Showing posts sorted by relevance for query Craig Revel Horwood. Sort by date Show all posts
Showing posts sorted by relevance for query Craig Revel Horwood. Sort by date Show all posts

Thursday 2 February 2023

Full Tour Cast of Annie Revealed with Craig Revel Horwood, Paul O'Grady and Jodie Prenger and More



Michael Harrison and David Ian are delighted to announce full casting for the forthcoming UK and Ireland tour of their smash hit production of the musical ANNIE opening at Curve, Leicester on Saturday 25 February 2023. Joining the previously announced Craig Revel Horwood and Paul O’Grady, will be Scottish BAFTA winner Elaine C Smith and Jodie Prenger, all starring as ‘Miss Hannigan’ at various venues. Alongside them will be Alex Bourne as Oliver Warbucks, Paul French as Rooster, Amelia Adams as Grace Farrell, and Billie-Kay as Lily St. Regis. The title role of Annie is shared by Zoe Akinyosade, Harlie Barthram and Poppy Cunningham. They are joined by three teams of young performers who play the residents of Miss Hannigan’s orphanage.
 
Completing the cast will be Emily Barnett-Salter, Alistair Beattie, David BurrowsSergi Ibanez, Rosalind James, Belle Kizzy Green, Ellie May-Wilson, Martin McCarthy, Phoebe Roberts, Lukin Simmonds, Matthew Sweet, Dawn Williams, and Tommy Wade-Smith.
 
*Full tour dates, including details of at which venues Craig Revel Horwood, Paul O’Grady, Elaine C Smith and Jodie Prenger star, are in the listings below. www.anniethemusicaltour.uk
 
Craig Revel Horwood is probably best known as a judge on all 20 series of BBC1’s Strictly Come Dancing. He returns to the part of Miss Hannigan having played the role to critical acclaim in this production in both the West End and on tour. His other West End Theatre credits include Munkustrap in Cats, Miss Saigon at the Theatre Royal, Drury Lane and Harry in Crazy for You at the Prince Edward Theatre. Craig directed and choreographed Strictly Ballroom the Musical which is currently touring the UK and Ireland, and the 2016/17 tour of Sister Act the Musical, as well as the Strictly Come Dancing Live tour. He also choreographed the film Paddington 2.
 
BAFTA Award winning television, radio and stage star Paul O’Grady returns to Annie having first played the role of Miss Hannigan at the Victoria Palace Theatre in 1998. His other theatre credits include playing the Child Catcher in Chitty Chitty Bang Bang at the London Palladium and many pantomimes including Cinderella and Goldilocks and the Three Bears at the London Palladium. On television he is best known as the host of ITV’s Paul O’Grady: For the Love of Dogs, Paul O’Grady’s Great British Escape, The Paul O’Grady Show, Channel 4’s Blind Date and BBC One’s Blankety Blank. He is also a highly celebrated writer, having written both autobiographical and fictional books and recently completed a 14 year run as a presenter on BBC Radio 2.
 
Elaine C Smith is perhaps best known for playing Mary Doll in the BBC comedy Rab C Nesbitt, as well as her role as Christine in the BBC sitcom Two Doors Down, for which she won a Scottish BAFTA for Best Actress in 2018. On stage she consistently headlines major pantomimes, having just finished her 13th year at Glasgow King’s Theatre. She played Cora in the original UK Tour and West End run of Calendar Girls as well as playing Susan Boyle in the UK tour of I Dreamed A Dream which she co-write with Alan McHugh.
 
Jodie Prenger recently joined ITV’s Coronation Street as Glenda Shuttleworth. Her West End credits include A Taste of Honey at the Trafalgar Studios. Oliver! at Theatre Royal Drury Lane, One Man Two Guvnors at Theatre Royal Haymarket and Spamalot at the Playhouse Theatre. On tour she has appeared in Abigail’s Party, Shirley Valentine, Annie, Fat Friends, Tell Me on A Sunday and Calamity Jane. On television she has appeared in the BBC’s Shakespeare & Hathaway, Years and Years, Casualty and Waterloo Road.
 
Alex Bourne returns to Annie as Oliver Warbucks, having played the role both in the West End, Toronto and the UK Tour. His other theatre credits include Edna Turnblad in the UK Tour of Hairspray, Sam Carmichael in the UK Tour of Mamma Mia!, Khashoggi in We Will Rock You at the Dominion Theatre, Billy Flynn in Chicago at the Adelphi Theatre and Lex Hogan in Eugenius! at The Other Palace. On film he can be seen in Sony Pictures’ Cinderella.
 
Paul French was most recently seen as TinMan/Hickory in The Wizard of Oz at Curve, Leicester. His other theatre credits include Kenickie in Grease at the Dominion Theatre and in the production’s UK Tour and Double J in Saturday Night Fever at the Peacock Theatre. On film he can be seen in Visualize Films’ Tomorrow Morning.
 
Amelia Adams has most recently been seen in the UK Tour of Friends! The Musical Parody. Her previous theatre credits include Lois Lane/Bianca in Kiss Me, Kate for Welsh National Opera, Mary Delgado in Jersey Boys at the Piccadilly Theatre and on tour, Martha Burelli in The Rat Pack at the Haymarket Theatre and on tour. She has also appeared in the UK Tour of Hairspray and Spamalot both in the West End and on tour.
 
Billie-Kay recently appeared as Angel in Anything Goes at the Barbican and its UK and Ireland tour. She has also appeared as Dale Tremont in Top Hat at The Mill at Sonning and in 42nd Street at Theatre Royal Drury Lane. On film she has appeared in Disney’s Dis-Enchanted and Beauty and the Beast, and Sony Pictures’ Cinderella.
 
Set in 1930s New York during The Great Depression, brave young Annie is forced to live a life of misery and torment at Miss Hannigan’s orphanage. Determined to find her real parents, her luck changes when she is chosen to spend Christmas at the residence of famous billionaire, Oliver Warbucks. Spiteful Miss Hannigan has other ideas and hatches a plan to spoil Annie’s search…
 
With its award-winning book and score, this stunning production includes the unforgettable songs ‘It’s the Hard Knock Life’, ‘Easy Street’, ‘I Don’t Need Anything But You’ and ‘Tomorrow’.
 
ANNIE has Music by Charles Strouse, Lyrics by Martin Charnin and a Book by Thomas Meehan. It is directed by Curve’s Artistic Director Nikolai Foster with set and costume design by Colin Richmond, choreography by Nick Winston, lighting by Ben Cracknell and sound design by Richard Brooker.
 
The producers of Annie cannot guarantee the appearance of any particular artist, which is always subject to illness and holidays.

photo credit: Matt Crockett

Wednesday 25 May 2022

Maisie Smith to join Kevin Clifton in Strictly Ballroom UK Tour


Strictly Come Dancing finalist and much loved former EastEnders star, Maisie Smith, will make her musical theatre debut later this year, as she co-stars in the 2022/23 UK tour* of Baz Luhrmann’s Strictly Ballroom The Musical in the lead female role of Fran, alongside her former Strictly dance partner, Kevin Clifton, who she waltzed her way to victory with in the Strictly Come Dancing 2019 Children In Need Special.

The musical, based on the award-winning global film phenomenon of the same name, inspired the world to dance and spawned the smash hit TV series Strictly Come Dancing. And now, new for 2022/23, this all-singing, all-dancing and all-glittering show – directed and co-choreographed by Craig Revel Horwood - is set to dazzle audiences once more with this glittering cast. Kicking off in Portsmouth on 26 September, the musical will then waltz around the UK before culminating in Bristol in July 2023. Tickets are on sale now from strictlyballroomtour.co.uk

Maisie first wowed Strictly fans with her dancing in 2019 in the Children In Need TV special with Kevin Clifton. After winning the hearts of the public, the following year she danced her way into the BBC One Strictly Come Dancing final. Earlier this year, Maisie joined the cast of the Strictly Live Arena Tour. She will now add another jewel to her Strictly crown, as she makes the move into musical theatre in Strictly Ballroom The Musical.

Maisie Smith said: “Dancing in Strictly has been a huge part of my life, and been so much fun. I’m absolutely thrilled to be able to continue that journey in Strictly Ballroom The Musical. Not only do I get to make my musical theatre debut with my former partner in crime, Kevin Clifton, but I get to work with Craig Revel Horwood and Jason Gilkison again too - I can't wait."

Kevin Clifton said: “I’m beyond excited to be performing with Maisie again – she’s amazing! And I’ll finally be fulfilling my lifelong ambition to play Scott Hastings in Strictly Ballroom The Musical. When I was 10 years old I first watched the movie that would become my favourite film of all time. This is my dream role. I can’t wait to don the golden jacket and waltz all over the UK with Maisie in what’s set to be an incredible show!”

Craig Revel Horwood said: "I’m delighted that the super talented Maisie Smith is joining Kevin Clifton on the Strictly Ballroom UK tour. I can’t wait to see them dance together again. Expect some sexy moves, sizzling costumes and a simply sensational evening! I know that they’ll both be FAB-U-LOUS!"

Strictly Ballroom The Musical, co-choreographed by Strictly Come Dancing’s Creative Director Jason Gilkison, tells the beguiling story of Scott Hastings, a talented, arrogant and rebellious young ballroom dancer – played by former Strictly Come Dancing professional and 2018 champion, Kevin Clifton. When Scott’s radical dance moves see him fall out of favour with the Australian Federation, he finds himself dancing with Fran (Maisie Smith), a beginner with no moves at all. Inspired by one another, this unlikely pair gather the courage to defy both convention and their families – and discover that, to be winners, the steps don’t need to be strictly ballroom.

Featuring a show-stopping book by Baz Luhrmann & Craig Pearce, and bringing together a sublime cast of over 20 world class performers, Strictly Ballroom brings to life iconic songs, including Love is in the Air, Perhaps Perhaps Perhaps and Time After Time with dynamic and joyous verve. This tour will also feature some amazing new songs by internationally acclaimed artists including Sia, David Foster and Eddie Perfect. The show’s scintillating singing, dazzling dancing and eye-popping costumes will combine together to bring audiences a story of heart, comedy and drama, and promises to be an unforgettable night under the glitter ball.

This uplifting and courageous musical originated as a stage play that Baz Luhrmann devised with a group of classmates at Sydney’s National Institute of Dramatic Art in 1984. Eight years later he made his screen directorial debut with ‘Strictly Ballroom’, the first instalment in Luhrmann’s acclaimed Red Curtain Trilogy. The vibrant film enjoyed staggering success, winning three awards at the 1993 BAFTA awards and a 1994 Golden Globe nomination for Best Picture, going on to become one of the most successful Australian films of all time, earning more than $80 million at the box office. In April 2014 Strictly Ballroom The Musical had its world premiere at the Sydney Lyric Theatre.

Baz Luhrmann’s Strictly Ballroom the Musical is a fabulous, feel-good evening full of sequins, singing and salsa. This unmissable kaleidoscope of glitz and glamour is a tonic for the soul and will send your heart soaring and toes tapping long after you leave the theatre!

* Maisie Smith is performing until 25 March

Wednesday 25 April 2018

Son of a Preacher Man (UK Tour), New Victoria Theatre | Review


Son of a Preacher Man (UK Tour)
New Victoria Theatre
Reviewed on Tuesday 24th April 2018 by Valerie Field
★★


Son of a Preacher Man is directed by Craig Revel Horwood. Based on the music of Dusty Springfield, I expected good things. Unfortunately the story is not very believable and times the production felt disjointed and rather amateurish.

As I have never seen any of Craig's work before it’s difficult to compare, but I wouldn’t have thought this was his best.

The three main characters are brought together because they are all looking for love. They decide to go to ‘Soho’ to find the record shop of the 60s named ‘The Preacher Man’ as they had heard the owner was someone who everyone went to for advice, especially when it came to ‘Love’. Unfortunately the owner had died and it was now a coffee shop run by his not so clever son, played by Nigel Richards.

Alison, a young widow played by Michelle Gayle had a very good singing voice. I felt she should have been more involved in the show as Alice Barlow who played Kat was definitely not such a good singer, although she came across as very confident in her acting. The reason she wanted to go to the record shop was because her gran who had just died told her the story of ‘The Preacher Man’


Paul played by Michael Howe remembers going to shop in the 60’s and was hoping to rekindle a lost love from those days.

I felt the show had been advertised around Dusty Springfield and I was disappointed that more was not mentioned about her as I thought the production was going to include some of her life. A photo of her on stage or as a backdrop I feel would have enhanced her songs and made some form of connection rather than being completely unrelated.

The singing by the ensemble was not the best and I don’t think it worked very well having the musicians on stage throughout. The girls playing the Cappuccino Sisters however, were very energetic and a gave a lively and uplifting performance throughout.

The second half of the show was so much better and more lively and ‘Dusty Springfield’ inspired although it still wasn't the best.

I do feel anyone going to see it because of Dusty Springfield could be a bit disappointed, but in saying that it was an entertaining and enjoyable evening and the audience seemed to appreciate it. Go along for fun but don't expect a masterpiece.

Son of a Preacher Man runs at the New Victoria Theatre until 28th April

Tuesday 21 March 2017

Sister Act (UK Tour), New Victoria Theatre | Review


Sister Act
New Victoria Theatre
Reviewed on Monday 20th March 2017 by Olivia Mitchell
★★

Based on the 1992 hit film starring Whoopi Goldberg, Sister Act tells the tale of nightclub singer Deloris who witnesses her violent partner commit a murder. Forced to be a witness and then forced into hiding, she ends up staying a convent which is under threat of being closed down for not attracting enough people to it's Sunday services. The production is full of glitzy outfits and laugh out loud moments and despite falling slightly flat at times, it is full of great performances and leaves the audience feeling good.

Craig Revel-Horwood's choreography is exciting and full of funny moments. Namely a slow motion scene which worked wonderfully and was warmly received by the audience, as was the majority of the show. Craig's production captures the spirit of family and friendship wonderfully and ensures the audience has a fun night out but it's hard to miss the weakness of the plot. The story is just a little too silly and basic to be fully effective but for a lively girls night out that can be overlooked and enjoyed for the laugh that it is.

Overall there is a high standard of performance with Alexandra Burke's leading lady Doloris holding her own throughout. She is sassy, likeable, over the top and delivers her comic lines wonderfully. Personally I struggled to understand what she said a lot of the time due to under-annunciated consonants but her singing and comic performance was fabulous and she fits into the role perfectly.

Each of the nuns have their own personalities which shine through from beginning to end and each of the individual stand out moments really add to the production. It's wonderful to see such a strong cast with an ensemble that are tight and seem to genuinely be enjoying themselves.


Sister Act is full of solid performances, buckets full of laughs, fabulousness and a whole lot of joy. Even though the story is silly and simplistic, it works wonderfully as an exciting night out and I'm sure it will continue to thrill audiences around the country.

Sister Act continues to play at the New Victoria Theatre until March 25th before continuing on it's tour.

Photo by: Tristram Kenton

Thursday 13 December 2018

Cinderella (Panto), New Victoria Theatre | Review


Cinderella (Panto)
New Victoria Theatre
Reviewed on Wednesday 12th December 2018 by Olivia Mitchell 
★★★★

In the world of Panto, I am a total newbie having only seen a couple in my life. So the way I judged Woking's festive offering was by the reactions of those around me and they seemed to love the humourous, slightly magical and well characterised show.

Alan McHughes book keeps to the classic roots of Cinderella, switching up for comedic effect but never really bringing anything new or fresh to the story. It does however, remain fluid and entertaining. With the Act 2 performance about what life would be like for the characters if they had other jobs, was highly enjoyable and a stand out moment. 

A lot of the show is based around Craig Revel Horwood's character, Baroness Hardup who graces the stage in a number of bedazzled gowns, accompanied by the Strictly Come Dancing theme tune and a barrage of dry humoured jokes. Craig gives the performance we expect and does a good job as the villain we love to hate. Although I would've liked to hate him a little more. 


Suitably named stepsisters, Tess and Claudia are well played well by Suzie Chard and Wendy Somerville, with mockery and flounceyness used to a T, but are underused and lack the opportunity to really come to life.

Despite some book related flaws, the cast are highly energetic and enthusiastic, doing a fantastic job of livening up the audience without becoming a complete cheese fest. As the title character, Sophie Isaacs gives a truly royal performance both vocally and characterisation wise and is matched in charm by the swoon worthy Oliver Savile who brings his Fiyero vibes to Prince Charming.

Stealing much of the show are Paul Chuckle and Phil Butler as Baron Hardup and Buttons. The pair bounce fantastically off of one another and ensure a steady banter which translates well between the two and the audience. What the script lacks in story, is made up for with the spades of fun these two bring to the New Victoria stage.

Cinderella is a festive treat for all the family that of course, uses Panto tropes but doesn't make them overbearing and instead brings a lighthearted show to life with ease, fun and energy. With dancing pumpkins, flying horses and sparkles upon sparkles, there's sure to be something for everyone in this production.

Cinderella runs at the New Victoria theatre until 6th January 2019

photo credit: Ian Olsson

Tuesday 11 June 2019

Annie (UK Tour), New Victoria Theatre | Review


Annie (UK Tour)
New Victoria Theatre
Reviewed on Monday 10th June 2019 by Olivia Mitchell
★★★

Annie is an absolute cult classic show, from it's various film incarnations and tours around the world, there's something wonderful about the story of a young orphan who overcomes adversity and finds the love she's always desired.

Nikolai Foster's current UK touring production of the show features a wonderful set, some thrilling choreography and a whole lot of foot stamping energy from both the children and the adults. Colin Richmond's set is reminiscent of Matilda, with fragments (in this case puzzle pieces) framing the stage and creating a backdrop which leaves a lot to the imagination but also seems to flow and transition. Richmond's costumes are perfect for the setting but also manage to put a refreshing spin on the styes which have become synonymous with the show such as Annie's red coat and Lily St Regis' flowing dress. 

Nick Winston once again provides the goods with his sharp choreography that incorporates a number of dance styles and never waivers. Particularly impressive are the tap numbers and rousing NYC sequences. The cast are precise and clean as they bring Winston's vision to life in an entertaining and stylistic way.

The young cast do a great job of bringing the various personalities of the orphans to life, with stand outs at this performance including Chancé Quaye, Aliya Bashir and Francesca Robinson. Leading the way as Annie herself, Freya Yates gives a good, assured performance and is sure to grow and develop into a wonderful musical theatre performer.


Among the adult cast it's Carolyn Maitland who stands out as the caring Grace, who takes Annie under her wing and becomes the perfect mother figure. Maitland's voice is superb and she really does radiate warmth. Richard Meek is entertaining as the bad boy schmoozer Rooster, who cons his way through life but remains annoyingly charming. Alongside the talented Jenny Gayner as Lily, the pair give fiery performances, especially in the kick-line inducing Easy Street. Craig Revel Horwood is a clear audience favourite and does give a rounded performance. Whilst there are moments which lack in energy, others fizzle and excite. Overall there are times when the audience could have benefitted from Horwood having stronger diction within his strong New York accent but he does, mostly, do the iconic role justice.  

Although the sun might not be coming out in Surrey tomorrow, there's no doubt that this show will bring light and joy to many children. The beaming faces and exclamations of "I want to see it again" prove how magical theatre can be; and whilst this show is not everyone's cup of tea, it certainly has the heart to inspire. 

Friday 24 November 2017

Son of a Preacher Man (UK Tour), Grand Opera House, Belfast | Review


Son of a Preacher Man (UK Tour)
Grand Opera House, Belfast
Reviewed on Tuesday 21st November 2017 by Damien Murray
★★★

With its combination of an all-star line-up of principals and the timeless music made famous by the late Dusty Springfield, this show looked and sounded promising as a good night out at the theatre and expectations were high.

However, incorrectly referred to by many as ‘the Dusty Springfield musical’ (totally not the fault of the producers), this show is neither the Dusty Springfield story nor a bio-musical about her, but rather a style of juke-box musical that features her many hits held together by an unnatural and most ridiculous of storylines.

The complex and convoluted plot revolves around a cross-generational trio of individuals with relationship issues, who, by coincidence, arrive at the same time at a Soho coffee shop (formerly The Preacher Man record shop) in search of an answer to their respective lonely heart problems.

The legendary record-shop owner, the long-dead Preacher Man, had been a sort of agony uncle with an ear and a solution for those with relationship problems back in the 60s and the coffee shop is now under the control of his less-confident son, Simon, played with great experience by Ian Reddington.


Representing the older generation, Michael Howe played Paul, the first of the three troubled individuals, with assurance, while Debra Stephenson’s middle-aged widowed teacher, Alison, was good, but the awkward script didn’t allow her the same opportunity to develop her character to the same extent as the others.

However, the undoubted star of this show was young Diana Vickers, as Kat from the mobile phone generation, who brought a nice balance of humour and great vocals to the show.

Indeed, due to her young age, Vickers was probably the least familiar with the music of Dusty, which makes it even more surprising that she was the one who did the greatest justice to her songs in this show.

The set’s authentic and realistic-looking Soho coffee shop, complete with scene identifying neon signs, was impressive and was, generally, well-used by the talented cast of multi-instrumentalists in the form of on-stage actor musicians, aided by other hidden musicians.

Musically, this was good, but the combination of dodgy vocals from some performers and a few new song arrangements may have disappointed die-hard Springfield fans. 


However, it was the efforts of the majority of the cast and those great songs that saved this show, especially the already mentioned vocals of Vickers and the stand-out harmonies of the three Cappuccino Sisters, played by Michelle Long, Kate Hardisty and Cassiopeia Berkeley-Agyepong.

However, despite its attractive lighting plot, good cast of principals and creative team, this production was sadly let down by its overall slow pace, its weak narrative and Craig Revel Horwood’s unsubtle choreography.

I am led to believe that on-going changes are being made to improve on its weak points … we can only hope that such improvements are in place long before the end of the scheduled tour.

Thursday 29 March 2018

Son of a Preacher Man (UK Tour), Storyhouse | Review


Son of a Preacher Man (UK Tour) 
Storyhouse 
Reviewed on Tuesday 27th March 2018 by Becca Cromwell
★★

Set in modern day Soho, Son of a Preacher Man focuses on the lives of three people dealing with loss and heartbreak who turn to the past to find answers. All three of them end up at a record shop named the Preacher Man, which got its name from the man who ran it. In the 60s, all your troubles would be solved through music and advice from the shop’s owner, making it one of the most popular places of its time.

The story focuses on Kat, who recently lost her grandmother, Alison, who realises she’s in love with someone she can’t have and Paul, who still pines over a man he first fell in love with 40 years ago. The three of them venture to where the shop used to be in a search for advice and closure, only to find it no longer exists. Distraught, they meet the son of the shop’s owner Simon, who is the son of a preacher man. Simon takes it upon himself to help them, and with a little help from his deceased father, does just that.

The storyline is rather cheesy, which is to be expected from a jukebox musical, and features plenty of Dusty Springfield’s hits including The Look of Love, I Only Want To Be With You and of course, Son Of A Preacher Man. There are also plenty of other sixties hits thrown in for good measure, such as Cilla Black’s You’re My World.


Kat, played by Alice Barlow, is a young girl suffering the loss of her grandmother, who turns to her grandmothers’ favourite place, which just so happens to be the Preacher Man, for comfort. Alice is known for playing Rae Wilson on Hollyoaks, and being a previous contestant on The Voice. Alice delivered solid vocals and gave a good performance as Kat, and impressed many of the audience with the sheer quality of her voice.

Alison, played by Michelle Gayle, is a teacher turned tutor who recently lost her Husband, Jim. Alison turns to the Preacher Man for advice on her new love, and learns a lot from it. Michelle Gayle is known for playing Hattie Tavernier in Eastenders, signing a record contract and releasing two albums with BMG and starring on Grange Hill as a child. Michelle gave a good, believable performance, with impressive vocals to match.

Simon is played by Nigel Richards who has had an extensive and impressive career in musical theatre, including Enjrolas and Grantaire in Les Miserables, and the Phantom in Andrew Lloyd Webber’s Phantom of the Opera. Nigel gave a convincing performance as the shy but loveable Simon and I was suitably impressed.


Paul, a man who is still lusting after his first love, is played by Nigel Howe. Nigel has had an affluent career in theatre, TV and Film, with over 40 acting credits to his name on IMDB and almost as many theatre credits. Nigel gave a decent performance as Paul, making the audience really feel for him in the process.

With Craig Revel Horwood choreographing the show, I expected more in terms of choreography, which left me a little disappointed. However, the lack of choreography was made up for by most of the cast members occasionally playing instruments on stage.

Son of a Preacher Man continues its UK tour until July.