Showing posts sorted by relevance for query Cabaret. Sort by date Show all posts
Showing posts sorted by relevance for query Cabaret. Sort by date Show all posts
Sunday 4 October 2020
Cabaret All Stars, Proud Embankment | Review
Proud Cabaret
Proud Embankment
Reviewed on Friday 2nd October 2020 by Olivia Mitchell
★★★★
With theatrical nights out so few and far between (for obvious reasons) each opportunity to experience live performance is a real treat. With the weather getting colder and the nights getting longer, Proud Cabaret is a perfect remedy for the gloom which is so often prevalent these days, and is a treat for anyone craving some glitz and glam in their lives; plus you get to see West End superstar Kerry Ellis headline the night.
The evening takes place at Proud Embankment, a bustling venue under the arches of Waterloo bridge. You're escorted in by ushers draped in feathers and sparkles (including a glitzy face mask, of course) and it almost feels like entering a speak easy where unknown adventures will take place. The tables in the venue are socially distanced and you are asked to wear your own face mask any time you stand up or move around. As well as the performances the ticket includes a wonderful Japanese fusion three-course meal and a welcome cocktail, provided by head chef, Antonio Vacca. The food is outstanding, and a show in itself.
The show/event itself occurs in the round over two levels. Each table has a great view of the action and the varying levels of the acts themselves means every view is completely unique. The night is jam packed with world class circus and cabaret performers who keep you on the edge of your seat and completely invested from start to finish. The whole thing feels very vintage but with a modern twist; there's classic burlesque numbers mixed in with mime, sword swallowing and aerial work. There's no story or dramatic structure as such but the whole thing flows well and feels very dreamlike. Each week features a slightly different line up but they are all high class and high quality.
The through-line of the show is Kerry Ellis who appears periodically throughout the evening to wrap us around her finger with her powerhouse vocals. She is a certified star who controls the stage with elegance and power in perfect balance. Ellis' rendition of Diamonds Are Forever is completely brilliant and like each song, is followed by rapturous applause.
It's a treat to see any sort of live performance these days, but performances of such high standards make it even more of a treat. A night of decadence which evokes the Jazz age, Cabaret All Stars is definitely worth a visit.
Monday 12 October 2020
The Show Must Go On, The Lost Alhambra | Review
The Show Must Go On (Chicago)
The Lost Alhambra
Reviewed on Friday 9th October 2020 by Olivia Mitchell
★★★★★
With the fate of theatre hanging precariously right now, in a happy medium and potential loophole, cabaret style nights out appear to be one of the few ways live theatre can still go ahead. One venue which is making this happen (and happen in style) is The Lost Alhambra in Leicester Square. The Show Must Go On is an immersive, cabaret dining experience which packs a punch. The night is complete with a 3 hour show, a 2 course meal, welcome cocktail and bottomless prosecco, you couldn't really ask for more!
Drag performer Poppycock hosts the night alongside some of musical theatre's best stars as they take us through a show via the score and some of the text. At this performance we got the treat of Chicago, which fits wonderfully into the dimly lit space of The Lost Alhambra; upcoming performances include Hairspray, Mamma Mia, Rocky Horror and Priscilla Queen of the Desert.
In theory, this is like any other cabaret but it feels so much stagier than anything I've experienced before. As you walk in you are greeted background music from some of the most popular and current shows, the staff all seem to love theatre and the whole thing feels like an immersive show, full to the brim with theatricality.
The venue itself is an instagrammer's dream, with pink decor, vintage feeling bathrooms and a Photo Booth to document the night (it's £4 and you get an email with the photos and gif as well as your print out keepsake). The luxurious space is perfect to let your troubles slide away, and the unlimited prosecco which starts flowing from the moment of entry doesn't hurt either! Mention must also go to the staff who are excellent at not only being attentive but also create a wonderful atmosphere from the get go. You really feel part of something special and this only helps to get the room buzzing for the upcoming night of performance.
At this performance, Poppycock was the hostess with the mostest, welcoming us with a rousing rendition of Don't Rain on my Parade, before heading full throttle into the night, taking on various roles and perfecting the balance between ringleader, comedian and vocal dynamo. Laura Tyrer reprises her West End role as Velma Kelly, with Haley Flaherty as her partner in crime, Roxie Hart and Oliver Tompsett as the quick talking lawyer, Billy Flynn. Poppycock takes on basically every other role from Amos Hart to Mary Sunshine.
Each of the performers show off their impeccable talent and really transport us to the world of Chicago. An audience full of prosecco can definitely be noisy but the cast do an exceptional job of keeping everyone engaged and giving a truly top notch performance. Particularly impressive is the three-person Cell Block Tango and the energetic, high-kick filled I Can't Do It Alone.
The tickets start at £50 for everything and 1 hour of prosecco, with the top price being £65 for 2 hours of prosecco. It sounds a little pricey but for the amount and quality of the evening it's well worth it; plus the 10pm curfew means you can have an excellent night out and still be in bed at a reasonable time! I would certainly love a trip back, would weekly be too excessive?
The Chicago theme was excellent and the future performances are sure to be just as good. If you're looking for a way to get your theatre fix, look no further than The Show Must Go On. Not only is this a spectacularly wonderful night out but it's also a beacon of hope for the future of theatre. Get yourselves down to Leicester Square and live your best stagey life.
Saturday 23 September 2017
Cabaret (UK Tour), New Wimbledon Theatre | Review
Cabaret (UK Tour)
New Wimbledon Theatre
Reviewed on Friday September 22nd 2017 by Olivia Mitchell
★★★
After Germany's defeat in World War 1, the treaty of Versaille was set out to totally humiliate the nation; inflation rocketed and the economy flew into a downward spiral. This was eventually stabilised but people had seen themselves and those around them lose everything so the idea of 'seizing the day' was adopted and Berlin became a heaving Bohemian world where you lived to enjoy the here and now. This is when we are thrown into the world of Cabaret. It's 1930 New Years Eve, a young American writer, Clifford Bradshaw has just arrived in Berlin and is ready to see what the city has to offer.
The show is a full on combination of things with dance, drink and drugs taking the lead as people relished in the decadent, censorship free lifestyle. The set by Katrina Lindsay manages to be bright and dark at the same time. There are moments of intense glitz and glam with flashing lights and moving sets but also moments of dim, dark spaces which imply what's to come as the golden age passes. The rise of fascism is extremely prevalent in Rufus Norris' production especially during the chilling final scene of act 1 when the Emcee turns into a puppet master, holding overgrown children at the end of strings as he sings the Aryan folk song Tomorrow Belongs To Me.
As the Emcee, Will Young is outstanding, suitably wacky but all-knowing at once. His comedic timing is wonderful as he soars through the notes with a sinister hint always shining through. Young is certainly the star of this show and it's clear why he was asked back to be part of the tour and his balloon clad rendition of Money was the stand out performance of the production for me.
Louise Redknapp takes on the iconic role of Sally Bowles, the British showgirl who has lost her way. Unfortunately Redknapp's performance fell flat at times; instead of showing a crumbling, emotional girl she was decadent, bold and showed very minimal signs of her struggle. At times her voice was strong but fell flat on her big number, Maybe This Time. Sally Bowles was originally written to be a somewhat second rate performer which is why she has previously been cast as an actress who can sing and opposed to a singer who can act however, Louise kind of fell in between the two and I felt a little underwhelmed.
Charles Hagerty is strong as Clifford, developing his various relationships well. His voice is incredibly strong and his performance of Why Should I Wake Up? is a stand out moment. A large part of the action has to do with Clifford's landlady Fräulein Schneider (Susan Penhaligon) and her relationship with the local Jewish fruit seller (Linal Schultz) as their normal lives begin to be put in jeopardy. The pair are great together and their affection for one another is very sweet to see.
This show is worth seeing for Young's performance and for the bold imaginative design and choreography but it needs more oomph overall.
Monday 5 February 2024
Cara Delevingne and Luke Treadaway to join the cast of Cabaret | THEATRE NEWS
The award-winning West End production of Cabaret at the Kit Kat Club is thrilled to announce that actress and model Cara Delevingne will play Sally Bowles, and Olivier Award-winning actor Luke Treadaway will take on the role of The Emcee from March 11 to June 1, 2024. Delevingne expressed her excitement about making her stage debut, while Treadaway is thrilled to join the Kit Kat Club production.
The show is booking until February 2025, and Cara Delevingne will have specific dates when she won't be performing*. They join Michael Ahomka-Lindsay as Clifford Bradshaw, Beverley Klein as Fraulein Schneider and Teddy Kempner as Herr Schultz. Nic Myers plays the role of Sally Bowles once a week.
Completing the company are Wilf Scolding as Ernst Ludwig, Jessica Kirton as Fraulein Kost/Fritzie, Liv Alexander as Texas, Natalie Chua as Frenchie, Taite-Elliot Drew as Hans, Damon Gould as Victor, El Haq Latief as Helga, and Travis Ross as Bobby, joining Laura Delany as Rosie, Grant Neal as Herman/Max and Hicaro Nicolai as Lulu. The cast is completed by Rebecca Lisewski, Ela Lisondra, Nic Myers, Andy Rees, Toby Turpin and Patrick Wilden.
The prologue company are Rachel Benson, Ami Benton, Onyemachi Ejimofor, Joseph Hardy, Liz Kamille, Andrew Linnie, Aine McLoughlin, Jack William Parry, Jazmyn Raikes, Oliver Stockley and Ena Yamaguchi.
Cabaret, praised as the ultimate theatrical experience, opened in December 2021 and won seven Olivier Awards in April 2022. The Broadway production featuring Eddie Redmayne and Gayle Rankin is set to open at the Kit Kat Club in April.
Transforming the theatre with an in-the-round auditorium and reimagined spaces, the Kit Kat Club invites guests to enjoy pre-show entertainment, drinks, and dining. The musical, featuring iconic songs like "Wilkommen" and "Don’t Tell Mama," is directed by Rebecca Frecknall, with set and costume design by Tom Scutt and choreography by Julia Cheng. The production promises a unique and immersive experience for audiences.
*Cara will not be performing on the following dates - Wednesday 13 March (matinee), Thursday 21 March (evening), Wednesday 27 March (matinee), Thursday 4 April (evening), Tuesday 9 April (evening) Wednesday 10 April (matinee and evening), Thursday 11 April (evening), Friday 12 April (evening), Thursday 18 April (evening), Wednesday 24 April (matinee), Thursday 2 May (evening), Monday 6 May (evening), Tuesday 7 May (evening), Wednesday 8 May (matinee and evening), Thursday 16 May (evening), Friday 17 May (evening), Saturday 18 May (matinee and evening), Wednesday 22 May (matinee) and Thursday 30 May (evening).
Photo credit: Jay Brooks and Emilio Madrid
Thursday 19 May 2016
The Raunch, Spiegeltent | Review
The Raunch is a show starring the Most Wanted of the international cabaret and circus scene and featuring a toe tapping, disco-hoedown soundtrack.
Thursday 12 May 2022
Jeremy Jordan to Perform Live in London
Fourth Wall Live is thrilled to announce that Broadway star Jeremy Jordan will be performing a solo show live in London at Theatre Royal Drury Lane on Monday 29 August 2022. Pre-sale sign up is open now. www.fw-live.com/jeremy
This marks Jeremy’s fourth solo engagement in London after three previous sold-out runs as well as the sold-out Bonnie and Clyde in Concert at Theatre Royal Drury Lane in January of this year. The show is an opportunity for Jeremy to celebrate the some of music he is most loved for performing as well as personal favourites both old and new.
Jeremy Jordan is a Broadway performer who is best known for Newsies (Tony, Grammy, Drama Desk nominations), Bonnie and Clyde (Theatre World Award), American Son, Little Shop of Horrors, West Side Story, Waitress and Rock of Ages. On television he has appeared as a series regular on Supergirl, Smash, and Disney's Tangled. His film credits include The Last 5 Years, Joyful Noise, American Son, Newsies. He will soon star as the tenacious record industry giant, Neil Bogart, in the upcoming feature film, Spinning Gold. Jeremy is also a singer-songwriter whose concerts and cabaret shows have won awards and acclaim worldwide.
Benjamin Rauhala is one of the Broadway community's most trusted music directors and collaborators. He is the Music Supervisor and co-creator of Disney Princess - The Concert, touring over 90 cities in North America throughout 2022. He was named Best Musical Director at the 2020 Broadway World Cabaret Awards. He has toured the world as the music director for Jeremy Jordan, the Tony-nominated star of Broadway's Newsies and The CW's Supergirl. He is also the music director for Academy Award Winner Ariana DeBose, Halston star Krysta Rodriguez, Tony nominees Derek Klena, Jennifer Damiano, Kathryn Gallagher, Nashville star Kyle Dean Massey, and Frozen stars Caroline Bowman and Austin Colby. He was the Associate Music Director for the world premiere of The Secret Life of Bees at the Atlantic Theater, directed by Sam Gold, with music by Duncan Sheik. He worked on the music team for both Bartlett Sher's Broadway revival of Fiddler on the Roof and the Broadway production of Duncan Sheik's American Psycho simultaneously during the 2016 season. His Off-Broadway credits include David Byrne’s Joan of Arc: Into The Fire at The Public Theater and The Marvelous Wonderettes at Theater Row. He previously served as music director for Hit List, the meta-musical from the NBC television show SMASH and is an Original Programming Producer at Feinstein's/54 Below, where he has created dozens of sold-out concerts, including the Broadway Loves Series, that has famously honoured Britney Spears, Demi Lovato, Selena Gomez, Celine Dion and many more beloved pop icons.
Fourth Wall Live (FWL) is a live entertainment company that produces events, concerts and on-stage shows. This January FWL presented Bonnie & Clyde the musical in concert for two nights to a sold-out audience at Theatre Royal Drury Lane starring Broadway favourite Jeremy Jordan. This concert broke Drury Lane box office records selling out a 2-night run in less than 6 minutes.
FWL regularly brings Broadway artists to the UK, previous concerts include Broadway and TV regulars Chita Rivera, Keala Settle, Laura Benanti, Sierra Boggess, Kelli O’Hara, Laura Michelle Kelly, Megan Hilty, Tituss Burgess, Jeremy Jordan, Matthew Morrison, Erich Bergen, Eden Espinosa, Julia Murney and Cynthia Erivo. Other concerts include West End and UK Stars solo concerts including Michael Ball, Matt Cardle, Kerry Ellis, Oliver Tompsett, Hannah Waddingham, Sharon D Clarke, Bonnie Langford and Jenna Russell.
Tori Amos’s musical The Light Princess was presented to critical acclaim, as a special one-off concert in the summer of 2018. Rodgers + Hammerstein’s Cinderella and Zorro The Musical were presented with musical-all-star-casts in 2019 and 2020 respectively to sold out audiences.
Fourth Wall Live also regularly partners with the Hippodrome Casino, in November-December 2020 they produced 25 nights of socially distanced entertainment, proudly being the first live concert event post lockdown in the UK. Season two at the Hippodrome concerts ran from September 2021 to December 2021 and featured 20 nights of musical entertainment from the world of musical theatre and pop cross over.
Friday 8 December 2017
The Barricade Boys: Christmas Cabaret, The Other Palace Studio | Review
The Barricade Boys: Christmas Cabaret (Concert)
The Other Palace Studio
Reviewed on Thursday 7th December 2017 by Olivia Mitchell
★★★★★
The Barricade Boys bring together some of the finest Lew Miserables alumni (Scott Garnham, Craig Mather, Kieran Brown, Simon Schofield) and finest male voices to create truly beautiful sounds and performances. The boys have toured extensively and appeared on a number of television programmes but this time they're back for a three week-residency of Christmas delights at The Other Palace.
I've really been getting into the Christmas spirit recently with a number of festive shows and this was certainly one of the best. Entering the studio of The Other Palace we are greeted with a beautifully adorned Christmas tree and a cosy log fire projected onto the wall which sets the mood for the relaxed, warm evening to come. The boys normally perform with a seven-piece band but this time opt for a "stripped back" performance with just them and the piano (played fantastically by musical director, Noam Galperin) which further adds to the intimate feeling of the night.
The set of 23 songs was varied and extremely well put together with a mixture of festive favourites, Les Mis hits and some more unexpected songs. Standout moments included I'll Be Home For Christmas/Bring Him Home and Man In The Mirror which both featured tight harmonies and wonderful interaction between the boys. Their rendition of Bohemian Rhapsody must get a special mention as it was done so well; with suitable emotion and humour to keep it entertaining and amusing, whilst maintaining the integrity and showing off everyone's unique voices.
When speaking about the goals of the group, Scott explained that they take the work very seriously but not themselves and this is exactly right. The music was faultless but made all the better by the brilliant on stage interactions where the boys bounced off one another and seemed to genuinely be having fun.
Each night a special West End star will join the boys on stage, this particular night we had the pleasure of seeing the supremely talented Michael Xavier. He performed a haunting, melancholy version of Have Yourself a Merry Little Christmas before the boys joined him for a side splitting, Les Mis version of the Twelve Days of Christmas. Michael was a lovely addition to the programme and the number of amazing guests set to appear, certainly makes me want to go back to another concert in the run.
This pitch perfect ensemble with stand out solo moments and smooth, natural, humourous on stage rapport is all you could ask for at Christmas time. For a festive, lighthearted evening of top notch entertainment, you can't go wrong with The Barricade Boys and I would high recommend paying them a visit during their run!
The Barricade Boys are at The Other Palace until December 23rd
The Barricade Boys are at The Other Palace until December 23rd
Friday 21 January 2022
Moulin Rouge! the Musical, Piccadilly Theatre | Review
Moulin Rouge!
Piccadilly Theatre
Reviewed on Thursday 20th January 2022
★★★
The West End premiere of Baz Luhrmann's 2001 musical Moulin Rouge has been a long-awaited adaptation. After a number of delays it has finally opened and is certainly a spectacle to behold. There's razzle-dazzle, glitz and glam and hugely sumptuous chorus numbers, but often it's a case of style over substance, with some moments falling flat.
There is a lot to love with the production; the energy is next level throughout, the variety of performers is wonderful to see and the classic songs from the movies are excellent. Unfortunately, a lot of the new musical additions feel chaotic and detract from the action. Some additions work well such as the updated Elephant Love Medley which combines the old and new incredibly deftly and is joyous as it's performed amongst a starlit backdrop. Adele's Rolling in the Deep combined with Gnarls Barkley's Crazy also sums up the angst and anger in act 2 well and is one of the strongest performances of the show. Many of the other songs are jarring and actually drag us out of the story, making the show feel more like a cabaret presentation or pantomime.
As a visual piece of art, this musical truly is like no other. Derek McLane's set is utterly jaw-dropping from the moment you enter the auditorium. Luscious velvet and fabric drapes the walls and the ceiling, a life size elephant watches over the auditorium and the swirling windmill of the Moulin Rouge gets the motion going from the start. Glitter and pyrotechnics are also a mile a minute and Catherine Zuber's costumes are a show in themselves.
The cast mostly do a great job at bringing the iconic cabaret to life. Liisi LaFontaine is beautiful as Satine, especially when she can really let her vocals soar in solo moments. As the young composer Christian, Jamie Bogyo is suitably awkward and charming but occasionally feels like he's holding back vocally. The pair are sweet, but there's something lacking in the chemistry and both characters feels quite underdeveloped. Instead of showing any real emotion, they're used for humour and it's not until the end that we get to see them make any decisions themselves. The only character who really gets to show his emotion is Tolulouse-Lautrec played expertly by Jason Pennycook.
It's in the large group numbers that the musical really excels and gets the audience invested. Sonya Tayeh's choreography is spirited and enticing, especially so in the Tango Roxanne, where Sophie Carmen-Jones and Elia Lo Tauro command the stage and give outstanding performances. The opening Lady Marmalade number and the closing mega-mix of all the best parts are also stunning showcases for the ensemble who lift the whole show up. The can-can is also particularly impressive and enjoyable to watch.
Whilst the show is lacking in places, it's certainly a spectacle and if you want to be immersed into a wild world then Moulin Rouge is certainly worth a visit.
photo credit: Matt Crockett
Wednesday 26 October 2022
Jeremy Jordan's Band Age of Madness Announce The Lonesome Frets and Sammie Jay To Perform Alongside Them
Jeremy Jordan and his band AGE OF MADNESS are delighted to announce that George Maguire and Rachael Wooding with their band, THE LONESOME FRETS and singer-songwriter SAMMIE JAY will be joining them at their debut UK shows at HERE at Outernet on Sunday 13 November 2022 at 7.30pm. Tickets are on sale now from www.fw-live.com/aom
Jeremy Jordan said:
AGE OF MADNESS is the passion project of Broadway, television and film actor Jeremy Jordan in collaboration with long-time friend and guitarist Mikael. Combining elements of modern alt rock with nostalgic throw backs to the 90s/2000s and a touch of the classical, AGE OF MADNESS are storytellers in epic rock form, their songs a testimony to where we came from and where we stand in today’s world.
THE LONESOME FRETS are George Maguire and Rachael Wooding. They met as performers on the London stage and began writing and gigging together in 2016. They have created a unique sound which focuses on well-crafted and catchy lyric driven songs. Their dynamic live shows are completed by a four-piece band and together the six deliver a tight and exciting show. The pair are no stranger to rock n roll royalty with George having worked on projects with both Ray and Dave Davies and Pete Townshend and Roger Daltry and Rachael with Brian May.
SAMMIE JAY is a singer-songwriter whose powerful voice encompasses several genres of music. Her professional career started playing Little Cosette in Les Misérables in the West End, followed by appearing on television in Nickelodeon’s Big Time Rush. Staging her own band in Nashville with a solo performance on the prestigious Grand Old Oprey, Sammy Jay has duetted with Paul Rodgers of Bad Company and Free and performed concerts at University Studios Hollywood, Monte Carlo and supported Shalamar at The London Palladium.
JEREMY JORDAN is a Broadway performer who is best known for Newsies (Tony, Grammy, Drama Desk nominations), Bonnie and Clyde (Theatre World Award), American Son, Little Shop of Horrors, West Side Story, Waitress and Rock of Ages. On television he has appeared as a series regular on Supergirl, Smash, and Disney's Tangled. His film credits include The Last 5 Years, Joyful Noise, American Son, Newsies. He will soon star as the tenacious record industry giant, Neil Bogart, in the upcoming feature film, Spinning Gold. Jeremy is also a singer-songwriter whose concerts and cabaret shows have won awards and acclaim worldwide.
Fourth Wall Live (FWL) is a live entertainment company that produces events, concerts and on-stage shows. This January FWL presented Bonnie & Clyde the musical in concert for two nights to a sold-out audience at Theatre Royal Drury Lane starring Broadway favourite Jeremy Jordan. This concert broke Drury Lane box office records selling out a 2-night run in less than 6 minutes.
FWL regularly brings Broadway artists to the UK, previous concerts include Broadway and TV regulars Chita Rivera, Keala Settle, Laura Benanti, Sierra Boggess, Kelli O’Hara, Laura Michelle Kelly, Megan Hilty, Tituss Burgess, Jeremy Jordan, Matthew Morrison, Erich Bergen, Eden Espinosa, Julia Murney and Cynthia Erivo. Other concerts include West End and UK Stars solo concerts including Michael Ball, Matt Cardle, Kerry Ellis, Oliver Tompsett, Hannah Waddingham, Sharon D Clarke, Bonnie Langford and Jenna Russell.
Tori Amos’s musical The Light Princess was presented to critical acclaim, as a special one-off concert in the summer of 2018. Rodgers + Hammerstein’s Cinderella and Zorro The Musical were presented with musical-all-star-casts in 2019 and 2020 respectively to sold out audiences.
Fourth Wall Live also regularly partners with the Hippodrome Casino, in November-December 2020 they produced 25 nights of socially distanced entertainment, proudly being the first live concert event post lockdown in the UK. Season two at the Hippodrome concerts ran from September 2021 to December 2021 and featured 20 nights of musical entertainment from the world of musical theatre and pop cross over.
Jeremy Jordan said:
“I am beyond excited to bring my band to London and we’re thrilled to be adding George and Rachael’s band, The Lonesome Frets and Sammi Jay to the line-up for this great night. George and I shared the stage for Bonnie and Clyde in Concert at the start of this year, so it’s fantastic to be reunited through our mutual passion for our bands and music, he and Rachael will blow you away!”
AGE OF MADNESS is the passion project of Broadway, television and film actor Jeremy Jordan in collaboration with long-time friend and guitarist Mikael. Combining elements of modern alt rock with nostalgic throw backs to the 90s/2000s and a touch of the classical, AGE OF MADNESS are storytellers in epic rock form, their songs a testimony to where we came from and where we stand in today’s world.
THE LONESOME FRETS are George Maguire and Rachael Wooding. They met as performers on the London stage and began writing and gigging together in 2016. They have created a unique sound which focuses on well-crafted and catchy lyric driven songs. Their dynamic live shows are completed by a four-piece band and together the six deliver a tight and exciting show. The pair are no stranger to rock n roll royalty with George having worked on projects with both Ray and Dave Davies and Pete Townshend and Roger Daltry and Rachael with Brian May.
SAMMIE JAY is a singer-songwriter whose powerful voice encompasses several genres of music. Her professional career started playing Little Cosette in Les Misérables in the West End, followed by appearing on television in Nickelodeon’s Big Time Rush. Staging her own band in Nashville with a solo performance on the prestigious Grand Old Oprey, Sammy Jay has duetted with Paul Rodgers of Bad Company and Free and performed concerts at University Studios Hollywood, Monte Carlo and supported Shalamar at The London Palladium.
JEREMY JORDAN is a Broadway performer who is best known for Newsies (Tony, Grammy, Drama Desk nominations), Bonnie and Clyde (Theatre World Award), American Son, Little Shop of Horrors, West Side Story, Waitress and Rock of Ages. On television he has appeared as a series regular on Supergirl, Smash, and Disney's Tangled. His film credits include The Last 5 Years, Joyful Noise, American Son, Newsies. He will soon star as the tenacious record industry giant, Neil Bogart, in the upcoming feature film, Spinning Gold. Jeremy is also a singer-songwriter whose concerts and cabaret shows have won awards and acclaim worldwide.
Fourth Wall Live (FWL) is a live entertainment company that produces events, concerts and on-stage shows. This January FWL presented Bonnie & Clyde the musical in concert for two nights to a sold-out audience at Theatre Royal Drury Lane starring Broadway favourite Jeremy Jordan. This concert broke Drury Lane box office records selling out a 2-night run in less than 6 minutes.
FWL regularly brings Broadway artists to the UK, previous concerts include Broadway and TV regulars Chita Rivera, Keala Settle, Laura Benanti, Sierra Boggess, Kelli O’Hara, Laura Michelle Kelly, Megan Hilty, Tituss Burgess, Jeremy Jordan, Matthew Morrison, Erich Bergen, Eden Espinosa, Julia Murney and Cynthia Erivo. Other concerts include West End and UK Stars solo concerts including Michael Ball, Matt Cardle, Kerry Ellis, Oliver Tompsett, Hannah Waddingham, Sharon D Clarke, Bonnie Langford and Jenna Russell.
Tori Amos’s musical The Light Princess was presented to critical acclaim, as a special one-off concert in the summer of 2018. Rodgers + Hammerstein’s Cinderella and Zorro The Musical were presented with musical-all-star-casts in 2019 and 2020 respectively to sold out audiences.
Fourth Wall Live also regularly partners with the Hippodrome Casino, in November-December 2020 they produced 25 nights of socially distanced entertainment, proudly being the first live concert event post lockdown in the UK. Season two at the Hippodrome concerts ran from September 2021 to December 2021 and featured 20 nights of musical entertainment from the world of musical theatre and pop cross over.
Saturday 14 July 2018
The IDA Girls (Concert), The Other Palace Studio | Review
The IDA Girls (Concert)
The Other Palace Studio
Reviewed on Wednesday 11th July 2018 by Emma Gradwell
★★★★★
While the rest of the country sat down to watch England vs. Croatia on Wednesday night, a small but select group gathered in the intimate studio at The Other Palace. A few rows of chairs and tables with a convenient bar made it a very personal affair.
We were treated to a classy and sleek evening by London classical crossover girl group IDA. Performing as part of The Big Smoke Festival (The Other Palace's week long music, cabaret and variety festival) Wendy Carr, Laura Coutts, Georgi Mottram and Sarah Vaughan make up the quartet. Having trained at some of the worlds leading conservatoires they have been singing together since 2016 when the met during a West End Production of Gilbert and Sullivan's Princess Ida - hence the name.
We were taken through a journey from Bizet to Adele with clever mashups fusing traditional opera with both pop and musical theatre. The result is truly beautiful. The four ladies may hail from worlds apart - Scotland, Jersey, Ireland and Australia - but their chemistry is undeniable. All of the arrangements are self written making this combination genre completely their own.
After the opening verse of Phantom of the Opera a booming bass-baritone voice could be heard from the back of the room. Rodney Earl-Clarke appeared from the darkness to duet with the girls with superb effect.
Also accompanying was Steinway pianist Dominic Ferris - one half of the critically acclaimed double act 'Ferris and Milne'. There was a special performance of his own at the mid way point allowing for a quick costume change and an update of the Football. Dominic is a very expressive pianist and an absolute joy to hear and watch.
The show was exquisite from start to finish. The IDA Girls are talented, beautiful and funny. I would highly recommend an evening in their company and cannot wait to see what comes next from them.
Saturday 7 July 2018
Champagne for Clementine, Live at Zedel | Review
Champagne for Clementine
Live at Zedel: The Crazy Coqs
Reviewed on Wednesday 4th July 2018 by Nicola Louise
★★★★★
When I stepped into the theatre bar, I honestly didn’t know what to expect, I was guided to my seat and received table service straight away- so far so good. I am of course, talking about Live at Zedel where I was lucky enough to enjoy the Clementine Show... think Barbie on broadway.
The night consisted of Clementine the living doll, her dresser, Bobby Pin (Mark Esaias), Yvette the Usher, (Ruth Calkin) and a range of puppets.
The cast worked well together, bringing comedy, puppetry and broadway together under one roof. There were special appearances from Ricky the Rooster, who, if sitting in the front row, gets a bit flirty! I should know, I was in the firing zone.
Clementine was great at the over dramatisation of songs she was ‘singing’ too, the over the top performance added to the charm of the whole thing.
During the show, Bobby and Yvette got the chance to show their thing as well. This show loves and thrives on audience participation that works wonderfully well.
The cast and crew for this show did an amazing job for such a small room, in a short space of time, it’s a perfect show to take in before a night out, it’s upbeat, fun and funny, I left the theatre singing and feeling uplifted.
I highly recommend this show, grab some dinner first at Brasserie Zeldel then head on through the foyer into the bar for the Cabaret show you won’t regret seeing.
Wednesday 23 January 2019
Showstopper! The Improvised Musical, The Other Palace | Review
Showstopper! The Improvised Musical
The Other Palace
Reviewed on Wednesday 23rd January 2019 by Olivia Mitchell
★★★★★
It's. So. Good.
Showstopper! The Improvised Musical is exactly what it says on the tin, a musical that is created new every night by audience input and the amazing, fast thinking and uber talented cast. Every show is different and every show is a celebration of the amazing improv performers. Tonight was the 1000th performance of Showstopper but you could've been at every single one and seen something unique every time; that's the joy of the show.
Tonight's show, titled The Cream of Yorkshire, was set in a soup kitchen and featured songs inspired by Singing in the Rain, Oklahoma, The Producers, The Rocky Horror Show, Cabaret, Joseph and Bat Out of Hell. It was wild and wonderful.
The cast work together to create priceless, drama filled and absolutely wild shows. Up to seven performers appear at each performance, with each one having an unrivalled amount of comedic and improvisational talent. They create a show, and command an audience who are in the palm of their funny hands from the second they step on stage.
Despite the full improv of this show, it's so well planned it's unreal. The cast know each other and their movements so intensely that they pick up every innuendo and make it into a polished, laugh out loud performance.
This is top dollar entertainment that will have you laughing your socks off and feeling inspired to create. Showstopper! is a magical, mysterious and wonderful show that needs to be seen... and then seen again!
Showstopper! The Improvised Musical is at The Other Palace until March 16th 2019
Showstopper! The Improvised Musical is at The Other Palace until March 16th 2019
photo credit: Savannah Photographic and Alex Harvey-Brown
Monday 4 December 2017
Velma Celli's West End Christmas, Leicester Square | Review
Velma Celli's West End Christmas (Concert)
Christmas in Leicester Square
Reviewed on Sunday 3rd December 2017 by Olivia Mitchell
★★★★★
Yesterday evening I hot-footed it from the Charing Cross theatre seeing Marisha Wallace's Soul Holiday concert, to the Spiegeltent in Leicester Square to see Velma Celli in concert and it was so worth the dash.
Velma Celli is the alter ego of West End performer, Ian Stroughair who's credits include Rent, Chicago and Cats; she is a fiery, shocking diva with the voice that dreams are made of! The first song set the tone for the concert with Velma entering from the back of the venue with a swooping, full of key changes version of 'Walking in the Air'. From then on it was joke after joke and belter after belter and was honestly one of the best and most entertaining concerts I've been to.
This alternative festive takeover was full of Christmas hit after Christmas hit and would have made even the coldest person feel festive. A personal highlight (although there were many) was Velma's rendition of 'Have Yourself a Merry Little Christmas' which was heartfelt and a lovely moment.
The cabaret also featured two of the West End's finest: Liam Tamne and Rachel Tucker (who I'd already seen at Marisha's concert!) who gave some fantastic performances. Rachel and Velma's duet of 'Fairtytale of New York' was absolutely hilarious and reminded me of many drunken Christmas nights! Liam showed off his smooth voice and crystal clear riffs in 'Last Christmas' whilst Rachel gave a moving performance of Joni Mitchell's, 'River'.
Overall this was just a fantastic night; Velma Celli is a born performer with a voice and personality that instantly draws the audience in and keeps them until the very last moment. If you want a hilarious night full of incredible talent then get yourself along to any of Velma Celli's future shows and be sure to download her recently released, self titled album.
Wednesday 14 August 2019
Refresh (Concert), Spiegeltent | Review
Refresh (Concert)
Spiegeltent
Reviewed on Tuesday 13th July 2019 by Olivia Mitchell
★★★★
Refresh is a fantastically exciting cabaret series created by Ryan Carter. The idea is that a cast of talented, fresh west end performers, bring a set list to life that features re-worked versions of many well know musical songs.The concerts are designed to celebrate musical theatre and entertain fans of the genre, but also to provide a gateway experience for those less knowledgable or invested in it. After a selection of concerts, Refresh is taking a short residency at the Underbelly festival to captivate audiences in the intimate Spiegeltent setting.
The set features an eclectic and wholly enjoyable series of songs. From the beautifully haunting Kiss The Air by Scott Alan, to the Hamilton classic You'll Be Back, there's certainly something for everyone. The joy of Refresh is that even if a song is not your favourite originally, the inventive re-imaginings will have you seeing and hearing it in a new way. Highlights of Jo Noel-Hartley and Ryan Carter's arranging, include It Won't Be Long Now, My Favourite Things and the thrilling Rewind mash-up of the history of musical theatre.
The cast is made up of vocal powerhouses: Sam Carlyle, Kayla Carter, Linnéa Didrick, Ben Farrall, Adam Gillian, Abbi Hodgson, Charlotte Miranda Smith, Baker Mukasa and William Lloyd. Each performer brings something beautiful to the stage and even more magic is created when the team come together for their group pieces. The rapport between the cast is highly entertaining and it's clear that everyone's hearts are really into making Refresh as sleek and absorbing as it is. Stand out performances include the quartet rendition of Kiss The Air, Abbi Hodgson's There Once Was a Man, and the rousing opening Do You Hear The People Sing? The musicality and versatility of each performer is evident and it's fantastic to hear vocalists in a raw but professional and high quality performance.
Mention must go to the brilliant lighting design which continually adds to the varying moods of the songs, as well as providing visual treats on its own, and making the experience more visceral. Ryan Carter's design of the graphics and videos which accompany must equally be applauded as they are lively, vibrant and entertaining, and also embody the ethos of Refresh as a whole.
For a night of musical theatre that is different to what you'd expect, pay a visit to see the Refresh gang. Not only are the performers fantastic, but the whole philosophy of the group is something which should be applauded and championed. It should also be noted that following Papa Can You Hear Me? my mum whispered "Babs would be proud" which is high praise indeed and a definite reason to experience these outstanding revitalised performances.
Saturday 13 October 2018
Lucie Jones, Live at Zedel | Review
Lucie Jones (Concert)
Crazy Coqs, Zedel
Reviewed on Friday 12th October 2017 by Olivia Mitchell
★★★★★
One of my first ever reviews on Rewrite This Story, was of Lucie Jones' cabaret at Waterloo East where I completely fell in love with her insane voice and magnetic personality. In the two years since that concert, Lucie has starred as Elle Woods in the UK tour of Legally Blonde, wowed as Maureen in Rent and was the UK's entry in the Eurovision contest... I guess you could say it's been a pretty quiet time for her?! I have been lucky enough to see Lucie in her various roles, but there's always something special about a solo concert.
The Zedel consistently provides the perfect atmosphere for a cosy, intimate night and allows the sole focus to be on the outstanding vocals of whoever is performing, so seeing such a talented vocalist take the stage there was a real treat. From the get-go Lucie commands the space and welcomes us into, what feels like, the inner circle. Her bouncy humour and infectious personality puts us completely in the palm of her hand and allows us to experience a carefree night of laughs and joy, whilst our attention never wavers. In my experience of musical theatre cabarets, there are only a number of performers who are able to capture a crowd so effortlessly and remain natural and unforced throughout, Lucie has truly mastered this and it's clear why she has so many loyal fans.
Despite only having about 24 hours to put this concert together, the entire thing felt sleek and polished. MD for the concert was the outstandingly wonderful, Sarah Travis who looked and sounded as if she was born to play the piano. The banter between the pair is hilarious and they work together so well, that even moments which go slightly wrong, almost feel as if they're scripted.
I would talk about each song on the set list, but every single one was a highlight. From the opening The Winner Takes it All to the closing Eurovision song, Never Give Up On You, Lucie showcased her incredibly well supported vocals and ability to act through song. Particularly impressive, is the control in Lucie's voice; her well-honed technique is evident through her smooth mix of straight tone and vibrato, as well as her effortless mix and belt. A stand out moment for me was the mesmerising If I Loved You, where we got to see a more nuanced, gentler side to Lucie. She truly is a masterful performer and the hard work she puts into her craft is clear in every second she is on stage.
Although every song was outstanding, I will fangirl a bit more and mention a few of my other favourites... As a huge Anastasia fan, I adored the lyrical, Disney-esque rendition of Journey To The Past; the intensely beautiful, Nothing Stops Another Day pulled at my heart and That's Life is made for Lucie's voice. Alongside stellar vocals, Lucie provides some cracking anecdotes and ad libs which could be a comedy show of their own!
We were also treated to two special guests: Danny Mac and Rebecca Stenhouse. Rebecca Joined Lucie as they channeled Cady and Janis in the Mean Girls jam, Apex Predator, before Rebecca performed a fantastic version of Hopelessly Devoted To You, which she made feel contemporary with some added riffs and option ups. Danny took on the role of Dr. Pomatter in a sickly sweet performance of It Only Takes a Taste from Waitress and brought a beautiful stillness to the Zedel with his performance of It All Fades Away.
I could rave about Lucie's voice for approximately the next 400 hours but I'll wrap it up here and say that if you turn down the chance to see Lucie in any future performances, you are missing out big time. If you want to see a truthful artist who is so giving in her performance and able to magnetise a crowd toward her, then go and witness the star that is, Lucie Jones.
photo credit: Olivia Mitchell
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