Posts with the label interview
Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts

Friday 4 August 2017

In Conversation With... Rufus Hound | Interview | The Wind in the Willows

Rufus Hound started out his career as a comedian but over the last few years has been a frequent star of the stage and is currently making audiences laugh starring as Mr. Toad in The Wind in the Willows at the London Palladium. He was lovely enough to do an interview with me where he talks about his transition from comedy to theatre and much more...



For anyone that doesn't know, could you explain a little about your career and highlights so far?


Sure. I started off as a stand-up comedian having grown up as a kid always wanting to be a stage actor and when the opportunity to do actual stage acting arose, I couldn't quite believe it. Jumped at it with both hands and that's really what I've concentrated on doing even since. It's been how I've earns a living I think for the last sort or four years, five years. Starting with Utopia at the Soho theatre, then One Man, Two Guvnors, then Neville's Island for Chichester and then Dirty Rotten Scoundrels at The Savoy, then War of the Roses and the Kingston Rose and Don Quixote for the RSC and I'm currently in The Wind in the Willows. So there are my career and highlights so far.


I read that it was during a summer job with a PR agency that you decided to go into comedy. Had you always wanted to perform or did you have other career paths in mind when you were younger?


I guess I've sort of already answered this but from about the age of three I watched The Muppet Show and thought "that's what I wanna do, I wanna do theatre". And the lovely thing about theatre, well one of the lovely things about being a kid is that your opportunities to show off are largely limited to school plays and the like. So yeah, from about three to seventeen I was like "that's all I wanna do". Then as eighteen dawned on me and nineteen dawned on me I realised that that was something that was going to cost a lot of money to train to do and the likelihood was that I wouldn't you know, succeed in trying to do it. So, I put that dream in a drawer.


I decided to go into comedy because I always liked standing up, I liked showing off, I like making people laugh. So I started going out with a woman who was a judge at a lot of new act competitions, saw what people were doing and thought: "I could do that". But as I say, once the opportunity to do more acting came up, that was what I did!


Was the transition from comedy to presenting to tv and eventually theatre a difficult one or was it a natural transition?



It wasn't really natural, it's just that in life you get somebody saying "do you wanna give that a go?" and then if you're smart you can kind of have a look round, work out what other people are doing and how you could best do it, and hopefully don't muck it up so badly that that you never get another chance. Each job you learn on and you grow in each way. But yeah, I've never learnt how to do comedy or presenting or radio or theatre. No one's ever taught me how to do those things, you just give them a go, keep your ears pinned back, keep your eyes open and try and work out how the best people people bring about their best.




What keeps you motivated to keep working even when you get knock backs?

I have a mortgage and I have two children!


Do you have any hidden passions that you'd like to pursue?


Yes. They're not really so hidden but I really enjoy woodwork and currently where I live there's no space to have a kind of workshop or anything like that in order to do woodwork. But yeah maybe in the next couple of years we'll move somewhere with a bit more space and yeah, you'll largely find me under a pile of wood shavings.



The Wind in the Willows is a wonderful family show. What attracted you to the show in the first place?


When I was working on One Man, Two Guvnors, Pete Caulfied out of the blue, said to me "If you ever get the chance to play Toad, take it you'd be brilliant." A couple of years later, out of the blue, Matt  Kingsley in Dirty Rotten Scoundrels says to me "you know, if you ever get the chance to play Toad, you should take it" and I went: "you're the second person to say that to me". And because both of these were really out of the blue, it just totally stuck in my mind that I was, in the esteem of people that I respected, a good person to take on this role. So when the opportunity to play it came up, I jumped at it with both hands!



What do you think people will be saying on the train on their way home from the show?


Poop poop probably! We now live in the age of social media where people tweet you what they're talking about on the way home from the show. By and large it seems to be that anyone with kids is having to deal with and overexcited young person who is shouting to them about the flying, the sets, the mice, the weasels are very popular, the weasels and stoats! So yeah, people just come away from it knowing it was a big, warm hug of a show really.



Besides yourself, who else would you like to see play Mr Toad?


Crumbs. That's literally the last thing in the world I've thought about! I've been so focussed on doing it myself that I would never really deign to think of how somebody else might do it. Who would I like to see play it? Er...... I really don't know, I'm really struggling on that!





Can you sum up The Wind in he Willows in five words?


Yes! Big, warm, family, massive... hug!



What are some of your dream roles in theatre?


I'd really like to play Thenadier in Les Mis for a short run just because nothing would make my mum happier. I'd also really like to be in anything Tim Minchin has ever done.



What's a fun fact people might not know about you?


Ahhhh, I dunno. I think in this day and age everyone knows everything about everyone pretty much! But.... I was a Klansman in the first production of Jerry Springer: The Opera. There were some photographs taken and the protagonist is there surrounded by Klansmen and I was one of those. I was also a hillbilly having the tar knocked out of him on the floor. So if anyone has got any connection to Jerry Springer: The Opera then I was in it at about the age of twenty, in a very minor way.



Whats your number one piece for can aspiring performer?


Don't give up. The only thing that stops you from being a performer is stopping!



A huge thank you to Rufus for taking the time to do this interview. The Wind in the Willows is at the London Palladium until September 9th.


Interview by Olivia Mitchell, Editor

In Conversation With... Rufus Hound | Interview | The Wind in the Willows

Friday 4 August 2017

Friday 21 July 2017

In Conversation With... Tyrone Huntley | Jesus Christ Superstar | Interview


Tyrone Huntley has the voice of an angel and supreme acting skills. He's just finished starring as CC in Dreamgirls and is currently in rehearsals to reprise the role of Judas in Jesus Christ Superstar at the Regent's Park Open Air theatre later this summer. He's already a star but he deserves even more praise for his outstanding performances and I can't wait to see what more he does!


For anyone that doesn’t know, can you explain a little about your career and highlights so far?

I graduated from Mountview in 2011 and got my first job in the U.K. Tour of Sister Act. My West End debut came straight after that in The Book of Mormon and since then I've been fortunate enough to work on other incredible shows including the Original London Casts of Memphis and Dreamgirls.


I read that you studied law and completed a degree in it whilst you were starring in The Book of Mormon and Memphis, how was it juggling the two?

It was difficult and extremely time consuming but ever so rewarding. I learned a lot and when I graduated I felt such a sense of pride and achievement. 


Do you have any other hidden passions that you’d like to pursue?

I'd love to learn to play the piano proficiently and I really want to learn a language but a real aspiration of mine is to hone my writing skills. I write songs but I'm in awe of playwrights and novelists and those who have the imagination to create entire worlds out of nothing.


You’ve just finished playing CC in the epic, Dreamgirls. Is CC anything like you?

CC has some really enviable qualities that don't sit naturally with me. Where CC is optimistic and positive thinking, I generally think the worst and I'm not surprised when things don't necessarily go my way!! That said, I like to think I can relate to his ambitiousness, his caring nature and desire to make people happy.


Have you had any funny onstage or offstage mishaps whilst you’ve been in the show? Or any other shows?

I did Porgy and Bess at Regent's Park Open Air Theatre a couple of years ago which meant, like Jesus Christ Superstar, we were obviously performing outside. In the show I had a little featured singing bit - my big moment. One evening I was just about to sing my part but as I breathed in I inhaled a massive fly so instead of singing my one little solo song, I had a beautifully underscored coughing fit! 


It’s so exciting that you’ll be returning to play Judas again at the open air theatre. What are the hardest and most exciting parts about playing the iconic role?

I'm very excited. It's a great role in a great show and I get to perform at Regent's Park again! The music is amazing and I'm looking forward to sinking my teeth back into it. That said, it's very challenging vocally which means, more than usual, I have to look after myself and make sure I stay as fit and healthy as possible which means my already limited social life will have to take even more of a back seat!!


Besides yourself, who else would you like to see tackle the character of Judas?

I'd love to see my old mate Matt Cardle do it, he'd be perfect. Or thinking outside of the box maybe Eva Noblezada... she'd sound amazing. 


What’s the last thing you do before you step out on stage?

I have to go through all of my lines for the next scene. I trust my short term memory way more than my long term memory and it puts me at ease just to check the lines are still there! 

Tyrone and the cast of Jesus Christ Superstar
You have a five minute break in rehearsals, what are you doing?

Eating. 


Is there a musical or play you’ve seen recently that you loved? 

I saw Hamlet at the Harold Pinter a few weeks ago with Andrew Scott and Juliet Stevenson. I was completely blown away by everything about the production! 


What’s a fun fact that people might not know about you?

It's certainly not very fun but it's extremely important to me. I HATE coriander. It's poison!


What’s your best piece of advice for an aspiring performer?

Hard work doesn't always pay off but if you put in the work, no one can ever take that away from you and you can always rest in the knowledge that you did everything you could. Be open - every experience, whether negative or positive, is an opportunity to learn.



A huge thank you to Tyrone for taking the time to do this interview. Make sure you book to see Jesus Christ Superstar at the Regent's Park Open Air Theatre this summer.

Keep up with Tyrone via his twitter

Interview by Olivia Mitchell, Editor

In Conversation With... Tyrone Huntley | Jesus Christ Superstar | Interview

Friday 21 July 2017

Sunday 16 July 2017

A Stagey Guide To Singing: Kerry Ellis


If you've ever wanted singing tips from a West End star, then this series of posts is the one for you! This post is courtesy of the wonderful Kerry Ellis who will soon be starring as Eve in the tour of the new show, Heaven on Earth...


When did you realise you could sing? Did you have singing lessons?
I always sung from an early age I knew I loved it and that was enough for me to want to pursue a career it wasn't really about whether I was good enough or not. I've had lessons with various people along the way but nothing consistent. I don't know if that's a good thing or not.

Have you always been able to belt? If not, when did you start belting?
I think so yes I grew up listening to Bernadette Peters, Elaine Paige, Barbra Streisand Celine Dion and other incredible female vocalists. Liza Minnelli too and I'd just try to sing along with them so I guess it was all from a natural place. 


What vowels do you find easiest to belt? Do you modify words to make them easier to sing?
I think you have to sing the lyrics of the song regardless whether it easy or not but a good teacher would help you work your way through the song without forcing or causing any damage.

What tips do you have for singing and dancing at the same time?
Breathe and go for it and have fun!

How do you keep your voice healthy, do you have any rituals before shows?                              Depends on the day I think the best advice somebody gave to me was use the voice you have that day, which means you mustn't give yourself a hard time if your voice doesn't feel the same every day just sing with the best of your ability and give yourself a break. Lots of water lots of rest and don't abuse your voice.
Rest is so underrated you have to take care of your voice like any other part of your body it's precious and needs care and attention and respect!

Overall, what's your number one piece of advice for finding and developing your singing voice?        Trust yourself and enjoy it!

A Stagey Guide To Singing: Kerry Ellis

Sunday 16 July 2017

Saturday 22 April 2017

In Conversation With... Damian Buhagiar | Thoroughly Modern Millie | Interview


Damian Buhagiar recently finished starring in In The Heights, is currently part of the UK tour of Thoroughly Modern Millie playing Ching Ho and will soon be starring in Mamma Mia  in the West End. Damian was lovely enough to do this interview for Rewrite This Story and I can't wait to see him in the show!

For those who don't know, can you explain a little about your career and highlights so far?

I have always been attracted towards theatre and musicals from a young age of 3. Being a Maltese student at Stagecoach was a great introduction to this form of career. When you are young, you don't actually realise that this could be a future job so it all starts as a hobby and a recreation from other school work, or activities. 

As I grew older I started taking it even more seriously by taking private singing lessons, dance classes and acting classes. When I hit the age of 15, the time i had my GCSEs back home in Malta, my singing teacher adviced me to audition for Tring Park School For the Performing Arts, a brilliant boarding school. So I did and after  a couple of weeks I was accepted to persue my musical theatre training further as well as do my A levels for 2 years. Without the love, help and support from my parents this would have never happened especially being away from home. After those 2 years I was than chosen to attend the BA Hons musical theatre course for another 3 years which was such a incredible excperience. You learn new things everyday, you learn so much about yourself and the training and the teachers have been fantastic. 

Once my third year was coming to an end we started having people from the business coming to see our shows and showcases, people such as directors, choreographers, producers, agents and more.  To me that was one of the highlights as I got to introduce myself to the business and express what I love most, my passion for theatre which leads me to my second highlight which was being a massive part of Lin Manuel's hit  musical 'In the Heights' playing the role of Sonny at the Southwark Playhouse. The reason I say this was one of the highlights in my life is because it has enabled me to show my passion in my own style of dance and defined me and so it couldn'thave been a better show to enter the musical theatre business with. 

I then moved on to an 18 month UK Tour of Jersey Boys playing the role of Joe Pesci and 2nd cover Frankie Valli which was another highlight in my career as I got to explore England a bit more, see different cultures and make new friends outside of London as well as the insanely stunning theatre built around the country. I have than moved on to playing on stage swing in Bugsy Malone at the  Lyric Theatre, working with the choreographer  Drew McOnie and which then led me to reprising my role as Sonny in In the Heights, this time at the Kings Cross Theatre in London for 4 months. Of course the biggest highlight from this was the fact I got the chance to meet the legendary Lin Manuel Miranda in person. I am now currently on the UK Tour of Thoroughly Modern Millie playing a completely different character to what I normally play called 'Ching Ho', a Chinese role which I am glad to say I am loving.


Was being a performer what you always wanted or did you have a different career path in mind when you were younger?



As mentioned earlier, I have always taken musical theatre, singing, dancing and acting as a hobby up until the age of fourteen. I was mainly aiming to invest time in my studies to eventually become a Mechanic Engineer (seeing I am pretty into mechanics and cars) or an architect.




You recently finished playing Sonny in In The Heights, did you know from the Southwark that you were a part of something special? How was it returning to the show?

In The Heights, has been one of the biggest adventures that has happened in my life. Playing the role of Sonny, literally has been my unexpected dream role straight after grauduating from college. It felt like it was just meant to happen and came at the right time. What made even more special was the company. Seeing how we all become one unit and one family creates something magical. Creates a spark that is unexplainable. As the Southward was a small intimate venue this proved how much of a unit we really were as we all shared our passion with the audiences which gave such a great response. 



Returning to the show after a year and a half this time at the Kings Cross Theatre, created that spark again in a different way. It was interesting to see that my heart was always there, my spirit enlightened and I was just 'Living' and recreating Sonny again, sharing the live with different members of the cast..(some of them from the Southwark).




How was the transition from the Southwark to Kings Cross theatre? What changed in the show?

I think moving to a different style of venue definitley created a change in space and motion however the one thing that made it feel like there was no difference at al was the spirit and the community we as a cast and a team all had.  As the Southwark Playhouse had much of a smaller theatre, there was a lot of intimacy and more of an interraction with auditiences which makes it even more appreciative being that close. Kings Cross had a wider stage being on Traverse stage, so that as a team made us work harder to use eachother to get the story accross morr and put our chatacters on a higher level that in the southwark for audiences to have the same feeling. 


The idea of heritage is very important in Heights, being from Malta, did you face any of the same struggles as Nina and Usnavi?

In The Heights couldn't possibly be a successfull show/production if there isnt any heart and love and care between not just the cast but even the company. Same with everything, if you are working in a lovely safe environment where you feel you can trust and open up your heart to your collegues without being scared, that same feeling will definitely show on stage. Especially for someone like myself being away from home away from my loved family, having a second family in a show like that has made me feel like home and it has always been a job travelling to work to express this love shared with the other talented cast members. Luckily I have never been in Usnavi's or Nina's position however I can relate to how difficult it really is to follow your dreams and what really genuinly makes you happy. Luckily I had ultimate support from my loved family where both my parents have enabled me to follow the dream career I have always wanted. A big sacrifice on their part that without them I woudn't be here doing what I love most...theatre/performing and hopefully being an inspiration to others.


You're currently starring in Thoroughly Modern Millie, can you explain the storyline a little and how your character fits into it?

The story is about this new naive girl in town called Millie, coming to new york for the first time when she sets her sights on marrying her whealthy boss. Problem arises when she checks into a hotel owned by the leader of a white slavery ring in China. Where my character "Ching Ho" along with his brother "Bun Foo", helping to kidnap pretty and suspecting orphan girls and shipping them to the Orient. Ching Ho however takes a shine to one of the 4 girls "Miss Dorothy'' and rescues her from Mrs. Meers, who at the end the truth is revealed and Mrs. Meers is captured.



What's the biggest challenge about taking on this role?

The biggest challenge in taking the role of 'Ching Ho', the Chinese part, is because of the obvious....its a Chinese role and I am Maltese. Performing this role everyday has enabled me to discover more aspects of him that allow me to invest and play around with on stage. I have been blessed to have my fellow cast memeber Andy who is actually from Hong Kong himself so has tought me the language patiently. It has been an interesting process however I always love a chalenge and at least I could say I have tested that language and might want to investtime it too in future. I've also learnt a lot about Chinese history and what makes the characters: Ching Ho and Bun Foo work as slaves in the show... their background stories.



How are you enjoying touring life? What do you miss most about being away from home?

I have always loved touring. I just love getting away from london and get to see different cultures in different places in the UK or abroad, make new friends in the digs I stay in as well as enjoy my own company and driving. Being away also makes you apreciate lot of things and miss a lot of things. Having a lot of free time on my hands make you think about your life in depth such as my parents and my lifestyle back home and the time I share with them.



What are your hobbies and passions outside of performing? 

Drawing has always been a massive part of my life that enables me to forget the real world and just zone out completely and focus on one things...cars. The passion I always had ever since I was 5 years old. 


Can you name a few of your dream roles?

Playing Sonny in the musical In The Heights has already been one of my dream roles. I would say playing Phantom in Phantom of the Opera and Clyde in Bonnie and Clyde would definitely be two of my dream roles in musical theatre however I like variety and a challenge so I love exoloring as opportunities come my way, what a dream role would be.



If you could go back to any era, when would it be and why?

If I had to go back to an era I would go back to 1950s. I love that all men were mostly gentleman with manner, respectful towards their women and also live a fashionable suit. Life back that would have been very classy.



What's the best piece of advice you've ever received and what advice would you give to aspiring performers?

Best advice I have ever recieved have been to just be yourself. If it makes you happy do it. Always follow your gut. If you ever come in doubt just ask yourself 'but why not?'. If you have a dream, fight for it however long it takes to achieve it.


A huge thank you to Damian for doing this interview. Make sure you book tickets to see Thoroughly Modern Millie on its UK tour!


Interview by Olivia Mitchell, Editor

In Conversation With... Damian Buhagiar | Thoroughly Modern Millie | Interview

Saturday 22 April 2017

Wednesday 8 March 2017

In Conversation With... Billy Cullum | Rent | Interview


Billy Cullum, has already had an impressive and extensive career starring in shows such as Spring Awakening and Jesus Christ Superstar. He's currently taking on the role of Mark Cohen, the introverted film maker in the 20th Anniversary tour of Rent and wowing audiences across the country with his incredible performance. I saw Rent for the fifth time last night and was as moved as I was the first time. It's truly a brilliant production. 

Not only is Billy a wonderful performer but also a wonderful person and he was nice enough to answer these questions about all things Rent, performing and life in general!


For those that don't know, can you explain a little about your career and highlights so far?
I trained at the Arts Educational School of Musical Theatre and graduated in 2010. My first job was a small scale musical of Alice in Wonderland that toured all around Italy. It was hard work but getting paid to travel all around such a beautiful city made all the early mornings and get-ins worthwhile. I then went on to play Jesus in Godspell at the Union Theatre followed by one of my dream roles as Moritz in the UK Tour of Spring Awakening. I then performed in Hair, Merrily We Roll Along before my West End debut in the RSC’s Matilda at the Cambridge Theatre. Roald Dahl was becoming a running theme as I then joined the cast of Charlie and the Chocolate Factory at the Theatre Royal Drury Lane. Being an Oompa Loompa was the hardest thing I’ve ever had to do! After this I joined the cast of Jesus Christ Superstar at Regent’s Park Open Air Theatre. It was an incredible piece to be a part of. I understudied and played the role of Jesus. Now I am lucky enough to be in one of my favourite musicals and playing one of my dream roles as Mark Cohen in Rent



Was being a performer what you always yearned for or did you have another career path in mind when you were younger?
Performing is the only thing I’ve ever really focused on from the age of 3. It wasn’t until I was about 16 though that I thought it could become a career. I’m a songwriter and a recording artist which is something I love to do as well. I’m just about to release the first single ‘Lost in You’ from my debut album which is released 03.03.17.


Rent is one of the most iconic musicals ever, do you feel a lot of pressure taking on such an important role?
When I got offered the job I was ecstatic. I was so excited. Then it hit me that this musical has such a strong following. It means so much to people. It really has a place in people’s hearts so the pressure slowly started to dawn on me. I then had to go into the rehearsal room on the first day and let all that pressure go and focus on my portrayal of Mark. I like to think I’ve made him my own and I have enjoyed exploring him. He’s very complex and intricate which I don’t think many people realise. 


The cast must be so close with this production, have there been any standout funny moments on or offstage between you all?
There have been MANY funny moments. My favourite though has to be when Layton Williams who plays Angel got his coat stuck in his wig as he was about to go full throttle into 'Today For You'. Somehow, he managed to sort out the issue whilst incorporating it into the song with humour and sass "My Wig! Help me out with my Wig!" It was pure genius! 


Has the show changed at all going from tour to the St James and then back on tour?
It naturally changes to fill different spaces. The St James was such an intimate setting which I loved. It was very intense. Performing in bigger venues such as Edinburgh Festival Theatre lets other moments thrive more. The show always has the same heart but it definitely feels adapts beautifully to each venue.


How are you enjoying touring life? What do you miss most being away from home?
I’m really enjoying it. I love seeing different places I wouldn't necessarily chose to go to. The thing I miss most about being away is my loved ones and my dogs. 


Can you sum up the show in 5 words?
Live and Love without fear.


If you could go back to any era, when would it be and why?
I’d wanna go back to the caveman era. I wanna know how I would survive!


If you had a magic wand, which show would you do next?
Oooh. I think it would have to be Next to Normal


What's the best piece of advice you're ever received and what advice would you give to aspiring performers?
"Just Be You" is the best advice I’ve ever had. It really works. That’s the advice I’d give to any aspiring performers. Don’t try and fit a mould because someone told you to or because that’s how you get work. I like to think I’ve been employed because of my talent and character and I’ve done that by simply being me. To add to this I would also say never give up. Focus on your own path, it’s so dangerous to compare yourself to others. If you really want it don’t give up. Your time will come.


Thank you so much Billy for doing this interview; go see him in Rent and make sure you purchase all his new music!

Rent is playing at the New Victoria theatre, Woking until March 11th. Visit http://www.atgtickets.com/shows/rent-the-musical/new-victoria-theatre/  for tickets




Interview by Olivia Mitchell, Editor

In Conversation With... Billy Cullum | Rent | Interview

Wednesday 8 March 2017

Monday 6 February 2017

In Conversation With... Cleve September | Hamilton | Interview

Cleve September is a rising star of the West End. He recently starred in Annie Get Your Gun and In The Heights to much acclaim and has just been cast as Laurens/Philip in the upcoming West End production of Hamilton so it safe to say he's destined for stardom! 




Was being a performer what you always dreamt of or did you have a different career path in mind when you were younger?


I've been singing since I can remember but only started dancing about 6, nearly 7 years ago. Before that I was really into my sports.. I played a lot of basketball and rugby. And I also love 100m and 200m sprints. So I was quite athletic because I got into musical theatre. And the dream back then was to be in the Olympics.


You just finished playing Sonny in In The Heights to much acclaim. It just seems like the funnest show and cast to be a part of. Can you sum up that experience?


Really there are no words to describe how incredible the experience was! In The Heights will always have a place in my heart, as will the cast! They were all such incredible human beings! And they really made my first professional job so amazing.


Did you feel any extra pressure joining so many original Southwark Playhouse cast members when you joined the show at the Kings Cross Theatre? How did you put your own spin on the role?

Not at all because everyone was so welcoming and everyone was so supportive! And I wasn't expected to do the things that Damian can do or did in the show so I could do a bit of creating and figuring out how my body wanted to move in terms of the dance routines. And we just found new things.


You definitely became a fan favourite at Heights; did you expect to gain so many fans in your first role after training?


I didn't know that I was a fan favourite... I had no idea what to expect but I am so thankful for the fans because their love and constant support was amazing throughout the run.


The Kings Cross theatre is super intimate. Are you excited to perform in the Crucible and other larger venues in the future? Do you prefer more intimate or bigger venues?


I'm yet to experience a bigger venue... so I'll let you know!


Annie Get Your Gun is such a Classic musical. Did it get a modern twist in your recent production or did it stick to its original roots?



Nope there was no modern twist to it, we very much stuck to the roots and played it truthfully! The choreography was stunning and it was such an honour and a pleasure working for the team of creatives behind that show!


Can you explain a little about Annie Get Your Gun and how your character Tommy fits into it?


AGYG is about a woman called Annie who is an incredible shooter. She falls in love with a 'swollen headed stiff' named Frank Butler and their story of how they fell in love through the circumstances that they were put through. My character had his own little love story going on with a character called Winnie Tate, who's older sister Dolly, forbids them to be together.


What was your biggest challenge with taking on this role?



I had more than one big challenge haha. The style of Choreo and also singing in a legit style were the two biggest challenges for me as they were both very new to me. However once I managed to kinda wrap my head around it I had the most incredible time! 


If you had a magic wand, which show would you do next? 


Hamilton 👀👀


You have a five minute break during rehearsal, what do you spend that time doing?


If there is food near my I'm eating, or trying to wrap my head around something that may have confused me or I might have done wrong..


You studied at Mountview, what was the best piece of advice your were told during your time there?


To be a sponge and soak everything up that works for me!



Thank you so much to Cleve for taking the time to answer these questions. Make sure you go see Cleve in Hamilton and any other shows he does- you'll love him!


Interview by Olivia Mitchell, Editor

Follow Cleve on twitter here


In Conversation With... Cleve September | Hamilton | Interview

Monday 6 February 2017

Saturday 7 January 2017

A West End Guide To Singing | Gabriela Garcia

I am one of those people who is obsessed with hearing other peoples stories and tips and tricks of how they do what they do. So when I see any show I instantly want to pick the brains of the cast about how they sing as well as they do. I'm sure I'm not alone in this so I'm starting a series called 'A Stagey Guide To Singing' where West End stars will answer a series of questions about singing! I hope you find it interesting. Let me know if you have any specific questions or people you'd like answers from!



So for our first instalment we have all of Gabriela Garcia's singing secrets! Gaby is currently starring as Nina in In The Heights and her voice is blowing away people every night so without any more rabble, here we go...

When did you realise you could sing? Did you have singing lessons?
I always liked singing since I can remember but I have videos of me being totally tone deaf all the way up to when I was 16! I started taking singing lessons at 16.


How do you keep your voice healthy, do you have any rituals before shows?
I go to singing lessons regularly (once a month maybe once every 2 months) and I do a short vocal warm up - I concentrate more on my breath warming up rather than my voice. I have to sing through 'BREATHE' before every show on my own just to make sure everything is in place lol


Have you always been able to belt? If not, when did you start belting?
hmmm belting...I guess I was always able to belt as I thought belting was just shouting...during my time at drama school my teachers started to teach me a safer way to 'belt' by mixing and making the sound a bit 'smaller' this is to be able to sing 8 shows a week safely.


What vowels do you find easiest to belt? Do you modify words to make them easier to sing?
Yes, its all about the vowel modification - keeping the vowels as narrow as possible work for me.


What tips do you have for singing and dancing at the same time?
hmm I'm still learning how to merge the two as the breathing is so different! I guess identifying the breathing moments in the choreography and being conscious of not 'pushing'


What's the best exercise to get your voice ready for belt/twang?
I just do witchy and baby sounds which works for me


Overall, what's your number one piece of advice for finding and developing your singing voice?
You never stop learning and you are always developing your technique I guess being open to different teachers advice and being able to identify what works for you and what doesn't.

Interview by Olivia Mitchell, Editor

A West End Guide To Singing | Gabriela Garcia

Saturday 7 January 2017