Showing posts sorted by relevance for query Mamma Mia!. Sort by date Show all posts
Showing posts sorted by relevance for query Mamma Mia!. Sort by date Show all posts

Monday 12 December 2022

New ITV Entertainment Show to find a Sophie & Sky for Mamma Mia! in London


A one-of-a-kind theatrical competition will launch a nationwide search to find the future musical theatre stars of global smash hit and feel-good musical MAMMA MIA!. Seen by 65 million people around the world, MAMMA MIA! has wowed audiences across the globe and continues to break box office records.

MAMMA MIA! I Have a Dream is a brand-new eight-part series from producers Thames, a Fremantle label, and Littlestar, with the stage set for its arrival on ITV1.

MAMMA MIA! I Have a Dream will search for two ingénues to play the roles of Sophie and Sky in MAMMA MIA! in London’s West End, as characterised by Amanda Seyfried and Dominic Cooper in the two films. Throughout the series, musical theatre hopefuls will be put through their paces as they navigate their way through challenges, masterclasses, and performances.


Filmed against the beautiful backdrop of the idyllic Greek islands, where the original MAMMA MIA! story is set, it will look and feel like no other talent show on television. Audiences will see the contestants mentored by guest industry stars through unique workshops and judged by a panel of well-known industry experts in both music and theatre. Contestants will have the full MAMMA MIA! experience and will get to see first-hand what it’s like to be part of a West End musical.

The competition will culminate in a live, dazzling grand-finale, broadcast from a theatre in London’s West End, where two winners will take it all and win the roles of Sophie and Sky in the musical.

MAMMA MIA! is the sunny, funny tale of a mother, a daughter and three possible dads on a Greek island idyll, all unfolding to the magic of ABBA’s timeless pop masterpieces.

The success of MAMMA MIA! has spawned two record-breaking blockbuster films, MAMMA MIA! The Movie and MAMMA MIA! Here We Go Again, starring a host of stars including Meryl Streep, Christine Baranski, Julie Walters, Pierce Brosnan, Colin Firth, Stellan SkarsgÃ¥rd, Amanda Seyfried, Dominic Cooper, Lily James and Cher.

Creator and global producer of MAMMA MIA!, Judy Craymer will co-executive produce the show and will be on hand to help the contestants reach their full performing potential, every step of the way.

Judy Craymer says:  "MAMMA MIA! has always been a show that has encouraged young actors and given opportunities to those making their stage debuts - just as our current Sophie and Sky in London (Meg Hateley and Miles Henderson) are making their West End debuts - so it feels the perfect fit for a TV show that will seek out new talent for musical theatre.


“In the lead-up to the celebrations for the stage musical’s 25th birthday in 2024, we're really looking forward to working with Thames and ITV on this show and involving our well-loved musical as much as possible in the programme."


Amelia Brown, Managing Director of Thames, says: “The excitement we have for making this show is like no other - it’s a dream come true for so many of us at Thames. Merging the global brand of MAMMA MIA! and all the talent at Littlestar with the power behind the talent show juggernauts such as Britain’s Got Talent will mean it’s a show that can’t be missed.” 


Katie Rawcliffe, Head of Entertainment Comissioning at ITV adds: “MAMMA MIA! I Have A Dream is everything we could want in an entertainment show - legendary music, an iconic West End theatre show, high energy performances, and a brand new search for talent, set against the backdrop of a gorgeous island.”


MAMMA MIA! I Have a Dream is executive produced by Amelia Brown, Charlie Irwin and Ashley Whitehouse for Thames (a Fremantle label) and Judy Craymer for Littlestar. The show is commissioned by Katie Rawcliffe, Head of Entertainment Commissioning at ITV, Lily Wilson, Commissioning Editor for ITV and Louise Major, Commissioning Editor for ITV.

 

To apply: https://www.thames.tv/takepart

Monday 23 May 2022

Over 2000 Attend Mamma Mia! Open Auditions


With queues circling the Aldwych, over 2,000 young persons attended today’s open auditions for the global smash hit musical Mamma Mia! at London’s Novello Theatre.  Video here.

Mamma Mia! recently celebrated its 23rd birthday in London and extended its booking period to Saturday 4 March 2023.

The London cast currently stars Mazz Murray as Donna, Josie Benson as Tanya, Gemma Goggin as Rosie, Richard Trinder as Sam, Neil Moors as Harry, Stephen Beckett as Bill, Emma Mullen as Sophie, Jack Danson as Sky, Tegan Bannister as Ali, Sophie Matthew as Lisa, Michael Nelson as Eddie and Alexandros Beshonges as Pepper, with Natalie Langston playing the role of Donna at certain performances.

Also in the cast are Natasha Agnew, Chloe Ames, Gemma Atkins, Chloe-Jo Byrnes, Nicole Carlisle, Angus Good, Natalie Jayne Hall, Lauren Hampton, James Humpleman, Morgan Jackson, Frankie Jones, Grace Moorhouse, Jodie Nolan, Dan O’Brien, George Olney, Michael Storrs, Kyle Turner, Michael Tyler, Simon Willmont and Alex Woodward.  

Since premiering in London in 1999, the irresistible feelgood musical has captured the hearts of millions around the globe.  The sunny, funny tale of a mother, a daughter and three possible dads on a Greek island idyll, all unfolding to the magic of ABBA’s timeless pop masterpieces, has now been seen live on stage by 65 million people across the world and turned into two record-breaking movies – MAMMA MIA! The Movie and MAMMA MIA! Here We Go Again.

To date, Mamma Mia! has been seen in 50 productions in 16 different languages grossing more than $4 billion at the box office.  In 2011, it became the first Western musical ever to be staged in Mandarin in the People’s Republic of China.   

Mamma Mia! originally opened in London at the Prince Edward Theatre on 6 April 1999, before transferring to the Prince of Wales Theatre in 2004, and then to the Novello Theatre in 2012.  The London production of Mamma Mia! has been seen by over 10 million people, played over 9,000 performances and has broken box office records in all three of its London homes.  

Produced by Judy Craymer, Mamma Mia! The Movie became the highest grossing live action musical film of all time upon its release in 2008.  A second film, MAMMA MIA! HERE WE GO AGAIN, opened in July 2018 and is the most successful live musical movie sequel of all time.

With music & lyrics by Benny Andersson & Björn Ulvaeus, Mamma Mia! is written by Catherine Johnson, directed by Phyllida Lloyd and choreographed by Anthony Van Laast. The production is designed by Mark Thompson, with lighting design by Howard Harrison, sound design by Andrew Bruce & Bobby Aitken, and musical supervision, additional material & arrangements by Martin Koch.

Mamma Mia! is produced by Judy Craymer, Richard East & Björn Ulvaeus for Littlestar in association with Universal.

Wednesday 9 February 2022

Mamma Mia! The Party Extends Booking to October 2022



Mamma Mia! The Party, London’s premier dining experience, has extended its booking period due to extraordinary demand and is now playing to Sunday 2 October 2022. Tickets for the new booking period at The O2 London are now on sale.

Created by ABBA’s Björn Ulvaeus, Mamma Mia! The Party is a unique and magical experience in a class of its own, bringing all your favourite hits to life more vividly than ever before: over the course of four glittering hours, guests can immerse themselves in a spectacular musical extravaganza, a four-course Greek feast and an ABBA disco, all in one unforgettable evening of dancing, dining and singing!

Food is at the heart of the experience and a new menu has been created that collects the finest Greece has to offer, made from the best, freshest ingredients. Our guests will be served with a traditional meze followed by the iconic Greek salad of fresh cherry tomatoes, cucumber and feta. For the main course, confit lamb shoulder and slow-cooked beef are served with roasted garlic potatoes, courgettes peperonata, romesco and aromatic jus. For our vegetarian and vegan guests, we present roasted cauliflower with a lemon-herb dressing and stuffed tomato with lentil ragout. A sumptuous Greek lemon cake served with confit orange skin and citrus yoghurt is the perfect end to this delicious meal. For our vegan guests, we are serving traditional loukoumades, delicious dough balls accompanied by a sweet fig jam.

Guests can get the ultimate Mamma Mia! The Party experience with one of our packages. The Platinum Package gives you a Tier A ticket in a prime location, a meet & greet and photo opportunity with members of the cast, champagne on arrival, half a bottle of wine and a Mamma Mia! The Party merchandise party pack. Guests can also upgrade their existing booking by adding the VIP upgrade package taking their experience to the next level with champagne on arrival, half a bottle of wine and a Mamma Mia! The Party merchandise party pack.

The London cast includes Fed Zanni as Nikos, Steph Parry as Kate, Linda John Pierre as Debbie, AJ Bentley as Adam, Julia Imbach as Kostantina, Allie Ho Chee as Bella, Kimberly Powell as Nina, Dawn Spence as Grandma and Gregor Stewart as Fernando. Also in the cast are Oscar Balmaseda, Jonathon Bentley, Molly Cleere and Jessica Spalis. The musicians are John Donovan, Luke Higgins, Kathryn Tindall, Steve Rushton and Mark Pusey.

Mamma Mia! The Party is set in a taverna on the beautiful Greek island of Skopelos, where most exteriors of the first Mamma Mia! film were shot. Nikos and his wife Kate run this exotic and wonderful restaurant together with their family and friends. Told through dialogue and timeless ABBA songs, a warm, romantic and funny story evolves and unfolds during the evening, taking place around the guests as they sit at their tables enjoying a gourmet Greek meal. The evening ends with a 1970s disco, where audience members are welcome to stay to sing and dance to ABBA recordings.

Mamma Mia! The Party has music and lyrics by Benny Andersson and Björn Ulvaeus (some songs with Stig Anderson), and a story by Calle Norlén, Roine Söderlundh and Björn Ulvaeus, with the English book by writer, comedian and broadcaster Sandi Toksvig.

The London version of Mamma Mia! The Party, which originally opened in Stockholm in January 2016, is co-directed and choreographed by Stacey Haynes and Roine Söderlundh, with set designed by Bengt Fröderberg, lighting designed by Patrick Woodroffe, sound designed by Gareth Owen, costumes designed by Annsofi Nyberg, music supervision by Robin Svensson and casting by David Grindrod for Grindrod Burton Associates.

Mamma Mia! The Party is executively produced by Björn Ulvaeus and produced by Sally Davies for U-Live.

Saturday 9 March 2019

Mamma Mia, Novello Theatre | Review


Mamma Mia
Novello Theatre
Reviewed on Wednesday 6th March 2019 by Olivia Mitchell
★★★

It's a cult classic, it's summery fun, it's the music of ABBA and altogether it's a great night out. It's never going to be the most theatrically enthralling or deeply emotive piece of theatre but Mamma Mia is a boat load of laughs and a perfect carefree way to spend a couple of hours.

In case you've somehow missed it, Mamma Mia is set on a Greek Island where Donna Sheridan lives with her daughter Sophie, who is getting married to ex-banker Sky. Sophie is on a mission to find her dad so invites her three potential fathers to her wedding. What ensues is a journey where past emotions are brought up, and the importance of family is examined and everyone bops out to a bit of ABBA. When it opened in 1999 in London, very few would have imagined the worldwide success of the Mamma Mia franchise and it seems that this success is in safe hands with the current West End cast who are helping it celebrate it's 20th Anniversary.

Having recently taken over the role, Charlotte O'Rourke is super sweet is Sophie Sheridan. Bringing the sweet vocals we all expect as well as power in act two. Alongside Alec Porter as Sky, the pair make a nice duo and give an especially entertaining performance in Lay All Your Love on Me.


Leading lady Donna is a pretty extensive role which requires some big vocal chops. At this performance, Caroline Deverill took on the role and did so with both honesty emotion and exuberant energy. Songs such as The Winner Takes It All and Money, Money, Money were stand outs of the night. As her Dynamos, Jennifer Hepburn (Rosie) and Kate Graham (Tanya) gave spandex filled performances and delivered their witty lines with a freshness that the audience clearly loved.

Sophie's three dads were played by Mark Isherwood (Harry), Stephen Beckett (Bill) and Richard Trinder (Sam). The three get the audience on their side immediately and give wonderfully comedic and heart warming performances. Their complex relationships with each other, Donna and Sophie are well played out and extremely entertaining. 

The ensemble work hard to bring the Greek island to life in terms of choreography as well as providing backing vocals to most of the show. There did seem to be come vocal imbalance throughout, with the leads often being almost silent but this was rectified by the mega-mix ending. 


Mark Thompson's basic set is cleverly used with the addition of props and lighting to simplistically put the story across and compared to other shows does feel a bit dated and overly basic, but it does the job and that's all you can ask for, and expect, with a show like this. 

With the Mamma Mia sequel recently being released and the ABBA love being felt more than ever, it's no surprise that this show continues to be a success. It's not a categorically 'great' musical but it's super energetic, platform filled and as much fun as you wish it would be. 

Tickets for Mamma Mia can be booked via www.londonboxoffice.co.uk

photo credit: Brinkoff/Mögenburg

Thursday 19 September 2019

Mamma Mia! The Party, The O2 | Review



Mamma Mia! The Party
The O2
Reviewed on Monday 9th September 2019 by Olivia Mitchell 
★★★★

Mamma Mia fever continues to swipe the UK as us sun-deprived Brits crave the Greek sea and sun, and the joyous ABBA music with which it's become synonymous. Mamma Mia! The Party aims to fill these cravings with a night of dinner theatre which entertains and delights from start to finish.

Upon entering the space in the O2, you are transported to a taverna on the island of Skopelos. Greeted with "Kalispera", smiles and drinks, the tones is set and you really do feel as if you've escaped from London. Thanks to the attention to detail throughout, none of the space feels tacky or cheap and each crevice feels authentically Greek. From posters on the walls to fountains and flowers dotted round, there's plenty to see purely on the journey to your seat.

The night is set out as an immersive show which is broken up by food and drink. The show plot is seriously flimsy and very pantomime-esque but the cast perform brilliantly and everything entertains. The performances of ABBA's music are camp and bold, and there are some unexpectedly magical moments. Everyone is part of the action, with waiters dancing and singing and everyone feeling as though they're part of an ABBA family.

The food is top notch (the olives are divine) and you get a lot. Various courses include greek treats such as tzatziki, lamb, octopus, spinach pie and so much more. The segues from the action to the courses being served are well carried out and the night as a whole flows wonderfully; particularly impressive when there are hundreds of guests a night! Perhaps the hefty price tag should include free soft drinks, but you do get a lot for your money, money, money and it's definitely a treat of an experience. 

Gareth Owen's sound design means every moment is crystal clear as the cast bounce around and involve the audience throughout. Steph Parry gives a particularly strong performance throughout and as with the whole cast and team, is inviting and warm. As a whole this is a complete cheese fest and exactly what you'd expect from a Mamma Mia themed event. 35 songs are shoehorned into the flimsy story, there's pyrotechnics, acrobatics, flipper tricks and more. Certainly something for everyone!

There's no denying this is a pricey experience but it's so worth it if you want to channel your inner Julie Walters and feel like a Super Trouper for the night.

Tickets can be purchased for Mamma Mia! The Party at www.londonboxoffice.co.uk

photo credit: Helen Maybanks

Thursday 16 November 2017

Mamma Mia (UK Tour) | New Oxford Theatre | Review


Mamma Mia (UK Tour)
New Oxford Theatre
Reviewed on Wednesday 15th November 2017 by Michelle Pont 
★★★★★

You don’t have to be an ABBA fan to get caught up in this wonderful show now showing at the New Oxford Theatre. Full credit to the talented performers who, with boundless energy, dance and sing their way through the show, giving life to the music and story line.

This performance, originally from London’s West End, really shouldn’t be missed by any musical lover. Choreographed to perfection, by Anthony Van Laast, it’s a pleasure to see every movement being part of the performance. Stage sets are danced in and off with seamless effort.

The boys in the ensemble and Louis Stockil as Pepper and Brad Veitch as Eddie take the show as eye candy. They manage doing some amazing acrobatics including impossible leaping press-ups, high kicks and exceptional dance moves. The extra bonus was their display of their bare chests and muscles. Hot stuff!


Stand out performances were from Kay Milbourn, as Donna. She punched out some wonderful songs. Her performance was natural and believable. Watch out for her rendition of ‘The Winner Takes it All’, which she sings with such conviction and meaning, managing to bring a tear to my eye.

My other stand out performance was from Jamie Hogarth playing Harry Bright and singing ‘Our Last Summer'. Jamie’s performance is of course wonderfully acted and he has a lovely voice. And of course, the brilliant performance of Rosie by Gillian Hardie along with her side kick Emma Clifford as Tanya. Gillian put her soul into the performance and won the audience with her comic portrayal. Emma strutted the stage giving her character the panache it deserved and keeping the comic timing and performance well heeled.

Christopher Hollis’ portrayal of Bill Austin, an Aussie rough neck was excellent. His accent was faultless and in fact I thought he was Australian. His performance also was faultless. The whole cast are brimming with talent. The Orchestra didn’t miss a beat and were also outstanding.


A standing ovation was given at the end of the show and it was well deserved. Two encores were fabulous which saw all six main characters dressed in the iconic sparkly ABBA jump suits. I can’t help but think they all enjoyed wearing and performing in these outfits.

No matter what you think of ABBA’s music, this show puts meaning to their songs and crafts an enjoyable night of entertainment- get yourself there! The tour is performing around the country 2017/18 so there is still time to catch it. Praise to all involved in this production.

Mamma Mia runs at the New Oxford Theatre until November 25th before continuing its tour.

Photo credit: Brinkhoff M Âgenburg

Thursday 3 February 2022

Peter Andre to play Vince Fontaine in Grease at the Dominion Theatre


Peter Andre will make his West End debut playing the role of Vince Fontaine at certain performances in a new production of Jim Jacobs & Warren Casey’s iconic musical GREASE opening at the Dominion Theatre on Tuesday 17 May 2022, with previews from Tuesday 3 May 2022. GREASE is directed by Nikolai Foster and choreographed by Arlene Phillips. 

 

Dan Partridge (Link Larkin in Hairspray UK tour & Pepper in MAMMA MIA! West End) and Olivia Moore (Waitress at the Adelphi Theatre & Heathers at Theatre Royal Haymarket) will star as Danny and Sandy respectively, with Jocasta Almgill (& Juliet at Shaftesbury Theatre) as Rizzo, Paul French (GreaseUK tour) as Kenickie, Mary Moore (Little Women at Park Theatre) as Jan, Jake Reynolds (professional debut) as Doody, Lizzy-Rose Esin-Kelly (A Chorus Line at Curve) as Marty, Damon Gould (Pretty Woman: The Musical at Savoy Theatre) as Sonny, Eloise Davies (Be More Chill at The Other Palace) as Frenchie, Jessica Croll (Hairspray UK tour) as Patty Simcox, Katie Lee (Matilda The Musical at Cambridge Theatre) as Cha Cha, Ronan Burns (West Side Story at Curve) as Johnny Casino and Corinna Powlesland (An Officer and A Gentleman at Regents Park Open Air Theatre as Miss Lynch. Darren Bennett (Dirty Rotten Scoundrels at the Savoy Theatre) will play Officer Mailie and Vince Fontaine at certain performances. 

 

They are joined by Jack Harrison-Cooper, Pearce Barron, Rishard-Kyro Nelson, Ellie Kingdon, Remi Ferdinand, Kalisha Johnson, Imogen Bailey, Kevin O’Dwyer and Carly Miles. Further casting is to be announced.

 

Peter Andre said “I'm beyond excited to be making my West End debut playing Vince Fontaine in Grease at the beautiful Dominion Theatre. Grease is such an iconic musical and we can guarantee audiences will have the most wonderful evening listening to songs we all know and love. We can't wait to see you there!"

 

GREASE originally opened in Chicago in 1971, followed by a move to Broadway in 1972, where it received seven Tony Award nominations, including one for Best Musical. During the show's eight-year run at the time, little known actors including Peter Gallagher, Patrick Swayze and John Travolta all appeared in the production, with Richard Gere understudying many roles before going on to star as Danny Zuko in the 1973 London premiere. GREASE was first performed at the Dominion Theatre in 1993 before transferring to the Cambridge Theatre in 1996. It returned to the West End, opening at the Piccadilly Theatre in 2007. 

 

The 1978 film adaptation starring John Travolta and Olivia Newton-John is the fourth highest-grossing live action musical of all time. The musical features beloved songs, including Summer NightsGreased Lightnin’Hopelessly Devoted To Youand You’re The One That I Want.

 

GREASE has designs by Colin Richmond, orchestrations and musical supervision by Sarah Travis, lighting design by Ben Cracknell, sound design by Tom Marshall and Richard Brooker, video and projection design by Douglas O’Connell and casting by David Grindrod CDG.

 

This production of GREASE is produced by Colin Ingram for InTheatre Productions, Donovan Mannato, Playing Field, Gavin Kalin, and Curve.

Monday 12 October 2020

The Show Must Go On, The Lost Alhambra | Review


The Show Must Go On (Chicago)
The Lost Alhambra 
Reviewed on Friday 9th October 2020 by Olivia Mitchell 
★★★★★

With the fate of theatre hanging precariously right now, in a happy medium and potential loophole, cabaret style nights out appear to be one of the few ways live theatre can still go ahead. One venue which is making this happen (and happen in style) is The Lost Alhambra in Leicester Square. The Show Must Go On is an immersive, cabaret dining experience which packs a punch. The night is complete with a 3 hour show, a 2 course meal, welcome cocktail and bottomless prosecco, you couldn't really ask for more!


Drag performer Poppycock hosts the night alongside some of musical theatre's best stars as they take us through a show via the score and some of the text. At this performance we got the treat of Chicago, which fits wonderfully into the dimly lit space of The Lost Alhambra; upcoming performances include Hairspray, Mamma Mia, Rocky Horror and Priscilla Queen of the Desert.


In theory, this is like any other cabaret but it feels so much stagier than anything I've experienced before. As you walk in you are greeted background music from some of the most popular and current shows, the staff all seem to love theatre and the whole thing feels like an immersive show, full to the brim with theatricality.




The venue itself is an instagrammer's dream, with pink decor, vintage feeling bathrooms and a Photo Booth to document the night (it's £4 and you get an email with the photos and gif as well as your print out keepsake).  The luxurious space is perfect to let your troubles slide away, and the unlimited prosecco which starts flowing from the moment of entry doesn't hurt either! Mention must also go to the staff who are excellent at not only being attentive but also create a wonderful atmosphere from the get go. You really feel part of something special and this only helps to get the room buzzing for the upcoming night of performance.


At this performance, Poppycock was the hostess with the mostest, welcoming us with a rousing rendition of Don't Rain on my Parade, before heading full throttle into the night, taking on various roles and perfecting the balance between ringleader, comedian and vocal dynamo. Laura Tyrer reprises her West End role as Velma Kelly, with Haley Flaherty as her partner in crime, Roxie Hart and Oliver Tompsett as the quick talking lawyer, Billy Flynn. Poppycock takes on basically every other role from Amos Hart to Mary Sunshine.


Each of the performers show off their impeccable talent and really transport us to the world of Chicago. An audience full of prosecco can definitely be noisy but the cast do an exceptional job of keeping everyone engaged and giving a truly top notch performance. Particularly impressive is the three-person Cell Block Tango and the energetic, high-kick filled I Can't Do It Alone.




The tickets start at £50 for everything and 1 hour of prosecco, with the top price being £65 for 2 hours of prosecco. It sounds a little pricey but for the amount and quality of the evening it's well worth it; plus the 10pm curfew means you can have an excellent night out and still be in bed at a reasonable time! I would certainly love a trip back, would weekly be too excessive?


The Chicago theme was excellent and the future performances are sure to be just as good. If you're looking for a way to get your theatre fix, look no further than The Show Must Go On. Not only is this a spectacularly wonderful night out but it's also a beacon of hope for the future of theatre. Get yourselves down to Leicester Square and live your best stagey life.

Sunday 3 May 2020

The Return of the Movie Musical


During the Golden Age of Hollywood, movie musicals were abundant and arguably the most popular genre. However, with the move towards pop culture in the 1960s, their popularity dwindled and gave way to a more rebellious style and tone, which meant the all-singing, all-dancing, wholesome stories fell to the side.

Since then, aside from animated films, there have been a handful of live action musicals, with a few big hits such as Hairspray, Chicago and Mamma Mia!, but these have been largely hard to come by and a rare feature at the cinema. However, it seems that things are changing and we are in the midst of musicals coming back into the mainstream!

In some ways, the huge success of La La Land in 2016, a film which combined Old Hollywood with contemporary vibes, marked the return of movie musicals, with A Star is Born, Bohemian Rhapsody and Rocketman following in its footsteps and taking the box offices by storm. Disney's live action adaptations have also proved massive hits with Beauty and the Beast and The Lion King making huge profits. Of course there's also been the occasional flop... Cats.... (which I actually enjoyed) but on the whole, each release has highlighted the demand and appreciation for musical theatre.  

It seems that Hollywood are finally taking note of the power of theatre people and are giving us the sweet, sweet, high quality films we deserve. There are a whole host of movie musicals in the works which are hugely exciting. Some that I'm most looking forward to are:

In The Heights: This is my all time favourite musical and I just can't wait for the summer vibes, incredible music and general wonder of Heights to be played out on the big screen. The film was originally set for release next month but thanks to Miss Rona it's been pushed back to June 2021.

Everybody's Talking About Jamie: This brilliantly British musical is set for release in October and is sure to thrill as it tells the real-life story of Jamie New, the 17 year old drag queen who wants to go against the norm and be true to himself. We'll also get the chance to see wonderful Max Harwood take on the lead role which will be a real treat.

West Side Story: In what's sure to be another 'Star is Born' performance, Rachel Zegler will be starring as Maria in this Stephen Spielberg adaptation. The production photos that have been released so far look amazing and I cannot wait to see this sumptuous film.

The Prom: I saw this show on Broadway so it'll be wonderful and interesting to see a film version. I think this will transfer brilliantly; plus, Meryl Streep is set to star in it so it's already a win in my eyes.

Matilda: The original Matilda film is a complete classic that will always be a heartwarming treat and the musical evokes the same magical and wondrous vibes. Tim Minchin's music is so clever and will no doubt get us all tapping our feet in the cinema!

Merrily We Roll Along: Ben Platt. Beanie Feldstein. Filmed over 20 years. Okay so this isn't going to be out in the near future but I just can't wait to eventually see this movie. The whole concept sounds so exciting and the cast are absolutely stellar.

As well as these there are more live action adaptations in the works as well as a number of current Broadway musicals being transferred from stage to screen. These include Dear Evan Hansen, Tick, Tick... Boom! and Come From Away. All in all, it seems that we can expect a whole lot more musicals in the mainstream and I cannot wait! What upcoming movie musical are you excited to see?

Post by Olivia Mitchell

Monday 6 March 2023

London Theatre Week Extends! | ad


If you haven't snapped up a stagey bargain yet, what are you waiting for?! The good news is that you've got a bit of extra time because London Theatre Week has been extended. You've now got until 12th March to book your favourite show. It's the perfect time to treat yourself or someone you know to a show.

There's so much on offer, but our favourites would include:
Back To The Future
Bonnie and Clyde
Oklahoma
Matilda

London Box Office aim to include all West End shows as well as off-West End and fringe theatre so there's certain to be something for you!

The shows available include: 
Back to the Future: The Musical, Wicked, Disney's The Lion King, Disney's Frozen the Musical, TINA - The Tina Turner Musical, Dirty Dancing, Pretty Woman: The Musical, Newsies, OKLAHOMA!, Mamma Mia!, Crazy For You, Harry Potter and the Cursed Child, The Mousetrap, Matilda the Musical, Grease The Musical, To Kill a Mockingbird, The Book of Mormon, The Great British Bake Off, Groundhog Day, Peaky Blinders: The Rise, Only Fools and Horses The Musical, Sylvia, Jersey Boys, We Will Rock You, Bat Out of Hell, Witness for the Prosecution, The SpongeBob Musical, George Takei's Allegiance, The Choir of Man, Bonnie & Clyde, Heathers The Musical, Cinderella in-the-round, 42nd Street, Symphony of Sorrowful Songs - English National Opera, The Dead City - English National Opera, The Rocky Horror Show, The Walworth Farce, Windfall, Titus Andronicus, Brilliant Jerks and more...

Let us know what you decide to see!

Saturday 22 April 2017

In Conversation With... Damian Buhagiar | Thoroughly Modern Millie | Interview


Damian Buhagiar recently finished starring in In The Heights, is currently part of the UK tour of Thoroughly Modern Millie playing Ching Ho and will soon be starring in Mamma Mia  in the West End. Damian was lovely enough to do this interview for Rewrite This Story and I can't wait to see him in the show!

For those who don't know, can you explain a little about your career and highlights so far?

I have always been attracted towards theatre and musicals from a young age of 3. Being a Maltese student at Stagecoach was a great introduction to this form of career. When you are young, you don't actually realise that this could be a future job so it all starts as a hobby and a recreation from other school work, or activities. 

As I grew older I started taking it even more seriously by taking private singing lessons, dance classes and acting classes. When I hit the age of 15, the time i had my GCSEs back home in Malta, my singing teacher adviced me to audition for Tring Park School For the Performing Arts, a brilliant boarding school. So I did and after  a couple of weeks I was accepted to persue my musical theatre training further as well as do my A levels for 2 years. Without the love, help and support from my parents this would have never happened especially being away from home. After those 2 years I was than chosen to attend the BA Hons musical theatre course for another 3 years which was such a incredible excperience. You learn new things everyday, you learn so much about yourself and the training and the teachers have been fantastic. 

Once my third year was coming to an end we started having people from the business coming to see our shows and showcases, people such as directors, choreographers, producers, agents and more.  To me that was one of the highlights as I got to introduce myself to the business and express what I love most, my passion for theatre which leads me to my second highlight which was being a massive part of Lin Manuel's hit  musical 'In the Heights' playing the role of Sonny at the Southwark Playhouse. The reason I say this was one of the highlights in my life is because it has enabled me to show my passion in my own style of dance and defined me and so it couldn'thave been a better show to enter the musical theatre business with. 

I then moved on to an 18 month UK Tour of Jersey Boys playing the role of Joe Pesci and 2nd cover Frankie Valli which was another highlight in my career as I got to explore England a bit more, see different cultures and make new friends outside of London as well as the insanely stunning theatre built around the country. I have than moved on to playing on stage swing in Bugsy Malone at the  Lyric Theatre, working with the choreographer  Drew McOnie and which then led me to reprising my role as Sonny in In the Heights, this time at the Kings Cross Theatre in London for 4 months. Of course the biggest highlight from this was the fact I got the chance to meet the legendary Lin Manuel Miranda in person. I am now currently on the UK Tour of Thoroughly Modern Millie playing a completely different character to what I normally play called 'Ching Ho', a Chinese role which I am glad to say I am loving.


Was being a performer what you always wanted or did you have a different career path in mind when you were younger?



As mentioned earlier, I have always taken musical theatre, singing, dancing and acting as a hobby up until the age of fourteen. I was mainly aiming to invest time in my studies to eventually become a Mechanic Engineer (seeing I am pretty into mechanics and cars) or an architect.




You recently finished playing Sonny in In The Heights, did you know from the Southwark that you were a part of something special? How was it returning to the show?

In The Heights, has been one of the biggest adventures that has happened in my life. Playing the role of Sonny, literally has been my unexpected dream role straight after grauduating from college. It felt like it was just meant to happen and came at the right time. What made even more special was the company. Seeing how we all become one unit and one family creates something magical. Creates a spark that is unexplainable. As the Southward was a small intimate venue this proved how much of a unit we really were as we all shared our passion with the audiences which gave such a great response. 



Returning to the show after a year and a half this time at the Kings Cross Theatre, created that spark again in a different way. It was interesting to see that my heart was always there, my spirit enlightened and I was just 'Living' and recreating Sonny again, sharing the live with different members of the cast..(some of them from the Southwark).




How was the transition from the Southwark to Kings Cross theatre? What changed in the show?

I think moving to a different style of venue definitley created a change in space and motion however the one thing that made it feel like there was no difference at al was the spirit and the community we as a cast and a team all had.  As the Southwark Playhouse had much of a smaller theatre, there was a lot of intimacy and more of an interraction with auditiences which makes it even more appreciative being that close. Kings Cross had a wider stage being on Traverse stage, so that as a team made us work harder to use eachother to get the story accross morr and put our chatacters on a higher level that in the southwark for audiences to have the same feeling. 


The idea of heritage is very important in Heights, being from Malta, did you face any of the same struggles as Nina and Usnavi?

In The Heights couldn't possibly be a successfull show/production if there isnt any heart and love and care between not just the cast but even the company. Same with everything, if you are working in a lovely safe environment where you feel you can trust and open up your heart to your collegues without being scared, that same feeling will definitely show on stage. Especially for someone like myself being away from home away from my loved family, having a second family in a show like that has made me feel like home and it has always been a job travelling to work to express this love shared with the other talented cast members. Luckily I have never been in Usnavi's or Nina's position however I can relate to how difficult it really is to follow your dreams and what really genuinly makes you happy. Luckily I had ultimate support from my loved family where both my parents have enabled me to follow the dream career I have always wanted. A big sacrifice on their part that without them I woudn't be here doing what I love most...theatre/performing and hopefully being an inspiration to others.


You're currently starring in Thoroughly Modern Millie, can you explain the storyline a little and how your character fits into it?

The story is about this new naive girl in town called Millie, coming to new york for the first time when she sets her sights on marrying her whealthy boss. Problem arises when she checks into a hotel owned by the leader of a white slavery ring in China. Where my character "Ching Ho" along with his brother "Bun Foo", helping to kidnap pretty and suspecting orphan girls and shipping them to the Orient. Ching Ho however takes a shine to one of the 4 girls "Miss Dorothy'' and rescues her from Mrs. Meers, who at the end the truth is revealed and Mrs. Meers is captured.



What's the biggest challenge about taking on this role?

The biggest challenge in taking the role of 'Ching Ho', the Chinese part, is because of the obvious....its a Chinese role and I am Maltese. Performing this role everyday has enabled me to discover more aspects of him that allow me to invest and play around with on stage. I have been blessed to have my fellow cast memeber Andy who is actually from Hong Kong himself so has tought me the language patiently. It has been an interesting process however I always love a chalenge and at least I could say I have tested that language and might want to investtime it too in future. I've also learnt a lot about Chinese history and what makes the characters: Ching Ho and Bun Foo work as slaves in the show... their background stories.



How are you enjoying touring life? What do you miss most about being away from home?

I have always loved touring. I just love getting away from london and get to see different cultures in different places in the UK or abroad, make new friends in the digs I stay in as well as enjoy my own company and driving. Being away also makes you apreciate lot of things and miss a lot of things. Having a lot of free time on my hands make you think about your life in depth such as my parents and my lifestyle back home and the time I share with them.



What are your hobbies and passions outside of performing? 

Drawing has always been a massive part of my life that enables me to forget the real world and just zone out completely and focus on one things...cars. The passion I always had ever since I was 5 years old. 


Can you name a few of your dream roles?

Playing Sonny in the musical In The Heights has already been one of my dream roles. I would say playing Phantom in Phantom of the Opera and Clyde in Bonnie and Clyde would definitely be two of my dream roles in musical theatre however I like variety and a challenge so I love exoloring as opportunities come my way, what a dream role would be.



If you could go back to any era, when would it be and why?

If I had to go back to an era I would go back to 1950s. I love that all men were mostly gentleman with manner, respectful towards their women and also live a fashionable suit. Life back that would have been very classy.



What's the best piece of advice you've ever received and what advice would you give to aspiring performers?

Best advice I have ever recieved have been to just be yourself. If it makes you happy do it. Always follow your gut. If you ever come in doubt just ask yourself 'but why not?'. If you have a dream, fight for it however long it takes to achieve it.


A huge thank you to Damian for doing this interview. Make sure you book tickets to see Thoroughly Modern Millie on its UK tour!


Interview by Olivia Mitchell, Editor