Saturday, 21 October 2017
Kristin Chenoweth, London Palladium | Review
Kristin Chenoweth (Concert)
London Palladium
★★★★★
When this post goes live it will officially be my 21st birthday which is crazy, but what’s even crazier is how incredible my birthday eve was. I spent the night at the London Palladium seeing the amazing, pint-sized superstar Kristin Chenoweth in concert. Before I continue on this review I must say that it’ll be pretty different to my usual ones as it’s going to be way more informal and personal, purely because I’ve had such a long history with Kristin so it was a pretty momentous night and I’m finding it hard to put into cohesive words.
So let’s start with the history... like many UK Kristin fans, I saw Wicked when it opened back in 2006, subsequently listened to the Broadway recording and fell in love with the cast. I then entered an obsessive phase where I watched all Kristin videos, listened to every song she'd ever sung, read every interview she'd done and was generally that annoying fan that could talk about nothing else. Since then I have become less over the top with my obsession but my love for Kristin has definitely not diminished and I was dying with excitement when I knew I was finally going to see her live.
The concert was marketed as an "Intimate Evening" with Kristin which I was dubious about seeing as it was taking place in the vast London Palladium; and whilst the venue certainly isn't intimate in any way, shape or form, Kristin somehow managed to pull me in and make me feel as if I was watching her sing in her living room.
Whilst I could go in depth about each song, there isn't really much point as I'll just be praising every one to no end, so what I will say is that each piece was vocally beautiful and Kristin gave honest, heartfelt performances from start to end. Of course she sang a number of her most famous songs including 'Popular' and 'Taylor The Latte Boy' (my grade 8 musical theatre piece!) but she also sang some lesser known tracks such as 'Upon This Rock' and 'I Was Here'. A particularly stunning moment was Kristin's rendition of the Les Miserables classic: 'Bring Him Home'- I was in floods of tears... as I was for the entire concert! We were also treated to a spine tingling duet of 'For Good' with one of my favourite performers ever: Rachel Tucker... truly epic!
I must be honest and admit that I was a little wary about watching Kirstin perform. Obviously I am a huge fan but I was worried that seeing such a big idol of mine live would be a bit of a let down. Well I couldn't have been more wrong. This was honestly the best concert I have ever experienced and I have never had such a strong emotional reaction to seeing someone live. Sure I cry at emotional parts of shows but this was another level, my mum and I were blubbering messes throughout... especially when Kristin finished the show with a NO MIC rendition of 'Smile'... tears upon tears!
I just want to touch upon my personal connection to Kristin so you can really understand how much this concert meant to me. Firstly, as a Classical singer in training, Kristin is just everything I aspire to be. Her stage presence and vocal technique are things I can only dream of mastering on her level and her unapologetic performances inspire me to no end. I don't want to go too in depth with the second reason but several years ago I had a series of extended hospital stays and 20 operations on my knee (ouch, right?) due to an illness and during that time I remember reading Kristin's book 'A Little Bit Wicked' and being motivated and positive to get better. It wasn't something I had thought about until watching her perform but Kristin's influence on my life has truly been vast and way more involved than I'm going to explain but basically this was a magical and emotional night.
I'm still struggling to really put into words what made this concert so special but it was truly the most incredible theatrical experience I've ever had. Kristin is a master of her craft as well as a hilarious woman who completely commands the stage. Her outfits were the glitziest things I've ever seen but honestly, she could've worn a paper bag and I still would have been blown away. I couldn't have asked for a better entrance to being 21 and I will continue to strive to reach the levels Kristin is continually climbing. I pray to all the theatre gods that we can get Ms Chenoweth over on our turf for a bit. But in the mean time I will continue to relish in the delight and emotion that this devastatingly brilliant concert provided and I hope to one day meet Kristin and tell her in person how amazing I think she is!
Watch my vlog of the concert: https://youtu.be/5-Bsh6_UKJk
Watch my vlog of the concert: https://youtu.be/5-Bsh6_UKJk
Thursday, 19 October 2017
All Or Nothing (UK Tour), Waterfront Hall | Review
All Or Nothing – The Mod Musical (Tour)
Waterfront Hall, Belfast
Reviewed on Wednesday October 18th by Damien Murray
★★★
Having missed its planned opening night due to cast travel problems caused by Storm Ophelia, the touring production of All Or Nothing – The Mod Musical blew into town for its Belfast debut a night later than expected.
Combining the story of a popular music-linked culture with the more personal, tragic and human story of one of its main bands, The Small Faces, who not only spear-headed the movement but also encapsulated its dress style, attitude and music, All Or Nothing is a jukebox musical … with a twist.
For, in the role of the ‘older’ Steve Marriott, Chris Simmons narrates what is essentially Marriott’s own story from beyond the grave as he guides us chronologically through the group’s history in flashback to give us a raw account of what being the front-man of this important British pop group was really like… warts and all.
Apart from Simmons’ believable performance as the ever-present ‘older’ Marriott and the show’s nostalgic and hit-filled score, the key to the success of this show is that it was written by Carol Harrison, who – as a friend of lead singer, Steve Marriott – had real insider knowledge of the man, the Small Faces as a group, their musical and business frustrations and of the Mod movement during its early days.
Named after the group’s biggest hit and only chart-topper (which knocked The Beatles off the chart’s top spot), All Or Nothing is a biographical piece of 60s nostalgia about a generation of free spirits.
Although the set was relatively basic, it was functional and the production not only boasted that most coveted of Mod essentials, a Vespa scooter, but also authentic costumes, hairstyles and dances, with some great choreography, incorporating the trademark 60s moves of the dancers in various television pop shows of the era.
However, this musical is not so much about the Mod movement as it is the disturbing story of a young pop group, covering its many non-glamorous moments from being mismanaged and vigorously exploited by the ‘Al Capone of pop’ – Don ‘I’ll exploit you for all your worth’ Arden – to the slow demise of the group and from Marriott being a trouble maker at school through to his tragic and untimely death.
We learn: how the group got its name; why they were the only group to be banned from performing on Top Of The Pops; why there was a change of style from Mod to Hippie; of Marriott’s relationship with P.P. Arnold; how his ego got too big; and how he got Rod Stewart’s girlfriend … while Stewart got his band.
Playing live and loud, the actor musicians playing the members of The Small Faces – Samuel Pope (young Marriott), Stanton Wright (Ronnie Laine), Alexander Gold (Ian McLagan) and Stefen Edwards (Kenny Jones) – were all exceptionally good, not only at recreating the group’s many hits, but for perfectly capturing the personality, physical appearance and even the individual playing/performance styles of their respective characters.
The show is peppered throughout with humour and references to and appearances by other celebrities from the era like Andrew Oldham, Robert Stigwood, Rod Stewart, David Jacobs, Cathy McGowan, Stanley Unwin and Tony Blackburn (and even including performances from such characters as Sonny and Cher, Dusty Springfield and P.P. Arnold), as the group appears on such iconic television pop shows as Thank Your Lucky Stars, Juke Box Jury, Ready Steady Go and Top Of The Pops.
Ahead of its transfer to the West End for a limited run, it is easy to see why this touring production has been building up quite a cult following. However, offering, perhaps, too much detail (particularly in early scenes), this show could benefit from some cuts and, with such basic sets and sound balance issues between the pre-recorded extracts and the live music, a higher degree of production values could easily make this cult piece the mainstream hit it deserves to be as a biographical/jukebox musical.
This raw, true and sad story has a moving and emotional ending with a heart-breaking solo acoustic extract from All Or Nothing by Chris Simmons before the mood changes in an up-beat hit-filled finale.
All Or Nothing runs at Waterfront Hall until October 19th
Photo credit: Phil Weedon
War Horse (UK Tour), Bristol Hippodrome | Review
War Horse (UK Tour)
Bristol Hippodrome
Reviewed on Wednesday 18th September 2017 by Isobelle Desbrow
★★★★★
On the 10th anniversary since their first show, I was lucky enough to go and watch War Horse. The play is emotion filled and the stunning story telling through the music and ensemble work make the show a must see.
The first act tells the story of Albert training his horse, Joey who we see grow from a foal, to a riding horse, to a farm horse and finally to a war horse. Joey is controlled by 3 puppeteers: the head, heart and hind. This allows the puppet to mimic and move as if it were a real horse, something that is not easy by any means. Bob Fox’s spectacular folk voice helps tell the story through music,adding the perfect amount music to accompany the drama onstage. The cast are amazing as they all play multiple characters but if I hadn’t have looked throughly at the program I would never had known, as each character on stage had a different accent and characteristics. This show truly highlights the amazing work that can be produced by an ensemble cast.
Thomas Dennis as Albert brought the perfect mix of innocence and will to fight for what he believes in: saving and bringing Joey home from the war. His portrayal of Albert was emotional and moving he deserves credit for his acting talents.
At the end of the first act we see the beginning of the war and Albert going off to find Joey. These scenes were powerful, compelling, honest and emotional, showing the audience another aspect of World War 1, which I had never seen before.
Something that I haven’t mentioned yet but is off massive importance for the story telling aspect of War Horse is the large projection on to a cloud above the stage; throughout the story, drawings and animations are shown. This adds another dimension to the story, and without spoiling the show for those who haven’t seen it without these images the story wouldn’t be as complete.
Act 2 is spectacularly beautiful and sad. We are shown both the loss on the home front and the front line. However instead of just being shown the fighting aspects we are also shown how the Germans used the horses to move machinery around and pull carts, we follow Albert and Topthorn on their journey through France and whether or not they get the happy ending they deserve. We also see the cruel side when the horses go lame they are no longer required, something that although normal is still shocking to see.
“The puppets in the show are only wood, however it is our imaginations that make them real.” This is how the play was described by Tom Morris at the end of yesterday’s special 10th anniversary show, and I believe this is the perfect way of describing the complexity and beauty of War Horse.
I don’t want to give too much more away but if you have the opportunity, go and watch War Horse- it is not to be missed.
Thursday, 12 October 2017
Hair, The Vaults | Review
Hair
The Vaults
★★★★★
First premiering on Broadway in 1967, Hair is about hippies, the anti-war movement, LGBTQ+ rights, Black Lives Matter, women’s equality and so much more; themes which sadly still resonate with us 50 years later.
Although I’d never seen a production of Hair, many of the songs were familiar to me and I felt as if I’d almost been born knowing them! Whilst I wasn’t part of the ‘Hair Generation’ (I wasn’t born for another 30 years) I feel that this production has reinvented it and definitely made it perfect for my generation as well as those younger than me. The setting is historical but it’s been cleverly entwined with the modern world and the parallels to the youth of today to make it extremely pertinent.
The Vaults at Waterloo have been transformed into a colourful, relaxed, hippy den which provides the perfect vibe and atmosphere for the performance and certainly puts everyone in the right mind set for what they're about to experience. It feels immersive but not over the top.
Hair is musically brilliant, it's songs have been performed by some huge artists and it's become a source of inspiration for many composers. The rhythmic music pairs with the story wonderfully and manages to be funny, powerful and clever all at once. These feelings are of course exemplified by the outstanding performances from the cast, especially during the finale: 'Let The Sun Shine In' which becomes a sort of battle cry and is really very moving.
Leading the plot we have Robert Metson as Claude who's been enlisted into the army. His vocals are strong, he gives a heartfelt performance and shows his transition from the free life to the life he lives for his country extremely well. Fresh from his stint in Yank!, Andy Coxon takes on the role of the carefree, larger than life Berger with grace and ease and is especially funny during his moments of audience interaction. Laura Johnson brings an innocence to Sheila which is touching to see and really draws you into her character and her rendition of 'Easy To Be Hard' was particularly memorable.
A special mention must go to Natalie Green (Cassie/Mom) who's solo and ensemble vocal moments are completely out of this world. Her clear, powerful voice both when belting and singing in a more classical style is faultless, her natural performance draws the eye at various points and she's a joy to watch on stage. The entire cast are great and work seamlessly together to create the idyllic and harmonious feeling.
Hair is more than a show, its an experience. This production is fresh and striking and certain to be loved by audiences during its run. So let the sun shine into your life and go see this show for a night of youthful, uninhibited freedom, expression and love. After all, the world could do with a little more love these days!
Hair runs at The Vaults until 3rd December 2017
photo credit: Claire Bilyard
Tuesday, 10 October 2017
Five Reasons to See Legally Blonde on Tour
Last night I visited the New Victoria theatre to see the UK tour of Legally Blonde. Seeing as I've already seen the show and reviewed it here, I thought I'd do a bit of a different post and tell you some of my top reasons to see it.
The production is great and all my thoughts were pretty much the same during my second viewing; the only difference was that Rebecca Stenhouse was playing Elle. Whilst I'm not re-reviewing I have to talk about Rebecca for a little bit. Her debut performance as Elle was completely outstanding, her voice sounded beautiful and she perfectly embodied the role. If I hadn't known she was the understudy I would have noticed zero difference or nervousness; Rebecca owned the stage and won over the audience with her heartfelt performance.
So now my moment of gushing is over, lets get on with the reasons to see the show...
It's Feel-Good Fantasticness: Legally Blonde is brilliant because it's exactly what it claims to be: a feel good, pink and positive show. So many shows I've seen recently have been depressing or try and be dramatic, moving or life-changing so it's really a breath of fresh air to see something fun and lighthearted. You'll leave the theatre smiling and feeling great- what more can you ask for?
Dogs: Need I say more? Who doesn't love a cute little pup scuttling across the stage? Whilst they're not in the show a lot, their moments in the spotlight gain "aw's" all around and are as cute as can be!
The Music is Crazily Catchy: I think Legally Blonde is a pretty underrated musical, I don't really hear people talking about it much, but they should! The music is catchy, upbeat and has so many witty lines. There are various styles and so many wonderful vocal moments. You'll definitely have the tunes stuck in your head.
The Performances are Brilliant: A great show with rubbish performances is pretty pointless to see, luckily they're fantastic in this production. I've gone into detail in my review but the cast are super strong and very attractive as the larger than life characters. Especially great is Helen Petrovna's 'Whipped into Shape' which makes me out of breath just watching!
It Has Lots of Heart: The story of Elle following her man to Harvard and realising she's more than a typical Malibu blonde is sweet and heartwarming. The romance, drama and humour makes you root for the characters and provides a fantastic night out.
So there (right there!) we have five reasons to see Legally Blonde. To sum up, it's a fun, lighthearted, brilliant show which you will definitely enjoy. As the days get shorter and colder, Legally Blonde is precisely the pop of warmth and light that you need.
Legally Blonde runs at the New Victoria Theatre until October 14th before continuing on its tour.
Thursday, 5 October 2017
In Conversation With... Jane Booker | Rules For Living | Interview
Jane Booker has had a varied an extensive career, starring in a number of television series and films including Finding Neverland, Agatha Christie's Miss Marple and most recently in Sam Holcroft's play, Rules For Living...
For anyone that doesn't know, can you explain a little about your career and highlights so far?
I was in a sitcom called 'Don't Wait Up' when I was younger. I've done seasons with the RSC and I did work with Johnny Depp!
Have you always aspired to be a performer or did you have a different career in mind when you were younger?
I wanted to be a dancer and for a long time- a vet!
What drew you to the role of Edith in Rules for Living?
She is a woman trapped in a cycle of behaviour and so desperate for everything to be perfect and controlled.
What can people expect when they come and see Rules For Living?
They will get a lot of laughs, some painful truths that may resonate and a lot of mess.
Can you sum up the show in 5 words?
mayhem, rules, christmas, custard, gravy.
What's your usual Christmas like? Have there been any epic fails?
I do the cooking. The turkey 'flew' onto the floor on one occassion. Sometimes I long to be on a beach with a sandwich!
What's a fun fact people may not know about you?
I am a rollercoaster nut
What's the last thing you do before you step out on stage?
I do some chewing so my mouth isn't dry
What's your best piece of advice for an aspiring performer?
Do it! Tell yourself "they'd be lucky to have me" when going up for a job!
Interview by Olivia Mitchell, Editor
Interview by Olivia Mitchell, Editor
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