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Showing posts sorted by date for query new wimbledon. Sort by relevance Show all posts
Thursday 8 February 2024
War House to Embark on New UK Tour
The acclaimed War Horse production, adapted from Michael Morpurgo's beloved novel and originally directed by Marianne Elliott and Tom Morris, is set to embark on an extensive 18-month UK Tour starting from September 5, 2024, and continuing until 2026.
Opening at the New Wimbledon Theatre from September 5 to 14, the tour will then move to various venues including The Lowry in Salford (September 18 to 28), Mayflower Theatre in Southampton (October 8 to 19), The Marlowe in Canterbury (October 22 to November 2), Sunderland Empire (November 5 to 16), Theatre Royal Plymouth (November 26 to December 7), and New Theatre Oxford (December 10, 2024, to January 4, 2025), with additional dates and locations to be announced.
Led by Tom Morris and revival director Katie Henry, with redesigned sets by Rae Smith and additional music by Adrian Sutton, the production features puppetry by Basil Jones and Adrian Kohler, lighting design by Rob Casey, and movement choreography by Toby Sedgwick. Animation and projection design are by Nicol Scott, while John Tams provides musical contributions and Christopher Shutt manages sound design. Casting details are yet to be announced.
Having premiered at the National Theatre in 2007, War Horse has since captivated audiences worldwide, with productions spanning across continents. For more information and ticket bookings, visit WarHorseOnStage.com. The tour will also include visits to Theatre Nation Partner venues, such as The Lowry in Salford and Sunderland Empire, with assisted performances available throughout the run at each venue.
Friday 23 June 2023
Charlie and the Chocolate Factory tour at the New Wimbledon Theatre: A Mixed Bag
often manages to capture the essence of Roald Dahl's beloved tale"
Charlie and the Chocolate Factory (Tour)
New Wimbledon Theatre
★★★
Stepping into the captivating world of Charlie and the Chocolate Factory the Musical is a mixed bag of sweet and sour. It's a journey that tugs at your heartstrings while also leaving you with a hint of disappointment. The main strength lies in the cast, who work with what they've got and bring the cherished characters to life in fun and engaging ways; pouring their hearts into their roles, infecting the audience with their contagious energy. The talented Amelia Minto perfectly captures the innocence and warmth of Charlie, while Gareth Snook puts a somewhat sinister twist on the iconic. Kazmin Borrer is a real stand out as the spoilt Veruca Salt and Lucy Hutchison is a delight and the chocolate reporter, Cherry. Each member of the ensemble adds their own unique touch, ensuring an engaging and lively performance.
On the flip side, the set design and overall aesthetic of the musical fail to evoke the whimsical enchantment one would expect from a journey through a fantastical chocolate factory. The visuals lack the intricate detail and grandeur that should transport the audience into a world of awe and discovery. This absence becomes painfully evident during crucial moments where the magic should be tangible but falls disappointingly flat.
The music, too, lacks a lasting impact. Instead of weaving a captivating narrative or stirring deep emotions, the songs feel predictable and straightforward, almost like a literal translation of the story. While they serve their purpose in advancing the plot, they lack the memorable melodies and poetic finesse that would elevate the musical into an unforgettable experience. It's a missed opportunity to heighten the emotional connection between the audience and the characters on stage.
Despite these shortcomings, Charlie and the Chocolate Factory often manages to capture the essence of Roald Dahl's beloved tale. The unwavering commitment and strong performances of the cast keep the audience engaged, and the heartwarming story of young Charlie Bucket, guarantees an enjoyable evening for fans of the original story.
For those who hold the world of Charlie and the Chocolate Factory dear and eagerly anticipate seeing talented actors bring the beloved characters to life, this musical on tour will provide a delightful night out. Just be prepared for a slightly diminished sense of magic and musical moments that, while adequate, may not linger in your memory long after the final curtain call.
Reviewed on Thursday 22nd June 2023
photo credit: Johan Persson
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 15 March 2023
Girl From The North Country (Tour), New Wimbledon Theatre | Review
Girl From The North Country (Tour)
New Wimbledon Theatre
★★★★★
Set to Bob Dylan’s poetic and politically charged back catalogue, Girl from the North Country introduces us to a rabble of lost souls at Nick Laine’s destitute guesthouse in 1930s Minnesota. Laine’s wife Elizabeth, adopted daughter Marianne and son Gene live alongside a host of wayward drifters, all with their own secrets and stories to share. Connor McPherson’s book is simple yet elegant; tragic anecdotes unravel across the next two and half hours, each punctuated by a song from Dylan’s discography. The musical numbers do not necessarily move the plot forward but are instead perfectly used to capture microcosmic moments in time.
Girl from the North Country is a real character piece, allowing a talented ensemble cast to individually shine. Frances McNamee gives a heartbreaking turn as Nick’s sick wife Elizabeth, masterfully shifting between moments of lucidity and child-like tantrums. Her performances of ‘Rolling Stone’ and ‘Forever Young’ are particularly spellbinding. Justina Kehinde shines as the spirited and effervescent Marianne, whilst Eve Norris (Katherine Draper) and Gregor Milne (Gene Laine) deliver an easy, understated version of ‘I Want You’ in Act one.
Dylan’s best known songs have been transformed tremendously by Simon Hale. Many take on an almost choral quality, including a stunning acapella section which closes the show and numbers lead by the soulful Maria Omakinwa as long-term resident and Nick’s lover, Mrs Nielsen. Other numbers are jaunty and percussive, creating a wonderfully varied musical landscape.
Rae Smith’s set and costume design are austere and efficient but entirely period appropriate, whilst Mark Henderson’s clever use of recurring spotlights against a backdrop of haunting silhouettes give several numbers an almost confessional feel. Time appears to stop still as interior monologues are shared under a stark beam of light. A twenty-strong ensemble fills an otherwise sparse stage; they execute Lucy Hind’s choreography with gumption, convulsing in sync as if we’re witnessing an evangelical awakening.
This production feels prophetic, visceral and cathartic all at once. Like an open wound, it pours with the voices of the lonely and disenfranchised during one of America’s darkest decades. However, there are several revelatory, uplifting moments and welcome flashes of caustic humour. Girl from the North Country is a moving testament to the tenacity of the human condition and a truly class act.
Reviewed on Tuesday 14th March 2023 by Hope Priddle
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 7 March 2023
The Bodyguard the Musical (Tour), New Wimbledon Theatre | Review
The Bodyguard the Musical (Tour)
New Wimbledon Theatre
★★★★
Literally opening with a bang, The Bodyguard the Musical takes you on an exciting and exhilarating journey of glorious music and a sweet romance, which will have you engaged throughout.
Based on the 1992 movie of the same name, the show tells the story of a Secret Service bodyguard hired to protect a world famous singer/actress from a threatening stalker. When released the movie became one of the highest grossing of all time and this stage adaptation includes all the memorable moments as well as retaining the original 90s vibes which so many love.
The leading role of Rachel Marron was made famous by Whitney Houston and is a huge role to fill. Taking the cup and stepping into the glitzy boots for this production is Melody Thornton of The Pussycat Dolls. Melody absolutely nails the role and provides some killer vocals throughout, really coming into her own and becoming the star in act two. Thornton performs the iconic songs incredibly well, keeping close enough to the originals that the audience are satisfied but also putting her own small twist on them.
As her love interest and bodyguard Frank Farmer, Ayden Callaghan is an imposing but charming character, easily gaining empathy from the audience through his serious and stern but sensitive portrayal. The chemistry between the pair is pretty strong with some touching moments, especially when the drama really amps up. They're sure to become even more comfortable with each other throughout the tour!
A stand out performance comes from Emily-Mae as Rachel's sister, Nicki. Not only does she portray her unrequited love and upset at constantly being overshadowed extremely well. But her vocal moments are some of the most memorable in the show.
Reneo Kusi-Appauh is equally delightful as Rachel's son Fletcher, especially during act two and the bows when he shows off some killer vocals. Definitely a performer to keep an eye on!
The second act is where things really get going, including the audience getting to see more of the ensemble who are absolutely fantastic. They don't get a massive amount of stage time but when they do, they are outstanding; full of energy they really elevate the show.
The set and costume design by Tim Hatley fit the vibe of the musical well and for a touring production are very effective but at times the space does feel underused and there could certainly be some more wow factor added throughout.
The overly dramatic sound effects and scene transformations are very telenovela/soap opera-esque and the intense thriller aspect doesn't quite transfer, but mostly the show is effective and is a faithful screen to stage adaptation.
The story is well paced and you can't help but revel in the brilliance of Whitney Houston's music from start to finish. The Bodyguard is a well performed show that works well on tour. Run To You-r closest touring venue to see this sparkling production for yourself.
Reviewed on Monday 6th March 2023 by Olivia Mitchell
photo credit: Paul Coltas
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 17 February 2023
The King and I (Tour), New Wimbledon Theatre | Review
New Wimbledon Theatre
Reviewed on Thursday 16th February 2022
★★★★
A gem of classic musical theatre, The King and I is in top form as it embarks on a sparkling UK tour. brimming with humour and character growth, Bartlett Sher's production is a less menacing version of the show which still provides all you could ask for in a night out at the theatre.
Rodgers and Hammerstein's score is the beating heart of the musical and truly stands the test of time; with stunning overtures and a whole array of musical treats, it’s wonderful to hear such a full and charging score played so well, especially for a touring production with only 11 musicians. Under Christopher Mundy’s musical direction, there’s not a moment of the score which lacks. At times there is a slight lack of balance between the physical instruments and the vocals but this is a minor flaw in a majorly good musical experience.
As English school teacher, Helen George is brilliantly charming, making it clear why the kingdom fall so in love with her. There are moments where her vocals lack oomph and words are occasionally lost but overall her portrayal of Mrs Anna is sugary sweet. To balance, Darren Lee is commanding as the King of Siam and frequently borders the line between scary and kind, but never quite shows a really terrifying wrath. What works well is the excellent chemistry between Lee and George, who from their very first interaction create a frisson of energy which flows throughout the whole piece. The pair bounce off one another so well and have an incredibly natural banter which is really great to watch.
Marnienella Phillips is a complete standout as Tuptim. Her vocal performance is so well supported and her evident classical training really fits the piece. Phillips also nails the emotional aspect when trying to escape with her forbidden love (the vocal powerhouse Dean John-Wilson). Cezarah Bonner is well rounded as Lady Thiang and Caleb Lagayan has some dynamic moments as Prince Chulalongkorn.
This touring version isn't quite as grand as its West End counterpart which is to be expected, but it still manages to boast some great set (Michael Yeargan) pieces which help to bring the sprawling Siam palace Catherine Zuber's costumes are very reminiscent of the time period and really move well on stage. For example in the iconic Shall We Dance number, Mrs Anna's dress shines in the light (Donald Holder) and looks almost magical.
As touring productions go, The King and I really is the cream of the crop. It's pretty long but not a moment drags and it really is all that's good about old school musical theatre. Entertaining and enchanting, this show is well-worth seeing!
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 12 January 2023
The Commitments (UK Tour), New Wimbledon Theatre | Review
The Commitments (Tour)
New Wimbledon Theatre
Reviewed on Wednesday 11th January 2023 by Olivia Mitchell
★★★
35 years after the publication of Roddy Doyle's popular novel The Commitments, the stage adaptation is making its way round the UK and Ireland to bring soul to the masses. Set in Dublin in the mid 1980s, it tells the story of a group of working class friends and acquaintances who are trying to start a soul band. Featuring classic songs from the 50s and 60s the musicals has got some real toe tapping moments but doesn't strike the right chord throughout.
The musical score is a mile a minute, with the likes of Tina Turner, The Beatles and Aretha Franklin filling it out, and whilst the performances are great, the structure and use of musical numbers leaves something to be desired. There's no variety; the songs are either performed as a rehearsal or performance and just fill a gap every so often. Instead of adding anything to the story, they are shoehorned in, therefore making the whole thing feel a bit clunky and surface level. The performances themselves are excellent and as a concert you'd be more than happy with what's on offer, but as a theatrical piece it doesn't flow in a particularly cohesive or captivating way.
That being said, the highly talented cast do a great job of working with what they've been given. Namely, Ian McIntosh who's vocals are outstanding as Deco. He gives an arena worthy performance and is a joy to watch. The show especially excels in its ensemble moments, when the band come together to really show what they're made of. Ciara Mackey showcases some lovely vocals as Imelda, Stuart Reid is fabulous as Joey, Connor Litten has some fantastic musical solos and Ronnie Yorke is hilariously over the top as Mickah.
Also impressive is Tim Blazdell's set, which reminiscent of Billy Elliot, uses various levels and moving elements to transform into multiple venues such as the bar and Jimmy's home, allowing some motion throughout and providing visual entertainment. Equally, Jason Taylor's lighting is extremely effective, especially towards the closing of the show.
Throughout the show there are moments that are really special but they are purely musical. Unfortunately the inconsistent and sort of abrupt script makes it very hard to connect to the characters and their plight in any way. The stakes are never high enough and there's a distinct lack of fluidity throughout any of the plot line. There's some semi-romantic moments and some lowkey drama but nothing to really sink your teeth into and after an abrupt ending that seemingly comes out of nowhere, the show closes with a long encore that is one of the most enjoyable parts and makes a strong case for this to be purely a concert musical without bothering with a plot or script.
All in all, whilst it may not be everyones full cup of tea, there's absolutely an audience for this style of show and overall The Commitments is a feel-good celebration of soul that has you clapping along and feeling good. The strong performances make it worth a watch and whilst you won't be emotionally invested, it’s a harmless, musical way to wile away a few hours.
photo credit: Ellie Kurttz
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 31 May 2022
We Will Rock You (Tour), New Wimbledon Theatre | Review
We Will Rock You (Tour)
New Wimbledon Theatre
Reviewed on Monday 30th May 2022
★★★
Back for its 2022 tour, We Will Rock You is set in a dystopian future where "real" music has been outlawed and replaced with manufactured pop. Society is lived online and it's up to a group of Bohemians to travel across the Seven Seas of Rye, declare themselves the champions and bring back rock and roll and freedom for all.
This truly is a show about the music so you can somewhat overlook book issues but in terms of pacing it's a little clunky. The first act is chockablock with world-building including long winded character and plot introductions; and act two is a game of musical tetris where all the popular tunes we haven't already heard, are fired one after the other. In this production the book also has some modern updates thrown in here and there (some of which fall flat), but the rest of the set and staging doesn't match up and it certainly feels like it missed a chance to be revamped for 2022. There's an element of the outdated screens that does feel fitting but coupled with the budget wigs and costumes, it lacks the sparkle you expect with a tour of this scale.
The heart of We Will Rock You is certainly the cast and the show would be equally as good if it was just a concert of Queen's greatest hits performed by the superstars on stage. As leading man and hero Galileo, Ian McIntosh is wonderful. His vocals soar with so much power behind them and he really embodies the spirit of Queen. Alongside him, Elena Skye as Scaramouche is a dream. Giving major Kerry Ellis vibes, albeit in a different role, Elena's voice is outstanding and she really works with the limited script to make it funny and engaging.
As Killer Queen, Jenny O'Leary is a vocal powerhouse. Her command of the stage is enthralling to watch and she rightfully earns some of the biggest applause of the show. Michael McKell, David Michael Johnson and Martina Ciabatti Mennell also give strong performances. The rest of the cast and ensemble are also very good vocally but there is at times a lack of tight synchronicity that detracts from the clone message which is being put across.
The performances are absolutely top notch but the production itself gives more 'high-school final show' as opposed to 'big-buck tour' and for a show with such bold songs and ideas, there's no continuity or backup given through the sets or costumes, and they feel lacklustre in comparison to the score.
Faults aside, if you want face melting vocals and all your favourite Queen songs, absolutely take a trip, but for a show that feels luxe and finessed, you'll need to look elsewhere.
photo credit: Johan Persson
Tuesday 22 March 2022
Rebecca Lock on Bringing Rock to the Stage | School of Rock | Interview
it has been such a joy to recreate this role and wonderful story
School of Rock is a cult classic film which celebrates music and how it brings people together. Post- pandemic it provides the perfect, lighthearted, high energy, night out. Currently starring in the show as headmistress Rosalie Mullins, Rebecca Lock tells us about her experience in the show and who her own inspirational teacher was...
Firstly, for anyone that doesn’t know could you explain a little bit about School of Rock?
A wanna be failed rockstar pretends to be his flat mate and earn some money by being a substitute teacher in a posh prep school. He forms a band with the class and enters into the battle of the bands whilst charming the headmistress Rosalie Mullins along the way.
This is such an iconic story and now show, what’s it been like bringing it to the stage?
It’s one of my favourite films so it has been such a joy to recreate this role and wonderful story.
If you could star in any other screen to stage adaptation, which film would you choose?
Oh cripes… there’s far too many to choose from… all the best ones have already been adapted!
Aside from the music, this is really a show about an inspirational teacher, have you had any influential teachers in your life?
Oh definitely… Mr Cobly my first drama teacher taught me so much and encouraged my pursuits.
You play the headteacher Rosalie Mullins who is an authority figure but also has some really humorous moments. How do you balance the two?
A wanna be failed rockstar pretends to be his flat mate and earn some money by being a substitute teacher in a posh prep school. He forms a band with the class and enters into the battle of the bands whilst charming the headmistress Rosalie Mullins along the way.
This is such an iconic story and now show, what’s it been like bringing it to the stage?
It’s one of my favourite films so it has been such a joy to recreate this role and wonderful story.
If you could star in any other screen to stage adaptation, which film would you choose?
Oh cripes… there’s far too many to choose from… all the best ones have already been adapted!
Aside from the music, this is really a show about an inspirational teacher, have you had any influential teachers in your life?
Oh definitely… Mr Cobly my first drama teacher taught me so much and encouraged my pursuits.
You play the headteacher Rosalie Mullins who is an authority figure but also has some really humorous moments. How do you balance the two?
That’s the joy.. she’s one extreme and then she flips and you see a whole new side to her… super fun to play
Why do you think people should come and see the show?
It’s a proper family show… something for everyone! From 8- 98… you’ll leave wanting to pick up a guitar and form your own rock band!
Why do you think people should come and see the show?
It’s a proper family show… something for everyone! From 8- 98… you’ll leave wanting to pick up a guitar and form your own rock band!
Thank you so much Rebecca for taking the time to chat to me. School of Rock plays at the New Wimbledon Theatre until 26th March and then continues its tour.
Interview by Olivia Mitchell, Editor
photo credit: Paul Coltas
Jake Sharp on Bringing Rock to Wimbledon | School of Rock | Interview
All that was taken away from us during the pandemic is celebrated in the show by some genius young superstars.
School of Rock is a cult classic film which celebrates music and how it brings people together. Post- pandemic it provides the perfect, lighthearted, high energy, night out. Currently starring in the show as leading man Dewey Finn, Jake Sharp tells us about his experience in the show and what it's like stepping into Jack Black's shoes...
Firstly, for anyone that doesn’t know could you explain a little bit about School of Rock?
School of Rock is about a wannabe rockstar Dewey Finn, who, needing some money, intercepts a phone call and poses as a substitute teacher at a prestigious school. When he hears the straight-A students playing classical music he transforms them into mini rockstars in order to compete at the Battle of the Bands.
Jack Black made Dewey such an iconic character, what’s it been like creating your own version?
Obviously Jack Black is a genius so they are quite big shoes to fill. But the blueprints that his performance has given means there is so much room to play. Dewey Finn is basically a big kid so it’s so much fun seeing how he reacts in the world of Horace Green School.
What’s been your favourite part of starring in School of Rock?
Playing ‘Teachers Pet’ to audiences all round the country. In that moment everything the audience hears is just us playing live on stage. It never fails to give me goosebumps and the reaction from the crowds is next level. The fact that people from all over have the opportunity to see the show is amazing, but the knowledge that we are inspiring the next generation of musical protégées is super cool.
It’s a very high energy show, how do you keep your voice and body strong doing the show every night whilst touring the country?
A lot of water, a lot of sleep and a lot of pasta. It’s been a real personal undertaking to get myself to a fitness level vocally, physically and mentally to be able to keep producing the energy levels that the show requires. But it’s absolutely worth it! Plus pasta is delicious.
Dewey inspires his students in many ways, did you have an influential teacher growing up?
I did but when it comes to Dewey I always think more about the other adults that have been influential. I grew up playing sports and a lot of the time as a kid I would be around or apart of the adult teams. The way that they treated me as an equal in that environment is how I think Dewey treats the kids. They are all level pegging in the band - it doesn’t matter how old or how ‘cool’ they might seem in ‘normal’ life.
Why do you think people should come and see the show?
I hate it when people say this but it’s completely true for this show. It’s absolutely fun for all the ages. Whether on a date, a solo trip, with kids, with a school - everyone will enjoy School of Rock. It’s high energy, face melting rock and roll and champions live music and being creative. All that was taken away from us during the pandemic is celebrated in the show by some genius young superstars.
Obviously Jack Black is a genius so they are quite big shoes to fill. But the blueprints that his performance has given means there is so much room to play. Dewey Finn is basically a big kid so it’s so much fun seeing how he reacts in the world of Horace Green School.
What’s been your favourite part of starring in School of Rock?
Playing ‘Teachers Pet’ to audiences all round the country. In that moment everything the audience hears is just us playing live on stage. It never fails to give me goosebumps and the reaction from the crowds is next level. The fact that people from all over have the opportunity to see the show is amazing, but the knowledge that we are inspiring the next generation of musical protégées is super cool.
It’s a very high energy show, how do you keep your voice and body strong doing the show every night whilst touring the country?
A lot of water, a lot of sleep and a lot of pasta. It’s been a real personal undertaking to get myself to a fitness level vocally, physically and mentally to be able to keep producing the energy levels that the show requires. But it’s absolutely worth it! Plus pasta is delicious.
Dewey inspires his students in many ways, did you have an influential teacher growing up?
I did but when it comes to Dewey I always think more about the other adults that have been influential. I grew up playing sports and a lot of the time as a kid I would be around or apart of the adult teams. The way that they treated me as an equal in that environment is how I think Dewey treats the kids. They are all level pegging in the band - it doesn’t matter how old or how ‘cool’ they might seem in ‘normal’ life.
Why do you think people should come and see the show?
I hate it when people say this but it’s completely true for this show. It’s absolutely fun for all the ages. Whether on a date, a solo trip, with kids, with a school - everyone will enjoy School of Rock. It’s high energy, face melting rock and roll and champions live music and being creative. All that was taken away from us during the pandemic is celebrated in the show by some genius young superstars.
Thank you so much Jake for taking the time to chat to me. School of Rock plays at the New Wimbledon Theatre until 26th March and then continues its tour.
Interview by Olivia Mitchell, Editor
photo credit: Paul Coltas
Monday 21 March 2022
School of Rock (Tour), New Wimbledon Theatre | Review
School of Rock (Tour)
New Wimbledon Theatre
Reviewed on Monday 21st March 2022
★★★★
Many people know and love the hit 2003 film School of Rock. With Jack Black’s iconic comedy, incredibly catchy tunes and a true rock soul it became an instant classic. Fortunately, all of this translates brilliantly to the stage and to the current UK tour which is getting audiences up on their feet and releasing their inner rock god’s.
With music by Andrew Lloyd Webber, School of Rock provides a throughly entertaining night out. The show follows Dewey Finn, a man who’s only goal is to live a life of music. One thing leads to another and he ends up taking the place of his best friend and pretending to be a supply teacher for the elite Horace Green school. There he discovers that he’s not the only one with music in his soul; he finds a classroom full of wonderful musicians who just want to be heard. Thus begins his mission to form a band and win the Battle of the Bands. The entire story is a comedic dream, with a cast of amazing talents and so many great songs.
There’s also astute observations on growing up and the pressures young people are under, as well as many witty and topical comments on the world as a whole.
Of course this show would not be half of what it is without the young performers who make up the class. There’s not a weak link, with utterly superb musicianship being displayed throughout. They all have enough energy to raise the roof off of the New Wimbledon Theatre and also do particularly well in the more moving moments of the show. Special mention must go to Souparnika Nair who shone supremely bright with her spectacularly controlled vocals as Tamika and Emerson Sutton who is a marvel on the drums. All the children are a joy to watch and there's also some exceptional hairography going on throughout!
As Dewey Finn, Jake Sharp carries the musical outstandingly. Not wavering a single moment he’s on stage (and that’s pretty much throughout). He’s hilarious, vocally virtuosic and brings enough of the iconic Jack Black attitude and swagger that we know and love but also adds his own flair and makes the role his own.
Rebecca Lock as Rosalie Mullins the uptight headmistress who also longs to break free is utterly charming. Her vocals are spectacular with her operatic range shining in the Queen of the Night aria and her astounding belt providing a real highlight in Where Did The Rock Go.
You can’t have School of Rock without the music and aside from the formidable onstage musicians, the pit band are stellar. Natasha Katz's lighting is also especially effective and Anna Louizos’ set design works faultlessly to transport us from scene to scene.
This is an incredibly cohesive production that never falters in sleekness but still retains its spontaneous, high octane feel. Become part of the band and go see School of Rock on tour.
photo credit: Paul Coltas
Thursday 10 February 2022
Blood Brothers (Tour), New Wimbledon Theatre | Review
Blood Brothers (Tour)
New Wimbledon Theatre
Reviewed on Wednesday 9th February 2022
★★★★
Willy Russell's award winning musical Blood Brothers has been wowing audiences around the world for forty years and is also one of the few shows to have run for over 10,000 performances in the West End. It's a regular feature of the theatre touring circuit and 2022 is no exception as it once again hosts Bill Kenwright's brilliant production.
The emotive and dramatic show tells the story of Mrs Johnstone, a single mother in Liverpool who is bringing up a large family alone and has just found out she'll have more mouths to feed as she's expecting twins. She really can't afford this, so in a snap decision she gives away one son to a wealthy lady who cannot have children of her own. They make a deal that the brothers will never know of one another and won't be part of each others lives. But when the two boys meet accidentally aged seven, they form an instant connection becoming 'Blood Brothers'. The story follows them across the years as we see how economic background and nature vs nurture affects the pair; and how it leads to their eventual tragic demise which opens the show.
I think what makes this such an enduring show is a mixture of both its observations on human nature/privilege and the way it swings effortlessly from comedy to tragedy and takes you along on the journey so well. At times it can be melodramatic but it's balanced so well with deep genuine pain that you can see past it.
The show's cast are exceptional, with the core performers showing depth and growth and the rest of the cast nimbly juggling a variety of roles and supporting the action brilliantly. As the son Mrs Johnstone keeps, Sean Jones is outstanding as Mickey. His character development is masterful as he goes from a cheeky seven year old, to a teen learning to love (and dance), all the way to an adult struggling with addiction. Every second is believable and engaging and he's just fantastic. As the other brother, Eddie, Joel Benedict is charming and sweet. His character isn't as multi-layered as Mickey but he does a great job with what he's given and the pair bounce off of one another like real childhood friends. Carly Burns also gives a touching performance as the final addition to the friendship trio. Her portrayal as Linda is nicely nuanced and it's heartbreaking to see her role in the tragedy.
As Mrs Johnstone, the boys' birth mother, Niki Evans is unparalleled. Her portrayal is the definition of honest and the vocals which accompany it are magnificent. Her acting is incredibly natural and you don't doubt for a second that she's really experiencing the highs and extreme lows of her life. Niki's performance of Tell Me It's Not True is astoundingly moving and has the audience raring to give their final standing ovation.
The show is dated in parts but it kind of adds to the charm and history of it all. It's an exhausting journey of a musical but well worth a watch. Pack some tissues and get yourself along to your local theatre to witness the magic and misery that is Blood Brothers.
Blood Brothers plays at the New Wimbledon Theatre until 12th February 2022 and then continues its tour
Wednesday 19 January 2022
Bat Out of Hell (Tour), New Wimbledon Theatre | Review
Bat Out Of Hell (Tour)
New Wimbledon Theatre
Reviewed on Tuesday 18th January 2022 by Olivia Mitchell
★★★★★
There aren’t many touring shows where fire, confetti and belts that melt your faces off are the key selling points, but that’s what makes Bat Out of Hell such a unique and refreshing addition to the touring circuit.
The jukebox musical, with book, music and lyrics by Jim Steinman has had various incarnations since it originally opened in Manchester in 2017. From London to Germany to New York, it’s now entertaining audiences across the country with its larger than life performances.
This certainly isn’t a show that relies on its book which is sometimes hard to follow and all in all is very bare and ridiculous. Instead it is helmed by the stellar effects and outstanding solo and ensemble performances that make it such a high octane and enjoyable show.
Choreography adapted by Xena Gusthart is snappy and incredibly tight as well as being very fitting for the apocalyptic-place-like-no-other Obsidian where the musical is set. This is further helped and developed by Jon Bausor’s grungy set and Patrick Woodroffe‘s lighting which both shocks the audience into watching as well as literally highlighting more tender moments on stage.
Of course over the various productions there have been a number of changes. Perhaps most noticeable with this current iteration, is the smaller cast and cut down set. Despite being somewhat noticeable if you’ve seen the show before, these cuts don’t mean there’s any less oomph or energy and in fact, a Tuesday night performance in Wimbledon, felt like a Saturday show (complete with some audience members who wanted their own solos!) In many ways, it’s a show which thrives off of its audience, with many loyal fans supporting it in every possible way. And despite it sometimes detracting from the performers on stage, it’s quite nice to see and hear people so engaged and uplifted by a performance after so long not having live theatre. It's really a show which encourages community and enjoyment, two things we could all use a little more of.
Bat Out of Hell is very much cast led and excels due to its incomparably talented performers who are full out in every moment. As the caged daughter Raven, Martha Kirby is excellent, showing both a tempestuous side and a softer, head over heels in love side. Alongside this her vocals are extraordinary, with a number of stand out moments including Heaven Can Wait and All Coming Back to Me Now. Matha's stage presence is magnetic and it's just a 10/10 performance all round. Alongside her as the male lead is Glenn Adamson who is bold and boisterous with his performance. He brings a kind of frenzied side to Strat and is utterly engaging, as well as giving vocals that soar and shine.
Another change from past London productions is the reworked placement and character of Valkyrie who becomes one of the main trio of The Lost. As Valkyrie, Kellie Gnauck is a complete powerhouse who steals the show several times and adds a lovely new dimension to many songs thanks to her fine tuned harmonies. Bat Out of Hell veterans Rob Fowler and Sharon Sexton continue to triumph and delight as Raven's parents, Falco and Sloane. Their comedic timing is marvellous, as are their vocals and ability to switch moods on a dime. It's a joy to watch them perform together and with the other cast members. What Part of My Body Hurts The Most is a real high point of the show.
Everything is brought together by the ensemble who are electric and so in sync with one another. What's also great about this show is how you can watch various mini plot lines unfurl throughout and the ensemble especially do a great job of highlighting anxieties, relationships etc... within the group.
If it's a sophisticated narrative you're after, this categorically isn't the show for you, but if you want to escape reality, hear top notch vocals and have an evening that's truly like no other, then fly down to see Bat Out of Hell on tour.
Bat Out Of Hell plays at the New Wimbledon Theatre until 29th January before continuing its tour
photo credit: Chris Davis Studio
Wednesday 3 November 2021
Heathers The Musical (UK Tour), New Wimbledon Theatre | Review
Heathers The Musical (UK Tour)
New Wimbledon Theatre
Reviewed on Tuesday 2nd November 2021 by Olivia Mitchell
★★★★
Westerberg High School is back open and this time it's touring the UK, currently playing at the New Wimbledon Theatre. The show's popularity is evident from acclaimed Off-West End and West End runs in 2018, followed by another West End engagement this summer and a newly announced run at The Other Palace. The touring production embodies the same energy and will continue to provide Big Fun until the end of the year.
What works so well about this musical is that it doesn't take itself too seriously; the whole thing is melodramatic and larger than life, focussing on high school stereotypes that are highly stylised and humourous. Alongside this, Heathers does focus on some extremely dark issues such as suicide, sexual assault and bullying, and it does so pretty well, although at times it feels somewhat sloppily handled and it would be great if there were some sort of trigger warnings before the show or placed around the theatre to prepare people for some jarring moments.
However, Andy Fickman does a great job at directing this fast-paced black comedy, which alongside Kevin Murphy and Laurence O’Keefe’s book, music and lyrics provides an energetic and enjoyable night out. Ben Cracknell's lighting does an excellent job of packing the stage with colour and cleverly draws your eye to crucial moments as well as literally highlighting the Heathers in their signature colours and often bathing JD in a cool, eerie shade. David Shields' design effectively transfers us to each plot setting, whilst maintaining the school vibes which course throughout; and the split levels utilise the space as well as working to emphasise the hierarchies of the characters.
Phil Cornwell leads the band to bring the rock soundtrack to life vigorously, Dan Samson's sound design really shines and Gary Lloyd's choreography ties it all together, with some excellent work by the mile a minute ensemble.
As our protagonist Veronica Sawyer, Rebecca Wickes is a powerhouse force. Her vocals are sensational and she maintains her energy and intelligence from start to finish. Barely leaving the stage Rebecca is a joy to watch as she brings a wide array of emotion and has a self-awareness that is magnetic. Simon Gordon as the brooding bad boy JD has equal pull as he sweeps Veronica and the audience up with his suave mystique, only to reveal his true self as the show moves on. Simon's voice is perfectly matched to the role and the pair work brilliantly together.
The three Heathers are played boldly by Maddison Firth (Chandler), Merryl Ansah (Duke), and Lizzy Parker (McNamara). Liam Doyle and Rory Phelan as Kurt and Ram give stand out performances and have a fantastically humourous chemistry with one another. As Martha Dunnstock, Mhairi Angus is heartwarming and vocally outstanding, providing a real starring moment and some calm in an otherwise crazy show.
Overall Heathers is a musical which clearly delights audiences and is top-notch for a modern musical. It ticks the boxes of humour, angst, drama and generally being over the top and is well worth visiting as it tours the country.
photo credit: Pamela Raith
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