Showing posts sorted by date for query carrie hope fletcher. Sort by relevance Show all posts
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Saturday, 3 October 2020
The Theatre Channel, Episode One | Review
Innovation is coursing through the theatre community, as new ideas and ways to spread the joy of performance are brought to life everyday. One of these ways is the new brainchild of The Theatre Café and Adam Blanshay Productions: The Theatre Channel.
The channel is a series of musical episodes which celebrate the all-singing, all-dancing joy of theatre as well as showcasing fantastic performers and the café itself. Each episode is roughly half an hour long and features a different group of stage stars, as well as the Café Four (Alyn Hawke, Emily Langham, Sadie-Jean Shirley and Alex Woodward) who appear in each episode as a sort of omnipresent group of musical theatre muses. The performers are encouraged to perform songs or roles they've not previously had the chance to, which leads to an eclectic episode of musical excellence.
The first episode opens with the café four performing the very fitting Coffee in a Cardboard Cup, in which they use pretty much the entirety of the café to showcase their vocal, dance and acting skills; they're definitely a talented bunch! From then Tarinn Callender takes us on a soulful journey with On Broadway and Lucie Jones serves her stunning, clear-as-glass vocals with a brilliant rendition of Maybe This Time. Amongst an abundance of flowers, Carrie Hope Fletcher and Oliver Ormson bring the classic duet, Suddenly Seymour to life brilliantly. Jodie Steele takes things up an octave (and a level) as she gives a gender-switched version of Heaven on Their Minds from the roof of the cafe, which oozes sass and strength. Rounding off the episode, Matt Henry is smooth and oh so stirring with Let It Sing from Violet and Jenna Russell is completely excellent in every way with Sondheim's Ladies Who Lunch.
Whilst of course the performances are uniformly wonderful, it's the production value which really makes this series worth the hype. Ben Hewis' outstanding videography is sleek, high quality and just beautifully shot; and alongside Bill Deamer's choreography-which is astoundingly bold for happening in such a small space- the whole thing feels much more cinematic than any of the online theatrical offerings so far.
The creative team clearly have a strong vision and there's no doubt that each episode is going to be a step bigger and bolder. With themed episodes in the works including the upcoming Halloween episode, there are sure to be surprises galore. With everything from the vocals to the finished product being recorded on the premises, this really is a celebration of not only theatre and performance, but the Theatre Café itself where the arts still has the space to thrive, even when performances themselves are few and far between.
With a great team behind it, this series is a treat for those missing theatre and a gem of an online offering. Once purchased for £12 you have unlimited access to the episode so you can relive the stagey goodness time and time again. So grab your laptop and take yourself on a virtual trip to the theatre.
★★★★★
Tuesday, 11 June 2019
Vicki Manser on Bringing Herstory to Life in Six the Musical | Interview
Toby Marlow and Lucy Moss' musical Six is taking the West End, and the world by storm. Telling the stories of the six wives of Henry VIII through the form of an epic, high energy, hugely entertaining pop concert, it is a hit with fans of all ages. This is in part due to the fantastic writing but also thanks to the sublime cast who bring the queens to life every night.
Vicki Manser joined the show in January as an amazing alternate who gets a chance to don the crown of each queen and strut her stuff at the Arts Theatre. Vicki told us about the show, who she'd like to play her in her own pop concert musical and what she'd say to Henry VIII if she got the chance...
Can you describe the show in Six words?
Seventy-Five minutes of pure genius!
You recently finished starring in Bat Out of Hell which is a rock musical, how does that compare vocally to performing in a pop musical?
In terms of vocal technique Rock and Pop sit quite closely together and share a lot of the same placements so in some ways very similar actually! But I definitely get to use more speech quality and character driven singing in Six for example in Boleyn’s song and Cleves’ song and I just love that the whole show is a gig/concert type vibe. I get to pretend to be a pop star for an hour and 15 minutes and that is SO FUN! Your vocals are also much more exposed in Six with there only being Six of you onstage as opposed to 20 plus so there is no where to hide…. Not that I tried to in Bat… I couldn’t even if I wanted to with that pink mullet haha!
If you could go back to Henry VIII’s time which queens life would you like to live?
NONE OF THEM!!!! Haha! As much as I love learning about the Tudor history and telling the Queens stories; I don’t fancy having to live any of their lives! But I guess if I absolutely HAD to, then being given your own palace in Richmond wouldn’t be too shabby. So Cleves it is!
Which wife do you think had the worse life?
Well, none of them had it fantastic, but Howard has gotta be up there with the worst. Her story of abuse started so young before Henry was even on the scene! She had to be married to him when she was just 16 and he was 49 and THEN she was beheaded…. I know, I know!
If you could say anything to Henry VIII what would you say?
‘Off with his head!’ HA PAYBACK!… no, I'm kidding… two wrongs don’t make a right guys…!
If your life was going to be made into a pop musical, who would you want to play you?
I think my little sister, Kimberley Manser, is the perfect candidate for this! She knows me inside out and backwards so would play me and all my quirks down to a T! She's great at impressions and she always answers my phone to my boyfriend and he thinks it's me EVERY time! She’s also the most SENSATIONAL pop singer (not even being biased lol) so she’d make me sound really good!
You’re Artistic Director of Sharpe Academy, tell us a bit about that
I am indeed!!! So Sharpe Academy is a Musical Theatre school that's been running all across North West London for 11 years and this year we are opening a brand new college offering a 3 year Diploma in Professional Musical Theatre which I am so excited for! I trained with Sharpe before my professional training and then went on to be their company choreographer and now I'm Artistic Director for the college! I have always loved choreographing and teaching and I can't wait to share my knowledge with aspiring performers and help them to reach their goals! So if you have finished your GCSE's OR A levels and are looking for a vocational course and professional training to get you industry ready, come and check us out!
We have a FANTASTIC team of people with tonnes of experience to offer in dance, singing, acting and acrobatics and are very fortunate to have our INCREDIBLE patrons supporting us; Carrie Hope Fletcher, Matt Lucas and Giovanni Spanó. We also hold a Guinness World Record for the fastest theatrical production so that's pretty cool! Come join the Fam!
What’s your top piece of advice for aspiring performers?
The industry is HARD... there is no point in sugar coating it ... but if you're determined, you work hard, believe in yourself and NEVER give up .. then one day you will get there ... no matter how long it takes!
Six is currently running at the Arts Theatre and will be embarking on a UK Tour from October 2019
Interview by Olivia Mitchell
photo credit: Danny Kaan
Friday, 7 December 2018
In Conversation With... Sophie Isaacs | Cinderella | Interview
Fresh from starring in the hit musical, Heathers, Sophie Isaac's is getting festive and tackling Panto with Cinderella which opens tonight in Woking at the New Victoria Theatre. Olivia sat down with Sophie for a festive chat...
You've just finished playing Heather McNamara in Heathers, tell us a bit about that...
It was possibly the best experience I've ever had. Seeing a job from workshops, then to a sold out run at The Other Palace and then transferring to the West End; to see a show develop from the start like that has been incredible and also, it's such a special show that I just adore it.
Heathers has obviously already been on, but you basically created this version of Heather Mc yourself, so what was the hardest part?
Probably just getting to grips with the character and her journey because she starts off being a Heather, with the not nice aspect of that but her journey means her character changes throughout the show and her interactions with different people affect her. Especially with Veronica (Carrie Hope Fletcher) and that friendship, which really develops. So getting that journey is the most important in terms of making sure she had heart at the beginning, even though it was a little hidden, and gradually bringing that out.
Did you get a lot of say in the changes in your production of Heathers?
Yeah, we were really lucky. The creative team were unbelievable; so gracious and open to us saying "it doesn't feel natural" but honestly, generally they knew what was right and what was best. They've been with the show for ten years but they were absolutely open to discussion and seeing what works and what doesn't.
Heathers audiences were very different in terms of their live reactions compared to other musical audiences, what was that experience like and do you think it prepped you for the interactive aspect of Panto?
Yes, Heathers was like a rock concert and it's nice because I now won't be put off by people suddenly shouting at me or cheering or being very very involved. We always said that the Heather's audience was the fifth Beatle and pantomime has the fifth Beatle as well, so it was very good prep.
We didn't know how Heathers would land going from 300 seats at The Other Palace to the much bigger, Haymarket but it was bigger and better which was amazing.
So, Cinderella the Panto- are you excited?
Yes! I put the dress on today and I just cannot wait. The shoes are just stunning, jewelled everywhere, with a monster jewel on the front. I am possibly the biggest Christmas fan on the planet so any opportunity to get festive, I love!
What are your favourite parts of Christmas, do you have any traditions?
Of course the whole, advent calendar and chocolate for breakfast everyday thing. My favourite things are generally food related! Mulled wine, piggies in blankets, I love a buffet.... oh and love a mince pie! Just all of it!
I was out of the country last year for Christmas and it was awful, I was just so sad cause I wanted to be here with my family so I thought to myself, "what's the most Christmassy thing I can do next year?" and here we are... Panto!
Are you a big Panto fan?
Yeah I love it, absolutely love it. I haven't been in one for years and years and years but the last one I saw was Cinderella. It was in Swindon and my friend was playing Cinderella so it's nice to be doing this now.
So why should people come and see Cinderella in Woking?
You should come to the Panto because it's an amazing night out, it's a time to have a lot of fun with your family; it's festive; there are jokes that mums and dads will get, and jokes that the children will get, so it's fun for all and I think it's going to be incredible!
Cinderella runs at the New Victoria Theatre until January 6th 2019
Interview by Editor, Olivia Mitchell
photo credit: Grahame Larter
Thursday, 13 September 2018
Heathers, Theatre Royal Haymarket | Review
Heathers
Theatre Royal Haymarket
Reviewed on Monday 10th September 2018 by Olivia Mitchell
★★★★
Every so often a show comes around which receives an exceptional amount of hype and has the West End buzzing. Heathers is currently that show and the good news is that it truly lives up to it. Based on the 1989 film starring Winona Ryder, this musical adaptation is full of energy and humour as it balances the line between political correctness and incorrectness. We find ourselves drawn towards the darkness but also cringing at the atrocities that go on.
Laurence O'Keefe had huge success with his adaptation of Legally Blonde and has applied his winning formula once again to bring this show to life with a camp, sassy and at times melancholic score. The plot follows Veronica Sawyer, a girl who is 'different' to the others at her school and longs for unity between all cliques and social standings. However, in order to make it through High School, she befriends the rulers of the school, the "lipstick gustapo" made up of three girls named Heather. Our protagonist then meets a brooding new boy, Jason J.D Dean who turns out to be a kill happy psychopath. From there on there are deaths, parties, funerals and a whole lot of destruction.
When the movie came out in 1989 it became an instant hit and then received a cultish following when it opened off-Broadway in 2014. The show's transition to the West End has been no different as teens and young adults flood to the theatre with scrunchies in hair and pleated skirts on to see this wildly fun but disturbing musical brought to life.
The entire cast bring this show to life with vivacious passion and immense talent. Leading the gang, Carrie Hope Fletcher is a powerhouse as she battles between what's right and wrong and what she wants to do to boost her social standing/love life. Carrie steps on stage to well deserved cheers and blows the roof of with her entire performance, especially her new song 'I Say No' which gives her a backbone and the rough 'Dead Girl Walking Reprise'. Veronica's moments of strength are certainly where Carrie shines but she is also humourous and likeable as she swoons over JD.
Under Andy Fickman's direction, Jamie Muscato plays the mysteriously murderous JD with an intensity that you can't help but be drawn to. Whilst it's not wise to partner up with a murderer, we all love a bad boy and the combination of JD's smooth talking and Jamie's perfectly rough voice make us feel for him a little bit, even though he becomes a monster before our eyes. Muscato's frenetic energy in 'Meant To Be Yours' is certainly a theatrical highlight of the year.
The three Heathers waltz around the stage as one but have quirky personality traits which are owned and embodied by each. As leader of the pack, Heather Chandler who "floats above it all", Jodie Steele is brilliant. Her permanent scowl, sharp movements, sublime vocals and stellar comedic timing make her perfect for the role. Sophie Isaacs brings an innocence to Heather McNamara which is interesting to play out. Whilst she is part of the mean girl group, it's clear from the outset that she is merely following the pack and wishes to break away. Isaacs' rendition of Lifeboat is a pin-drop silence moment which stands out in the show. As the final Heather, Duke, T'Shan Williams is feisty and aggressive, with her solo Never Shut Up Again earning her laughs and cheers from the audience.
Stand outs of the cast also include Jenny O'Leary who gives a moving performance of Kindergarten Boyfriend, Rebecca Lock who brings the entire theatre to life with her fiery, belt-tastic Shine a Light and Christopher Chung and Dominic Andersen who are humour embodied as the jocks who combine to create Kram. Ensemble members Lauren Drew and Olivia Moore also catch the eye throughout.
Gary Lloyd's choreography is especially effective with the Heathers, namely during the iconic Candy Store which sees them sashaying round the stage but in true Heathers style, being in complete control the entire time and never stepping out of sync with one another.
Mention must go to Ben Cracknell's lighting, which like the music, intensifies every emotion on stage. Particularly effective are the varying tones of light between the characters. The Heathers are of course lit in their iconic colours (brought to life vibrantly through David Shields' costumes) but whats most striking are the moments when Veronica is lit in warm spotlights whilst JD is basked in stark, almost grey tones. This highlights the contrast between the true evil and the kind-of-forced-into-evil in a clever way.
Most of the subject matter of this show is uncomfortable but sadly ever present: bullying, suicide, murder, depression. Heathers does a good job of satirising the sensationalism of them and shines a light (pun intended) on the fact that unity and kindness are always the way forward.
Whilst this isn't a light hearted show in content, the songs are crazily catchy, the talent level is ridiculously high and it's just a really good night out. For Big Fun, get down to the Theatre Royal Haymarket!
Heathers runs at the Theatre Royal Haymarket until 24th November
photo credit: Pamela Raith
Monday, 4 June 2018
When The Curtain Falls (Book), Carrie Hope Fletcher | Review
When the Curtain Falls by Carrie Hope Fletcher
Published: 12th July 2018 by Little Brown Books
★★★★★
The latest edition in Carrie Hope Fletcher's book empire, When The Curtain Falls (the same title as her debut album) is all about theatre and romance, aka, my dream. The book follows two young lovers, Oscar Bright and Olive Green as they meet backstage whilst performing in a revival of a show in which tragedy struck 50 years earlier. Through a series of flashbacks and memories, we discover what happened to the original lovers, Fawn Burrows and Walter Brown, and whether tragedy is set to strike again. With heartache, tragedy, theatre and a little bit of magic, When The Curtain Falls is the perfect read to wrap you up and transport you to the glittering lights of the West End.
Carrie's writing is lyrical but easy to read. Reading her books feel as though you're listening to a friend talk; When The Curtain Falls especially, has a relaxed feel about it.
In a previous review of All That She Can See I wrote that Carrie's writing has a theatrical feel, this is obviously even more evident in this story which is all about the stage, performing and backstage antics. There are a whole host of stagey references which any avid theatre fan will love spotting. I especially loved the fact that the first musical Olive saw was Beauty and the Beast, which was my first too and that she lives in Turnham Green- West London represent!
The section at the start where Olive is talking about being in the 'theatre world' and the 'real world' is just one very interesting and relatable moment. When you go to shows a lot and are part of the theatre scene it feels like it's the only thing that exists and that everyone knows everyone, but once you go back to the 'real world' very few people have the same connections. It’s the same with theatre stars, at their theatre they are famous, signing autographs and standing for photos but once they turn the corner they blend into the crowd and normal people wouldn't bat an eyelid seeing them. This ramble has very little relevance to this review, other than saying that it's very clever how Carrie has worked tidbits of the musical theatre world into the story without making it overbearing or factual. The entire story flows with the ease of watching a really good show.
The romance between the lead couple is extremely sweet, if at times cringey. You can almost see the way the pair look at one another and at times it feels like we're invading a private moment whilst we read. The mirrors between the 1952 relationship and the current one are well written and interesting to see. All the characters are well developed and I couldn't help but wonder if anyone, especially Tamara, is based on anyone Carrie has come across in her career! With Moulin Rouge vibes, I can so see this story as a swooping romance film.
When The Curtain Falls is a theatre fans dream. With stagy references, a beautiful romance and some unexpected plot twists, there's not much more you could ask for in a book. This is certainly my favourite of Carrie's novels and I hope she continues to include theatre in her work. I also hope that the magic of this book will welcome new people to the theatre so they can experience whatbthe stars of the story do (perhaps with less drama though!)
It's clear how much passion and love Carrie has for the stage and it really comes across in her heartfelt writing. I urge you to pick up When The Curtain Falls and to escape into a beautiful world for a few hours.
Review by Editor, Olivia Mitchell
{AD PR Product- book gifted in exchange for honest review}
Saturday, 31 March 2018
In Conversation With... Carrie Hope Fletcher | When The Curtain Falls (Album) | Interview
Carrie Hope Fletcher must be one of the busiest people in the West End. During the last few years she's managed to write 4 books (and a novella), perform in various shows and concerts, continually upload YouTube videos and blog posts AND record and release an album. Her work ethic, bubbly personality and sincerity makes her a role model for many people and her debut album When The Curtain Falls is just another branch of motivational vibes for people to cling on to. I sat down with Carrie at her album launch to ask her a few questions about it...
What do you think will surprise people most about this album?
Well my dad's playing on it for a start, bless him. There's a song on the album, Summertime, which was the first song I ever learnt, my dad taught it to me so it only felt right to put my dad in the album. We've sort of rearranged some of the songs from how you'd usually hear them. Tom Barnes is the orchestrator on the album and he's done an incredible job of making the songs still sound like the songs we all know and love but just given them a sort of musical makeover.
What was the hardest thing about narrowing it down to just 12 songs?
Oh it was so hard to pick 12 tracks cause, how in the history of musical theatre do you pick 12 songs to fill 12 slots on an album? It was near impossible but every song has got a sentimental reason behind it for me personally and some of them remind me of pivotal moments in my life. It might have been a soundtrack that I was listening to at the time of something big going on in my life. So I feel like when you listen to the album from start to finish, for me especially, it feels like a good representation of my musical theatre soul.
If you could pick anyone, dead or alive to be on your next album, who would you choose?
I would pick the Sherman Brothers- I knew both of them. Bob Sherman who passed away a few years ago was a really dear friend of mine because he wrote the music to Chitty Chitty Bang Bang and Mary Poppins, both of which I was in as a child, so our families sort of became friends and he moved to London and stayed in London for about 10 years. He sort of became my adopted grandfather; we used to go over and visit him and make him earl grey tea and it'd be lovely to sing with him again.
How would you sum up the album in five words?
Oh 5 words! Normally I get 3, this is nice! Splashing out... maybe that's too many! Okay: magical, warm I'd say cause every song has got such warmth and love and passion behind it. Empowering, I hope! There's lots of songs on there that have been sung by amazing women and have been written by powerful women so I've sort of given my best shot at those. Childlike, I feel like there's an element of childlike wonder cause I remember how I felt as a kid, watching musical theatre and how it made me feel and that's kind of like why I do it now and I hope that when young kids come to the theatre and watch me on stage I can kind of in-still that in them as well. And enchanting is my final word. Only because when people ask how you'd like to be described as they walk away (not necessarily how they will describe me as they walk away!) But what I'd like them to, is enchanting.
Thank you so much to Carrie for having me at her press launch and taking the time on the night to answer some questions. Carrie's beautiful album, When The Curtain Falls is out now so go buy it! Enter my giveaway to win a signed copy of the album here.
Interview by Editor, Olivia Mitchell
Watch my vlog of the launch and interview with Carrie here
photo credit: Darren Bell
Thursday, 5 October 2017
The Addams Family (UK Tour), Grand Opera House | Review
The Addams Family (UK Tour)
The Grand Opera House, Belfast
Reviewed on Tuesday October 3rd by Damien Murray
★★★★
This Irish and UK premiere tour production of the musical comedy, The Addams Family was an entertaining and fast-paced production of Andrew Lippa’s funny musical about a less than conventional family and its ancestors.
Right from the off, it was obvious that this was not going to be ‘One Normal Night’, as – during the overture – a finger-clicking hand appeared through the letter box; the hand of an unknown person (in this case, probably a ‘stage hand’!!).
Mainly played out on the superbly old and run-down eerie mansion befitting to such a weird and spooky family, the functional set designs, with moveable staircases and great use of the two side balconies, helped greatly with the good pace of this production.
Despite the family’s appearance, values and lifestyle, this atmospheric piece is not so much scary as it is a funny musical with great one-liners that, thankfully, are never just throw away lines for the experienced cast.
We were then introduced to a mixed bag of weird ancestors who looked almost normal when compared to the central family of the piece.
They made up a well-used ensemble, which, despite its relative lack of numbers, produced some excellent harmonies during choral pieces (e.g. 'One Normal Night' and 'Move Toward The Darkness') and provided solid support throughout in vocals, dance, movement, visuals and as a distraction during scene changes.
While the Act 1 finale, 'Full Disclosure' (Part 2) was a great production number, the orchestra and cast rose to the challenge here with the varied and difficult score, which - apart from the variety of tempo changes from one song to the next - had to cope with a degree of musical fragmentation caused by lots of start/stops throughout many songs and challenging underscoring.
While the great musicality of the tango rhythms made numbers like 'Trapped', 'Secrets' and 'Not Today' stand out here, it was the orchestra’s sheer accuracy of performance and the visual impact of the dancers in the production number, 'Tango De Amour', that combined to make this an irresistible musical highlight.
'Pulled' was another highlight because of Wednesday’s strong vocal performance, while the flamenco flavoured music of 'Let’s Live Before We Die' impressed and 'But Love' provided a little vaudeville-style distraction between scenes.
There were some soft ballads in the varied score, including the gentle, 'The Moon And Me', while 'Move Toward The Darkness' was unusual in that it is rare that a ballad is used as a finale number, but it did allow for some great choral work.It was good to see the reprise of the up-tempo, 'When You’re An Addams', being used to send all home happy after the ballad finale.
Choreography was a strong element in this production and the concepts were well-executed right from the opening production number, 'When You’re An Addams', when we knew that there was going to be no problems with dance, as this song’s varied choreography included lots of arm movements and samples of line dancing, the bunny hop and the twist. The moon ballet was well-staged ('The Moon And Me'), while it was a nice touch to use a ‘young’ Wednesday to highlight the emotions of the song during Happy Sad.
The nightmarish family in this macabre musical was effortlessly brought to life by the talented principals, including Cameron Blakely as the Latino-looking and hen-pecked husband, Gomez, who supplied some touching moments in the song, 'Happy Sad', yet also managed to deliver the song’s humorous lines on cue, while always maintaining the right comic timing to get the laughs when needed.
Samantha Womack as the very much in-charge and matriarchal Morticia was both tall and elegant and looked the part in her long black ankle-length dress and long black hair like Crystal Gale. Boasting dead-pan looks that could kill, this was a very confident performance from a total all-rounder with a great voice and good stage presence who perfectly captured her character’s dry wit. She also proved to be a most impressive dancer, especially in the song and dance number, 'Just Around The Corner', which allowed her to show her macabre emotions of joy.
However, for me, the star of the show was Carrie Hope Fletcher’s manipulative daughter, Wednesday. This amazingly talented girl is a strong performer with a great voice and real stage presence and this was highlighted in her performance throughout, but especially during the ‘coming of age’ song, 'Pulled'.
In the absence of Les Dennis, due to illness, his understudy, Scott Paige, was more than deserving of this role and impressed greatly both in his acting, comic timing and vocal ability, especially as he was acting so much ‘out of age’ in this part. Despite playing the loveably crazy uncle, Fester, he provided lovely vocals during his gentle ballad, 'The Moon And Me' and as the show’s narrator character.
Dickon Gough had a dream role as the ever-growling zombie-like butler, Lurch, and played one of musical theatre’s great non-speaking parts exceptionally well, while Grant McIntyre, as Pugsley, played the younger brother with a grown-up attitude well.
There was good support from Charlotte Page’s fully-disclosed Alice, Dale Rapley’s typical American parent, Mal, and his college student son, Lucas, played by Oliver Ormson, while Valda Aviks’ eccentric Grandma was good, but I would like to have seen more of her character’s outspoken and irreverent attitude.
Perfectly-timed sound effects and special visual effects like the thunder and lightening, the monster in the box and the use of individual ancestors in the portrait painting all added to the success of this slick production.
Thanks to the brilliant lighting, costumes, props, make-up and hair, this was a visually stunning show from its strong opening to its unusual ballad ending … absolutely ‘finger-clicking good’ throughout!
The Addams Family runs at the Grad Opera House, Belfast until October 7th.
Photo credit: Matt Martin
Wednesday, 27 September 2017
The Addams Family (UK Tour), New Victoria Theatre | Review
The Addams Family (UK Tour)
New Victoria Theatre
Reviewed on Tuesday 26th September 2017 by Valerie Field
★★★★
The spooky, kooky classic, The Addams Family has made its way to the New Victoria theatre, Woking in its spectacular UK tour.
The Addams Family first become known to the public in the 1960’s as a TV show, they then made their way to the big screen in 1991 and on finally to Broadway in 2010. This production is the first ever professional one in the UK and has received brilliant reviews since it opened.
The story is about the very weird and spooky family whose daughter, Wednesday falls in love with a ‘normal’ boy. This causes many problems and some hilarious situations and she tries to tell her overprotective family and discovers that no one is really as normal as they seem.
The energy was up right from the get go of the show. During the iconic opening theme tune music, the entire audience joined in with the signature clicks which was very funny and set the night off on a fantastic foot.
Carrie Hope Fletcher as Wednesday Addams and Cameron Blakely as Gomez were the stand out performances for me, with fantastic acting and singing from both. Cameron was suitably wacky and humourous whilst Carrie was suitably moody and full of love.
Samantha Womack looked great, but I felt that she didn't have the presence you would have expected from her character of Morticia. Whilst she looks the role and embodies the character well, she was a little underwhelming at times and could have played the character up a little more.
Les Dennis was unable to perform as Fester but his understudy, Scott Paige did very well as the man who’s in love with the moon. Dickon Gough' was the biggest surprise as Lurch. When he burst into song at the end, the whole audience were shocked at his fantastic voice.
All the scenery, stage sets and special effects were brilliant and all in all it was a very entertaining and enjoyable show. I would have liked it to be a little more spooky but its definitely worth a visit before the tour ends.
The Addams Family is at the New Victoria Theatre until September 30th before continuing its tour.
Tuesday, 26 September 2017
In Conversation With... Oliver Ormson | The Addams Family | Interview
Have you always wanted to be a performer or did you have a different dream when you were younger?
I think when I was really young I wasn’t too bothered, I think the first ever thing I wanted to be when I was really young was a policeman. But I was interested in football from a young age cause of my dad so probably a footballer really… But my mum was interested in amateur dramatics so I went that way when I was older. About the age of 16/17 I decided I wanted to be an actor.
Can you explain a little about The Addams Family and how your character Lucas fits into it?
The Addams Family is the classic everyone knows but it’s ten years on and in this story Wednesday (Carrie Hope Fletcher) is all grown up and she’s fallen in love with an American boy from a normal background and I’m that American boy!
So the Addams invite the Bieneke's round for dinner because Wednesday’s got a little secret and it’s a secret she’s kept from her parents. So the main premise is inviting a ‘normal’ family into the Addams family mansion where there’s all sort of ghouls and ghosts going on.
Lucas Beineke is that all-American boy but he likes the darkness and he’s intrigued by it. He’s come from a normal family and the first time he meets Wednesday she shoots a pigeon with an arrow and it lands by his feet in central park and he just falls in love with her straight away cause she’s so different from the background he grew up with.
So Lucas looks all clean cut but he does have a hint of the darkness as well!
Are you anything like Lucas and what drew you to the role?
It was more the project that drew me in. It’s the first time it’s been done in the UK by a professional company. It’s very rare these days that you get the opportunity to create your own role. So I am the first professional Lucas in the UK arnd Ireland so it’s really wow because I get to create and make things which doesn’t happen a lot. Especially on a tour which has been done time and time again; they tell you where to stay on a straight line but I had the chance to play with it which was amazing.
Probably the thing that I’d say that is the Oliver Ormson in Lucas is that I’ve tried to make him a bit dorky. Just a bit silly in that embarrassing phase where you go round to your partner’s house for the first time as a teenager and you’re sort of tripping over your words cause you’re trying to impress so it’s that sort of dorkiness. He just reacts to situations and doesn’t really think about it; he’s trying to be cool so he’s a bit dorky!
Who else besides yourself would you like to see play Lucas?
Oh wow, that’s really hard! I think it would have to be, and I know it’s cliched cause he’s massive at the moment, but it’d have to be Ben Platt. You know, he’s a fellow Hufflepuff as well! He tweeted saying that Evan Hansen is a Hufflepuff and I tweeted saying so is Lucas Beineke so I think we have the same sort of taste. I think he has that character cause he’s done it everyday like that twerpiness and he would sing it like an absolute dream! Unfortunately he’d probably be much better than me but as long as I’m gone and out the picture he can happily have it!
You’ll have to switch and be Evan while he’s Lucas!
Yes! Please make it happen, I’ll get you tickets to the opening night if you can make it happen!
Who in the show would you say is most like their character?
I would say Cameron Blakely who plays Gomez Addams cause he is crazy. He’s full of voices and full of character and he has a little daughter himself, a beautiful little daughter who’s three or four and you can see he has that protective side that Gomez has in the show over Wednesday. But he’s also that embarrassing dad so I’d definitely go with Cameron as Gomez.
If you were one of the ancestors, what would your crazy cause of death be?
This is really cool… erm maybe something silly when I was drunk or something? Yeah something silly like falling in a lake and my ancestors prop would be a can of lager or a pint!
What is your favourite thing to do when you’re not on stage?
This sounds quite cliched but I like to keep fit cause you never know when this jobs gonna end. I do a lot of dancing, not so much in this show but I’ve danced in other shows so I try and keep that up. I don’t wanna relax too much to think I just have to sing and act cause the next job you might wanna do could have a a tap number in it or something like that.
Yeah just try and keep fit really, go to the gym and I’m quite a boyish boy so watch Netflix or football or play games like video games so very cliched unfortunately!
I know you’re a big Harry Potter fan, so if you could bring anyone or anything from the Potter world into our, what or who would you bring?
I would just like a wand. You know, just the elder wand would be fine, the casual elder wand! That’s what I’d bring because I was thinking about the invisibility cloak and stuff but I think after a while that might get a bit boring!
And if you have the wand you can get other stuff with it!
Exactly, like with the wand you can do crazy spells!
Well that’s a lovely segue as my next question is: what show would you wish to do if you had a magic wand?!
As I mentioned I love Dear Evan Hansen but I’ve always wanted to play Fiyero in Wicked. I watched it and thought it was really magical and cool and people always say to me “you could play Fiyero, you can do that!” so if I actually do it I can shut those people up… in a nice way
If you could go back to any era, when would you go to any why?
I love the 80s. I was born in the 80’s, well only just by like 2 months in ’89 so I always claim that I’m an 80s child but to properly go and experience it and to actually live in that time I'd love. And I’ll see my mum and dad in their 20s which would be so weird!
Finally, what is your number one piece of advice for an aspiring performer?
There’s this amazing Bryan Cranston philosophy and he says to just act, just get yourself out there and act. Even if it’s just a local drama group, just hone your skills. Even if you’re doing an amateur production of Fiddler on the Roof you’re gonna learn things from that, you’re gonna be with people that have maybe done professional work before. So I’d say just act and be proactive and productive cause then you learn.
As professional actors we have stories of how we once did am dram and how that helped. So everyone starts somewhere. I think some people think that you come out of college and you go straight into the West End and all of a sudden you’re just a professional actor but you learn a lot of things before that. So just be creative and play and try things out, you’ll always learn things.
Do that and make sure it’s what you want to do and then pursue college or drama school which is an important route in my opinion but you can still do it without that. So go and learn, go and be proactive and just hone you’re skills.
Thank you so much to Oliver for taking the time to chat to me. The Addams Family runs at the New Victoria Theatre until the 30th September before continuing on it's tour.
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