Posts with the label new victoria theatre
Showing posts with label new victoria theatre. Show all posts
Showing posts with label new victoria theatre. Show all posts
Tuesday 27 June 2017
A Judgement in Stone, New Victoria Theatre | Review
A Judgement in Stone
A Judgement in Stone is a classic thriller adapted from the novel by celebrated crime write, Ruth Rendell. The play is set in the 1970s and focuses on the barriers and social structures of the English class system. The social obsessions and tensions this system brings are bought starkly to life.
The play highlights the differences and positions between the middle/upper classes and the much less educated lower working class when the meek, mild mannered Eunice Parchman (played by Sophie Ward) becomes housekeeper for the Coverdales at their country house. Sophie is excellent as Miss Parchman, it took me a while to know is was her as she is so unrecognisable. She portrayed the character perfectly, suitably subservient, fragile, insecure, down trodden and ever so slightly simple treating her employers like royalty but with a hidden depth and secrecy to the character.
Mark Wynter and Rosie Thompson play the Coverdales extremely well; complete snobs, pretentious, exuberant social climbers who see themselves in the upper echelons of society but with his position as a factory owner could easily be described as upper working class- god forbid!
Jennifer Sims as Melinda Coverdale is the perfect spoilt brat, a daddy's girl without a worry in the world. Her step-brother, Giles, played by Joshua Price is a typical foppish, alternative rich boy. The detectives played by Andrew Lancel and Ben Nealon both give believable performances. I was pleasantly surprised by Anthony Costa (formally a member of boyband, Blue) who plays Rodger Meadows and I have to say: the boy can act!
Deborah Grant as the maniacal Joan Smith is perfect for this part, very watchable with the right amount of of madness and humour. Shirley Anne Field plays the Coverdales cleaning lady Eva Baalham, who's timing and overall performance are excellent however, I felt that the part was extremely small and somewhat insignificant for such a great actress.
The whole play centres around one set, the Coverdales dining/sitting room with various doors leading off of it. However, due to the clever production, staging and lighting, the backdrop does not become boring.
All in all, A Judgement in Stone provides a great evening full of atmospheric suspension and tension.
Tuesday 9 May 2017
Thoroughly Modern Millie (UK Tour), New Victoria Theatre | Review
Thoroughly Modern Millie
New Victoria Theatre
New Victoria Theatre
Reviewed on Monday May 8th 2017 by Valerie Field
★★★★★
Thoroughly Modern Millie has had many reincarnations and is based on a 1967 movie musical that is itself based on a 1956 London stage musical that in turn became a 2002 Broadway show. This new tour mixes a bit of each in to create a very enjoyable and well constructed production.
Set in 1922, Thoroughly Modern Millie tells the story of small-town girl Millie Dillmount who makes her way to New York with the sole intention of finding a husband, not out of love but for money. However, events take a sinister turn when she checks into the Hotel Priscilla for single women which just happens to be owned by Mrs Meers, the leader of a white slavery ring. Things get interesting for sure!
Joanne Clifton as Milly, the Kansas girl desperate to make it in New York, is superb and effervescent. Although she is probably best known for her dancing on Strictly she can certainly act and has a good singing voice. She's the perfect fit for the title character and she warmed to the audience immediately.
A big mention must go to Graham McDuff as Mr Grayden, especially for his drunken scene which was hilarious and had the whole theatre laughing. Lucas Rush also deserves a mention as Mrs Meers, embodying the character well and showing off a great stage presence throughout.
The glamorous costumes, all out dancing and typically Broadway music are exactly what you'd expect from a show like this and combined with the art deco set, it's easy for the audience to get drawn in and lost in the 1920s world. Each scene change is done effortlessly, especially the office scene which is simplistic but highly effective.
All in all, Thoroughly Modern Millie is a 'feel good show' of the highest decree. I would highly recommend going to see it for a few hours of escapism and entertainment. The whole cast are outstanding and really seem to be having a wonderful time on stage which comes across in making their performances lively and energetic. The standing ovation received at the end of the show was evident of how much the audience enjoyed it so it's well worth a visit to Thoroughly Enjoyable Modern Millie!
Wednesday 26 April 2017
Funny Girl (UK Tour), New Victoria Theatre | Review
Funny Girl (UK Tour)
New Victoria Theatre
Reviewed on Tuesday April 25th 2017 by Olivia Mitchell
★★★★★
Funny Girl is one of my absolute favourite musicals and was one of the first reviews I ever wrote (which you can read here.) I saw the show when it was in previews at the Savoy Theatre and never had the chance to go back so I was very excited to see it again on it's UK tour to see if it still lived up to my initial praise. I am very pleased to say that it did and even exceeded it!
Funny Girl tells the story of the young Jewish girl, Fanny Brice who longs to be a star and is not going to take no for an answer. Whilst many people in the industry brand her as "not pretty enough", her comedic talent, natural stage presence, strong voice and sheer determination allow her her big break as she becomes a star with the Ziegfeld Follies. Along the way she meets the mysterious Nick Arnstein and we follow the ups and downs of their rollercoaster relationship.
The simplistic but beautiful set and staging takes the audience to 1920s New York perfectly with the precise amount of extravagance and spectacle to add to the show and story without detracting from it at all. Most of the scenes take place on the created stage and backstage where Fanny is performing and the use of other theatrical elements is very cleverly used such as spotlights, curtains and mirrors.
The entire cast are sublime with the versatile, energetic ensemble completely bringing the ornate dance scenes to life. Especially impressive was the dance which included pointe shoes with taps on them. The choreography is spectacularly sharp and show-stopping and executed faultlessly.
Natasha J Barnes as Fanny Brice is completely and utterly mesmerising. Her stage presence is outstanding and she absorbs the audience into the world of Miss Brice flawlessly. Her portrayal is warm and witty, with sensational vocals and sublime comedic timing. It's not only her high energy moments which are impeccable though but the quiet moments of vulnerability where we really see what a brilliant actress she is. Music That Makes Me Dance was a particular stand out moment for me as the entire audience was not only silent but seemed as if they were so enraptured in the moment that they were holding their breath. It was a truly magical theatrical moment. I was thoroughly blown away by Barnes and can't wait to see her continue to become a star of the stage and the blazing supernova she deserves to be.
Fanny's charismatic love interest is played by Darius Campbell who takes on the role very well. He is engaging and his strong voice carries well and pairs flawlessly with Barnes' especially in Who Are You Now which is touching and emotive. He has just the right mix of charm, wit, mystery and darkness to fully show the multiple layers of the problematic Nick Arnstein.
I am so impressed by this entire production and it is absolutely the best touring production I have seen. The calibre of every moment is top notch and I was mesmerised throughout. Funny Girl has every element necessary and ticks all the boxes needed for a wonderful theatrical experience. Natasha Barnes steals the show with her astonishing performance; she is truly the greatest star and a complete inspiration.
Funny Girl runs at the New Victoria Theatre until April 29th 2017 before continuing on it's UK tour.
Tuesday 4 April 2017
Wonderland (UK Tour), New Victoria Theatre | Review
Wonderland (UK Tour)
New Victoria Theatre
Reviewed on Monday 3rd April 2017 by Olivia Mitchell
Reviewed on Monday 3rd April 2017 by Olivia Mitchell
★★★
I finished performing in Will Todd's opera Alice's Adventures in Wonderland on Friday and have already taken another trip down the rabbit hole to see the UK Tour of Wonderland- I see an Alice theme becoming part of my life!
Frank Wildhorn, composer of one of my favourite musicals Bonnie and Clyde has reworked the Classic tale of Alice into a contemporary story about finding your place in the world. The story follows single mother Alice (Kerry Ellis) who lives in a bleak city with her ridiculously mature daughter Ellie (Naomi Morris). Stuck in a rut after her manipulative ex-husband kicked all her confidence out of her, she seeks a life away from the real world. When a bunny which promises to take her out of her mundane life hops in front of her, it seems like the logical option to follow him down the hole... or lift! Joined by their neighbour Jack (Stephen Webb) they end up in the magical and mysterious Wonderland.
The story is about self-belief and self-discovery and touches on some relevant issues. With Alice saying that "girls need to know that they should value themselves" and the rabbit expressing that "nothing can exist 'til you dream it first", it's sweet and heart warming.
Wonderland itself is bizarre, whimsical, quirky and truly bonkers. With all the well known characters such as the Queen and Hatter popping up throughout. Alice discovers that if she steps through the Looking Glass, she'll come out as a different version of herself. She toys with the idea of stepping through but is skeptical to return to the strong woman she was before.
Kerry Ellis is a star as Alice. Her vocals are faultless as she effortlessly belts out each number. Her stage presence is strong and it's joyful to watch her transformation throughout the show. Alongside Naomi Morris as her strong spirited daughter (who has a striking resemblance in voice and looks to Lilla Crawford) the pair create a lovely duo and a believable chemistry onstage.
For me the standout by far is Natalie McQueen. Her voice is off the charts and her scatty, feisty and extremely mad portrayal of the Hatter completely steals the show. She is compelling throughout and her facial expressions are enough to cure all types of illness!
Wendi Peters embraces the role of the evil Queen of Hearts well, mastering the comedic timing impeccably and showing off her superb singing voice. It's a shame how little time she is on stage as it would be lovely to see her for more than a fleeting moment at a time. Nevertheless, her portrayal is wonderful.
The score is brilliant with wit, pace and just the right amount of craziness but the script is a little weak. At times it feels forced and cringey , with the dialogue not adding much to the show other than filling time. Personally I feel that the overall downfall is that there is not a clear target audience. There are times where it seems better for young adults and adults but others where it's almost pantomime like and seems aimed at very young children. There is a lot of potential but I think there needs to be a little work done to make the show fully solid and fluid.
The music is engaging and enjoyable. The spectacular performers and witty moments make it a really enjoyable show to watch and a fun family night out.
Wonderland is on at the New Victoria Theatre until Saturday April 8th
Tuesday 21 March 2017
Sister Act (UK Tour), New Victoria Theatre | Review
Sister Act
★★★★
Based on the 1992 hit film starring Whoopi Goldberg, Sister Act tells the tale of nightclub singer Deloris who witnesses her violent partner commit a murder. Forced to be a witness and then forced into hiding, she ends up staying a convent which is under threat of being closed down for not attracting enough people to it's Sunday services. The production is full of glitzy outfits and laugh out loud moments and despite falling slightly flat at times, it is full of great performances and leaves the audience feeling good.
Craig Revel-Horwood's choreography is exciting and full of funny moments. Namely a slow motion scene which worked wonderfully and was warmly received by the audience, as was the majority of the show. Craig's production captures the spirit of family and friendship wonderfully and ensures the audience has a fun night out but it's hard to miss the weakness of the plot. The story is just a little too silly and basic to be fully effective but for a lively girls night out that can be overlooked and enjoyed for the laugh that it is.
Overall there is a high standard of performance with Alexandra Burke's leading lady Doloris holding her own throughout. She is sassy, likeable, over the top and delivers her comic lines wonderfully. Personally I struggled to understand what she said a lot of the time due to under-annunciated consonants but her singing and comic performance was fabulous and she fits into the role perfectly.
Each of the nuns have their own personalities which shine through from beginning to end and each of the individual stand out moments really add to the production. It's wonderful to see such a strong cast with an ensemble that are tight and seem to genuinely be enjoying themselves.
Sister Act is full of solid performances, buckets full of laughs, fabulousness and a whole lot of joy. Even though the story is silly and simplistic, it works wonderfully as an exciting night out and I'm sure it will continue to thrill audiences around the country.
Sister Act continues to play at the New Victoria Theatre until March 25th before continuing on it's tour.
Photo by: Tristram Kenton
Tuesday 14 March 2017
Shirley Valentine (UK Tour), New Victoria Theatre | Review
Shirley Valentine
New Victoria Theatre
Reviewed on Monday 13th March 2017 by Glenys Balchin
Reviewed on Monday 13th March 2017 by Glenys Balchin
★★★★★
I am old enough to have seen the Oscar nominated Shirley Valentine film nearly thirty years ago but never the play. Therefore I was not sure whether or not I would enjoy the one woman show without the famous Costas played by Tom Conti in the film. But I was not disappointed. Jodie Prenger shone as brightly as Pauline Collins had thirty years ago as Shirley Valentine.
For the duration of two hours Jodie Prenger marched and swaggered to dominate the stage and all the time cleverly engaging and drawing in her the audience. You totally forgot she was on her own as she brought the other characters to life on stage. I would certainly recommend this show to my friends but with the caveat that they are women of a certain age.
The play itself is about a bored and disillusioned Liverpudlian housewife who is trying to find her identity and get back her “unused life”. Her adventures starts when her best friend invites her to go to Greece on holiday with her. She takes up the offer of a trip as she feels dissatisfied, neglected and ignored by her husband and family, now that her children have flown the nest. She goes to Greece for a two week holiday but decides to stay and as she feels no one would miss her at home.
Don’t be mistaken into thinking this is a Greek tragedy, it is a heartfelt emotional comedy with Jodie Prenger performing with impeccable comedic timing to make you laugh and cry at the same time. Willy Russell is amazing in understanding the psyche and intellect of women. This comedy may have been written three decades ago, 1986 to be exact, but is still just as relevant today, which in a way is a sad thing for me to have say, as you would have thought that we would have moved on. On saying that the age of the leading lady probably would now be older and there certainly are more opportunities for women these days to follow, as long as they have the right encouragement at home.
As for depicting the era I thought the kitchen set was a throwback of my Mum’s kitchen in the eighties when I was growing up so, for me it was a real nostalgic trip down memory lane. I thought it was a good decision to keep to the original decade of when the play was written rather than updating to the current day. The special effect when Jodie Prenger cooks eggs and chips during the play added an authentic touch plus Jodie really knew how to work the kitchen so fully believable.
My only criticism on not depicting the 80’s accurately would be Jodie’s hair which was more the fifties style rather than over permed shaggy haircut or that of the late Lady Diana’s hair style. The music could have been more eighties and when she was in Greece a little bit more Zorba but that may have distracted from the performance.
There is no doubt that Prenger owns the stage and mesmerises her audience with her larger than life personality which carries this revival of Shirley Valentine from the opening to the curtain call. To give an amazing performance like Jodie delivered must be attributed to the way she has been directed by the legendary Glen Walford, who has skilfully nurtured Jodie’s talent to enable her to deliver a fast-paced performance which does not falter nor lose energy from the fast paced monologue.
My first thought of seeing Shirley Valentine is that it would feel out-dated, not funny and never equal the performance of Pauline Collins, so I was very happy to say that I have been proven totally wrong. The Willy Russell script has clearly stood the test of time, and Jodie Prenger was absolutely sensational in the part. It was a great night at the theatre it made me laugh but at the same time I came home thinking about my own “Unused Life”.
If you are a woman of a certain age then this show is a must for you, it will make you laugh, give you great pleasure and happiness a real nostalgic trip back to the eighties.
Shirley Valentine runs at the New Victoria theatre until March 18th 2017 before continuing on its UK Tour
Shirley Valentine runs at the New Victoria theatre until March 18th 2017 before continuing on its UK Tour
Tuesday 28 February 2017
Ghost (UK Tour), New Victoria Theatre | Review
Ghost (UK Tour)
New Victoria Theatre
Reviewed on Monday 27th February 2017 by Valerie Field
Reviewed on Monday 27th February 2017 by Valerie Field
★★★★
Despite all the drama and speculation that has been surrounding this show, I thoroughly enjoyed it and found it very moving and well acted. I have never seen the film but know of the story and have heard all about the iconic scene at the potters wheel so I was a bit surprised that more wasn't made of that scene on stage. The fact that this is my only major criticism shows how much I enjoyed the show.
The scenery was great and scene changes were smooth and convincing with each set feeling exactly like the place it was portraying and the characters fit into it perfectly. The special effects were brilliant and really added to the show, although sometimes they did feel a little unnecessary, altogether they added a very nice layer to the performance.
The acting, dancing and songs were great and very entertaining, memorable and enjoyable. Carolyn Maitland was wonderful as Molly and has fabulous chemistry with Andy Moss as Sam. Both their voices are strong and they are convincing as the characters.
Jacqui Dubois as Oda Mae was a definite stand out and was fantastic on stage, stealing the show at points and really showing off her star power. Garry Lee Netley as the Subway Ghost deserves a special mention as he was a great presence on stage and suited the character wonderfully.
My only other criticism is that I did feel sometimes the orchestra was a bit too loud when the solos were being sung as it seem to drown the singer's voices slightly. This was probably just an issue that night.
Apart from that the show was great and I enjoyed it immensely and will definitely recommend it. The cast are strong and well rounded. The sets, costumes and effects fit the show precisely and overall it was a great night out seeing a much loved musical. All in all I think the whole show came together really well and was a very entertaining evening.
Ghost runs at the New Victoria theatre until March 4th and then continues on it's UK tour.
Photo credit: Matt Martin
Friday 24 February 2017
Aida (UK Tour), New Victoria Theatre | Review
New Victoria Theatre
Reviewed: Wednesday 22nd February 2017 by Melanie Mitchell
★★★
Being a relatively inexperienced Opera goer, I wondered how an opera this grand and majestic could be brought to life on the relatively small stage of the New Victoria theatre. My concerns were soon banished. Ellen Kent’s touring production of Aida comes to life with the spectacle, majesty and grandeur the opera was intended for.
The Triumphal March with a cascade of golden confetti and fire is particularly spectacular. One of the main highlights is the appearance of Houdini the Black stallion as the war horse of Radames which was a magical moment to see.
The cast were truly magnificent as was the Orchestra of the National Opera and Ballet Theatre of Moldova, conducted by Vasyl Vasylenko, both playing and singing the extremely difficult score with ease and agility.
All the male performers were strong and powerful, however the Spanish tenor, Giorgi Meladze playing the part of Radames is undoubtedly one of the most beautiful, and powerful tenors I have heard. His voice soared effortlessly and the intense emotion of the piece could be heard in every note.
The female leads both gave accomplished and spirited performances. The mezzo-soprano Zarui Vardanean has a beautiful voice and gave a real air of jealousy and malice to the role of Amneris Princess of Egypt.
French Soprano, Olga Perrier as Aida was absolutely amazing, she captivated the audience from the first note and kept them there. Her haunting performance was for me the highlight of the show, full of emotion, passion and vulnerability.
Aida is touring the UK and Ireland until May 10th 2017.
Review written by Melanie Mitchell
Tuesday 24 January 2017
Gaslight (UK Tour), New Victoria Theatre | Review
"Gaslight is full of suspense and has palpable moments of edge of the seat tension"
Gaslight
New Victoria Theatre
Reviewed on Tuesday 23rd January 2017 by Melanie Mitchell
★★★
Written by Patrick Hamilton, Gaslight, which places its roots firmly in melodrama, was first performed in 1938 and has been revived frequently since. The story of power, control and manipulation in a relationship, is as relevant now as it has ever been. Anthony Banks' production which relies heavily on the small cast is well staged and Banks manages to bring humour to this otherwise bleak drama.
The events unfold in the eeriness of the gas lit drawing room in Jack and Bella Manningham’s Victorian house. The set and lighting are amazingly atmospheric, adding perfectly to the sense of fear and anticipation felt by the audience. With only one room used throughout there is not the usual impact brought along by scene changes but the well dressed set provides a wealth of new and exciting things to look at.
Kara Tointon is perfectly cast as Bella, playing the part of the emotionally abused wife, with an absolutely believable fragility and vulnerability accompanied by moments of innate feistiness. It is clear why Tointon is becoming the star of stage she is destined to be and it is very enjoyable to watch her in such a dark drama compared to her recent, lighter role of Maria Von Trapp in The Sound of Music Live.
Rupert Young gives an outstanding performance. He is completely despicable as Jack Manning the coercive, cruel and calculating husband. His manipulative, menacing character is truly hateful.
Charlotte Blackledge is completely believable as Nancy the conniving, jealous maid who has her sights set on something better.
Elizabeth the loyal Housekeeper is played by Helen Anderson who brings a sense of warmth and humour to the part.
Keith Allen is a triumph as Inspector Rough, bringing just the right amount of wit and humour to the role without making it farcical.
This psychological thriller, with palpable moments of edge of the seat tension is a real must see production.
Wednesday 14 December 2016
Snow White, New Victoria Theatre | Review
A real laugh a minute show, with something for everyone
Snow White (Pantomime)
New Victoria Theatre
Reviewed on Tuesday 13th December 2016 by Melanie Mitchell
★★★★★
I have never been a great fan of pantomime’s, I haven’t seen one for years, in fact can’t remember the last time I saw one. So I have to say, this wasn’t my idea of a great night at the theatre: silly jokes, screaming kids and forced audience participation. How wrong could I have been! Snow White is an absolute treat and the most fun I’ve had at the theatre in a long time.
A real laugh a minute show, with something for everyone. The scenery is beautiful as are the spectacular costumes and choreography with one woodland scene, reminiscent of the Beatrix Potter ballet.
Melissa Potts makes a lovely Snow White: sweet and gentle but feisty all the same. Anne Smith as Queen Morgiana is suitably malevolent and evil but funny at the same time. Her accomplices are quite terrifying but the kids loved them! Chris Cox as Muddles really entranced the kids as well as the adults with his slapstick portrayal of the character- he played the part brilliantly. Warwick Davis as Prof is amazing, an accomplished actor and singer with great comedic timing.
Prince Wayne is played by Shaun Dalton. What can I say? Handsome, debonair and charming, he is so perfectly cast he could have been drawn by a Disney animator. He can sing too. Despite there being one dwarf less due to illness. The other six took over his role with such ease you didn’t even notice.
Andy Ford as Herman the Henchman steals the show. He is absolutely hilarious with wonderful jokes for the kids and just the right amount of smutty innuendo for the adults. He makes a great double act with Chris Cox (Muddles). Very silly but they get the comedy completely right for panto.
The whole audience were encouraged to participate all the way through the show which they did completely willingly, me included! There are lots of songs we all know, along with references to the locality which really made the audience members feel involved.
Snow White is a fun filled, festive treat for the whole family. Book now while you still can, it’ll really put you in the Christmas mood.
By the way check out the magic mirror by the grand piano in the bar, I’ll say no more!
Thursday 10 November 2016
Chitty Chitty Bang Bang (UK Tour), New Victoria Theatre | Review
Chitty Chitty Bang Bang is a heartwarming, beautiful and triumphant tour full of joy.
Chitty Chitty Bang Bang (UK Tour)
New Victoria Theatre
Reviewed on Wednesday 9th November 2016 by Olivia Mitchell
Reviewed on Wednesday 9th November 2016 by Olivia Mitchell
★★★★★
Chitty Chitty Bang Bang is one of those musicals you feel like you've always known about. You could ask anyone and they'll be able to rattle off the title song without a moments thought. There's just something magical about it that can transport to back to your childhood in a moment. James Brining's production adapted for the stage by Jeremy Sams is delightful, enjoyable and exciting to watch. Based on the film of the same name Chitty Chitty Bang Bang tells the story of the struggling inventor Caractacus Potts who is carried away on a magical adventure with his children Jemima and Jeremy.
The production is a very beautiful one indeed, with very clever use of video designed by Simon Wainwright which alongside Simon Higlett's well constructed set design creates a melancholy sort of atmosphere whilst easily transition from scene to scene.
Jason Manford is charming and sweet as Caractacus Potts, bringing his own twist to Dick Van Dyke's iconic character. His voice shines throughout, especially in his heartfelt performance of 'Hushabye Mountain'. Charlotte Wakefield works alongside Mansfield as the beautiful Truly Scrumptious. Their chemistry is extremely natural and Charlotte's performance is sincere and heartfelt all the way through.
Jos Vantyler's childcatcher is suitably chilling, adding moments of darkness to the otherwise upbeat musical. Boris and Goran played by Sam Harrison and Scott Paige are absolutely fabulous, adding humour and lots of fun throughout- especially through their rendition of 'Act English'. They really hold the show together, interjecting with just the right amount of exaggeration and innuendo for the duration of the show.
This is a charming production which evokes childhood memories and joy whilst having you tapping your feet and singing the songs all the way home. It's Truly Scrumptious indeed and a must see for a sugary sweet night out!
Chitty Chitty Bang Bang is on at the New Victoria Theatre until November 19th, after which it will continue on its tour round the county. To book tickets visit ATG tickets.
Photographs by Alastair Muir
Wednesday 2 November 2016
Sunny Afternoon (UK Tour), New Victoria Theatre | Review
Sunny Afternoon
New Victoria Theatre
Reviewed on Tuesday 1st November 2016 by Olivia Mitchell
Reviewed on Tuesday 1st November 2016 by Olivia Mitchell
★★★★★
I wouldn't say I'm the biggest fan of The Kinks but I know pretty much all their music thanks to my dad playing it everyday of my childhood and I'd heard incredible things about Sunny Afternoon from so many people but for some reason I never got round to seeing it in the West End so when I got the chance to review the tour I was very excited!
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