Showing posts sorted by relevance for query Andrew Lippa. Sort by date Show all posts
Showing posts sorted by relevance for query Andrew Lippa. Sort by date Show all posts

Friday, 5 August 2022

Sierra Boggess to Appear Live in Concert in Christmas at Cadogan Hall


Fourth Wall Live is delighted to announce that Olivier Award nominated Broadway and West End star Sierra Boggess will appear live in concert in ‘Christmas At The Cadogan Hall’ on Sunday 11 December 2022 at 2.30pm and 6.30pm. Tickets are on sale now www.fw-live.com/sierra

Sierra said today, “I’m thrilled to be returning to London to make music together at Cadogan Hall! The concert will feature songs that I love to perform, as well as some holiday music to celebrate the season!” 

Sierra Boggess has been seen on Broadway in the Tony nominated musical School Of Rock, It Shoulda Been You directed by David Hyde Pierce, the Broadway production of The Phantom of the Opera, the revival of Master Class and The Little Mermaid, for which she received Drama Desk and Drama League nominations and a Broadway.com Audience Choice Award. 

In the West End, Sierra’s theatre credits include Les Misérables, the 25th Anniversary concerts of The Phantom of the Opera at the Royal Albert Hall and her Olivier Award nominated performance as Christine Daae in Love Never Dies. 

Other New York theatre credits include the recent off-Broadway production of Barry Manilow’s Harmony, Manhattan Concert Productions’ The Secret Garden at Lincoln Center; the one-night-only concert of Guys & Dolls at Carnegie Hall opposite Nathan Lane, Patrick Wilson and Megan Mullally; the final Off-Broadway cast of Love, Loss, and What I Wore; and Music in the Air for City Center’s Encores! series. She also starred as Christine Daae in the Las Vegas production of The Phantom of the Opera. Across the United States she has been seen in Into The Woods, A Little Night Music, Ever After, Age of Innocence, Princesses, and the national tour of Les Misérables. Her Film and Television credits include Vulture Club with Susan Sarandon and the web series What’s Your Emergency, directed by Michael Urie.

Sierra’s recordings include School Of Rock, It Shoulda Been You, the 25th-anniversary concert of The Phantom of the Opera, the symphonic recording of Love Never Dies, The Little Mermaid, and Andrew Lippa’s A Little Princess. Concert appearances include the BBC Proms at Royal Albert Hall, Lincoln Center’s American Songbook series The Lyrics of David Zippel, The New York Pops at Carnegie Hall, and Broadway by the Year at Town Hall. Sierra has toured all over the world across Australia, Japan, Paris, and London with her concert show, which has been preserved live and released on CD, Awakening: Live at 54 Below. She recently released an album of duets with Julian Ovenden made during the pandemic entitled Together At A Distance. www.sierraboggess.com

Fourth Wall Live is an entertainment company that produces events, concerts and on-stage shows. In January 2022 FWL presented Bonnie and Clyde The Musical In Concert for two nights to a sold-out audience at Theatre Royal Drury Lane, starring Broadway favourite Jeremy Jordan. The concert broke Drury Lane box office records selling out a two-night run in less than six minutes. The concert was live captured for cinematic/streaming distribution, with its release to be announced in due course.

In 2022 Fourth Wall Live is delighted to be presenting Audra McDonald at the London Palladium, and Jeremy Jordan at Theatre Royal Drury Lane. FWL regularly presents concerts featuring stars of the West End and Broadway including Keala Settle, Jeremy Jordan, Matthew Morrison and Hannah Waddingham among others.

Fourth Wall Live was also a producer of Bonnie & Clyde the Musical which ran at The Arts Theatre in the West End for 13 weeks during 2022.

Wednesday, 15 September 2021

Joanne Clifton to play Morticia in The Addams Family UK & Ireland Tour



Aria Entertainment and Music & Lyrics are delighted to announce that Joanne Clifton will play the role of Morticia Addams in the UK and Ireland tour of THE ADDAMS FAMILY, A Musical Comedy. The tour will open at Theatre Royal, Nottingham on 5 November 2021.

 

Joanne will be joining the previously announced, Cameron Blakely (Gomez Addams), Scott Paige (Uncle Fester), Kingsley Morton (Wednesday Addams), Grant McIntyre (Pugsley Addams), Valda Aviks (Grandma), Sean Kingsley (Mal Beineke), Kara Lane (Alice Beineke), Ahmed Hamad (Lucas Beineke), Dickon Gough and Ryan Bennett (sharing the role of Lurch), Abigail Brodie, Sophie Hutchinson, Matthew Ives and Sean Lopeman. Also new to the cast and joining the ensemble is Castell Parker. Further casting to be announced.

 

Joanne Clifton has starred as Janet in the UK tour of The Rocky Horror Show, Alex Owens in the UK tour of Flashdance, and Dale Tremont in Top Hat, where she received her second Offie nomination. Her first was for her acting debut as the Streetwalker in Irving Berlin’s Face the Music. Joanne is perhaps best known for her time on BBC’s Strictly Come Dancing. After winning the World Professional Showdance Championship and the European Professional Ballroom Championship, she joined the show as a professional dancer. During her time on the show, she performed in the Strictly Come Dancing Live Tour, was an expert presenter on the programme’s backstage show, It Takes Two, won the Christmas Special with McFly’s Harry Judd, and went on to win the glitterball trophy as the 2016 champion with her partner Ore Oduba. 

 

Wednesday Addams, the ultimate princess of darkness, has grown up and has a shocking secret that only Gomez knows; she’s fallen in love with a sweet, smart young man from a respectable family! Now, Gomez Addams must do something he’s never done before — keep a secret from his beloved wife, Morticia.  Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.  All the usual clan are present - Uncle Fester, Lurch, Pugsley et al.

 

THE ADDAMS FAMILY, A Musical Comedy, will be directed by Matthew White, with choreography by Alistair David, production design by Diego Pitarch, orchestrations by Richard Beadle, lighting design by Ben Cracknell, sound design by Richard Brooker and casting by Jane Deitch. Book is by Marshall Brickman and Rick Elice, and music and lyrics by Andrew Lippa, based on the characters created by Charles Addams.

 

THE ADDAMS FAMILY 2021 UK Tour is produced by Katy Lipson for Aria Entertainment and Music & Lyrics Limited, and is presented through special arrangement with Theatrical Rights Worldwide.

 

For further information, please visit www.theaddamsfamily.co.uk

Tuesday, 29 May 2018

A Little Princess, Southbank Centre | Review


A Little Princess
Southbank Centre 
Reviewed on Monday 28th May 2018 by Olivia Mitchell
★★★

After the recent success in the UK of Big Fish and The Addams Family, Andrew Lippa's lesser-known show A Little Princess was brought to the west end for it's UK Premiere at the Southbank Centre. Telling the story of Sara Crewe, a girl sent from Africa to a boarding school in London where she meets mean girls and a strict headmistress, this is a sweet story, with melodically beautiful songs and a heartwarming moral. 

As Miss Minchin, the headmistress who's a melange of Miss Trunchbull, Mrs Lovett, Mdme. Thenadier and others, Amanda Abbington was good. In her musical theatre debut she did well to convey the tiredness of the character but lacked menace. Vocally she was a little lacking and tended to speak-sing but still gave a pretty solid performance and I look forward to seeing her tackle future theatrical roles.

Danny Mac was dashing as ever as Captain Crewe, with wonderful vocals alongside a sweet connection with the children of the cast. The pacing of the show itself is funny and means that all the characters are a little under-developed. We got to see a lot of Captain Crewe at the start but as the show went on (especially in Act 2) everything felt rushed. With some rewrites this could be a lovely show and it would be great to see Danny having a bit more time to shine. Mention must go to his stellar performance in the pattersong-esque, Timbuktu.

Equally deserving of more time to shine was the stunning Rebecca Trehearn who always manages to steal her scenes. As Miss Amelia, the ditsy sister of Miss Minchin, Rebecca gave a wonderfully humourous performance and shone in her solo, Once Upon a Time.

Alexia Khadime and Adam J Bernard as Aljana and Pasko gave vocally stunning performances despite being a little overpowered by the orchestra at times. 

This was the first production which had actual children playing the children and it was them who stole the show. All the young cast did a great job of owning their roles, with Jasmine Nituan giving a heartfelt, funny performance as Sara's best friend and maid, Becky.

Jasmine Sakyiama is truly a star in the making. Her performance as Sara Crewe was 100 miles a minute from the start with her vocals and emotive facial expressions never failing. Of all the children, Jasmine also had the strongest diction which made her stand out even further. Keep an eye on this girl because she's going to go far!

Nic Farman's lighting added a mystical, magical vibe to the story which was lovely and took the show from a simple concert to an emotive production.

Despite enjoying this production, it does need some edits. I'm no one to say what these edits should be, but Act 2 felt extremely rushed and there were a number of moments that felt unnecessary/over-extended. However, the cast were great and I hope this isn't the last we see of this sweet show in the UK. 

Thursday, 5 October 2017

The Addams Family (UK Tour), Grand Opera House | Review


The Addams Family (UK Tour)
The Grand Opera House, Belfast
Reviewed on Tuesday October 3rd by Damien Murray

This Irish and UK premiere tour production of the musical comedy, The Addams Family was an entertaining and fast-paced production of Andrew Lippa’s funny musical about a less than conventional family and its ancestors.

Right from the off, it was obvious that this was not going to be ‘One Normal Night’, as – during the overture – a finger-clicking hand appeared through the letter box; the hand of an unknown person (in this case, probably a ‘stage hand’!!).

Mainly played out on the superbly old and run-down eerie mansion befitting to such a weird and spooky family, the functional set designs, with moveable staircases and great use of the two side balconies, helped greatly with the good pace of this production.

Despite the family’s appearance, values and lifestyle, this atmospheric piece is not so much scary as it is a funny musical with great one-liners that, thankfully, are never just throw away lines for the experienced cast.

We were then introduced to a mixed bag of weird ancestors who looked almost normal when compared to the central family of the piece.


They made up a well-used ensemble, which, despite its relative lack of numbers, produced some excellent harmonies during choral pieces (e.g. 'One Normal Night' and 'Move Toward The Darkness') and provided solid support throughout in vocals, dance, movement, visuals and as a distraction during scene changes.

While the Act 1 finale, 'Full Disclosure' (Part 2) was a great production number, the orchestra and cast rose to the challenge here with the varied and difficult score, which - apart from the variety of tempo changes from one song to the next - had to cope with a degree of musical fragmentation caused by lots of start/stops throughout many songs and challenging underscoring.

While the great musicality of the tango rhythms made numbers like 'Trapped', 'Secrets' and 'Not Today' stand out here, it was the orchestra’s sheer accuracy of performance and the visual impact of the dancers in the production number, 'Tango De Amour', that combined to make this an irresistible musical highlight.

'Pulled' was another highlight because of Wednesday’s strong vocal performance, while the flamenco flavoured music of 'Let’s Live Before We Die' impressed and 'But Love' provided a little vaudeville-style distraction between scenes.

There were some soft ballads in the varied score, including the gentle, 'The Moon And Me', while 'Move Toward The Darkness' was unusual in that it is rare that a ballad is used as a finale number, but it did allow for some great choral work.It was good to see the reprise of the up-tempo, 'When You’re An Addams', being used to send all home happy after the ballad finale.

Choreography was a strong element in this production and the concepts were well-executed right from the opening production number, 'When You’re An Addams', when we knew that there was going to be no problems with dance, as this song’s varied choreography included lots of arm movements and samples of line dancing, the bunny hop and the twist. The moon ballet was well-staged ('The Moon And Me'), while it was a nice touch to use a ‘young’ Wednesday to highlight the emotions of the song during Happy Sad.


The nightmarish family in this macabre musical was effortlessly brought to life by the talented principals, including Cameron Blakely as the Latino-looking and hen-pecked husband, Gomez, who supplied some touching moments in the song, 'Happy Sad', yet also managed to deliver the song’s humorous lines on cue, while always maintaining the right comic timing to get the laughs when needed. 

Samantha Womack as the very much in-charge and matriarchal Morticia was both tall and elegant and looked the part in her long black ankle-length dress and long black hair like Crystal Gale. Boasting dead-pan looks that could kill, this was a very confident performance from a total all-rounder with a great voice and good stage presence who perfectly captured her character’s dry wit. She also proved to be a most impressive dancer, especially in the song and dance number, 'Just Around The Corner', which allowed her to show her macabre emotions of joy.

However, for me, the star of the show was Carrie Hope Fletcher’s manipulative daughter, Wednesday. This amazingly talented girl is a strong performer with a great voice and real stage presence and this was highlighted in her performance throughout, but especially during the ‘coming of age’ song, 'Pulled'.

In the absence of Les Dennis, due to illness, his understudy, Scott Paige, was more than deserving of this role and impressed greatly both in his acting, comic timing and vocal ability, especially as he was acting so much ‘out of age’ in this part. Despite playing the loveably crazy uncle, Fester, he provided lovely vocals during his gentle ballad, 'The Moon And Me' and as the show’s narrator character.

Dickon Gough had a dream role as the ever-growling zombie-like butler, Lurch, and played one of musical theatre’s great non-speaking parts exceptionally well, while Grant McIntyre, as Pugsley, played the younger brother with a grown-up attitude well.

There was good support from Charlotte Page’s fully-disclosed Alice, Dale Rapley’s typical American parent, Mal, and his college student son, Lucas, played by Oliver Ormson, while Valda Aviks’ eccentric Grandma was good, but I would like to have seen more of her character’s outspoken and irreverent attitude. 

Perfectly-timed sound effects and special visual effects like the thunder and lightening, the monster in the box and the use of individual ancestors in the portrait painting all added to the success of this slick production.

Thanks to the brilliant lighting, costumes, props, make-up and hair, this was a visually stunning show from its strong opening to its unusual ballad ending … absolutely ‘finger-clicking good’ throughout!

The Addams Family runs at the Grad Opera House, Belfast until October 7th.


Photo credit: Matt Martin 

Wednesday, 17 May 2017

The Addams Family (UK Tour), New Wimbledon Theatre | Review


The Addams Family (UK Tour)
New Wimbledon Theatre
Reviewed on Tuesday May 16th 2017 by Olivia Mitchell
★★

The Addams Family musical comedy first made an appearance on the Broadway stage in 2010 and has finally made its way over the pond for its UK premiere. This version of the much loved cartoon series family, sees them struggle as their daughter Wednesday falls in love with a 'normal' boy. In an attempt to make good, Wednesday organises a dinner party between the two families. What ensues are secrets, wackiness and a whole load of kooky chaos.



The production is wonderful and great to look at. Diego Pitarch's set is constantly changing and extremely layered but doesn't look overcrowded or messy and the Gothic feeling is achieved extremely well. The lighting and sound effects work well alongside it and the elaborate costumes and make up add a whole other, very effective, dimension.



Samantha Womack's Moticia is surprisingly funny and suitably dark and stiff but at times it feels she is too reliant on people already knowing the character instead of making it her own. Overall though she gives a very good performance, especially in the tango scene!



Cameron Blakely is the standout of the show as Gomez. He is passionate and energetic throughout, with a constant humour and stage presence. His little camp moments are hilarious and his voice is outstanding. His relationship with the whole cast is brilliant but especially with his daughter Wednesday.



Played by Carrie Hope Fletcher, Wednesday is witty and sharp whilst being suitably kooky. Her vocals are fantastic and she seems at ease on the stage. Her incredibly clear voice works wonderfully with large belting moments and her precise diction is notable especially during 'Pulled' which seems to be an audience favourite!



Oliver Ormson plays Wednesday's love interest, the all-American Ohio born, Lucas. The pair work well together but Fletcher is definitely the stronger of the two performance wise. Les Dennis is strong as the quirky uncle Fester and has the audience laughing with him as well acting as the narrator at points. His character does seem a little out of place at times and not developed enough to warrant a full song but Dennis pulls it off well.



Charlotte Page is hilarious as the rhyme talking mother, her voice is brilliant and she frequently steals the show! Her partner is played by Dale Rapley who is good but again feels a little under developed.



Andrew Lippa's music is full of life (and death), colour and vibrance and certainly has something for everyone. There are energetic moments (helped along by Alistair David's brilliantly slick choreography), hilarious moments and more contemplative moments which all combine for a lovely production.



This is a wonderful production which will hopefully see a West End life after its tour. There are genuine laugh out loud moments which are sure to be enjoyed by people of all ages. Overall, a stellar production.



The Addams Family is at the New Wimbledon Theatre until the 20th May before continuing its tour.



photo credit: Matt Martin