Posts with the label theatre
Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts
Friday 28 July 2023
The Choir of Man at the Arts Theatre Review: A Musical Celebration of Humanity
a true testament to the power of music and its ability to bring people together"
The Choir of Man
Arts Theatre
★★★★
I recently had the pleasure of making a return visit to see The Choir of Man at the Arts theatre, a show which celebrates humanity, pubs and music in a truly joyous way.
Although the onstage beer wasn't working at this particular performance, the setup of the Arts for this show is so well done. The audience are truly made to feel like they've entered a community hub and the pre-show interactions perfectly pave the way for the impressive show that's to follow.
The show's concept is simple, it portrays a group of men coming together in a pub setting, sharing their stories and bonding through music. The songs are a bit random and there's not much of a through line but the seamless blend of humour, heartfelt moments, and raw emotions make this a truly memorable show, perfect for a lighthearted, fun night out.
This really is a show about friendship and the cast's camaraderie is evident throughout, with little interactions throughout coming across as truly genuine. There's also a really special connection created with the audience. The interactions with spectators, make you feel like you're part of the lively gathering, further enhancing the immersive experience.
The set and lighting design (Richard Dinnen) perfectly complement the show's no frills ambiance, transporting us to the cozy pub atmosphere where the magic unfolds. It's simple yet effective, allowing the spotlight to remain on the performers and their exceptional talents. The whole show is a vocal treat, with handfuls of glorious harmonies as well as some great dance and movement moments.
The Choir of Man is a true testament to the power of music and its ability to bring people together. It not only showcases the incredible vocal abilities of the cast but also celebrates the sense of community and brotherhood, leaving the audience with a heartwarming feeling. It's not the most cohesive or polished show, and it probably won't change your life but the overall joyous experience is exactly what we all need right now.
This show is the perfect embodiment of live theatre. It's a really unique show that has rightfully carved out a space in the West End and deserves to be seen and celebrated. If you love music and want an hour and a half of feel-good-fun then this is the show for you!
Reviewed on Wednesday 26th July 2023 by Olivia Mitchell
Photo Credit: The Other Richard
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 25 July 2023
Ride at the Southwark Playhouse Elephant Review: A Triumph of Story Telling
While it may not boast the grandeur of a West End spectacle, its simplicity and sincerity are what set it apart"
Ride
Southwark Playhouse Elephant
★★★★
Embarking on a wondrous return, the dynamic musical Ride, crafted by Freya Catrin Smith and Jack Williams, is back to captivate audiences with an enchanting odyssey like no other. Having previously seen this show as part of the Vault Festival in 2020, it's amazing to see how it has developed and become even more of a theatrical gem.
This thrilling new production delves into the extraordinary escapades of Annie Londonderry, an indomitable spirit who shattered barriers in 1895 by becoming the first woman to cycle around the globe. Fearlessly challenging societal norms and religious expectations, Annie spins a captivating tale that dances on the edge of truth and fiction, skillfully molding narratives to serve her greater cause. She fearlessly embraces her convictions, even if it means bending the boundaries of morality. Wrapped around Annie's finger from the moment the metaphorical curtain is raised, we are spellbound by her storytelling prowess.
This British masterpiece takes us on an emotional rollercoaster ride, filled with hearty laughter and unflinchingly honest revelations about life and society, leaving a profound impact. With every twist and turn, the characters' raw emotions and vulnerabilities are beautifully portrayed, drawing us into their world and ensnaring our hearts until the closing moments.
The brilliance of Ride shines through the remarkable performances of its two-person cast: Liv Andrusier as Annie and Katy Ellis as Martha. Their chemistry is palpable, and they breathe life into their characters with heartfelt authenticity. Liv's portrayal of Annie is a multi-dimensional masterpiece, blending determination and defiance as she navigates a male-dominated world, striving to be heard. Her captivating Bostonian drawl lures us in, and her vocal prowess keeps us enchanted as she flawlessly delivers the demanding score, showcasing a masterclass in acting through song.
Under the direction of Sarah Meadows, Liv's performance radiates authenticity, leaving no doubt that this role was destined for her. Her portrayal of Annie exudes old Hollywood star quality, and her stage presence is truly remarkable.
Katy Ellis skilfully takes on the role of Martha. With comic flair and charming wit, Ellis brings Martha's thoughts to life, infusing the character with delightful nuance. While Annie weaves the narrative, Martha's hesitance and humorous antics provide the perfect balance, eliciting laughter from the audience. Throughout the show, Katy astounds as she embodies various characters in Annie's story, infusing each with unique purpose and unveiling layers of compassion, empathy, and a hint of romance.
Both Liv and Katy breathe a profound humanity into these characters, capturing the hearts of the audience. Their nuanced performances are a testament to their immense talent and dedication, leaving us in awe of their emotional range.
The minimalist yet ingenious set design by Amy Jane Cook effortlessly transports us to multiple locations, aided by clever use of props and set pieces that set our imaginations free. Matt Powell's projections expand the space, while Andrew Johnson's sound design adds an extra layer of brilliance, spotlighting the subtlest of sounds.
At the heart and soul of Ride lies its soul-stirring music. The mesmerising melodies and emotionally charged lyrics take us on an unforgettable journey, resonating deeply within us. While some musical moments may seem repetitive, they ultimately deliver an emotional and vocal punch, showcasing the brilliance of new British compositions.
Ride is an absolute triumph of storytelling, talent, and artistic vision. This emotionally charged musical takes us on a profound journey of self-reflection and connection. While it may not boast the grandeur of a West End spectacle, its simplicity and sincerity are what set it apart. Ride showcases the very essence of what theatre can offer, leaving us yearning to relive this magical journey again and again.
Reviewed on Monday 24th July by Olivia Mitchell
Photo Credit: Danny Kaan
{AD PR Invite- tickets gifted in exchange for honest review}
Monday 17 July 2023
A Strange Loop at the Barbican review: An Unflinchingly Honest Journey of Self-Discovery
a deeply relevant and relatable experience for audiences of all backgrounds."
A Strange Loop
Barbican Centre
★★★★
A Strange Loop at Barbican is an absolutely remarkable production that pushes the boundaries of theatre and delves deep into the complexities of identity, self-worth, and the human experience. From the moment the curtains opened, I was captivated by the raw and unapologetic exploration of the protagonist, Usher’s psyche.
This is a show which is really reliant on a united and strong cast and thankfully the performances throughout are super strong. The entire cast deliver powerful, emotionally charged portrayals. Due to the nature of the show, it may not directly resonate with the audience but the cast do an astounding job of making you feel for Usher’s story and really connect on a profound level. Each actor skilfully brings their character to life, blending humour, vulnerability, and intense introspection in perfect harmony. The energy on stage is infectious, and you really find yourself absorbed in the story.
The writing by Michael R. Jackson is truly effective. With a script that flawlessly combines witty dialogue, thought-provoking monologues, and catchy musical numbers to create a narrative which effectively mirrors the issues broached throughout. A Strange Loop tackles themes of race, sexuality, self-doubt, and societal expectations with unflinching honesty, making it a deeply relevant and relatable experience for audiences of all backgrounds.
The staging and set design (Arnulfo Maldonado) are brilliantly executed, utilising minimalistic elements to create a visually striking and versatile backdrop for the story. There are times when the stage feels underused but toward the end of the musical, it’s really stretched to its limits and is so impactful. The imaginative use of lighting (Jen Schriever) adds another layer of depth to the production, enhancing the emotional impact of each scene.
Furthermore, the direction by Stephen Brackett brings out the best in the cast and the material. The pacing ensures that every moment lands with the intended impact, at times causing a collective gasp from the audience. Brackett's vision seamlessly integrates the music, choreography, and storytelling, resulting in a cohesive and thought-provoking theatrical experience.
While A Strange Loop may not resonate with everyone, it has the power to profoundly impact those who are open to engaging with challenging themes. This production serves as a powerful testament to the transformative nature of theatre, as it encourages introspection, sparks meaningful conversations, and fosters empathy among its viewers.
If I were to have any reservation in giving it a perfect five-star rating, it would be that the complexity of the narrative and the rapid pace of the production might make it slightly difficult for some audience members to fully grasp the subtleties of the story. However, I firmly believe that this should not dissuade anyone from experiencing this groundbreaking piece of theatre during its limited run.
A Strange Loop at Barbican is an audacious and unforgettable production that dares to push the boundaries of what theatre can achieve. In just an hour and forty minutes, it fearlessly challenges societal norms, delves deep into internal struggles, and ultimately celebrates the triumphant journey of self-discovery. Prepare to be moved, thoroughly entertained, and enlightened as you embark on this hypnotic exploration of the human psyche.
Reviewed on Thursday 13th July 2023 by Olivia Mitchell
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
The Wizard of Oz at the London Palladium review: A Delightfully Nostalgic Experience
a visual spectacle that fits so well with the whimsical and well-loved world of Oz"
The Wizard of Oz
London Palladium
★★★★
Magic, wonder, and unforgettable melodies reign supreme as you step into the mesmerising world of The Wizard of Oz at the London Palladium. This enchanting production, a transfer from the Leicester Curve, weaves a delightful experience that is sure to captivate audiences of all ages.
Thanks to Nikolai Foster’s direction, once the curtain rises you will find yourself immersed in a world of imagination and fantasy. The detailed costumes, effective sets and strong video effects seamlessly blend together to create a visual spectacle that fits so well with the whimsical and well-loved world of Oz. The semi-modern, steampunk aesthetic lends a unique twist to the classic tale, infusing it with a fresh and vibrant energy.
The cast of The Wizard of Oz delivers exceptional performances, breathing life into the beloved characters with charm and charisma. Dorothy, portrayed by the stunning Georgina Onuorah with innocence and determination, effortlessly captures our hearts as she embarks on her journey to find her way back home. Joining Dorothy on yellow brick road are three iconic friends she makes. Searching for courage, the Cowardly Lion is played superbly well by Jason Manford, who is perfectly evocative of Lahr in the film but with a spin of his own that really works. Looking for a heart the Tin Man is oiled by well by Ashley Banjo who creates some really brilliant moments; the vocals aren’t as stellar as they could be but his dance skills and charisma more than make up for it. Completing the quad is Louis Gaunt as the Scarecrow searching for a heart, who is utterly charming and a real triple threat. The chemistry between the group is well portrayed, however on stage you don’t feel as a strong of a connection to their journey and never root for them quite enough; their story is enjoyable but not as emotionally intense as it could be.
The other supporting cast members shine in their respective roles, each bringing their own unique flair and personality to the story. Christina Bianco’s Glinda and Dianne Pilkington’s Wicked Witch of the West are throughly entertaining, if a little underdeveloped but both provide some of the stand solos of the show. The musical numbers in The Wizard of Oz combine Andrew Lloyd Webber's new compositions with the beloved songs from the classic film and while Webber's additions may not steal the spotlight, they seamlessly blend with the original score, enriching the overall experience. The familiar melodies of ‘Somewhere Over the Rainbow’ and ‘Follow the Yellow Brick Road’ undoubtedly take centre stage, evoking a wave of nostalgia and bringing smiles to the faces of the audience.
This musical really does exactly what you’d expect it to in telling the story which so many love. All the classic moments are featured and there are also some fun things to spot such as Ozified show names (West Witch Story, Margaret Hamilton etc…) a hidden Olaf and some swanky costumes which are truly Ozian. However, act two is a little bit lacking as a whole, with the video aspect which is so effective in act one, becoming gimmicky and a little basic, especially when showing the wicked witch’s army and the flying monkeys. Moments which could have been really awe-inspiring are instead brushed over and there’s never a true wow moment.
A way the production does soar is in how it pays heartfelt homage to the original book by Frank L. Baum, incorporating references that will surely delight fans. The inclusion of Dorothy's return to Kansas in her Oz dress adds a touch of nostalgia, serving as a loving nod to the source material. These thoughtful gestures elevate the production, reminding us of the timeless charm that made the story a classic in the first place.
It’s not a faultless show but The Wizard of Oz offers a delightful escape into a world of fantasy and adventure. With its talented cast, striking visuals, and heartfelt nods to the original, this production is well worth seeing. Whether you are reliving cherished childhood memories or experiencing the magic for the very first time, this show will transport you to a place where dreams come true and a trip to Oz should definitely be part of your summer plans.
Reviewed on Wednesday 12th July 2023 by Olivia Mitchell
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 7 July 2023
New Cast Announced for The Phantom of the Opera at His Majesty's Theatre
Cameron Mackintosh is pleased to announce new cast members for Andrew Lloyd Webber's The Phantom of the Opera at His Majesty's Theatre from July 31, 2023. The show is currently scheduled until March 2, 2024.
Lily Kerhoas joins as Christine Daaé, Joe Griffiths-Brown as Raoul, David Kristopher-Brown as Ubaldo Piangi, and Maiya Hikasa as Meg Giry. Jon Robyns continues in the role of The Phantom, along with Kelly Glyptis as Carlotta Giudicelli, Adam Linstead as Monsieur André, Matt Harrop as Monsieur Firmin and Francesca Ellis as Madame Giry. At certain performances the role of Christine Daaé will be played by Paige Blankson.
The cast is completed by Hollie Aires, Federica Basile, Corina Clark, Michael Colbourne, Leonard Cook, Colleen Rose Curran, Lily De-La-Haye, Hywel Dowsell, Connor Ewing, Serina Faull, Florence Fowler, James Gant, Melanie Gowie, Eilish Harmon-Beglan, Yukina Hasebe, Samuel Haughton, Thomas Holdsworth, Jacob Hughes, Grace Hume, Tim Morgan, Eve Shanu-Wilson, Tim Southgate, Zoë Soleil Vallée, Jasmine Wallis, Victoria Ward, Ralph Watts, Simon Whitaker, and Andrew York.
Lily Kerhoas previously appeared in Les Misérables and trained at the Royal Academy of Music. Joe Griffiths-Brown was part of the West End company of Hamilton, while David Kristopher-Brown has past experience in The Phantom of the Opera and other productions. Maiya Hikasa's credits include Billy Elliot and the international Tour of Cats.
The Phantom of the Opera is produced by Cameron Mackintosh and The Really Useful Group Ltd. The music is by Andrew Lloyd Webber, with lyrics by Charles Hart and additional lyrics by Richard Stilgoe. The production is based on Gaston Leroux's novel 'Le Fantôme de l'Opera'. The show has been a global sensation, playing to millions of people worldwide.
The London production underwent a creative overhaul after the COVID-related shutdown and has received rave reviews. The legendary musical, celebrating its 37th birthday in October 2023, will continue its successful run at His Majesty's Theatre.
Beyond London, The Phantom of the Opera continues to captivate audiences globally, with productions in Japan, Korea, and on a world tour. Cameron Mackintosh's new production recently concluded a record-breaking run in Australia and will open in Vienna in March 2024. Other exciting productions are also underway in Greece, Italy, and Spain.
Matthew Kelly and Denise Welch to star in world premiere of The Gap at Hope Mill Theatre
Hope Mill Theatre is thrilled to announce the world premiere of a captivating new play, titled The Gap, written by Jim Cartwright and featuring the talented duo of Matthew Kelly and Denise Welch. Directed by Anthony Banks, this highly anticipated production will grace the stage of Hope Mill Theatre from February 9th to March 9th, 2024, for a limited engagement. Mark your calendars as tickets go on sale starting July 8th.
The Gap delves into the audacious adventures of Walter and Corral, two individuals who haven't crossed paths in half a century. Once inseparable during the vibrant '60s in Soho, Walter finds himself up north while Corral remains down south. However, a chance phone call reunites them for one magical night, and before they know it, they're immersed in their old tricks once more.
Matthew Kelly, renowned for his exceptional performances on both stage and screen, graces us with his presence in this production. With an illustrious career that includes memorable roles such as the original Stanley in Funny Peculiar, Waiting For Godot alongside Ian McKellen and Roger Rees, and a captivating portrayal of Lennie in Of Mice and Men, for which he earned an Olivier Award for Best Actor, Matthew Kelly's talent shines brightly. His recent theatre credits include Noises Off, The Habit Of Art, and The Dresser, among others, showcasing his remarkable versatility. Not only a master of the stage, Matthew has also made his mark on the screen, with notable appearances in various TV shows and presenting credits on beloved programs such as You Bet! and Stars in their Eyes.
Joining Kelly is the esteemed actress Denise Welch, whose upcoming engagement in Diana: The Musical at The Eventim Apollo has already garnered significant attention. Denise's theatrical repertoire boasts impressive performances in productions like Calendar Girls the Musical, The Rise and Fall of Little Voice, and Steel Magnolias, to name a few. Her television career includes series regular roles in shows like Coronation Street, Waterloo Road, and Hollyoaks, solidifying her presence in the industry. As a regular panellist on ITV's Loose Women since 2001, Denise continues to captivate audiences with her engaging presence and insightful commentary.
Playwright Jim Cartwright and director Anthony Banks express their excitement about collaborating once again after their successful ventures with Mobile Phone Show in 2013 and Raz in 2016. They eagerly anticipate witnessing the extraordinary lives of Walter and Corral come to life through the exceptional talents of Denise Welch and Matthew Kelly, spanning five decades of change.
Matthew Kelly, filled with anticipation and enthusiasm, exclaims, "Dear Manchester, I'm coming home, and what better reason to return than with actress Denise Welch and playwright Jim Cartwright. We will star in the world premiere of Jim's remarkable new play, THE GAP, at Manchester's prestigious venue, Hope Mill Theatre. This funny, moving, and exquisitely crafted play will showcase the superb talents of Denise Welch, and I will be right by her side, shining throughout. Directed by Anthony Banks, this top-tier team embarks on an exceptional project at an extraordinary venue. I couldn't be more thrilled and excited. I invite you all to join us and be a part of this unforgettable experience. Sincerely, Matthew Kelly off the Telly."
Denise Welch expresses her elation, stating, "I am incredibly excited to return to my first love, theatre, and collaborate with the fantastic team at Hope Mill Theatre next year. Working opposite Matthew Kelly in a new play by Jim Cartwright is truly a dream come true. I hope each and every one of you will come and witness what promises to be an outstanding production."
The Gap is produced by Hope Mill Theatre
photo credit:
Police Cops: The Musical to transfer to The Large at Southwark Playhouse Borough
After their successful performances at the Edinburgh Fringe Festival in August, Police Cops: The Musical, will be moving to The Large theatre at Southwark Playhouse Borough for a limited run. The show will be running from September 8, 2023, to October 14, 2023.
After achieving five years of sold-out shows at the Edinburgh Fringe, the internationally acclaimed comedy troupe Police Cops returns with an updated version of their very first musical. With an exciting new score composed by the Brit Award-winning Ben Adams (known for his work on "Eugenius! The Musical"), the Police Cops are bringing their high-energy, action-packed physical comedy to the stage in their most ambitious production yet.
The creators of the show, Zachary Hunt, Nathan Parkinson, and Tom Roe, are joined by Melinda Orengo and Natassia Bustamante. The cast is completed by Mychele Lebrun and Ben Lancaster.
Follow rookie Police Cop Jimmy Johnson as he enters the force with the intention to protect and serve. However, Jimmy finds himself in deep trouble, paired up with a rebellious Police Cop and under the pressure of a racist Chief. With guns at the ready and safety catches off, Jimmy embarks on a thrilling adventure from the tough streets of America to Mexico, where his destiny awaits in the form of the seasoned ex-Police Cop, Juanita Gonzalez.
The creative team behind the production includes Rich Morris (Musical Supervision, Arrangements, and Orchestrations), Andrew Exeter (Set & Lighting), Charlie Smith (Sound), and Pearson Casting (Casting Director).
Welcome to the U.S.Eighties.
Thursday 6 July 2023
Jersey Boys the Musical Extends Season at the Trafalgar Theatre
The Grammy, Tony, and Olivier award-winning musical Jersey Boys celebrates its 18th birthday after its Broadway debut in 2005. This captivating show takes you behind the music and delves into the story of Frankie Valli and The Four Seasons. The production is currently booking until January 28, 2024, with Christmas performances now available.
To mark the birthday celebrations, the London production is thrilled to announce its new cast starting from July 26 at the Trafalgar Theatre. Luke Suri continues as Frankie Valli, joined by Karl James Wilson as Nick Massi. Peter Nash takes on the role of Tommy De Vito, and Declan Egan plays Bob Gaudio, having previously portrayed the character at the Piccadilly Theatre and on the UK tour. Together, they complete the Four Seasons.
Additionally, a talented ensemble joins the cast, including Joey Cornish as Joe Pesci, Joseph Peters as Bob Crewe, Andy Barke as Gyp De Carlo, Kirsty Whelan as Mary Delgado, Oliver Tester as Norm Waxman/Hank Majewski, Jacob McIntosh as Barry Belson, Gracie Lai as Lorraine, Rosie Needham as Francine, and others.
This musical has received praise for its combination of tough guys, tender harmonies, a captivating story, and an endless repertoire of hit songs, as noted by The Guardian. The journey follows four guys from New Jersey who captivated audiences with their unique sound. From their humble beginnings to their induction into the Rock and Roll Hall of Fame, this musical is a captivating tale. The show features the beloved songs of The Four Seasons, including "Beggin'," "Sherry," "Walk Like A Man," "December, 1963 (Oh What a Night)," and many more.
Howard Panter, producer for Trafalgar Entertainment Productions, expresses excitement about reaching the milestone of 18 years for Jersey Boys. He looks forward to witnessing the incredible new cast deliver the legendary hits that have made the musical a smash hit.
Written by Marshall Brickman and Rick Elice, with music by Bob Gaudio and lyrics by Bob Crewe, Jersey Boys has garnered numerous prestigious awards and has been seen by millions of people worldwide. The show opened to rave reviews at the newly refurbished Trafalgar Theatre in July 2021.
Originally opening on Broadway in November 2005 and running for over 11 years, Jersey Boys became the 12th longest-running show in Broadway history. In London's West End, it ran for nine amazing years from 2008 to 2017, ranking as the sixth longest-running musical at the time. The musical has also completed three record-breaking tours in the UK and Ireland.
As a special offer in July, patrons can use the promo code 4JULY for any performance and enjoy a complimentary drink, such as a Frankie cocktail or Brooklyn Lager, with their Band A seat.
photo credit: Matt Crockett
Cast Announced for Pretty Woman the UK & Ireland Tour
The popular West End production, Pretty Woman: The Musical, is going on a UK and Ireland tour! The tour will kick off at the Birmingham Alexandra Theatre on October 17, 2023.
The cast includes: Amber Davies as Vivian Ward, Ore Oduba as Happy Man/Mr. Thompson, Oliver Savile as Edward Lewis, and Natalie Paris as Kit De Luca. They will be joined by Becky Anderson, Rebekah Bryant, Josh Damer-Jennings, Ben Darcy, Andrew Davison, Lila Falce-Bass, Noah Harrison, Sydnie Hocknell, Elly Jay, Rachael Kendall Brown, Michael Kholwadia, Joshua Lear, Stuart Maciver, Victoria Rachael McCabe, Eleanor Morrison-Halliday, LJ Neilson, Annell Odartey, Curtis Patrick and Chomba Taulo.
Amber Davies, currently seen as Lorraine Baines in Back to the Future: The Musical, has also performed in 9 to 5 the Musical and Bring It On. Ore Oduba, known for his role as Brad Majors in The Rocky Horror Show, has also appeared in Curtains and Grease. Oliver Savile's credits include Fiyero in Wicked, Whizzer in Falsettos, and performances in The Phantom of the Opera, Les Misérables, Cats, and Joseph and the Amazing Technicolor Dreamcoat. Natalie Paris, nominated for an Olivier Award for her role in SIX, has also been part of Sunday in the Park with George, Billy Elliot, and Les Misérables.
Pretty Woman: The Musical is a spectacular romantic comedy set in Hollywood in the late '80s. The story follows Vivian and Edward's unforgettable love story, brought to life on stage in a dazzling and theatrical way. Prepare to be swept away by this sensational show that will warm your heart and lift your spirits.
The musical features original music and lyrics by Bryan Adams and Jim Vallance, a book by Garry Marshall and J.F. Lawton, and is directed and choreographed by Jerry Mitchell, a two-time Tony Award winner.
The production includes the iconic song "Oh, Pretty Woman" by Roy Orbison and Bill Dee, which served as inspiration for the beloved romantic comedy film of the same name released in 1990.
photo credit: Dan Kennedy
Sam Bailey, Kevin Clifton and Giovanna Fletcher to Star in the UK Tour of Everybody's Talking About Jamie
Exciting news for the UK Tour of Everybody's Talking About Jamie! The musical has announced some new additions to the cast. Kevin Clifton, known for winning Strictly Come Dancing, will be playing Hugo/Loco Chanelle from March 25 to July 15, 2024. Giovanna Fletcher, an author, podcast host, and winner of I'm a Celebrity Get Me Out Of Here, will portray Miss Hedge from January 8 to March 23, 2024. Then, X-Factor winner Sam Bailey will take over the role of Miss Hedge from March 25 to July 15, 2024.
Kevin Clifton expressed his excitement about joining the UK Tour after his involvement in the movie, praising the show's inspiring and uplifting nature. Giovanna Fletcher described Everybody's Talking About Jamie as a wonderful show with great music, dance, and humour, emphasising its universal tale of courage and acceptance.
They join the previously announced cast members Ivano Turco as Jamie New, Rebecca McKinnis as Margaret New, Shobna Gulati as Ray, and Talia Palamathanan as Pritti.
The cast also includes John Partridge and Hayley Tamaddon during specific periods of the tour. The rest of the cast for the 2023-24 UK Tour includes KY Kelly, Garry Lee, David McNair, Akshay St Clair, Jordan Ricketts, Liv Ashman, Rhiannon Bacchus, Geoff Berrisford, Jessica Daugirda, Finton Flynn, Annabelle Laing, Luca Moscardini, Joshian Omana, Thomas Walton, Takayiah Bailey, and Georgina Hagen.
After successful runs in the West End, a sold-out UK & Ireland Tour, and an award-winning film, the show will kick off at The Lowry on September 7, 2023, and visit various cities across the UK, including Sunderland, Nottingham, Bromley, Birmingham, Cardiff, Brighton, Leeds, Blackpool, Llandudno, Oxford, Southampton, Newcastle, Wolverhampton, Woking, London, Bristol, Plymouth, Sheffield, Liverpool, Eastbourne, Portsmouth, Glasgow, Aberdeen, Northampton, Bradford, Milton Keynes, Hull, and Leicester.
Everybody's Talking About Jamie tells the story of Jamie New, a sixteen-year-old from a council estate in Sheffield who doesn't quite fit in and is fearful of the future. With the support of his loving mother and friends, Jamie overcomes prejudice and bullying to step into the spotlight and become a sensation.
This musical sensation, described as funny, outrageous, and touching, is suitable for the whole family and shouldn't be missed. With an original score of catchy pop tunes by Dan Gillespie Sells, lead singer-songwriter of The Feeling, and a script by Tom MacRae, the show is choreographed by Kate Prince and is set to become a sparkling coming-of-age musical that will have everyone talking about Jamie for years to come.
Sixteen: the edge of possibility. Time to make your dreams come true.
photo credit: Matt Crockett
Initial Cast Announced for Elf the Musical at the Dominion Theatre this Winter
Celebrating its 20th anniversary since the original release of the motion picture featuring the talented Will Ferrell, the worldwide sensation and holiday classic, Elf, is set to grace London's Dominion Theatre once again. Following its overwhelming success last year, the smash-hit musical adaptation returns for a second consecutive year, delighting audiences from 15 November 2023 until 6 January 2024.
Returning to reprise their memorable roles are the talented Georgina Castle, known for her performances in Dirty Dancing and Mamma Mia, as Jovie, and Rebecca Lock, renowned for her roles in The Phantom of the Opera and Avenue Q, as Emily Hobbs. Nicholas Pound, recognised for his appearances in Cats and The Rocky Horror Show, brings Santa to life once again, while the multi-talented Kim Ismay, known for her roles in Wicked and Saturday Night Fever, takes on the character of Debs. Dermot Canavan, celebrated for his performances in Hairspray and Oklahoma!, embodies the Store Manager. Stay tuned for further casting announcements, including new actors who will portray the roles of Buddy and Walter Hobbs.
Based on the beloved 2003 New Line Cinema hit, Elf features a captivating book by Tony Award-winners Thomas Meehan (Annie, The Producers, Hairspray) and Bob Martin (The Drowsy Chaperone), accompanied by enchanting songs composed by Tony Award nominees Matthew Sklar and Chad Beguelin (The Wedding Singer).
This production will once again be brought to life under the expert direction of Philip Wm. McKinley, with choreography by Liam Steel. The original set and costume designs by Tim Goodchild, along with lighting design by Patrick Woodroffe, immersive sound by Gareth Owen, and video design by Ian William Galloway, will transport the audience into Buddy's world. The casting process will be overseen by Grindrod Burton Casting.
Elf tells the heartwarming and humorous tale of Buddy, a baby who accidentally finds himself in Santa's gift bag and is whisked away to the North Pole. Raised as an elf, Buddy remains unaware of his human origins, but his size and toy-making struggles eventually lead him to discover the truth—he's not an elf and will never truly fit in at the North Pole. With Santa's blessing, Buddy embarks on an extraordinary journey to New York, in search of his birth father, to uncover his true identity, and to remind the city of the genuine spirit of Christmas.
photo credit: Mark Senior
Friday 23 June 2023
Charlie and the Chocolate Factory tour at the New Wimbledon Theatre: A Mixed Bag
often manages to capture the essence of Roald Dahl's beloved tale"
Charlie and the Chocolate Factory (Tour)
New Wimbledon Theatre
★★★
Stepping into the captivating world of Charlie and the Chocolate Factory the Musical is a mixed bag of sweet and sour. It's a journey that tugs at your heartstrings while also leaving you with a hint of disappointment. The main strength lies in the cast, who work with what they've got and bring the cherished characters to life in fun and engaging ways; pouring their hearts into their roles, infecting the audience with their contagious energy. The talented Amelia Minto perfectly captures the innocence and warmth of Charlie, while Gareth Snook puts a somewhat sinister twist on the iconic. Kazmin Borrer is a real stand out as the spoilt Veruca Salt and Lucy Hutchison is a delight and the chocolate reporter, Cherry. Each member of the ensemble adds their own unique touch, ensuring an engaging and lively performance.
On the flip side, the set design and overall aesthetic of the musical fail to evoke the whimsical enchantment one would expect from a journey through a fantastical chocolate factory. The visuals lack the intricate detail and grandeur that should transport the audience into a world of awe and discovery. This absence becomes painfully evident during crucial moments where the magic should be tangible but falls disappointingly flat.
The music, too, lacks a lasting impact. Instead of weaving a captivating narrative or stirring deep emotions, the songs feel predictable and straightforward, almost like a literal translation of the story. While they serve their purpose in advancing the plot, they lack the memorable melodies and poetic finesse that would elevate the musical into an unforgettable experience. It's a missed opportunity to heighten the emotional connection between the audience and the characters on stage.
Despite these shortcomings, Charlie and the Chocolate Factory often manages to capture the essence of Roald Dahl's beloved tale. The unwavering commitment and strong performances of the cast keep the audience engaged, and the heartwarming story of young Charlie Bucket, guarantees an enjoyable evening for fans of the original story.
For those who hold the world of Charlie and the Chocolate Factory dear and eagerly anticipate seeing talented actors bring the beloved characters to life, this musical on tour will provide a delightful night out. Just be prepared for a slightly diminished sense of magic and musical moments that, while adequate, may not linger in your memory long after the final curtain call.
Reviewed on Thursday 22nd June 2023
photo credit: Johan Persson
{AD PR Invite- tickets gifted in exchange for honest review}
Charlie and the Chocolate Factory tour at the New Wimbledon Theatre: A Mixed Bag
Friday 23 June 2023
Thursday 22 June 2023
Groundhog Day at the Old Vic review: A Theatrical Gem That Transcends Time
the repetition never becomes tiresome, but rather serves as a tool for self-discovery and personal growth.
Groundhog Day
Old Vic
★★★★
Groundhog Day at the Old Vic Theatre is a delightful production that offers a hilarious and enchanting journey, filled with a talented ensemble, sleek quick changes and witty songs in the classic Tim Minchin style. This extraordinary production, breathes fresh life into the beloved story, delivering an experience that warms both the heart and the funny bone.
From the moment the curtains rise, we are transported to the enchanting world of Punxsutawney, Pennsylvania. The set design by Rob Howell, a skilful blend of simplicity and innovation, effortlessly captures the essence of small-town charm. Each scene change is flawlessly executed, seamlessly guiding the audience through the repetitive yet captivating cycle of Bill Murray's iconic character, Phil Connors, as he relives the same day over and over again.
The cast is a formidable force, with the incredibly talented Andy Karl at the helm, delivering a remarkable portrayal of Phil Connors. With impeccable comedic timing and a nuanced understanding of the character's emotional journey, Karl brings authenticity to every scene. His charisma and stage presence make it impossible to look away, keeping the audience fully engaged and invested in Phil's transformation, plus he delivers some killer vocals.
Alongside, each cast member delivers outstanding performances that enhance the overall narrative. From the endearing yet determined Rita, played by Tanisha Spring, to the versatile ensemble effortlessly transitioning between various characters, their energy and dedication create an immersive experience, making us feel like part of the Punxsutawney community. Amongst the solid cast, stand out's include Eve Norris who shines in her role as Nancy, bringing depth and charm to the stage and Billy Nevers who uses every solo line to his complete advantage to deliver some scene stealing moments.
The direction by Matthew Warchus, skilfully navigates the delicate balance between comedy and introspection. Demonstrating a deep understanding of the source material, whilst infusing it with fresh perspectives and surprising moments that keep the audience on the edge of their seats. Warchus expertly guides the pacing, ensuring that the repetition never becomes tiresome, but rather serves as a tool for self-discovery and personal growth.
The musical numbers, composed by Tim Minchin, are a delightful addition to the production. The songs are catchy, with lyrics that cleverly reflect the themes of self-reflection and seizing the day. The choreography (Lizzi Gee), executed with precision and flair, adds an extra layer of excitement and dynamism to the overall performance.
Groundhog Day at the Old Vic is a testament to the transformative power of live theatre. It serves as a reminder of the beauty found in life's simplest moments and the significance of embracing change. This production effortlessly balances humour and heart, leaving the audience with a renewed sense of joy and hope.
If you're seeking a theatrical experience that transcends time and leaves you with a warm, fuzzy feeling, Groundhog Day is an absolute must-see. This exceptional production will undoubtedly captivate audiences of all ages, reminding us that every day is an opportunity for growth, love, and second chances.
Reviewed on Wednesday 21st June 2023
photo credit: Manuel Harlan
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Saturday 10 June 2023
We Will Rock You at the London Coliseum review: Still Has 'A Kind Of Magic'
We Will Rock You
London Coliseum
★★★
After a ten year absence from the West End, the ‘show must go on’ for We Will Rock You (WWRY) as it takes up its summer residency at the London Coliseum. Set on the iPlanet, a corporate cyberspace where live music is forbidden, this iconic musical follows a group of rebellious bohemians in their search to rediscover the legendary art of rock and roll.
Unfortunately, jukebox musicals have come a long way since WWRY last graced the West End. Unlike newer examples such as &Juliet which prioritise cohesive and earnest story-telling, Ben Elton’s book is inarguably weak. It’s tiring to watch several scenes cynically shoehorned in to allow for a fan-favourites to feature in the show. Musical numbers often feel bookended awkwardly between immature dialogue, rather than moving the narrative along through song. However, these criticisms have been levelled at the show since its first inception, so no surprises there!
This production is clunky and cringeworthy at times. Scenes at GlobalSoft, Gaga High and Gaga Mall are cheapened by dated, distracting graphics and garish costumes. While clearly a deliberate aesthetic, for a show set decades from now it presents a futuristic vision that is firmly rooted in past. Fortunately, the overall design improves greatly when we’re invited into the rebel stronghold at Heartbreak Hotel. The set, designed by Stufish Entertainment Architects, becomes warm and inviting, with miscellaneous scraps and festoon lights cluttering the stage.
If the world of GlobalSoft is silly and contrived, then sadly so is their leader. A WWRY veteran, Brenda Edwards is vocally strong but her Killer Queen is more pantomime villain than ruthless technocrat. Lee Mead is woefully underused. He brings gravitas to his role as sidekick Commander Khashoggi and his performance of the Seven Seas of Rye is a great fun to watch as he peacocks across the stage with an air of gleeful sadism.
The show finally finds its heart when we meet the Bohemians, the first act belonging entirely to Christine Allado as Meat and her spellbinding delivery of No One But You. She is joined by the brilliant Adrian Hansel as hopeful believer Brit, creating a truly dynamic duo.
Elena Skye shines as Scaramouche. She’s feisty and spunky, with cracking comic timing and stellar vocals. Ian McIntosh gives an outstanding performance as the unsuspecting messiah of rock Galileo. He is an absolute vocal powerhouse, having the audience eating out the palm of his hand on more than one occasion. Together their chemistry is palpable and their bickering rendition of Hammer To Fall is a real treat.
Special mention must go to Ben Elton as rebel leader Pop. A singer he is not but he remains a joy to watch as he lives his best life in a world of his own creation.
At risk of being a relic of jukebox musicals past, WWRY still holds up as a night of rousing entertainment and the payoff is immense when it finally reaches its electric and euphoric finale of Queen’s greatest hits. Overall, it’s safe to say it still has ‘a kind of magic’ that will bring audiences back time and time again.
Reviewed on Friday 9th June 2023 by Hope Priddle
photo credit: Manuel Harlan
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Friday 9 June 2023
The Curious Case of Benjamin Button at the Southwark Playhouse review: A masterclass in storytelling
Southwark Playhouse
★★★★★
If you're wanting to see arguably the most mesmerising production in London right now, then look no further than The Curious Case of Benjamin Button the musical at Southwark Playhouse. From the stunning writing to the exceptional performances, this production is a moving celebration of life and the boundless capacity to find joy in unexpected places.
The writing (book and lyrics by Jethro Compton and music and lyrics by Darren Clark) is nothing short of extraordinary. It beautifully captures the essence of F. Scott Fitzgerald's timeless story, seamlessly translating it into a theatrical masterpiece which sweeps you up and takes your heart on an incredible journey. The script is both poignant and thought-provoking, delving deep into the profound themes of aging, love, and the significance of every moment we encounter. The fast paced lyrics are witty and woven together so well. The musical tenderly tugs at the heartstrings, leaving the audience reflecting on their own lives and the choices that shape our existence.
One cannot help but be enthralled by this show which really is the whole package. Every single moment feels well thought out and you can't help but notice how much care has gone into creating this show. A very strong aspect of this musical is the attention to the sound and lighting which accompanies the story. Zoe Spurr's lighting design has whimsical elements and the interplay between light and shadow creates a really magical visual tapestry, accentuating the emotional depth of the narrative. Each scene is carefully crafted to transport the audience through the passage of time, immersing us in the ever-changing world of Benjamin Button. Luke Swaffield's sound design further enhances the atmosphere, adding depth and texture to the production, as well as being perfectly balanced so that the music packs a punch and hits you in the gut but doesn't come across too loud or over the top.
Cast wise, The Curious Case of Benjamin Button features universally delightful performances. Each member delivers stellar vocals, acting and music (each person plays various instruments throughout), bringing the characters to life with authenticity and charisma. Their vocal prowess and impeccable timing are truly commendable, adding another layer of brilliance to an already captivating production. The chemistry among the cast members is palpable, creating an enchanting dynamic that draws the audience deeper into the story.
It's hard to mention specific people because the cast are a constellation of stars but mention must go to Jamie Parker who is astounding as Benjamin Button. His performance is incredibly layered and transformative. It really is a masterclass in how physicality and subtle changes can completely make a performance. As his love interest, Molly Osbourne is glorious and also shows excellent growth and character development. Across the board the vocals are divine so hopefully a cast recording is on the way!
This is a perfectly wrapped show that delivers on every base.
To sum it up, The Curious Case of Benjamin Button the musical at Southwark Playhouse is an absolute triumph. With its stunning writing, this production is a must-see for anyone who loves good storytelling. It's the sort of show you want to bottle up and bring out when you're feeling down. I wish I could see it again for the first time but I know that any subsequent visits will be just as endearing and wonderful. Don't miss your chance to embark on this enchanting journey of love, loss, and the beauty found in every moment of life.
Reviewed on Wednesday 7th June by Olivia Mitchell
photo credit: Juan Coolio
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Wednesday 7 June 2023
Frankie and Beausy at Crazy Coqs review: A Spectacular Musical Showcase
Frankie and Beausy
Crazy Coqs
★★★★
Last night the Crazy Coqs played home to Frankie and Beausy, a high-end, West End musical extravaganza that left me thoroughly impressed. The talented duo, comprised of the fantastic Frances Ruffelle and the dashing Norman Bowman, created and performed a show with some magical moments. Under the skilful direction of Paul Baker, they took us on a captivating journey that began 26 years ago on a train station platform in Scotland.
The stage came alive as Beausy donned a Scottish tartan kilt and sporran, while Frankie exuded charm in her tartan bodice and platform shoes. Their outfits added a touch of punkish cheeky glamour to the already punchy and fun atmosphere of the show. With musical arrangements by David Barber, they delivered a medley of musical favourites, seamlessly transitioning from Brigadoon to Broadway, and from the Highlands to Hollywood. Their harmonies were beautifully blended, and they even treated us to a stunning rendition of Luther Vandross's 'A House is Not a Home'.
The grand finale was nothing short of spectacular, as they belted out The Proclaimers' iconic hit, 'I'm Gonna Be (500) Miles'. The backing trio, led by the talented Ryan McKenzie, also had their moment to shine with individual solos that had the entire audience clapping, tapping, and singing along. It was an electrifying experience that left everyone on a high.
I must say, I was blown away by the quality of this cabaret show. It was a must-see performance that exceeded my expectations. If you're lucky enough to secure a ticket, don't miss out on this gem. Otherwise, mark your calendars for their upcoming shows at 54 Below in New York this November. Frankie and Beausy are a true musical powerhouses, and their concert will provide an absolute delight for any theatre enthusiast.
Reviewed on Tuesday 6th June by Justin Woodgate
photo credit: Debbi Clark
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Tuesday 6 June 2023
Greatest Days at the New Victoria Theatre review: A fun watch for Take That fans
Greatest Days (Tour)
New Victoria Theatre
★★★
The Official Take That Musical: Greatest Days (formerly The Band) written by Tim Firth with music by Take That, offers a heartwarming story that will resonate with those who have been part of a fandom and experienced the highs and lows of a friendship with so much history. The plot's utilisation of a double timeline is effective, and the show is likely a trip down memory lane for some but overall it falls short of delivering a fully impactful emotional punch.
Made up of Kalifa Burton, Jamie Corner, Archie Durrant, Regan Gascoigne and Alexanda O'Reilly, The Band's presence in the musical, acting as a Greek chorus supporting the girls, is a clever concept. They contribute to the story through well-placed songs, although there are instances where songs do feel a bit forced. While the band's performances are good, they don't exude world domination star quality, and although each band member has their shining second, they lack standout, memorable moments considering their significant role in the show.
Greatest Days has the potential to be a great show, but it falls slightly short of achieving that status. It taps into 90s nostalgia and Take That references, making it a must-see for fans of the era. However, the overall energy of the production could use a boost. The choreography by Aaron Renfree captures the boyband aesthetic and has its impressive moments, but there is a lack of precision and unity among the cast at times which leaves things feeling flat.
The lighting design by Rob Casey stands out as a strong element, effectively evoking the feeling of being at a concert. On the other hand, while Lucy Osborne's set design works well with the show and offers adequate levels for mirroring, it doesn't offer much to visually engage the audience beyond the surface.
The chemistry between the girls, both the younger (Emilie Cunliffee, Kitty Harris, Hannah Brown, Mari McGinlay and Mary Moore) and older versions (Kym Marsh, Rachel Marwood, Holly Ashton and Jamie-Rose Monk), is commendable. Their well-defined personalities contribute to the plot, creating a strong through line which has some heart-wrenching moments. However, there are some of jokes and lines which feel outdated and unnecessary, and detract from the overall experience.
Despite its flaws, Greatest Days manages to provide some humorous moments and an ending that will have you on your feet. It caters to its target audience who will undoubtedly appreciate the 90s nostalgia and Take That references. As a fun night out, it delivers an enjoyable experience, but it doesn't leave a lasting impression worthy of raving about.
Reviewed on Monday 5th June 2023
photo credit: Alastair Muir
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Greatest Days at the New Victoria Theatre review: A fun watch for Take That fans
Tuesday 6 June 2023
Wednesday 31 May 2023
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2:22 A Ghost Story at the Apollo Theatre review: A tremendously tense night out
2:22 A Ghost Story
Apollo Theatre
★★★★
2:22 A Ghost Story is quickly carving its name out in the UK theatre scene. Having played a number of runs at various West End theatres to much acclaim and with a touring version coming up, it's certainly a show which knows how to spook and entertain audiences.
Based on experiences had by the play's writer, Danny Robbins, this haunting production takes you on a thrilling journey into the supernatural, exploring themes of love, loss, and the unbreakable bonds that transcend time. The storyline is quite masterfully crafted, keeping you on the edge of your seat but equally including lots of humour which really works well and in fact makes the whole thing feel even more realistic. The pacing is solid, with suspense building at the right moments, and unexpected twists that keep you guessing. Sometimes the sound effects are a bit over obvious and aren't particularly scary but as a whole this is a really solid production.
Set at a dinner party, with minimal set or moving pieces, this really is a character driven piece and the cast do well at creating a truthful atmosphere that perfectly portrays a boozy evening. Sophia Bush's performance as Lauren is a really wonderful one; she is effortlessly sarky and charming and also has some tender moments that bring layers of complexity to the role. Ricky Champ plays her partner, Ben and is absolutely fantastic, his comedic timing is perfect and his intriguing character is so enjoyable to watch and try to work out. Taking on the role of Jenny, the tormented protagonist, Jamie Winstone brings depth and vulnerability and comes across quite genuinely terrified, with Clifford Samuel as her husband Sam the pair showcase an interesting dynamic which really takes you on a journey and shows you that families aren't always what they seem on the outside.
Whats great with this show is that it's more than a surface level thriller; it also comments on social and economic issues, as well as beliefs and science vs supernatural. There are times when the commentary comes across as a bit forced and out of left field but for the most part, topics are broached well and really elevate the production to be more socially nuanced and topical. The chemistry among the whole cast is palpable, adding an extra layer of realism to the relationships portrayed on stage.
Anna Fleischle's set design leaves space for lots of spooky moments but is also perfectly mundane and fitting for the setting of the show. The Apollo Theatre really looks like it's had an open plan kitchen dropped into it and the attention to detail really captures the essence of a family home. Combined with atmospheric lighting by Lucy Carter, the ghostly tale has a perfect backdrop.
If you're a fan of thought-provoking theatre 2:22 A Ghost Story is a definite must-see. From the superb performances to the captivating storyline, this play transports you to a realm where the lines between the living and the dead blur, and where love and loss intertwine in ways you never thought possible. Running for two hours which fly by, this is theatrical experience that will linger in your mind like a persistent ghost long after the final curtain falls.
Reviewed on Tuesday 30th May 2023
photo credit: Helen Murray
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Tuesday 9 May 2023
Operation Mincemeat at the Fortune Theatre a review: The must see musical of 2023
Operation Mincemeat
Fortune Theatre
★★★★★
If you're looking for a unique and intriguing musical, then look no further than Operation Mincemeat in its West End transfer to the Fortune Theatre. This production tells the incredible true story of a WWII deception operation, that although morally grey, helped Britain win the war and it does so with style, charm and heart in spades.
The star of this exciting musical is undoubtedly the music which manages to be both catchy and poignant, with some of the wittiest lyrics in the West End right now. The book, music and lyrics are expertly constructed by SpitLip founders David Cumming, Natasha Hodgson, Zoë Roberts and Felix Hagan (four of whom also star) and the whole show is maelstrom of musical magic. You'll find yourself continually laughing out loud and then all of a sudden wiping tears from your eyes as this hug of a musical manages to wrap you around its theatrical finger.
Every performance from the talented cast -completed at this performance by Claire Marie Hall, Jak Malone and Geri Allen (in her cover debut)- is a standout one. The precision with which they perform is just astounding and thanks to the script, there's a perfect balance between humour, satire and drama.
Aesthetically, Operation Mincemeat is a sleek mission. Ben Stones' set and costumes are perfectly evocative of MI5 and wartime London, as well as having a healthy dose of camp dramatics. One scene in particular features costumes perfect for a bedazzled version of Sweeney Todd! Really clever direction by Robert Hastie and joyous choreography by Jenny Arnold both let the story and performances to soar and ideally balance the line between allowing the performances to be genuinely funny without being cringe inducing. Shoutout must also go to Publicity Designer Bob King Creative for the genius artwork which accompanies the show. Once you see it, you won't un-see it!
In summary, this show is the epitome of fun. Poking fun at everyone and everything it is a satirical, stupendous, stomper of a show that will have you entertained and inspired. The new must-see musical, it needs to be booked immediately!
{AD PR Invite- tickets gifted in exchange for honest review}
Operation Mincemeat at the Fortune Theatre a review: The must see musical of 2023
Tuesday 9 May 2023
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