Showing posts sorted by relevance for query concerts. Sort by date Show all posts
Showing posts sorted by relevance for query concerts. Sort by date Show all posts
Friday 1 July 2016
Jeremy Jordan, Hippodrome Casino | Review
You may know him as the heart throb of tv from hits Smash and Supergirl or from his leading Broadway roles in Newsies and Bonnie and Clyde or maybe you're just hearing his name for the first time now.
Whichever it is, all you need to know is that Jeremy is one of the best, if not the best male singer; with a hilarious stage presence, magnetic personality and absolutely stunning voice, he's really the definition of the whole package.
Whichever it is, all you need to know is that Jeremy is one of the best, if not the best male singer; with a hilarious stage presence, magnetic personality and absolutely stunning voice, he's really the definition of the whole package.
Last night I got to witness this package all wrapped in a bow at the last of Jeremy's first ever London concerts, the fastest selling performances the Hippodrome Casino has ever seen! There's something really special about watching performers in these sort of venues because they're so intimate and you just know that every single person is there to support who their watching. The whole room was buzzing before Jeremy came on stage and the excitement could be felt all around, it didn't feel like there could be more joy but when Jeremy stepped on stage the whole room went crazy.
Jeremy opened the show with a hilarious parody of Everything's Coming Up Roses called Everyone's Come To See Me, starting the night on a high which only went up. Jeremy continued performing a mix of all his best songs as well as some originals which will be on his upcoming album, including a beautiful song written for his wife called Memories of Loving You. His infectious personality combined with his killer vocals made an unforgettable evening with jokes and anecdotes creating a wonderful relaxed evening. Jeremy's partner in crime for the night was his hilarious Musical Director Benjamin Rauhala who not only played magnificently but had everyone in hysterics throughout!
There's no way I can pick a favourite part of the concert because I was literally in love with every second of it but I couldn't write this post without mentioning the incredible cover of Take me or Leave Me which Jeremy and his beautiful wife sung (couple goals right!?) and also his medley of song requests. This truly showed off Jeremy's talent, singing clips of songs form Cats to Celine Dion all note perfect and just stunning.
The amazing thing about Jeremy is not just his personality and talent but the way he connects with each song and makes the audience feel like they're experiencing every moment personally. Jeremy is an absolute star and deserves so so so much praise. For anyone reading this I advise you to watch all of the videos you can find of Jeremy, watch everything he's in and buy his album when it comes out! And Jeremy, if by any crazy twist of fate you're reading this, then I want to say thank you for an absolutely brilliant night and please please please come back to London very soon!
Wednesday 3 August 2022
Chess the Musical in Concert, Theatre Royal Drury Lane | Review
Chess the Musical in Concert
Theatre Royal Drury Lane
Reviewed on Tuesday 2nd August 2022 by Olivia Mitchell
★★★★
After the success earlier in the year of Bonnie and Clyde in Concert, the bar has been set rather high for what concert productions at the Theatre Royal Drury Lane can provide, and this most recent one certainly hits the mark.
Chess, last seen in London in 2018 at the Coliseum, is set in the 1970s/80s amid the Cold War. Two chess masters meet in Bangkok to fight it out for the world championship title, but also end up in political and romantic competitions.
By Tim Rice's own admission in the programme notes, the music is the heart of this show, with many finding fault with the book that is sometimes all over the place. Thankfully in this production everything is fairly sleek and issues with the book can be overlooked thanks to the sumptuous cast, choir and orchestra.
Director Nick Winston put on the show in a previous iteration in Japan and has superbly brought it to the London stage with a version that puts the focus strongly on storytelling, both through the music and the buoyant choreography by Alexzandra Sarmiento and Tara Young.
This is further helped in no small way by the outstanding LMTO Orchestra, directed expertly by Freddie Tapner. The sumptuous, melodically complex, beautifully syncopated score is showcased to the highest degree. There's a sensitivity given to the more pared back moments whilst the rousing, dramatic pieces of score are stretched to their full extent to provide real wow moments. The LMTO Chorus also bring add excellent power and oomph to the proceedings.
There were some songs which were cut from the show, namely the song Talking Chess between Anatoly and Freddie and Commie Newspapers which I think would have helped the plot be a bit clearer, especially for those seeing the show for the first time. But of course given the short turnaround and runtime for the concerts, I can certainly understand why some pieces had to be cut and shifted and what was still included was excellent. Any plot issues really fly under the radar when you have such a wonderful team on stage and offstage making everything else so enjoyable.
This onstage team is made up of some musical theatre heavyweights and there are standout performances throughout. Samantha Barks' rendition of Nobody's Side and the Anthem Reprise are definitely at the top. Joel Harper-Jackson's Pity The Child, Hadley Fraser's Anthem also bring the house down, and Frances Mayli McCann and Barks also compliment one another beautifully in the classic I Know Him So Well.
Having first seen Chess in concert version at the Royal Albert Hall in 2008 and falling in love with it at age 10, seeing this production of equal strength was an absolute treat to witness. Here's hoping we see more of this outstanding adaptation and the stellar cast who brought it to life!
photo credit: Mark Senior
Wednesday 13 March 2019
West End Live Lounge: Woman, The Other Palace | Review
West End Live Lounge (Concert)
The Other Palace
Reviewed on Friday 20th October 2017 by Olivia Mitchell
★★★½
This is the second Woman themed West End Live Lounge, but this time, the team have graduated from The Other Palace Studio, to the main space as they become bigger and better. Featuring songs from some of the most influential women in music and raising money for Samaritans, West End Live Lounge is really about the heart and soul of everyone involved.
Host for the evening was Samuel J Holmes who wittily engaged the audience and provided innuendo after innuendo and a number of anecdotes about his new home in Southend. The atmosphere remained lighthearted throughout but we were all reminded of the crucial reason for the concert. As always, the proceeds from West End Live Lounge go to charity, this time we were raising funds for Samaritans who do crucial work helping those in dark mental places. The Samaritans answer a call for help every six seconds which is truly incredible and its imperative that we help where we can. Especially in an industry where mental health is often battered, it feels very special and close to everyone's hearts that we can support the charity in this way.
Whilst the evening did flow very well, it would have been nice to hear each performer introduce themselves and their songs a little as at times they felt a little removed from the audience. Perhaps this was due to nerves but I felt that some ice breaking could have helped.
To raise funds and of course provide entertainment, founder of West End Live Lounge, Shaun McCourt pulled together some of the best West End performers to sing their hearts (and larynx's) out. Highlights were aplenty so I'll just name a few... First up, Jennifer Tierney's performance of All By Myself which was note perfect and superbly performed. With her hauntingly beautiful rendition of With Woman in the Moon, Brady Isaacs Pearce brought calm to the venue, whilst Shekinah McFarlance showed off her extreme vocal prowess with Lose To Win.
Blowing the roof off at the end of act two, Emma Lindars put her own spin on the Jessie J classic, Mama Knows Best and wowed the entire audience a second time with Stone Cold by Demi Lovato. Live Lounge regulars Divalution provided their signature riffs, belt and sass with All I Ask and Power, and Matthew Harvey put a new spin on Britney Spear's, Circus, complete with multi-coloured lighting.
Other stand outs included Kayleigh McKnight's rendition of Chandelier, Louise Dearman's take on the Celine classic, Taking Chances. And, after an understated start, Simon Gordon's performance of Shallow was utterly breathtaking and completely memorable. The 10 piece band led my MD Sam Coates did an outstanding job of backing up the performers as well as having their own chances to shine. The full band bring a real warmth to these concerts and its fantastic to, not only hear them playing brilliantly, but also see them looking like they're having a great time.
West End Live Lounge continues to provide a highly entertaining Sunday out, full of treats a surprises. There is always guaranteed to be something for everyone and you should definitely pop along, not only to hear fabulous singing, but also to support highly deserving charities.
photo credit: Nick Brittain (Brittain Photography)
Monday 19 June 2023
Harry Styles at Wembley Stadium review: Where Strangers Become Friends and Fans Become Family
a life-changing experience, driven by exceptional musical talent, captivating stage presence, and a genuine commitment to building a community
Harry Styles Love on Tour
Wembley Stadium
★★★★★
Among the huge array of concerts on offer, some artists possess the unique ability to create an atmosphere that goes beyond a mere performance. Harry Styles, the British singer-songwriter and former One Direction member, is undoubtedly one such artist. His closing show of four sell out’s at Wembley Stadium, was a testament to his musical prowess and stage craft. The ambience he created allowed for a magical showcase of the power of friendship and community; under Harry’s command, pure, unfiltered joy permeated the evening, and made it so special to both audience and performer.
Leading up to the performance there was a frenetic energy filling every space. With bedazzled outfits, feather boas and cowboy hats filling the arena, the sea of colour was a visual indication of the bright and beautiful performance to come. From the moment Harry took the stage, the crowd came even more alive and from the moment he stepped out it was clear that the enthusiasm and genuine love was mutual between the audience and the star. He effortlessly took the role of the charismatic conductor of this extraordinary symphony and invited everyone to forget their troubles and be truly free for a few hours.
What struck me the most about the concert was the strong sense of friendship and community that Harry fostered throughout the night. From the get go Styles created an inclusive space where everyone felt accepted, loved, and celebrated for exactly who they are. The vigour with which the audience embraced this was a testament to Harry's commitment to creating an environment where diversity and individuality are not only accepted but embraced.
Throughout the evening, Harry’s music served as a catalyst, bringing people from different backgrounds together, forming an unbreakable bond. Whether it was the carefree sing-alongs to Watermelon Sugar, the semi-cultish bowing at the alter of Mitch Rowland’s guitar solo in She, the united screams of “leave America” during As It Was, the congas in Treat People With Kindness or the group hugs and tears during Fine Line, each song became a thread weaving a tapestry of emotions that bound us all. With surprise songs added, including fan favourite Medicine and Sweet Creature which Styles hasn't performed since 2018, it really was a treat to be in the room for this momentous concert that truly cemented Styles' icon status. There’s no other word to describe it than electric. If unadulterated joy could power the country, Harry Styles would be head of operations.
Beyond the music, Harry's heartfelt interactions with the audience showcased his genuine care for his fans. He took the time to engage in conversations, listen to their stories, and make each person feel seen and valued. It was a beautiful reminder that music can bridge the gap between strangers and create lasting connections.
Production wise the show was a treat, with great visuals that told a story, lighting that complemented the sun slowly going down and a fun stage design which allowed many to get almost within touching distance of Mr Styles. A sensory feast, the show really provided all you could ask for.
As the night came to an end, I couldn't help but feel an overwhelming sense of gratitude for the incredible impact that music has on our lives and the meaningful connections it brings. Harry Styles not only delivered an outstanding performance but also reminded us of the significance of finding people who allow you to be yourself. It was a night that broke down barriers, opened hearts, and created lasting memories.
This concert was a life-altering experience, driven by exceptional musical talent, captivating stage presence, and a genuine commitment to building a community. Styles' ability to deeply connect with his audience, fostered an atmosphere of inclusivity and acceptance, making the event a remarkable celebration of music and our shared humanity. It was an occasion where strangers quickly became friends, and fans collectively experienced the transformative power of music. As an artist who truly embodies his craft, Harry Styles continues to redefine the concert experience, leaving an unforgettable impact on the hearts of his fans.
Reviewed on Saturday 17th June 2023 by Olivia Mitchell
photo credit: Lloyd Wakefield
Monday 10 September 2018
Last Night of the Proms, Royal Albert Hall | Review
Last Night of the Proms
Royal Albert Hall
Reviewed on Saturday 8th September 2018 by Olivia Mitchell
★★★★
After a spectacular eight weeks of concerts, the 2018 BBC Proms came to an end on Saturday night in a grand and celebratory fashion. As a first time attendee of the last night, I was excited to be part of such a well-known piece of theatrical history and the atmosphere and performances left me elated and proud to be British.
The concert followed it's traditional format, with a more serious first half followed by an audience participation fuelled second act. Master of ceremonies for the night was Andrew Davis who made a triumphant return after eighteen years and brought together a magical night.
Debut work, Songs of Darkness, Dreams of Light by Roxanna Panufnik is a moving ten minute piece which brings together opposing religions and cultures and was especially exciting to witness. Of the various French and English choral pieces, a stand out was definitely Charles Villiers Stanford's The Blue Bird, performed expertly by the BBC Singers and causing the rambunctious audience to be in pin drop silence for its entirety.
Saxophonist Jess Gillam provided energy, glitz and talent in equal measure through her performances of Scaramouche and a selection of World War One songs arranged by Anne Dudley. Gerald Finley also gave dominant performances of Stanford's Songs of the Sea and the vast Soliloquy from Carousel.
The second act was a fine celebration of patriotism and community. The audience, orchestra, BBC Singers and BBC Symphony Chorus joined together for a number of classic Last Night of the Proms pieces including Jerusalem and Auld Lang Syne, all of which were rousing and left the audience elated as the Proms came to a close and we all left the Royal Albert Hall for another year.
Debut work, Songs of Darkness, Dreams of Light by Roxanna Panufnik is a moving ten minute piece which brings together opposing religions and cultures and was especially exciting to witness. Of the various French and English choral pieces, a stand out was definitely Charles Villiers Stanford's The Blue Bird, performed expertly by the BBC Singers and causing the rambunctious audience to be in pin drop silence for its entirety.
Saxophonist Jess Gillam provided energy, glitz and talent in equal measure through her performances of Scaramouche and a selection of World War One songs arranged by Anne Dudley. Gerald Finley also gave dominant performances of Stanford's Songs of the Sea and the vast Soliloquy from Carousel.
The second act was a fine celebration of patriotism and community. The audience, orchestra, BBC Singers and BBC Symphony Chorus joined together for a number of classic Last Night of the Proms pieces including Jerusalem and Auld Lang Syne, all of which were rousing and left the audience elated as the Proms came to a close and we all left the Royal Albert Hall for another year.
Wednesday 24 October 2018
The Band (UK Tour), New Wimbledon Theatre | Review
The Band (UK Tour)
New Wimbledon Theatre
Reviewed on Tuesday 23rd October 2018 by Olivia Mitchell
★★★★
Whether you're an avid fan of Take That, or you just know a few of the hit songs, get yourself along to The Band for a show full of friendship, laughs, emotion and nostalgia. The story is compelling and relatable to anyone who's ever hardcore admired a band, performer or celebrity.
The story opens with our main protagonist, Rachel, exclaiming how she grew up with 'The Band', and judging by the buzzing audience of the New Wimbledon Theatre, many of them did too. From the get go, the show is well paced and bubbling with energy as we flash back to the group of five young friends as the fangirl over their boys. Their portrayal of head-over-heels fans is truthful, witty and exudes youth as the girls are as loyal to each other as they are to the band.
The Band themselves, reappear throughout to perform a number of Take That's greatest hits, both old and new. In the iconic outfits and with the classic moves, they really embody Take That and bring to life the spirit and energy of a band of friends who love performing with one another. They also do a wonderful job of propelling the story forward.
The show takes a sudden turn after the first couple of scenes when tragedy strikes and the tight-knit friend group are broken apart. Fast forward 25 years and we see the how the girls have settled into their various lives. The grown up Rachel, (played by Rachel Lumberg) seems to be living her dream life, but is unable to move on from the childhood tragedy that struck and she once again feels drawn to the band. Rachel plays the role with a beautiful balance and sense of realism; wonderfully showing off her exuberant side, alongside the side which is struggling with loss.
As the friends reunite, the show really powers on and the story of each girl has something audience members can relate to. Act two includes a number of hilarious group scenes, accompanied by great musical performances. Despite the name, this show isn't about The Band, it's about the leading ladies who steal the show and our hearts with their sincere and charismatic performances. Whilst the girls always had The Band at the forefront of their lives, it was their friendships that glued them together and created a bond that even time apart, couldn't break.
The entire cast are superbly strong. The Boys, played by AJ Bentley, Curtis T Johns, Yazdan Qafouri, Nick Carsberg and Sario Solomon provide the perfect starring moments as well as backing moments where they blend in as a natural part of the story. The Girls, both young and old are perfectly cast to be highly realistic whilst giving fantastic performances.
Alongside the cast, Jon Bausor's set is a real star of the show; with screens cleverly transporting us to concerts and music videos. A particular stand out, set moment is when the blue confetti used earlier in the show is cleverly fanned out by The Band to create The Flood over the audience. Small details like this, really step this show up from a simple musical, to something special.
The small cast do a fantastic job of creating a high-energy piece which feels full of love and life. From post-show audience reactions, it's clear that The Band has many fans and the show is sure to continue delighting audiences on tour and in it's upcoming stint at the Theatre Royal Haymarket. For a story that will have you beaming and tearing up like the roller coaster of life, accompanied by a thrilling score, get yourself along to The Band and live your best fangirl life.
Tuesday 8 January 2019
Christina Bennington, Live at Zedel | Review
Christina Bennington (Concert)
Crazy Coqs, Zedel
Reviewed on Monday 7th January 2019 by Olivia Mitchell
★★★★
The wounds are still fresh for Bat Out of Hell fans, who had to wave goodbye to their beloved show at the Dominion Theatre just two days ago; but the Bat love was still strong as Christina Bennington took to the stage in a one night only couple of concerts. As usual, the Zedel provided a cosy and relaxed backdrop for a night of pure vocal entertainment and we felt welcomed into the songbook of Christina's life and career.
After performing Jim Steinman's huge musical numbers for the last couple of years, it was enthralling and refreshing to hear Christina show off the other shades of her voice, with her lilting soprano contrasted wonderfully against her powerful belt and buoyant performance. Some stand out numbers included Green Finch and Linnet Bird, I'm With You and Salley Gardens which each showed a different aspect to the vast range Ms Bennington beholds. Act One closer, Raven was another highlight as Christina's voice soared over the audience and enchanted us all through the power of a beautiful song.
Alongside sweet anecdotes we also heard from two guest performers: Danielle Steers and Dan Buckley. Good Girls Go To Heaven performed by Danielle and Christina was met with elation from the audience who were wrapped around the performers fingers, whilst, Happy Days Are Here Again/Get Happy illustrated the friendship between the duo and how their voices complement each other so well. Daniel played the Disney Princes in the pairs mini Disney mash-up and reminded us of just how much talent is on offer in the West End with his beautiful rendition of You Matter To Me from Waitress; it's lovely to see two friends really seeming to have fun on stage.
Superbly talented Musical Director Noam Galperin took charge of the nights musical proceedings, leading his outstanding band with musical fluidity and providing some unique and interesting arrangements of well known songs.
It's interesting to see Christina outside of the rock musical format not only as a showcase of her versatile vocals but also her depth as a performer. Christina's comedic choices, especially during Stupid With Love from Mean Girls were highly entertaining. Equally her performance of Princess was immensely moving. The way Christina physically embodies a song is truly wonderful to see and it's clear why they say "the eyes are the key to the soul" as she conveys a single emotion or thought with a mere twitch of her eyes.
Closing the show with Heaven Can Wait and All Coming Back to Me Now was a wonderful way of rounding off, what must have been a whirlwind few years for Christina, and felt like a fitting way to put Raven away for now, and open doors for new ventures.
If you want to witness a master of acting through song and a beautiful songbird, don't miss Christina Bennington's future performances as she is sure to shine and astound.
photo credit: Joseph Sinclair
Thursday 9 May 2019
Georgia Carling and Patrick Sullivan: Surviving a Millennial Jukebox, Museum of Comedy | Review
Georgia Carling and Patrick Sullivan: Surviving a Millennial Jukebox
Museum of Comedy
Reviewed on Wednesday 8th May 2019 by Olivia Mitchell
★★★★★
Bat Out of Hell may have closed at the start of the year but that doesn't mean the love for the show and its cast has dwindled. In fact, the fans may be even more supportive now as they jump at each chance to keep the memories alive. Last night that was helped by Valkyrie and Blake themselves: Georgia Carling and Patrick Sullivan who put on a concert as part of Monsteers Artistry's new series. The pair took to the stage of the intimate Museum of Comedy to bring us a night of beautiful vocal entertainment as they sung us through some of their favourite songs.
Despite both having their starring moments in Bat, it was an enthralling treat to hear both performers really sing and show the audience just how talented they are. Their various song choices allowed us to hear cutesy, lilting moments alongside huge belt numbers, each and every one of which was performed with intensity and vocal prowess.
Patrick Sullivan's gloriously smooth tone is a true delight to hear as he skilfully masters huge songs including The Streets of Dublin (revive A Man of No Importance please) and Sam Smith's Lay Me Down. Patrick's natural charm leads the audience to feel welcomed and the space of the Museum of Comedy is perfect for a semi-informal concert.
Georgia Carling's infectious personality bursts out from the stage as she provides not only killer vocals but a magnetic stage presence which enchants the audience and has them in the palm of her hand. Georgia's rendition of The Story was completely magical and Before He Cheats brought a sassy side to the night's proceedings. Georgia has a special skill of being able to capture a crowd whilst remaining natural and relaxed as she allows the audience to bask in her talents.
Alongside the natural banter of Georgia and Patrick, the pair were joined by ex-Strat and fan favourite, Benjamin Purkiss who brought spades of humour and vocals beyond belief to the nights proceedings. Stacy's Mom was a comedic standout and Matt Corby's Brother was a vocal gem of a piece which Ben performed stunningly.
In a night where every song was a delight, some other highlights included Patrick's masterfully controlled version of The First Time Ever I Saw Your Face; They Just Keep Moving The Line which Georgia performed with gusto and honesty; Dream On which was a battle of the powerhouses Patrick and Ben; and Lucky which was magically performed by Georgia and Patrick.
If you weren't at the Museum of Comedy last night then you really missed out on a fantastically performed concert with treat after treat from three of the most talented performers the West End has to offer. I can only hope this isn't the last time we see and hear this trio perform. If you want to witness truthful, magnetic performances then look no further than Georgia, Patrick and Ben!
Follow Monsteers Artistry for information on future concerts and events
photo credit: Rishi Rai
Saturday 7 April 2018
In Conversation With... Rachel Tucker | An Evening with Jason Robert Brown | Interview
If you google 'busy people' Rachel Tucker will surely come up. Always working on something new and exciting, Rachel is one of the hottest things both in London and New York. Set to star in the one night only An Evening with Jason Robert Brown concert at the Palladium, Rachel sat down to discuss everything about the concert and gave us an exclusive on what's next for her across the pond!
What’s the rehearsal process been like for this concert?
I haven't actually started yet! I've been rehearsing on my own but we do Monday, Tuesday, Wednesday and then the show Wednesday night cause Jason's coming over. We have the scheduling and it's like 10-5.30 so it's gonna be... intense. We have a piano rehearsal with Jason on our own and then all together and there's back-up vocalists and singers and stuff, so, it's gonna be very intense. I'm really excited!
You’ve performed some of Jason’s songs before, can we expect to hear those or new ones in the concert?
Actually a bit of both. I have, what is called my 'handbag song' which I love and it's Stars and Moon that I sing at any given opportunity. It's my favourite classic Jason Robert Brown and... I don't know if I should say what else I'm singing or if it should be a surprise?!
How about a clue?
Okay well there's another old one and two more modern ones...
Very vague!
Okay so one is a really new, updated one that he wrote for a girl in a wheelchair, actually, a 13 year old girl. He wrote it very specifically so I'm really buzzed about that and singing some really lovely, brilliant songs.
Who or which song are you most excited for the audience to hear?
I'm a massive fan of Betsy Wolfe and Norm [Lewis]. I sang with Norm in New York on the Pulse charity single we did over there with Seth Rudetsky. Norm is just fabulous, and Betsy, I just can't wait to hear her sing live and to sing on the same stage as her!
Just to hear it all put together and to hear the best of Jason's work. He's chosen what he wants us to sing so we've had no say in it, he's chosen specifically what he wants to hear... I mean we've a little bit of a choice but it's very much his show and his showcase and that's what's so special about it; to be able to actually do what it is that he would love to be showcased.
If you could be in any Jason Robert Brown musical, which would you choose?
Goodness me! I would love to play the wife in Parade who sings You Don't Know This Man which is a fab song. What else? I love The Last Five Years- there's so many and they're all so good. I'd love to do Bridges of Madison County cause it's so beautiful. He's just so talented and his music stretches so far and into different genres and I love how much he pushes the musicians and the singers at the same time, it's really wonderful.
Why should people come to this concert?
I mean I just cannot wait to hear his stuff played with a 60-piece orchestra- the BBC Orchestra- that for me is just going to be so exciting. I've always been a huge fan ever since I first heard his music and I think the selection of stuff you'll hear with this orchestra and Jason playing -and I'm sure introducing songs and saying how and where they came about- it's going to be electric! It's gonna be like nothing anyone's every seen before, or heard before and it's live, live in London! Come from far and wide and get tickets cause it's gonna be one in a million!
While we’re talking I thought you'd like to plug your upcoming NY concerts?!
Yeah! So 54 Below, I'm very, very excited to go back in August, in summer so maybe more people can get out and over. I mean I haven't even started thinking about the show but I wanna do a real mixture of my favourites and some new stuff. I've had a lot of experience this last 4/5 months with new music and being sent stuff and learning stuff for auditions that I've just fallen in love with. All this new stuff that I would never have heard; so I'd really love to show that. Yeah I feel very excited about new stuff that has landed on my lap so I'm really excited to put a show together of it!
Sounds very exciting! Will you be coming back or are you planning on staying over there?
I don't know! I've been auditioning like crazy there and here and nothings solid yet so I don't know!? There's a big question around that!
I am doing the Williamstown Festival which is in New York over the summer, so, this is an exclusive!... It's a brand new musical that's happening now called Lempicka! I don't know if you know it?
That's amazing! Yeah it has the song Woman Is in it right? [side note: go listen to Woman Is because it's stunning!]
Yes, a beautiful song! So I'm doing the production of it, playing one of the parts with Carmen Cusack. I don't know who else is involved but it's a brand new piece and I'm really excited. So that's July/August at the Williamstown Festival that I'll be doing that! Then my gigs at 54 Below so a summer in New York!
The dream! Will Woman Is be one of your songs then?
Yeah it will be actually! The stuff from the show is just amazing. I'm really really chuffed to be on it and the creative team is great. The lady who directed The Great Comet, Rachel Chavkin is directing it so the creative team is amazing and it's nice to be involved in something new, so come and watch!
How exciting is all of that!? A huge thank you to Rachel for chatting with me, be sure to book your tickets for An Evening with Jason Robert Brown on Wednesday 11th April
Interview by editor, Olivia Mitchell
Interview by editor, Olivia Mitchell
photo credit: Danny Kaan
Monday 28 November 2016
In Conversation With... Shoshana Bean | Concert | Interview
Firstly I want to apologise for how late this interview is. I interviewed Shoshana back in September but unfortunately my phone glitched and I couldn't retrieve the interview so it had to be put off. Thankfully I got it back so you lovely, stagey people can finally read it! So I hope you enjoy this late, but still very interesting and relevant interview from the wonderful Shoshana Bean!
Shoshana is a Broadway veteran who's starred in Wicked, Funny Girl, Hairspray and Beaches to name a few. She's released 3 solo albums, done countless solo concerts as well as those with the Postmodern Jukebox AND she sung back-up vocals for Michael Jackson! There's really nothing this lady can't do!...
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