Wednesday 19 January 2022
Bat Out of Hell (Tour), New Wimbledon Theatre | Review
Friday 19 November 2021
Little Women, Park Theatre | Review
Friday 12 November 2021
The Choir of Man, Arts Theatre | Review
Friday 5 November 2021
Mrs Doubtfire Musical to Receive UK Premiere
Producers Kevin McCollum and Jamie Wilson are thrilled to today announce the UK premiere of Mrs. Doubtfire, the new comedy musical based on the iconic movie.
Mrs. Doubtfire will begin performances at the Manchester Opera House on Friday 2 September 2022, with a strictly limited season through until Saturday 1 October.
Tickets for the Manchester season of Mrs. Doubtfire go on priority sale on Monday 8 November and on general sale on Thursday 11 November at www.mrsdoubtfiremusical.co.uk
Out-of-work actor Daniel will do anything for his kids. After losing custody in a messy divorce, he creates the alter ego of Scottish nanny Euphegenia Doubtfire in a desperate attempt to stay in their lives. As his new character takes on a life of its own, Mrs. Doubtfire teaches Daniel more than he bargained for about how to be a father.
A hilarious and heartfelt story about holding onto your loved ones against all odds, Mrs. Doubtfire is the musical comedy we need right now.
Kevin McCollum and Jamie Wilson said:
“We are thrilled to announce that Mrs Doubtfire will make its UK premiere next year. Manchester is one of the great cities of theatre, and we can’t wait to bring Mrs Doubtfire to the Opera House. We hope audiences will take this hilarious and touching show to their hearts, and promise a great evening for everyone!”
Sarah Bleasdale, General Manager, Palace and Opera House Theatres, said:
“We’re incredibly excited to have another production launching in the UK from Manchester, and this time – direct from Broadway. We continue to proudly showcase the very best in new musical theatre under our Manchester gets it first banner and know that our audiences have a real treat on the way with the iconic Mrs Doubtfire. A big moment for our theatres and the city, and a production we cannot wait to open our doors to”.
Mrs. Doubtfire has been created by a transatlantic team of award-winning artists, with a book by Karey Kirkpatrick and John O’Farrell, original music and lyrics by Wayne and Karey Kirkpatrick, (the Tony Award-nominated team behind Something Rotten!, along with O’Farrell), direction by 4-time Tony winner Jerry Zaks (Hello, Dolly!), scenic design by David Korins (Hamilton), choreography by Lorin Latarro (Waitress), and music supervision by Ethan Popp (Tina: The Tina Turner Musical).
Mrs. Doubtfire is performing at the Stephen Sondheim Theatre on Broadway, having started at with a spectacular run at Seattle’s 5th Avenue Theatre in 2019. Extended by popular demand, the Seattle engagement shattered the record for the bestselling new musical in the history of The 5th Avenue Theatre, selling over $4.7M worth of tickets and playing to more than 75,000 people in just 42 performances.
Mrs. Doubtfire is produced by Kevin McCollum and Jamie Wilson and is presented by special arrangement with Buena Vista Theatrical.
Full Cast Announced for Love Story in Concert
Wednesday 3 November 2021
Heathers The Musical (UK Tour), New Wimbledon Theatre | Review
As our protagonist Veronica Sawyer, Rebecca Wickes is a powerhouse force. Her vocals are sensational and she maintains her energy and intelligence from start to finish. Barely leaving the stage Rebecca is a joy to watch as she brings a wide array of emotion and has a self-awareness that is magnetic. Simon Gordon as the brooding bad boy JD has equal pull as he sweeps Veronica and the audience up with his suave mystique, only to reveal his true self as the show moves on. Simon's voice is perfectly matched to the role and the pair work brilliantly together.
The three Heathers are played boldly by Maddison Firth (Chandler), Merryl Ansah (Duke), and Lizzy Parker (McNamara). Liam Doyle and Rory Phelan as Kurt and Ram give stand out performances and have a fantastically humourous chemistry with one another. As Martha Dunnstock, Mhairi Angus is heartwarming and vocally outstanding, providing a real starring moment and some calm in an otherwise crazy show.
Overall Heathers is a musical which clearly delights audiences and is top-notch for a modern musical. It ticks the boxes of humour, angst, drama and generally being over the top and is well worth visiting as it tours the country.
photo credit: Pamela Raith
Wednesday 20 October 2021
9 to 5 The Musical (UK Tour), New Wimbledon Theatre | Review
Friday 17 September 2021
Leicester's Curve Theatre To Stage First New UK Production of Billy Elliot
Leicester’s Curve theatre will stage the first new UK production of iconic musical Billy Elliot.
The Made at Curve production will be directed by the theatre’s Artistic Director Nikolai Foster and is set to run exclusively at Curve for six weeks only, 7 July to 14 August 2022. The musical will be choreographed by Lucy Hind (Girl From the North County, The Last Ship) with full casting to be announced in due course.
Based on Stephen Daldry’s BAFTA-winning 2000 film starring Jamie Bell and Julie Walters, Billy Elliot the Musical features music from Elton John and book and lyrics by Lee Hall. The musical first premiered at London’s Victoria Palace Theatre in 2005 and went on to win a host of international awards, including four Laurence Olivier Awards and ten Tony Awards.
Children’s casting will be managed by Jo Hawes CDG, the leading children’s casting director in the UK. Auditions for the title role and young people will begin soon and those interested in finding out more are encouraged to contact Jo Hawes by emailing joanne.hawes2013@gmail.com. All information will also be available on johawes.com.
Adult casting is led by Curve Associate Kay Magson CDG.
The musical’s set and costumes will be designed by Colin Richmond, with lighting from Curve Associate Ben Cracknell.
Speaking about this new Made at Curve production, Curve’s Chief Executive Chris Stafford and Artistic Director Nikolai Foster said:
“We are beyond excited to share Lee Hall and Elton John’s astonishing musical Billy Elliot with Curve audiences, ensuring summer 2022 in Leicester is truly memorable.
“Billy Elliot is a musical filled with incredible characters, epic ideas and at its heart, the story of a young boy who has the passion and courage to dance down a different path from the one prescribed for him. We are indebted to the incredible creatives who made Billy such a hit and hugely grateful they have trusted us to create the first brand new UK production for our audiences in Leicester. Collaborating with a terrific production team and an incredible cast of the most exciting young performers, we are proud to present this mighty musical which recognises the value of culture in our society, the importance of expressing your truest self and gives a voice to the courageous working class communities who are depicted in Lee Hall’s astonishing play. All beautifully framed by Elton John’s electrifying score.”
Set amidst the increasingly bitter 1984/85 miners’ strike, Billy Elliot the Musical is a tale of determination, acceptance and daring to be different. In a close-knit community where family and tradition means everything, can Billy forge a new destiny and follow his passion?
Based on Stephen Daldry's acclaimed 2000 film, with music by Elton John and book and lyrics by Lee Hall, this electrifying musical features incredible songs such as Solidarity, The Letter, He Could Be a Star and the show-stopping Electricity.
Tickets for Billy Elliot the Musical at Curve will go on sale to Curve Friends from Thursday 30 September, Supporters from Friday 1 October, Members, Groups and Access Register Customers from Monday 4 October and on general sale from Monday 11 October, all at 12 noon. Tickets can be purchased online at www.curveonline.co.uk or by calling Curve’s Box Office on 0116 242 3595.
Thursday 16 September 2021
Bat Out of Hell (Tour), Manchester Opera House | Review
Hitting the highway until late 2022, after several staggering runs in Toronto, New York and London, Bat Out Of Hell returned to its proverbial Manchester home this weekend. A stunning realisation of Jim Steinman’s life’s work and Meat Loaf’s iconic trilogy, the rock-opera is set in the dystopian city of Obsidian, a wasteland governed by the despotic Falco in the wake of a chemical war. Falco embarks upon a campaign to rebuild his metropole, which has since been overrun by a gang of feral, mutated youths – The Lost - frozen forever at the age of eighteen. As their leader Strat falls for the tyrant’s daughter Raven, an epic drama unfolds.
Bat Out Of Hell has undergone numerous changes across its various iterations; this new touring production is no exception, having been understandably shortened and scaled back. The book, which was already somewhat nonsensical, has suffered because of this. Amendments to the script, which were clearly made to clarify and accelerate the storyline, are overly literal, with clunky dialogue often betraying the visceral atavism of Steinman’s poetry. However, it’s foolish to think that anyone coming to see Bat Out Of Hell is after a refined and sophisticated narrative. Bat Out Of Hell is bursting with knowing irony and sarcasm – it has its tongue firmly situated in its cheek throughout. It’s a magical fever dream that invites you to suspend your disbelief.
Incoherency is irrelevant when you have a cast as stellar as this one - a cast who perform with such raw passion and hunger, you absolutely cannot take your eyes off them. As the black-hearted leader of The Lost and ultimate manic pixie dream boy, Glenn Adamson is mesmerising as Strat. His powerful performance of the titular song blew the roof of the Manchester Opera House. Adamson shares sizzling chemistry with Martha Kirby, our atypical teenage ingĂ©nue Raven, who perfectly captures the character’s fearless spirit and delivers flawless vocals. Rob Fowler and Sharon Sexton triumph as Raven’s parents, Falco and Sloane. While the couple are outrageously comic and camp, their failing marriage inspires genuine pathos as they reflect upon What Part of My Body Hurts the Most. Sultry and savvy, Joelle Moses embodies the role of Zahara; James Chisholm is charming as tough yet huge-hearted Jagwire, and Killian Thomas Lefevre plays a wholly endearing Tink, the youngest member of The Lost. Whilst supporting characters Valkyrie (Kellie Gnauck) and Ledoux (Danny Whelan) demonstrate stunning vocal prowess, the loss of an all-male rendition of Objects In The Rear View Mirror during the second-act, is felt massively. In previous productions, the number provided an emotional antidote to examples of sexually-charged masculinity and it was always refreshing to see raging machismo tempered by platonic male love.
The ensemble are electric, executing Xena Gusthart’s dynamic choreography with real attitude. They are complimented by a spectacular use of multi-media effects, including live video. Action is televised, Big-Brother style, across the auditorium, with an on-stage camera woman magnifying the drama. Given that the cast have free-reign over Jon Bausor’s multi-levelled post apocalyptic playground, this technique proves highly effective in capturing every little detail. The show is a huge assault on the senses, in the best way possible; expect a cacophony of colour, light, sound (and fire)!
If you’re after an evening like no other, exploding with hedonistic pleasure and unadulterated euphoria, head out on your Harley and get yourself a ticket…before they’re too hot to handle.
Bat Out of Hell is currently touring the UK and Ireland
photo credit: Chris Davis Studio