Showing posts sorted by relevance for query Oscar Balmaseda. Sort by date Show all posts
Showing posts sorted by relevance for query Oscar Balmaseda. Sort by date Show all posts

Wednesday 9 February 2022

Mamma Mia! The Party Extends Booking to October 2022



Mamma Mia! The Party, London’s premier dining experience, has extended its booking period due to extraordinary demand and is now playing to Sunday 2 October 2022. Tickets for the new booking period at The O2 London are now on sale.

Created by ABBA’s Björn Ulvaeus, Mamma Mia! The Party is a unique and magical experience in a class of its own, bringing all your favourite hits to life more vividly than ever before: over the course of four glittering hours, guests can immerse themselves in a spectacular musical extravaganza, a four-course Greek feast and an ABBA disco, all in one unforgettable evening of dancing, dining and singing!

Food is at the heart of the experience and a new menu has been created that collects the finest Greece has to offer, made from the best, freshest ingredients. Our guests will be served with a traditional meze followed by the iconic Greek salad of fresh cherry tomatoes, cucumber and feta. For the main course, confit lamb shoulder and slow-cooked beef are served with roasted garlic potatoes, courgettes peperonata, romesco and aromatic jus. For our vegetarian and vegan guests, we present roasted cauliflower with a lemon-herb dressing and stuffed tomato with lentil ragout. A sumptuous Greek lemon cake served with confit orange skin and citrus yoghurt is the perfect end to this delicious meal. For our vegan guests, we are serving traditional loukoumades, delicious dough balls accompanied by a sweet fig jam.

Guests can get the ultimate Mamma Mia! The Party experience with one of our packages. The Platinum Package gives you a Tier A ticket in a prime location, a meet & greet and photo opportunity with members of the cast, champagne on arrival, half a bottle of wine and a Mamma Mia! The Party merchandise party pack. Guests can also upgrade their existing booking by adding the VIP upgrade package taking their experience to the next level with champagne on arrival, half a bottle of wine and a Mamma Mia! The Party merchandise party pack.

The London cast includes Fed Zanni as Nikos, Steph Parry as Kate, Linda John Pierre as Debbie, AJ Bentley as Adam, Julia Imbach as Kostantina, Allie Ho Chee as Bella, Kimberly Powell as Nina, Dawn Spence as Grandma and Gregor Stewart as Fernando. Also in the cast are Oscar Balmaseda, Jonathon Bentley, Molly Cleere and Jessica Spalis. The musicians are John Donovan, Luke Higgins, Kathryn Tindall, Steve Rushton and Mark Pusey.

Mamma Mia! The Party is set in a taverna on the beautiful Greek island of Skopelos, where most exteriors of the first Mamma Mia! film were shot. Nikos and his wife Kate run this exotic and wonderful restaurant together with their family and friends. Told through dialogue and timeless ABBA songs, a warm, romantic and funny story evolves and unfolds during the evening, taking place around the guests as they sit at their tables enjoying a gourmet Greek meal. The evening ends with a 1970s disco, where audience members are welcome to stay to sing and dance to ABBA recordings.

Mamma Mia! The Party has music and lyrics by Benny Andersson and Björn Ulvaeus (some songs with Stig Anderson), and a story by Calle Norlén, Roine Söderlundh and Björn Ulvaeus, with the English book by writer, comedian and broadcaster Sandi Toksvig.

The London version of Mamma Mia! The Party, which originally opened in Stockholm in January 2016, is co-directed and choreographed by Stacey Haynes and Roine Söderlundh, with set designed by Bengt Fröderberg, lighting designed by Patrick Woodroffe, sound designed by Gareth Owen, costumes designed by Annsofi Nyberg, music supervision by Robin Svensson and casting by David Grindrod for Grindrod Burton Associates.

Mamma Mia! The Party is executively produced by Björn Ulvaeus and produced by Sally Davies for U-Live.

Friday 3 August 2018

Evita (UK Tour), Grand Opera House, Belfast | Review


Evita (UK Tour)
Grand Opera House, Belfast 
Reviewed on Wednesday 1st August 2018 by Damien Murray 
★★★★

When the idea of a musical based on the life of Eva Peron was first suggested back in the 1970s, many people were dubious about its chances of success… fast forward to today and it has become a modern classic with major theatres like Belfast’s Grand Opera House playing host to an extended run of Bill Kenwright’s 40th Anniversary Touring production of the show. 

As last week marked the 66th anniversary of her untimely death from cancer at the age of 33, the show has not only been a success, but has already outlived the real Evita by quite a few years. 

A sung-through musical story of her short life, the show takes us from her humble beginnings through to a life of wealth and power, dubbed as the ‘spiritual chief of the nation’ by the Argentine people. 

From its dramatic opening with Eva’s funeral juxtaposed with Che’s angry and cynically mocking song, Oh What A Circus, and going full circle through her eventful life back to her lying in state, this must be one of Bill Kenwright’s best ever productions. 


Jointly directed by Kenwright and Bob Tomson, this excellent touring revival of Andrew Lloyd Webber & Tim Rice’s relatively early musical about the former Argentine dictator’s wife – which, like Jesus Christ Superstar, originated as a concept album – may be slightly scaled down from the original… but, you would never realise it. 

For this was a classy staging boasting basic, practical, but opulent, settings in a well-dressed and extremely well-lit production, which also included some child performers for added realism. 

Strong tango rhythms encouraged fiery and passionate performances, especially in choreographed ensemble pieces like Buenos Aires as the hard-working ensemble brought the ideas of Choreographer, Bill Deamer – ranging from passion-filled tango to militaristic movement – to life. 

Thanks to Musical Director, Tim Whiting, and his 10-piece orchestra, Webber’s sung-through format threw up many memorable musical highlights, including: great vocal clarity from young Cristina Hoey as the teenage Mistress in Another Suitcase In Another Hall; and from Oscar Balmaseda as the nightclub tango singer, Magaldi, during On This Night Of A Thousand Stars, while the rousing chorus of A New Argentina also stood out, as did the young girl’s beautiful singing of Santa Evita; Che’s expressive interpretation of High Flying Adored and the ailing Eva’s heartfelt and moving rendition of You Must Love Me. 


Mike Sterling provided a commanding Peron, while Glenn Carter really impressed in the demanding role of the ever-present Che, the self-styled narrator of the story. 

Carter’s diction, clarity and, at times, almost patter-style of delivery were vital to this show, as – being sung-through – those new to the story or with any hearing difficulty needed such clarity to put everything in context, especially during songs like Oh What A Circus and High Flying Adored. 

In addition to her beautiful singing voice (particularly in the show-stopper, Don’t Cry For Me Argentina), The Voice finalist and musical theatre songstress, Lucy O’Byrne, turned in a very confident performance as the ambitious backstreet actress whose ascendancy was unstoppable, because she was so loved and adored by so many that she almost rose to the dizzy heights of sainthood. 

My only small criticism was that, as Eva Peron was enigmatic, manipulative and charismatic; I would have liked to have seen a little more charisma throughout, as it did take a little longer than usual to warm to the character of Eva. 


This may have been because O’Byrne was more operatic in style than some others I have come across in this role, although her display of humanity during You Must Love Me at a time of critical physical weakness was heart-breaking and probably the best and most moving ever, as was the touching death scene. 

All dressed and decorated in a rich tapestry of sumptuous sets, authentic costumes and wigs, and attractive, mood-inspiring lighting, this production was a visual treat with some beautiful theatrical pictures at the end of most songs. 

Forty years after its West-End premiere, this fast-moving production is a high standard revival of a passionate and powerful piece of musical theatre. 

Evita runs at the Grand Opera House, Belfast until 11th August before continuing it's tour.

photo credit: Keith Pattison