Showing posts sorted by relevance for query Our Ladies of Perpetual Succour. Sort by date Show all posts
Showing posts sorted by relevance for query Our Ladies of Perpetual Succour. Sort by date Show all posts
Saturday 18 April 2020
Lockdown but make it Stagey | 7 Ways To Be Theatrical During a Pandemic
Hello stagey people! Olivia here, I hope no one minds these more chatty style posts, but with all that's going on I wanted to switch it up a little bit and bring some more relaxed posts about how we can keep ourselves sane, and of course stagey, in these trying times. So with that, I'm sharing some of the ways I've been spending my time so that it might give you some ideas.
Online Courses: I signed up for both the Open University free courses and the FutureLearn courses. They have lots and lots of free courses in a whole host of subjects, ranging from beginner to advanced and are a great way to kill some time whilst keeping your brain active. So far, I've done three geography courses (I'm a bit of a geog geek) and am mid-way through a film and a music course. I've found them to be hugely informative and I've got my eye on a number of the Arts ones, including Approaching Plays and What Is Good Writing? You can sign up for free one the websites and do as many as you like!
Theatrical Artwork: Okay, so I'm not technically doing the artwork but I'm colouring in so it kinda counts, right?! The lovely John and Kayley aka The Stagey Couple have created a brilliant colouring in sheet featuring loads of wonderful shows and it's just excellent. The pair are creative, original and consistent with their content and I'm sure this isn't the only activity they'll provide us with during this lockdown.
Streaming Shows: If you're reading this, I assume you know that there are a whole host of shows being put online as well as other musical related media. I must admit I haven't watched loads but I thoroughly enjoyed Eugenius! and Jane Eyre. Also, Encore on Disney+ is my new guilty pleasure! I'm really looking forward to the future National Theatre productions that are streamed (fingers crossed for Our Ladies of Perpetual Succour) and it's great that there's so much on offer.
Concerts: As well as all the wonderful shows, there's been a load of streamed and recorded concerts. The Leave The Light On series is an excellent showcase of performers resilience and talent and also a wonderful way to sneakily snoop in people's houses, which we all secretly want to do! All the creative initiatives have been lovely to see, with Rob Fowler and Sharon Sexton's release of Grounded their concert recorded live in their living room, proving a real favourite with the Bat fans! It's all just GREAT!
Q&As: This just seems like the most brilliant time to gain all the inside knowledge on this wonderful community we're part of and that's been easy to do thanks to the plethora of interviews being made available online. FYI I'm about to hit you with a self-plug... I recently started a podcast called Beyond The Boards with my friend (and amazing performer) Stephanie Rojas and we've been doing an interview series called Beyond the Isolation on our instagram. It's all about how creatives are thriving during this time and I've learnt some great things and felt very inspired.
Quizzes: If there's anything I've learnt during this lockdown, it's that I love a quiz! I can't even tell you how many I've taken part in but there are so many on offer and they're so fun! On Monday I took part in The Other Palace's theatre quiz and it was not only entertaining and informative, but was also a brill way of feeling part of the theatre community again.
Baking: Okay so on the whole my baking has not been specifically theatre related but I feel like it's kind of automatically stagey 'cause it's near impossible to get your ingredients out without bursting into a Waitress number. I did make a pie inspired by the show the other day and it actually turned out pretty well so if you fancy whipping one up, I'll attach my video here. But yeah, baking is just real relaxing, just don't go Sweeney Todd to make it stagey!
So there are a few of my pandemic hobbies! I'm continually amazed at how well our community have come together to create and inform during this time and it can only make us stronger in the end! If you have any stagey ways that you're keeping entertained, let me know in the comments or on social media!
In saying all of this, it's also totally fine to do nothing during this time, you don't have to be working and grinding. Just do what calms you, what makes you happy and what you want to do. In a way we've been blessed with this time so use it however on earth you want!
In saying all of this, it's also totally fine to do nothing during this time, you don't have to be working and grinding. Just do what calms you, what makes you happy and what you want to do. In a way we've been blessed with this time so use it however on earth you want!
Stay safe and stay stagey,
Olivia x
Saturday 31 December 2016
Olivia's Top 10 Shows of 2016
Without repeats, I saw 59 different shows this year so compiling this list has been difficult to say the least! This has been a brilliant year for theatre and through this website I really feel that I've become a part of the theatre community. 2016 has seen some brilliant big budget shows as well as smaller fringe ones, many of which have thrilled me. This list is of the shows that stuck with me long after I'd seen them and that I feel are very resonant in our 2016 world. This will probably be a bit of a long post, I have a whole year to fit in after all, so grab yourself a cuppa and some biscuits and enjoy!
This list is in reverse order, cause we all need that extra bit of excitement in our lives.
One of Paul Taylor-Mills' incredible productions of 2016. The music was performed beautifully and the touching and heartbreaking story of conjoined twins Daisy and Violet was told sincerely and gracefully by Laura Pitt-Pulford and Louise Dearman.
Did anyone not like this show? All I heard were incredible reviews and rightly so. An exciting and refreshing revival of a much loved Classic which ticked all the boxes of a hit musical. Charlie Stemp is talent on another level. I'm sure we'll be hearing plenty more good things about the show and cast in 2017!
This was my first visit to The Union Theatre and wow was it a good first. I absolutely adored this show. I was completely unfamiliar with the music and was just blown away by it. The cast were sublime and the story telling was impeccable. I'm sure this would be a huge hit if more people got to see it.
27 must have been one of the most hyped musicals of 2016 and I could certainly see why when I saw it. It's a musical like I've never seen before, so fresh and different to what's currently on the West End stages. The plot twist at the end had me physically breathless, a stunning piece of artistry.
This was another small show but it definitely packed more than a small punch. It was sweet, pink, sassy and sumptuous. One of those shows which really made you think and reflect on your life. Lauren Samuels gave a standout performance!
I saw this show alone so the minute I stepped out of the theatre I called my friend to fangirl about it like a mad woman. I was completely awestruck by the whole performance. It was moving, funny, relevant and thought-provoking. The use of songs was done smoothly and effectively and it was overall just an A* worthy production.
This was the perfect treat to see just before Christmas. Although the story is slightly dated and everything is a little over the top, it's a fantastic production full of sweetness, heartbreak and love. Scarlett Strallen's performance was absolutely impeccable and nothing short of perfection. With the amount of people I've told to see this, I wouldn't be surprised if it gets a West End transfer in the near future.
I've grown up with Rent so finally seeing it on stage was a very special experience for me. Each cast member is fully immersed into their roles and the whole production is raw, gritty and believable. Philippa Stefani gives the performance of a superstar and had me in floods of tears. The production will continue to tour next year and I'll certainly be seeing it again so don't be surprised if it features in my top 10 of 2017 too!
The St James theatre was on fire this year! The Last Five Years is another one which I've wanted to see on stage for years. Jason Robert Brown's story is heart-warming and heart-breaking at the same time. It's always a joy to see Samantha Barks on stage and seeing her shine as Cathy was even more wonderful because of how incredibly she showed off her effortless belt and sincere acting. The wonderful mix of simplistic staging, the stellar duo of Barks and Bailey and Jason's beautiful music, rightfully earn The Last Five Years my number two spot!
1. Dreamgirls: Savoy Theatre
If you haven't heard about Dreamgirls' triumphant return to the West End then you must have been living in a cave. This was the 2nd to last show I saw and I couldn't be happier that I could end the year on such a fantastic note. This has got to be the theatrical spectacle of the year, the sets, costumes, choreography and cast are all exquisite and I cried a bucket load of happy tears, which I never do! Go see Dreamgirls in 2017, I guarantee you'll leave singing it's praises!
So there's my top 10 shows, of course there's other brilliant ones and I'm sure your list varies but this has been a brilliant year for theatre and I can't wait to see what 2017 brings *cough* Hamilton *cough*
But wait, where's that other show that I've been posting and tweeting about like crazy and have seen 32 times!? I haven't forgotten it, I just wanted to give it a special mention because its such a special show. So my "The Show Which Changed My Life: 2016" award goes to IN THE HEIGHTS at the Kings Cross Theatre! I've done a billion posts on it (just search it on the homepage) so I don't need to write any more soppy words but this show has seriously been my everything this year. I've met incredible people from it, both fans and cast members and I'm so incredibly grateful for that. Unfortunately I won't be at the last show as I'm in Australia (boo hoo, woe is me, right?) but I'm so sad its closing, and I'm sending all my thoughts and positive vibes to the theatre gods that they will bring it back because I will never be ready for the lights to go down on Washington Heights! Thank you In The Heights for being there and helping me and I'm sure many others, through tough times and making us feel at home in the theatre. Even if you had no idea how you were helping, I guarantee you made some tough days just that much easier. No pare sigue sigue!
I hope you had a brilliantly theatrical year too and I'd love to hear your favourites so drop me a comment on here or tweet me @OliviaMitche or @RewriteThisWeb
Au Revoir 2016! Stay Stagey, 2017!
Sunday 3 September 2017
In Conversation With... Stacey McClean and Stevi Ritchie | Sword and the Dope | Interview
Sword and the Dope is a musical retelling of the story of King Arthur, written by a dyslexic who can not read or write music but wrote the show as a bet/joke with a friend. It has now gone out for over 150 shows at three different venues prior to this run. Sword and the Dope stars Stacey McClean and Stevi Ritchie who sat down with Rewrite This Story to talk all about the show.
Can you both give a brief overview of your career and what your highlights have been?
Stacey: I was once a member of pop band S Club Juniors. Highlights from my time in the band were probably performing a Wembley and for the Queen at Buckingham Palace. Also getting down to the final 24 and performing for Kylie in Dubai when I went to the judges houses for X Factor.
Stevi: I started performing at the age of 15 at my high school in Grease the musical and played Kenickie. I've always loved performing but got many knock backs. But 2014 I entered the X Factor and since then life has changed.
You’re both musicians, how has the transition to concert performances to musical theatre been?
Stacey: In ways it is very different. Put me on stage with a mic and a band and I can do it with my eyes closed, but theatre is a little more challenging for me. It's a lot more intense, there is a lot of preparation involved and a lot more a stake.
Stevi: For me it's been amazing and I've always loved musical theatre I trained at LSMT. Playing a prince in this show is great and taking me out of my comfort zone but I love it.
Can you explain what The Sword and the Dope is about?
Stacey: Sword and the Dope is a comedy musical with a politics edge. Think Monty Python, Black Adder and politics in a way you have never seen!
Stevi: A sideways telling of King Arthur with a modern day political twist. One review said British humour at it's best with great musical numbers, for me that sums it up well.
What drew you to the production? Are your characters anything like you?
Stacey: I play Sir Lancelot, a Knight who is a huge fan of the Green Party, so nothing like me really as I'm not into politics in the slightest. My character reminds me of Hermione from Harry Potter, slightly irritating, bit of a know it all who no one wants to listen to. The script was what sold it for me initially, I laughed my head off when I first read it.
Stevi: I loved the script and especially the songs they are amazing. The character is similar to me it's cheesy and he loves singing.
The Sword and the Dope is a retelling of the story of King Arthur, if you could retell any story which would you choose?
Stacey: Amy Winehouse, now that would be a fantastic role!
Stevi: I would retell the story of maybe Bruce Lee or Elvis Presley or Freddy Mercury.
Can you sum up the show in five words?
Stacey: Funny, ridiculous, offensive, rude and camp!
Stevi: Witty, camp,cheesy,Funny,eccentric.
Is there a play or musical you’ve seen recently that you loved?
Stacey: I have been to see Our Ladies of Perpetual Succour at the Duke twice now I loved it so much.
Do you have any dream roles?
Stacey: Dream role would probably be Sophie in Mamma Mia, the lead vocal in Thriller and anything Disney!
Stevi: Yes, Thenadier in Les Mis or Kenickie in Grease.
Whats a fun fact people might not know about you?
Stacey: I was one belt away from a Black Belt in Taekwondo when I was 7 but I gave it up because I wanted to sing!
Stevi: Think everyone knows everything about me due to the press and being in the public eye.
What’s your best piece of advice for an aspiring performer?
Stacey: You have to have a thick skin in the industry otherwise you won't survive. The amount of times you get knocked back is not necessarily a reflection of how good you are, and that's something you have to be prepared for. I'm a firm believer that you get out what you put in.
Stevi: Just keep going and be you.
Thank you Stacey and Stevi for this interview. The Sword and The Dope is on at Waterloo East Theatre from Tuesday 5th September until Sunday 1st October.
Interview by Olivia Mitchell, Editor
*this is a sponsored post*
Interview by Olivia Mitchell, Editor
*this is a sponsored post*
Wednesday 23 February 2022
Francis Mayli McCann and Jordan Luke Gage to Star in Bonnie and Clyde the Musical
DLAP Group are thrilled to announce that Frances Mayli McCann and Jordan Luke Gage will star as the titular Bonnie and Clyde in the West End premiere of the cult-sensation Bonnie and Clyde The Musical, opening at the Arts Theatre from Saturday 9 April 2022.
Following the extraordinary reaction to her performance as ‘Bonnie’ in Bonnie and Clyde In Concert in January 2022, Olivier-Award nominated Frances Mayli McCann reprises the role in this full production at The Arts Theatre, performing alongside West End star Jordan Luke Gage as ‘Clyde’.
They join the previously announced Natalie McQueen as ‘Blanche Barrow’ and George Maguire as ‘Buck Barrow’. The full company includes Cleve September as ‘Ted’ and Ako Mitchell as ‘Preacher’, Pippa Winslow as ‘Cumie Barrow/Governor Miriam Ferguson/Eleanore’, Gracie Lai as ‘Emma Parker/Stella’, Alistair So as ‘Sheriff Schmid’, Alexander Evans as ‘Henry Barrow/Deputy Johnson’, Ross Dawes as ‘Captain Frank Hamer’, Barney Wilkinson as ‘Bud/Archie’ and swings Charlie McCullagh and Annie Guy. Casting for the roles of ‘Trish’ and Young ‘Bonnie’ and ‘Clyde’ to be announced.
Frances Mayli McCann is an Olivier Award nominated actress, who originated the role of ‘Kylah’ in “Our Ladies of Perpetual Succour”. Her other West End credits include ‘Heather McNamara’ in “Heathers” at the Theatre Royal Haymarket, ‘The Mistress’ in “Evita” at Regent’s Park Open Air Theatre and ‘Eponine’ in the UK and International Tour of “Les Misérables”.
Jordan Luke Gage is best known for his portrayal of ‘Romeo’ in the Olivier Award winning “&Juliet” at The Shaftesbury Theatre. His other West End credits include ‘Strat’ in “Bat Out Of Hell” at The Dominion Theatre and ‘JD’ in “Heathers” at Theatre Royal Haymarket. His television credits include playing ‘Adrian Barber’ in ITV’s Cilla, and ‘Luc’ in Cucumber on Channel 4.
Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in “9 to 5 The Musical” at the Savoy Theatre, “Wicked” at the Apollo Victoria Theatre and “Kinky Boots” at the Adelphi Theatre. Her other theatre credits include the UK tour of “Wonderland”, “Murder Ballad” at the Arts Theatre and “Starlight Express” at The Other Palace.
George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in “Sunny Afternoon”. His other theatre credits include “35mm: A Musical Exhibition” at The Other Palace Studio, “Oliver!” at the London Palladium and the European tour of “Rent”.
Cleve September is perhaps best known for his Olivier Nominated performance as ‘Philip Hamilton/John Laurens’ in the original West End cast of “Hamilton” at the Victoria Palace Theatre. His other theatre credits include “Jesus Chris Superstar” at Regent’s Park Open Air Theatre, “Annie Get Your Gun” at the Crucible Theatre, “In The Heights” at Kings Cross Theatre and “The Last Days of Troy” at The Globe Theatre.
Ako Mitchell is an actor and filmmaker whose recent theatre credits include playing ‘Larry’ in “Indecent Proposal” at the Southwark Playhouse, ‘Bob Baker’ in “Wonderful Town” at Opera Holland Park, ‘Mister’ in “The Color Purple” at Curve and the Birmingham Rep and ‘The Moon/The Bus’ in “Caroline, Or Change” at the Chichester Festival Theatre and The Playhouse Theatre in London’s West End.
At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.
Bonnie and Clyde The Musical has a book by Ivan Menchell(Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents). The production will be directed by Nick Winston (Director of the feature film Tomorrow Morning, MAME, The Royal Variety Performance) with Set and Costume Design by Philip Witcomb (Atlantis, Stones In His Pockets, MAME), Musical Supervision from Katy Richardson (SIX, Rent, Jersey Boys), Lighting Design by Zoe Spurr (Fantastically Great Women Who Changed The World, Hamlet at Theatre Royal Windsor), Sound Design by Tom Marshall (The Drifter’s Girl, Nativity The Musical, Curtains), Video Design by Nina Dunn (The Shark Is Broken, Lazuli Sky), Casting Director Jim Arnold CDG (Wicked, The Prince of Egypt), Musical Director Nick Barstow (The Last 5 Years, Zorro), Keys 2/ Assistant Musical Director Debbi Clarke Associate Director/Choreographer Megan Louch (The Bodyguard, Annie), Wigs Designer Darren Ware (The Rocky Horror Show, Matthew Bourne’s The Midnight Bell), Fight Director Kate Waters (The Curious Incident of the Dog in the Night-Time, Constellations), Production Manager Phil McCandlish (Curtains, Rock of Ages), Orchestra Fixer Rich Morris (American Idiot, Jesus Christ Superstar), Costumer Supervisor Jemima Penny (Machinal, Richard III), Props Supervisor Lizzie Frankl for Propworks (2:22 A Ghost Story, Pretty Woman), Company Stage Manager Paul Deavin (Rock of Ages), Drums Zach Okonkwo, Violin Clodagh Kennedy, Bass Guitar Annie Blake.
Further crew and band to be announced.
photo credit: Darren Bell
Friday 5 November 2021
Bonnie and Clyde in Concert Full Cast and Company Announced
Fourth Wall Live is delighted to announce the full cast joining Broadway star Jeremy Jordan in the sell-out BONNIE AND CLYDE IN CONCERT at the Theatre Royal Drury Lane on Monday 17 and Tuesday 18 January 2022. www.bonnieandclydeconcert.com
Joining the previously announced Jeremy Jordan as ‘Clyde’ will be Olivier-nominated performer Frances Mayli McCann as ‘Bonnie’. The previously announced Laura Osnes is no longer performing in Bonnie and Clyde in Concert.
The principal cast is completed by West End stars including Olivier Award winner George Maguire as ‘Buck’, Natalie McQueen as ‘Blanche’, Trevor Dion Nicholas as ‘Preacher’ and Liam Tamne as ‘Ted’.
The cast is completed by Casey Al-Shaqsy (The Prince of Egypt, Joseph and the Amazing Technicolor Dreamcoat) as ‘Stella’, Simon Anthony (The Wedding Singer, Ragtime) as ‘Cop/Bud/Archie/Deputy Johnson’ Gillian Bevan (Holby City, Into The Woods) as ‘Cummie Barrow/Eleanor’, Eloise Davies (Be More Chill, Grease) as ‘Trish’, Adrian Grove (Follies, Wonder.land) as ‘Henry Barrow’, Olivier Award nominee Debbie Kurup (Girl From The North Country, The Bodyguard) as ‘Governor Miriam Ferguson’, Matthew Malthouse (Matilda, Mrs Henderson Presents) as ‘Bob Alcorn’, Jeremy Secomb (Sweeney Todd, Les Misérables, The Phantom of the Opera) as ‘Judge/Sheriff Schmid’, Russell Wilcox (Billy Elliot, Annie) as ‘Captain Frank Hamer’ and Julie Yammanee (Lazarus, Spamilton) as ‘Emma Parker’.
George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in Sunny Afternoon. His other theatre credits include 35mm: A Musical Exhibition at The Other Palace Studio, Oliver! at the London Palladium and the European tour of Rent.
Frances Mayli McCann is an Olivier Award nominated actress, who originated the role of Kylah in Our Ladies of Perpetual Succour. Her other West End credits include ‘Heather McNamara’ in Heathers at the Theatre Royal Haymarket, ‘The Mistress’ in Evita at Regent’s Park Open Air Theatre and Eponine’ in the UK and International Tour of Les Misérables.
Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in 9 to 5 The Musical at the Savoy Theatre, Wicked at the Apollo Victoria Theatre and Kinky Boots at the Adelphi Theatre. Her other theatre credits include the UK tour of Wonderland, Murder Ballad at the Arts Theatre and Starlight Express at The Other Palace.
Trevor Dion Nicholas’s West End credits include ‘George Washington’ in Hamilton at the Victoria Palace Theatre and ‘Genie’ in Aladdin at the Prince Edward Theatre. He also presents on Magic at the Musicals and appears as a panellist on ITV’s All Star Musicals.
Liam Tamne’s West End credits include playing ‘Ramses’ in The Prince of Egypt at the Dominion Theatre, The Light in the Piazza at the Royal Festival Hall, The Phantom of the Opera at Her Majesty’s Theatre, Les Misérables at the Queen’s Theatre, Hairspray at the Shaftesbury Theatre and Wicked at the Apollo Victoria Theatre.
BONNIE AND CLYDE IN CONCERT has a book by Ivan Menchell (Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents) and is directed by Nick Winston (Director of the feature film Tomorrow Morning, MAME, The Royal Variety Performance) with musical direction by Katy Richardson (SIX, Rent, Jersey Boys). The Assistant Director is Alexzandra Sarmiento (Hamilton, Message in a Bottle), Lighting Designer is Zoe Spurr (The Unreturning, Tiny Dynamite), Set and Costume Designer is Philip Whitcomb (Atlantis, Stones In His Pockets, Mame), Sound Designer is Tom Marshall (The Drifters Girl, Nativity! The Musical), Production Manager is Phil McCandlish (Rock of Ages, Elf), Company Stage Manager is Graham Harrison (Joseph and the Amazing Technicolor Dreamcoat), Deputy Stage Manager is Anne Baxter (Singin’ in the Rain, Spamalot), Assistant Stage Manager is Tom Fisher (The Curious Incident of the Dog in the Night-Time), Dialect Coach is Charmian Hoare (The Curious Incident of the Dog in the Night-Time, War Horse) and children’s casting is by Keston and Keston (Nativity! The Musical, A Christmas Carol). BONNIE AND CLYDE IN CONCERT is produced by Fourth Wall Live and co-produced by DLAP Group, Jason Haigh-Ellery and David Treatman Creative.
The band is made up of Assistant Musical Director Chris Poon (Keys 2), Kate Ingram (Reed 1), Hannah Lawrance (Reed 2), Kobi Pham (Guitar 1), Jack Pennifold (Guitar 2), Zach Okonkwo (Drums), Elliot Lyte (Fiddle)and Annie Blake (Bass).
At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.
When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.
Fourth Wall Live is a live entertainment company that produces concerts internationally. It regularly brings Broadway artists to the UK, previous concerts include Broadway and TV regulars Laura Benanti, Sierra Boggess, Kelli O'Hara, Chita Rivera, Laura Michelle Kelly, Megan Hilty, Tituss Burgess, Jeremy Jordan, Matthew Morrison, Erich Bergen, Eden Espinosa, Julia Murney and Cynthia Erivo. Other concerts include West End Stars solo concerts including Michael Ball, Matt Cardle, Kerry Ellis, Oliver Tompsett, Hannah Waddingham, Sharon D Clarke and Bonnie Langford. Upcoming productions at Cadogan Hall include Jenna Russell, Shoshana Bean, Keala Settle and Jessica Vosk.
Tori Amos’s musical The Light Princess was presented to critical acclaim, as a special one-off concert in the summer of 2018. Next year Bonnie & Clyde the musical concert will run for two nights to a sold-out audience at Theatre Royal Drury Lane starring Jeremy Jordan.
Fourth Wall Live also regularly partners with the Hippodrome Casino, in November-December 2020 they produced 25 nights of socially distanced entertainment, proudly being the first live event post lockdown. The current season of Hippodrome concerts runs from September 2021 to December 2021 and features 20 nights of musical entertainment featuring Alice Fearn, Kerry Ellis, Hayley Tamaddon and David O’Reilly.Fourth Wall Live is committed to following all relevant UK Government Covid-19 guidelines, creating a safe working environment for our cast, musicians, creatives, crew and their families.
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