Showing posts sorted by date for query The Addams Family. Sort by relevance Show all posts
Showing posts sorted by date for query The Addams Family. Sort by relevance Show all posts

Thursday, 26 May 2022

Carrie Hope Fletcher, Danielle Steers & Laura Pitt-Pulford to star in The Witches of Eastwick in Concert


Producer Jack Maple, by arrangement with Cameron Mackintosh Ltd, is delighted to announce that West End stars Carrie Hope Fletcher, Danielle Steers and Laura Pitt-Pulford will star as Sukie, Alexandra and Jane respectively in a special one-off concert of THE WITCHES OF EASTWICK at the Sondheim Theatre on Monday 20 June 2022, directed by Olivier Award-winning Maria Friedman. They join the previously announced Olivier Award-winning actor Giles Terera as Darryl Van Horne.
 
THE WITCHES OF EASTWICK has a book and lyrics by John Dempsey and music by Dana P. Rowe, based on the novel by John Updike and the Warner Brothers motion picture. This will be the first time the musical has been seen in London since it originally played at the Theatre Royal Drury Lane in 2000, transferring to the Prince of Wales Theatre in 2001.
 
Further casting is to be announced.
 
Carrie Hope Fletcher is currently starring as Cinderella in Andrew Lloyd Webber’s Cinderella until 12 June 2022. She has played both Eponine and Fantine in Les Miserables at the Queen’s/Sondheim Theatre and Gielgud Theatre in London’s West End and the Opera House in Dubai. In the UK, she originated the roles of Wednesday Addams in the UK tour of The Addams Family and Veronica Sawyer in Heathers at the Theatre Royal Haymarket which transferred from The Other Palace. Her other credits include Beth in the arena tour of The War of the Worlds, Emily in A Christmas Carol and Brenda Payne in The Christmasaurus Live at the Eventim Apollo. Carrie is also a Sunday Times Best Selling author.
 
Danielle Steers is currently starring as Cher in the UK and Ireland tour of The Cher Show. Her previous credits include Catherine Parr in Six The Musical (London), Zahara in the original cast of Bat out of Hell: The Musical (Manchester Opera House, London Coliseum, Ed Mirvish Theatre Toronto, Dominion Theatre, New York City Centre), Carmen in Sweet Charity (Donmar Warehouse), Lead Shirelle in the original London cast of Beautiful - The Carole King Musical (Aldwych Theatre), swing and cover Nikki Marron in The Bodyguard (Adelphi Theatre) and cover Killer Queen in We Will Rock You (International Arena Tour). Her debut album, The Future Ain't What It Used To Be, was released in 2021.
 
Laura Pitt-Pulford’s theatre credits include Louise in Gypsy in concert (Alexandra Palace), Marlene Dietrich in Piaf (Nottingham Playhouse/Leeds Playhouse), Falsettos (The Other Palace), Little Miss Sunshine (Arcola Theatre), Charity Hope Valentine in Sweet Charity (Pimlico Opera), Flowers for Mrs Harris (Chichester Festival Theatre & Sheffield Crucible), Nancy in Oliver (Curve), Milly Bradon in Seven Brides for Seven Brothers (Regent’s Park Open Air Theatre), for which she received an Olivier Award nomination, and Maria in The Sound of Music (Curve).
 
The Witches of Eastwick tells the tale of the people of the little town of Eastwick. It is a town where everyone knows everything about everyone else, and it is presided over by the indomitable Felicia Gabriel. Bored with their small town lives, three women - Alexandra (Alex), Sukie, and Jane--share a desire for “all manner of man in one man” to provide excitement and variety. That man arrives, literally in a flash, in the devil-like form of Darryl Van Horne. Darryl seduces the women and teaches them powers, which they never knew they had. 
 
THE WITCHES OF EASTWICK has musical staging by Chrissie Cartwright, lighting design by Simon Sherriff, sound design by Adam Fisher and associate direction by Jack McCann.
 

Tuesday, 15 March 2022

Full Cast Announced for the UK and Ireland Tour of The Cher Show

 


“All of us invent ourselves.
Some of us just have more imagination than others.”
CHER

 
The producers of the brand new production of The Cher Show are delighted to announce the full cast joining Debbie KurupDanielle Steers and Millie O’Connell, all starring as Cher – Star, Lady and Babe respectively.

Lucas Rush will play Sonny, Jake Mitchell will play Bob Mackie, Sam Ferriday will play Greg Allman and Tori Scott will play Georgia. Joining them are Jordan Anderton, Jasmine Jules Andrews, Carla Bertran, Catherine Cornwall, Áine Curran, Sam Holden, Samantha Ivey, Aston Newman Hannington, Ingrid Olivia, Clayton Rosa, Chay Wills and Guy Woolf.

With book by Tony and Olivier Award-winning Rick Elice (Jersey BoysThe Addams FamilyPeter and the Starcatcher), direction by Arlene Phillips (Saturday Night FeverStarlight ExpressGrease), choreography by Oti Mabuse (two-time Strictly Come Dancing champion) and costume design by Gabriella Slade (SixIn The HeightsSpice World 2019 Tour), the UK & Ireland Tour will open at Leicester’s Curve on 15 April 2022 and will continue through to 1 April 2023.

From a young child with big dreams, the shy daughter of an Armenian American truck driver, to the dizzying heights of global stardom, The Cher Show tells the incredible story of Cher’s meteoric rise to fame.  Cher takes the audience by the hand and introduces them to the influential people in her life, from her mother and Sonny Bono, to fashion designer and costumier Bob Mackie.  It shows how she battled the men who underestimated her, fought the conventions and, above all, was a trailblazer for independence.  

The musical is packed with 35 of her biggest hits, including ‘If I Could Turn Back Time’, ‘I Got You Babe’, ‘Strong Enough’, ‘The Shoop Shoop Song’ and ‘Believe’.  

With over 100 million record sales, an Academy Award®, an Emmy®, a Grammy®, three Golden Globes® and an award from The Council of Fashion Designers of America, Cher has influenced popular culture more than most.  Her on-screen career started in 1971 with her weekly television show that attracted 30 million viewers a week, and went on to include starring roles in iconic films from Moonstruck, for which she won the Oscar for Best Actress, to Mamma Mia: Here We Go Again!, which prompted the New York Magazine to realise “every single movie—no matter how flawless—would be infinitely better if it included Cher.”  Her ‘Farewell Tour’ became the highest grossing music tour in history – in true Cher fashion, she followed up her ‘Farewell Tour’ with two further sell-out, worldwide arena tours.  She is the only artist in history to have a number one hit in the Billboard chart for six consecutive decades; an achievement that caused Vogue to deem her “eternally relevant and the ruler of outré reinvention”.  She became known as the Queen of Reinvention. 

In the 1990s, she established The Cher Charitable Foundation to support causes around the world.  She has been a long-time donor and supporter of Habitat for Humanity, The Intrepid Fallen Heroes Fund and Keep A Child Alive, an organisation that helps to combat the AIDs epidemic.  Most recently, she co-founded Free the Wild to help rescue Kaavan the Asian elephant from Islamabad zoo.

Written by Tony Award-winning Rick Elice, The Cher Show made its debut on Broadway in 2018 in a production that earned two Tony Awards and delighted fans from around the world.  This new production will be the European premiere.

The Cher Show UK & Ireland Tour will have set design by Tom Rogers, musical supervision, orchestrations and arrangements by Rich Morris, lighting design by Ben Cracknell, sound design by Dan Samson, music production by Gary Hickeson, wigs, hair and make-up design by Sam Cox, associate direction by James Cousins, associate choreography by James Bennett, musical direction by Danny Belton and casting by Will Burton CDG.

The Cher Show UK & Ireland Tour is produced by ROYO with Fiery Angel, Cuffe & Taylor/LIVE NATION and Playing Field in association with Tilted, Aria Entertainment and JONES Theatrical Group.

Website: www.cheronstage.com
Twitter, Facebook, Instagram: @TheCherShowUK

Friday, 25 February 2022

Millie O’Connell, Danielle Steers and Debbie Kurup to Play Cher in The Cher Show

“All of us invent ourselves.

Some of us just have more imagination than others.”CHER

The producers of the brand new production of The Cher Show are delighted to announce that the role of Cher will be played by Debbie KurupDanielle Steers and Millie O’Connell. The production features the actresses portraying Cher in three different ways throughout her iconic career, with Debbie as ‘Star’, Danielle as ‘Lady’ and Millie as ‘Babe’.  Further casting is to be announced.

 

With book by Tony and Olivier Award-winning Rick Elice (Jersey BoysThe Addams FamilyPeter and the Starcatcher), direction by Arlene Phillips (Saturday Night FeverStarlight ExpressGrease), choreography by Oti Mabuse (two-time Strictly Come Dancing champion) and costume design by Gabriella Slade (SixIn The HeightsSpice World 2019 Tour), the UK & Ireland Tour will open at Leicester’s Curve on 15 April 2022 and will continue through to 1 April 2023.

 

Debbie Kurup’s theatre credits include Bonnie & Clyde (Theatre Royal, Drury Lane), Queen Tuya in The Prince of Egypt (Dominion), Blues in the Night (Kiln), Sweet Charity (Donmar Warehouse), Mrs Neilsen in Girl From The North Country (Old Vic/ Noël Coward), The Threepenny Opera (NT), Anything Goes (Sheffield Crucible/UK Tour), Nikki Marron in The Bodyguard (Adelphi - Olivier Award nomination for Best Performance in a Supporting Role in a Musical), Velma Kelly in Chicago (Cambridge/Adelphi), Sister Act (London Palladium), East (Leicester Curve), West Side Story (Prince of Wales), Tonight’s The Night (Victoria Palace), Rent (Prince of Wales/UK Tour), Fame (UK Tour), Guys And Dolls (Sheffield Crucible), Pal Joey (Chichester) and Boogie Nights (Savoy).

 

Danielle Steers’s theatre credits include The Empress in Aladdin (Theatre Royal, Plymouth),  Catherine Parr in Six The Musical (London), Zahara in the original cast of Bat out of Hell: The Musical (Manchester Opera House, London Coliseum, Ed Mirvish Theatre, Toronto, Dominion Theatre, New York City Centre), Carmen in Sweet Charity (Donmar Warehouse), Lead Shirelle in the original London cast of Beautiful - The Carole King Musical (Aldwych Theatre), swing and cover Nikki Marron in The Bodyguard (Adelphi Theatre) and cover Killer Queen in We Will Rock You (International Arena Tour). Her debut album, The Future Ain't What It Used To Be, was released in 2021.

 

Millie O’Connell’s theatre credits include Maureen in Rent (Hope Mill Theatre - WOS Award Nomination), Jeanie in Hair (Turbine Theatre), Chloe Valentine in Be More Chill (Shaftesbury Theatre and The Other Palace), Anne Boleyn in SIXThe Musical (UK Tour and Arts Theatre, London - Olivier Award nominated), Ensemble/cover Millie in Thoroughly Modern Millie (UK Tour), Ensemble/Understudy Annie in 42nd Street (Theatre Royal, Drury Lane), Ensemble/Understudy Peggy Sawyer in 42nd Street (Theatre Du Chatelet).

 

From a young child with big dreams, the shy daughter of an Armenian American truck driver, to the dizzying heights of global stardom, The Cher Show tells the incredible story of Cher’s meteoric rise to fame.  Cher takes the audience by the hand and introduces them to the influential people in her life, from her mother and Sonny Bono, to fashion designer and costumier Bob Mackie.  It shows how she battled the men who underestimated her, fought the conventions and, above all, was a trailblazer for independence.  

 

The musical is packed with 35 of her biggest hits, including ‘If I Could Turn Back Time’, ‘I Got You Babe’, ‘Strong Enough’, ‘The Shoop Shoop Song’ and ‘Believe’.  

 

With over 100 million record sales, an Academy Award®, an Emmy®, a Grammy®, three Golden Globes® and an award from The Council of Fashion Designers of America, Cher has influenced popular culture more than most.  Her on-screen career started in 1971 with her weekly television show that attracted 30 million viewers a week, and went on to include starring roles in iconic films from Moonstruck, for which she won the Oscar for Best Actress, to Mamma Mia: Here We Go Again!, which prompted the New York Magazine to realise “every single movie—no matter how flawless—would be infinitely better if it included Cher.”  Her ‘Farewell Tour’ became the highest grossing music tour in history – in true Cher fashion, she followed up her ‘Farewell Tour’ with two further sell-out, worldwide arena tours.  She is the only artist in history to have a number one hit in the Billboard chart for six consecutive decades; an achievement that caused Vogue to deem her “eternally relevant and the ruler of outré reinvention”.  She became known as the Queen of Reinvention. 

 

In the 1990s, she established The Cher Charitable Foundation to support causes around the world.  She has been a long-time donor and supporter of Habitat for Humanity, The Intrepid Fallen Heroes Fund and Keep A Child Alive, an organisation that helps to combat the AIDs epidemic.  Most recently, she co-founded Free the Wild to help rescue Kaavan the Asian elephant from Islamabad zoo.

 

Written by Tony Award-winning Rick Elice, The Cher Show made its debut on Broadway in 2018 in a production that earned two Tony Awards and delighted fans from around the world.  This new production will be the European premiere.

 

The Cher Show UK & Ireland Tour will have set design by Tom Rogers, musical supervision by Rich Morris, lighting design by Ben Cracknell, sound design by Dan Samson, music production by Gary Hickeson, wigs, hair and make-up design by Sam Cox, associate direction by James Cousins, associate choreography by James Bennett and casting by Will Burton CDG.

 

The Cher Show UK & Ireland Tour is produced by ROYO with Fiery Angel, Cuffe & Taylor/LIVE NATION and Playing Field in association with Tilted, Aria Entertainment and JONES Theatrical Group.

 

Website: www.cheronstage.com

Twitter, Facebook, Instagram: @TheCherShowUK


photo credit: Matt Crockett


Monday, 21 February 2022

Carrie Hope Fletcher Announces Debut UK Tour


Actress, author, vlogger and award-winning West End sensation Carrie Hope Fletcher is heading out on her first ever UK tour.

Carrie Hope Fletcher - An Open Book will see the musical theatre star play a series of unmissable theatre shows in May and June 2023.

Performing songs from her incredible career expect fan favourites including hits from Heathers, Les Miserables, The Addams Family and many more interspersed with chat about Carrie’s fascinating life and career.

Tickets go on sale at 10am Friday and are available from www.cuffeandtaylor.com

Carrie Hope Fletcher - An Open Book 2023
18-May Bradford, St George's Hall
21-May Southampton, Mayflower Theatre
22-May Norwich, Theatre Royal
25-May London, The London Palladium
27-May Llandudno, Venue Cymru
28-May Salford, The Lowry
29-May Birmingham, Symphony Hall
31-May Sheffield, City Hall
02-Jun Nottingham, Royal Concert Hall
03-Jun Newcastle, O2 City Hall
04-Jun Edinburgh, Festival Theatre

Speaking about Carrie Hope Fletcher - An Open Book, Carrie said: “I am absolutely thrilled to be taking on my first ever UK tour.

“This is something I have wanted to do for some time and next year presents the perfect opportunity.

I absolutely adore being on stage and am fortunate to have performed across the West End and overseas, but there’s something very special about theatres around the UK so I can’t wait to get out on the road and visit these absolutely fantastic and beautiful venues.”

Currently wowing West End audiences in the title role of Andrew Lloyd Webber’s Cinderella, Carrie - who has an impressive three WhatsOnStage Awards - has enjoyed a breath-taking career since her West End debut at the age of nine playing Young Éponine in Les Misérables. Since then Carrie’s theatre credits include Fantine in Les Miserables: The Concert, Veronica in Heathers, Wednesday in The Addams Family, Eponine in Les Misérables, both Truly Scrumptious and Jemima in Chitty Chitty Bang Bang, Beth in Jeff Wayne’s War of the Worlds and Jane Banks in Mary Poppins.

And when she’s not treading the boards of the West End’s biggest stages Carrie is also a best-selling novelist, Top 20 recording artist and respected vlogger with her popular self-titled music and vlog channel attracting more than a million views a month.

Carrie Hope Fletcher - An Open Book is presented by Lambert Jackson, Live Nation and Cuffe and Taylor.

Jamie Lambert, of Lambert Jackson, said: “Carrie Hope Fletcher - An Open Book presents an opportunity to take one of the West End’s most celebrated and successful leading stars to theatres across the UK.

“Not only will audiences be wowed by the stunning voice of Carrie, they will also get an insight into her incredible career and that is not to be missed.”

Cuffe and Taylor Director of Theatre Touring Ben Hatton added: “We are very excited to be presenting Carrie’s debut UK tour.

“She is the most wonderful musical theatre talent and so much more. Audiences will absolutely love this show.”

For more information about Carrie Hope Fletcher - An Open Book and to secure tickets head to www.cuffeandtaylor.com

photo credit: Michael Wharley

Wednesday, 15 September 2021

Joanne Clifton to play Morticia in The Addams Family UK & Ireland Tour



Aria Entertainment and Music & Lyrics are delighted to announce that Joanne Clifton will play the role of Morticia Addams in the UK and Ireland tour of THE ADDAMS FAMILY, A Musical Comedy. The tour will open at Theatre Royal, Nottingham on 5 November 2021.

 

Joanne will be joining the previously announced, Cameron Blakely (Gomez Addams), Scott Paige (Uncle Fester), Kingsley Morton (Wednesday Addams), Grant McIntyre (Pugsley Addams), Valda Aviks (Grandma), Sean Kingsley (Mal Beineke), Kara Lane (Alice Beineke), Ahmed Hamad (Lucas Beineke), Dickon Gough and Ryan Bennett (sharing the role of Lurch), Abigail Brodie, Sophie Hutchinson, Matthew Ives and Sean Lopeman. Also new to the cast and joining the ensemble is Castell Parker. Further casting to be announced.

 

Joanne Clifton has starred as Janet in the UK tour of The Rocky Horror Show, Alex Owens in the UK tour of Flashdance, and Dale Tremont in Top Hat, where she received her second Offie nomination. Her first was for her acting debut as the Streetwalker in Irving Berlin’s Face the Music. Joanne is perhaps best known for her time on BBC’s Strictly Come Dancing. After winning the World Professional Showdance Championship and the European Professional Ballroom Championship, she joined the show as a professional dancer. During her time on the show, she performed in the Strictly Come Dancing Live Tour, was an expert presenter on the programme’s backstage show, It Takes Two, won the Christmas Special with McFly’s Harry Judd, and went on to win the glitterball trophy as the 2016 champion with her partner Ore Oduba. 

 

Wednesday Addams, the ultimate princess of darkness, has grown up and has a shocking secret that only Gomez knows; she’s fallen in love with a sweet, smart young man from a respectable family! Now, Gomez Addams must do something he’s never done before — keep a secret from his beloved wife, Morticia.  Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.  All the usual clan are present - Uncle Fester, Lurch, Pugsley et al.

 

THE ADDAMS FAMILY, A Musical Comedy, will be directed by Matthew White, with choreography by Alistair David, production design by Diego Pitarch, orchestrations by Richard Beadle, lighting design by Ben Cracknell, sound design by Richard Brooker and casting by Jane Deitch. Book is by Marshall Brickman and Rick Elice, and music and lyrics by Andrew Lippa, based on the characters created by Charles Addams.

 

THE ADDAMS FAMILY 2021 UK Tour is produced by Katy Lipson for Aria Entertainment and Music & Lyrics Limited, and is presented through special arrangement with Theatrical Rights Worldwide.

 

For further information, please visit www.theaddamsfamily.co.uk

Tuesday, 27 November 2018

Seussical, Southwark Playhouse | Review


Seussical
Southwark Playhouse
Reviewed on Tuesday 27th November 2018 by Olivia Mitchell 
★★★★

Seussical is a colourful whirlwind of a musical which takes the works of  Dr. Suess and winds them into a magical, heartfelt story of acceptance and love. We follow JoJo, a Who with a larger than life imagination who, along with the rest of the Whos, live on a tiny speck of dust which is found by Horton the elephant. Horton vows to protest this speck with all his might which leads to a story of ups and downs and a whole host of characters.

Aesthetically this is a beautiful production. The pops of colour both in the set (Justin Williams and Jonny Rust) and the costumes (Rachel Cartlidge) really emphasise the story book feel and bring this wacky world to life in an over the top but never tacky, way. The costumes cleverly differentiate the characters without becoming cliched or predictable.

Marc Pickering leads the cast sublimely as the Cat in the Hat. Absolutely commanding every inch of the stage he touches and demanding the audiences attention with every brow raise and smirk; he is utterly hysterical and clearly born to be seen. Amy Perry is sincere and relatable as Gertrude, Anna Barnes is suitably energetic as JoJo and Adam Dawson and Daisy Steere are outstanding as Mr and Mrs Mayor and they totter around the stage with humourous aplomb. 


Scott Paige is endearing and vocally faultless as the lovable Horton and it's great to see him helming a show after standing out in Eugenius and The Addams Family. Paige brings a heart and warmth to this story that makes it the perfect show for a cold winter evening. The entire cast are enthusiastic and full of life from the get go; with tasteful audience interaction, energetic, sharp and fitting choreography (Chris Whittaker) and a boatload of originality, they make the production sleek and engaging.

Captivating and innovative, Seussical is a musical for all the family that is sure to delight and enthral from start to finish. Presenting an over the top look at some crucial and relevant social issues, it's a show for everyone, that is extremely well thought out and will leave you feeling warm inside, with a smile so wide.

Seussical runs at the Southwark Playhouse until 29th December 2018

photo credit: Adam Trigg

Tuesday, 29 May 2018

A Little Princess, Southbank Centre | Review


A Little Princess
Southbank Centre 
Reviewed on Monday 28th May 2018 by Olivia Mitchell
★★★

After the recent success in the UK of Big Fish and The Addams Family, Andrew Lippa's lesser-known show A Little Princess was brought to the west end for it's UK Premiere at the Southbank Centre. Telling the story of Sara Crewe, a girl sent from Africa to a boarding school in London where she meets mean girls and a strict headmistress, this is a sweet story, with melodically beautiful songs and a heartwarming moral. 

As Miss Minchin, the headmistress who's a melange of Miss Trunchbull, Mrs Lovett, Mdme. Thenadier and others, Amanda Abbington was good. In her musical theatre debut she did well to convey the tiredness of the character but lacked menace. Vocally she was a little lacking and tended to speak-sing but still gave a pretty solid performance and I look forward to seeing her tackle future theatrical roles.

Danny Mac was dashing as ever as Captain Crewe, with wonderful vocals alongside a sweet connection with the children of the cast. The pacing of the show itself is funny and means that all the characters are a little under-developed. We got to see a lot of Captain Crewe at the start but as the show went on (especially in Act 2) everything felt rushed. With some rewrites this could be a lovely show and it would be great to see Danny having a bit more time to shine. Mention must go to his stellar performance in the pattersong-esque, Timbuktu.

Equally deserving of more time to shine was the stunning Rebecca Trehearn who always manages to steal her scenes. As Miss Amelia, the ditsy sister of Miss Minchin, Rebecca gave a wonderfully humourous performance and shone in her solo, Once Upon a Time.

Alexia Khadime and Adam J Bernard as Aljana and Pasko gave vocally stunning performances despite being a little overpowered by the orchestra at times. 

This was the first production which had actual children playing the children and it was them who stole the show. All the young cast did a great job of owning their roles, with Jasmine Nituan giving a heartfelt, funny performance as Sara's best friend and maid, Becky.

Jasmine Sakyiama is truly a star in the making. Her performance as Sara Crewe was 100 miles a minute from the start with her vocals and emotive facial expressions never failing. Of all the children, Jasmine also had the strongest diction which made her stand out even further. Keep an eye on this girl because she's going to go far!

Nic Farman's lighting added a mystical, magical vibe to the story which was lovely and took the show from a simple concert to an emotive production.

Despite enjoying this production, it does need some edits. I'm no one to say what these edits should be, but Act 2 felt extremely rushed and there were a number of moments that felt unnecessary/over-extended. However, the cast were great and I hope this isn't the last we see of this sweet show in the UK. 

Thursday, 5 October 2017

The Addams Family (UK Tour), Grand Opera House | Review


The Addams Family (UK Tour)
The Grand Opera House, Belfast
Reviewed on Tuesday October 3rd by Damien Murray

This Irish and UK premiere tour production of the musical comedy, The Addams Family was an entertaining and fast-paced production of Andrew Lippa’s funny musical about a less than conventional family and its ancestors.

Right from the off, it was obvious that this was not going to be ‘One Normal Night’, as – during the overture – a finger-clicking hand appeared through the letter box; the hand of an unknown person (in this case, probably a ‘stage hand’!!).

Mainly played out on the superbly old and run-down eerie mansion befitting to such a weird and spooky family, the functional set designs, with moveable staircases and great use of the two side balconies, helped greatly with the good pace of this production.

Despite the family’s appearance, values and lifestyle, this atmospheric piece is not so much scary as it is a funny musical with great one-liners that, thankfully, are never just throw away lines for the experienced cast.

We were then introduced to a mixed bag of weird ancestors who looked almost normal when compared to the central family of the piece.


They made up a well-used ensemble, which, despite its relative lack of numbers, produced some excellent harmonies during choral pieces (e.g. 'One Normal Night' and 'Move Toward The Darkness') and provided solid support throughout in vocals, dance, movement, visuals and as a distraction during scene changes.

While the Act 1 finale, 'Full Disclosure' (Part 2) was a great production number, the orchestra and cast rose to the challenge here with the varied and difficult score, which - apart from the variety of tempo changes from one song to the next - had to cope with a degree of musical fragmentation caused by lots of start/stops throughout many songs and challenging underscoring.

While the great musicality of the tango rhythms made numbers like 'Trapped', 'Secrets' and 'Not Today' stand out here, it was the orchestra’s sheer accuracy of performance and the visual impact of the dancers in the production number, 'Tango De Amour', that combined to make this an irresistible musical highlight.

'Pulled' was another highlight because of Wednesday’s strong vocal performance, while the flamenco flavoured music of 'Let’s Live Before We Die' impressed and 'But Love' provided a little vaudeville-style distraction between scenes.

There were some soft ballads in the varied score, including the gentle, 'The Moon And Me', while 'Move Toward The Darkness' was unusual in that it is rare that a ballad is used as a finale number, but it did allow for some great choral work.It was good to see the reprise of the up-tempo, 'When You’re An Addams', being used to send all home happy after the ballad finale.

Choreography was a strong element in this production and the concepts were well-executed right from the opening production number, 'When You’re An Addams', when we knew that there was going to be no problems with dance, as this song’s varied choreography included lots of arm movements and samples of line dancing, the bunny hop and the twist. The moon ballet was well-staged ('The Moon And Me'), while it was a nice touch to use a ‘young’ Wednesday to highlight the emotions of the song during Happy Sad.


The nightmarish family in this macabre musical was effortlessly brought to life by the talented principals, including Cameron Blakely as the Latino-looking and hen-pecked husband, Gomez, who supplied some touching moments in the song, 'Happy Sad', yet also managed to deliver the song’s humorous lines on cue, while always maintaining the right comic timing to get the laughs when needed. 

Samantha Womack as the very much in-charge and matriarchal Morticia was both tall and elegant and looked the part in her long black ankle-length dress and long black hair like Crystal Gale. Boasting dead-pan looks that could kill, this was a very confident performance from a total all-rounder with a great voice and good stage presence who perfectly captured her character’s dry wit. She also proved to be a most impressive dancer, especially in the song and dance number, 'Just Around The Corner', which allowed her to show her macabre emotions of joy.

However, for me, the star of the show was Carrie Hope Fletcher’s manipulative daughter, Wednesday. This amazingly talented girl is a strong performer with a great voice and real stage presence and this was highlighted in her performance throughout, but especially during the ‘coming of age’ song, 'Pulled'.

In the absence of Les Dennis, due to illness, his understudy, Scott Paige, was more than deserving of this role and impressed greatly both in his acting, comic timing and vocal ability, especially as he was acting so much ‘out of age’ in this part. Despite playing the loveably crazy uncle, Fester, he provided lovely vocals during his gentle ballad, 'The Moon And Me' and as the show’s narrator character.

Dickon Gough had a dream role as the ever-growling zombie-like butler, Lurch, and played one of musical theatre’s great non-speaking parts exceptionally well, while Grant McIntyre, as Pugsley, played the younger brother with a grown-up attitude well.

There was good support from Charlotte Page’s fully-disclosed Alice, Dale Rapley’s typical American parent, Mal, and his college student son, Lucas, played by Oliver Ormson, while Valda Aviks’ eccentric Grandma was good, but I would like to have seen more of her character’s outspoken and irreverent attitude. 

Perfectly-timed sound effects and special visual effects like the thunder and lightening, the monster in the box and the use of individual ancestors in the portrait painting all added to the success of this slick production.

Thanks to the brilliant lighting, costumes, props, make-up and hair, this was a visually stunning show from its strong opening to its unusual ballad ending … absolutely ‘finger-clicking good’ throughout!

The Addams Family runs at the Grad Opera House, Belfast until October 7th.


Photo credit: Matt Martin