Posts with the label musical
Showing posts with label musical. Show all posts
Showing posts with label musical. Show all posts
Tuesday, 15 April 2025
Ghost the Musical UK Tour: Great Cast, Ghostly Magic, But Time for a Refresh? | REVIEW
Ghost the Musical (Tour)
New Victoria Theatre
Based on the beloved 1990 film starring Patrick Swayze and Demi Moore, Ghost the Musical first premiered in Manchester in 2011 before transferring to the West End and Broadway. With a book by Bruce Joel Rubin (who also penned the original screenplay) and a pop-infused score by Dave Stewart and Glen Ballard, the musical brings romance, loss, and the supernatural to the stage. The current UK tour proves there's still plenty of love for this story and though a few creaky moments show its age, the emotional core and a jaw-dropping central performance keep it engaging and enjoyable.
This touring production is anchored by a genuinely great cast, with standout performances across the board. At the heart of it all is the phenomenal Rebekah Lowings, whose portrayal of Molly is nothing short of spellbinding. Her vocals are among the best I’ve ever heard. Rich, emotional and technically flawless, she brings such raw depth to the role that you can’t help but root for her from her very first note. Honestly, I want to see her in everything from now on.
Josh St. Clair also provides some great vocal moments and makes for a compelling Sam, navigating the tricky emotional beats of his spectral role with sensitivity. As Carl, James Mateo-Salt is a real standout, bringing a great intensity to the role and some top level vocals to match, while Jacqui Dubois as Oda Mae delivers excellent comic timing and vibrant charisma, perfectly lifting the mood just when it’s needed. The show benefits from this balance of emotional sadness and humour, which helps it maintain a fairly fast pace and keeps the audience emotionally invested throughout.
That said, Ghost the Musical does show its age in places. Some moments feel a little on the cringe-worthy side, especially in the dialogue and transitions, and it’s easy to imagine how a subtle modern refresh-whether through design or direction- could polish off the rougher edges. The choreography also feels a little mismatched with the tone of the piece; while the dance breaks are energetic, they often feel more suited to a pop concert than a supernatural love story.
Despite that, the show offers some strong technical elements. The special effects (particularly those ghostly illusions) are slick and satisfying, and the lighting does a lot to establish mood and movement. While the sound mix could use some fine-tuning (a few ensemble lyrics got lost in the score), the overall production values are solid for a touring show.
Ultimately, this Ghost might not be reinventing the wheel, but it’s still an entertaining and emotionally satisfying night at the theatre. With a cast this talented, and a leading lady who deserves every starring role coming her way, it’s easy to overlook some of the creakier bits. Whether you’re a die-hard fan of the film or simply in the mood for a musical that blends romance, comedy, and a touch of the otherworldly, this tour is worth catching.
★★★
Reviewed on Tuesday 15th April by Olivia
Photo Credit: Alastair Muir
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 25 February 2025
Calamity Jane 2025 Tour Review: A Rootin’-Tootin’ Revival Where Carrie Hope Fletcher Shines
Calamity Jane (Tour)
New Victoria Theatre
The 2025 UK tour of Calamity Jane bursts onto the stage with energy, charm, and a dose of old-fashioned Wild West fun. Led by the ever-brilliant Carrie Hope Fletcher in the title role, this revival brings a fresh spark to the beloved musical while staying true to its classic appeal. With impressive orchestrations, great lighting design, and dynamic staging, the production proves that Calamity Jane is as entertaining as ever.
If there was ever a performer perfectly suited to bring Calamity Jane to life, it’s Carrie Hope Fletcher. Best known for her powerhouse performances in Les Misérables, Heathers, and The Addams Family, Fletcher steps into the buckskins of the iconic frontierswoman with charisma and confidence. Her portrayal balances tomboyish bravado with heartfelt vulnerability, making her Calamity both lovable and layered.
Vocally, Fletcher is sensational. She delivers showstoppers like 'The Deadwood Stage' and 'Secret Love' with clarity, warmth, and emotional depth. Her rendition of 'My Love Is Higher Than a Hawk' is a standout moment, showcasing her ability to blend rich storytelling with soaring vocals. She brings a modern sensibility to the role without losing the charm and humour that make Calamity such an endearing character.
The production’s lighting design is a major highlight, transporting the audience from the dusty streets of Deadwood to the glittering backstage in Chicago. Soft amber tones create a rustic, sun-drenched frontier feel, while dramatic spotlighting enhances the emotional weight of key scenes. During the climatic 'Secret Love', the transition from warm candlelight to a radiant glow beautifully mirrors Calamity’s personal transformation.
The staging is dynamic and well-paced, with director Nikolai Foster and Co-Director Nick Winston ensuring seamless transitions between the saloon, the theatre, and the open plains. The use of multi-level sets adds depth to the storytelling, and the clever choreography breathes life into the ensemble numbers. The bar fights and comedic misunderstandings play out with precision, bringing a sense of playfulness to the production without feeling over-the-top.
Under the musical direction of Catherine Jayes, the orchestrations remain faithful to the show’s roots while injecting a fresh vibrancy. The lush string and brass arrangements add richness to the score, making classics like 'Windy City' feel both nostalgic and exhilarating. The live band, positioned on stage at times, adds an immersive element, reinforcing the raw, unpolished energy of the Wild West setting.
The 2025 tour of Calamity Jane delivers a highly entertaining, well-executed revival of this beloved musical. Carrie Hope Fletcher leads the charge with a captivating performance, supported by stunning visuals, lively orchestrations, and seamless staging. Modern touches and attitudes mix perfectly with the classic story and show, ensuring a night of laughter, romance, and unforgettable music.
Whether you're a longtime fan of Calamity Jane or discovering it for the first time, this tour is well worth saddling up for. Get ready for a rootin’-tootin’ adventure full of heart, humour, and standout performances.
Reviewed on Tuesday 25th February 2025 by Olivia
Photo Credit: Mark Senior
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday, 12 December 2024
Everything You Could Ask For in a Panto: Sleeping Beauty at the New Victoria Theatre REVIEW
Sleeping Beauty (Pantomime)
New Victoria Theatre
The New Victoria Theatre’s Sleeping Beauty was a beautifully crafted production with amazing scenery, atmospheric lighting and flamboyant costumes; it was everything you want a panto to be. From the playful delightful Royal magician (Richard Cadell), Spirit of Dreams Dame played by the national treasure himself Christopher Biggins, to the wicked Evil Sorceress Carabosse delivered by the talented Faye Tozer, everything was wonderful.
To hear the adult’s laughter and the children’s screams of delight was a jubilant piece of escapism from a very grey world of doom and gloom. All the cast were fantastic in their differing roles and together, they transformed the theatre into a magical sanctuary of joy and fun for everyone. It was funny throughout with hilarious one liners that didn’t veer into political territory as is sometimes the case. Instead it focussed more on colloquialism of the local towns and surrounding areas of Woking and general life experiences, which were really effective and brought the audience to tears of laughter. Particular mention must go to the inventive stage design and special effects; the 3D scenes with the helicopter and the dragon were so effective, they had the front rows cowering!
Another real hit with the audience was Sooty accompanied by Sweep and SOO, it certainly transported me back to being a young child and loving that little puppet so much that you begin to believe that they are real, well aren't they? Special mention of course must go to Richard Cadell as Muddles and Faye Tozer as Carabosse. Muddles really galvanized the plot together with brilliant funny one liners, his magical illusions, excellent timing and great engagement with the audience. Tozer as Carabosse made an excellent villain and to be honest was not a role I had thought would naturally suit Faye, but how wrong was I. She delivered both excellent acting and singing- a perfect Panto villain. The rest of the cast equally delivered solid performances. Prince William made a great leading man with a Bridgerton air around his persona and a great singing voice, with both the King and Queen delivering a majestic and humorous performance, Princess Aurora, as the love sick princess being completely oblivious of Muddles’ crush on her and his feelings. With Christoper Biggins delivering a masterclass of being a Panto Dame, as the spirit of dreams whilst precariously hanging in the air above the stage.
I left the theatre in a much happier place after seeing the Pantomime, it made me vow to myself that I would make a promise to upkeep the British tradition of of going every year, after not going to for such a long time. I left the theatre with ringing in my ears of cries of delight "look behind you", "I feel good", "Oh no you don't "and "Goodbye Biggins " and with the whole audience dancing to ‘Tragedy’. In summary- I absolutely loved it!
If you want a feel good feeling, sprinkled with a festive fairy dusting of humour and fun, then Sleeping Beauty is the panto for you! A definite 10/10!
★★★★★
Reviewed on Tuesday 10th December by Glenys Balchin
Photo Credit: Ian Osslon
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 6 December 2024
The West End’s Most Stylish Show? The Devil Wears Prada Musical Delivers Glamour and Heart
The Devil Wears Prada musical delivers a dazzling blend of nostalgia, fresh storytelling, and powerhouse performances- a night out that even Miranda Priestly might deem acceptable"
The Devil Wears Prada
Dominion Theatre
When adapting a cultural phenomenon like The Devil Wears Prada, the stakes are high. Fortunately, this musical adaptation succeeds in channeling the charm and sass of the beloved 2006 film while refreshing the story for modern audiences. With a talented creative team led by Elton John (music), Shaina Taub/Mark Sonnenblick (lyrics), and direction/choreography by Tony Award-winning Jerry Mitchell, the musical brings a vibrant mix of fashion, drama, and heartfelt character development to the stage.
One of the show's strengths lies in its balance of homage and reinvention. Fans of the movie will appreciate iconic nods like the cerulean sweater monologue and Andy’s stunning transformation, while new elements ensure the production feels fresh. For example, Andy's struggles with her weight are taken out, reflecting contemporary sensibilities. Similarly, the character of Nigel (played with warmth and depth by Matt Henry) has been given more of a backstory, highlighting his journey as a gay man and his profound love for fashion. These updates add layers of relatability and emotional resonance to the narrative.
Another welcome change is the improved portrayal of Andy’s boyfriend, Nate (played here by Rhys Whitfield). In the film, he’s often criticised for being unsupportive, but here he’s a far more sympathetic figure, expressing his emotions and making genuine efforts to support Andy as she navigates the high-stakes world of Runway magazine. These tweaks make the story feel less dated and more nuanced.
The cast is a powerhouse, led by Georgie Buckland, who shines as the ambitious and relatable Andy Sachs; her vocals are fantastic and she does a great job of showing Andy's journey and development throughout. As recently promoted assistant Emily, Amy Di Bartolomeo completely steals the show. Her razor-sharp wit and impeccable comedic timing make every scene she’s in a delight, and her big number is a standout moment that earns thunderous applause; her vocals are astounding and she truly shines in every single moment. Vanessa Williams as Miranda Priestly is commanding and effortlessly stylish, capturing the character’s icy exterior and surprising moments of vulnerability with finesse. Universally, the cast are really strong with a number of member multi-rolling to great effect.
Visually, the show is a feast for the eyes. The costumes-unsurprisingly-are spectacular, Gregg Barnes has done a stellar job of bringing high fashion to life on stage. The gala scene, paired with the title number 'The Devil Wears Prada', is a jaw-dropping spectacle where the wardrobe truly takes centre stage. The lighting design (Bruno Poet) is equally impressive, often framing characters as though they’re mannequins in a window display- a clever and effective visual motif that underscores the story’s themes of image and identity.
Elton John’s score is undeniably fun, packed with witty lyrics and catchy melodies. While it doesn’t push the boundaries of musical theatre, it fits the show perfectly, delivering the energy and humour fans expect. Numbers like 'How to Survive at Runway' and 'Miranda Girl' capture the glitzy yet cutthroat world of fashion, while more introspective songs give the characters room to breathe and connect with the audience.
This production knows its audience: die-hard fans of the film and lovers of fashion will relish every moment, but it also has the potential to win over theater newcomers. Its approachable storyline, dazzling production values, and killer performances make it an excellent introduction to musical theatre.
Ultimately, The Devil Wears Prada is not a groundbreaking work of art, but it doesn’t need to be. It’s a stylish, fun, and faithful adaptation that celebrates what we loved about the original while making smart updates for today. With its 2000s nostalgia, enviable wardrobe, and impactful performances, this is a show that delivers exactly what it promises: a fabulous night out.
Miranda Priestly may not gush, but this production earns a well-deserved four stars. That’s all.
★★★★
Reviewed on Sunday 1st December 2024 by Olivia
Photo Credit: Matt Crockett
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 29 November 2024
The Lightning Thief: The Percy Jackson Musical Review- A Vibrant Escape Packed with Heart and Humour
Like Camp Half-Blood itself, this show offers an unforgettable escape filled with friendship, unity, and a world where everyone can be a hero."
The Lightning Thief: The Percy Jackson Musical
The Other Palace
The Lightning Thief the Percy Jackson Musical based on Rick Riordan’s beloved novel of the same name, finds its perfect home on the intimate stage of The Other Palace. This fantastically staged production knows exactly what it’s aiming for: a heartfelt, high-energy story for fans of the books, young theatergoers, and anyone seeking an escapist evening of fun. It’s not a transformative piece of theatre but it never tries to be. Instead, it’s a faithful, joyfully chaotic adaptation that delivers a thoroughly entertaining experience.
The musical, with a book by Joe Tracz and music and lyrics by Rob Rokicki, condenses the sprawling first book of the Percy Jackson & the Olympians series into a fast-paced two-hour show. Percy Jackson, a seemingly average teenager, discovers he’s the demigod son of Poseidon. Alongside his best friend Grover and fellow camper Annabeth, he embarks on a quest to retrieve Zeus’s stolen lightning bolt, battling monsters and confronting his insecurities along the way. Themes of friendship, belonging, and overcoming personal challenges echo throughout, resonating especially with anyone navigating the struggles of growing up.
The standout performances begin with Max Harwood as Percy Jackson. Harwood, known for his starring role as Jamie New in the movie version of Everybody's Talking About Jamie and his recent role in Stranger Things once again demonstrates why he’s a star on the rise. I was lucky enough to see Max's debut as Melchior in Spring Awakening and I knew great things were on the horizon for him so it's so wonderful to see him leading this show with such brilliance. His strong, healthy vocals handle Rokicki’s rock-influenced score with confidence, while his physicality and emotional depth ground Percy’s journey in authenticity. Harwood’s Percy is funny, flawed, and fiercely relatable- a hero in trainers we can all root for. Watching him embody the sarcastic yet earnest demigod is an absolute treat, solidifying his status as one of the most exciting young performers on the stage today.
Mirroring Percy’s charm are Jessica Lee as Annabeth Chase and Scott Folan as Grover. Jessica brings a sharp wit and determined energy to Annabeth, perfectly capturing the daughter of Athena’s intellect and drive. Her duet with Harwood, 'My Grand Plan', is both heartfelt and empowering. Scott, meanwhile, is utterly delightful as Grover, mixing lovely comedic timing with moments of vulnerability that bring the satyr’s loyalty to life.
The ensemble shines, masterfully multi-rolling through a colourful array of characters, from meddling gods to fearsome monsters. Their quick changes and distinct characterisations are a testament to their talent and energy. Whether it’s a eye-dangling Fury or a groovy Poseidon, the ensemble brings Riordan’s mythological world vividly to life.
The creative team deserves immense credit for transforming the small stage of The Other Palace into a dynamic playground of gods and monsters. Charlie Morgan Jones’s vibrant lighting design and Duncan McLean’s imaginative projections work in tandem to expand the space, while clever touches- like bubbles to suggest underwater scenes- immerse the audience in Percy’s world.
The musical’s ability to nod to large-scale moments from the book (like the showdown with Ares) without overcomplicating them is a smart move by director Lizzi Gee. By focusing on character and humour rather than spectacle, the adaptation avoids the pitfalls of feeling overly ambitious.
Rob Rokicki’s score is an infectious blend of rock and pop that captures the angst and excitement of Percy’s story. Songs like 'Good Kid' and 'The Tree on the Hill' resonate emotionally, while the humorous numbers like 'D.O.A.' provide laugh-out-loud moments. That said, at times, the sound mix leaned too heavily on volume, making some lyrics difficult to catch- a minor issue in an otherwise great production.
The Lightning Thief thrives because it knows its audience. It’s not here to change the world- it’s here to celebrate it, offering fans of Riordan’s books and newcomers alike a chance to step into a world of camaraderie and mythological mischief. The Other Palace, with its cosy yet versatile stage, feels tailor-made for this production, inviting the audience into Camp Half-Blood’s warm embrace.
The musical excels at what it sets out to do: entertain, uplift, and provide a few hours of joyous escapism. With a faithful adaptation, a gifted cast led by the brilliant Max Harwood, and a visually inventive production, it’s a treat for fans and a celebration of the power of storytelling- a monster of a show! Like Percy’s time at Camp Half-Blood, it reminds us that even when life gets messy, friendship and unity can see us through.
★★★★
Reviewed on Thursday 28th November 2024 by Olivia
Photo Credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 27 November 2024
Now That’s What I Call a Musical: A Fun Nostalgia-Fest with some Flaws | Review
Now That’s What I Call a Musical
New Victoria Theatre
If you’re craving a night of toe-tapping 80s hits and breezy humour, Now That’s What I Call a Musical might be just the ticket. Currently touring the UK, this jukebox musical delivers big on nostalgia, though it stumbles in depth and pacing. With a talented cast and high-energy set pieces, it’s a fun evening out, even if it doesn’t push any creative boundaries.
The first act introduces a 1989 school reunion and a group of ex-students struggling with love, ambition, and nostalgia. However, while the setup is charming enough, the narrative lacks momentum, with the story often feeling like it’s merely an excuse to lead into the next song. Fortunately, the second act ramps up the stakes. Secrets unravel, tensions surface, and the characters finally confront their dilemmas in earnest. While these revelations might not reinvent the wheel, they bring a welcome spark of drama and emotional resonance.
The cast gives it their all, infusing charisma and vocal talent into even the thinnest material. Nina Wadia (as Gemma who feels stuck in her life) brings a heartfelt performance and vocals. Shakil Hussain steals scenes as the sarcastic but brother, delivering some of the show’s best comedic moments. Meanwhile, Chris Grahamson is compelling as Tim, the sleazy player who's got Gemma wrapped around his finger. The standout is absolutely Melissa Jacques who enters just before the end of act one and provides the best vocals and some really emotional moments. Her portrayal of the larger than life April, who went to LA to live her actress dreams is very well characterised and feels like the most developed of them all. Carol Decker makes a guest appearance for one song and showcases her great vocals in her hit song 'China in Your Hand'.
The humour is light and occasionally sharp, with plenty of laugh-out-loud moments and nods to the 80s. The jokes might not land for everyone, but there’s an endearing self-awareness in the script that keeps it from taking itself too seriously. And, of course, the 80s anthems are the real star here. Whether it’s 'Red Red Wine' or 'Every Breathe You Take', the production knows how to use these iconic songs to maximum effect.
The show’s design team deserves applause. The set design, by Tom Rogers, captures the small-town charm with a versatile backdrop that transitions seamlessly between locations. Ben Cracknell’s lighting design adds flair, particularly in the second act’s climactic moments, bathing the stage in dramatic reds and blues that elevate the mood. The sound design by Adam Fisher ensures the music is crisp and immersive, though there were moments where dialogue got lost beneath the score.
If there’s a weakness, it’s in the writing. Pippa Evans' script doesn’t dig deeply into its themes or characters, sticking to predictable tropes and shallow conflicts. While this simplicity might frustrate those looking for a more substantial narrative, it’s clear the focus here is on entertainment, not profundity.
Now That’s What I Call a Musical won’t change your life, but it’s an enjoyable escape. For fans of 80s music, it’s a nostalgic treat, carried by a dedicated cast and vibrant production design. While the story doesn’t say anything new, the show’s heart and humour make it a worthwhile outing. Go for the tunes, stay for the laughs, and enjoy the trip down memory lane.
★★★
Reviewed on Tuesday 26th November 2024 by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Sunday, 10 November 2024
THEATRE NEWS ROUNDUP 3rd November- 9th November 2024
Happy Sunday! Here's another week of arts news, including concert headliners, a Broadway transfer, contests and lots more. As always, you can find the full stories by clicking the headline...
Noah Kahan Headlines BST Hyde Park 2025 with Special Guest Gracie Abrams
The duo headline BST Hyde Park 2025 for an epic folk-pop experience on July 4th 2025.
Bradley Jaden’s ‘Recorded Live in London’ Album Set for Release
The album captures the magic of his June 2024 Cadogan Hall concert, featuring iconic musical theatre performances and star-studded duets.
Bradley Jaden’s ‘Recorded Live in London’ Album Set for Release
The album captures the magic of his June 2024 Cadogan Hall concert, featuring iconic musical theatre performances and star-studded duets.
Elektra, the electrifying West End revival of Sophokles’s timeless tragedy, directed by Tony-winning visionary Daniel Fish, features an all star cast.
The 2024 Best New Song Prize Concert will feature an incredible cast in a one-night showcase of emerging musical theatre talent at The Other Palace in London.
Experience the wit and charm of The Pirates of Penzance as the production returns to the ENO for a strictly limited season at the London Coliseum.
Experience the acclaimed adaptation of The Lonely Londoners at Kiln Theatre this January, where Selvon’s evocative story of the Windrush generation in 1950s London brings to life the challenges, dreams, and community spirit of Caribbean migrants
The ballet returns for its 30th anniversary tour, bringing an iconic revival to audiences across the UK and Ireland with 29 weeks of performances in 19 cities.
The smash-hit musical brings the glitz and glamour of the Roaring Twenties to London’s West End in spring 2024 at the historic London Coliseum.
Nominations are now open for the WhatsOnStage Awards, where theatre fans can vote for their favourite shows and performers, culminating in a live event at the London Palladium on February 9, 2025.
London’s new Capital Theatre will open in autumn 2025, at Westfield London, Shepherd’s Bush.
Boublil and Schönberg’s iconic musical is set for a fresh UK tour, opening October 2025 with a reimagined production led by Michael Harrison and Cameron Mackintosh.
Join Maddie Moate’s Very Curious Christmas: A Festive Science Adventure in London’s West End
Experience a holiday science adventure full of fun, facts, and festive cheer, live this December.
That's it for another week! Come back next Sunday for your weekly dose of theatrical stories and in the mean time we'll see you on socials. Stay stagey!
Saturday, 9 November 2024
Join Maddie Moate’s Very Curious Christmas: A Festive Science Adventure Live in London’s West End
Beloved children's presenter and science enthusiast Maddie Moate brings the holiday season to life with her brand-new stage show, Maddie Moate’s Very Curious Christmas, arriving at London’s Apollo Theatre from 6th December, 2024, to 4th January, 2025. This interactive, science-themed Christmas adventure is filled with festive fun, magic, and plenty of audience participation. Featuring Maddie’s signature blend of science and storytelling, the show dives into the wonders of winter, exploring where snow comes from, why Christmas crackers bang, and yes- why Brussels sprouts might make you fart!
This immersive holiday event introduces audiences to Santa’s bustling workshop, led by Maddie herself with a cast of quirky characters. Joining her on stage are West End newcomers Kira MacCarter as Tinker and Zain Abrahams as Goggles, bringing new talent to the magic of Christmas. CBeebies star Jennie Dale, known for her role as Captain Captain on Swashbuckle, will appear virtually as Mrs. Claus, adding a familiar face for young fans. Maddie shares her excitement about the production, saying:
I’m thrilled to combine my love for science with the magic of theatre. Maddie’s Very Curious Christmas isn’t just science experiments- it’s a heartwarming story with quirky characters, musical moments, and a touch of holiday magic!”
This latest production highlights Maddie’s journey from a BAFTA-winning presenter to a digital science sensation. Known for her curiosity-driven content on her YouTube channel (which was awarded Kidscreen’s Best Kids Channel in 2022), Maddie has shared her passion for science through multiple digital series and has produced and hosted live events across the UK, including The Wonder Games and a CBeebies adaptation of Twelfth Night at Shakespeare’s Globe. She has also been a staple of CBeebies’ Christmas Show since 2017 and appeared at the Royal Albert Hall for the CBeebies Prom in 2024.
In addition to her work on screen and stage, Maddie is a dedicated author, with her latest book, A Very Curious Christmas, now available in paperback. Her work continues to inspire a love for science and nature in children and families across the world, supported by her roles as a patron for the Youth STEM Awards and an ambassador for both The Wildlife Trust and Eureka: The National Children’s Museum.
Maddie Moate’s Very Curious Christmas promises to be a fun, educational, and memorable holiday experience for all ages. Tickets are on sale now, and families can expect a festive show that combines science with holiday spirit in the heart of London’s West End. Don't miss your chance to enjoy this unforgettable journey through the science and magic of Christmas!
Friday, 8 November 2024
Miss Saigon Returns to the Stage: A Legendary Musical Reborn in a New UK Tour
The powerful love story of Miss Saigon returns as Michael Harrison, in collaboration with Cameron Mackintosh, brings Boublil and Schönberg’s legendary musical back to the UK in a brand-new, contemporary touring production. Opening at Newcastle Theatre Royal on October 4, 2025, this reimagined Miss Saigon commemorates the 35th anniversary of its West End debut with fresh creative energy, captivating a new generation of audiences.
Following Newcastle, the production will tour to renowned venues including the Playhouse Theatre in Edinburgh, Palace Theatre in Manchester, The Alexandra in Birmingham, Grand Theatre in Leeds, and New Theatre in Oxford, running until early January 2026. Additional dates, full casting, and production team details are set to be announced soon, with priority booking available at miss-saigon.com.
In this epic musical set during the final days of the Vietnam War, 17-year-old Kim finds herself working in a bar run by a complex character known as The Engineer. There, she meets and falls in love with Chris, an American GI, but the fall of Saigon tears them apart. Unbeknownst to Chris, Kim bears his child and embarks on a powerful journey of survival, determined to reunite her family. Miss Saigon is filled with themes of love, resilience, and sacrifice, and features a score that has resonated with audiences worldwide.
Reflecting on this milestone, Cameron Mackintosh remarks:
Thirty-five years after Miss Saigon first opened to international success, I am delighted that this powerful, heart-wrenching love story has remained timeless around the world. This tale of two young people, an American soldier and a Vietnamese girl, who fall in love amid the devastation of war, has touched hearts and sparked connection worldwide.”
Inspired by a recent, critically acclaimed Sheffield Crucible production, this tour brings new life to the show’s intimate moments and grandeur alike, expanding to theatres beyond the reach of the original. Michael Harrison shares the excitement:
It is thrilling to be collaborating with Cameron on a brand-new production of Miss Saigon. Millions have been moved by its messages of family, love, and resilience, and now we have the opportunity to share it with audiences across the UK in a contemporary new form.”
Since its debut, Miss Saigon has won 75 major awards, including Olivier and Tony Awards, and has been performed in 378 cities, translated into 15 languages, and seen by over 38 million people globally. This extraordinary revival directed by Jean-Pierre van der Spuy promises to carry forward its legacy with modernised staging, fresh direction, and the enduring, iconic score by Claude-Michel Schönberg with lyrics by Richard Maltby Jr. and Alain Boublil.
As Miss Saigon prepares to soar once more, this tour promises audiences the chance to experience one of the world’s most acclaimed musicals in a whole new light, bringing the sweeping story of love and sacrifice to life for theatergoers across the UK.
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