Tuesday, 29 October 2019
Soho Cinders, Charing Cross Theatre | Review
Soho Cinders
Charing Cross Theatre
Reviewed on Monday 28th October by Olivia Mitchell
★★★
It's in the colourful carnival of Old Compton Street that we meet Robbie, our Cinderella in this re-telling of the classic tale. He's a young man trying to find his place in the bustling city as he works in a laundrette once owned by his mother, and struggles with his step-sisters who are trying to take what little he has. Things get even more stressful when Robbie begins seeing mayoral candidate James Prince and having a questionable relationship with a sleazy Lord. He ends up at the heart of a media scandal and faces losing everything... But this is a fairy tale so you can guess how it ends!
Anthony Drewe and Elliot Davis' book has some witty moments and certainly turns the classic tale on its head, as well as featuring more heartfelt moments. The LGBT representation for the most part is strong and the team have done well to modernise the show. However, there are aspects which seem to have been glossed over. The characters discuss knowing a man is straight because he's wearing a wedding ring which just screams dated, as does the implication that these modern online relationships take place over Skype. They're little details for sure, but do detract from a piece that really has the potential to feel relevant and of the time. Similarly, the variety of musical genres and the story itself is certainly representative of Soho but it would be nice to see some of that diversity reflected in the cast.
As Robbie, Luke Bayer is the standout. His charming personality and smooth vocals make him a protagonist the audience roots for and he really is the heart of the story and all it stands for. Bayer's performance of They Don't Make Glass Slippers is especially enrapturing. As Velcro, his best friend and partner in crime, Millie O'Connell gives a strong performance. Despite being underused in act one, O'Connell really comes into her own in the second half and provides some of the most touching and realistic moments. Her quick wit and sarcastic nature are entertaining to watch and the playful banter and easy chemistry between the pair can surely remind us of our own friendships. Two friends supporting each other is wonderful to see and really grounds the often over-the top-piece.
George Stiles music and Anthony Drewe's lyrics are a combination of upbeat laugh-a-minute numbers, forgettable babbles and fairy tale sweet duets. The Stepsisters' duet Fifteen Minutes is especially energetic and well performed. Natalie Harman and Michaela Stern do a great job of bringing the characters to life and only occasionally teeter on the edge of overacting. O'Connell's duet with Tori Hargreaves is another touching moment and a real highlight of the second act.
Thematically, this seems to be a piece which will remain ever relevant but it needs an extra touch of magic to keep audiences coming back. The political and sexual harassment aspects permeate the musical but it's the importance of love and friendship which reigns strong at the end. Soho Cinders isn't life-changing but it allows us to experience tongue-in-cheek, energetic performances which will entertain for the duration of the show.
photo credit: Pamela Raith
Tuesday, 22 October 2019
On Your Feet! (UK Tour), Wales Millennium Centre | Review
Wales Millennium Centre
Reviewed on Monday 21st October 2019 by Elisha Harris
★★★★★
On Your Feet! tells the story of the legendary Gloria Estefan's beautifully tragic life; how she and her husband Emilio Estefan combined dance with a Latin soul sound and took over the music scene.
On Your Feet! tells the story of the legendary Gloria Estefan's beautifully tragic life; how she and her husband Emilio Estefan combined dance with a Latin soul sound and took over the music scene.
When I get the opportunity to experience a show I don’t know much about I make sure to go into it completely blind. I went in having not known much about the story, didn’t know many of the songs and didn’t even see if I recognised any of the cast to add to the experience. Fantastically, this production was mesmerising from start to finish. The incredible cast grasped the audience’s attention instantly and continued to wow until the very last moment.
Philippa Stefani shook the auditorium with her power house voice playing Gloria Estefan. Her transition from a shy, closeted song writer to a captivating and compelling lead lady was deeply authentic. Having seen Stefani in previous productions I had high standards, but she went above and beyond what I was expecting. Philippa was born to play this part, hands down.
George Ioannides played a perfect portrayal of Emilio Estefan. The chemistry between both Gloria and Emilio was so believable, such a power couple which was brought to life by two brilliant actors.
Special mention to Madalena Alberto and Laura Friedrich Tejero. These lovely ladies played Gloria Fajardo and Consuelo. Both voices were mesmerising, Laura in particular truly blew me away as her comical timing was on point.
The energy from the entire cast was captivating. Every single person looked like they were having a brilliant time- I just wanted to join them on stage!
Overall it was a brilliant performance, one I wish was here for much longer than a week! I truly recommend seeing this show before it leaves.
On You Feet! runs at the Wales Millennium Centre until October 26th before continuing its tour
Toast (UK Tour), Richmond Theatre | Review
Toast
Richmond Theatre
Reviewed on Monday 21st October 2019 by Glenys Balchin
★★★★
On press night, Toast started a little late and I was tapping my toes waiting for it to being, however, this became inconsequential once I spotted Nigel Slater in the audience. This was certainly an added bonus! I would love to ask him what he thinks about seeing his life being played out on the stage at Richmond Theatre, it must be a very surreal experience.
Anyway, back to the play, I loved the simple stylised approach of the story telling, scenery and the lighting which was very atmospheric. Although, I was not sure at first about the young Nigel being played by a man wearing shorts, but as the play progressed I became convinced that the actor was looking through the eyes of a nine year old boy and it worked for me. The actors were flawless in the systematic approach of changing from scene to scene. The cast were versatile switching from one character to another. I was most impressed that a play with such a big story to tell, with so many underlining themes, was delivered with such a small cast and the action on stage was kept fluid at all times
The mum played by Katy Federman was the star of the show for me, though I don’t know whether it was her acting skills I enjoyed the most or that character that she portrayed. A most loving and nurturing mum protecting her son from the realities of life.
Anyway, back to the play, I loved the simple stylised approach of the story telling, scenery and the lighting which was very atmospheric. Although, I was not sure at first about the young Nigel being played by a man wearing shorts, but as the play progressed I became convinced that the actor was looking through the eyes of a nine year old boy and it worked for me. The actors were flawless in the systematic approach of changing from scene to scene. The cast were versatile switching from one character to another. I was most impressed that a play with such a big story to tell, with so many underlining themes, was delivered with such a small cast and the action on stage was kept fluid at all times
The mum played by Katy Federman was the star of the show for me, though I don’t know whether it was her acting skills I enjoyed the most or that character that she portrayed. A most loving and nurturing mum protecting her son from the realities of life.
Nigel played by Giles Cooper told the story well and showed no difficulty, or hesitation changing from being the narrator, to then playing his character. He drew us into his world and breathed life into the other actor's characters portrayed on stage.
As the story unravelled you were saddened at the loss for Nigel, of both parents, but enlightened that his Mother’s unconditional love drove him on to be the man he became. For me the early life of Nigel evoked a lot of beautiful memories from the cooking with mum in the kitchen , jam tarts, spagbol and the sweets, angel delight, ballroom dancing lessons in the kitchen and the ritual of sitting around the table as a family.
My mum’s cooking, as was Nigel’s, was always made with lots of love, but she too was certainly no Marguerite Patten. I do, however, fondly remember my Mum’s splodge trifle! Watching the play has made me want to read Nigel’s autobiography and taste again all those 60s and 70’s treats again- Angel Delight being one of them! I loved the storyline and the tale it told and it was well executed by the cast and I would definitely recommend others to go and experience Toast.
However, my words alone do not resonate the success of the play as well as Nigel Slater giving a standing ovation, a very high accolade indeed and one that the actors should be proud of.
photo credit: Piers Foley
Monday, 21 October 2019
Cinderella, Cadogan Hall | Review
Cinderella
Cadogan Hall
Reviewed on Sunday 20th October 2017 by Olivia Mitchell
★★★★
Yesterday, Cadogan Hall played host for a one-night-only staged concert of the much loved musical, Cinderella. Written in the 50s by Rodgers and Hammerstein for television, the musical has since been adapted for various stage productions but until now, hasn't been seen in London. Thanks to the exceptional London Musical Theatre Orchestra and stellar cast, that changed last night and those in attendance were treated to a sparkling night of magic.
Upon entering the auditorium bathed in purple light, the mystical scene was set and as the cast stepped out we were transported to a kingdom where kindness wins and anything is possible. Directed by Jonathan O'Boyle, this really was a stunning production which hopefully paves the way for future Cinderella-filled magic in the West End.
Thanks to the LMTO under the baton of Freddie Tapner, the sumptuous score was really the star of the night. Evoking fairytale vibes, causing laughter and creating a romantic atmosphere even before the stellar performers joined in, the performance just reminded us how excellently sumptuous Rodgers and Hammerstein's work is.
The semi-staged concert was brought to life by George Reeve's projections which fit the space exceptionally and looked as though they were drawn straight from a long lost storybook. They transported us from setting to setting and breathed life into moments which would be grand spectacles in a fully staged production.
With a group of some of the biggest names in the West End, it was expected that the performers would be top notch and boy they did not disappoint. The stunning cast took us on a romantic journey filled with socially relevant comments and a boat load of whimsy. Mazz Murray was fantastically malicious and biting as the evil stepmother, whilst Dianne Pilkington was her contrast and the crazy but magical and airy fairy godmother. Zoe Rainey gave a sweet performance as Ella's "kind" stepsister Gabrielle, and Jodie Jacobs completely blew everyone away with her killer vocals and fantastically characterised portrayal of Ella's other sister Charlotte.
As our leading lady for the night, Christine Allado gave a beautifully strong performance. With a grace and elegance any Princess would be proud of, Allado was a joy to watch on stage and her pristinely clear vocals filled Cadogan Hall with ease, power and wonder. In the role of the royal suitor Jack Yarrow was perfection. With an absolutely astounding voice, it's clear why he has begun taking the West End by storm.
This production of Cinderella is very much for a modern audience as it showcases the need for kindness alongside social reform. Ella's alertness to injustices outside those she faces in her family home is moving to see and works well alongside the romantic plot that is not all roses and chocolates. The political slant feels highly relevant, as well as allowing for extra comedic moments and I don't doubt this show would have a welcome place in the West End.
photo credit: Darren Bell
Wednesday, 16 October 2019
9 to 5 the Musical (UK Tour), New Victoria Theatre | Review
9 to 5 the Musical (UK Tour)
New Victoria Theatre
Reviewed on Friday 20th October 2017 by Glenys Balchin
★★★★
9 to 5 is a very enjoyable show, with strong performances by the cast, a great set, fabulous costumes and toe tapping songs to sing-a-long to. The three leading ladies give excellent performances with each having their own individual strength. It certainly feels like a West End performance rather than a touring show at a regional theatre. The storyline is executed well and takes the audience to the final conclusion that it is a man’s world.
9 to 5 is a very enjoyable show, with strong performances by the cast, a great set, fabulous costumes and toe tapping songs to sing-a-long to. The three leading ladies give excellent performances with each having their own individual strength. It certainly feels like a West End performance rather than a touring show at a regional theatre. The storyline is executed well and takes the audience to the final conclusion that it is a man’s world.
The three leading ladies work exceedingly well together, as a band of sisters and leave us with the hope that they are that strong and united off the stage as well. Violet is played by Laura Tyrer, who is the whole package with a charismatic personality and triple threat abilities that wow; she shines within the cast.
Judy played by Amber Davies for me is the real surprise of the night, having last seen her on Love Island. I hadn’t envisaged that she is such a great singer but Get Out and Stay Out is a real highlight as she belts it out so powerfully. Georgina Castle as Doralee gives a very good performance with only the occasional blip in her deep south American accent. It is a hard act to follow when the legend that is Dolly Parton, announces at the beginning of the show that Doralee “is her”! This could colour your opinion of her performance but Georgina held her own and made the role hers.
Accolade, also must go to Lucinda Lawrence who is Roz Keith and gives a strong performance as the pent up frosty, delusional, hopelessly in love secret admirer of Franklin Hart Jnr. Her comedic timing, balletic dance movement and strong singing voice make her a very watchable character.
Sean Needham’s, performance as the male chauvinist Franklin Hart Jnr is perfect, he portrays the male ego eccentricities and bigoted views of women, in a comic manner. But these are issues that have truthfully been faced by many of the women in the audience. Both Lawrence and Needham have a real chemical interaction with each other and work well as a comedy act.
The rest of the cast give a great performance, supporting the main characters and story line with energy and enthusiasm to deliver an excellent show. I have to mention one person that stands out for me in the ensemble is Ross Lee Fowkes who plays Bob; his acting singing and dancing showed great intensity, I was quite transfixed.
Finally, as already mentioned the stage lighting, the scenery and costumes are all perfect for the 80s story line. Having been a girl of the shoulder pads and big hair era, it is all well delivered. It is sad that the political message, that both Jane Fonda and Patricia Resnick so, cleverly put across in a comedic approach on film and stage is still an on-going fight forty-one years on from the film release. I expect that it will be our children’s, children who will finally benefit from equality.
Patricia Resnick has said, “that it won’t be until 2059 that American women will achieve pay equity”. That will be 80 years on since the film was released. I believe that most women could step forward and give an account of male chauvinism and sexual predators in the work place. The show delivers this message in a funny and comic style with great songs but really it is quite sad and profound that we are still talking equality in the 21st-century. There should be a sequel, a comic-tragedy featuring recent events and the “me too” campaign that shows we still have a long way to go.
I would recommend taking your daughters along to see the show and explaining to them why it was produced and what the political message is behind it, and for them to be firmly told that they are equal to the males in their life. All that said and done, I just wanted to say it was a great show, very watchable and I really enjoyed it and would recommend to others.
9 to 5 the Musical runs at the New Victoria Theatre until 19th October before continuing its tour
Tuesday, 8 October 2019
Priscilla Queen of the Desert (UK Tour), New Wimbledon Theatre | Review
Priscilla Queen of the Desert (UK Tour)
New Wimbledon Theatre
Reviewed on Tuesday 7th October 2019 by Olivia Mitchell
★★★
You'd be hard pressed to find a touring production this year which features more glitter, sequins and colour than Priscilla Queen of the Desert, which is an explosion of all things camp and a treat of a night out.
Based on the 1994 movie of the same name, Priscilla tells the entertaining story of a trio of drag queens who venture across the Australian outback in a temperamental bus to put on the show of a lifetime. Along the way they meet a variety of people, some accepting, some not, and realise the importance of friendship and staying true to themselves. Despite appearing superficial, the story tackles some important issues including diversity and acceptance.
Miles Western plays Bernadette, the older drag queen who has seen the world change around her and often spends time reminiscing on her glamourous past. Whilst, Joe McFadden and Nick Hayes star as Tick/Mitzi and Adam/Felicia, the younger queens who are still discovering themselves and following in the footsteps of those who came before them. Behind all the lashes and costumes, the trio have a genuine chemistry on stage and give strong performances throughout. Miles is especially engaging and give a very well rounded and entertaining performance.
It's the Diva's who give the stand out performances of the show. Aiesha Pease, Claudia Kariuki and Rosie Glossop are absolute powerhouses who sing, sing, sing. Their voices are second to none ad they'd only be better if they had more stage time to wow us with their sass and sanging.
It's the Diva's who give the stand out performances of the show. Aiesha Pease, Claudia Kariuki and Rosie Glossop are absolute powerhouses who sing, sing, sing. Their voices are second to none ad they'd only be better if they had more stage time to wow us with their sass and sanging.
Charles Cusick-Smith and Phil R Daniels' set design is pretty basic, but the show is cleverly scaled for tour. The van Pricilla is a multi-piece design which works well as it's transformed various times. It's the glitzy costumes which are really the visual treats in this show as they create a rainbow coloured, feather filled spectacle on stage. Over the top beyond belief but wonderfully well executed, they are of the highest standard.
This is a dance heavy production which features non-stop motion, with Tom Jackson Greaves's choreography providing high energy action from start to finish. The ensemble do an excellent job of maintaining this and continually provide visual treats which fill scenes and make scene changes full of interest.
With a jukebox score of some incredibly catchy songs, you can't help but bop along to this mile a minute show. From It's Raining Men to I Will Survive and I Can't Stand the Rain, there's something everyone will know and you'll be tapping your stilettos along to the disco beat. The songs provide the momentum for the show as opposed to the storyline. Whilst there are moments of light and shade, the prejudice the group experiences often feels rushed and the darkness and intensity is lost.
photo credit: Darren Bell
This is a dance heavy production which features non-stop motion, with Tom Jackson Greaves's choreography providing high energy action from start to finish. The ensemble do an excellent job of maintaining this and continually provide visual treats which fill scenes and make scene changes full of interest.
With a jukebox score of some incredibly catchy songs, you can't help but bop along to this mile a minute show. From It's Raining Men to I Will Survive and I Can't Stand the Rain, there's something everyone will know and you'll be tapping your stilettos along to the disco beat. The songs provide the momentum for the show as opposed to the storyline. Whilst there are moments of light and shade, the prejudice the group experiences often feels rushed and the darkness and intensity is lost.
Whilst this production could definitely do with a touch more heart and emotional oomph, it's certainly an enjoyable tour and a thrilling example of highly camp, highly glam show with an important message about tolerance.
Priscilla Queen of the Desert runs at the New Wimbledon Theatre until 12th October before continuing its tour
photo credit: Darren Bell
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