Posts with the label west end
Showing posts with label west end. Show all posts
Showing posts with label west end. Show all posts
Friday 3 November 2023
The Time Traveller's Wife at the Apollo Theatre Review: Time-Bending Spectacle with a Few Melodic Sparks
The Time Traveller's Wife
Apollo Theatre
Step into the Time Warp with The Time Traveller's Wife, a production that brings Audrey Niffenegger's cherished novel to life on stage. The story revolves around the unconventional love story of Clare and Henry, complicated by his uncontrollable time-traveling abilities. While the show boasts remarkable technical feats, it occasionally stumbles when it comes to character development and narrative cohesion.
One of the standout features of the show is the exceptional use of projections and special effects to depict Henry's time-traveling journeys. The combination of Chris Fisher's illusions and Andrzej Goulding's video design and animation, along with Richard Brooker's sound design, creates a mesmerising experience that truly captures the essence of the novel. Lucy Carter and Rory Beaton's lighting design further enhances the visual impact, making the time-travel sequences truly outstanding.
Anna Fleischle's stage design, characterised by large partitions, may be relatively simplistic, but it proves effective in transforming the stage to the various places and time periods covered in the story. The quick transitions between different settings are seamless and help maintain the audience's engagement.
However, the primary drawback of the musical lies in its plot. The inherent nature of sudden time travel results in a narrative that often feels clunky and choppy, making it challenging to develop a strong connection with the characters. The central relationship between Henry and Clare, which should be the emotional core of the story, lacks depth due to their limited time together as a couple. Instead, most of their interactions consist of Henry visiting Clare throughout her childhood, which raises complex questions, and their adult lives seem marked by unhappiness. This lack of a strong emotional connection between the leads diminishes the impact of their quest to have their love transcend time.
On the flip side, Charisse and Gomez, portrayed by Tim Mahendran and Hiba Elchikhe, serve as the comic relief characters and offer a more compelling relationship with a clearer backstory. Their presence is easier to root for, and the chemistry between Mahendran and Elchikhe is a highlight of the show. The dinner party scene, in particular, stands out as one of the most enjoyable and energetic moments, filled with humour and lively performances.
Individually, the cast members deserve praise. David Hunter, who plays Henry, delivers a convincing portrayal of a man grappling with his unique abilities and provides killer vocals to go with it. Joanna Woodward's Clare exudes warmth and vulnerability, making her character endearing. Tim Mahendran and Hiba Elchikhe, as Charisse and Gomez, steal the show with their fun and charismatic on-stage presence, and their strong vocal performances only add to their appeal.
The costumes by Illona Karas and wigs by Susanna Peretz are a visual delight, successfully covering various time periods with outlandish and wonderful designs. The backstage dressers deserve applause for their efficient execution of numerous quick changes, which contribute to the show's smooth flow.
Joss Stone and Dave Stewart's music adds a unique dimension to the production, featuring a diverse mix of musical styles that range from country-inspired tunes to more conventional pop songs. The entire cast delivers these songs with outstanding performances, showcasing their musical talents. However, the musical score, while competently composed and executed, lacks truly memorable tunes. Most of the songs are lyrically predictable, serving the primary purpose of advancing the storyline. That said, there are moments in the second act that shine, such as "Journeyman," performed by Henry, and "A Woman's Intuition," a trio featuring Henry, Charisse, and Gomez. These standout moments provide a fresh and memorable musical experience within the production and leave a lasting impression. While the music may not be the show's strongest suit, it still contributes to the overall atmosphere and storytelling.
In spite of its narrative challenges and somewhat forgettable music, The Time Traveller's Wife succeeds in creating an engaging theatrical experience, thanks to its outstanding technical aspects, charismatic performances, and a handful of standout musical moments, making it a worthwhile and visually stunning night out at the theatre.
★★★
Reviewed on Thursday 3rd November 2023 by Olivia
Photo Credit: Johann Persson
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 1 November 2023
Bat Boy the Musical at the London Palladium Review: A Campy Delight
Bat Boy the Musical in Concert
London Palladium
I had the pleasure of spending Halloween at Bat Boy the Musical in concert at the iconic London Palladium, and it was truly a wild, wacky, and wonderful show. The talented cast, which included Jordan Luke Gage, Jodie Steele, and Trevor Dion Nicholas, delivered an electrifying performance that left the audience thoroughly entertained.
The campy nature of the production was evident from the get-go, and it added to the overall charm of the show. The exaggerated characters, over-the-top antics, and quirky humour all contributed to a delightfully eccentric atmosphere that had the audience in stitches. Victoria Hamilton-Barritt in particular is a complete comedic superstar, perfectly bouncing off the crowd and having everyone in stitches from the smallest movement or expression.
However, it wasn't all smooth sailing. There were some noticeable sound issues throughout the performance. Missed lines and an uneven balance between the orchestra and vocals meant that, at times, it was challenging to hear the lyrics properly. While these technical hiccups did momentarily detract from the overall experience, they were overshadowed by the sheer fun of the show.
For those unfamiliar with the story, Laurence O'Keefe's Bat Boy the Musical is a quirky tale about a half-human, half-bat creature who is discovered in a cave and taken in by a family in a small town. The musical explores themes of acceptance, prejudice, and the complexities of human nature, all while delivering it with a humorous and satirical touch.
Despite the sound issues, the show's humor and the cast's stellar performances shone through. The witty one-liners and comedic timing of the actors had the audience roaring with laughter, making it easy to forgive the occasional technical glitch.
Jordan Luke Gage gave an endearing performance as the title Bat Boy, showcasing stupendous vocals as well as really well done and hilarious characterisation; continually rising to new heights, I cannot wait to see what he takes on next. Jodie Steele's portrayal of the struggling sister balanced superbly with Gage's and had some solid development and growth throughout. Completing the family pack, Trevor Dion Nicholas gave a vocal powerhouse performance and made the morally wild father a stand out performance. Tosh Wanogho-Maud was a complete powerhouse, giving some of the best vocals of the night, despite not having a hugely developed character. The entirety of the supporting cast and choir also did an excellent job of bringing the Bat Boy world to life.
One aspect that truly stood out was the effective and simple staging. The use of minimal sets and props allowed the audience to focus on the characters and the story. It was remarkable how such a straightforward approach could be so striking and immersive. This also allowed Rhys Wilkinson's well thought out and adapted movement to really shine and add a finessed element to this one night only performance.
Bat Boy the Musical was a wild, blood filled, hoot of a musical, with a fantastic cast and an abundance of humour. While the sound issues were a minor drawback, the overall experience was thoroughly enjoyable, leaving the audience with smiles on their faces. A hilarious and campy musical done so well!
★★★★
Reviewed on Tuesday 31st October
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 20 October 2023
Dear England at the Prince Edward Theatre review: An Ode to the Nation
Dear England
Prince Edward Theatre
It could be argued that James Graham is the master of creating works which capture the intricate fabric of contemporary Britain, and his most recent opening, Dear England does just that, emerging as a heartfelt, thought-provoking piece. This engaging production eloquently delves into British identity, the echoes of history, dreams for the future, and the nation's relationship to football.
Dear England artfully blends past and present, transporting audiences through time in a seamless and captivating manner. This storytelling technique offers a unique lens through which we can view the profound influence of history on our present. The play focusses on Gareth Southgate's journey as manager of the England football team, linking in his own personal history, as well as the histories of his team and England as a whole. It's a very cleverly done show which feels completely relevant, modern and necessary.
The characters, portrayed by a talented ensemble cast, come alive with vibrant, authentic performances. These characters represent a rich tapestry of contemporary Britain, showcasing immigrants, soldiers, activists, and politicians. Joseph Fiennes outstandingly leads the show as Gareth and helps to cultivate the entire cast's emotional depth, forging a genuine connection between the characters and the audience.
Es Devlin's set design is typically National Theatre and incredibly well done, seamlessly transporting us from one time to another. The use of multimedia elements, including videos, adds depth and texture to the storytelling. With each shift in the backdrop, the mood and ambiance evolve, underscoring the diversity and complexity of the themes explored.
Graham's writing is sharp and insightful, with sprinkles of humour throughout to balance the gravity of the themes. Dear England explores national identity, migration, patriotism, and the ever-relevant question of what it truly means to be British. The dialogue is simultaneously poetic and genuine, prompting the audience to reflect on their own connection to the nation.
It's fair to mention that the play occasionally teeters on the edge of trying a bit too hard, with the odd scene not being as impactful as you'd hope. Nevertheless, this is a small price to pay for a production that aims to encapsulate the very essence of a nation and overall Dear England is a touching and timely exploration of the British identity. It masterfully navigates the waters of history, politics, and human experience, leaving audiences with a deeper understanding of what defines their nation.
This production is a testament to the incredible power of theatre to mirror, challenge, and celebrate our shared story. With its compelling storytelling, exceptional cast, and innovative design, Dear England is a need-to-see performance, that hopefully will engage and resonate with both regular and not so regular theatregoers.
★★★★
Reviewed on Thursday 19th October 2023 by Olivia Mitchell
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 19 October 2023
Hamnet at the Garrick Theatre review: Emotional, engaging and enchanting
Hamnet
Garrick Theatre
★★★★
Presented by the Royal Shakespeare Company, and based on Maggie O'Farrell's book of the same name, Hamnet is a truly remarkable production that's captivating, moving and ever so slightly whimsical.
The show's unique take on Shakespeare's life and the emotional journey it explores is nothing short of brilliant. The creative team, with adaptation by Lolita Chakrabarti and direction by Erica Whyman, manage to delve into the personal life of one of history's greatest playwrights, offering a fresh and emotionally charged perspective. The seamless blending of historical accuracy and artistic interpretation is commendable, making Hamnet a compelling experience for theatre enthusiasts and Shakespeare aficionados alike.
The performances are simply outstanding. The cast's commitment to their roles and the intensity of their portrayals completely transport you from pouring Charing Cross road to the world of Hamnet and his family. The emotional depth brought to the characters is both touching and thought-provoking. Madeleine Mantock gives an astoundingly moving performance as Agnes, showing amazing development and growth that has the audience really rooting for her and therefore feeling her pain to the nth degree in the second act. Tom Varey is witty but complex as William whilst Alex Jarrett really comes into her own and provides some of the most understated but emotionally impactful moments of the show. Universally the chemistry and energy among the actors is palpable, with the whole team creating an atmosphere of authenticity that draws the audience in, you couldn't ask for a stronger team of performers.
The set design (Tom Piper) and production values are top-notch. The stage design, lighting (Prema Mehta), and soundscapes (Oguz Kaplangi) add a layer of immersion that transports us to the Elizabethan era. The careful attention to detail in recreating this period is truly impressive, and contributes significantly to the overall atmosphere of the play.
The show is mostly paced well but there are a few moments which pull slightly. While the slower tempo is fitting for the introspective nature of the play, there are moments where a bit more dynamism would've helped. Nevertheless, this is a minor quibble in an otherwise exceptional production.
Hamnet is a theatrical triumph, offering a profound and emotional exploration of the Shakespearean legacy. With powerful performances, and a thought-provoking narrative, it is a must-see!
Reviewed on Wednesday 18th October 2023 by Olivia Mitchell
Photo Credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 18 October 2023
The Barricade Boys West End Party at the Adelphi Theatre Review: Everything Great About Musical Theatre
The Barricade Boys West End Party
Adelphi Theatre
★★★★★
After extensive touring, The Barricade Boys were back in the West End last night for a heaping dose of feel-good fun. The brainchild of Scott Garnham and Simon Schofield, the Les Misérables-alumni-super-group (completed by Craig Mather and Kieran Brown) performed a maelstrom of musical theatre numbers, alongside pop, rock and swing numbers. With effortless rapport and smooth moves, it's clear to see why the group have gained such a strong fanbase who turned out in full force to the Adelphi Theatre.
What truly sets The Barricade Boys apart is more than just their extraordinary vocal talents and impeccable harmonies. It's the genuine friendship and affection they share, and the fact that they truly seem to be having a ball on stage. Amidst their impressive musical performances and polished dance routines, they weave in personal stories and charming anecdotes from their experiences in various shows; effortlessly connecting with the audience and creating an atmosphere that feels wonderfully welcoming.
Their repertoire spans a wide range of emotions, from the heartfelt intensity of Les Misérables to the joyful doo-wop harmonies of Jersey Boys. Through this musical journey, they showcase melodies from some of the world's greatest musicians, including The Beatles, Bon Jovi, and Queen, all interpreted in a specifically Barricade Boys way. It's a show that will lift your spirits and induce pure joy and serotonin.
There's a certain charm that makes the whole thing feel superbly carefree and entertaining, and whilst there is an element of cheesiness that comes with this sort of show, the group do a spectacular job of keeping everything high quality and entertaining for all, whether they're the target audience or not.
It must be said that at some points the sound balance was a little off, with the backing slightly overpowering the singers but as a whole it was a spectacular sounding evening and the team must be applauded for balancing a show with so many moving vocals, especially for a one night only performance at this venue. It must also be said how outstanding the Barricade Band are, perfectly matching the energy of the boys as well as having a ball themselves.
All of this plus the special guests Courtney Bowman, Fra Fee and Matt Henry, really made it an evening of musical theatre magic.
In a time when so much hatred and pain is prevalent in the world, it's such a privilege and honour to be able to escape to the comfort of the theatre, and this show is a glorious illustration and celebration of the joy and unity the art form can provide.
Reviewed on Tuesday 17th October 2023 by Olivia Mitchell
Photo Credit: Danny Kaan
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 15 September 2023
The Little Big Things at Soho Place Review: Shines as a Celebration of Disability
The Little Big Things
Soho Place
★★★★
The Little Big Things at Soho Place presents an emotional journey that triumphs in depicting the resilience of the human spirit. Based on the story of Henry Fraser as told in his 2017 memoir of the same name, the musical tracks his journey from a budding rugby player, to being paralysed from the neck down after a freak diving accident on holiday in Portugal. This production is a testament to the power of adaptation and determination, and instead of being a somewhat patronising portrayal of becoming an inspiration after a life trauma, it showcases the transition from the person Henry was pre-accident to who he became post-accident. It also looks at how Henry's family deal with the changes and features the work of the NHS as well as a small romantic subplot. Each aspect makes this a truly uplifting and charmingly British musical, which feels like it's actively trying to shy away from the typical style of storytelling that often surrounds the stories of disabled people.
Nick Butcher (music) and Tom Ling (music and lyrics) clearly have a talent for writing high energy songs and ballads that tug at your heartstrings. The music is primarily upbeat and big however, while deeply engaging during the performance, the songs don't engrave themselves into memory once the curtains fall. The performances are undoubtedly and unanimously captivating, enriching the scenes and evoking a range of emotions. However, a few standout, memorable tunes would have elevated the overall experience and resonated long after leaving the theatre.
The integration of projections and lighting (Howard Hudson) in The Little Big Things is nothing short of remarkable. The creative use of light and visuals immerses the audience into the heart of the story, enhancing the emotional impact of the narrative. The play of light and shadows amplifies the depth of the characters' struggles and triumphs, leaving a lasting visual impression.
Director Luke Sheppard fearlessly pushes the limits of accessible theatre, infusing innovation, vitality, and charisma into an already poignant narrative. The staging is in constant motion, driven by Mark Smith's lively choreography, which ingeniously integrates moments of BSL (British Sign Language) and embodies the joy and celebration which is infused throughout the show.
Despite the undeniable power of the narrative, there are moments when the production grapples with sudden transitions and dialogues that could benefit from a smoother flow. The pacing occasionally feels a bit clunky, disrupting the overall rhythm. However, this doesn't detract significantly from the musical's poignant message of resilience and adaptation.
The cast's performances are stellar, embodying the characters with authenticity and dedication. Their portrayals breathe life into the story, allowing the audience to connect deeply with the struggles and triumphs of the characters. The musical shines as a celebration of disability, showcasing the strength and adaptability required to navigate a new life.
The Little Big Things is a moving musical that speaks to the resilience of the human spirit. The impeccable use of projections and lighting, along with a talented cast, creates a poignant theatrical experience. Despite minor pacing and memorability concerns, the musical stands as a heartfelt celebration of perseverance and a glowing portrayal of adapting to life's challenges. The little faults don't take away from the big things that make this show as glowing and special as it is and I wholeheartedly recommend it to anyone seeking a meaningful and uplifting night at the theatre, just make sure you take some tissues with you!
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 25 August 2023
Love Never Dies in Concert at the Theatre Royal Drury Lane Review: Musicality Reigns Supreme
Love Never Dies in Concert
Theatre Royal Drury Lane
★★★★
Once again, the LMTO and Fourth Wall Live have joined forces to bring a musical to life in concert form with a stellar cast and stunning music. This time, it’s the much discussed and dissected Love Never Dies, which hasn’t been staged in the West End since 2011. For two days the Theatre Royal Drury Lane played host to the latest iteration of the show which mesmerisingly took audiences back to the world of the Phantom and Christine. With the spotlight on a talented cast, and powerful orchestrations, this concert rendition really let the music shine and provided a memorable theatrical experience for those in attendance.
With such a brilliant cast, it’s no surprise that the performances were broadly nothing short of exceptional, capturing the essence of the characters and their emotions. Celinde Schoenmaker stepped back into the role of the beloved songbird, Christine Daae and did so in an utterly magical way, with her soaring soprano perfectly bringing the score to life and dazzling throughout her time on stage. Alongside her, Broadway veteran Norm Lewis put mask back on (in this case a swanky gold number) and became the musical Phantom of the Opera once again. His gorgeous baritone vocals provided some spectacular moments, especially in the rousing Till I Hear You Sing and it’s always a treat to see him on a West End stage. It did however seem that the rock number The Beauty Underneath was not performed live, which is a bit disappointing in a show of this calibre, and it would be interesting to know what prompted this decision from the creative team. This isn’t a criticism of anyone in particular, but perhaps opens a wider conversation about how these concert versions are rehearsed and put together. Of course it’s a massive task to create such strong shows in a short amount of time and given their minimal runtime it’s understandable that the turnaround has to be fairly quick, but it would be curious to know if it’s possible to create a rehearsal process that works for everyone involved and doesn’t leave the audience feeling shortchanged.
Aside from this, the music was incredibly strong, with a number of stand out moments that brought to life the deeply evocative and emotive feelings which course through this show. As Meg Giry, Courtney Stapleton brought a lovely buoyancy and freshness which showed the character in a new and engaging light, whilst Matthew Season-Young provided some strong vocal moments as Raoul. The supporting cast, including the London Musical Theatre Chorus deserve commendation for their remarkable vocals which truly soared in the Theatre Royal Drury Lane.
Staging wise, this was one of the less full-out concerts compared to others but it still did an excellent job of evoking the world of Phantasma and showcasing some of the whimsy of Coney Island. Rebecca Brower’s costumes were very in keeping with the gothic vibes and cleverly mirrored some of those from the original Phantom production, overall creating a dynamic atmosphere which cleverly set the place and time, without overshadowing the music.
The LMTO orchestra, under the baton of Freddie Tapner, masterfully captured the intricate emotions of the music, underscoring the characters' journeys with every note. The majestic melodies and haunting refrains were a testament to the timeless quality of Lloyd Webber's composition and it was such a treat to hear the score performed by such a large group of highly talented musicians.
While Love Never Dies has faced criticism for its narrative depth, the concert format seemed to address some of these concerns. The live performance allowed the characters to shine and their relationships to be explored with greater nuance. A lot of the plot is quite frankly ludicrous and the characters have taken complete 180s from their initial iterations but this concert format seemed to be a perfect vehicle for highlighting the strengths of the piece while minimising its perceived weaknesses.
Overall Love Never Dies in Concert, was a captivating and emotionally resonant experience. The talented cast and impeccable orchestral accompaniment combined to create a theatrical event that honoured the legacy of its predecessor while standing as a powerful production in its own right. Many of the original book issues still stand but from the audience reaction, it’s clear that this is still a show which many hold close to their hearts.
Reviewed on Tuesday 21st August 2023 by Olivia Mitchell
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 22 August 2023
Death Note the Musical in Concert at the London Palladium Review: An Ambitious and Engaging Evening
a testament to the creative team's dedication to translating the essence of Death Note to the stage"
Death Note the Musical (Concert)
London Palladium
★★★★
In its first ever English language performance Death Note the Musical in Concert provides an engaging experience, that beautifully combines a concert style show with the allure of a full-fledged production, including captivating staging, meticulously designed costumes, and expertly executed choreography. Drawing inspiration from the iconic Death Note franchise, which originated as a manga series written by Tsugumi Ohba and illustrated by Takeshi Obata, this musical adaptation pays homage to the rich history and context of the source material.
The exceptional cast, which include remarkable talents such as Frances Mayli McCann as Misa Amane, Dean John Wilson as L, Aimie Atkinson as Rem and Adam Pascal as Ryuk, deliver performances that breathe life into the characters. Their portrayal of the characters showcasing both their impressive vocal prowess and their deep understanding of the emotional complexities within the story which questions morality, justice and power.
While the storyline can be a bit challenging to follow, particularly for those not acquainted with the original Manga, the production's sleek execution manages to pack in a lot without feeling overwhelming. The adaptation skilfully navigates the intricate plot points, a testament to the creative team's dedication to translating the essence of Death Note to the stage.
The translation of various elements from the manga to the stage is nothing short of impressive in this truly ambitious concert debut. The show's director, Nick Winston, and the rest of the creative team, including choreographer Alexzandra Sarmiento and costume designer Will Skeet, deserve commendation for their remarkable work in seamlessly integrating these elements into the live performance. The audience's palpable elation is a testament to the success of this collaborative creative endeavour.
The pre and post-show buzz, along with the audience's enthusiastic reactions, clearly indicate that Death Note the Musical has found its niche. Wonderfully, it manages to attract those who might not typically be drawn to musicals, thanks to its connection to the established Death Note franchise and the efforts of the cast and creatives. This broad appeal speaks volumes about the production's ability to engage and captivate diverse audiences.
Admittedly, the sound balance did exhibit some issues on opening night, which can be expected with such an ambitious score. While it occasionally detracted from the overall experience, it's understandable for a complex production. Once the sound balance is finely tuned, there's no doubt that this show will achieve the impactful resonance it aims for.
Death Note the Musical in Concert at the London Palladium showcases the successful fusion of storytelling, outstanding performances, and production design. By highlighting the talents of the cast, and thanks to the creative vision, the musical celebrates the legacy of the Death Note franchise while crafting a unique and captivating theatrical experience. The show's potential to become an unforgettable sensation is evident, and with further refinements, it's poised to leave a lasting mark on the world of musical theatre and is a must see for fans of the source manga.
Reviewed on Monday 21st August 2023 by Olivia Mitchell
Photo Credit: Mark Senior
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 25 July 2023
Ride at the Southwark Playhouse Elephant Review: A Triumph of Story Telling
While it may not boast the grandeur of a West End spectacle, its simplicity and sincerity are what set it apart"
Ride
Southwark Playhouse Elephant
★★★★
Embarking on a wondrous return, the dynamic musical Ride, crafted by Freya Catrin Smith and Jack Williams, is back to captivate audiences with an enchanting odyssey like no other. Having previously seen this show as part of the Vault Festival in 2020, it's amazing to see how it has developed and become even more of a theatrical gem.
This thrilling new production delves into the extraordinary escapades of Annie Londonderry, an indomitable spirit who shattered barriers in 1895 by becoming the first woman to cycle around the globe. Fearlessly challenging societal norms and religious expectations, Annie spins a captivating tale that dances on the edge of truth and fiction, skillfully molding narratives to serve her greater cause. She fearlessly embraces her convictions, even if it means bending the boundaries of morality. Wrapped around Annie's finger from the moment the metaphorical curtain is raised, we are spellbound by her storytelling prowess.
This British masterpiece takes us on an emotional rollercoaster ride, filled with hearty laughter and unflinchingly honest revelations about life and society, leaving a profound impact. With every twist and turn, the characters' raw emotions and vulnerabilities are beautifully portrayed, drawing us into their world and ensnaring our hearts until the closing moments.
The brilliance of Ride shines through the remarkable performances of its two-person cast: Liv Andrusier as Annie and Katy Ellis as Martha. Their chemistry is palpable, and they breathe life into their characters with heartfelt authenticity. Liv's portrayal of Annie is a multi-dimensional masterpiece, blending determination and defiance as she navigates a male-dominated world, striving to be heard. Her captivating Bostonian drawl lures us in, and her vocal prowess keeps us enchanted as she flawlessly delivers the demanding score, showcasing a masterclass in acting through song.
Under the direction of Sarah Meadows, Liv's performance radiates authenticity, leaving no doubt that this role was destined for her. Her portrayal of Annie exudes old Hollywood star quality, and her stage presence is truly remarkable.
Katy Ellis skilfully takes on the role of Martha. With comic flair and charming wit, Ellis brings Martha's thoughts to life, infusing the character with delightful nuance. While Annie weaves the narrative, Martha's hesitance and humorous antics provide the perfect balance, eliciting laughter from the audience. Throughout the show, Katy astounds as she embodies various characters in Annie's story, infusing each with unique purpose and unveiling layers of compassion, empathy, and a hint of romance.
Both Liv and Katy breathe a profound humanity into these characters, capturing the hearts of the audience. Their nuanced performances are a testament to their immense talent and dedication, leaving us in awe of their emotional range.
The minimalist yet ingenious set design by Amy Jane Cook effortlessly transports us to multiple locations, aided by clever use of props and set pieces that set our imaginations free. Matt Powell's projections expand the space, while Andrew Johnson's sound design adds an extra layer of brilliance, spotlighting the subtlest of sounds.
At the heart and soul of Ride lies its soul-stirring music. The mesmerising melodies and emotionally charged lyrics take us on an unforgettable journey, resonating deeply within us. While some musical moments may seem repetitive, they ultimately deliver an emotional and vocal punch, showcasing the brilliance of new British compositions.
Ride is an absolute triumph of storytelling, talent, and artistic vision. This emotionally charged musical takes us on a profound journey of self-reflection and connection. While it may not boast the grandeur of a West End spectacle, its simplicity and sincerity are what set it apart. Ride showcases the very essence of what theatre can offer, leaving us yearning to relive this magical journey again and again.
Reviewed on Monday 24th July by Olivia Mitchell
Photo Credit: Danny Kaan
{AD PR Invite- tickets gifted in exchange for honest review}
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