Wednesday, 30 October 2019
9 to 5 The Musical (UK Tour), Wales Millennium Centre | Review
9 to 5 (UK Tour)
Wales Millennium Centre
Reviewed on Tuesday 29th October 2019 by Elisha Harris
★★★★★
9 to 5 The Musical is a sensational representation of what women had to endure when it was believed to be a ‘man's world’. Something which still plagues the modern day but is fortunately diminishing.
There’s nothing like escaping from your 9 to 5 reality to witness a world-class musical, and this production is most definitely that! This show is so unpredictable from start to finish. and everything is perfection.
Amber Davies is impeccable, her comedic timing and powerhouse voice make for a perfect Judy. Amber presents the the purest transition from a reserved, meek housewife to a fearless, self assured business woman who will not take no for an answer.
The other two leading ladies, Caroline Sheen, who's temporarily moved from the West End production to the UK tour, and Georgina Castle blow the roof off the Millennium Centre. Between Caroline’s quick wit and gorgeous voice, and Georgina’s mesmerising vocal range, they compliment each other perfectly. I could listen to them sing all day long!
The standout performance of the evening is Sean Needham who plays the ballsy, know it all boss, Franklin Hart Jr. He portrays the dishonest, antagonistic boss excellently. Sean really brings the role to life, he is witty, insanely entertaining and his facial expressions are priceless. For a character you’re meant to hate, it's hard not to belly laugh at every line he says- a real comical genius!
Overall this production is not one to miss, the ensemble are brilliant, the sound design is excellent, you can hear every voice individually when needed yet the harmonies were perfect. If you want to spend 2 hours in side-splitting, ball crunching laughter, 9 to 5 is the show for you!
9 to 5 The Musical plays at the Wales Millennium Centre until 2nd November before continuing its tour
Tuesday, 29 October 2019
The Girl on the Train (UK Tour), New Victoria Theatre | Review
The Girl on the Train (UK Tour)
New Victoria Theatre
Reviewed on Monday 28th October 2019 by Melanie Mitchell
★★★★
Having never read the book nor seen the film apart from the first 20 minutes, I was unsure what to expect from the stage version of Paula Hawkins' 2015 bestseller The Girl on the Train. I knew that it was a psychological thriller involving a girl, a lot of train journeys and a murder but that was all!
I was unsure how the train element of the story would be transferred on to a fairly small theatre stage, but thanks to the extremely clever set design by Anthony Banks accompanied by the atmospheric lighting from Jack Knowles and sound by Ben & Max Ringham, this was very successfully and effectively achieved.
The story focusses on Rachel Watson after the breakdown of her childless marriage. Her life begins to unravel and she sinks deeper and deeper into the bottom of a bottle. Whilst on her daily commute she starts to watch a couple on their balcony, living close to where she used to live. Convinced that they have the perfect life that she no longer has, she becomes fixated and obsessed by them. But as we all know, things aren’t always as perfect as they seem...
Samantha Womack plays the alcoholic Rachel superbly, conveying her feelings of inadequacy, confusion, loneliness and envy, interspersed with moments of laugh out loud one liners, that don’t take away from the drama at all.
All members of the production are very well cast, especially Adam Jackson Smith who portrays Rachel's caring ex and now perfect husband to Anna, played by Lowenna Melrose who also gives a strong performance.
As the story goes on it becomes increasingly apparent that people are often not living the lives that are seen and admired by outsiders or people looking in. Things are very different behind closed doors and when one of the characters disappears these facades begin to fall away, culminating in an unexpected twist, which I didn’t see coming. Altogether this is a very clever adaptation and production of the book, which takes you on a journey of human emotions and is well worth seeing.
The Girl on the Train runs at the New Victoria Theatre until 2nd November before continuing its tour.
photo credit: Manuel Harlan
Soho Cinders, Charing Cross Theatre | Review
Soho Cinders
Charing Cross Theatre
Reviewed on Monday 28th October by Olivia Mitchell
★★★
It's in the colourful carnival of Old Compton Street that we meet Robbie, our Cinderella in this re-telling of the classic tale. He's a young man trying to find his place in the bustling city as he works in a laundrette once owned by his mother, and struggles with his step-sisters who are trying to take what little he has. Things get even more stressful when Robbie begins seeing mayoral candidate James Prince and having a questionable relationship with a sleazy Lord. He ends up at the heart of a media scandal and faces losing everything... But this is a fairy tale so you can guess how it ends!
Anthony Drewe and Elliot Davis' book has some witty moments and certainly turns the classic tale on its head, as well as featuring more heartfelt moments. The LGBT representation for the most part is strong and the team have done well to modernise the show. However, there are aspects which seem to have been glossed over. The characters discuss knowing a man is straight because he's wearing a wedding ring which just screams dated, as does the implication that these modern online relationships take place over Skype. They're little details for sure, but do detract from a piece that really has the potential to feel relevant and of the time. Similarly, the variety of musical genres and the story itself is certainly representative of Soho but it would be nice to see some of that diversity reflected in the cast.
As Robbie, Luke Bayer is the standout. His charming personality and smooth vocals make him a protagonist the audience roots for and he really is the heart of the story and all it stands for. Bayer's performance of They Don't Make Glass Slippers is especially enrapturing. As Velcro, his best friend and partner in crime, Millie O'Connell gives a strong performance. Despite being underused in act one, O'Connell really comes into her own in the second half and provides some of the most touching and realistic moments. Her quick wit and sarcastic nature are entertaining to watch and the playful banter and easy chemistry between the pair can surely remind us of our own friendships. Two friends supporting each other is wonderful to see and really grounds the often over-the top-piece.
George Stiles music and Anthony Drewe's lyrics are a combination of upbeat laugh-a-minute numbers, forgettable babbles and fairy tale sweet duets. The Stepsisters' duet Fifteen Minutes is especially energetic and well performed. Natalie Harman and Michaela Stern do a great job of bringing the characters to life and only occasionally teeter on the edge of overacting. O'Connell's duet with Tori Hargreaves is another touching moment and a real highlight of the second act.
Thematically, this seems to be a piece which will remain ever relevant but it needs an extra touch of magic to keep audiences coming back. The political and sexual harassment aspects permeate the musical but it's the importance of love and friendship which reigns strong at the end. Soho Cinders isn't life-changing but it allows us to experience tongue-in-cheek, energetic performances which will entertain for the duration of the show.
photo credit: Pamela Raith
Tuesday, 22 October 2019
On Your Feet! (UK Tour), Wales Millennium Centre | Review
Wales Millennium Centre
Reviewed on Monday 21st October 2019 by Elisha Harris
★★★★★
On Your Feet! tells the story of the legendary Gloria Estefan's beautifully tragic life; how she and her husband Emilio Estefan combined dance with a Latin soul sound and took over the music scene.
On Your Feet! tells the story of the legendary Gloria Estefan's beautifully tragic life; how she and her husband Emilio Estefan combined dance with a Latin soul sound and took over the music scene.
When I get the opportunity to experience a show I don’t know much about I make sure to go into it completely blind. I went in having not known much about the story, didn’t know many of the songs and didn’t even see if I recognised any of the cast to add to the experience. Fantastically, this production was mesmerising from start to finish. The incredible cast grasped the audience’s attention instantly and continued to wow until the very last moment.
Philippa Stefani shook the auditorium with her power house voice playing Gloria Estefan. Her transition from a shy, closeted song writer to a captivating and compelling lead lady was deeply authentic. Having seen Stefani in previous productions I had high standards, but she went above and beyond what I was expecting. Philippa was born to play this part, hands down.
George Ioannides played a perfect portrayal of Emilio Estefan. The chemistry between both Gloria and Emilio was so believable, such a power couple which was brought to life by two brilliant actors.
Special mention to Madalena Alberto and Laura Friedrich Tejero. These lovely ladies played Gloria Fajardo and Consuelo. Both voices were mesmerising, Laura in particular truly blew me away as her comical timing was on point.
The energy from the entire cast was captivating. Every single person looked like they were having a brilliant time- I just wanted to join them on stage!
Overall it was a brilliant performance, one I wish was here for much longer than a week! I truly recommend seeing this show before it leaves.
On You Feet! runs at the Wales Millennium Centre until October 26th before continuing its tour
Toast (UK Tour), Richmond Theatre | Review
Toast
Richmond Theatre
Reviewed on Monday 21st October 2019 by Glenys Balchin
★★★★
On press night, Toast started a little late and I was tapping my toes waiting for it to being, however, this became inconsequential once I spotted Nigel Slater in the audience. This was certainly an added bonus! I would love to ask him what he thinks about seeing his life being played out on the stage at Richmond Theatre, it must be a very surreal experience.
Anyway, back to the play, I loved the simple stylised approach of the story telling, scenery and the lighting which was very atmospheric. Although, I was not sure at first about the young Nigel being played by a man wearing shorts, but as the play progressed I became convinced that the actor was looking through the eyes of a nine year old boy and it worked for me. The actors were flawless in the systematic approach of changing from scene to scene. The cast were versatile switching from one character to another. I was most impressed that a play with such a big story to tell, with so many underlining themes, was delivered with such a small cast and the action on stage was kept fluid at all times
The mum played by Katy Federman was the star of the show for me, though I don’t know whether it was her acting skills I enjoyed the most or that character that she portrayed. A most loving and nurturing mum protecting her son from the realities of life.
Anyway, back to the play, I loved the simple stylised approach of the story telling, scenery and the lighting which was very atmospheric. Although, I was not sure at first about the young Nigel being played by a man wearing shorts, but as the play progressed I became convinced that the actor was looking through the eyes of a nine year old boy and it worked for me. The actors were flawless in the systematic approach of changing from scene to scene. The cast were versatile switching from one character to another. I was most impressed that a play with such a big story to tell, with so many underlining themes, was delivered with such a small cast and the action on stage was kept fluid at all times
The mum played by Katy Federman was the star of the show for me, though I don’t know whether it was her acting skills I enjoyed the most or that character that she portrayed. A most loving and nurturing mum protecting her son from the realities of life.
Nigel played by Giles Cooper told the story well and showed no difficulty, or hesitation changing from being the narrator, to then playing his character. He drew us into his world and breathed life into the other actor's characters portrayed on stage.
As the story unravelled you were saddened at the loss for Nigel, of both parents, but enlightened that his Mother’s unconditional love drove him on to be the man he became. For me the early life of Nigel evoked a lot of beautiful memories from the cooking with mum in the kitchen , jam tarts, spagbol and the sweets, angel delight, ballroom dancing lessons in the kitchen and the ritual of sitting around the table as a family.
My mum’s cooking, as was Nigel’s, was always made with lots of love, but she too was certainly no Marguerite Patten. I do, however, fondly remember my Mum’s splodge trifle! Watching the play has made me want to read Nigel’s autobiography and taste again all those 60s and 70’s treats again- Angel Delight being one of them! I loved the storyline and the tale it told and it was well executed by the cast and I would definitely recommend others to go and experience Toast.
However, my words alone do not resonate the success of the play as well as Nigel Slater giving a standing ovation, a very high accolade indeed and one that the actors should be proud of.
photo credit: Piers Foley
Monday, 21 October 2019
Cinderella, Cadogan Hall | Review
Cinderella
Cadogan Hall
Reviewed on Sunday 20th October 2017 by Olivia Mitchell
★★★★
Yesterday, Cadogan Hall played host for a one-night-only staged concert of the much loved musical, Cinderella. Written in the 50s by Rodgers and Hammerstein for television, the musical has since been adapted for various stage productions but until now, hasn't been seen in London. Thanks to the exceptional London Musical Theatre Orchestra and stellar cast, that changed last night and those in attendance were treated to a sparkling night of magic.
Upon entering the auditorium bathed in purple light, the mystical scene was set and as the cast stepped out we were transported to a kingdom where kindness wins and anything is possible. Directed by Jonathan O'Boyle, this really was a stunning production which hopefully paves the way for future Cinderella-filled magic in the West End.
Thanks to the LMTO under the baton of Freddie Tapner, the sumptuous score was really the star of the night. Evoking fairytale vibes, causing laughter and creating a romantic atmosphere even before the stellar performers joined in, the performance just reminded us how excellently sumptuous Rodgers and Hammerstein's work is.
The semi-staged concert was brought to life by George Reeve's projections which fit the space exceptionally and looked as though they were drawn straight from a long lost storybook. They transported us from setting to setting and breathed life into moments which would be grand spectacles in a fully staged production.
With a group of some of the biggest names in the West End, it was expected that the performers would be top notch and boy they did not disappoint. The stunning cast took us on a romantic journey filled with socially relevant comments and a boat load of whimsy. Mazz Murray was fantastically malicious and biting as the evil stepmother, whilst Dianne Pilkington was her contrast and the crazy but magical and airy fairy godmother. Zoe Rainey gave a sweet performance as Ella's "kind" stepsister Gabrielle, and Jodie Jacobs completely blew everyone away with her killer vocals and fantastically characterised portrayal of Ella's other sister Charlotte.
As our leading lady for the night, Christine Allado gave a beautifully strong performance. With a grace and elegance any Princess would be proud of, Allado was a joy to watch on stage and her pristinely clear vocals filled Cadogan Hall with ease, power and wonder. In the role of the royal suitor Jack Yarrow was perfection. With an absolutely astounding voice, it's clear why he has begun taking the West End by storm.
This production of Cinderella is very much for a modern audience as it showcases the need for kindness alongside social reform. Ella's alertness to injustices outside those she faces in her family home is moving to see and works well alongside the romantic plot that is not all roses and chocolates. The political slant feels highly relevant, as well as allowing for extra comedic moments and I don't doubt this show would have a welcome place in the West End.
photo credit: Darren Bell
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