Posts with the label uk tour
Showing posts with label uk tour. Show all posts
Showing posts with label uk tour. Show all posts
Wednesday, 27 November 2024
Now That’s What I Call a Musical: A Fun Nostalgia-Fest with some Flaws | Review
Now That’s What I Call a Musical
New Victoria Theatre
If you’re craving a night of toe-tapping 80s hits and breezy humour, Now That’s What I Call a Musical might be just the ticket. Currently touring the UK, this jukebox musical delivers big on nostalgia, though it stumbles in depth and pacing. With a talented cast and high-energy set pieces, it’s a fun evening out, even if it doesn’t push any creative boundaries.
The first act introduces a 1989 school reunion and a group of ex-students struggling with love, ambition, and nostalgia. However, while the setup is charming enough, the narrative lacks momentum, with the story often feeling like it’s merely an excuse to lead into the next song. Fortunately, the second act ramps up the stakes. Secrets unravel, tensions surface, and the characters finally confront their dilemmas in earnest. While these revelations might not reinvent the wheel, they bring a welcome spark of drama and emotional resonance.
The cast gives it their all, infusing charisma and vocal talent into even the thinnest material. Nina Wadia (as Gemma who feels stuck in her life) brings a heartfelt performance and vocals. Shakil Hussain steals scenes as the sarcastic but brother, delivering some of the show’s best comedic moments. Meanwhile, Chris Grahamson is compelling as Tim, the sleazy player who's got Gemma wrapped around his finger. The standout is absolutely Melissa Jacques who enters just before the end of act one and provides the best vocals and some really emotional moments. Her portrayal of the larger than life April, who went to LA to live her actress dreams is very well characterised and feels like the most developed of them all. Carol Decker makes a guest appearance for one song and showcases her great vocals in her hit song 'China in Your Hand'.
The humour is light and occasionally sharp, with plenty of laugh-out-loud moments and nods to the 80s. The jokes might not land for everyone, but there’s an endearing self-awareness in the script that keeps it from taking itself too seriously. And, of course, the 80s anthems are the real star here. Whether it’s 'Red Red Wine' or 'Every Breathe You Take', the production knows how to use these iconic songs to maximum effect.
The show’s design team deserves applause. The set design, by Tom Rogers, captures the small-town charm with a versatile backdrop that transitions seamlessly between locations. Ben Cracknell’s lighting design adds flair, particularly in the second act’s climactic moments, bathing the stage in dramatic reds and blues that elevate the mood. The sound design by Adam Fisher ensures the music is crisp and immersive, though there were moments where dialogue got lost beneath the score.
If there’s a weakness, it’s in the writing. Pippa Evans' script doesn’t dig deeply into its themes or characters, sticking to predictable tropes and shallow conflicts. While this simplicity might frustrate those looking for a more substantial narrative, it’s clear the focus here is on entertainment, not profundity.
Now That’s What I Call a Musical won’t change your life, but it’s an enjoyable escape. For fans of 80s music, it’s a nostalgic treat, carried by a dedicated cast and vibrant production design. While the story doesn’t say anything new, the show’s heart and humour make it a worthwhile outing. Go for the tunes, stay for the laughs, and enjoy the trip down memory lane.
★★★
Reviewed on Tuesday 26th November 2024 by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 12 November 2024
The UK Tour of The Rocky Horror Show Delivers Electrifying Fun
Rocky Horror (UK Tour)
New Victoria Theatre
The current UK tour of The Rocky Horror Show is a dazzling celebration of camp, comedy, and timeless rock ‘n’ roll rebellion. Richard O’Brien’s cult classic continues to delight audiences, and this production pulls out all the stops, blending sensational performances with impressive choreography and vivid lighting design that heightens the show’s electrifying atmosphere.
This 2024-25 tour boasts a stellar ensemble led by the charismatic Stephen Webb as Frank-N-Furter, whose magnetic stage presence and powerful vocals breathe new life into the iconic 'Sweet Transvestite'. Erica Wild (at this performance) shines as Janet, combining comedic timing with vocals that soar in numbers like 'Touch-a, Touch-a, Touch Me'. Opposite her, Connor Carson brings humour and vulnerability to Brad, nailing his transformation from buttoned-up to liberated, as well as providing spectacular vocals.
A special shoutout goes to Edward Bullingham as Eddie/Dr. Scott, whose versatility and energy light up the stage, and Joe Greuter as Riff Raff, whose performance captures both menace and mischief, and brings some of the most amazing vocals to the show. Meanwhile, Natasha Hoeberigs delivers a spellbinding portrayal of Magenta, and Jayme-Lee Zanoncelli infuses Columbia with relentless charm. Together, the cast creates a perfect harmony of chaos, comedy, and glamor.
As always, The Rocky Horror Show thrives on audience interaction, and the current tour embraces this with gusto. The Narrator, played by Nathan Canton, deserves particular praise for his impeccable wit and quick-thinking, delivering ad-libbed responses to audience callouts that kept the theatre roaring with laughter. His dry humour perfectly balances the wild, unrestrained energy of the rest of the production and brought a modern twist to the show that works really well.
The technical brilliance of this production enhances the experience. The lighting design uses bold, neon hues and dramatic contrasts to amplify the show’s gothic and sci-fi aesthetic, especially during key numbers like 'Over at the Frankenstein Place'. The choreography, spearheaded by Nathan M. Wright, is a standout, with each dance number exuding energy and precision while maintaining the delightful chaos that defines Rocky Horror.
What makes this tour particularly noteworthy is how it embraces the timeless themes of liberation, self-expression, and community while subtly nodding to modern sensibilities. The chemistry between the cast and the audience creates a shared experience that feels both nostalgic and refreshingly contemporary.
Whether you’re a longtime “Transylvanian” or a first-time viewer, this tour of The Rocky Horror Show promises a night of unapologetic fun, unforgettable music, and stellar performances. From the iconic 'Time Warp' to the heartfelt 'I’m Going Home', every moment brims with energy and passion.
Book your tickets now to catch this phenomenal production on its UK tour- it’s a thrilling night out that’s guaranteed to leave you grinning and singing along. With its flawless cast, stunning visuals, and classic rock ‘n’ roll charm, The Rocky Horror Show continues to be a cult masterpiece that’s impossible to resist.
★★★★
Reviewed on Monday 11th November 2024 by Olivia
Photo Credit: David Freeman{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 30 October 2024
Dear Evan Hansen UK Tour Shines with Stellar Cast Led by Ryan Kopel as Evan
Dear Evan Hansen (UK & Ireland Tour)
New Victoria Theatre
The UK touring production of Dear Evan Hansen is a powerful reimagining of this iconic musical, bringing a fresh perspective on the poignant themes of loneliness, mental health, and connection. With an emotionally charged lead performance by Ryan Kopel as Evan, this tour delivers an impactful night at the theatre, even if certain plot elements occasionally feel drawn out.
The story centers on Evan Hansen, an anxious high schooler who, after a classmate's tragic death, finds himself unintentionally entwined in a lie that spirals beyond his control. His journey explores themes of identity, social isolation, and the quest for belonging- a plot that resonates as deeply now as it did on the West End.
One of the biggest draws of this tour is the remarkable cast, each bringing a fresh, dynamic energy to their roles. Ryan Kopel’s portrayal of Evan is truly outstanding. The role is demanding, both physically and emotionally, requiring stamina, vulnerability, and incredible vocal control- Kopel delivers on all fronts. His clear, supported voice was faultless, his high notes beautifully sustained, adding depth to Evan's raw emotional state. In key numbers like 'Waving Through a Window' and 'Words Fail', Kopel navigates complex vocal lines with ease, creating a deeply moving experience for the audience.
Other cast members also stand out, especially Alice Fearn as Evan’s mother Heidi, whose raw emotion and vocal strength bring heart to the challenging role of a single mother trying to connect with her son. Lauren Conroy as Zoe Murphy brings a nuanced, sensitive touch to Evan’s love interest, balancing warmth with resilience. Tom Dickerson brings excellent comic relief to the musical as Jared Kleinman, bouncing off the other cast members brilliantly, as well as providing some great vocals. Killian Thomas Lefevre is engaging and interesting as Connor Murphy, while Vivian Panka brings real depth and charm to Alana Back. Meanwhile, Helen Anker and Richard Hurst as Cynthia and Larry Murphy round out a strong ensemble, infusing depth into the grieving parents navigating an unimaginable loss.
While the touring version of Dear Evan Hansen maintains the essence of the original West End production, subtle changes give it a fresh appeal. The staging is slightly pared down but still uses projections to convey the overwhelming impact of social media on Evan’s life. This simplified set design may lack the intricate detail of the West End, but it shifts the focus squarely onto the characters’ raw emotions, allowing the actors’ performances to truly shine.
The music, written by Benj Pasek and Justin Paul, is the highlight and fundamental strength of the production. Songs like 'For Forever', 'Only Us' and the powerful ensemble number 'You Will Be Found' are beautifully melodic and resonate deeply, perfectly mirroring Evan's emotional turmoil and the longing for connection that permeates the story. That said, the show’s pacing lags at points, especially in the second act. Certain scenes feel slightly stretched, and the plot occasionally meanders, which impacts the overall flow. Nonetheless, the emotionally charged score and Kopel’s riveting performance help the production recover from these slower moments.
Ryan Kopel’s portrayal of Evan is nothing short of stellar, capturing the emotional weight of the role with impeccable vocal and physical stamina.”
Ultimately, this touring production of Dear Evan Hansen offers a heartfelt, stirring experience, driven by a cast whose performances capture the story’s core themes. While the pacing could benefit from a tighter structure, the show’s ability to connect with audiences remains as strong as ever. Ryan Kopel’s Evan is a tour de force- worth experiencing for his performance alone, as well as for the lovely ensemble that brings this story to life across the UK.
Reviewed on Tuesday 29th October 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Monday, 28 October 2024
Dear Evan Hansen Extends UK Tour with Extra Dates for 2025!
Fans across the UK now have extra chances to experience the powerful story of Dear Evan Hansen as ATG Productions announces an extended four-week run due to popular demand. This award-winning musical- celebrated with Olivier, Tony, and Grammy wins- will reach additional cities with new dates, bringing this moving production to even more audiences. The tour, directed by Nottingham Playhouse's Artistic Director Adam Penford, premiered at the Nottingham Playhouse in September 2024 and has captivated audiences nationwide with its emotional depth and impactful story.
Dear Evan Hansen tells the story of Evan, a socially anxious high schooler whose desire to fit in leads him down a path of tangled truths and unexpected consequences. Ryan Kopel (Newsies) stars as Evan, delivering a nuanced performance alongside Lauren Conroy (Into the Woods) as Zoe Murphy and Alice Fearn (Wicked, Come From Away) as Heidi Hansen, Evan’s mother. Supporting them is an ensemble cast, including Helen Anker (Mamma Mia!), Richard Hurst (The Lion King), TikTok-discovered Sonny Monaghan as alternate Evan, Killian Thomas Lefevre (Bat Out Of Hell) as Connor Murphy, Tom Dickerson (Heathers) as Jared Kleinman and Vivian Panka (9 to 5 the Musical) as Alana Beck. The ensemble are Lara Beth-Sas, Will Forgrave, Daniel Forrester, Jessica Lim, Sonny Monaghan and Elise Zavou. This marking the first UK production to incorporate an ensemble cast.
This extended leg will visit Aylesbury Waterside Theatre (June 10-14), Birmingham Alexandra (June 17-21), Grand Opera House York (June 24-28), and Edinburgh Playhouse (July 1-5), with tickets available now at evanontour.com. The production’s team boasts a high-caliber crew, with design by Morgan Large, choreography by Carrie-Anne Ingrouille, lighting by Matt Daw, and a score by Benj Pasek and Justin Paul, whose songs have become musical theatre icons.
In partnership with The Mix, a UK charity supporting those under 25, Dear Evan Hansen provides resources and outreach to audiences affected by its themes, addressing mental health issues relevant to young people today. This partnership reinforces the musical’s mission to encourage conversation, support, and awareness for sensitive issues central to the story.
Get ready to immerse yourself in the unforgettable world of Dear Evan Hansen, a journey of truth, forgiveness, and resilience that speaks to audiences of all ages. Don’t miss your chance to witness this celebrated musical on its extended UK tour- book your tickets soon, as demand continues to grow.
photo credit: Marc Brenner
Wednesday, 23 October 2024
Here You Come Again: Strong Performances & Nostalgic Set Design Outshine a Thin Plot in This Dolly Parton-Inspired Musical
Here You Come Again (Tour)
New Victoria Theatre
Here You Come Again: The Musical is a lighthearted jukebox musical that blends the iconic charm of Dolly Parton’s greatest hits with a tale of self-discovery set during the lockdown era. Created by Bruce Vilanch, Gabriel Barre and Jonathan Harvey, this show brings the country queen’s signature wit and wisdom to the stage, all while exploring themes of loneliness, identity, and the universal need for connection. Currently touring, it is soon heading to the West End, where fans of Dolly’s music and humour will undoubtedly flock.
The story revolves around Kevin, a man struggling with the emotional fallout of a breakup during the pandemic. Isolated and adrift, Kevin is unexpectedly visited by his idol, Dolly Parton- part fairy godmother, part figment of his imagination—who helps him through his personal crisis with a series of humorous, song-filled moments. The concept of facing one's inner demons during lockdown is timely and offers moments of introspection, but ultimately, the plot feels somewhat underdeveloped. Kevin’s journey lacks the emotional depth to make his self-discovery truly engaging, and the ending, without giving too much away, feels a bit too convenient. While the premise is intriguing, there’s not enough character growth to sustain a two-hour show.
That being said, the real highlights of Here You Come Again lie in its stellar performances and detailed set design. The two leads- Tricia Paoluccio as Dolly and Steven Webb as Kevin- carry the production with extraordinary vocal talent and impeccable comedic timing. The chemistry between Dolly and Kevin is undeniable; their playful banter keeps the audience laughing, while their shared emotional moments add some needed tenderness to the storyline. The actors’ voices are perfectly suited to the classic Dolly Parton hits, delivering each song with warmth, power, and precision. Tricia Paoluccio is Dolly Parton, her portrayal is completely faultless, with every inflection and rhythm completely spot on. If you're attending this show for the music and the performances, you won’t be disappointed.
The set, designed by Paul Wills, is another triumph, offering a richly detailed, nostalgic environment that keeps things visually interesting despite its minimal changes throughout the show. Kevin's attic home is packed with fun Easter eggs, from a mischievous Sooty and Sweep puppet set to a slightly eerie Chucky doll lurking upstairs. Of course, Dolly Parton records dot the space, creating a shrine-like atmosphere perfect for a superfan like Kevin. The clever use of the set helps maintain the whimsical tone, with small magical effects (Richard Pinner) and props that appear out of nowhere, adding charm and surprise to each scene. The live band (led by Jordan Li-Smith) and ensemble, stationed mostly on the upper floor of the set, adds an extra layer of energy to the performance, and their seamless integration into the scenes enhances the intimate, living-room-concert vibe.
Despite the strengths of the performances and the captivating set, the plot often feels like it's simply a vehicle for Dolly’s music. While this is common in jukebox musicals, there are shows that manage to balance narrative and song more effectively. Kevin’s central conflict- his struggle with loneliness and identity post-breakup- doesn't feel fully resolved by the end. His transformation, or lack thereof, feels handed to him rather than earned, which may leave some audience members (myself included) feeling a bit underwhelmed.
However, the fairytale-like quality of Dolly’s guidance and the feel-good nature of her music provides enough sweetness and heart to make the experience worthwhile. For those who are diehard Dolly fans or enjoy a nostalgic trip through the country icon’s greatest hits, Here You Come Again offers plenty of charm. The show may not deliver the most compelling story, but its combination of five-star performances, a cleverly designed set, and Dolly’s ever-enchanting presence makes it worth a visit for a fun, light night out at the theatre.
★★★
Reviewed on Tuesday 22nd October 2024 by Olivia
Photo Credit: Hugo Glendinning
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 18 October 2024
Lord of the Dance- A Lifetime of Standing Ovations on Tour: A Footwork Feast with a Touch of Nostalgia
Lord of the Dance: A Lifetime of Standing Ovations
New Victoria Theatre
Lord of the Dance: A Lifetime of Standing Ovations is a unique production that showcases the unmatched talent of its dancers, but it also carries a sense of nostalgia that doesn’t quite hold up in today’s world. Originally created by Michael Flatley in 1996, the show is rooted in Irish mythology, featuring stunning footwork and energetic performances.
At its core, Lord of the Dance tells a mythic tale of good versus evil, with the "Lord" representing all that’s noble and heroic, while the "Dark Lord" embodies chaos and villainy. As these two archetypal male figures battle for dominance, female characters like "Saoirse" and "The Morrighan" find themselves relegated to fairly traditional roles: yearning for the hero or caught in the middle of the conflict. The story itself feels more like a backdrop to the dancing rather than a fully fleshed-out narrative, and the idea of macho men saving the day while women stand by feels a little tired in today’s cultural climate.
Visually, the show is a mixed bag. At times, the lighting, costumes, and staging can be quite effective, creating moments of real magic. However, there are other moments where the visuals feel random and disconnected, with no real cohesion in design or purpose. The costumes range from ethereal and elegant to overly flashy and out of place. The lighting effects, while dynamic, often seem to be trying to add drama where the narrative fails to deliver. These dated visual elements can distract from the otherwise incredible dance performances and make the production feel less polished than it once was.
That said, the live music elements, including violin interludes and occasional vocal performances, are a welcome addition. They break up the dance-heavy sequences in a way that adds depth and texture to the show. The mix of live music and recorded tracks is well-balanced, enhancing the energy of the performance while giving the dancers brief moments to reset.
The dancing itself is the undeniable highlight of the show. The sheer athleticism and precision of the cast are nothing short of remarkable. The iconic Irish step-dancing routines are performed with an intensity and flair that keeps the audience fully engaged, even when the story feels secondary. The choreography remains as impressive as ever, with the dancers’ footwork bringing an unmatched level of excitement and spectacle to the stage. Even if the visuals and plot don’t always hit the mark, the dancing alone is enough to make the show worth seeing.
Lord of the Dance is still a strong production for fans of Irish dance and music, but it feels very much like a product of its time. The plot is simple, predictable, and hinges on outdated gender roles, while the visual elements, although sometimes effective, lack coherence and can feel random or overdone. Yet despite these shortcomings, the live music and the incredible talent of the dancers keep the show afloat and make it worth a watch. It's a show that knows what it is and embraces it fully. It might not break new ground for those familiar with it, but it offers a nostalgic, enchanting escape for anyone craving the magic of Irish dance. For longtime fans, it’s a delightful revisit to a cherished classic, while for newer audiences, it serves as a beautiful introduction to the art form, even if it does show its age in places.
★★★
Reviewed on Friday 18th October by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 16 October 2024
Full Cast Announced for 2025 UK Tour of Bat Out of Hell The Musical
The producers of the award-winning Bat Out of Hell The Musical, which features Jim Steinman and Meat Loaf's greatest hits, have announced the full cast for the upcoming 2025 UK tour. This electrifying show, which begins performances on 6 January 2025 at the Edinburgh Playhouse, will tour across the UK until 20 September 2025, concluding in Northampton. Fans can expect a spectacular production featuring a dynamic cast, iconic rock songs, and unforgettable theatrical energy.
Joining the previously announced Glenn Adamson as Strat, Katie Tonkinson as Raven, Rob Fowler as Falco, and Sharon Sexton as Sloane, new cast members include Georgia Bradshaw as Zahara, Ryan Carter as Jagwire, Carla Bertran as Tink, Luke Street as Ledoux, and Carly Burns as Valkyrie. The full ensemble cast features a talented mix of West End and touring performers, including Leo Abad, Peter Camilleri, Joshua Dever, Reece Duncan, Georgia Holland, Georgia Iudica-Davies, Natalie Pilkington, Harriet Richardson-Cockerline, Sophie-Rose Emery, Catherine Saunders, Ethan Tanner, Craig Watson, James Wilkinson-Jones and Beth Woodcock. At certain performances, roles such as Strat, Falco, Sloane, and Ledoux will be covered by alternate actors, including Luke Street and Beth Woodcock.
Inspired by its arena tours in Australia and New Zealand, this reimagined production promises to be a high-octane experience, with a sprawling set design featuring multi-level platforms and an on-stage eight-piece rock band. The show immerses the audience in the fantastical world of Bat Out of Hell, delivering some of the most iconic rock anthems ever recorded. The musical features Jim Steinman’s legendary songs like You Took the Words Right Out of My Mouth, Bat Out of Hell, I Would Do Anything for Love (But I Won’t Do That), and Two Out of Three Ain’t Bad. It also includes the previously unreleased song, What Part of My Body Hurts the Most.
The stage adaptation of Bat Out of Hell has wowed audiences worldwide, with successful runs in Manchester, London’s West End, and international productions in Canada, Germany, New York, Las Vegas, and beyond. It received critical acclaim and won the Radio 2 Audience Award for Best Musical at the Evening Standard Awards, in addition to eight nominations at the WhatsOnStage Awards, including Best New Musical.
The musical tells the story of the immortal leader Strat and his love-at-first-sight obsession with Raven, the daughter of Falco, the ruler of a dystopian city. As their passionate connection grows, the two lovers find themselves caught in a struggle that threatens to tear both of their families apart. The production brings Steinman and Meat Loaf's epic collaboration to life on stage with a thrilling mix of music, romance, and rebellion.
The creative team behind Bat Out of Hell The Musical includes book, music, and lyrics by Jim Steinman, direction by Jay Scheib, musical supervision by Michael Reed, additional choreography by Xena Gusthart, set and costume design by Jon Bausor, and lighting design by Patrick Woodroffe. The UK tour is produced by Michael Cohl, Tony Smith, and David Sonenberg, with executive producer Julian Stoneman.
Audiences across the UK will have the chance to experience the exhilarating power of Bat Out of Hell when it kicks off its tour in 2025. Don’t miss this unforgettable celebration of rock ‘n’ roll, love, and rebellion!
photo credit:
Thursday, 10 October 2024
Full Cast Announced for UK & Ireland Your of Kinky Boots the Musical
Producers ROYO and Curve are thrilled to announce the complete cast for the all-new Made at Curve production of Kinky Boots The Musical, winner of Olivier, Tony, and Grammy Awards. This celebrated musical will tour the UK and Ireland starting from 17 January 2025.
Joining the cast are: Newtion Matthews (Once on This Island) as Lola for select performances and Simon Snr for all others. Kara Lily Hayworth (Cilla the Musical) as Nicola, Joe Caffrey (Billy Elliot) as Don, Kathryn Barnes (Guys & Dolls) as Pat, Lucy Williamson (Fame!) as Trish, Jonathan Dryden Taylor (Fiddler on the Roof) as Mr Price, Scott Paige (I Should Be So Lucky) as George, Liam Doyle (Heathers) as Harry.
The ensemble cast also features: Kofi Dennis, Ru Fisher, Ben Middleton, Ashley-Jordon Packer, Cerys Burton, Cole Dunn, Kaya Farrugia, Jordan Isaac, Deena Kapadia, Tori McDougall, and Liam McEvoy.
These new cast members will join previously announced stars: Johannes Radebe (Strictly Come Dancing) as Lola, Dan Partridge (Grease) as Charlie Price and Courtney Bowman (Legally Blonde) as Lauren.
Kinky Boots The Musical features a score by Cyndi Lauper and a book by Harvey Fierstein, with direction by Curve’s Artistic Director Nikolai Foster. The story, based on real events and the 2005 film, follows Charlie Price, a man trying to save his family’s failing shoe factory. When he meets Lola, a charismatic drag queen, their collaboration brings hope, reinvention, and a splash of glamour to the business.
With its uplifting message of celebrating individuality and finding common ground, Kinky Boots promises to “Raise You Up” starting January 2025.
The production is helmed by Nikolai Foster, featuring choreography by Leah Hill, set and costume design by Robert Jones, musical supervision by George Dyer, lighting design by Ben Cracknell, sound design by Adam Fisher, casting by Harry Blumenau CDG CDA, and wigs, hair, and make-up design by Campbell Young Associates.
Associate direction is by Michaela Powell, with associate choreography by Johnny Bishop, and associate sound design by Harry Barker. Production management is handled by Setting Line.
Kinky Boots is produced by ROYO and Curve. Don’t miss this fabulous production when it kicks off its tour in January 2025!
Wednesday, 9 October 2024
Tom Fletcher’s There’s a Monster in Your Show to Return for New Tour
The cast for this tour includes talented puppeteers like Charlie Daniels, Josh Macrow, Ben Murrell, Ashton Owen, and Gil Sidaway. The tour will start at Watford Palace Theatre in October 2023 and is expected to visit over 50 venues across the UK, running through June 2024
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