Posts with the label stagey
Showing posts with label stagey. Show all posts
Showing posts with label stagey. Show all posts
Thursday, 5 June 2025
Review: Joseph and the Amazing Technicolor Dreamcoat- A Joyous Revival that Shines Bright on Tour
Joseph and the Amazing Technicolor Dreamcoat (UK Tour)
New Victoria Theatre
Like so many theatre lovers, Joseph holds a special place in my heart. I must have worn out the DVD as a child, rewatching the dazzling colours, catchy tunes, and sheer joy of it all. To this day, I take great pride in knowing every single colour of that famous coat by heart, and one day, I’m convinced it will finally come in handy in a pub quiz.
Seeing the touring production felt like reconnecting with an old friend, and this version couldn’t feel more right for now. There are brief flashes of modern self-awareness that could veer into cringe- a wink here, a gag there- but they never overstay their welcome. It’s one of the rare revivals that manages to feel modernised without being try-hard or losing its sense of self. At its core, Joseph is still what it’s always been: a musical powered by joy, timeless melodies, and that signature blend of heart and humour.
The music, as ever, is the star. From 'Any Dream Will Do' to 'Go, Go, Go Joseph,' the songs are as infectious as I remembered. But what makes this version truly sing is how the whole thing feels so light on its feet. There’s a freshness to the production, a sense of play and invention that keeps it moving briskly and brightly.
Adam Felipe brings a charming sincerity to Joseph, with vocals that land with clarity and ease. He finds both the innocence and confidence in the role, and it’s easy to see why audiences root for him from the start. Joe McElderry’s Pharaoh is a crowd-pleasing standout, leaning into the Elvis pastiche with charisma and a wink that’s impossible not to enjoy. And in the role of the Narrator, Christina Bianco is the glue that holds the whole show together- commanding, warm, commical, and vocally impressive throughout.
Beyond the leads, it was an unexpected delight to watch the ensemble. There’s such care in their performances- it felt like many of them had created full little back stories for their characters. I caught moments between brothers, glances, physical comedy, even subtle through-lines. Honestly, I’d go back just to keep an eye on different people and see what else I might spot.
This show is a proven success, and this production shows exactly why. The audience- young kids, nostalgic adults, and everyone in between- were beaming throughout, myself included. It’s hard not to be swept up by it. This show is a real reminder that it’s a gift to sit in a theatre and just have a great time.
It’s not a reinvention of the wheel, but it doesn’t need to be. Joseph is a show that understands what it is, and this production delivers it with style, heart, and a technicolour sparkle that never fades.
★★★★
Reviewed on Wednesday 4th June 2025 by Olivia
Photo Credit: Tristram Kenton
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 28 May 2025
The Frogs at Southwark Playhouse: A Quirky, Clever Revival That Leaps at Points | Review
The Frogs
Southwark Playhouse
Currently playing at Southwark Playhouse, The Frogs is a spirited and unusual revival of Stephen Sondheim’s rarely-staged musical. It’s a show that wears its eccentricity proudly, and while it doesn’t quite stick the landing, there’s plenty to enjoy- especially in a first act that’s consistently hilarious, sharply performed, and full of unexpected delights.
Loosely based on Aristophanes’ classical Greek comedy, the musical follows Dionysos, the god of theatre, as he travels to the Underworld in search of a great playwright to bring back to Earth and save civilisation. He’s accompanied by his long-suffering servant Xanthias, and along the way they encounter an oddball cast of characters, including a musclebound Herakles, a chorus of glittering jazz-handed frogs, and ultimately, the ghosts of George Bernard Shaw and William Shakespeare, who must battle it out in a literary showdown.
What really shines in this production is the tone of the first half- it’s fast, funny, and refreshingly self-aware. Packed with clever gags, well-placed improvisation, and tongue-in-cheek musical theatre references (including a few knowing nods to Sondheim himself), the show frequently feels like it’s teetering on the edge of chaos, but in the best way. That sense of spontaneity works in its favour, helped along by a cast that clearly knows how to land a joke.
Dan Buckley is a charming Dionysos, blending comic cluelessness with likable energy. Kevin McHale is wonderful as Xanthias, with razor-sharp timing and a strong sense of physical comedy. Joaquin Pedro Valdes makes a memorable entrance as Herakles, playing up the bravado with just the right amount of exaggeration and all three have outstanding vocals to accompany their portrayals. The ensemble bring great versatility and enthusiasm to the staging, keeping the energy high even when the material veers into the absurd.
The design choices support the humour well. The spangly frog costumes are ridiculous in the best possible way, think glitter, jazz hands, and pure musical theatre camp; and moments like Ariadne’s “thread” being reimagined as a literal train trailing behind her costume add a cheeky visual wit to the direction. There’s an inventiveness to the staging that feels right at home in Southwark Playhouse’s flexible space, and the live band, under the direction of Yshani Perpinpanayagam, gives Sondheim’s challenging score the bounce and clarity it needs.
The second act, however, loses some of that initial spark. Once the plot shifts toward a philosophical debate between Shaw and Shakespeare, the momentum slows and the tone becomes more earnest. The satire is still there, but it feels a little more laboured and doesn’t quite recapture the breezy chaos of the first half. It’s a tricky balance, intellectually interesting, yes, but a shift that might leave some audience members wishing for more frogs and fewer speeches.
That said, this is a lively, cleverly staged production that knows exactly what it is. It leans into its own weirdness and largely pulls it off, thanks in no small part to a cast that’s clearly having fun. If you're in the mood for something quirky, referential, and genuinely funny (especially in its early scenes) The Frogs is worth a look. It may not be Sondheim’s most polished show, but in the right hands, like those at Southwark Playhouse, it makes for a surprisingly joyful evening.
★★★
Reviewed on Tuesday 27th May by Olivia
Photo Credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
Keywords: The Frogs Southwark Playhouse review, Kevin McHale The Frogs, Sondheim The Frogs London, Dan Buckley theatre, Joaquin Pedro Valdes Southwark, Off-West End musicals 2025, Southwark Playhouse Sondheim, musical theatre reviews London, quirky musicals 2025, Greek mythology musical.
Tuesday, 15 April 2025
Ghost the Musical UK Tour: Great Cast, Ghostly Magic, But Time for a Refresh? | REVIEW
Ghost the Musical (Tour)
New Victoria Theatre
Based on the beloved 1990 film starring Patrick Swayze and Demi Moore, Ghost the Musical first premiered in Manchester in 2011 before transferring to the West End and Broadway. With a book by Bruce Joel Rubin (who also penned the original screenplay) and a pop-infused score by Dave Stewart and Glen Ballard, the musical brings romance, loss, and the supernatural to the stage. The current UK tour proves there's still plenty of love for this story and though a few creaky moments show its age, the emotional core and a jaw-dropping central performance keep it engaging and enjoyable.
This touring production is anchored by a genuinely great cast, with standout performances across the board. At the heart of it all is the phenomenal Rebekah Lowings, whose portrayal of Molly is nothing short of spellbinding. Her vocals are among the best I’ve ever heard. Rich, emotional and technically flawless, she brings such raw depth to the role that you can’t help but root for her from her very first note. Honestly, I want to see her in everything from now on.
Josh St. Clair also provides some great vocal moments and makes for a compelling Sam, navigating the tricky emotional beats of his spectral role with sensitivity. As Carl, James Mateo-Salt is a real standout, bringing a great intensity to the role and some top level vocals to match, while Jacqui Dubois as Oda Mae delivers excellent comic timing and vibrant charisma, perfectly lifting the mood just when it’s needed. The show benefits from this balance of emotional sadness and humour, which helps it maintain a fairly fast pace and keeps the audience emotionally invested throughout.
That said, Ghost the Musical does show its age in places. Some moments feel a little on the cringe-worthy side, especially in the dialogue and transitions, and it’s easy to imagine how a subtle modern refresh-whether through design or direction- could polish off the rougher edges. The choreography also feels a little mismatched with the tone of the piece; while the dance breaks are energetic, they often feel more suited to a pop concert than a supernatural love story.
Despite that, the show offers some strong technical elements. The special effects (particularly those ghostly illusions) are slick and satisfying, and the lighting does a lot to establish mood and movement. While the sound mix could use some fine-tuning (a few ensemble lyrics got lost in the score), the overall production values are solid for a touring show.
Ultimately, this Ghost might not be reinventing the wheel, but it’s still an entertaining and emotionally satisfying night at the theatre. With a cast this talented, and a leading lady who deserves every starring role coming her way, it’s easy to overlook some of the creakier bits. Whether you’re a die-hard fan of the film or simply in the mood for a musical that blends romance, comedy, and a touch of the otherworldly, this tour is worth catching.
★★★
Reviewed on Tuesday 15th April by Olivia
Photo Credit: Alastair Muir
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 24 January 2025
2025 Theatre: West End and Broadway Shows Opening This Year
2025 is set to be another brilliant one for theatre fans, with both Broadway and the West End set to welcome a host of exciting new productions. From fresh adaptations of beloved classics to innovative original works, the stages are primed to dazzle audiences worldwide.
Here's a list of seven shows we're excited to see open in 2025:
1. The Great Gatsby- West End Premiere
F. Scott Fitzgerald's timeless novel, The Great Gatsby, is set to dazzle the West End in a new musical adaptation. Following a successful Broadway run, this production will grace London's London Coliseum from 11th April. Audiences can expect a lavish portrayal of the Roaring Twenties, complete with opulent sets, period costumes, and a jazz-infused score that brings the enigmatic Jay Gatsby and his world to life. This adaptation promises to capture the essence of the classic tale, exploring themes of love, ambition, and the American Dream.
2. Hercules- Disney's Mythical Musical
After a long wait, Disney's animated favorite, Hercules, is making its way to the West End stage in a grand musical way. Set to open at the Theatre Royal Drury Lane on 6th June, this production reimagines the legendary tale of the demigod Hercules on his quest for heroism. Directed and choreographed by Casey Nicholaw, with music by Alan Menken and lyrics by David Zippel, the show promises a blend of humour, heart, and high-energy numbers. Audiences can look forward to beloved songs from the original film, such as Go the Distance, alongside new compositions crafted for the stage.
3. Dirty Dancing- A Classic Reimagined
For film fans, the iconic love story of Dirty Dancing returns to the stage, offering fans a fresh take on the beloved 1987 film. Opening on 23rd October, 2025, at the newly established Capital Theatre in Westfield London, this production invites audiences to relive the romance of Baby and Johnny, whilst experiencing a new theatre too. With its memorable dance sequences and a soundtrack featuring hits like (I've Had) The Time of My Life, the show captures the essence of the original while introducing innovative choreography and staging. The Capital Theatre, a state-of-the-art venue, promises an intimate experience, ensuring every seat offers a prime view of the performance.
4. The Picture of Dorian Gray- Broadway's Bold Adaptation
After a hugely successful West End run, Oscar Wilde's classic novel, The Picture of Dorian Gray, receives a contemporary twist in this bold Broadway adaptation. Previews begin on March 10th, 2025, at the Music Box Theatre, with an official opening on 27th March. Starring Sarah Snook, renowned for her role in Succession, the production features her in an impressive 26 roles, showcasing her versatility and depth as a performer. Directed by Kip Williams, the play delves into themes of vanity, morality, and the consequences of eternal youth, offering a poignant reflection on society's obsession with appearance.
5. Buena Vista Social Club- A Musical Journey to Cuba
Transporting audiences to the vibrant streets of Havana, Buena Vista Social Club is a new musical inspired by the Grammy Award-winning album of the same name. Set to begin previews on 21st February, 2025, at the Gerald Schoenfeld Theatre, with an official opening on March 19th, the production celebrates the rich musical heritage of Cuba. Produced by John Leguizamo, the show features a live Afro-Cuban band and a cast that brings to life the stories of the legendary musicians who made the album a global sensation. Audiences can expect a rhythmic journey filled with soulful melodies, vibrant dance, and a narrative that honours the resilience and passion of Cuban artists.
6. Operation Mincemeat- The Little Show That Could
Making its Broadway debut after a successful run in London's West End, Operation Mincemeat is a musical comedy that brings to light one of World War II's most audacious deceptions. Previews commence on 15th February, 2025, at the Golden Theatre, with an opening night on 20th March. The story follows a daring British intelligence operation that aimed to deceive the opposition, turning the tide of the war. With a blend of sharp wit, engaging music, and historical intrigue, the production offers a fresh perspective on a remarkable true story, making it a must-see for history buffs and theatre lovers alike.
7. Stereophonic- A Rock 'n' Roll Stage Experience
After garnering critical acclaim and multiple Tony Awards on Broadway, Stereophonic is set to electrify London's West End in May 2025 at the Duke of York’s Theatre. Written by David Adjmi, the play immerses audiences in the dynamic world of a 1970s rock band as they navigate the tumultuous process of recording their second album. Featuring original music by Will Butler of Arcade Fire, the production delves into themes of ambition, creativity, and the personal struggles that come with fame. The show's innovative staging and compelling narrative promise an unforgettable theatrical experience that resonates with music enthusiasts and theatre-goers alike.
This is just a small taste of what's on offer this year, and there's so much more across the UK and USA. Whether you're a fan of dramatic storytelling, musical extravaganzas, or historical tales brought to life, the stages of Broadway, the West End and beyond are set to offer something truly special this year. And of course, we'll be covering as much as we can on Rewrite This Story.
Stay Stagey!
Friday, 29 November 2024
The Lightning Thief: The Percy Jackson Musical Review- A Vibrant Escape Packed with Heart and Humour
Like Camp Half-Blood itself, this show offers an unforgettable escape filled with friendship, unity, and a world where everyone can be a hero."
The Lightning Thief: The Percy Jackson Musical
The Other Palace
The Lightning Thief the Percy Jackson Musical based on Rick Riordan’s beloved novel of the same name, finds its perfect home on the intimate stage of The Other Palace. This fantastically staged production knows exactly what it’s aiming for: a heartfelt, high-energy story for fans of the books, young theatergoers, and anyone seeking an escapist evening of fun. It’s not a transformative piece of theatre but it never tries to be. Instead, it’s a faithful, joyfully chaotic adaptation that delivers a thoroughly entertaining experience.
The musical, with a book by Joe Tracz and music and lyrics by Rob Rokicki, condenses the sprawling first book of the Percy Jackson & the Olympians series into a fast-paced two-hour show. Percy Jackson, a seemingly average teenager, discovers he’s the demigod son of Poseidon. Alongside his best friend Grover and fellow camper Annabeth, he embarks on a quest to retrieve Zeus’s stolen lightning bolt, battling monsters and confronting his insecurities along the way. Themes of friendship, belonging, and overcoming personal challenges echo throughout, resonating especially with anyone navigating the struggles of growing up.
The standout performances begin with Max Harwood as Percy Jackson. Harwood, known for his starring role as Jamie New in the movie version of Everybody's Talking About Jamie and his recent role in Stranger Things once again demonstrates why he’s a star on the rise. I was lucky enough to see Max's debut as Melchior in Spring Awakening and I knew great things were on the horizon for him so it's so wonderful to see him leading this show with such brilliance. His strong, healthy vocals handle Rokicki’s rock-influenced score with confidence, while his physicality and emotional depth ground Percy’s journey in authenticity. Harwood’s Percy is funny, flawed, and fiercely relatable- a hero in trainers we can all root for. Watching him embody the sarcastic yet earnest demigod is an absolute treat, solidifying his status as one of the most exciting young performers on the stage today.
Mirroring Percy’s charm are Jessica Lee as Annabeth Chase and Scott Folan as Grover. Jessica brings a sharp wit and determined energy to Annabeth, perfectly capturing the daughter of Athena’s intellect and drive. Her duet with Harwood, 'My Grand Plan', is both heartfelt and empowering. Scott, meanwhile, is utterly delightful as Grover, mixing lovely comedic timing with moments of vulnerability that bring the satyr’s loyalty to life.
The ensemble shines, masterfully multi-rolling through a colourful array of characters, from meddling gods to fearsome monsters. Their quick changes and distinct characterisations are a testament to their talent and energy. Whether it’s a eye-dangling Fury or a groovy Poseidon, the ensemble brings Riordan’s mythological world vividly to life.
The creative team deserves immense credit for transforming the small stage of The Other Palace into a dynamic playground of gods and monsters. Charlie Morgan Jones’s vibrant lighting design and Duncan McLean’s imaginative projections work in tandem to expand the space, while clever touches- like bubbles to suggest underwater scenes- immerse the audience in Percy’s world.
The musical’s ability to nod to large-scale moments from the book (like the showdown with Ares) without overcomplicating them is a smart move by director Lizzi Gee. By focusing on character and humour rather than spectacle, the adaptation avoids the pitfalls of feeling overly ambitious.
Rob Rokicki’s score is an infectious blend of rock and pop that captures the angst and excitement of Percy’s story. Songs like 'Good Kid' and 'The Tree on the Hill' resonate emotionally, while the humorous numbers like 'D.O.A.' provide laugh-out-loud moments. That said, at times, the sound mix leaned too heavily on volume, making some lyrics difficult to catch- a minor issue in an otherwise great production.
The Lightning Thief thrives because it knows its audience. It’s not here to change the world- it’s here to celebrate it, offering fans of Riordan’s books and newcomers alike a chance to step into a world of camaraderie and mythological mischief. The Other Palace, with its cosy yet versatile stage, feels tailor-made for this production, inviting the audience into Camp Half-Blood’s warm embrace.
The musical excels at what it sets out to do: entertain, uplift, and provide a few hours of joyous escapism. With a faithful adaptation, a gifted cast led by the brilliant Max Harwood, and a visually inventive production, it’s a treat for fans and a celebration of the power of storytelling- a monster of a show! Like Percy’s time at Camp Half-Blood, it reminds us that even when life gets messy, friendship and unity can see us through.
★★★★
Reviewed on Thursday 28th November 2024 by Olivia
Photo Credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 20 November 2024
Wicked Movie Review: Everything we Hoped For and More
Like so many, I’ve been enchanted by Wicked since I was young. The musical shaped my childhood, inspired my imagination, and stayed with me through every stage of life (my dog is literally called Elphie!) When news of a film adaptation first surfaced all those years ago, my heart soared, though tempered with the hope that they would do justice to something so pivotal to me and countless others. It’s been a long yellow brick road, with years of speculation, rumours and anticipation, but now that it’s here, Wicked: The Movie exceeds every expectation and delivers a spectacle that was worth every moment of the wait.
Director Jon M. Chu has not only brought the world of Oz to life- he has redefined what a movie musical can be. This film doesn’t just enchant; it moves, it stirs, and it utterly inthralls. From the first soaring notes of 'No One Mourns the Wicked' to the breathtaking final moments, it’s clear that this team poured their hearts into every frame.
The cast, led by the luminous Cynthia Erivo as Elphaba and the effervescent Ariana Grande as Glinda, is extraordinary. Erivo’s performance is as brilliant as we all expected- her Elphaba is fierce, vulnerable, and heartbreakingly human. Of course, she also imbues every note with raw emotion, making every song a transcendent experience. Grande, meanwhile, brings a sparkling charm and necessary depth to Glinda, perfectly balancing her bubbly exterior with a poignant sincerity. The chemistry between the two is electric, capturing the complexities of friendship and rivalry that lie at the heart of the story, I am already buzzing with anticipation of how the pair are going to develop in Wicked: Part Two. Like with every aspect of this film, you can tell how much love has gone into it, Ariana and Cynthia's performances feel so incredibly lived in, you can tell how much they adore the roles and how they planned and turned every stone in finding their own versions. They feel true enough to the originals but also bring newness and fresh energy. The Winkie Prince doesn't have as developed of a role in Part One but Jonathan Bailey as Fiyero is still masterful. His smooth charisma is utterly swoon-worthy but more than that, his sincerity and depth is enchanting to watch. In my opinion, 'Dancing Through Life' is one of the most edited songs from the original, but it works so SO well. The new musical arrangement is very cool, with a more funkified feel that complements the show, while feeling totally relevant for a 2024 Wicked release; the whole scene is a joy to watch. Supporting performances by Ethan Slater as Boq, Jeff Goldblum as The Wizard and Michelle Yeoh as Madame Morrible round out the ensemble, each actor bringing something fresh to the beloved characters and paving the way for Part 2.
The music, brought to life with lush orchestration and gorgeous vocals, feels both reverent to Stephen Schwartz’s original score and fresh for this new medium. Familiar songs like 'Popular' and 'What is This Feeling' shine anew, while the staging and cinematography elevate them into true cinematic moments.
One of the greatest triumphs of this adaptation is its fidelity to the source material. Despite its aspirations of massive commercial success- evident from the ambitious marketing campaign- it never sacrifices the heart of the story or the integrity of the musical’s themes. This feels like a love letter to the fans who’ve cherished Wicked for years. Seeing the iconic Time Dragon Clock, the enigmatic blobby men (yes, the technical term!), guest star appearances, and subtle musical motifs scattered throughout feels like being reunited with an old friend. I also love how the cast were allowed to play around with riffs throughout the movie, something that's a big part of the Wicked fandom. There are whole YouTube compilations of the best 'Defying Gravity Riffs' and I have no doubt that the movie one will be added alongside all the others that perfectly fit and bring a freshness to the score that delivers on every level.
The world-building is nothing short of spectacular. Every corner of Oz is brought to life with meticulous attention to detail, from the verdant forests of Shiz and the university to the glittering, imposing Emerald City. Each setting feels wonderfully alive, creating a fully realised world that you can’t help but get lost in. It’s a treasure trove of visual and thematic delights, packed with details that will have fans poring over every frame on their fourth, fifth, or tenth viewing.
This is the kind of film that makes you want to shout about it, to grab everyone you know and say, “You have to see this!” Jon M. Chu and the entire team behind this masterpiece have created a work that will fill the hearts of longtime fans while dazzling new audiences with its brilliance.
For those of us who grew up with Wicked, this is more than just a movie- it’s a moment, a celebration, and a dream brought to live. I could go on for hours and I'm honestly still tearing up the morning after seeing this film, but in summary- it's perfect! Congratulotions to the cast, crew, and creators for giving us something so magical, so heartfelt, and so, so Wonderful. 💚
Sincerely, Olivia
Wicked Lover since Age 8
★★★★★
{movie tickets were gifted}
Wednesday, 9 October 2024
Tom Fletcher’s There’s a Monster in Your Show to Return for New Tour
The cast for this tour includes talented puppeteers like Charlie Daniels, Josh Macrow, Ben Murrell, Ashton Owen, and Gil Sidaway. The tour will start at Watford Palace Theatre in October 2023 and is expected to visit over 50 venues across the UK, running through June 2024
A Life-Affirming Musical: Come From Away on Tour REVIEW | New Wimbledon Theatre
Come From Away
New Wimbledon Theatre
Come From Away is an extraordinary and heartwarming celebration of humanity, compassion, and community spirit. This remarkable musical, based on the true events following the tragic events of September 11th, 2001, chronicles the story of a small town that welcomed over 7,000 stranded passengers when 38 planes were unexpectedly diverted to Gander, Newfoundland. The 100-minute production, performed without an interval, captivates audiences from the first note to the final bow, leaving you inspired and deeply moved by the resilience and kindness of strangers.
The show, created by the brilliant team of Irene Sankoff and David Hein, debuted in 2013 before premiering on Broadway in 2017 to critical acclaim. It went on to win a Tony Award for Best Direction and has become a worldwide phenomenon; after (devastatingly) closing in the West End, the show is currently touring the UK and touching the hearts of countless theatergoers. What makes Come From Away unique is that it doesn’t dwell on the tragedy itself; rather, it highlights the powerful goodness that arose in response. It’s a story that everyone needs to see- a true testament to the strength of human spirit and the way communities can come together in times of need.
The cast of Come From Away is a masterclass in ensemble performance, with each of the twelve actors seamlessly taking on multiple roles, transitioning between characters with just a subtle change in voice, posture, or costume. Sara Poyzer is great as Captain Beverly Bass, commanding the stage with poise and delivering a stirring rendition of 'Me and the Sky,' a poignant ode to the barriers women face in aviation and beyond. Jamal Zulfiqar’s dual roles as Kevin and Ali are portrayed with depth and sincerity, while Nicholas Pound brings a steady warmth to Mayor Claude Elliott. Bree Smith, as Hannah, delivers an emotionally charged performance that resonates deeply, and Rosie Glossop’s Bonnie has an endearing authenticity that reflects the compassionate spirit of Gander’s residents. Daniel Crowder and Kirsty Hoiles, as Nick and Diane, exude heartfelt chemistry, and Amanda Henderson’s portrayal of Beulah is both humorous and touching, embodying the very essence of Newfoundland hospitality. Natasha J. Barnes is wonderfully endearing as newbie news-reporter Janice, while Mark Dugdale brings great light and vocals to Kevin T. Oliver Jacobson and Dale Mathurin provide some of the most humourous moments of the show and complete the universally perfect cast.
Howell Binkley’s brilliant lighting design transforms the relatively simple set into myriad locations, evoking a sense of intimacy and immediacy that brings the story to life. The lighting shifts subtly to reflect both the tension and warmth of each scene, helping audiences feel every moment of hope, uncertainty, and joy. Kelly Devine’s choreography is equally impressive- fluid and organic, it mirrors the natural rhythms of life in Gander and the mingling of so many lives, capturing the bustling energy of the community while maintaining a focus on small, authentic human interactions.
The music, with its Celtic-inspired score composed by Sankoff and Hein, is the heartbeat of the production. From the powerful opening number, 'Welcome to the Rock,' to the joyful 'Screech In,' the songs are infused with East Coast flair, featuring lively fiddles, bodhrans, and an ensemble that sings and plays with palpable passion. Under the direction of Andrew Corcoran, the music beautifully conveys both the emotional highs and lows, transporting audiences to Newfoundland with its driving rhythms and haunting melodies.
More than just a musical, Come From Away is an experience that reminds us of the inherent goodness within people. The uplifting message is amplified by the Pay It Forward initiatives that the production actively supports. These activities, organised by Lydia Greatrix, in honour of her friend and Come From Away superfan Laura Townsend, which include partnerships with local charities and community outreach, bring the show’s message of kindness off the stage and into the real world. By championing causes that encourage generosity and connection, Come From Away continues to “pay forward” the generosity of Gander, ensuring that its legacy of compassion extends far beyond the theatre.
In the end, Come From Away is not just a must-see show- it’s a life-affirming testament to the power of people and the enduring strength of community. It’s a reminder that, even in the face of unimaginable darkness, human decency shines through, and strangers can become friends. This is a show that will leave you laughing, crying, and wanting to be a better person- a story that every single person should experience, especially in today’s world.
If you would like to donate to future pay it forward events, check the Just Giving page here.
★★★★★
Reviewed on Tuesday 8th October 2024 by Olivia
Photo Credit: Craig Sugden
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 8 October 2024
Matilda the Musical to Embark on New UK and Ireland Tour
The Royal Shakespeare Company (RSC) has exciting news for musical theatre lovers: Matilda The Musical will launch its second major tour across the UK and Ireland in October 2025. The tour kicks off at Curve Theatre in Leicester on October 6, 2025, and will run simultaneously with the show's West End production.
Based on Roald Dahl’s beloved book, Matilda The Musical tells the inspiring story of a determined young girl who uses her vivid imagination to overcome life's challenges. The musical has achieved remarkable success, amassing over 100 awards, including an impressive 24 Best Musical accolades. Audiences can look forward to hearing iconic songs such as "Quiet," "Naughty," "When I Grow Up," and "Revolting Children." Additionally, a film adaptation released in 2022 is available on Netflix, broadening the show's reach even further.
Written by Dennis Kelly, with music and lyrics by Tim Minchin and direction by Matthew Warchus, the production also boasts a talented creative team, including Rob Howell (set and costume design), Peter Darling (choreography), Christopher Nightingale (orchestrations and musical supervision), Hugh Vanstone (lighting), Simon Baker (sound), and Paul Kieve (special effects and illusions).
In a recent interview, Minchin reflected on the show's enduring popularity: “When we first started working on the show, our aim was to make a lovely little jewel of a musical for the RSC’s Courtyard Theatre in Stratford-upon-Avon. We never imagined that all these years later it would still be running in the West End, have been made into a film, and is now about to embark on its second tour of the UK and Ireland. I’m deeply proud of Matilda The Musical, and every single talented person who continues to work on it with passion and enthusiasm.”
The tour will celebrate its 15th anniversary at Curve Theatre, where it will run until October 25, 2025. Following that, it will continue to various venues, including the Alhambra Theatre in Bradford (October 30 to November 23), the Liverpool Empire (December 2 to January 4, 2026), Theatre Royal Plymouth (January 13 to February 7), Sunderland Empire (February 11 to 28), Edinburgh Playhouse (March 4 to 22), and Manchester Palace Theatre (March 26 to April 25). Additional dates are expected to be announced in the future.
Priority booking for RSC and Theatre Members/Friends, as well as ATG+ Members, opens at 10 a.m. on October 22, 2024, with general ticket sales starting on October 24, 2024, for most venues (with exceptions for Curve and Theatre Royal Plymouth). Details regarding casting and other creative aspects of the tour will be revealed later.
photo credit: Manuel Harlan
Toyah Willcox Joins NOW That’s What I Call A Musical as a Special Guest
Exciting news for music and theatre lovers! Punk legend and Strictly Come Dancing 2024 contestant Toyah Willcox has been announced as a special guest star in NOW That’s What I Call A Musical. Toyah will appear in Edinburgh, bringing her iconic energy to this hit-packed show. Additionally, pop sensation Sonia has expanded her 2025 tour dates, adding performances in Manchester and Glasgow to her list of venues.
NOW That’s What I Call A Musical is a brand-new British musical written by award-winning comedian Pippa Evans and directed by Strictly's own Craig Revel Horwood. The show kicked off its major UK and Ireland tour in September 2024 at Aylesbury’s Waterside Theatre and has been delighting audiences ever since. Celebrating 40 years of the beloved NOW That’s What I Call Music compilations, the musical is filled with timeless hits from artists like Blondie, Tears For Fears, Eurythmics, and Spandau Ballet. It’s a nostalgic celebration of the biggest chart-toppers, taking audiences on a musical journey back to the 80s and 90s.
Toyah Willcox, known for her legendary hits like It’s a Mystery and I Want to Be Free, is a force in music, TV, and theatre. With over 13 Top 40 singles, 25 albums, and a successful acting career, she’s a perfect fit for this feel-good musical. Her theatre credits include roles in The Rocky Horror Show, Calamity Jane, and Cabaret. Her addition to the cast brings even more star power to an already exciting production.
Toyah will join an array of guest stars in the show, each performing the songs that made them NOW icons. Throughout the tour, audiences will also see performances by Sinitta, Sonia, Carol Decker, and Jay Osmond in various cities. These special guests, along with the talented core cast, will be belting out the hits that have defined decades of pop music.
Set in Birmingham, the musical follows two school friends, Gemma and April, as they navigate life from their teenage years in 1989, dreaming about Rick Astley, to their dreaded school reunion in 2009. The story blends humour, drama, and a lot of '80s nostalgia as it explores friendship, love, and all that hairspray!
For those who grew up with NOW That’s What I Call Music as the soundtrack to their lives, this musical is a must-see, packed with feel-good vibes and sing-along moments. Make sure to check your local listings to catch Toyah Willcox and the rest of the cast when the show comes to a theatre near you. Whether you’re reliving your favourite hits or discovering them for the first time, NOW That’s What I Call A Musical promises a fun and unforgettable night out!
Thursday, 11 July 2024
Mean Girls the Musical: A Fetch-Tacular West End Debut You Can't Miss | REVIEW
Mean Girls
Savoy Theatre
Mean Girls in the West End? That's fetch!
After much anticipation, Mean Girls the Musical has sashayed its way onto the West End stage, and it’s nothing short of a fetch-tacular extravaganza! Adapted from the iconic 2004 film penned by Tina Fey, this musical first dazzled Broadway audiences in 2018 and has now graced London with its fabulous presence, bringing all the drama, comedy, and high school hierarchies across the pond.
I first saw and reviewed Mean Girls at the August Wilson Theatre on Broadway in 2018, and I was blown away by the sharp wit, vibrant performances, and infectious energy. Seeing it again on the West End feels like a fabulous homecoming for this beloved show, and I can confidently say that it has lost none of its sparkle and charm in the transition.
For the uninitiated, Mean Girls follows the journey of Cady Heron (played with charm and sincerity by the supremely talented Charlie Burn), a previously homeschooled teenager who moves to the American suburbs from Africa. Navigating the treacherous waters of North Shore High School, she encounters the Plastics, led by the fabulously tyrannical Regina George (Georgina Castle), with her loyal sidekicks Gretchen Wieners (Elèna Gyasi) and Karen Smith (Grace Mouat). With the guidance of her quirky friends Janis Sarkisian (at this performance played by Baylie Carson) and Damian Hubbard (Tom Xander), Cady embarks on a mission to take down Regina, only to find herself transforming into the very thing she swore to destroy.
This vibrant production boasts an amazing cast, blending West End veterans with exciting new talents who are firmly cementing themselves as stars. Aaron Samuels (Daniel Bravo) steals hearts, while Ms Norbury, Ms Heron & Mrs George (Zöe Rainey) bring a delightful double dose of adult hilarity and warmth.
The performances are unanimously nothing short of wonderful. Each actor brings their unique flair, contributing to the high-energy, electrifying atmosphere that permeates the entire show and theatre. The ensemble, in particular, is incredible, delivering dance numbers with precision and enthusiasm that leaps from the stage and feels so exciting to watch. The performances are so captivating that I find myself wanting to return to the show again and again, just to focus on a different performer each time and appreciate their individual contributions to this vibrant production. Charlie Burn is infectiously charming as Cady and provides faultless, pin precise vocals to match. The commanding presence of Georgina Castle as she floats above it all as Regina George is all you could ask for from someone playing this iconic role, plus, Georgina absolutely provides a top theatre moment of the year with her rendition of World Burn. Elèna Gyasi is heartbreakingly desperate to fit in and does so in such a fun but still heartbreaking way, whilst Grace Mouat's Karen is just happy to be there. Grace's performance is laugh out loud funny and I loved her act two song 'I'm Blowing Up' which has been reworked and added back into the show to great effect. Baylie Carson and Tom Xander are the perfect double act as Janis and Damian, again bringing huge doses of humour as well as some of the strongest vocals in the musical. I also loved Lucca Chadwick-Patel as mathlete Kevin Ganatra and Daniel Bravo who brought a real sincerity to Aaron Samuels. I could go on all day about the cast because they're really all fantastic and as I say, every new visit is sure to offer a new layer of enjoyment and discovery, maybe Cady is right and the limit does not exist for how many times you could watch this show!
One of the standout features of this production is designer Scott Pask's ingenious use of screens and projections, which not only bring the hallways of North Shore High to life but also add an immersive, almost cinematic quality to the musical. This dynamic visual approach enhances the storytelling, making scenes pop with vibrancy and energy and allowing for a number of locations without the hassle of in depth scene changes, something which really allows the show to flow and maintain pace.
The West End production has seen some exciting changes from its Broadway counterpart. The creative team, led by director and choreographer Casey Nicholaw, has refined certain scenes and musical numbers to better suit the London audience. There are subtle changes in the dialogue and some new staging that add fresh layers to the beloved story, keeping it as sharp and hilarious as ever. Additionally, the musical's score has been tweaked slightly to enhance its already catchy and memorable tunes.
Let’s be real—Mean Girls the Musical may not be everyone’s cup of tea. If you’re not a fan of cheesy, over-the-top musicals, this might not be your thing. But for those who revel in fun, camp, and excellently performed music wrapped in a big pink bow, this show is pure joy. The musical numbers are infectious, with standout hits like 'Apex Predator', 'Revenge Party', and the empowering 'I’d Rather Be Me', each performed with gusto and flair by the cast.
The show captures the spirit of the original film while adding layers of depth through its songs and performances. It’s a fun, carefree romp that’s perfect for a night out with friends, a date night, or even a solo adventure to bask in its joyous glow. From the moment the curtain rises to the final bow, the audience is taken on a rollercoaster of laughter, nostalgia, and heartfelt moments.
Mean Girls in the West End is a pink-tinted, fabulously fun, spectacle that shouldn’t be missed- grab your tickets now and join the party at North Shore High!
★★★★★
Reviewed on Wednesday 10th July 2024 by Olivia Mitchell
Photo Credit: Brinkhoff / Moegenburg
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday, 27 June 2024
Next to Normal at Wyndham's Theatre: A Resonant Masterpiece 15 Years in the Making | REVIEW
Next to Normal
Wyndham's Theatre
London’s theatre scene is abuzz at the moment, with fan favourites returning, completely new works opening, and highly anticipated Broadway transfers finally making their way over. In Next to Normal’s case, "finally" is the operative word as it’s taken 15 years. Since debuting on Broadway in 2009 to critical and audience acclaim, fans have been eagerly awaiting its opening across the pond. After a brief stint at the Donmar Warehouse, it’s now officially open at the Wyndham’s Theatre in the heart of London’s West End. But was it worth the wait?
To put you out of your misery quickly, the answer is a resounding yes. This musical, which tells the story of a struggling family, is a poignant and punchy exploration of grief, drug therapies, and heartbreak. It doesn’t sound uplifting and for the most part, it isn’t, but it’s the trauma and intense emotions that make it such a special piece of theatre. The musical faces harsh realities with unflinching honesty that makes it genuinely affecting and truthful. Alongside this, there are moments of genuine humour, and like real life, there are highs and lows, mixed with dark humour to compensate for grief.
If you’re looking for the healthiest belting in the West End, you’ll find it with every member of the stellar five-person cast of Next to Normal. There’s not a note that doesn’t ring with clarity, support, and power. There are so many standout vocal moments that it’s impossible to pick favourites, and what’s brilliant is that not all of them are the big, loud, dramatic moments. Instead, the musical often thrives in its quieter moments. The belting is highly impressive and impactful, but frequently the smaller, supported moments are the most moving.
To put it lightly, Caissie Levy is a marvel. Her portrayal of Diana, the troubled mother at the centre of the story, is both heart-wrenching and electrifying. Levy’s vocal prowess is matched by her deep emotional delivery, making her performance one of the most memorable in recent West End history. Jamie Parker as Dan brings a grounded, heartfelt presence to the role of Diana’s supportive yet struggling husband. His performance is both tender and raw, capturing the complexities of a man trying to hold his family together.
Eleanor Worthington-Cox shines as Natalie, their overachieving yet deeply affected daughter. Her portrayal is layered and nuanced, capturing the teenage angst and longing for normalcy amidst chaos. Jack Wolfe as Gabe delivers a haunting performance with vocals that soar effortlessly, adding an ethereal quality to his character. Trevor Dion Nicholas as Dr. Madden/Dr. Fine brings a mix of authority and empathy to his roles as Diana’s doctors, his voice resonating powerfully through the theatre. Jack Ofrecio as Henry, Natalie's boyfriend, adds a touch of sweetness and earnestness, providing a much-needed sense of hope and grounding amidst the turmoil.
Thanks to the direction by Michael Longhurst, the cast is able to carry huge emotions throughout scenes, even when they're not at the forefront. The character work is clear, and you could watch this show ten times and notice a different intention or a new heartbreaking expression from any of the cast. Longhurst’s direction allows each actor to shine in their own right while maintaining a cohesive and emotionally charged ensemble performance.
The staging is both intimate and dynamic, perfectly capturing the fluctuating emotions of the characters. The set design by Chloe Lamford, lighting design by Lee Curran and video design by Tal Rosner create a visually stunning backdrop that enhances the storytelling without overwhelming it.
I don’t think this is a show for everyone. Aside from any triggers throughout, it’s a tough show to watch. In many ways, it feels more like a play with music because of the intensity and that’s personally why I enjoyed it so much. However, I can certainly see that it may not be quite as well-received by those who like more positive, “classically musical” musicals. Comparatively, it’s more on the wavelength of the Bridge Theatre revival of Oklahoma, rather than say, Six. Of course, that’s somewhat like comparing oranges and brussels sprouts; they are inherently different, but in a world where theatre is an expensive, occasional treat for many people, I think it’s important to know whether a show will be your vibe or not. And of course, all art is subjective so even if you’re hesitant, you may still love it.
All in all, just to say, Next to Normal isn’t like other shows in the West End. But it is a painful, beautiful, and impeccably performed show which many will love. So, if you’re ready for an emotional rollercoaster with stellar performances and thought-provoking themes, don’t miss Next to Normal at Wyndham’s Theatre. It’s a theatrical experience worth every moment of the 15-year wait.
★★★★
Reviewed on Wednesday 26th June 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Why Mrs Doubtfire in the West End is a Must-See: Celebrating The One Year Nan-iversary in Style!
Last week, I got to celebrate Mrs Doubtfire the Musical's One Year Nan-iversary (yes, that's a thing now!) It was an evening filled with laughter, nostalgia, and a few tears, all wrapped up in one incredible performance. Whether you're a long-time fan of the beloved film or just looking for a fantastic night out, here are five reasons why you absolutely must see Mrs Doubtfire on the West End!
Its a Heartwarming and Hilarious Story: Mrs Doubtfire the Musical is a perfect blend of comedy and heartfelt moments. The story follows the journey of Daniel Hillard, a loving but unconventional father who disguises himself as a Scottish nanny to stay close to his children after a messy divorce. The show's mix of laughter and touching scenes creates a memorable and emotional experience that appeals to all ages. Of course this is a well loved story and the show remains true enough to the source material to satisfy fans but it also has a number of changes that make it feel fresh and engaging.
It's Full of Stellar Performances: The West End production features an incredibly talented cast who bring the beloved characters to life with charm and depth. Gabriel Vick's transformation into Mrs. Doubtfire is a masterclass in physical comedy and character work, capturing the essence of the iconic role originally portrayed by Robin Williams, but again bringing a freshness that feels perfectly individual. The supporting cast members also shine, delivering strong performances that enhance the overall production. Laura Tebbutt as Miranda Hillard provides a lot of the story's heart and really vocally shines, especially during act 2. As the oldest daughter Lydia, Charlotte Fleming is absolutely wonderful, I'd love to see her take on the role of another Lydia if and when Beetlejuice makes its way across the pond!
The Stage Design is Wonderful: The show’s stage design and special effects are really brilliant and fitting for the show. The creative team have crafted a dynamic and visually engaging set that seamlessly transitions between scenes, bringing the world of Mrs. Doubtfire to life. The makeup and costume changes, particularly for the title character, are executed with impressive speed and precision, adding to the magic of the theatrical experience.
The Score if Full of Toe-Tappers: The musical score by Wayne Kirkpatrick and Karey Kirkpatrick is filled with catchy, original songs that really help to enhance and advance the story. The music ranges from upbeat, comedic numbers to moving ballads, each song perfectly capturing the emotions of the characters.
It Has Timeless Themes and Relatable Messages: At its core, Mrs Doubtfire is a story about family, love, and the lengths one will go to for those they care about. The show touches on themes of parenting, identity, and personal growth, all while maintaining a light-hearted and entertaining tone. Its messages about the importance of family and understanding resonate with audiences, making it a truly timeless piece that speaks to both adults and children alike.
All in all, Mrs Doubtfire is a fast paced, cracker of a show that features all the best elements of musical theatre. Lighthearted joy and laugh out loud humour fill the auditorium and make for a wonderful night at the theatre. Don't miss this fabulous show!
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 24 April 2024
Two Strangers (Carry a Cake Across New York) at the Criterion Theatre Review: A Warm Hug of a Musical
Two Strangers (Carry a Cake Across New York)
Criterion Theatre
Buckle up, because Two Strangers (Carry a Cake Across New York) at the Criterion Theatre is a rollercoaster of heartwarming goodness that’ll make you want to hug strangers on the tube home (maybe not advisable, but you get the vibe). The show, a recent transfer from the kiln Theatre is musical theatre romcom you've been waiting, like the best early 2000s rom-coms, but on stage, and with live-action vibes that'll have you grinning from ear to ear- it needs to be on your radar.
The story follows two total strangers, Robin and Dougal, who, by a twist of fate, find themselves on a wild journey through the bustling streets of New York City. Cue the quirky meet-cute, the awkward yet endearing conversations, and a whole lot of unexpected adventure. But what really sets this show apart is its knack for capturing the essence of the Big Apple. You'll feel like you're right there in the heart of NYC, dodging taxis and soaking in the neon lights.
Relentlessly optimistic Dougal heads across the pond to attend his father's wedding, and also to actually meet him for the first time. At the airport he's greeted by Robin, the bride's sister, who's job is to pick him up and then leave him be for the rest of the trip. Of course, that's not the case and the pair end up drawn to one another as they discover and rediscover the city, all whilst finding out about one another. It's as heartwarming as could be and is really just a hug of a musical.
The leading pair are like a perfect slice of New York pizza—full of flavour and impossible to resist. Their chemistry is off the charts, and you'll find yourself rooting for them every step of the way. As Robin, Dujonna Gift gives a brilliant performance, full of stereotypical New Yorker cynicism, but like us all, is soon charmed by her new British acquaintance Dougal. Her comedic timing is wonderful and she really draws us into her world and inner turmoil. In the role of the NYC Newbie, Sam Tutty is the embodiment of charismatic. His performance is hilariously funny and the undercurrent of deeper, darker emotions are wonderfully contrasted. A master of nuanced facial expressions that tell a thousand emotions, and vocals that soar and shine- Sam gives a top grade performance. The pair are perfectly matched and create some absolute theatrical magic on stage.
Aside from the story of the two characters altering each other's lives, this musical is, in every sense of the saying, a love letter to New York. Soutra Gilmour's design turns a revolving set of suitcases into a bustling city, where anything can happen and Tony Gayle's sound design highlights the ever present noise of Manhattan. Of course it's a romcom rose-coloured view, but there is some commentary on New York's darker side which helps ground the piece.
Musically, this show is like a playlist straight out of your favourite indie film, that's been musical theatre-ified. A mixture of styles create a soundtrack that feels genuinely unique and truly fun, setting the perfect mood for every scene. You'll laugh, you'll cry, and you'll probably leave the theatre humming a catchy tune or two. The opening number, New York! is especially joyous and really sums up the show with humour, sincerity, awe, joy and a little bit of tension.
But perhaps the real star of the show is the script. It's sharp, it's witty, and packed with enough heart to fill Times Square. You'll find yourself laughing out loud multiple times and swooning at not only the characters, but the city on stage. Jim Barne's and Kit Buchan's writing is wonderfully fast paced and the characterisation of each lead is so strong. You almost forget you're watching a two person show when such a rich tapestry of a world is created.
In short, Two Strangers (Carry a Cake Across New York) is a delightful romp through the city that never sleeps. It's charming, it's heartwarming, and it's everything you could want in a night out at the theatre. I loved the way it joyously celebrates the 'normal' people and reminds us that even the smallest of meetings, can change our lives. So grab your metro (Oyster) card and get ready for a ride—you won't regret it.
★★★★
Reviewed on Tuesday 23rd April 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Monday, 25 March 2024
Priscilla the Party at HERE at Outernet REVIEW: A Glitzy, Camp Night Out
Priscilla the Party
HERE at Outernet
Priscilla the Party is like stepping into a glittering dreamland where every corner is bursting with energy and excitement. From the moment you walk through the doors of the venue, you're greeted by pulsating beats and dazzling lights that promise a uniquely camp and sparkling experience. Following the adventures of three friends as they journey across the Australian outback aboard the iconic Priscilla bus, the plot is a rollercoaster of emotions that has you grinning from ear ear and dancing your way back onto Tottenham Court Road.
The venue itself is impressive, with its adaptable layout and top-notch sound design, HERE at Outernet ensures that every moment of the performance is delivered with crystal clarity. However, if you're on the shorter side, finding the perfect spot to catch all the action might require a bit of manoeuvring, as the stages aren't particularly high. Pro tip: head towards the front near the non-moving stage at the front for a great view and minimal movement.
Now, let's talk costumes. Each sequin and feather is a work of art, adding an extra layer of sparkle to an already glitzy affair. Tim Chappel and Lizzie Gardiner's designs are wonderfully extra, often providing humour alongside shine. There are also full glitter wigs which are just spectacular.
Equally spectacular are the cast who bring all the good vibes and deliver the story of drag queens travelling the outback so well. Leading proceedings, Trevor Ashley, Reece Kerridge, Dakota Starr and Owain Williams are absolute delights, bringing their characters to life with a level of energy and enthusiasm that's infectious; as well as showing moments of vulnerability which really add to the story.
But, as with any show, there are a few bumps along the way. The constantly shifting perspectives of the stages can sometimes make it hard to fully immerse yourself in the storyline, leaving you feeling a bit disconnected. The immersive aspect of the show is exciting and fairly unique but it doesn't always feel necessary with this show, especially when it stands so strongly on its own. While the pre-show performances are entertaining, they do have a tendency to drag on a bit, delaying the main event's grand entrance, plus, the choice of slow songs might not have been the best for getting the party started.
Despite these hiccups, Priscilla the Party delivers on its promise of a night filled with laughter. So, if you're in the mood for a night of joy and unadulterated fun, Priscilla the Party is the place to be. Embrace the campy atmosphere, lose yourself in the dazzling costumes, and get ready for a ride you won't soon forget. Despite its flaws, this glittering extravaganza is guaranteed to leave you with a smile.
★★★
Reviewed on Monday 25th March 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 19 March 2024
I Should Be So Lucky on tour at the New Victoria Theatre REVIEW: A Misguided Melange of 80s Madness
I Should Be So Lucky (Tour)
New Victoria Theatre
In the sun-drenched world of I Should Be So Lucky: The Musical, there's a flicker of potential, but sadly, it fades quicker than the sparkle of a disco ball. The show, buoyed by a strong cast and glitzy staging, is fun but struggles to hit the high notes it aims for.
Let's start with the positives: the cast. They're the shining stars of this production, injecting life and energy into every scene. With their talent and charisma, they manage to elevate even the most lacklustre moments. Each member deserves applause for their efforts in salvaging what they can from the material. To name a few, Scott Paige brings hilarity to every moment of his stage time, Kayla Carter as Bonnie provides some wonderful vocals and her blossoming relationship with Ash played by Giovanni Spanò is one of the highlights of the show. Giovanni is laugh out loud funny and get to briefly show off his killer vocals. It's a bit of theme in the show that the amazing vocal talents of the cast don't get to really be shown off, due to the hundred other things that are happening throughout. This is definitely the case with Melissa Jacques as Shelley who is wonderful, but having seen her in Everybody's Talking About Jamie, I would've loved some more chances for her to sing and soar.
As I mentioned, there's a LOT going on. There are a heap of side plots and vague character references and development which never have enough time to really mean anything. It sort of feels like every idea made it into the show and there was no development or streamlining to make it work. Another issue is that the show borders between being super sincere and not taking itself too seriously, so at times you're unsure whether you're laughing with or at the show. There's certainly potential, but in it's current form, it feels like a strange fever dream.
Now, onto the staging. It's undeniably flashy, dripping with sequins and neon lights reminiscent of a Kylie concert. The set (Tom Rogers) is really good, and there's a certain thrill in watching the glitzy spectacle unfold. However, as the show progresses, the excitement begins to wane, revealing a repetitive pattern that feels more like a recycling of ideas than a deliberate artistic choice. The 80s music video vibes are real, but there's only so many times you can get joy from the heart shaped bed rolling onto the stage.
Despite these glimmers of promise, I Should Be So Lucky: The Musical ultimately falls flat. While it may provide a momentary escape into a world of pop music and glamour, it lacks the substance needed to sustain interest beyond the surface. Thankfully the cast do wonder with what they're given, but even the most talented performers can't fully save this misguided show. Much like an 80s tune, it's enjoyable in the moment but quickly fades from memory.
★★
Reviewed on Monday 18th march 2024 by Olivia
Photo Credit: Marc Brenner
I Should Be So Lucky plays at the New Victoria Theatre until 23rd March and then continues its tour
{AD PR Invite- tickets gifted in exchange for honest review}
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