Tuesday 4 April 2017
Goldstone Live, Hippodrome Casino | Review
Goldstone Live
★★★★★
Goldstone Live brings a group of stunning ladies with glorious voices together in their global entertainment company which provides sparkling entertainment for a number of various private events. This was Goldstone's first ever public event and it did not disappoint.
With it's 54 Below vibes, the Hippodrome Casino was the perfect venue for this retro, glitzy evening. The audience were seated at tables with food and drink flowing which combined with the golden goody bags adorning the place and the warm lighting created an intimate atmosphere.
The stage is small but the whole thing was used to it's full extent with dances and sequins covering every tiny inch. The buzzing atmosphere of anticipation was prevalent from when the audience entered the venue and it certainly went up and up with every high energy performance!
The Goldstone trio Aimie Atkinson, Helen Kurup and Vicky Hoyles opened the show with a fabulous rendition of 'One Night Only' from the current West End hit, Dreamgirls and things only went up from there. The theme of the night was definitely glamour, with a level of glitz I can only dream of! The night was made up of three sets of varying styles and genres but each one was lively and full of energy. The girls put their own Goldstone spin on on every songs; performing pieces from artists such as The Supremes, Beyonce and Nicki Minaj. Their repertoire had something for everyone and I found myself dancing and singing along all night and just enjoying a truly wonderful evening of entertainment.
Along with the 'official' Goldstone girls, the night included some special guests who all fit in perfectly with soaring voices, stunning outfits and glorious personalities. Jodie Steele was a particular standout of the night but it was the overall high caliber of performance which made the night so enjoyable. There were no weak links and everyone gave it their all to create an outstanding evening of entertainment.
I can't review this concert without mentioning the little In The Heights reunion at the end where Gabriela Garcia, Stephanie Rojas, Aimie Atkinson, Genesis Lynea and Sarah Naudi performed a sizzling rendition of 'Lady Marmalade' which really brought the house down and exuded glee!
The show closed in proper Goldstone style with golden dresses as far as the eye could see and an outstanding performance of 'Proud Mary' which I was tired just watching! Overall this was a perfect Sunday evening full of talent, glamour and endearing personalities and I hope one of many more public events put on by these crazily adept ladies! Congratulations to everyone involved for a magnificent performance and true embodiment of girl power!
For more information about Goldstone Live visit: http://www.goldstonelive.com
Tuesday 28 March 2017
An American in Paris, Dominion Theatre | Review
An American in Paris
★★★★
If you've been reading this website for a while then you may remember my 'Get Excited' post last summer about An American in Paris from when I went to its press launch. From that day on I was extremely excited about the show so when I got the chance to review it I jumped! The show is visually and technically stunning and did not disappoint.
An American in Paris tells the story of three men who fall in love with the shop assistant/ballerina Lise who is living with her own dark secret. Whilst the plot and dialogue is extremely minimal, the storytelling is done beautifully through incredible dance and Gershwin's music embodies the romantic, classic, musical theatre nostalgia which has been missing on West End stages for so long.
When a show looks and sounds so stunning, it is easy to overlook to plot failings and just appreciate the show for the spectacle it is. In dull plot moments, the music and dance takes over with wordless ease and fluency that takes the audience into the idealistic, Parisian world.
Bob Crowley's charming artwork adorns the backdrop throughout, bringing the post-war Paris to life with a number of glimmering, shadowy sketches. The colouring of the whole production is beautiful and it's easy to feel immersed in every location throughout the show. There are show-stopping moments as well as more intimate moments, but it all feels equally well thought out and truly s'wonderful.
Jane Asher is great as Henri's mother but her accent does need a little work at times. Despite this her performance is solid and she shows the varying emotions of the character well. Christopher Wheeldon's sharp production starts off quietly with a swastika banner dramatically being unfurled to show a multicoloured flag on stage. Every moment of choreography is stunning and the whole production works cohesively together to create a visually striking show.
Leanne Cope is absolutely exceptional as Lise, completely owning every moment on stage and performing breathtaking dance scenes with ease and elegance. Lise and Jerry have some truly beautiful scenes together with Robert Fairchild the perfect partner to Leanne. His movement is strong and striking whilst being warm and welcoming at the same time. Zoë Rainey is equally wonderful as the sweet Milo Davenport.
Both other men, Haydn Oakley and David Seadon-Young are brilliant in their roles and help to helm the dazzling cast. Each moment is exhilarating and radiant and the space of the large Dominion Theatre is used well. I personally think the show would work better in a more intimate theatre but there's no doubt that this production is something special. It's certainly an extravaganza which needs to be seen and is sure to leave its audience feeling warm and content. An American in Paris is a really lovely, lovely production.
Tuesday 21 March 2017
Sister Act (UK Tour), New Victoria Theatre | Review
Sister Act
★★★★
Based on the 1992 hit film starring Whoopi Goldberg, Sister Act tells the tale of nightclub singer Deloris who witnesses her violent partner commit a murder. Forced to be a witness and then forced into hiding, she ends up staying a convent which is under threat of being closed down for not attracting enough people to it's Sunday services. The production is full of glitzy outfits and laugh out loud moments and despite falling slightly flat at times, it is full of great performances and leaves the audience feeling good.
Craig Revel-Horwood's choreography is exciting and full of funny moments. Namely a slow motion scene which worked wonderfully and was warmly received by the audience, as was the majority of the show. Craig's production captures the spirit of family and friendship wonderfully and ensures the audience has a fun night out but it's hard to miss the weakness of the plot. The story is just a little too silly and basic to be fully effective but for a lively girls night out that can be overlooked and enjoyed for the laugh that it is.
Overall there is a high standard of performance with Alexandra Burke's leading lady Doloris holding her own throughout. She is sassy, likeable, over the top and delivers her comic lines wonderfully. Personally I struggled to understand what she said a lot of the time due to under-annunciated consonants but her singing and comic performance was fabulous and she fits into the role perfectly.
Each of the nuns have their own personalities which shine through from beginning to end and each of the individual stand out moments really add to the production. It's wonderful to see such a strong cast with an ensemble that are tight and seem to genuinely be enjoying themselves.
Sister Act is full of solid performances, buckets full of laughs, fabulousness and a whole lot of joy. Even though the story is silly and simplistic, it works wonderfully as an exciting night out and I'm sure it will continue to thrill audiences around the country.
Sister Act continues to play at the New Victoria Theatre until March 25th before continuing on it's tour.
Photo by: Tristram Kenton
Monday 20 March 2017
West End Live Lounge, Union Theatre | Review
West End Live Lounge
Union Theatre
Reviewed Sunday 19th March 2017 by Olivia Mitchell
★★★★★
The star studded line up included: Marisha Wallace, Gabriela Garcia, Arun Blair, Tyrone Huntley, Phoebe Street, Kelly Agbowu, Natalie Green, Leigh Lothian, Matthew-Seadon Young, Sejal Keshwala, Laura Tebbutt, Nicola Avino, Iain Mattley, Paul Wilkins, Laura Mansell, Brady Isaacs Pearce, Jamal Andreas, Jonny Howe, Katie Brayben, Marcus Ayton, Gary Wood, Lauren Ingram, Adam Bailey, Oliver Savile and Andrew Bateup.
There were a number of lovely duets and trios as well as fabulous solos and the performers also got to show off their other musical abilities such as piano playing which was very impressive. The intimate atmosphere of the Union Theatre in Southwark was the perfect setting for the evening with the whole evening having a warm, laid back, friendly feeling. The stage, complete with sofas and a table added to this vibe and the overall mood was perfect for a relaxed Sunday.
The overall quality of performances was extremely high and every member of the cast and ensemble were flawless with wonderful song choices and joyous performances. There were a number of particular standouts for me. Firstly, Gabriela Garcia and Arun Blair who did a lovely, sweet, and harmonious medley of Rihanna and Sam Smith with a cheeky bit of Into The Woods mixed in! Their chemistry was evident and their voices just work so well together that it's a joy to see and hear them perform. Tyrone Huntley and Marisha Wallace were other standouts and were a theme of my weekend having seen Dreamgirls on Saturday (review coming soon!)
Tyrone's dulcet tones were perfect for the Michael Jackson hit 'Rock With You' and Marisha brought the house down and earned a well deserved standing ovation with her insanely good rendition of 'Natural Woman'. Natalie Green sang Sam Smith's classic, 'Lay Me Down' which was truly stunning.
The whole night was full of joy, friendliness and sweet, sweet harmonies. It was so lovely to see so many people come together to perform and raise money for UNICEF and I really hope there will be many more West End Live Lounges to come! Make sure to keep and eye out on Twitter to make sure you don't miss the next event which is sure to be as incredible and inspiring as this one!
Check out West End Live Lounge on Twitter: https://twitter.com/WElivelounge17
Thursday 16 March 2017
La Cage Aux Folles (UK Tour), New Wimbledon Theatre | Review
La Cage Aux Folles
★★★★
We're starting to see glimpses of summer but if you need something else to warm and brighten your life then the UK Tour of La Cage Aux Folles is the show for you! The production is high-kicking, glitzy, high energy and feather filled.
The Tony Award winning musical tells the story of Albin and Georges, a couple living idyllically in France. Albin moonlights as the drag star Zaza in the glamourous club: La Cage Aux Folles, which is owned by Georges. Their peaceful existence is put to halt when Georges' son (played by Dougie Carter) announces that he is engaged to Anne, the daughter of a politician: Dindon (Paul F Monaghan), who is against all things homosexual and wants to close down Georges' "den of debauchery"!
This is a story of love, family and individuality. The family struggle to stay as a strong unit whilst trying to change themselves to impress Anne's parents, therefore allowing their son to be happily married.
John Partridge, veteran of the stage, plays the larger than life Albin. Having recently seen John in Chicago, I was extremely impressed at his versatility on stage and ability to transform into someone else completely. The role is demanding both physically and emotionally, with moments of laugh out loud humour, to quiet moments of pin drop silent emotion. John perfectly nails the character, with the the right amount of sincerity and vulnerability to balance the over the top flamboyance.
Partnered with Adrian Zmed as Georges, the pair have a believable and touching relationship which works very well in the theatrical setting. West End legend, Marti Webb also gives a lovely performance as Jacqueline.
Overall the show is full of life, laughs and lunacy. There is enough energy to power London and enough sparkle to give the Chrysler building some serious competition! Every performance is energetic and the production is really a gem! For a fun, carefree night out, be sure to make a visit to La Cage Aux Folles!
La Cage Aux Folles runs at the New Wimbledon theatre until March 18th 2017 before continuing it's tour.
La Cage Aux Folles runs at the New Wimbledon theatre until March 18th 2017 before continuing it's tour.
Tuesday 14 March 2017
Shirley Valentine (UK Tour), New Victoria Theatre | Review
Shirley Valentine
New Victoria Theatre
Reviewed on Monday 13th March 2017 by Glenys Balchin
Reviewed on Monday 13th March 2017 by Glenys Balchin
★★★★★
I am old enough to have seen the Oscar nominated Shirley Valentine film nearly thirty years ago but never the play. Therefore I was not sure whether or not I would enjoy the one woman show without the famous Costas played by Tom Conti in the film. But I was not disappointed. Jodie Prenger shone as brightly as Pauline Collins had thirty years ago as Shirley Valentine.
For the duration of two hours Jodie Prenger marched and swaggered to dominate the stage and all the time cleverly engaging and drawing in her the audience. You totally forgot she was on her own as she brought the other characters to life on stage. I would certainly recommend this show to my friends but with the caveat that they are women of a certain age.
The play itself is about a bored and disillusioned Liverpudlian housewife who is trying to find her identity and get back her “unused life”. Her adventures starts when her best friend invites her to go to Greece on holiday with her. She takes up the offer of a trip as she feels dissatisfied, neglected and ignored by her husband and family, now that her children have flown the nest. She goes to Greece for a two week holiday but decides to stay and as she feels no one would miss her at home.
Don’t be mistaken into thinking this is a Greek tragedy, it is a heartfelt emotional comedy with Jodie Prenger performing with impeccable comedic timing to make you laugh and cry at the same time. Willy Russell is amazing in understanding the psyche and intellect of women. This comedy may have been written three decades ago, 1986 to be exact, but is still just as relevant today, which in a way is a sad thing for me to have say, as you would have thought that we would have moved on. On saying that the age of the leading lady probably would now be older and there certainly are more opportunities for women these days to follow, as long as they have the right encouragement at home.
As for depicting the era I thought the kitchen set was a throwback of my Mum’s kitchen in the eighties when I was growing up so, for me it was a real nostalgic trip down memory lane. I thought it was a good decision to keep to the original decade of when the play was written rather than updating to the current day. The special effect when Jodie Prenger cooks eggs and chips during the play added an authentic touch plus Jodie really knew how to work the kitchen so fully believable.
My only criticism on not depicting the 80’s accurately would be Jodie’s hair which was more the fifties style rather than over permed shaggy haircut or that of the late Lady Diana’s hair style. The music could have been more eighties and when she was in Greece a little bit more Zorba but that may have distracted from the performance.
There is no doubt that Prenger owns the stage and mesmerises her audience with her larger than life personality which carries this revival of Shirley Valentine from the opening to the curtain call. To give an amazing performance like Jodie delivered must be attributed to the way she has been directed by the legendary Glen Walford, who has skilfully nurtured Jodie’s talent to enable her to deliver a fast-paced performance which does not falter nor lose energy from the fast paced monologue.
My first thought of seeing Shirley Valentine is that it would feel out-dated, not funny and never equal the performance of Pauline Collins, so I was very happy to say that I have been proven totally wrong. The Willy Russell script has clearly stood the test of time, and Jodie Prenger was absolutely sensational in the part. It was a great night at the theatre it made me laugh but at the same time I came home thinking about my own “Unused Life”.
If you are a woman of a certain age then this show is a must for you, it will make you laugh, give you great pleasure and happiness a real nostalgic trip back to the eighties.
Shirley Valentine runs at the New Victoria theatre until March 18th 2017 before continuing on its UK Tour
Shirley Valentine runs at the New Victoria theatre until March 18th 2017 before continuing on its UK Tour
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