Showing posts sorted by relevance for query Cabaret. Sort by date Show all posts
Showing posts sorted by relevance for query Cabaret. Sort by date Show all posts

Monday, 21 March 2022

Fra Fee, Amy Lennox, Omar Baroud and Vivien Parry in Cabaret at the Kit Kat Club


Released today – production shots of Fra Fee (Emcee), Amy Lennox (Sally Bowles), Omar Baroud (Cliff Bradshaw) and Vivien Parry (Fraulein Schneider) in CABARET at the Kit Kat Club ahead of their first performance this evening, Monday 21 March.

Cabaret at the Kit Kat Club has recently been nominated for 11 Olivier Awards including Best Musical Revival,  Best Director, Best Set Design, Best Costume Design, Best Theatre Choreographer, Best Lighting Design and Best Sound Design.  
 
Fra Fee (Emcee) most recently starred as Kazi in the hit Disney+ series Hawkeye, set in the Marvel Cinematic Universe. He created the role of Michael Carber in the award-winning play The Ferryman at the Royal Court, the Gielgud Theatre in the West End and the Bernard B. Jacobs Theatre on Broadway. His other theatre credits include Owen in Translations and Amiens in As You Like It, both at the National Theatre and the title role in Candide at the Menier Chocolate Factory. He played Courfeyac in the film of the musical Les Misérables and also appeared in the stage production at the Queen’s Theatre.
 
Amy Lennox (Sally Bowles) received an Olivier nomination for Best Actress in a Supporting Role in a Musical for her portrayal of Lauren in the West End production of Kinky Boots. Her other credits include Ellie in the London premiere of the David Bowie and Enda Walsh musical Lazarus. She was in the original West End cast of the musical Legally Blonde and created the role of Doralee in the original UK production of 9 to 5 The Musical.
 
Fra and Amy appeared together in the critically acclaimed production of The Last Five Years in Belfast.
 
Omar Baroud (Cliff Bradshaw) is soon to appear in the series Wedding Season for Disney+. His other TV credits include Baptiste for the BBC and The Innocents for Netflix. His theatre credits include You Bury Me for Paines Plough, As You Like It at the Watermill Theatre, A Song at Twilight at the Theatre Royal Bath and All Places That The Eye of Heaven Visits at Shakespeare’s Globe.
 
Vivien Parry (Fraulein Schneider) has appeared in many West End productions including Madge Hardwick in the original cast of Top Hat at the Aldwych Theatre, Madame Thénardier in Les Misérables at the Queen’s Theatre, Donna in Mamma Mia! at the Prince of Wales Theatre and Mrs Walshingham in Half A Sixpence at the Noel Coward Theatre. Vivien’s other credits include Twelfth Night and The Shoemaker’s Holiday, both for the Royal Shakespeare Company and Celia in The Girls at Leeds Grand Theatre.
 
They join the full company including Elliot Levey as ‘Herr Schultz’ (Olivier Award nominee for his role in this production), Stewart Clarke as ‘Ernst Ludwig’ and Anna-Jane Casey as ‘Fraulein Kost’. The cast is completed by Josh Andrews, Emily Benjamin, Sally Frith, Matthew Gent, Emma Louise Jones, Ela Lisondra, Theo Maddix, Chris O’Mara, Daniel Perry, Andre Refig, Christopher Tendai, Bethany Terry, Lillie-Pearl Wildman and Sophie Maria Wojna.
 
Cabaret is directed by Rebecca Frecknall,  set and costume design is by Tom Scutt with choreography by Julia Cheng. Musical supervision and direction is by Jennifer Whyte. Lighting design is by Isabella Byrd with sound design by Nick Lidster. The casting director is Stuart Burt and the associate director is Jordan Fein.
 
Cabaret at the Kit Kat Club is booking until October 2022. 

Cabaret at the Kit Kat Club

Cabaret at the Kit Kat Club
Photos by Marc Brenner

Cabaret at the Kit Kat Club

Amy Lennox as 'Sally Bowles'

Cabaret at the Kit Kat Club

Fra Fee 'Emcee'.

Cabaret at the Kit Kat Club

Fra Fee 'Emcee' and Amy Lennox 'Sally Bowles'

Cabaret at the Kit Kat Club

Fra Fee 'Emcee'.

Wednesday, 15 November 2017

Cabaret (UK Tour), Edinburgh Playhouse | Review


Cabaret (UK Tour)
Edinburgh Playhouse 
Reviewed on Tuesday 14th November 2017 by Liv Ancell
★★★★★

With the two headliners of this show – Will Young and Louise Redknapp - being bona-fide British primetime celebrities and regular tabloid fodder, its no wonder that Edinburgh turned out in force to see Cabaret, director Rufus Norris’ latest show.


While Louise and Will may have been the initial draw for some, they will have no doubt left the theatre feeling utterly bowled over by the timeless storyline, endearing characters, and unbeatable music of Cabaret.


What a test of stamina this show is for all involved! The frantically pulsating and contorting cast whirl around the stage at an alarming rate. The choreography was a level above anything else I’ve seen in recent times – the cast members pulled off gruelling moves which were positively acrobatic and perfectly timed.


Belting out Cabaret’s signature songs must be a challenging task; this musical feat was made even more impressive while simultaneously cartwheeling, gyrating, prancing and frolicking. Such sophisticated choreography from Javier du Frutos – especially in Wilkommen and The Money Song – really reinforced this show’s status as world-class.



Louise Redknapp gave everything to this performance, and the volumes to her voice will be sure to silence anybody who may have been skeptical about whether her popstar voice would survive a stage performance. From charming to sultry, to showgirl and seductive, her singing was a complete triumph. Charles Hagerty played Clifford Bradshaw wonderfully; embodying the morally righteous and somewhat naïve American author. His acting was second to none and he subtly conveyed an impressive range of emotions on stage.


This being said, Will Young is just in a class of his own. He wears the garb of the inimitable Emcee with utter brilliance. With incredible expression and by masterful voice control, Will gave the ultimate portrayal of the quirky and coquettish clown of the Berlin cabaret scene. His Emcee was equal parts playful and dark, and his German accent and sing-song voice was perfectly measured.


The raciness and nudity in the show was perfectly balanced by a more despairing and serious storyline. Nazi undercurrents perfectly underpinned the storyline, with the rising prejudice of the time tastefully portrayed and immortalised in this production. The ever endearing Herr Shultz – our patient and adorable Jewish man – was a stand-out character, and Linal Haft gave a commendable performance in this crucial role. His companion, Fraulein Kost (Basienka Blake) was equally commanding, and she too gave a convincing performance, not breaking her accent even during song.


The final scene – which I won’t give away – was sad and beautiful. The high tempo energy of Cabaret couldn’t keep going forever, and it left viewers with a lesson in history to remember. This show is incredible; it will invoke all sorts of emotions, including wonder, amazement and awe. I’d highly recommend going along if it comes to a theatre near you next; it’s absolutely unmissable!

Cabaret is at the Edinburgh Playhouse until November 18th before continuing its tour.

Photo credit: Pamela Raith

Tuesday, 1 March 2022

Cabaret at the Kit Kat Club Announces New Emcee and Sally Bowles


The producers of CABARET at the KIT KAT CLUB in London’s West End are delighted to announce that Fra Fee will play ‘The Emcee’ and Amy Lennox will play ‘Sally Bowles’ from 21 March – 25 June 2022. This unique production opened in December last year to critical and audience acclaim, widely praised as the ultimate theatrical experience.

 

Adam Speers, Ed Bartlam and Charlie Wood, the producers of Cabaret at the Kit Kat Club said today “We are thrilled to be welcoming the perfectly marvellous Fra Fee and Amy Lennox to our production of Cabaret. We wanted to recast these career defining roles with exceptional actors and so we’re just delighted that the stars have aligned with both Fra and Amy’s schedules.  We couldn’t have asked for a more exciting and thrilling duo to follow Eddie and Jessie.”

 

Director Rebecca Frecknall said today “It's always exciting to be able to keep a production live and evolving across its run, to be able to continue digging into the piece and making new discoveries. The fact that we will have new actors taking on the roles of Sally and the Emcee as Cabaret continues to run in the West End is thrilling, the original cast passing the baton to different actors who will bring their own perspectives to the work. I'm thrilled that Fra Fee and Amy Lennox will be the first new pair joining the production this Spring, two of our most exciting stage and screen actors. I know they will bring new creative energy to the production and will show me and our audiences new facets of the show.”

 

Fra Fee most recently starred as Kazi in the hit Disney+ series Hawkeye, set in the Marvel Cinematic Universe. He created the role of Michael Carber in the award-winning play The Ferryman at the Royal Court, the Gielgud Theatre in the West End and the Bernard B. Jacobs Theatre on Broadway. His other theatre credits include Owen in Translations and Amiens in As You Like It, both at the National Theatre and the title role in Candide at the Menier Chocolate Factory. He played Courfeyac in the film of the musical Les Misérables and also appeared in the stage production at the Queen’s Theatre.

 

Amy Lennox received an Olivier nomination for Best Actress in a Supporting Role in a Musical for her portrayal of Lauren in the West End production of Kinky Boots. Her other credits include Ellie in the London premiere of the David Bowie and Enda Walsh musical Lazarus. She was in the original West End cast of the musical Legally Blonde and created the role of Doralee in the original UK production of 9 to 5 The Musical.

 

Fra and Amy appeared together in the critically acclaimed production of The Last Five Years in Belfast.

 

Also joining the production on 21 March 2022 will be Omar Baroud as ‘Cliff Bradshaw’ and Vivien Parry as ‘Fraulein Schneider’. Continuing in their roles will be Elliot Levey as ‘Herr Schultz’, Stewart Clarke as ‘Ernst Ludwig’ and Anna-Jane Casey as ‘Fraulein Kost’.

The cast is completed by Josh Andrews, Emily Benjamin, Sally Frith, Matthew Gent, Emma Louise Jones, Ela Lisondra, Theo Maddix, Chris O’Mara, Daniel Perry, Andre Refig, Christopher Tendai, Bethany Terry, Lillie-Pearl Wildman and Sophie Maria Wojna.

  

Omar Baroud (Cliff Bradshaw) is soon to appear in the series Wedding Season for Disney+. His other TV credits include Baptiste for the BBC and The Innocents for Netflix. His theatre credits include You Bury Me for Paines Plough, As You Like It at the Watermill Theatre, A Song at Twilight at the Theatre Royal Bath and All Places That The Eye of Heaven Visits at Shakespeare’s Globe.

 

Vivien Parry (Fraulein Schneider) has appeared in many West End productions including Madge Hardwick in the original cast of Top Hat at the Aldwych Theatre, Madame Thénardier in Les Misérables at the Queen’s Theatre, Donna in Mamma Mia! at the Prince of Wales Theatre and Mrs Walshingham in Half A Sixpence at the Noel Coward Theatre. Vivien’s other credits include Twelfth Night and The Shoemaker’s Holiday, both for the Royal Shakespeare Company and Celia in The Girls at Leeds Grand Theatre.

 

Elliot Levey (Herr Schultz) most recently appeared in Nine Lessons and Carols at the Almeida where he also appeared in Three Sisters. His other theatre credits include the West End productions of Mary Stuart at the Duke of York’s Theatre, The Ruling Class at Trafalgar Studios and Much Ado About Nothing at the Wyndham’s Theatre. His National Theatre credits include The Habit of Art and His Dark Materials.

 

Stewart Clarke (Ernst Ludwig) most recently appeared in Be More Chill at The Other Palace. His West End theatre credits include Fiddler on the Roof at the Playhouse Theatre and Loserville at the Garrick Theatre. He also appeared in Assassins at the Menier Chocolate Factory and The Rink at the Southwark Playhouse.

 

Anna-Jane Casey (Fraulein Kost) was most recently seen in Girl from the North Country at the Gielgud Theatre in the West End. Her other West End credits include Mrs Wilkinson in Billy Elliot at the Victoria Palace and Lady of the Lake in Spamalot at the Playhouse Theatre. She played Dot in Sunday in the Park with George at the Menier Chocolate Factory, Mabel in Mack and Mabel at the Watermill Theatre and the title roles in Piaf and Sweet Charity and Violet Butterfield in Flowers for Mrs Harris, all at the Sheffield Crucible.

 

In a time when the world is changing forever, there is one place where everyone can be free… Welcome to the Kit Kat Club, home to an intimate and electrifying new production of CABARET. This is Berlin. Relax. Loosen up. Be yourself. 

 

The Kit Kat Club has laid siege to the Playhouse Theatre. The performers have infiltrated the premises. The artists have staked their claim. Who knows for how long they’ll stay, but for now they are enjoying the party. The party at the end of the world.

 

Transforming one of London’s most famous theatres with an in-the-round auditorium and reimagined spaces, before the show guests are invited to enjoy and explore the Kit Kat Club with pre-show entertainment, drinks and dining all on offer. When booking, guests receive a 'club entry time' to allow enough time to take in the world of the Kit Kat Club before the show starts. But of course, the show really starts when you first join us in the club…

 

One of the most successful musicals of all time CABARET features the songs Wilkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Based on the play by John Van Druten and stories by Christopher Isherwood.

 

CABARET is directed by Rebecca Frecknall (the Almeida’s Olivier Award winning Summer and Smoke, The Duchess of Malfi, Three Sisters), set and costume design is by Tom Scutt (A Very Expensive Poison, Constellations, King Charles III, Jesus Christ Superstar, collaborations with Sam Smith, Christine and the Queens) with choreography by Julia Cheng (founder of the House of Absolute, Philharmonia Orchestra Artist in Residence, recipient of the runner-up prize for Hip Hop Dance futures, Resident Choreographer for the Royal Academy of Dance, Judge and mentor for BBC Young Dancer and Breakin’ Convention – the UK’s biggest Hip Hop Festival, collaborations with London Fashion Week, Google and Dr Martens). Musical supervision and direction is by Jennifer Whyte (Les Misérables film, Caroline Or Change, Parade). Lighting design is by Isabella Byrd (Heroes of the Fourth Turning and Light Shining in Buckinghamshire – both in New York, Daddy – A Melodrama at the Almeida and The Flick at the National theatre) with sound design by Nick Lidster (City of Angels, Passion, Pacific Overtures and Parade at the Donmar Warehouse, Sweeney Todd and On The Town for English National Opera, A Chorus Line, Les Misérables and Miss Saigon). The casting director is Stuart Burt (& Juliet, The Drifters Girl and 2021 CDG Award for Best Casting in Theatre for Cyrano De Bergerac) and the associate director is Jordan Fein.

 

Tickets for CABARET at the KIT KAT CLUB are currently on sale until October 2022. kitkat.club

CABARET at the KIT KAT CLUB is produced by Ambassador Theatre Group Productions and Underbelly.

Sunday, 4 October 2020

Cabaret All Stars, Proud Embankment | Review


Proud Cabaret
Proud Embankment
Reviewed on Friday 2nd October 2020 by Olivia Mitchell 
★★★★

With theatrical nights out so few and far between (for obvious reasons) each opportunity to experience live performance is a real treat. With the weather getting colder and the nights getting longer, Proud Cabaret is a perfect remedy for the gloom which is so often prevalent these days, and is a treat for anyone craving some glitz and glam in their lives; plus you get to see West End superstar Kerry Ellis headline the night.

The evening takes place at Proud Embankment, a bustling venue under the arches of Waterloo bridge. You're escorted in by ushers draped in feathers and sparkles (including a glitzy face mask, of course) and it almost feels like entering a speak easy where unknown adventures will take place. The tables in the venue are socially distanced and you are asked to wear your own face mask any time you stand up or move around. As well as the performances the ticket includes a wonderful Japanese fusion three-course meal and a welcome cocktail, provided by head chef, Antonio Vacca. The food is outstanding, and a show in itself.

The show/event itself occurs in the round over two levels. Each table has a great view of the action and the varying levels of the acts themselves means every view is completely unique. The night is jam packed with world class circus and cabaret performers who keep you on the edge of your seat and completely invested from start to finish. The whole thing feels very vintage but with a modern twist; there's classic burlesque numbers mixed in with mime, sword swallowing and aerial work. There's no story or dramatic structure as such but the whole thing flows well and feels very dreamlike. Each week features a slightly different line up but they are all high class and high quality.

The through-line of the show is Kerry Ellis who appears periodically throughout the evening to wrap us around her finger with her powerhouse vocals. She is a certified star who controls the stage with elegance and power in perfect balance. Ellis' rendition of Diamonds Are Forever is completely brilliant and like each song, is followed by rapturous applause. 

It's a treat to see any sort of live performance these days, but performances of such high standards make it even more of a treat. A night of decadence which evokes the Jazz age, Cabaret All Stars is definitely worth a visit.

Monday, 12 October 2020

The Show Must Go On, The Lost Alhambra | Review


The Show Must Go On (Chicago)
The Lost Alhambra 
Reviewed on Friday 9th October 2020 by Olivia Mitchell 
★★★★★

With the fate of theatre hanging precariously right now, in a happy medium and potential loophole, cabaret style nights out appear to be one of the few ways live theatre can still go ahead. One venue which is making this happen (and happen in style) is The Lost Alhambra in Leicester Square. The Show Must Go On is an immersive, cabaret dining experience which packs a punch. The night is complete with a 3 hour show, a 2 course meal, welcome cocktail and bottomless prosecco, you couldn't really ask for more!


Drag performer Poppycock hosts the night alongside some of musical theatre's best stars as they take us through a show via the score and some of the text. At this performance we got the treat of Chicago, which fits wonderfully into the dimly lit space of The Lost Alhambra; upcoming performances include Hairspray, Mamma Mia, Rocky Horror and Priscilla Queen of the Desert.


In theory, this is like any other cabaret but it feels so much stagier than anything I've experienced before. As you walk in you are greeted background music from some of the most popular and current shows, the staff all seem to love theatre and the whole thing feels like an immersive show, full to the brim with theatricality.




The venue itself is an instagrammer's dream, with pink decor, vintage feeling bathrooms and a Photo Booth to document the night (it's £4 and you get an email with the photos and gif as well as your print out keepsake).  The luxurious space is perfect to let your troubles slide away, and the unlimited prosecco which starts flowing from the moment of entry doesn't hurt either! Mention must also go to the staff who are excellent at not only being attentive but also create a wonderful atmosphere from the get go. You really feel part of something special and this only helps to get the room buzzing for the upcoming night of performance.


At this performance, Poppycock was the hostess with the mostest, welcoming us with a rousing rendition of Don't Rain on my Parade, before heading full throttle into the night, taking on various roles and perfecting the balance between ringleader, comedian and vocal dynamo. Laura Tyrer reprises her West End role as Velma Kelly, with Haley Flaherty as her partner in crime, Roxie Hart and Oliver Tompsett as the quick talking lawyer, Billy Flynn. Poppycock takes on basically every other role from Amos Hart to Mary Sunshine.


Each of the performers show off their impeccable talent and really transport us to the world of Chicago. An audience full of prosecco can definitely be noisy but the cast do an exceptional job of keeping everyone engaged and giving a truly top notch performance. Particularly impressive is the three-person Cell Block Tango and the energetic, high-kick filled I Can't Do It Alone.




The tickets start at £50 for everything and 1 hour of prosecco, with the top price being £65 for 2 hours of prosecco. It sounds a little pricey but for the amount and quality of the evening it's well worth it; plus the 10pm curfew means you can have an excellent night out and still be in bed at a reasonable time! I would certainly love a trip back, would weekly be too excessive?


The Chicago theme was excellent and the future performances are sure to be just as good. If you're looking for a way to get your theatre fix, look no further than The Show Must Go On. Not only is this a spectacularly wonderful night out but it's also a beacon of hope for the future of theatre. Get yourselves down to Leicester Square and live your best stagey life.

Saturday, 23 September 2017

Cabaret (UK Tour), New Wimbledon Theatre | Review


Cabaret (UK Tour)
New Wimbledon Theatre
Reviewed on Friday September 22nd 2017 by Olivia Mitchell
★★

After Germany's defeat in World War 1, the treaty of Versaille was set out to totally humiliate the nation; inflation rocketed and the economy flew into a downward spiral. This was eventually stabilised but people had seen themselves and those around them lose everything so the idea of 'seizing the day' was adopted and Berlin became a heaving Bohemian world where you lived to enjoy the here and now. This is when we are thrown into the world of Cabaret. It's 1930 New Years Eve, a young American writer, Clifford Bradshaw has just arrived in Berlin and is ready to see what the city has to offer.

The show is a full on combination of things with dance, drink and drugs taking the lead as people relished in the decadent, censorship free lifestyle. The set by Katrina Lindsay manages to be bright and dark at the same time. There are moments of intense glitz and glam with flashing lights and moving sets but also moments of dim, dark spaces which imply what's to come as the golden age passes. The rise of fascism is extremely prevalent in Rufus Norris' production especially during the chilling final scene of act 1 when the Emcee turns into a puppet master, holding overgrown children at the end of strings as he sings the Aryan folk song Tomorrow Belongs To Me.

As the Emcee, Will Young is outstanding, suitably wacky but all-knowing at once. His comedic timing is wonderful as he soars through the notes with a sinister hint always shining through. Young is certainly the star of this show and it's clear why he was asked back to be part of the tour and his balloon clad rendition of Money was the stand out performance of the production for me. 

Louise Redknapp takes on the iconic role of Sally Bowles, the British showgirl who has lost her way. Unfortunately Redknapp's performance fell flat at times; instead of showing a crumbling, emotional girl she was decadent, bold and showed very minimal signs of her struggle. At times her voice was strong but fell flat on her big number, Maybe This Time. Sally Bowles was originally written to be a somewhat second rate performer which is why she has previously been cast as an actress who can sing and opposed to a singer who can act however, Louise kind of fell in between the two and I felt a little underwhelmed. 

Charles Hagerty is strong as Clifford, developing his various relationships well. His voice is incredibly strong and his performance of Why Should I Wake Up? is a stand out moment. A large part of the action has to do with Clifford's landlady Fräulein Schneider (Susan Penhaligon) and her relationship with the local Jewish fruit seller (Linal Schultz) as their normal lives begin to be put in jeopardy. The pair are great together and their affection for one another is very sweet to see.

This show is worth seeing for Young's performance and for the bold imaginative design and choreography but it needs more oomph overall.

Thursday, 19 May 2016

The Raunch, Spiegeltent | Review

Going into something with no idea what its about is both exhilarating and slightly terrifying. Whilst I wouldn't say I was terrified of what to expect when seeing The Raunch, I was slightly worried. I had absolutely no clue what the show was about except that it involved circus tricks and was sure to provide a  toe-tapping, exciting night. 

The Raunch is a show starring the Most Wanted of the international cabaret and circus scene and featuring a toe tapping, disco-hoedown soundtrack. 

Thursday, 12 May 2022

Jeremy Jordan to Perform Live in London


Fourth Wall Live is thrilled to announce that Broadway star Jeremy Jordan will be performing a solo show live in London at Theatre Royal Drury Lane on Monday 29 August 2022. Pre-sale sign up is open now. www.fw-live.com/jeremy
 
This marks Jeremy’s fourth solo engagement in London after three previous sold-out runs as well as the sold-out Bonnie and Clyde in Concert at Theatre Royal Drury Lane in January of this year. The show is an opportunity for Jeremy to celebrate the some of music he is most loved for performing as well as personal favourites both old and new. 
 
Jeremy Jordan is a Broadway performer who is best known for Newsies (Tony, Grammy, Drama Desk nominations), Bonnie and Clyde (Theatre World Award), American Son, Little Shop of Horrors, West Side Story, Waitress and Rock of Ages. On television he has appeared as a series regular on Supergirl, Smash, and Disney's Tangled. His film credits include The Last 5 Years, Joyful Noise, American Son, Newsies. He will soon star as the tenacious record industry giant, Neil Bogart, in the upcoming feature film, Spinning Gold. Jeremy is also a singer-songwriter whose concerts and cabaret shows have won awards and acclaim worldwide. 


Benjamin Rauhala is one of the Broadway community's most trusted music directors and collaborators. He is the Music Supervisor and co-creator of Disney Princess - The Concert, touring over 90 cities in North America throughout 2022. He was named Best Musical Director at the 2020 Broadway World Cabaret Awards. He has toured the world as the music director for Jeremy Jordan, the Tony-nominated star of Broadway's Newsies and The CW's Supergirl. He is also the music director for Academy Award Winner Ariana DeBose, Halston star Krysta Rodriguez, Tony nominees Derek Klena, Jennifer Damiano, Kathryn Gallagher, Nashville star Kyle Dean Massey, and Frozen stars Caroline Bowman and Austin Colby. He was the Associate Music Director for the world premiere of The Secret Life of Bees at the Atlantic Theater, directed by Sam Gold, with music by Duncan Sheik. He worked on the music team for both Bartlett Sher's Broadway revival of Fiddler on the Roof and the Broadway production of Duncan Sheik's American Psycho simultaneously during the 2016 season. His Off-Broadway credits include David Byrne’s Joan of Arc: Into The Fire at The Public Theater and The Marvelous Wonderettes at Theater Row. He previously served as music director for Hit List, the meta-musical from the NBC television show SMASH and is an Original Programming Producer at Feinstein's/54 Below, where he has created dozens of sold-out concerts, including the Broadway Loves Series, that has famously honoured Britney Spears, Demi Lovato, Selena Gomez, Celine Dion and many more beloved pop icons.

 

Fourth Wall Live (FWL) is a live entertainment company that produces events, concerts and on-stage shows. This January FWL presented Bonnie & Clyde the musical in concert for two nights to a sold-out audience at Theatre Royal Drury Lane starring Broadway favourite Jeremy Jordan. This concert broke Drury Lane box office records selling out a 2-night run in less than 6 minutes.

 

FWL regularly brings Broadway artists to the UK, previous concerts include Broadway and TV regulars Chita Rivera, Keala Settle, Laura Benanti, Sierra Boggess, Kelli O’Hara, Laura Michelle Kelly, Megan Hilty, Tituss Burgess, Jeremy Jordan, Matthew Morrison, Erich Bergen, Eden Espinosa, Julia Murney and Cynthia Erivo. Other concerts include West End and UK Stars solo concerts including Michael Ball, Matt Cardle, Kerry Ellis, Oliver Tompsett, Hannah Waddingham, Sharon D Clarke, Bonnie Langford and Jenna Russell. 

 

Tori Amos’s musical The Light Princess was presented to critical acclaim, as a special one-off concert in the summer of 2018. Rodgers + Hammerstein’s Cinderella and Zorro The Musical were presented with musical-all-star-casts in 2019 and 2020 respectively to sold out audiences.

 

Fourth Wall Live also regularly partners with the Hippodrome Casino, in November-December 2020 they produced 25 nights of socially distanced entertainment, proudly being the first live concert event post lockdown in the UK.  Season two at the Hippodrome concerts ran from September 2021 to December 2021 and featured 20 nights of musical entertainment from the world of musical theatre and pop cross over.

Friday, 8 December 2017

The Barricade Boys: Christmas Cabaret, The Other Palace Studio | Review


The Barricade Boys: Christmas Cabaret (Concert) 
The Other Palace Studio
Reviewed on Thursday 7th December 2017 by Olivia Mitchell 
★★★★★

The Barricade Boys bring together some of the finest Lew Miserables alumni (Scott Garnham, Craig Mather, Kieran Brown, Simon Schofield) and finest male voices to create truly beautiful sounds and performances. The boys have toured extensively and appeared on a number of television programmes but this time they're back for a three week-residency of Christmas delights at The Other Palace. 

I've really been getting into the Christmas spirit recently with a number of festive shows and this was certainly one of the best. Entering the studio of The Other Palace we are greeted with a beautifully adorned Christmas tree and a cosy log fire projected onto the wall which sets the mood for the relaxed, warm evening to come. The boys normally perform with a seven-piece band but this time opt for a "stripped back" performance with just them and the piano (played fantastically by musical director, Noam Galperin) which further adds to the intimate feeling of the night.

The set of 23 songs was varied and extremely well put together with a mixture of festive favourites, Les Mis hits and some more unexpected songs. Standout moments included I'll Be Home For Christmas/Bring Him Home and Man In The Mirror which both featured tight harmonies and wonderful interaction between the boys. Their rendition of Bohemian Rhapsody must get a special mention as it was done so well; with suitable emotion and humour to keep it entertaining and amusing, whilst maintaining the integrity and showing off everyone's unique voices.

When speaking about the goals of the group, Scott explained that they take the work very seriously but not themselves and this is exactly right. The music was faultless but made all the better by the brilliant on stage interactions where the boys bounced off one another and seemed to genuinely be having fun.

Each night a special West End star will join the boys on stage, this particular night we had the pleasure of seeing the supremely talented Michael Xavier. He performed a haunting, melancholy version of Have Yourself a Merry Little Christmas before the boys joined him for a side splitting, Les Mis version of the Twelve Days of Christmas. Michael was a lovely addition to the programme and the number of amazing guests set to appear, certainly makes me want to go back to another concert in the run.

This pitch perfect ensemble with stand out solo moments and smooth, natural, humourous on stage rapport is all you could ask for at Christmas time. For a festive, lighthearted evening of  top notch entertainment, you can't go wrong with The Barricade Boys and I would high recommend paying them a visit during their run!

The Barricade Boys are at The Other Palace until December 23rd