Showing posts sorted by date for query Bonnie and Clyde. Sort by relevance Show all posts
Showing posts sorted by date for query Bonnie and Clyde. Sort by relevance Show all posts

Friday 5 November 2021

Bonnie and Clyde in Concert Full Cast and Company Announced



Fourth Wall Live is delighted to announce the full cast joining Broadway star Jeremy Jordan in the sell-out BONNIE AND CLYDE IN CONCERT at the Theatre Royal Drury Lane on Monday 17 and Tuesday 18 January 2022. www.bonnieandclydeconcert.com
 
Joining the previously announced Jeremy Jordan as ‘Clyde’ will be Olivier-nominated performer Frances Mayli McCann as ‘Bonnie’. The previously announced Laura Osnes is no longer performing in Bonnie and Clyde in Concert.
 
The principal cast is completed by West End stars including Olivier Award winner George Maguire as ‘Buck’, Natalie McQueen as ‘Blanche’, Trevor Dion Nicholas as ‘Preacher’ and Liam Tamne as ‘Ted’.
 
The cast is completed by Casey Al-Shaqsy (The Prince of Egypt, Joseph and the Amazing Technicolor Dreamcoat) as ‘Stella’, Simon Anthony (The Wedding Singer, Ragtime) as ‘Cop/Bud/Archie/Deputy Johnson’ Gillian Bevan (Holby City, Into The Woods) as ‘Cummie Barrow/Eleanor’, Eloise Davies (Be More Chill, Grease) as ‘Trish’, Adrian Grove (Follies, Wonder.land) as ‘Henry Barrow’Olivier Award nominee Debbie Kurup (Girl From The North Country, The Bodyguard) as ‘Governor Miriam Ferguson’, Matthew Malthouse (Matilda, Mrs Henderson Presents) as ‘Bob Alcorn’, Jeremy Secomb (Sweeney Todd, Les Misérables, The Phantom of the Opera) as ‘Judge/Sheriff Schmid’, Russell Wilcox (Billy Elliot, Annie) as ‘Captain Frank Hamer’ and Julie Yammanee (Lazarus, Spamilton) as ‘Emma Parker’.
 
George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in Sunny Afternoon. His other theatre credits include 35mm: A Musical Exhibition at The Other Palace Studio, Oliver! at the London Palladium and the European tour of Rent.
 
Frances Mayli McCann is an Olivier Award nominated actress, who originated the role of Kylah in Our Ladies of Perpetual Succour. Her other West End credits include ‘Heather McNamara’ in Heathers at the Theatre Royal Haymarket, ‘The Mistress’ in Evita at Regent’s Park Open Air Theatre and Eponine’ in the UK and International Tour of Les Misérables.
 
Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in 9 to 5 The Musical at the Savoy Theatre, Wicked at the Apollo Victoria Theatre and Kinky Boots at the Adelphi Theatre. Her other theatre credits include the UK tour of Wonderland, Murder Ballad at the Arts Theatre and Starlight Express at The Other Palace.
 
Trevor Dion Nicholas’s West End credits include ‘George Washington’ in Hamilton at the Victoria Palace Theatre and ‘Genie’ in Aladdin at the Prince Edward Theatre. He also presents on Magic at the Musicals and appears as a panellist on ITV’s All Star Musicals.
 
Liam Tamne’s West End credits include playing ‘Ramses’ in The Prince of Egypt at the Dominion Theatre, The Light in the Piazza at the Royal Festival Hall, The Phantom of the Opera at Her Majesty’s Theatre, Les Misérables at the Queen’s Theatre, Hairspray at the Shaftesbury Theatre and Wicked at the Apollo Victoria Theatre.
 
BONNIE AND CLYDE IN CONCERT has a book by Ivan Menchell (Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents) and is directed by Nick Winston (Director of the feature film Tomorrow Morning, MAME, The Royal Variety Performance) with musical direction by Katy Richardson (SIX, Rent, Jersey Boys). The Assistant Director is Alexzandra Sarmiento (Hamilton, Message in a Bottle), Lighting Designer is Zoe Spurr (The Unreturning, Tiny Dynamite), Set and Costume Designer is Philip Whitcomb (Atlantis, Stones In His Pockets, Mame), Sound Designer is Tom Marshall (The Drifters Girl, Nativity! The Musical), Production Manager is Phil McCandlish (Rock of Ages, Elf), Company Stage Manager is Graham Harrison (Joseph and the Amazing Technicolor Dreamcoat), Deputy Stage Manager is Anne Baxter (Singin’ in the Rain, Spamalot), Assistant Stage Manager is Tom Fisher (The Curious Incident of the Dog in the Night-Time), Dialect Coach is Charmian Hoare (The Curious Incident of the Dog in the Night-Time, War Horse) and children’s casting is by Keston and Keston (Nativity! The Musical, A Christmas Carol).  BONNIE AND CLYDE IN CONCERT is produced by Fourth Wall Live and co-produced by DLAP Group, Jason Haigh-Ellery and David Treatman Creative.

The band is made up of Assistant Musical Director Chris Poon (Keys 2), Kate Ingram (Reed 1), Hannah Lawrance (Reed 2), Kobi Pham (Guitar 1), Jack Pennifold (Guitar 2), Zach Okonkwo (Drums), Elliot Lyte (Fiddle)and Annie Blake (Bass).

At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.
When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.

Fourth Wall Live is a live entertainment company that produces concerts internationally. It regularly brings Broadway artists to the UK, previous concerts include Broadway and TV regulars Laura Benanti, Sierra Boggess, Kelli O'Hara, Chita Rivera, Laura Michelle Kelly, Megan Hilty, Tituss Burgess, Jeremy Jordan, Matthew Morrison, Erich Bergen, Eden Espinosa, Julia Murney and Cynthia Erivo. Other concerts include West End Stars solo concerts including Michael Ball, Matt Cardle, Kerry Ellis, Oliver Tompsett, Hannah Waddingham, Sharon D Clarke and Bonnie Langford. Upcoming productions at Cadogan Hall include Jenna Russell, Shoshana Bean, Keala Settle and Jessica Vosk.

Tori Amos’s musical The Light Princess was presented to critical acclaim, as a special one-off concert in the summer of 2018. Next year Bonnie & Clyde the musical concert will run for two nights to a sold-out audience at Theatre Royal Drury Lane starring Jeremy Jordan. 

Fourth Wall Live also regularly partners with the Hippodrome Casino, in November-December 2020 they produced 25 nights of socially distanced entertainment, proudly being the first live event post lockdown. The current season of Hippodrome concerts runs from September 2021 to December 2021 and features 20 nights of musical entertainment featuring Alice Fearn, Kerry Ellis, Hayley Tamaddon and David O’Reilly.Fourth Wall Live is committed to following all relevant UK Government Covid-19 guidelines, creating a safe working environment for our cast, musicians, creatives, crew and their families.

Friday 6 April 2018

Teddy, The Vaults | Review


Teddy 
The Vaults 
Reviewed on Thursday 5th April 2018 by Olivia Mitchell 
★★★★

Personally, I think The Vaults is one of the most brilliant venues in London. Not only because it's home to some wonderful shows but because it is so versatile. Every time I've visited the mystical underground theatre, I've been overwhelmed by how different it looks. Set designer Max Dorey has done an outstanding job of transforming the space for Teddy into a cool, rustic, junkyard with so much to look at. From a (creepy) doll in the corner, to a car bumper, to a giant T, every detail has been meticulously picked out and the small space feels vast but homely at the same time.

Now onto the show. Teddy tells the story of two young teens, Josie and Teddy who are out for a good night in London town. It's a story about the birth of new music and the rebellious youths of 1956. Featuring a live onstage band 'Johnny Valentine and the Broken Hearts', this show is fresh, exciting and energetic.

The ridiculously talented duo Molly Chesworth (Josie) and George Parker (Teddy) take on this unique script with such ease and grace that it seems they were born to play the roles. The story is written using rhyme as well as normal speech which makes it jumpy but lyrical at the same time. Both actors speak the poetic text so naturally that you forget it's not a 'normal' way of speaking. Adding to this, they also take on the roles of all the other characters. Twisting and contorting their bodies and voices to become the other people they are very effective. 


The story line is pretty simple and I must admit that I did find the first half dragged somewhat but the second act has a Bonnie and Clyde feel and there are unexpected twists and turns. If I were to change something, I would cut some of the earlier dialogue and make the show 90 or so minutes straight thought. I think this would keep the pace going and not allow time for our minds to wander.

Tom Jackson Greaves' and Eleanor Rhode's choreography is perfectly fitting with the show and had me out of breath just watching! The movements work very well in the small space and manage to convey the excitement of the era of change in terms of clothes, music and everything else.

The onstage band are wonderful. Made up of Freya Parks, Dylan Wood, Andrew Gallo and Harrison White, they provide a soundtrack of original music (by Dougal Irvine) which has us tapping our feet and feeling truly immersed in the era. The post-show gig is an innovative and joyous way to end your night- I'd definitely pay to see Johnny Valentine and the Broken Hearts on a sold out arena tour!

Teddy is an innovative show which uses everything it has to it's advantage whilst showcasing fantastic musicians, incredible actors and an exciting story. Like nothing else I've recently seen, Teddy is the refreshing show you need to get a ticket for. Get "ready Teddy to go" along to The Vaults and don't miss this show!

Teddy runs at The Vaults until June 3rd 2018

photo credit: Scott Rylander

Saturday 22 April 2017

In Conversation With... Damian Buhagiar | Thoroughly Modern Millie | Interview


Damian Buhagiar recently finished starring in In The Heights, is currently part of the UK tour of Thoroughly Modern Millie playing Ching Ho and will soon be starring in Mamma Mia  in the West End. Damian was lovely enough to do this interview for Rewrite This Story and I can't wait to see him in the show!

For those who don't know, can you explain a little about your career and highlights so far?

I have always been attracted towards theatre and musicals from a young age of 3. Being a Maltese student at Stagecoach was a great introduction to this form of career. When you are young, you don't actually realise that this could be a future job so it all starts as a hobby and a recreation from other school work, or activities. 

As I grew older I started taking it even more seriously by taking private singing lessons, dance classes and acting classes. When I hit the age of 15, the time i had my GCSEs back home in Malta, my singing teacher adviced me to audition for Tring Park School For the Performing Arts, a brilliant boarding school. So I did and after  a couple of weeks I was accepted to persue my musical theatre training further as well as do my A levels for 2 years. Without the love, help and support from my parents this would have never happened especially being away from home. After those 2 years I was than chosen to attend the BA Hons musical theatre course for another 3 years which was such a incredible excperience. You learn new things everyday, you learn so much about yourself and the training and the teachers have been fantastic. 

Once my third year was coming to an end we started having people from the business coming to see our shows and showcases, people such as directors, choreographers, producers, agents and more.  To me that was one of the highlights as I got to introduce myself to the business and express what I love most, my passion for theatre which leads me to my second highlight which was being a massive part of Lin Manuel's hit  musical 'In the Heights' playing the role of Sonny at the Southwark Playhouse. The reason I say this was one of the highlights in my life is because it has enabled me to show my passion in my own style of dance and defined me and so it couldn'thave been a better show to enter the musical theatre business with. 

I then moved on to an 18 month UK Tour of Jersey Boys playing the role of Joe Pesci and 2nd cover Frankie Valli which was another highlight in my career as I got to explore England a bit more, see different cultures and make new friends outside of London as well as the insanely stunning theatre built around the country. I have than moved on to playing on stage swing in Bugsy Malone at the  Lyric Theatre, working with the choreographer  Drew McOnie and which then led me to reprising my role as Sonny in In the Heights, this time at the Kings Cross Theatre in London for 4 months. Of course the biggest highlight from this was the fact I got the chance to meet the legendary Lin Manuel Miranda in person. I am now currently on the UK Tour of Thoroughly Modern Millie playing a completely different character to what I normally play called 'Ching Ho', a Chinese role which I am glad to say I am loving.


Was being a performer what you always wanted or did you have a different career path in mind when you were younger?



As mentioned earlier, I have always taken musical theatre, singing, dancing and acting as a hobby up until the age of fourteen. I was mainly aiming to invest time in my studies to eventually become a Mechanic Engineer (seeing I am pretty into mechanics and cars) or an architect.




You recently finished playing Sonny in In The Heights, did you know from the Southwark that you were a part of something special? How was it returning to the show?

In The Heights, has been one of the biggest adventures that has happened in my life. Playing the role of Sonny, literally has been my unexpected dream role straight after grauduating from college. It felt like it was just meant to happen and came at the right time. What made even more special was the company. Seeing how we all become one unit and one family creates something magical. Creates a spark that is unexplainable. As the Southward was a small intimate venue this proved how much of a unit we really were as we all shared our passion with the audiences which gave such a great response. 



Returning to the show after a year and a half this time at the Kings Cross Theatre, created that spark again in a different way. It was interesting to see that my heart was always there, my spirit enlightened and I was just 'Living' and recreating Sonny again, sharing the live with different members of the cast..(some of them from the Southwark).




How was the transition from the Southwark to Kings Cross theatre? What changed in the show?

I think moving to a different style of venue definitley created a change in space and motion however the one thing that made it feel like there was no difference at al was the spirit and the community we as a cast and a team all had.  As the Southwark Playhouse had much of a smaller theatre, there was a lot of intimacy and more of an interraction with auditiences which makes it even more appreciative being that close. Kings Cross had a wider stage being on Traverse stage, so that as a team made us work harder to use eachother to get the story accross morr and put our chatacters on a higher level that in the southwark for audiences to have the same feeling. 


The idea of heritage is very important in Heights, being from Malta, did you face any of the same struggles as Nina and Usnavi?

In The Heights couldn't possibly be a successfull show/production if there isnt any heart and love and care between not just the cast but even the company. Same with everything, if you are working in a lovely safe environment where you feel you can trust and open up your heart to your collegues without being scared, that same feeling will definitely show on stage. Especially for someone like myself being away from home away from my loved family, having a second family in a show like that has made me feel like home and it has always been a job travelling to work to express this love shared with the other talented cast members. Luckily I have never been in Usnavi's or Nina's position however I can relate to how difficult it really is to follow your dreams and what really genuinly makes you happy. Luckily I had ultimate support from my loved family where both my parents have enabled me to follow the dream career I have always wanted. A big sacrifice on their part that without them I woudn't be here doing what I love most...theatre/performing and hopefully being an inspiration to others.


You're currently starring in Thoroughly Modern Millie, can you explain the storyline a little and how your character fits into it?

The story is about this new naive girl in town called Millie, coming to new york for the first time when she sets her sights on marrying her whealthy boss. Problem arises when she checks into a hotel owned by the leader of a white slavery ring in China. Where my character "Ching Ho" along with his brother "Bun Foo", helping to kidnap pretty and suspecting orphan girls and shipping them to the Orient. Ching Ho however takes a shine to one of the 4 girls "Miss Dorothy'' and rescues her from Mrs. Meers, who at the end the truth is revealed and Mrs. Meers is captured.



What's the biggest challenge about taking on this role?

The biggest challenge in taking the role of 'Ching Ho', the Chinese part, is because of the obvious....its a Chinese role and I am Maltese. Performing this role everyday has enabled me to discover more aspects of him that allow me to invest and play around with on stage. I have been blessed to have my fellow cast memeber Andy who is actually from Hong Kong himself so has tought me the language patiently. It has been an interesting process however I always love a chalenge and at least I could say I have tested that language and might want to investtime it too in future. I've also learnt a lot about Chinese history and what makes the characters: Ching Ho and Bun Foo work as slaves in the show... their background stories.



How are you enjoying touring life? What do you miss most about being away from home?

I have always loved touring. I just love getting away from london and get to see different cultures in different places in the UK or abroad, make new friends in the digs I stay in as well as enjoy my own company and driving. Being away also makes you apreciate lot of things and miss a lot of things. Having a lot of free time on my hands make you think about your life in depth such as my parents and my lifestyle back home and the time I share with them.



What are your hobbies and passions outside of performing? 

Drawing has always been a massive part of my life that enables me to forget the real world and just zone out completely and focus on one things...cars. The passion I always had ever since I was 5 years old. 


Can you name a few of your dream roles?

Playing Sonny in the musical In The Heights has already been one of my dream roles. I would say playing Phantom in Phantom of the Opera and Clyde in Bonnie and Clyde would definitely be two of my dream roles in musical theatre however I like variety and a challenge so I love exoloring as opportunities come my way, what a dream role would be.



If you could go back to any era, when would it be and why?

If I had to go back to an era I would go back to 1950s. I love that all men were mostly gentleman with manner, respectful towards their women and also live a fashionable suit. Life back that would have been very classy.



What's the best piece of advice you've ever received and what advice would you give to aspiring performers?

Best advice I have ever recieved have been to just be yourself. If it makes you happy do it. Always follow your gut. If you ever come in doubt just ask yourself 'but why not?'. If you have a dream, fight for it however long it takes to achieve it.


A huge thank you to Damian for doing this interview. Make sure you book tickets to see Thoroughly Modern Millie on its UK tour!


Interview by Olivia Mitchell, Editor

Tuesday 4 April 2017

Wonderland (UK Tour), New Victoria Theatre | Review

Wonderland (UK Tour)
New Victoria Theatre
Reviewed on Monday 3rd April 2017 by Olivia Mitchell
★★

I finished performing in Will Todd's opera Alice's Adventures in Wonderland on Friday and have already taken another trip down the rabbit hole to see the UK Tour of Wonderland- I see an Alice theme becoming part of my life!

Frank Wildhorn, composer of one of my favourite musicals Bonnie and Clyde has reworked the Classic tale of Alice into a contemporary story about finding your place in the world. The story follows single mother Alice (Kerry Ellis) who lives in a bleak city with her ridiculously mature daughter Ellie (Naomi Morris). Stuck in a rut after her manipulative ex-husband kicked all her confidence out of her, she seeks a life away from the real world. When a bunny which promises to take her out of her mundane life hops in front of her, it seems like the logical option to follow him down the hole... or lift! Joined by their neighbour Jack  (Stephen Webb) they end up in the magical and mysterious Wonderland.

The story is about self-belief and self-discovery and touches on some relevant issues. With Alice saying that "girls need to know that they should value themselves" and the rabbit expressing that "nothing can exist 'til you dream it first", it's sweet and heart warming.

Wonderland itself is bizarre, whimsical, quirky and truly bonkers. With all the well known characters such as the Queen and Hatter popping up throughout. Alice discovers that if she steps through the Looking Glass, she'll come out as a different version of herself. She toys with the idea of stepping through but is skeptical to return to the strong woman she was before.

Kerry Ellis is a star as Alice. Her vocals are faultless as she effortlessly belts out each number. Her stage presence is strong and it's joyful to watch her transformation throughout the show. Alongside Naomi Morris as her strong spirited daughter (who has a striking resemblance in voice and looks to Lilla Crawford) the pair create a lovely duo and a believable chemistry onstage.

For me the standout by far is Natalie McQueen. Her voice is off the charts and her scatty, feisty and extremely mad portrayal of the Hatter completely steals the show. She is compelling throughout and her facial expressions are enough to cure all types of illness!

Wendi Peters embraces the role of the evil Queen of Hearts well, mastering the comedic timing impeccably and showing off her superb singing voice. It's a shame how little time she is on stage  as it would be lovely to see her for more than a fleeting moment at a time. Nevertheless, her portrayal is wonderful.

The score is brilliant with wit, pace and just the right amount of craziness but the script is a little weak. At times it feels forced and cringey , with the dialogue not adding much to the show other than filling time. Personally I feel that the overall downfall is that there is not a clear target audience. There are times where it seems better for young adults and adults but others where it's almost pantomime like and seems aimed at very young children. There is a lot of potential but I think there needs to be a little work done to make the show fully solid and fluid.

The music is engaging and enjoyable. The spectacular performers and witty moments make it a really enjoyable show to watch and a fun family night out.

Wonderland is on at the New Victoria Theatre until Saturday April 8th

Friday 1 July 2016

Jeremy Jordan, Hippodrome Casino | Review

You know when you build something up so much in your head that it can't possibly live up to expectations? Last night was not one of those times. Yes I had built this concert up to a ridiculous level in my mind but the incredible Jeremy Jordan smashed every expectation and went above and beyond what I thought was humanly possible.

You may know him as the heart throb of tv from hits Smash and Supergirl or from his leading Broadway roles in Newsies and Bonnie and Clyde or maybe you're just hearing his name for the first time now.

Whichever it is, all you need to know is that Jeremy is one of the best, if not the best male singer; with a hilarious stage presence, magnetic personality and absolutely stunning voice, he's really the definition of the whole package.

Last night I got to witness this package all wrapped in a bow at the last of Jeremy's first ever London concerts, the fastest selling performances the Hippodrome Casino has ever seen! There's something really special about watching performers in these sort of venues because they're so intimate and you just know that every single person is there to support who their watching. The whole room was buzzing before Jeremy came on stage and the excitement could be felt all around, it didn't feel like there could be more joy but when Jeremy stepped on stage the whole room went crazy.

Jeremy opened the show with a hilarious parody of Everything's Coming Up Roses called Everyone's Come To See Me, starting the night on a high which only went up. Jeremy continued performing a mix of all his best songs as well as some originals which will be on his upcoming album, including a beautiful song written for his wife called Memories of Loving You. His infectious personality combined with his killer vocals made an unforgettable evening with jokes and anecdotes creating a wonderful relaxed evening. Jeremy's partner in crime for the night was his hilarious Musical Director Benjamin Rauhala who not only played magnificently but had everyone in hysterics throughout!

There's no way I can pick a favourite part of the concert because I was literally in love with every second of it but I couldn't write this post without mentioning the incredible cover of Take me or Leave Me which Jeremy and his beautiful wife sung (couple goals right!?) and also his medley of song requests. This truly showed off Jeremy's talent, singing clips of songs form Cats to Celine Dion all note perfect and just stunning. 

The amazing thing about Jeremy is not just his personality and talent but the way he connects with each song and makes the audience feel like they're experiencing every moment personally. Jeremy is an absolute star and deserves so so so much praise. For anyone reading this I advise you to watch all of the videos you can find of Jeremy, watch everything he's in and buy his album when it comes out! And Jeremy, if by any crazy twist of fate you're reading this, then I want to say thank you for an absolutely brilliant night and please please please come back to London very soon!

5 stars!