964 musical Fiddler on the Roof) at the Sheffield Crucible and its West End transfer, and last year, played Tzeitl, Tevye’s eldest daughter on Broadway in the most recent Broadway revival. 

Portraying both characters for such lengths of time, and with such incomparable creative teams and casts, informed, inspired and shaped the writing of After Anatevka: it truly was a journey from stage to page. 




Have you always aspired to be a performer or did you have a different dream when you were younger?

I always knew I wanted to be a professional creative— I’m not certain that acting and singing professionally was the epitome of my dream. As a child and teenager I loved the theatre, felt at home and accepted amongst its “creatures” and had an outlet to explore new worlds, research new ways of life, get inside different people’s minds and heart, and to express so many of my deepest emotions. 

I’ve been thinking very deeply about “dreams coming true” recently— possibly because so many people are asking me about it. “Is publishing your novel a dream come true” they will ask, and I don’t entirely know how to answer that. Because of course it is, I have dreamed of sharing my stories with the wider world, to hold a book-shaped book, with actual binding and  I have written in my hands

The voices on Broadway cast recordings were not only my inspirations, but my companions, my teachers; I know many people for whom that is a familiar history. But I felt very much the same about characters in books. I was just as enamored with E.M Forster’s Margaret Schlegel as I was with the book and score of South Pacific. 



Other than writing, have you got any hidden passions you’d like to pursue?

I love the accordion and have taken several lessons, and I passionately want to visit Antarctica. 



What drew you to the roles of Hodel and then Tzeitel in Fiddler on the Roof— are the three of you alike in any ways?

There are too many to mention. I honestly feel this question is best answered within the pages of After Anatevka— and not only the similarities, but the differences, and the growth every human being hopefully acquires as they age and experience life. I had the uncanny joy of being able to understand each woman more deeply as I embodied the other— much like members of the same family come to more deeply understand their siblings as they all become adults. 

One of my most treasured passages from After Anatevka is from the penultimate chapter, an epistolary exchange from Tzeitel to Hodel:


“Home, Hodelleh. That place beyond the place where we rest our heads every night. Where our centerpieces, our sewing, our carefully prepared meals, simply do not matter. Where our petty little differences and competitions with one another do not matter anymore.

And I thought of you.

It is odd, Hodelleh. Because I do not know if you shall ever read this, I feel compelled to tell you more than ever. Home—where love shall reign supreme. The kind of home you always held within your heart, my dear sister, the kind no meaningless skill of mine could ever fully capture. How I love you, Hodel. It aches within me that I failed to show you in so many ways. That I provided you with every comfort but the comfort of my heart.

Yet I know that we shall both, as we always did, return to each other. For the love beneath our struggle is so strong. Perhaps in time, the Lord shall reveal to us why it is so difficult.”


My goodness, to embody two such women. What a privilege.  
Did you feel any extra responsibility or pressure playing one of the few Jewish female characters in musical theatre?

I believe that if you portray any character or story with honesty and vulnerability, the work will resonate. Our only responsibility as artists is to tell the truth. 


After Anatevka tells the story of Hodel after Fiddler. When you research for a role do you think about what happens to the character after the show ends as well as their backstory or was Hodel an exception?

Hodel was absolutely an exception. 

The Broadway community and wider world may know me as the most-recent Tzeitel,  from the 2016 Broadway revival of Fiddler on the Roof, but from October 2006 to February 2008, I played Tevye's second-eldest daughter, Hodel, in the last West End revival in London. That experience was, without exception, the most immersive and deeply felt of my artistic life thus far. It was like a “first love—” the kind one never forgets, and imprints itself upon you more deeply than any to follow it. Hodel’s strength and sense of purpose, your complex feminine spirit, her wit and determination, her devotion and loving heart. She offered me a chance to find all of these things within myself, and to grow with them. 

While all characters tend to endear themselves to you, Hodel haunted me— remained in my cells like an un-rinseable, inextinguishable fuel. Actors often embody traits of the characters they take on, but few characters weave in and out of the soul until you can scarcely detect the line between the emotional truths of one and the other. 


If you could write a continuation of any other musical theatre character, who would you choose and why?

Tzeitel. I think we can all agree that I’m now intensely involved in this family’s “future story—” I do feel compelled to finish what I’ve started. Additionally, I don’t think I’ve heard the last of Hodel. We leave her at quite a cliffhanger in After Anatevka! 

You’ve made the transition from West End to Broadway and from acting to writing so well. What would your advice be to people hoping to do similar?

Being a “multi-hyphenate” is simultaneously straightforward, and tremendously complex. 

To “do” something other than what is listed on, say, your tax return, there is very little required other than to just DO it. You want to write? Don’t wait for a permission slip from the Gods of Writing; just write. An essay. A blogpost. A Tweet. It does’t matter what you create as long as you actually create it, and create it from a place of authenticity. 



What’s your writing setup like? Do you have a certain playlist you listen to or a drink you always have?

Yes. I have a beautiful vintage pull-down writing desk! It has been handed down from my mother— she found it on the street when she was in college. When she discovered it, it was covered in layers of paint that she subsequently stripped away, to reveal a beautiful raw wood. The desk has been in my home since childhood, and the handle where you “pull-down” is the face of a lion, that I always thought was the face of Aslan from The Chronicles of Narnia. 

I write for about one hour every day, with a pot of tea poured from my perfect little tea pot (gifted to me by actress Lara Pulver), under the supervision of my cat, Tatiana. 



Whats a fun fact people might not know about you?

I’m an introvert. In fact, according to the Myers Briggs personality test I’m an INFJ (which is a very rare personality type, about 2% of the world’s population). Many people challenge me on this, based on their mis-impressions of not only me, but introverts in general. Introverts are not necessarily aloof, shy, people-hating trolls, we simply recharge our personal batteries in solitude. Despite my highly developed extrovert behavior, I still require (and enjoy!) lots of time alone to process life. 

Also, I have a (fabulous, diva, rescued) cat named Tatiana Angela Lansbury Romanov. She is a star (cue: Mama Rose music)!! She has her own Instagram page, which is: photographs of “Tati” (as I call her) with theatrical captions called @ifeelkitty.…..You’re welcome. 



What’s your best piece of advice for an aspiring performer?


For anyone, really: success is not about what you do, it is about how you feel about what you do. 


A massive thank you to Al for taking the time to do this interview. Read my review of After Anatevka here.

Interview by Olivia Mitchell, Editor

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