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Wednesday, 15 October 2025
The Greatest Showman Musical Announces Star-Studded Cast for Spectacular UK Stage Premiere
The stage is set for one of the most anticipated musical theatre premieres in recent memory, The Greatest Showman is officially coming to the UK stage. The spectacular new adaptation of the 2017 hit film will debut at the Bristol Hippodrome, bringing the story of P.T. Barnum to life with all the energy, heart, and magic that made the movie a global phenomenon.
Leading the cast is acclaimed West End star Oliver Tompsett (& Juliet, We Will Rock You) as showman P.T. Barnum, alongside Samantha Barks (Frozen, Les Misérables) as Charity Barnum. Joining them are Lorna Courtney (& Juliet Broadway) as Anne Wheeler, Ben Joyce (Jersey Boys) as Phillip Carlyle, Vajèn van den Bosch as Jenny Lind, and Malinda Parris (Standing at the Sky’s Edge) as Lettie Lutz.
The musical will feature a powerhouse creative team, including Tony Award-winning director and choreographer Casey Nicholaw, whose dynamic work on The Book of Mormon and Aladdin has dazzled audiences worldwide. The beloved score by Benj Pasek and Justin Paul (Dear Evan Hansen, La La Land) and a new book by Tim Federle promise to bring both familiarity and freshness to this dazzling stage spectacle.
In a statement, Nicholaw shared:
“It’s an absolute joy to finally share our incredible cast with the world — led by the brilliant Oliver Tompsett and Samantha Barks. Together with a world-class creative team, we are so excited to bring this story to life for the first time on stage.”
The full company features a remarkable ensemble of singers, dancers, and circus performers, including Mia Raggio, Angelica Pearl Scott, Harly Gill, Ellie McArdle, Eleanor Sebastian, Max Bispham, and Joel Tennant Clark Young. Josh St. Clair serves as the P.T. Barnum alternate, with Katie Tonkinson as the standby Anne Wheeler.
Behind the scenes, the creative lineup includes Alex Lacamoire (music supervision and orchestrations), David Korins (scenic design), Gregg Barnes and Sky Switser (costume design), Natasha Katz (lighting design), and Peter Hylenski (sound design), alongside a host of award-winning designers and choreographers ensuring every moment shines.
This world-premiere production of The Greatest Showman is poised to deliver everything audiences love about the original film- breathtaking visuals, heart-stirring music, and an inspiring story of courage and self-belief- now reimagined for the stage.
photo credit: Sebastian Nevols
Here & Now The Steps Musical Tour Review- A Pop-Fuelled Jukebox Ride That Charms
Here and Now: The Steps Musical (Tour)
New Victoria Theatre
Here & Now is a vibrant, glitter-filled night of pop nostalgia that wears its heart- and its sparkly costumes- proudly on its sleeve. Built around the iconic hits of Steps, this jukebox musical takes place in a brightly lit supermarket called Better Best Bargains, where dreams, heartbreak, and friendship collide in equal measure.
At the centre of the story is Caz, played with warmth and power by Rebecca Lock, whose vocals soar through the theatre and whose emotional honesty gives the show its core. When her life takes an unexpected turn, she and her co-workers are forced to re-evaluate their choices and embrace a “Summer of Love” that doesn’t quite go to plan. Alongside her, Blake Patrick Anderson (Robbie), Jacqui Dubois (Vel), Rosie Singha (Neeta) give great performances and their chemistry is lovely to see. River Medway also has some brilliant moments as Jem. Finty Williams is a comic delight as Patricia, the dry, sharp-tongued store boss whose perfectly timed one-liners steal more than one scene, I wish we got a little bit more of her story. The rest of the cast bring great energy and charm, with tight ensemble work that keeps the show lively and fast-moving.
Visually, the production is dazzling. Tom Rogers' supermarket set transforms fluidly, bursting with colour and clever design touches, while Howard Hudson's lighting shifts between campy exuberance and tender intimacy. It’s a feast for the eyes, even if sometimes there’s so much going on that it’s hard to catch every detail. Matt Cole's choreography is slick and punchy, perfectly capturing the upbeat essence of Steps while grounding it in musical-theatre storytelling.
Where the show falters slightly is in pacing and clarity. With so many interwoven storylines and emotional beats, some scenes feel rushed, and the final moments could benefit from a little more breathing room. At times, the sheer spectacle overwhelms the subtler emotional notes, but when it lands, it’s joyous.
Despite its imperfections, Here & Now is a fun, heartfelt celebration of pop, love, and second chances. Rebecca Lock is a standout, Finty Williams adds sparkle and humour, and the ensemble delivers with infectious enthusiasm. It may not reinvent the jukebox-musical format, but it’s packed with enough charm, choreography, and nostalgia to leave audiences smiling and maybe even dancing their way out of the theatre. A glittery supermarket of pop, heart, and pure nostalgia!
★★★★
Reviewed on Tuesday 14th October 2025 by Olivia
Photo Credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
UK Premiere of Daniel’s Husband Brings Award-Winning Off-Broadway Play to London Theatre
The acclaimed cast includes three-time Olivier Award winner David Bedella (& Juliet), Luke Fetherston (Big Mood), Raiko Gohara (A Good Girl’s Guide to Murder), Joel Harper-Jackson (Cock), and Olivier winner Liza Sadovy (Cabaret). Together, they will bring to life McKeever’s powerful examination of relationships, choices, and the human heart.
At its core, Daniel’s Husband follows Daniel and Mitchell, a couple whose seemingly perfect life is shattered by an unexpected crisis. As their love is tested, the play delves into the meaning of commitment, the fragility of security, and what it truly means to be a family.
Originally debuting in the US to critical acclaim, Daniel’s Husband has won multiple awards and captivated audiences with its honesty and emotional impact.
Plastered Productions shared that they chose the play as their inaugural London production to “inspire reflection on love, morality, and connection.”
A moving addition to the London theatre landscape, Daniel’s Husband invites audiences to confront both the beauty and complexity of love.
Monday, 13 October 2025
Hugh Bonneville to star in Shadowlands at London’s Aldwych Theatre
BAFTA, Emmy and Golden Globe-nominated actor Hugh Bonneville will return to the West End in 2026 to star in William Nicholson’s acclaimed play Shadowlands. The heartfelt drama, based on the life of The Chronicles of Narnia author C.S. Lewis, tells a deeply human story of love and grief when the Oxford scholar meets spirited American poet Joy Davidman.
Originally staged at Chichester Festival Theatre in 2019 and directed by Rachel Kavanaugh, the play will now take up residence at London’s Aldwych Theatre from 5 February to 9 May 2026.
Bonneville shared:
“I’m thrilled to revisit this beautiful play about love and loss and bring it to London audiences at The Aldwych where my own love of theatre began.”
Known worldwide for Downton Abbey and Paddington, Bonneville’s stage career spans the Royal Shakespeare Company, Donmar Warehouse, and Old Vic. Shadowlands, adapted from Nicholson’s BAFTA-winning TV movie, went on to win the Evening Standard Award for Best Play and later inspired the 1993 film starring Anthony Hopkins and Debra Winger.
Tickets go on sale 15 October 2025 at 10am via shadowlandsplay.com
Photo credit: Manuel Harlan / ArenaPAL
Friday, 10 October 2025
Aqua The Musical: Barbie Girl Hitmakers Bring Their Story to the Stage in 2028
The iconic Danish pop group Aqua who are known worldwide for infectious hits like "Barbie Girl" and "Doctor Jones" are heading to the stage in spectacular fashion. A brand-new jukebox musical, Aqua The Musical, will make its world premiere at Copenhagen’s Royal Opera House in 2028, bringing the band’s colourful story and unforgettable pop anthems to life.
Produced by AHA Creations, the show has been officially approved by the band, who are actively involved in shaping its creative journey. The production company holds global rights to the musical for at least 25 years and aims to transfer it to international stages, including London’s West End, Broadway, and major cities like Hamburg and Toronto.
Martin Palme Skriver, Executive Director of AHA Creations says:
“Aqua is one of Denmark’s greatest musical success stories... Their vibrant sound and larger-than-life universe are made for the stage, this is a once-in-a-generation opportunity to launch a Danish musical on the global map.”
Band members shared their excitement, saying, “We’ve had a wild ride filled with unforgettable experiences. Reliving it all through a musical is both surreal and emotional— a celebration of everything Aqua has been and still is.”
The production is being developed with Fredericia Musicalteater and will be directed by Thomas Agerholm, with a creative team including Claus Reenberg, Mads Æbeløe, and Nikolaj Tarp, and set design by Benjamin La Cour.
Fans can expect an energetic celebration of Aqua’s chart-topping legacy in a musical spectacle filled with nostalgia, fun, and heart.
Photo credit: Gudmund Thai
Thursday, 9 October 2025
National Theatre Announces Exciting 2026 Season with New Productions in London and New York
The National Theatre has unveiled further details about its 2026 season, marking a bold next chapter in the vision of Co-Chief Executives Indhu Rubasingham and Kate Varah to make world-class theatre accessible to audiences everywhere.
Deputy Artistic Director Robert Hastie will lead two major productions in spring 2026. In London, he directs Nina Raine and Moses Raine’s new adaptation of Maxim Gorky’s Summerfolk in the Olivier Theatre, a sharp, satirical look at class and complacency. Across the Atlantic, Hastie’s acclaimed production of Hamlet will transfer to BAM (Brooklyn Academy of Music), the first show in a new partnership that will see National Theatre productions transfer to BAM’s Harvey Theater and National Theatre Live screenings hosted at BAM’s Rose Cinemas.
Alongside performances, the National Theatre’s Learning team will collaborate with BAM on its (Re) Centering Theater) programme, giving Brooklyn students the opportunity to create, develop, and perform new work inspired by Hamlet. A free exhibition at BAM’s Rudin Family Gallery will also explore the legacy of Hamlet at both BAM and the National Theatre.
This collaboration with BAM and The Shed strengthens the National Theatre’s long-standing relationship with the US, celebrating 60 years of international productions. Further details about upcoming projects with The Shed will be announced soon.
“It feels deeply fitting to bring Hamlet to BAM next spring, especially as we mark 60 years of staging productions in the US”
said Indhu Rubasingham, Director and Co-Chief Executive of the National Theatre.
Kate Varah, Executive Director and Co-Chief Executive, added:
“Our goal is simple yet bold- to make world-class theatre accessible to everyone, everywhere. Through new partnerships with BAM, The Shed, and the Educational Theatre Association, we’re reaching thousands of schools and streaming our productions into homes across the US. This is theatre without borders.”
National Theatre 2026 Productions
Olivier Theatre: Summerfolk
From 6 March to 29 April 2026, Robert Hastie directs a fresh adaptation of Maxim Gorky’s Summerfolk by Nina Raine (Consent) and Moses Raine (Donkey Heart). Set in 1905 Russia, it follows a group of privileged friends whose summer of indulgence masks a looming storm of social change. The creative team includes Peter McKintosh (set and costume), Paul Pyant (lighting), and Nicola T. Chang (composer).
Lyttelton Theatre: Les Liaisons Dangereuses
From 21 March to 6 June 2026, Marianne Elliott (Angels in America) returns to direct a powerful new revival of Christopher Hampton’s adaptation of Pierre Choderlos de Laclos’ classic novel. The cast includes Lesley Manville, Aidan Turner, Monica Barbaro, and Gabrielle Drake, in a dazzling exploration of love, manipulation, and power.
Dorfman Theatre: Man and Boy
From 30 January to 14 March 2026, Anthony Lau (The Crucible) makes his National Theatre debut with Terence Rattigan’s Man and Boy, starring Ben Daniels and Laurie Kynaston. Set in 1930s New York, this gripping tale of ambition and betrayal follows a financier facing ruin during the Great Depression.
Dorfman Theatre: The Authenticator
From 26 March to 9 May 2026, award-winning writer Winsome Pinnock (Leave Taking) reunites with director Miranda Cromwell (Death of a Salesman) for The Authenticator, a gothic psychological thriller starring Rakie Ayola, Sylvestra Le Touzel, and Cherrelle Skeete. Set in a mysterious country estate, it explores buried secrets, artistic legacy, and truth’s dark corners.
Brooklyn Academy of Music (BAM), New York: Hamlet
From 19 April to 17 May 2026, Hiran Abeysekera (Life of Pi) reprises his role as Hamlet in Robert Hastie’s acclaimed production at BAM’s Harvey Theater. This bold interpretation of Shakespeare’s timeless tragedy launches the National Theatre’s new partnership with BAM, bringing British theatre excellence to New York audiences.
Tickets for all 2026 National Theatre productions go on general sale from 23 October 2025.
National Theatre 2026 season, National Theatre productions, National Theatre London, National Theatre New York, BAM Hamlet, Robert Hastie Hamlet, Nina Raine Summerfolk, Les Liaisons Dangereuses National Theatre, Marianne Elliott, Winsome Pinnock The Authenticator, Ben Daniels Man and Boy, Hiran Abeysekera Hamlet, Indhu Rubasingham, Kate Varah, National Theatre BAM partnership, British theatre in New York, National Theatre tickets, Olivier Theatre, Lyttelton Theatre, Dorfman Theatre, London theatre 2026
Wednesday, 8 October 2025
Sheridan Smith and Romesh Ranganathan to star in Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre
The West End will get a dose of sharp wit and emotional depth this Christmas as Sheridan Smith stars in a brand-new revival of Alan Ayckbourn’s Woman in Mind. The acclaimed psychological comedy opens at the Duke of York’s Theatre from 9 December 2025 to 28 February 2026, before touring to Sunderland Empire (4–7 March 2026) and Theatre Royal Glasgow (10–14 March 2026).
Smith returns to the Duke of York’s following her sell-out run in Shirley Valentine; in Woman in Mind, she takes on the role of Susan, a woman whose reality fractures after a head injury, leading her to navigate two worlds: one mundane and one imagined. As the boundaries blur, Ayckbourn’s trademark humour and heartbreak come vividly to life.
Joining Smith in the cast are Romesh Ranganathan as Bill, Louise Brealey as Muriel, Tim McMullan as Gerald, Sule Rimi as Andy, Chris Jenks as Tony, Safia Oakley-Green as Lucy, and Taylor Uttley as Rick. Katie Buchholz and Michael Woolfitt complete the ensemble.
Ranganathan, making his professional stage debut, said:
“I’m honoured to be stepping onstage for the first time since primary school alongside the incredible Sheridan Smith and company. It’s both thrilling and terrifying in equal measure. Woman in Mind is an amazing play, and I can’t wait to help bring it to life- especially as I’m playing a doctor, which might finally make my mum proud!”
Directed by Michael Longhurst, the production features set and costume design by Soutra Gilmour, lighting by Lee Curran, sound by Paul Arditti, and casting by Jim Carnahan and Liz Fraser. It is produced by Wessex Grove and Gavin Kalin Productions.
Tickets are on sale now for what promises to be one of the most exciting West End productions of winter 2025.
Friday, 29 August 2025
Chicago the Musical UK Tour Review- A Stylish Revival That Could Use a Refresh
Chicago (Tour)
New Victoria Theatre
Chicago the Musical has been dazzling audiences for decades, whether in the West End, on Broadway, or touring across the UK. With its sultry jazz score, iconic choreography by Bob Fosse, and razor-sharp satire on fame and corruption, it remains one of the most recognisable and beloved musicals in theatre history. But while the current UK tour delivers plenty of strong performances and polished staging, it also feels like a production in need of a little reinvention.
The cast is undoubtedly the show’s strongest asset. Janette Manrara, best known from Strictly Come Dancing, brings a sparkly energy to Roxie Hart. She dances with precision and charisma, and her playful stage presence makes Roxie’s rise to fame feel believable. Opposite her, Djalenga Scott gives a powerful, magnetic turn as Velma Kelly, oozing confidence in every number. Their chemistry makes “Nowadays” and “Hot Honey Rag” a real highlight of the evening.
Joshua Lloyd is excellent as Amos Hart, delivering a heartfelt “Mr. Cellophane” that drew genuine warmth and sympathy from the audience. Meanwhile, Jordan Lee Davies makes a memorable Mary Sunshine, balancing comedy with soaring vocals. Together, this principal cast keeps the familiar story moving with energy and style.
The ensemble deserves particular praise. Chicago is a show that lives or dies on its ensemble work, and here the dancers shine. The choreography, all sharp angles, slick jazz hands, and sultry lines, is executed with impressive precision. Numbers like “Cell Block Tango” and “All That Jazz” still have that punch-you-in-the-gut impact that makes Chicago what it is.
But here’s the sticking point: this is very much the same Chicago audiences have seen for years. The minimalist staging, the all-black costumes, the iconic chair choreography- it all works, of course, but it hasn’t really evolved. For longtime fans, it’s like slipping into a familiar pair of shoes. For newcomers, it’s stylish and sharp. But in 2025, with so much happening in the world of celebrity, media, and corruption, the show’s themes feel ripe for a fresh take. Imagine a Chicago updated with modern parallels to social media culture, influencer scandals, or the obsession with instant fame, it could bring a whole new edge to a story that’s already so relevant.
That said, there’s no denying the production still delivers the iconic moments we know and love. The band on stage is brilliant, giving that brassy, bold sound that drives the show. The stripped-back staging also keeps the focus firmly on the performers, which works well for a show that thrives on attitude and precision.
Overall, this UK tour of Chicago is enjoyable, polished, and packed with strong performances. It’s faithful to the original vision, which is both its greatest strength and its biggest weakness. Fans of the musical will leave satisfied, but for those who’ve seen it before, it might feel a little too familiar. Perhaps it’s time for Chicago to take a daring step into something fresher, while still honouring the timeless brilliance of Fosse’s original.
★★★
Reviewed on 28th July 2025 by Olivia
Photo Credit: Paul Coltas
{AD PR Invite- tickets gifted in exchange for honest review}
Keywords: Chicago the Musical UK Tour review, Janette Manrara Roxie Hart, Djalenga Scott Velma Kelly, Joshua Lloyd Amos Hart, Jordan Lee Davies Mary Sunshine, Chicago musical cast 2025, UK touring musicals review, Chicago the Musical choreography.
Saturday, 5 July 2025
Noah Kahan at BST Hyde Park Review: A Heartfelt, Joyous Evening of Music and Community
Noah Kahan
BST Hyde Park
There are some concerts that feel bigger than music- they feel like a gathering of hearts. Noah Kahan at BST Hyde Park was one of those nights. From the moment he stepped on stage, guitar in hand, to the final singalong under the London sky, it was less of a gig and more of a shared celebration.
Performing outdoors suited Noah Kahan’s earthy music perfectly. His blend of heartfelt storytelling, folk-infused melodies, and soaring choruses carried beautifully across the park. Songs like "Stick Season" and "Dial Drunk" weren’t just performed, they were felt, sung back by thousands of voices in a wave of communal energy. There was a palpable sense of connection, as though everyone present had lived through the same heartbreaks and joys woven into his lyrics. His vocals were nothing short of remarkable- clear, emotive, and strong enough to fill the huge outdoor space without losing intimacy. I've seen Noah live performing this album several times now and every one has felt new and powerful.
The evening was full of surprises, none more special than the appearance of Lewis Capaldi as a guest. The roar of the crowd when he walked on stage was deafening, and the chemistry between him and Kahan was genuine and joyful. It was a reminder of the power of music to bring artists and audiences together in unforgettable moments.
The support acts added even more magic to the night. Finneas set the tone with his thoughtful, polished set, joined by Ashe to debut their brand-new collaboration The Favors. It felt like being part of a moment of music history, hearing a song live for the very first time. Gracie Abrams followed with her signature mix of tender vulnerability and lyrical honesty, winning over the crowd with ease. By the time Noah Kahan walked on, the atmosphere was already charged with warmth and anticipation.
What stood out most was the sense of community. People weren’t just watching; they were connecting. Strangers danced together, whole sections of the park swayed in unison, and voices blended on choruses like an impromptu choir. There was a joy and openness that made Hyde Park feel smaller, more intimate, despite the scale of the event.
The staging and sound were excellent too. The production kept things simple, letting Noah’s music take centre stage, while the big screens ensured even those at the very back felt part of the action. As the sun set and the stage lights came to life, it all came together to create a truly magical atmosphere.
In the end, this was a reminder of why live music matters. Noah Kahan at BST Hyde Park was uplifting, emotional, and filled with moments that will stay with the audience. With his heartfelt songs, powerful voice, and the gift of making a massive park feel like a fireside gathering, Noah proved he’s not just one of the most exciting artists of his generation, he’s one of the most unifying too.
★★★★★
Reviewed on Friday 4th July by Olivia
Photo Credit: Virginie Viche
{AD PR Invite- tickets gifted in exchange for honest review}
Keywords: Noah Kahan BST Hyde Park review, Noah Kahan live London 2025, Lewis Capaldi Noah Kahan Hyde Park, Finneas and Ashe The Favours live debut, Gracie Abrams BST Hyde Park support, Noah Kahan concert review, outdoor live music London 2025, Stick Season live Noah Kahan.
Wednesday, 28 May 2025
The Frogs at Southwark Playhouse: A Quirky, Clever Revival That Leaps at Points | Review
The Frogs
Southwark Playhouse
Currently playing at Southwark Playhouse, The Frogs is a spirited and unusual revival of Stephen Sondheim’s rarely-staged musical. It’s a show that wears its eccentricity proudly, and while it doesn’t quite stick the landing, there’s plenty to enjoy- especially in a first act that’s consistently hilarious, sharply performed, and full of unexpected delights.
Loosely based on Aristophanes’ classical Greek comedy, the musical follows Dionysos, the god of theatre, as he travels to the Underworld in search of a great playwright to bring back to Earth and save civilisation. He’s accompanied by his long-suffering servant Xanthias, and along the way they encounter an oddball cast of characters, including a musclebound Herakles, a chorus of glittering jazz-handed frogs, and ultimately, the ghosts of George Bernard Shaw and William Shakespeare, who must battle it out in a literary showdown.
What really shines in this production is the tone of the first half- it’s fast, funny, and refreshingly self-aware. Packed with clever gags, well-placed improvisation, and tongue-in-cheek musical theatre references (including a few knowing nods to Sondheim himself), the show frequently feels like it’s teetering on the edge of chaos, but in the best way. That sense of spontaneity works in its favour, helped along by a cast that clearly knows how to land a joke.
Dan Buckley is a charming Dionysos, blending comic cluelessness with likable energy. Kevin McHale is wonderful as Xanthias, with razor-sharp timing and a strong sense of physical comedy. Joaquin Pedro Valdes makes a memorable entrance as Herakles, playing up the bravado with just the right amount of exaggeration and all three have outstanding vocals to accompany their portrayals. The ensemble bring great versatility and enthusiasm to the staging, keeping the energy high even when the material veers into the absurd.
The design choices support the humour well. The spangly frog costumes are ridiculous in the best possible way, think glitter, jazz hands, and pure musical theatre camp; and moments like Ariadne’s “thread” being reimagined as a literal train trailing behind her costume add a cheeky visual wit to the direction. There’s an inventiveness to the staging that feels right at home in Southwark Playhouse’s flexible space, and the live band, under the direction of Yshani Perpinpanayagam, gives Sondheim’s challenging score the bounce and clarity it needs.
The second act, however, loses some of that initial spark. Once the plot shifts toward a philosophical debate between Shaw and Shakespeare, the momentum slows and the tone becomes more earnest. The satire is still there, but it feels a little more laboured and doesn’t quite recapture the breezy chaos of the first half. It’s a tricky balance, intellectually interesting, yes, but a shift that might leave some audience members wishing for more frogs and fewer speeches.
That said, this is a lively, cleverly staged production that knows exactly what it is. It leans into its own weirdness and largely pulls it off, thanks in no small part to a cast that’s clearly having fun. If you're in the mood for something quirky, referential, and genuinely funny (especially in its early scenes) The Frogs is worth a look. It may not be Sondheim’s most polished show, but in the right hands, like those at Southwark Playhouse, it makes for a surprisingly joyful evening.
★★★
Reviewed on Tuesday 27th May by Olivia
Photo Credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
Keywords: The Frogs Southwark Playhouse review, Kevin McHale The Frogs, Sondheim The Frogs London, Dan Buckley theatre, Joaquin Pedro Valdes Southwark, Off-West End musicals 2025, Southwark Playhouse Sondheim, musical theatre reviews London, quirky musicals 2025, Greek mythology musical.
Tuesday, 25 February 2025
Calamity Jane 2025 Tour Review: A Rootin’-Tootin’ Revival Where Carrie Hope Fletcher Shines
Calamity Jane (Tour)
New Victoria Theatre
The 2025 UK tour of Calamity Jane bursts onto the stage with energy, charm, and a dose of old-fashioned Wild West fun. Led by the ever-brilliant Carrie Hope Fletcher in the title role, this revival brings a fresh spark to the beloved musical while staying true to its classic appeal. With impressive orchestrations, great lighting design, and dynamic staging, the production proves that Calamity Jane is as entertaining as ever.
If there was ever a performer perfectly suited to bring Calamity Jane to life, it’s Carrie Hope Fletcher. Best known for her powerhouse performances in Les Misérables, Heathers, and The Addams Family, Fletcher steps into the buckskins of the iconic frontierswoman with charisma and confidence. Her portrayal balances tomboyish bravado with heartfelt vulnerability, making her Calamity both lovable and layered.
Vocally, Fletcher is sensational. She delivers showstoppers like 'The Deadwood Stage' and 'Secret Love' with clarity, warmth, and emotional depth. Her rendition of 'My Love Is Higher Than a Hawk' is a standout moment, showcasing her ability to blend rich storytelling with soaring vocals. She brings a modern sensibility to the role without losing the charm and humour that make Calamity such an endearing character.
The production’s lighting design is a major highlight, transporting the audience from the dusty streets of Deadwood to the glittering backstage in Chicago. Soft amber tones create a rustic, sun-drenched frontier feel, while dramatic spotlighting enhances the emotional weight of key scenes. During the climatic 'Secret Love', the transition from warm candlelight to a radiant glow beautifully mirrors Calamity’s personal transformation.
The staging is dynamic and well-paced, with director Nikolai Foster and Co-Director Nick Winston ensuring seamless transitions between the saloon, the theatre, and the open plains. The use of multi-level sets adds depth to the storytelling, and the clever choreography breathes life into the ensemble numbers. The bar fights and comedic misunderstandings play out with precision, bringing a sense of playfulness to the production without feeling over-the-top.
Under the musical direction of Catherine Jayes, the orchestrations remain faithful to the show’s roots while injecting a fresh vibrancy. The lush string and brass arrangements add richness to the score, making classics like 'Windy City' feel both nostalgic and exhilarating. The live band, positioned on stage at times, adds an immersive element, reinforcing the raw, unpolished energy of the Wild West setting.
The 2025 tour of Calamity Jane delivers a highly entertaining, well-executed revival of this beloved musical. Carrie Hope Fletcher leads the charge with a captivating performance, supported by stunning visuals, lively orchestrations, and seamless staging. Modern touches and attitudes mix perfectly with the classic story and show, ensuring a night of laughter, romance, and unforgettable music.
Whether you're a longtime fan of Calamity Jane or discovering it for the first time, this tour is well worth saddling up for. Get ready for a rootin’-tootin’ adventure full of heart, humour, and standout performances.
Reviewed on Tuesday 25th February 2025 by Olivia
Photo Credit: Mark Senior
{AD PR Invite- tickets gifted in exchange for honest review}
Monday, 24 February 2025
Come with me to West End Press Launch for The Great Gatsby
Press launches are always a treat but this one had an extra air of excitement surrounding it as I, alongside a host of stagey people, stepped into the opulent Savoy Hotel for the press launch of the West End's latest sensation, The Great Gatsby musical.
A vintage Rolls Royce parked outside plus the grandeur of the iconic venue, with its art deco interiors, perfectly mirrored the Roaring Twenties ambiance that the production promises to deliver and certainly set the tone for what we can expect from this hotly anticipated Broadway transfer.
The show itself is hugely exciting, but the cast are a whole separate spectacle. Leading the ensemble is the charismatic Jamie Muscato, renowned for his roles in Moulin Rouge!, Heathers and Les Misérables. We got to hear him perform the beautiful, For Her, and I can already see how well he's going to bring the enigmatic, illusive Jay Gatsby to stage. Opposite him, the supremely talented Frances Mayli McCann, celebrated for her performances in Bonnie & Clyde and my personal favourite, Our Ladies of Perpetural Succour, portrays the captivating Daisy Buchanan. Their on-stage chemistry promises to reignite the timeless romance at the heart of F. Scott Fitzgerald's classic.
Adding to the stellar lineup is Corbin Bleu, making his West End debut as the introspective Nick Carraway. Amber Davies steps into the shoes of the vivacious Jordan Baker, while John Owen-Jones takes on the role of the shrewd Meyer Wolfsheim. Jon Robyns and Rachel Tucker round out the principal cast as Tom Buchanan and Myrtle Wilson, respectively. Clad in their finery, this cast are already killing it and I cannot wait to see how they bring their roles and the show to life.
During the launch, we were treated to another exclusive performance by Muscato and McCann, who delivered a mesmerizing rendition of My Green Light, a poignant number that encapsulates Gatsby's yearning and Daisy's allure. The song's haunting melody and evocative lyrics offered a tantalising preview of the musical's rich score.
The creative team behind this adaptation boasts impressive credentials. Director Marc Bruni, known for his work on Beautiful: The Carole King Musical, collaborates with choreographer Dominique Kelley to bring the Jazz Age to life through dynamic staging and dance sequences. The musical features a book by Kait Kerrigan and an original score by Tony Award nominees Jason Howland and Nathan Tysen, blending jazz influences with contemporary musical theater elements to create a soundscape that resonates with modern audiences.
Set to open at the London Coliseum on 11th April, 2025, The Great Gatsby musical invites audiences to immerse themselves in the opulence and decadence of the 1920s. The production promises lavish sets and costumes, transporting theatergoers to Gatsby's extravagant parties and the glamour of West Egg.
Beyond the visual spectacle, the musical delves deep into themes of love, ambition, and the pursuit of the American Dream. Audiences can expect a narrative that honors Fitzgerald's original work while offering fresh interpretations and insights into the characters' psyches.
As the evening at the Savoy concluded and the last of the Laurent Perrier champagne was drunk, it was evident that The Great Gatsby musical is poised to be a landmark event in the West End calendar. With a compelling cast, visionary creative team, and a story that has captivated readers for a century, this production offers a theatrical experience not to be missed.
Tickets are now on sale, and given the buzz surrounding the show, securing seats early is highly recommended. Prepare to be transported back in time and witness a tale of passion, decadence, and the relentless pursuit of dreams.
Friday, 29 November 2024
The Lightning Thief: The Percy Jackson Musical Review- A Vibrant Escape Packed with Heart and Humour
Like Camp Half-Blood itself, this show offers an unforgettable escape filled with friendship, unity, and a world where everyone can be a hero."
The Lightning Thief: The Percy Jackson Musical
The Other Palace
The Lightning Thief the Percy Jackson Musical based on Rick Riordan’s beloved novel of the same name, finds its perfect home on the intimate stage of The Other Palace. This fantastically staged production knows exactly what it’s aiming for: a heartfelt, high-energy story for fans of the books, young theatergoers, and anyone seeking an escapist evening of fun. It’s not a transformative piece of theatre but it never tries to be. Instead, it’s a faithful, joyfully chaotic adaptation that delivers a thoroughly entertaining experience.
The musical, with a book by Joe Tracz and music and lyrics by Rob Rokicki, condenses the sprawling first book of the Percy Jackson & the Olympians series into a fast-paced two-hour show. Percy Jackson, a seemingly average teenager, discovers he’s the demigod son of Poseidon. Alongside his best friend Grover and fellow camper Annabeth, he embarks on a quest to retrieve Zeus’s stolen lightning bolt, battling monsters and confronting his insecurities along the way. Themes of friendship, belonging, and overcoming personal challenges echo throughout, resonating especially with anyone navigating the struggles of growing up.
The standout performances begin with Max Harwood as Percy Jackson. Harwood, known for his starring role as Jamie New in the movie version of Everybody's Talking About Jamie and his recent role in Stranger Things once again demonstrates why he’s a star on the rise. I was lucky enough to see Max's debut as Melchior in Spring Awakening and I knew great things were on the horizon for him so it's so wonderful to see him leading this show with such brilliance. His strong, healthy vocals handle Rokicki’s rock-influenced score with confidence, while his physicality and emotional depth ground Percy’s journey in authenticity. Harwood’s Percy is funny, flawed, and fiercely relatable- a hero in trainers we can all root for. Watching him embody the sarcastic yet earnest demigod is an absolute treat, solidifying his status as one of the most exciting young performers on the stage today.
Mirroring Percy’s charm are Jessica Lee as Annabeth Chase and Scott Folan as Grover. Jessica brings a sharp wit and determined energy to Annabeth, perfectly capturing the daughter of Athena’s intellect and drive. Her duet with Harwood, 'My Grand Plan', is both heartfelt and empowering. Scott, meanwhile, is utterly delightful as Grover, mixing lovely comedic timing with moments of vulnerability that bring the satyr’s loyalty to life.
The ensemble shines, masterfully multi-rolling through a colourful array of characters, from meddling gods to fearsome monsters. Their quick changes and distinct characterisations are a testament to their talent and energy. Whether it’s a eye-dangling Fury or a groovy Poseidon, the ensemble brings Riordan’s mythological world vividly to life.
The creative team deserves immense credit for transforming the small stage of The Other Palace into a dynamic playground of gods and monsters. Charlie Morgan Jones’s vibrant lighting design and Duncan McLean’s imaginative projections work in tandem to expand the space, while clever touches- like bubbles to suggest underwater scenes- immerse the audience in Percy’s world.
The musical’s ability to nod to large-scale moments from the book (like the showdown with Ares) without overcomplicating them is a smart move by director Lizzi Gee. By focusing on character and humour rather than spectacle, the adaptation avoids the pitfalls of feeling overly ambitious.
Rob Rokicki’s score is an infectious blend of rock and pop that captures the angst and excitement of Percy’s story. Songs like 'Good Kid' and 'The Tree on the Hill' resonate emotionally, while the humorous numbers like 'D.O.A.' provide laugh-out-loud moments. That said, at times, the sound mix leaned too heavily on volume, making some lyrics difficult to catch- a minor issue in an otherwise great production.
The Lightning Thief thrives because it knows its audience. It’s not here to change the world- it’s here to celebrate it, offering fans of Riordan’s books and newcomers alike a chance to step into a world of camaraderie and mythological mischief. The Other Palace, with its cosy yet versatile stage, feels tailor-made for this production, inviting the audience into Camp Half-Blood’s warm embrace.
The musical excels at what it sets out to do: entertain, uplift, and provide a few hours of joyous escapism. With a faithful adaptation, a gifted cast led by the brilliant Max Harwood, and a visually inventive production, it’s a treat for fans and a celebration of the power of storytelling- a monster of a show! Like Percy’s time at Camp Half-Blood, it reminds us that even when life gets messy, friendship and unity can see us through.
★★★★
Reviewed on Thursday 28th November 2024 by Olivia
Photo Credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 27 November 2024
Now That’s What I Call a Musical: A Fun Nostalgia-Fest with some Flaws | Review
Now That’s What I Call a Musical
New Victoria Theatre
If you’re craving a night of toe-tapping 80s hits and breezy humour, Now That’s What I Call a Musical might be just the ticket. Currently touring the UK, this jukebox musical delivers big on nostalgia, though it stumbles in depth and pacing. With a talented cast and high-energy set pieces, it’s a fun evening out, even if it doesn’t push any creative boundaries.
The first act introduces a 1989 school reunion and a group of ex-students struggling with love, ambition, and nostalgia. However, while the setup is charming enough, the narrative lacks momentum, with the story often feeling like it’s merely an excuse to lead into the next song. Fortunately, the second act ramps up the stakes. Secrets unravel, tensions surface, and the characters finally confront their dilemmas in earnest. While these revelations might not reinvent the wheel, they bring a welcome spark of drama and emotional resonance.
The cast gives it their all, infusing charisma and vocal talent into even the thinnest material. Nina Wadia (as Gemma who feels stuck in her life) brings a heartfelt performance and vocals. Shakil Hussain steals scenes as the sarcastic but brother, delivering some of the show’s best comedic moments. Meanwhile, Chris Grahamson is compelling as Tim, the sleazy player who's got Gemma wrapped around his finger. The standout is absolutely Melissa Jacques who enters just before the end of act one and provides the best vocals and some really emotional moments. Her portrayal of the larger than life April, who went to LA to live her actress dreams is very well characterised and feels like the most developed of them all. Carol Decker makes a guest appearance for one song and showcases her great vocals in her hit song 'China in Your Hand'.
The humour is light and occasionally sharp, with plenty of laugh-out-loud moments and nods to the 80s. The jokes might not land for everyone, but there’s an endearing self-awareness in the script that keeps it from taking itself too seriously. And, of course, the 80s anthems are the real star here. Whether it’s 'Red Red Wine' or 'Every Breathe You Take', the production knows how to use these iconic songs to maximum effect.
The show’s design team deserves applause. The set design, by Tom Rogers, captures the small-town charm with a versatile backdrop that transitions seamlessly between locations. Ben Cracknell’s lighting design adds flair, particularly in the second act’s climactic moments, bathing the stage in dramatic reds and blues that elevate the mood. The sound design by Adam Fisher ensures the music is crisp and immersive, though there were moments where dialogue got lost beneath the score.
If there’s a weakness, it’s in the writing. Pippa Evans' script doesn’t dig deeply into its themes or characters, sticking to predictable tropes and shallow conflicts. While this simplicity might frustrate those looking for a more substantial narrative, it’s clear the focus here is on entertainment, not profundity.
Now That’s What I Call a Musical won’t change your life, but it’s an enjoyable escape. For fans of 80s music, it’s a nostalgic treat, carried by a dedicated cast and vibrant production design. While the story doesn’t say anything new, the show’s heart and humour make it a worthwhile outing. Go for the tunes, stay for the laughs, and enjoy the trip down memory lane.
★★★
Reviewed on Tuesday 26th November 2024 by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 20 November 2024
Wicked Movie Review: Everything we Hoped For and More
Like so many, I’ve been enchanted by Wicked since I was young. The musical shaped my childhood, inspired my imagination, and stayed with me through every stage of life (my dog is literally called Elphie!) When news of a film adaptation first surfaced all those years ago, my heart soared, though tempered with the hope that they would do justice to something so pivotal to me and countless others. It’s been a long yellow brick road, with years of speculation, rumours and anticipation, but now that it’s here, Wicked: The Movie exceeds every expectation and delivers a spectacle that was worth every moment of the wait.
Director Jon M. Chu has not only brought the world of Oz to life- he has redefined what a movie musical can be. This film doesn’t just enchant; it moves, it stirs, and it utterly inthralls. From the first soaring notes of 'No One Mourns the Wicked' to the breathtaking final moments, it’s clear that this team poured their hearts into every frame.
The cast, led by the luminous Cynthia Erivo as Elphaba and the effervescent Ariana Grande as Glinda, is extraordinary. Erivo’s performance is as brilliant as we all expected- her Elphaba is fierce, vulnerable, and heartbreakingly human. Of course, she also imbues every note with raw emotion, making every song a transcendent experience. Grande, meanwhile, brings a sparkling charm and necessary depth to Glinda, perfectly balancing her bubbly exterior with a poignant sincerity. The chemistry between the two is electric, capturing the complexities of friendship and rivalry that lie at the heart of the story, I am already buzzing with anticipation of how the pair are going to develop in Wicked: Part Two. Like with every aspect of this film, you can tell how much love has gone into it, Ariana and Cynthia's performances feel so incredibly lived in, you can tell how much they adore the roles and how they planned and turned every stone in finding their own versions. They feel true enough to the originals but also bring newness and fresh energy. The Winkie Prince doesn't have as developed of a role in Part One but Jonathan Bailey as Fiyero is still masterful. His smooth charisma is utterly swoon-worthy but more than that, his sincerity and depth is enchanting to watch. In my opinion, 'Dancing Through Life' is one of the most edited songs from the original, but it works so SO well. The new musical arrangement is very cool, with a more funkified feel that complements the show, while feeling totally relevant for a 2024 Wicked release; the whole scene is a joy to watch. Supporting performances by Ethan Slater as Boq, Jeff Goldblum as The Wizard and Michelle Yeoh as Madame Morrible round out the ensemble, each actor bringing something fresh to the beloved characters and paving the way for Part 2.
The music, brought to life with lush orchestration and gorgeous vocals, feels both reverent to Stephen Schwartz’s original score and fresh for this new medium. Familiar songs like 'Popular' and 'What is This Feeling' shine anew, while the staging and cinematography elevate them into true cinematic moments.
One of the greatest triumphs of this adaptation is its fidelity to the source material. Despite its aspirations of massive commercial success- evident from the ambitious marketing campaign- it never sacrifices the heart of the story or the integrity of the musical’s themes. This feels like a love letter to the fans who’ve cherished Wicked for years. Seeing the iconic Time Dragon Clock, the enigmatic blobby men (yes, the technical term!), guest star appearances, and subtle musical motifs scattered throughout feels like being reunited with an old friend. I also love how the cast were allowed to play around with riffs throughout the movie, something that's a big part of the Wicked fandom. There are whole YouTube compilations of the best 'Defying Gravity Riffs' and I have no doubt that the movie one will be added alongside all the others that perfectly fit and bring a freshness to the score that delivers on every level.
The world-building is nothing short of spectacular. Every corner of Oz is brought to life with meticulous attention to detail, from the verdant forests of Shiz and the university to the glittering, imposing Emerald City. Each setting feels wonderfully alive, creating a fully realised world that you can’t help but get lost in. It’s a treasure trove of visual and thematic delights, packed with details that will have fans poring over every frame on their fourth, fifth, or tenth viewing.
This is the kind of film that makes you want to shout about it, to grab everyone you know and say, “You have to see this!” Jon M. Chu and the entire team behind this masterpiece have created a work that will fill the hearts of longtime fans while dazzling new audiences with its brilliance.
For those of us who grew up with Wicked, this is more than just a movie- it’s a moment, a celebration, and a dream brought to live. I could go on for hours and I'm honestly still tearing up the morning after seeing this film, but in summary- it's perfect! Congratulotions to the cast, crew, and creators for giving us something so magical, so heartfelt, and so, so Wonderful. 💚
Sincerely, Olivia
Wicked Lover since Age 8
★★★★★
{movie tickets were gifted}
Wednesday, 6 November 2024
Matthew Bourne’s Iconic Swan Lake Celebrates 30 Years with Extensive UK and Ireland Tour
Dance lovers, prepare to experience the power and artistry of Matthew Bourne’s Swan Lake, as it embarks on an extraordinary UK and Ireland tour to celebrate its 30th anniversary. With 29 weeks of breathtaking performances across 19 venues, New Adventures once again brings Tchaikovsky’s classic to audiences with a thrilling revival that pushes dance theatre boundaries. Starting at Theatre Royal Plymouth on November 11, 2024, and leading into an 8-week holiday season at Sadler’s Wells, this tour marks New Adventures’ 22nd consecutive Christmas season at the iconic venue.
In 2025, the tour extends to Aberdeen, Sheffield, and Dublin, alongside previously announced cities including Birmingham, Cardiff, Edinburgh, and Glasgow, ensuring audiences nationwide will have a chance to experience the groundbreaking production that forever changed dance theatre. Since premiering at Sadler’s Wells in 1995, Swan Lake has won over 30 international awards and become the most successful dance production of all time, celebrated for replacing the traditional female swan ensemble with a bold, male corps-de-ballet. The production’s success has reverberated globally, holding records for the longest-running full-length dance piece in both the West End and on Broadway, with Olivier and Tony Awards in categories from Best New Dance Production to Best Choreography.
This tour also welcomes a new generation of New Adventures talent making their debut in lead roles: Harrison Dowzell, Jackson Fisch, and Rory Macleod as The Swan/The Stranger; James Lovell, Leonardo McCorkindale, and Stephen Murray as The Prince; Nicole Kabera and Ashley Shaw as The Queen; Katrina Lyndon and Bryony Wood in double roles. The company’s stellar ensemble will elevate Lez Brotherston’s set and costume design and Paule Constable’s dynamic lighting, with video and projection by Duncan McLean. The dark, witty, and emotionally charged choreography, directed by Matthew Bourne, remains central to this genre-defining experience, blending wit and menace in equal parts.
As Official Partners, Fortnum & Mason and Edwardian Hotels bring their support to the tour, underscoring the cultural importance of this masterpiece. Join the excitement as Swan Lake embarks on its 30th-anniversary journey, celebrating dance theatre history with every performance.
photo credit: Johan Persson
Friday, 1 November 2024
Mary Poppins Musical Returns for a Spectacular 2024 UK & Ireland Tour with Fresh Cast and Dazzling Magic
The beloved musical Mary Poppins is set to soar again as it embarks on a new UK and Ireland tour in 2024, marking the 20th anniversary since its world premiere. Opening on November 4, 2024, at the Bristol Hippodrome- where the magic began two decades ago- the production will bring familiar faces and new talent to audiences across the UK and Ireland. Sharon Wattis joins the cast as Mrs. Corry and Miss Smythe, alongside Stefanie Jones as Mary Poppins and Jack Chambers as Bert, both praised for their portrayals in Australia.
Audiences will also be captivated by seasoned West End actors like Michael D. Xavier as George Banks, Lucie-Mae Sumner as Winifred Banks, and Rosemary Ashe, a key cast member from the original West End production, returning as Mrs. Brill. Other favourites include Patti Boulaye as Bird Woman, Wendy Ferguson as Miss Andrew, and Ruairidh McDonald as Robertson Ay, with David Burrows taking on the role of Admiral Boom. A rotation of talented young actors will portray Jane and Michael Banks, ensuring each performance remains fresh and engaging.
This upcoming tour celebrates Mary Poppins’ enduring legacy with breathtaking choreography, effects, and music that audiences cherish, featuring unforgettable Sherman Brothers classics like 'Jolly Holiday', 'Step in Time', and 'Feed the Birds'. New songs and music by George Stiles and Anthony Drewe add depth to this magical production, showcasing the beloved P.L. Travers character with fresh vibrancy. The show will travel to prestigious venues including Dublin’s Bord Gáis Energy Theatre, Edinburgh’s Festival Theatre, and Manchester’s Palace Theatre, bringing the joy and wonder of Cherry Tree Lane to life for fans of all ages.
From its award-winning orchestrations by William David Brohn to the visionary direction of Richard Eyre, the Mary Poppins musical brings Broadway and West End mastery to the UK & Ireland stage. With a unique blend of classic storytelling, iconic songs, and a phenomenal creative team led by Cameron Mackintosh and Disney Theatrical Group, this production continues to enchant audiences worldwide.
Get ready for a magical journey with Mary Poppins, touring across the UK and Ireland in 2024, and experience the spellbinding choreography, set design, and unforgettable characters that have won hearts for two decades. Tickets are available now, so don’t miss the chance to see Mary Poppins back where she belongs- onstage, bringing joy to millions.
Bush Theatre Announces 2025 Season: Showcasing New Talent and Unmissable Stories on Stage
Bush Theatre has unveiled an exciting 2025 lineup filled with world premieres, returning stars, and original plays that bring fresh voices and unheard stories to the stage. Committed to launching, establishing, and sustaining careers for emerging writers, Bush Theatre’s new season promises innovative storytelling and compelling performances. Tickets for the new season, available today, start at £15, offering theatre fans an accessible way to experience ground-breaking shows at the forefront of modern theatre.
Kicking off in the Holloway Theatre, the Bush Theatre’s main house, is Lavender, Hyacinth, Violet, Yew by Bush Theatre’s Emerging Writers’ Group alum Coral Wylie. Directed by Debbie Hannan, this world premiere follows one family’s journey of reconciliation. Starring Omari Douglas (of It’s a Sin and Constellations), alongside Wil Johnson and Pooky Quesnel, the play is both moving and unapologetically queer. Later in April, Speed, written by Mohamed-Zain Dada and directed by Olivier-nominated Milli Bhatia, explores the secrets and absurdities of daily life with humour and warmth.
In Bush Theatre’s Studio, the January debut of ...blackbird hour by babirye bukilwa, directed by malakaï sergeant, promises to be a standout. A raw look at self-love, belonging, and identity, this play features creative captioning and audio description for an inclusive experience. For those looking for more stories that explore human connection, Tender, directed by Emily Aboud, will run in November and highlights the serendipitous bond between two people searching for meaning.
The Bush Theatre’s 2025 season showcases its dedication to fresh perspectives and inclusivity, supported by its new Bush Theatre Producers' Circle, which aims to foster the next generation of playwriting talent. Artistic Director Lynette Linton reflects on the season, saying:
It’s a bitter-sweet feeling to announce my penultimate season as Artistic Director of The Bush, though exciting as it shows just what we’re all about, developing new writers and creatives and inviting them into the Bush family."
For fans and newcomers alike, Bush Theatre’s 2025 season is a must-see for those looking to experience the best of modern theatre with stories that resonate.
Thursday, 31 October 2024
SCISSORHANDZ: A Musical Reinvented co-produced by Lance Bass Michelle Visage Set for European Premiere
The European premiere of Scissorhandz: A Musical Reinvented will hit London’s Southwark Playhouse Elephant on 23th January 2025 for a limited, exclusive 10-week engagement. After a highly successful and sold-out run in Hollywood, this fresh musical reimagining of Edward Scissorhands brings Bradley Bredeweg’s critically acclaimed vision to UK audiences, blending pop culture and an empowering message about individuality. With co-producers like Lance Bass and Michelle Visage on board, the show promises a vibrant journey celebrating the courage to be unique.
Michelle Visage shared her excitement, stating:
I am beyond excited to join the producing team for Scissorhandz! The energy, the message, the joy—it’s everything we need right now. In a world that feels a little upside down, this show is a celebration of life, individuality, and fierce self-expression...we’re not just creating a show; we’re creating a movement. Get ready, because it’s going to be an unforgettable ride!”
Lance Bass added:
Producing Scissorhandz has been one of the greatest pleasures of my career, and I can’t wait for London to experience this show! I think audiences in the UK will really embrace the show...It’s not just a musical—it’s a sensory journey...by the end, you’ll be on your feet, feeling like you’ve just experienced something truly unforgettable.”
This 90-minute pop-musical features hit songs from artists like Taylor Swift, Lady Gaga, and Alanis Morissette. It is a tribute and parody rolled into one, celebrating those who “dare to be different.” Bradley Bredeweg, the show’s writer and director, shared a personal connection to the original film, saying, “As a lonely quirky gay kid growing up in the 80s and 90s, this film meant the world to me because it spoke to anyone who felt like they didn’t quite fit in...Our thrill ride of a show is packed with joy and heart, and it’s about owning exactly who you are, even if you happen to have scissors for hands. In a world where people crave that kind of joy more than ever, I’m honoured to bring this story to a new audience in London.”
The Scissorhandz creative team includes choreography by Alexzandra Sarmiento, musical direction by Gregory Nabours, set design by James Pearse Connelly, costume design by Abby Clarke, lighting design by Adam King, sound design by Yvonne Gilbert, and casting by Harry Blumenau. Tickets for Scissorhandz are on sale now, with the official opening night set for 30 January. Prepare for a musical experience that is not only a show but a vibrant celebration of self-expression and the power of standing out.
Wednesday, 30 October 2024
Dear Evan Hansen UK Tour Shines with Stellar Cast Led by Ryan Kopel as Evan
Dear Evan Hansen (UK & Ireland Tour)
New Victoria Theatre
The UK touring production of Dear Evan Hansen is a powerful reimagining of this iconic musical, bringing a fresh perspective on the poignant themes of loneliness, mental health, and connection. With an emotionally charged lead performance by Ryan Kopel as Evan, this tour delivers an impactful night at the theatre, even if certain plot elements occasionally feel drawn out.
The story centers on Evan Hansen, an anxious high schooler who, after a classmate's tragic death, finds himself unintentionally entwined in a lie that spirals beyond his control. His journey explores themes of identity, social isolation, and the quest for belonging- a plot that resonates as deeply now as it did on the West End.
One of the biggest draws of this tour is the remarkable cast, each bringing a fresh, dynamic energy to their roles. Ryan Kopel’s portrayal of Evan is truly outstanding. The role is demanding, both physically and emotionally, requiring stamina, vulnerability, and incredible vocal control- Kopel delivers on all fronts. His clear, supported voice was faultless, his high notes beautifully sustained, adding depth to Evan's raw emotional state. In key numbers like 'Waving Through a Window' and 'Words Fail', Kopel navigates complex vocal lines with ease, creating a deeply moving experience for the audience.
Other cast members also stand out, especially Alice Fearn as Evan’s mother Heidi, whose raw emotion and vocal strength bring heart to the challenging role of a single mother trying to connect with her son. Lauren Conroy as Zoe Murphy brings a nuanced, sensitive touch to Evan’s love interest, balancing warmth with resilience. Tom Dickerson brings excellent comic relief to the musical as Jared Kleinman, bouncing off the other cast members brilliantly, as well as providing some great vocals. Killian Thomas Lefevre is engaging and interesting as Connor Murphy, while Vivian Panka brings real depth and charm to Alana Back. Meanwhile, Helen Anker and Richard Hurst as Cynthia and Larry Murphy round out a strong ensemble, infusing depth into the grieving parents navigating an unimaginable loss.
While the touring version of Dear Evan Hansen maintains the essence of the original West End production, subtle changes give it a fresh appeal. The staging is slightly pared down but still uses projections to convey the overwhelming impact of social media on Evan’s life. This simplified set design may lack the intricate detail of the West End, but it shifts the focus squarely onto the characters’ raw emotions, allowing the actors’ performances to truly shine.
The music, written by Benj Pasek and Justin Paul, is the highlight and fundamental strength of the production. Songs like 'For Forever', 'Only Us' and the powerful ensemble number 'You Will Be Found' are beautifully melodic and resonate deeply, perfectly mirroring Evan's emotional turmoil and the longing for connection that permeates the story. That said, the show’s pacing lags at points, especially in the second act. Certain scenes feel slightly stretched, and the plot occasionally meanders, which impacts the overall flow. Nonetheless, the emotionally charged score and Kopel’s riveting performance help the production recover from these slower moments.
Ryan Kopel’s portrayal of Evan is nothing short of stellar, capturing the emotional weight of the role with impeccable vocal and physical stamina.”
Ultimately, this touring production of Dear Evan Hansen offers a heartfelt, stirring experience, driven by a cast whose performances capture the story’s core themes. While the pacing could benefit from a tighter structure, the show’s ability to connect with audiences remains as strong as ever. Ryan Kopel’s Evan is a tour de force- worth experiencing for his performance alone, as well as for the lovely ensemble that brings this story to life across the UK.
Reviewed on Tuesday 29th October 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
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