Showing posts sorted by relevance for query The Addams Family. Sort by date Show all posts
Showing posts sorted by relevance for query The Addams Family. Sort by date Show all posts

Wednesday, 27 September 2017

The Addams Family (UK Tour), New Victoria Theatre | Review


New Victoria Theatre
Reviewed on Tuesday 26th September 2017 by Valerie Field

The spooky, kooky classic, The Addams Family has made its way to the New Victoria theatre, Woking in its spectacular UK tour.

The Addams Family first become known to the public in the 1960’s as a TV show, they then made their way to the big screen in 1991 and on finally to Broadway in 2010. This production is the first ever professional one in the UK and has received brilliant reviews since it opened.

The story is about the very weird and spooky family whose daughter, Wednesday falls in love with a ‘normal’ boy. This causes many problems and some hilarious situations and she tries to tell her overprotective family and discovers that no one is really as normal as they seem. 

The energy was up right from the get go of the show. During the iconic opening theme tune music, the entire audience joined in with the signature clicks which was very funny and set the night off on a fantastic foot.

Carrie Hope Fletcher as Wednesday Addams and Cameron Blakely as Gomez were the stand out performances for me, with fantastic acting and singing from both. Cameron was suitably wacky and humourous whilst Carrie was suitably moody and full of love.

Samantha Womack looked great, but I felt that she didn't have the presence you would have expected from her character of Morticia. Whilst she looks the role and embodies the character well, she was a little underwhelming at times and could have played the character up a little more.

Les Dennis was unable to perform as Fester but his understudy, Scott Paige did very well as the man who’s in love with the moon. Dickon Gough' was the biggest surprise as Lurch. When he burst into song at the end, the whole audience were shocked at his fantastic voice.


All the scenery, stage sets and special effects were brilliant and all in all it was a very entertaining and enjoyable show. I would have liked it to be a little more spooky but its definitely worth a visit before the tour ends.

The Addams Family is at the New Victoria Theatre until September 30th before continuing its tour.

Thursday, 5 October 2017

The Addams Family (UK Tour), Grand Opera House | Review


The Addams Family (UK Tour)
The Grand Opera House, Belfast
Reviewed on Tuesday October 3rd by Damien Murray

This Irish and UK premiere tour production of the musical comedy, The Addams Family was an entertaining and fast-paced production of Andrew Lippa’s funny musical about a less than conventional family and its ancestors.

Right from the off, it was obvious that this was not going to be ‘One Normal Night’, as – during the overture – a finger-clicking hand appeared through the letter box; the hand of an unknown person (in this case, probably a ‘stage hand’!!).

Mainly played out on the superbly old and run-down eerie mansion befitting to such a weird and spooky family, the functional set designs, with moveable staircases and great use of the two side balconies, helped greatly with the good pace of this production.

Despite the family’s appearance, values and lifestyle, this atmospheric piece is not so much scary as it is a funny musical with great one-liners that, thankfully, are never just throw away lines for the experienced cast.

We were then introduced to a mixed bag of weird ancestors who looked almost normal when compared to the central family of the piece.


They made up a well-used ensemble, which, despite its relative lack of numbers, produced some excellent harmonies during choral pieces (e.g. 'One Normal Night' and 'Move Toward The Darkness') and provided solid support throughout in vocals, dance, movement, visuals and as a distraction during scene changes.

While the Act 1 finale, 'Full Disclosure' (Part 2) was a great production number, the orchestra and cast rose to the challenge here with the varied and difficult score, which - apart from the variety of tempo changes from one song to the next - had to cope with a degree of musical fragmentation caused by lots of start/stops throughout many songs and challenging underscoring.

While the great musicality of the tango rhythms made numbers like 'Trapped', 'Secrets' and 'Not Today' stand out here, it was the orchestra’s sheer accuracy of performance and the visual impact of the dancers in the production number, 'Tango De Amour', that combined to make this an irresistible musical highlight.

'Pulled' was another highlight because of Wednesday’s strong vocal performance, while the flamenco flavoured music of 'Let’s Live Before We Die' impressed and 'But Love' provided a little vaudeville-style distraction between scenes.

There were some soft ballads in the varied score, including the gentle, 'The Moon And Me', while 'Move Toward The Darkness' was unusual in that it is rare that a ballad is used as a finale number, but it did allow for some great choral work.It was good to see the reprise of the up-tempo, 'When You’re An Addams', being used to send all home happy after the ballad finale.

Choreography was a strong element in this production and the concepts were well-executed right from the opening production number, 'When You’re An Addams', when we knew that there was going to be no problems with dance, as this song’s varied choreography included lots of arm movements and samples of line dancing, the bunny hop and the twist. The moon ballet was well-staged ('The Moon And Me'), while it was a nice touch to use a ‘young’ Wednesday to highlight the emotions of the song during Happy Sad.


The nightmarish family in this macabre musical was effortlessly brought to life by the talented principals, including Cameron Blakely as the Latino-looking and hen-pecked husband, Gomez, who supplied some touching moments in the song, 'Happy Sad', yet also managed to deliver the song’s humorous lines on cue, while always maintaining the right comic timing to get the laughs when needed. 

Samantha Womack as the very much in-charge and matriarchal Morticia was both tall and elegant and looked the part in her long black ankle-length dress and long black hair like Crystal Gale. Boasting dead-pan looks that could kill, this was a very confident performance from a total all-rounder with a great voice and good stage presence who perfectly captured her character’s dry wit. She also proved to be a most impressive dancer, especially in the song and dance number, 'Just Around The Corner', which allowed her to show her macabre emotions of joy.

However, for me, the star of the show was Carrie Hope Fletcher’s manipulative daughter, Wednesday. This amazingly talented girl is a strong performer with a great voice and real stage presence and this was highlighted in her performance throughout, but especially during the ‘coming of age’ song, 'Pulled'.

In the absence of Les Dennis, due to illness, his understudy, Scott Paige, was more than deserving of this role and impressed greatly both in his acting, comic timing and vocal ability, especially as he was acting so much ‘out of age’ in this part. Despite playing the loveably crazy uncle, Fester, he provided lovely vocals during his gentle ballad, 'The Moon And Me' and as the show’s narrator character.

Dickon Gough had a dream role as the ever-growling zombie-like butler, Lurch, and played one of musical theatre’s great non-speaking parts exceptionally well, while Grant McIntyre, as Pugsley, played the younger brother with a grown-up attitude well.

There was good support from Charlotte Page’s fully-disclosed Alice, Dale Rapley’s typical American parent, Mal, and his college student son, Lucas, played by Oliver Ormson, while Valda Aviks’ eccentric Grandma was good, but I would like to have seen more of her character’s outspoken and irreverent attitude. 

Perfectly-timed sound effects and special visual effects like the thunder and lightening, the monster in the box and the use of individual ancestors in the portrait painting all added to the success of this slick production.

Thanks to the brilliant lighting, costumes, props, make-up and hair, this was a visually stunning show from its strong opening to its unusual ballad ending … absolutely ‘finger-clicking good’ throughout!

The Addams Family runs at the Grad Opera House, Belfast until October 7th.


Photo credit: Matt Martin 

Wednesday, 15 September 2021

Joanne Clifton to play Morticia in The Addams Family UK & Ireland Tour



Aria Entertainment and Music & Lyrics are delighted to announce that Joanne Clifton will play the role of Morticia Addams in the UK and Ireland tour of THE ADDAMS FAMILY, A Musical Comedy. The tour will open at Theatre Royal, Nottingham on 5 November 2021.

 

Joanne will be joining the previously announced, Cameron Blakely (Gomez Addams), Scott Paige (Uncle Fester), Kingsley Morton (Wednesday Addams), Grant McIntyre (Pugsley Addams), Valda Aviks (Grandma), Sean Kingsley (Mal Beineke), Kara Lane (Alice Beineke), Ahmed Hamad (Lucas Beineke), Dickon Gough and Ryan Bennett (sharing the role of Lurch), Abigail Brodie, Sophie Hutchinson, Matthew Ives and Sean Lopeman. Also new to the cast and joining the ensemble is Castell Parker. Further casting to be announced.

 

Joanne Clifton has starred as Janet in the UK tour of The Rocky Horror Show, Alex Owens in the UK tour of Flashdance, and Dale Tremont in Top Hat, where she received her second Offie nomination. Her first was for her acting debut as the Streetwalker in Irving Berlin’s Face the Music. Joanne is perhaps best known for her time on BBC’s Strictly Come Dancing. After winning the World Professional Showdance Championship and the European Professional Ballroom Championship, she joined the show as a professional dancer. During her time on the show, she performed in the Strictly Come Dancing Live Tour, was an expert presenter on the programme’s backstage show, It Takes Two, won the Christmas Special with McFly’s Harry Judd, and went on to win the glitterball trophy as the 2016 champion with her partner Ore Oduba. 

 

Wednesday Addams, the ultimate princess of darkness, has grown up and has a shocking secret that only Gomez knows; she’s fallen in love with a sweet, smart young man from a respectable family! Now, Gomez Addams must do something he’s never done before — keep a secret from his beloved wife, Morticia.  Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.  All the usual clan are present - Uncle Fester, Lurch, Pugsley et al.

 

THE ADDAMS FAMILY, A Musical Comedy, will be directed by Matthew White, with choreography by Alistair David, production design by Diego Pitarch, orchestrations by Richard Beadle, lighting design by Ben Cracknell, sound design by Richard Brooker and casting by Jane Deitch. Book is by Marshall Brickman and Rick Elice, and music and lyrics by Andrew Lippa, based on the characters created by Charles Addams.

 

THE ADDAMS FAMILY 2021 UK Tour is produced by Katy Lipson for Aria Entertainment and Music & Lyrics Limited, and is presented through special arrangement with Theatrical Rights Worldwide.

 

For further information, please visit www.theaddamsfamily.co.uk

Tuesday, 26 September 2017

In Conversation With... Oliver Ormson | The Addams Family | Interview


Oliver Ormson is currently playing the role of Lucas in the first ever UK Tour of The Addams Family. He was kind enough to chat all things Addams, career and Harry Potter with me...


Have you always wanted to be a performer or did you have a different dream when you were younger?

I think when I was really young I wasn’t too bothered, I think the first ever thing I wanted to be when I was really young was a policeman. But I was interested in football from a young age cause of my dad so probably a footballer really… But my mum was interested in amateur dramatics so I went that way when I was older. About the age of 16/17 I decided I wanted to be an actor.



Can you explain a little about The Addams Family and how your character Lucas fits into it?

The Addams Family is the classic everyone knows but it’s ten years on and in this story Wednesday (Carrie Hope Fletcher) is all grown up and she’s fallen in love with an American boy from a normal background and I’m that American boy! 

So the Addams invite the Bieneke's round for dinner because Wednesday’s got a little secret and it’s a secret she’s kept from her parents. So the main premise is inviting a ‘normal’ family into the Addams family mansion where there’s all sort of ghouls and ghosts going on. 

Lucas Beineke is that all-American boy but he likes the darkness and he’s intrigued by it. He’s come from a normal family and the first time he meets Wednesday she shoots a pigeon with an arrow and it lands by his feet in central park and he just falls in love with her straight away cause she’s so different from the background he grew up with.

So Lucas looks all clean cut but he does have a hint of the darkness as well!



Are you anything like Lucas and what drew you to the role?

It was more the project that drew me in. It’s the first time it’s been done in the UK by a professional company. It’s very rare these days that you get the opportunity to create your own role. So I am the first professional Lucas in the UK arnd Ireland so it’s really wow because I get to create and make things which doesn’t happen a lot. Especially on a tour which has been done time and time again; they tell you where to stay on a straight line but I had the chance to play with it which was amazing.

Probably the thing that I’d say that is the Oliver Ormson in Lucas is that I’ve tried to make him a bit  dorky. Just a bit silly in that embarrassing phase where you go round to your partner’s house for the first time as a teenager and you’re sort of tripping over your words cause you’re trying to impress so it’s that sort of dorkiness. He just reacts to situations and doesn’t really think about it; he’s trying to be cool so he’s a bit dorky!



Who else besides yourself would you like to see play Lucas?

Oh wow, that’s really hard! I think it would have to be, and I know it’s cliched cause he’s massive at the moment, but it’d have to be Ben Platt. You know, he’s a fellow Hufflepuff as well! He tweeted saying that Evan Hansen is a Hufflepuff and I tweeted saying so is Lucas Beineke so I think we have the same sort of taste. I think he has that character cause he’s done it everyday like that twerpiness and he would sing it like an absolute dream! Unfortunately he’d probably be much better than me but as long as I’m gone and out the picture he can happily have it! 

You’ll have to switch and be Evan while he’s Lucas! 

Yes! Please make it happen, I’ll get you tickets to the opening night if you can make it happen!


Who in the show would you say is most like their character?

I would say Cameron Blakely who plays Gomez Addams cause he is crazy. He’s full of voices and full of character and he has a little daughter himself, a beautiful little daughter who’s three or four and you can see he has that protective side that Gomez has in the show over Wednesday. But he’s also that embarrassing dad so I’d definitely go with Cameron as Gomez.



If you were one of the ancestors, what would your crazy cause of death be?


This is really cool… erm maybe something silly when I was drunk or something? Yeah something silly like falling in a lake and my ancestors prop would be a can of lager or a pint!



What is your favourite thing to do when you’re not on stage?


This sounds quite cliched but I like to keep fit cause you never know when this jobs gonna end. I do a lot of dancing, not so much in this show but I’ve danced in other shows so I try and keep that up. I don’t wanna  relax too much to think I just have to sing and act cause the next job you might wanna do could have a a tap number in it or something like that. 

Yeah just try and keep fit really, go to the gym and I’m quite a boyish boy so watch Netflix or football or play games like video games so very cliched unfortunately!


I know you’re a big Harry Potter fan, so if you could bring anyone or anything from the Potter world into our, what or who would you bring?

I would just like a wand. You know, just the elder wand would be fine, the casual elder wand! That’s what I’d bring because I was thinking about the invisibility cloak and stuff but I think after a while that might get a bit boring!

And if you have the wand you can get other stuff with it!

Exactly, like with the wand you can do crazy spells!



Well that’s a lovely segue as my next question is: what show would you wish to do if you had a magic wand?!

As I mentioned I love Dear Evan Hansen but I’ve always wanted to play Fiyero in Wicked. I watched it and thought it was really magical and cool and people always say to me “you could play Fiyero, you can do that!” so if I actually do it I can shut those people up… in a nice way 




If you could go back to any era, when would you go to any why?

I love the 80s. I was born in the 80’s, well only just by like 2 months in ’89 so I always claim that I’m an 80s child but to properly go and experience it and to actually live in that time I'd love. And I’ll see my mum and dad in their 20s which would be so weird!



Finally, what is your number one piece of advice for an aspiring performer?

There’s this amazing Bryan Cranston philosophy and he says to just act, just get yourself out there and act. Even if it’s just a local drama group, just hone your skills. Even if you’re doing an amateur production of Fiddler on the Roof you’re gonna learn things from that, you’re gonna be with people that have maybe done professional work before. So I’d say just act and be proactive and productive cause then you learn.

As professional actors we have stories of how we once did am dram and how that helped. So everyone starts somewhere. I think some people think that you come out of college and you go straight into the West End and all of a sudden you’re just a professional actor but you learn a lot of things before that. So just be creative and play and try things out, you’ll always learn things.


Do that and make sure it’s what you want to do and then pursue college or drama school which is an important route in my opinion but you can still do it without that. So go and learn, go and be proactive and just hone you’re skills.

Thank you so much to Oliver for taking the time to chat to me. The Addams Family runs at the New Victoria Theatre until the 30th September before continuing on it's tour.

Interview by Olivia Mitchell, Editor

Wednesday, 17 May 2017

The Addams Family (UK Tour), New Wimbledon Theatre | Review


The Addams Family (UK Tour)
New Wimbledon Theatre
Reviewed on Tuesday May 16th 2017 by Olivia Mitchell
★★

The Addams Family musical comedy first made an appearance on the Broadway stage in 2010 and has finally made its way over the pond for its UK premiere. This version of the much loved cartoon series family, sees them struggle as their daughter Wednesday falls in love with a 'normal' boy. In an attempt to make good, Wednesday organises a dinner party between the two families. What ensues are secrets, wackiness and a whole load of kooky chaos.



The production is wonderful and great to look at. Diego Pitarch's set is constantly changing and extremely layered but doesn't look overcrowded or messy and the Gothic feeling is achieved extremely well. The lighting and sound effects work well alongside it and the elaborate costumes and make up add a whole other, very effective, dimension.



Samantha Womack's Moticia is surprisingly funny and suitably dark and stiff but at times it feels she is too reliant on people already knowing the character instead of making it her own. Overall though she gives a very good performance, especially in the tango scene!



Cameron Blakely is the standout of the show as Gomez. He is passionate and energetic throughout, with a constant humour and stage presence. His little camp moments are hilarious and his voice is outstanding. His relationship with the whole cast is brilliant but especially with his daughter Wednesday.



Played by Carrie Hope Fletcher, Wednesday is witty and sharp whilst being suitably kooky. Her vocals are fantastic and she seems at ease on the stage. Her incredibly clear voice works wonderfully with large belting moments and her precise diction is notable especially during 'Pulled' which seems to be an audience favourite!



Oliver Ormson plays Wednesday's love interest, the all-American Ohio born, Lucas. The pair work well together but Fletcher is definitely the stronger of the two performance wise. Les Dennis is strong as the quirky uncle Fester and has the audience laughing with him as well acting as the narrator at points. His character does seem a little out of place at times and not developed enough to warrant a full song but Dennis pulls it off well.



Charlotte Page is hilarious as the rhyme talking mother, her voice is brilliant and she frequently steals the show! Her partner is played by Dale Rapley who is good but again feels a little under developed.



Andrew Lippa's music is full of life (and death), colour and vibrance and certainly has something for everyone. There are energetic moments (helped along by Alistair David's brilliantly slick choreography), hilarious moments and more contemplative moments which all combine for a lovely production.



This is a wonderful production which will hopefully see a West End life after its tour. There are genuine laugh out loud moments which are sure to be enjoyed by people of all ages. Overall, a stellar production.



The Addams Family is at the New Wimbledon Theatre until the 20th May before continuing its tour.



photo credit: Matt Martin

Thursday, 21 September 2017

The Addams Family (UK Tour), Bristol Hippodrome | Review


Bristol Hippodrome
Reviewed on Tuesday 19th September 2017 by Isobelle Desbrow

Full disclosure this show is a must see for all, with a mixture of pure wit, funny lines and the occasional sexual innuendo underpinned by a fabulous musical score, everything hit the right notes, especially the actors.

The scene changes were smooth, and visually or musically pleasing, never a dull moment. The acting was exquisite, Cameron Blakely as Gomez was the perfect mix of enthusiasm and misguided sentimentality. Morticia played by the stunning Samantha Womack was perfectly caste, an incredible voice matched with brilliant characterisation. Carrie Hope Fletcher played a very powerful Wednesday Addams, with pitch perfect harmonies, she was a thrill to watch. The relationship she portrayed with Lukas Beineke played by Oliver Ormson was magical. ‘Crazier than You’ was spectacular with perfect vocals and staging. 

Without giving away too much Lurch certainly didn’t leave much to imagination with well timed movements and grunts, Dickon Gough is definitely a wonderful addition to the cast, especially towards the end!

A special mention must go to Scott Paige who stepped into rather large shoes to play Uncle Fester as Les Dennis was out for the evening. Scott was one of my highlights for the evening as he had wonderful vocals and characterisation, he brought so much to the character and I would love to see him one day stepping out into more of a leading role.

The music was well played and perfectly underpinned the drama of the  musical. The costumes perfectly brought to life the outrageous, kooky Addams family world, especially with the exceptionally detailed ancestors. Each of whom were played fantastically by the ensemble and it was clear how much character development had been done in the rehearsal room. They also added a whole other dimension to full cast pieces such as ‘When You’re an Addams’ and ‘Full Disclosure’.


Overall this show is witty, modern and leaves nothing to the imagination. With updated jokes, amazing vocals and spooktacular acting it is a must see for all! 

Monday, 21 February 2022

Carrie Hope Fletcher Announces Debut UK Tour


Actress, author, vlogger and award-winning West End sensation Carrie Hope Fletcher is heading out on her first ever UK tour.

Carrie Hope Fletcher - An Open Book will see the musical theatre star play a series of unmissable theatre shows in May and June 2023.

Performing songs from her incredible career expect fan favourites including hits from Heathers, Les Miserables, The Addams Family and many more interspersed with chat about Carrie’s fascinating life and career.

Tickets go on sale at 10am Friday and are available from www.cuffeandtaylor.com

Carrie Hope Fletcher - An Open Book 2023
18-May Bradford, St George's Hall
21-May Southampton, Mayflower Theatre
22-May Norwich, Theatre Royal
25-May London, The London Palladium
27-May Llandudno, Venue Cymru
28-May Salford, The Lowry
29-May Birmingham, Symphony Hall
31-May Sheffield, City Hall
02-Jun Nottingham, Royal Concert Hall
03-Jun Newcastle, O2 City Hall
04-Jun Edinburgh, Festival Theatre

Speaking about Carrie Hope Fletcher - An Open Book, Carrie said: “I am absolutely thrilled to be taking on my first ever UK tour.

“This is something I have wanted to do for some time and next year presents the perfect opportunity.

I absolutely adore being on stage and am fortunate to have performed across the West End and overseas, but there’s something very special about theatres around the UK so I can’t wait to get out on the road and visit these absolutely fantastic and beautiful venues.”

Currently wowing West End audiences in the title role of Andrew Lloyd Webber’s Cinderella, Carrie - who has an impressive three WhatsOnStage Awards - has enjoyed a breath-taking career since her West End debut at the age of nine playing Young Éponine in Les Misérables. Since then Carrie’s theatre credits include Fantine in Les Miserables: The Concert, Veronica in Heathers, Wednesday in The Addams Family, Eponine in Les Misérables, both Truly Scrumptious and Jemima in Chitty Chitty Bang Bang, Beth in Jeff Wayne’s War of the Worlds and Jane Banks in Mary Poppins.

And when she’s not treading the boards of the West End’s biggest stages Carrie is also a best-selling novelist, Top 20 recording artist and respected vlogger with her popular self-titled music and vlog channel attracting more than a million views a month.

Carrie Hope Fletcher - An Open Book is presented by Lambert Jackson, Live Nation and Cuffe and Taylor.

Jamie Lambert, of Lambert Jackson, said: “Carrie Hope Fletcher - An Open Book presents an opportunity to take one of the West End’s most celebrated and successful leading stars to theatres across the UK.

“Not only will audiences be wowed by the stunning voice of Carrie, they will also get an insight into her incredible career and that is not to be missed.”

Cuffe and Taylor Director of Theatre Touring Ben Hatton added: “We are very excited to be presenting Carrie’s debut UK tour.

“She is the most wonderful musical theatre talent and so much more. Audiences will absolutely love this show.”

For more information about Carrie Hope Fletcher - An Open Book and to secure tickets head to www.cuffeandtaylor.com

photo credit: Michael Wharley

Thursday, 26 May 2022

Carrie Hope Fletcher, Danielle Steers & Laura Pitt-Pulford to star in The Witches of Eastwick in Concert


Producer Jack Maple, by arrangement with Cameron Mackintosh Ltd, is delighted to announce that West End stars Carrie Hope Fletcher, Danielle Steers and Laura Pitt-Pulford will star as Sukie, Alexandra and Jane respectively in a special one-off concert of THE WITCHES OF EASTWICK at the Sondheim Theatre on Monday 20 June 2022, directed by Olivier Award-winning Maria Friedman. They join the previously announced Olivier Award-winning actor Giles Terera as Darryl Van Horne.
 
THE WITCHES OF EASTWICK has a book and lyrics by John Dempsey and music by Dana P. Rowe, based on the novel by John Updike and the Warner Brothers motion picture. This will be the first time the musical has been seen in London since it originally played at the Theatre Royal Drury Lane in 2000, transferring to the Prince of Wales Theatre in 2001.
 
Further casting is to be announced.
 
Carrie Hope Fletcher is currently starring as Cinderella in Andrew Lloyd Webber’s Cinderella until 12 June 2022. She has played both Eponine and Fantine in Les Miserables at the Queen’s/Sondheim Theatre and Gielgud Theatre in London’s West End and the Opera House in Dubai. In the UK, she originated the roles of Wednesday Addams in the UK tour of The Addams Family and Veronica Sawyer in Heathers at the Theatre Royal Haymarket which transferred from The Other Palace. Her other credits include Beth in the arena tour of The War of the Worlds, Emily in A Christmas Carol and Brenda Payne in The Christmasaurus Live at the Eventim Apollo. Carrie is also a Sunday Times Best Selling author.
 
Danielle Steers is currently starring as Cher in the UK and Ireland tour of The Cher Show. Her previous credits include Catherine Parr in Six The Musical (London), Zahara in the original cast of Bat out of Hell: The Musical (Manchester Opera House, London Coliseum, Ed Mirvish Theatre Toronto, Dominion Theatre, New York City Centre), Carmen in Sweet Charity (Donmar Warehouse), Lead Shirelle in the original London cast of Beautiful - The Carole King Musical (Aldwych Theatre), swing and cover Nikki Marron in The Bodyguard (Adelphi Theatre) and cover Killer Queen in We Will Rock You (International Arena Tour). Her debut album, The Future Ain't What It Used To Be, was released in 2021.
 
Laura Pitt-Pulford’s theatre credits include Louise in Gypsy in concert (Alexandra Palace), Marlene Dietrich in Piaf (Nottingham Playhouse/Leeds Playhouse), Falsettos (The Other Palace), Little Miss Sunshine (Arcola Theatre), Charity Hope Valentine in Sweet Charity (Pimlico Opera), Flowers for Mrs Harris (Chichester Festival Theatre & Sheffield Crucible), Nancy in Oliver (Curve), Milly Bradon in Seven Brides for Seven Brothers (Regent’s Park Open Air Theatre), for which she received an Olivier Award nomination, and Maria in The Sound of Music (Curve).
 
The Witches of Eastwick tells the tale of the people of the little town of Eastwick. It is a town where everyone knows everything about everyone else, and it is presided over by the indomitable Felicia Gabriel. Bored with their small town lives, three women - Alexandra (Alex), Sukie, and Jane--share a desire for “all manner of man in one man” to provide excitement and variety. That man arrives, literally in a flash, in the devil-like form of Darryl Van Horne. Darryl seduces the women and teaches them powers, which they never knew they had. 
 
THE WITCHES OF EASTWICK has musical staging by Chrissie Cartwright, lighting design by Simon Sherriff, sound design by Adam Fisher and associate direction by Jack McCann.