Posts with the label musical
Showing posts with label musical. Show all posts
Showing posts with label musical. Show all posts
Tuesday 28 February 2017
Ghost (UK Tour), New Victoria Theatre | Review
Ghost (UK Tour)
New Victoria Theatre
Reviewed on Monday 27th February 2017 by Valerie Field
Reviewed on Monday 27th February 2017 by Valerie Field
★★★★
Despite all the drama and speculation that has been surrounding this show, I thoroughly enjoyed it and found it very moving and well acted. I have never seen the film but know of the story and have heard all about the iconic scene at the potters wheel so I was a bit surprised that more wasn't made of that scene on stage. The fact that this is my only major criticism shows how much I enjoyed the show.
The scenery was great and scene changes were smooth and convincing with each set feeling exactly like the place it was portraying and the characters fit into it perfectly. The special effects were brilliant and really added to the show, although sometimes they did feel a little unnecessary, altogether they added a very nice layer to the performance.
The acting, dancing and songs were great and very entertaining, memorable and enjoyable. Carolyn Maitland was wonderful as Molly and has fabulous chemistry with Andy Moss as Sam. Both their voices are strong and they are convincing as the characters.
Jacqui Dubois as Oda Mae was a definite stand out and was fantastic on stage, stealing the show at points and really showing off her star power. Garry Lee Netley as the Subway Ghost deserves a special mention as he was a great presence on stage and suited the character wonderfully.
My only other criticism is that I did feel sometimes the orchestra was a bit too loud when the solos were being sung as it seem to drown the singer's voices slightly. This was probably just an issue that night.
Apart from that the show was great and I enjoyed it immensely and will definitely recommend it. The cast are strong and well rounded. The sets, costumes and effects fit the show precisely and overall it was a great night out seeing a much loved musical. All in all I think the whole show came together really well and was a very entertaining evening.
Ghost runs at the New Victoria theatre until March 4th and then continues on it's UK tour.
Photo credit: Matt Martin
Saturday 25 February 2017
Lizzie, Greenwich Theatre | Review
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Lizzie
Greenwich Theatre
Reviewed on Friday 24th February 2017 by Olivia Mitchell
Reviewed on Friday 24th February 2017 by Olivia Mitchell
★★★
I've been finding it very hard to write this review because I honestly don't know what I thought of Lizzie. There were parts I loved and parts I didn't but overall I was kind of confused.
I suppose that could be seen as a good thing though. The show seems to get more disjointed as Lizzie's own mind gets more confused and crazy so it seems natural that after a well told story I, as an audience member, should leave feeling affected by the characters. So maybe confusion is a good thing?
Funny story, when I first saw this advertised quite a few months ago, I thought it was my wildest dreams coming true with Lizzie, meaning Lizzie McGuire... I was very wrong! The aforementioned Lizzie is in fact Elizabeth Andrew Borden who allegedly killed her father and stepmother with an axe in 1892. Whilst it's not the obvious choice of storyline, it works well with the rock music and insane lighting.
The show has recently finished a run in Denmark and has now made the transition to the Greenwich Theatre in London where it feels more like an arena concert than a stage show. There are minimal props so we are really able to focus on the story and impeccable voices of the four leads. The show opens with an eerie music-box tune which sets the dark, suspense filled show up perfectly. The powerhouse vocals are out of this world, with the ladies belting higher and higher with perfect technique throughout. The lyrics by Steven Cheslik-Demeyer and Tim Maner are cleverly tweaked and shaped depending on what's happening in the scene or in Lizzie's mind.
The cast are sublime with each woman holding her own and commanding the space. Bjorg Gamst as Lizzie Borden is impeccable, switching from innocence and sweetness to sheer and utter madness. Her eyes portray a thousand emotions and every movement she makes shows her transition to the manic killer who is truly revealed in act 2. Her sister, played by musical theatre royalty, Eden Espinosa, really comes into her own in act 2 and shows off her superb voice wonderfully. I previously saw Jodie Jacobs in 27: The Musical and was blown away by her killer voice. As Bridget Sullivan she gets to show off that voice again but also provides humour in this otherwise dark drama, often indirectly telling Lizzie to kill her parents in witty ways. Although it is unclear what her motivation for this is, she does it very well. Alice Russell, Lizzie's friend is played greatly by Bleu Woodward who again has a stunning voice and works very well with the other ladies. Her performance is tasteful and delicate and often provides a nice contrast to the loud, rage filled numbers in the show.
The lighting fit well with the erratic feeling but I felt at points it was too much with the lights and smoke covering up a lack of plot and coherence. My opinion is that with some developments and tweaks this could be a wonderful production. The cast are there, the songs are there and the basic ideas are there but it need to be refined to make it really flow. Again, the roughness does fit with with the story but to me it felt more like a piece of performance art than a show to come and just sit in your seat watching. If it's going to be performed like this then it would be good to somehow incorporate more audience interaction, like at a rock concert.
However, Lizzie is a fun show and it's wonderful to see a performance led solely by women. With a few tweaks this could be something incredible. I would still go and see it if you can because I guarantee it'll be like nothing you've ever seen before, and the vocals will blow you away!
Lizzie runs at the Greenwich theatre until March 12th 2017
photo credit: Soren Malmose
Lizzie runs at the Greenwich theatre until March 12th 2017
photo credit: Soren Malmose
Friday 24 February 2017
The Girls, Phoenix Theatre | Review
The Girls
Phoenix Theatre
Reviewed on Wednesday 22nd February 2017 by Olivia Mitchell★★★★
I'm going to start off by saying that this musical has flaws but they can be easily overlooked to enjoy this beautifully sweet and touching musical.
The story of The Girls was previously on the West End as a play but this new revival with music by Gary Barlow and Tim Firth, has brought new life to it and really given it star treatment. The score is sweet and full of storytelling, although some parts are a little over the top and very "la la la, I'm going to sing a very literal song about my life now" they all work together to produce a lovely piece of theatre. You are sure to leave feeling inspired, joyous and full of laughter.
This show sums up Britishness. There are fetes, tea drinking, fish and chips and of course the typified version of green Yorkshire. The set is cleverly designed by Robert Jones with a mountain of kitchen cupboards creating the vast hills of England's countryside.
Personally I found the first half of the show dragged just a little as I was waiting for the calendar plan to appear which doesn't in fact happen until act two but the initial setting up of the storyline and many relationships is gracefully and tastefully done. Act two is full of laughs and moves at a much quicker pace with us finally seeing the iconic calendar shoot which is done hilariously!
This story is friendship is truly beautiful and is something that is universally relatable. The cast are all equally talented and their performances are refreshing and genuine throughout. The relationship between Annie (Joanna Riding) and Chris (Claire Moore) is especially touching and makes you value and appreciate your friends even more. The whole cast have wonderful chemistry with one another and really seem to enjoy their time performing.
The whole production is filled with light and positivity as well as showing the trials and hardships of life. In a time when it can often seem like women are always bringing each other down, it's lovely to see a show which restores your faith in friendship and sees such a strong group of women holding each other up and working together to create something beautiful. This is a lovely, reflective, heart-warming production which reminds us that there's always light even when we feel as though we're surrounded by darkness.
The Girls is currently playing at the Phoenix Theatre until July 15th 2017
Photo credit: Matt Crockett
The Girls is currently playing at the Phoenix Theatre until July 15th 2017
Photo credit: Matt Crockett
Tuesday 7 February 2017
Reasons You Should Go And See RENT
So last night I saw the 20th aniversary production of Rent for the third time and it had the exact same impact on me, I was happy, sad, moved and just completely blown away. It truly is an impeccable production.
I reviewed the show when it was on at the St James (which you can read here) and other than small tweaks and the show of course being performed in a larger stage, not much has changed with the transfer so instead of writing another review I thought I would just do a post of me fangirling about the show and why you should go and see it!!
Firstly, THE CAST. This show wouldn't be a quarter of what it is without the incredibly talented cast. Every single member is powerful, committed and strong in their roles, there's a true feeling of community and it really feels as though you're watching real life play out on stage. Philippa Stefani is the true standout for me, her performance is just raw and heartbreaking and so well constructed that it's physically painful to watch. I can't help but watch Philippa every time she is on stage and it's just a joy to see her talent, passion and grit shine through on stage. Philippa's performance as Mimi is worth the ticket price alone! Billy Cullum is everything Mark should be, he's dorky but passionate and absolutely the perfect person to play the role. His voice is fantastic as well as his acting and its just brilliant. Lucie Jones and Shanay Holmes are perfect as lovers Joanne and Maureen; both having stand out solo moments and working harmoniously as a pair, again its perfect casting. Ryan O Gorman has such a soulful voice and is insane as Collins. Last night is had the pleasure of seeing Harrison Clark as Angel and he was great! He's stepped into the role wonderfully and pulls of the role with ease and grace. After seeing this cast I can't imagine anyone else playing the roles!
Another reason you should see this show is of course because of THE MUSIC. Jonathan Larson's score is as stunning and moving now as it ever has been and will leave you with tingles, tears and love. Each harmony is stunning and every note feels in place, nothing seems forced or over performed. The music truly does stand on it's own but along with the wonderful cast it is just a dream.
Lee Proud's CHOREOGRAPHY adds a whole new layer to the show, the movements are quick and seem spontaneously natural. They are precise and inventive but not at all intrusive to the storytelling.
There's a billion more things I could say about this production but honestly you just need to experience it for yourself. It's really like nothing I've experienced before and it's hard to put this perfection into words so just get a ticket, immerse yourself in the show, soak every moment in and experience it for yourself.
Rent is playing at the Churchill Theatre, Bromley before touring much more of the country. For information about the show and to buy tickets, visit www.rentonstage.co.uk
To read my full review of Rent, visit: http://www.rewritethisstory.com/2016/...
To see my vlog of Rent, visit: https://www.youtube.com/watch?v=X4WYv1d7h9Q
To see what a Rent obsession looks like, watch this: https://www.youtube.com/watch?v=cu1G2n8EQFM
Monday 6 February 2017
In Conversation With... Cleve September | Hamilton | Interview
Cleve September is a rising star of the West End. He recently starred in Annie Get Your Gun and In The Heights to much acclaim and has just been cast as Laurens/Philip in the upcoming West End production of Hamilton so it safe to say he's destined for stardom!
Was being a performer what you always dreamt of or did you have a different career path in mind when you were younger?
I've been singing since I can remember but only started dancing about 6, nearly 7 years ago. Before that I was really into my sports.. I played a lot of basketball and rugby. And I also love 100m and 200m sprints. So I was quite athletic because I got into musical theatre. And the dream back then was to be in the Olympics.
You just finished playing Sonny in In The Heights to much acclaim. It just seems like the funnest show and cast to be a part of. Can you sum up that experience?
You just finished playing Sonny in In The Heights to much acclaim. It just seems like the funnest show and cast to be a part of. Can you sum up that experience?
Really there are no words to describe how incredible the experience was! In The Heights will always have a place in my heart, as will the cast! They were all such incredible human beings! And they really made my first professional job so amazing.
Did you feel any extra pressure joining so many original Southwark Playhouse cast members when you joined the show at the Kings Cross Theatre? How did you put your own spin on the role?
Did you feel any extra pressure joining so many original Southwark Playhouse cast members when you joined the show at the Kings Cross Theatre? How did you put your own spin on the role?
Not at all because everyone was so welcoming and everyone was so supportive! And I wasn't expected to do the things that Damian can do or did in the show so I could do a bit of creating and figuring out how my body wanted to move in terms of the dance routines. And we just found new things.
You definitely became a fan favourite at Heights; did you expect to gain so many fans in your first role after training?
I didn't know that I was a fan favourite... I had no idea what to expect but I am so thankful for the fans because their love and constant support was amazing throughout the run.
The Kings Cross theatre is super intimate. Are you excited to perform in the Crucible and other larger venues in the future? Do you prefer more intimate or bigger venues?
I'm yet to experience a bigger venue... so I'll let you know!
Annie Get Your Gun is such a Classic musical. Did it get a modern twist in your recent production or did it stick to its original roots?
Annie Get Your Gun is such a Classic musical. Did it get a modern twist in your recent production or did it stick to its original roots?
Nope there was no modern twist to it, we very much stuck to the roots and played it truthfully! The choreography was stunning and it was such an honour and a pleasure working for the team of creatives behind that show!
Can you explain a little about Annie Get Your Gun and how your character Tommy fits into it?
AGYG is about a woman called Annie who is an incredible shooter. She falls in love with a 'swollen headed stiff' named Frank Butler and their story of how they fell in love through the circumstances that they were put through. My character had his own little love story going on with a character called Winnie Tate, who's older sister Dolly, forbids them to be together.
What was your biggest challenge with taking on this role?
What was your biggest challenge with taking on this role?
I had more than one big challenge haha. The style of Choreo and also singing in a legit style were the two biggest challenges for me as they were both very new to me. However once I managed to kinda wrap my head around it I had the most incredible time!
If you had a magic wand, which show would you do next?
If you had a magic wand, which show would you do next?
Hamilton 
You have a five minute break during rehearsal, what do you spend that time doing?
You have a five minute break during rehearsal, what do you spend that time doing?
If there is food near my I'm eating, or trying to wrap my head around something that may have confused me or I might have done wrong..
You studied at Mountview, what was the best piece of advice your were told during your time there?
You studied at Mountview, what was the best piece of advice your were told during your time there?
To be a sponge and soak everything up that works for me!
Thank you so much to Cleve for taking the time to answer these questions. Make sure you go see Cleve in Hamilton and any other shows he does- you'll love him!
Interview by Olivia Mitchell, Editor
Follow Cleve on twitter here
Sunday 22 January 2017
Promises Promises, Southwark Playhouse | Review
Southwark Theatre
Reviewed on Wednesday 18th January 2017 by Olivia Mitchell
★★★★
Promises Promises contains the only musical theatre score ever written by the great pop writer Burt Bacharach and his lyricist partner Hal David. Based on the 1960 film The Apartment, Promises Promises tells the story of Chuck Baxter, a junior executive (played by Gabriel Vick) at a leading New York insurance company who aims to climb the corporate ladder by loaning his apartment out to be used by his co-workers for their extra marital affairs. However, things get complicated when Baxter realises his boss is having an affair with the object of his affections Fran (played by Daisy Maywood.)
The story is straight forward, witty and instantly enjoyable. The two leads carry the show fantastically so the audience becomes instantly attached to the trials and tribulations of both their lives. This is helped by the intimacy of the Southwark Playhouse which seems to be providing hit after hit at the moment. The staging is simple but effective and the choreography fits wonderfully in the venue.
Gabriel Vick's Chuck is instantly likeable through his attractive sparkle and optimism. His asides to the audience are witty and well written and along with his characterised movements create a wonderfully relatable character.
Daisy Maywood as Fran is truly spectacular. She is strong and sensible whilst still having a vulnerable side in terms of dealing with her somewhat unrequited love. Maywood's voice is impeccable, with her performance of 'A House is Not a Home' being the definite stand out moment of the show.
At almost three hours, the musical could probably be edited and cut down slightly but its certainly a fabulous base. I thoroughly enjoyed the whole production and can see a West End transfer in the near future of this sparkling and heartwarming production.
Promises Promises is a joy to watch and although the storyline is extremely dated in terms of attitudes towards women it is a stunning period piece with plenty of heart.
The story is straight forward, witty and instantly enjoyable. The two leads carry the show fantastically so the audience becomes instantly attached to the trials and tribulations of both their lives. This is helped by the intimacy of the Southwark Playhouse which seems to be providing hit after hit at the moment. The staging is simple but effective and the choreography fits wonderfully in the venue.
Gabriel Vick's Chuck is instantly likeable through his attractive sparkle and optimism. His asides to the audience are witty and well written and along with his characterised movements create a wonderfully relatable character.
Daisy Maywood as Fran is truly spectacular. She is strong and sensible whilst still having a vulnerable side in terms of dealing with her somewhat unrequited love. Maywood's voice is impeccable, with her performance of 'A House is Not a Home' being the definite stand out moment of the show.
At almost three hours, the musical could probably be edited and cut down slightly but its certainly a fabulous base. I thoroughly enjoyed the whole production and can see a West End transfer in the near future of this sparkling and heartwarming production.
Promises Promises is a joy to watch and although the storyline is extremely dated in terms of attitudes towards women it is a stunning period piece with plenty of heart.
Sunday 15 January 2017
How To Get Hamilton London Tickets
The time is coming. It's time to get your computer ready. Check your bank balance. Prepare your rap battle and get ready to face the rest of the Musical Theatre world in... The battle to get Hamilton tickets!
Priority booking for the supernova shows transfer to the West End opens tomorrow and I think we're all feeling slightly nervous in anticipation of the online war to snatch a coveted ticket! So in preparation, I've prepared a list of 5 tips to help you grab those tickets and be on your way to see the story of the founding father!
1. Sign up to Ticketmaster: Ticketmaster is one of the three official websites selling Hamilton UK tickets so to save time and make sure you don't accidentally lose your tickets sign up for an account before Monday! It's super easy, just go to www.ticketmaster.co.uk for all the information.
2. Have your priority email on hand: If you've signed up for the priority sale then you should have received your unique code by now. But make sure you don't accidentally delete that email or forget about it when it gets to 12 tomorrow. You need that code to enter the sale so learn it by heart, print it and stick it on the fridge, flag the email or write it all over the walls, just make sure you don't misplace it! (You can only use each code once though so don't use it on a billion tabs or it might not go through!)
3. Get all your friends involved: The number of people trying to get Hamilton tickets is going to be off the charts so I would say to work as a team. Each person can book 4 tickets so get a group together and come up with a game plan! Remember though, that whoever's card is used to buy the tickets MUST be present at the performance!
4. Know when you want to go: Booking will be open for performances from November 21st to June 30th, with performances taking place Monday to Saturday at 7.30pm with matinees at 2.30 on Thursday's and Saturday's. Knowing a rough time period will make it easier to get tickets instead of scrolling through all the dates. I'd also advise not trying to book the first preview or opening night as these will be super popular!
5. Don't give up: If you don't get tickets in the priority sale it's not the end of the world! General sale opens on January 30th and there's always the lottery when the show opens. There will be a daily lottery at the theatre as well as a weekly online one so keep your fingers crossed! Also, if the show sells as well as it's anticipated to it's almost certain to get an extension so there will be plenty more chances to nab your tickets to be in the room where it happens!
For all the official information about purchasing Hamilton tickets, visit www.hamiltonthemusical.co.uk
Saturday 7 January 2017
A West End Guide To Singing | Gabriela Garcia
I am one of those people who is obsessed with hearing other peoples stories and tips and tricks of how they do what they do. So when I see any show I instantly want to pick the brains of the cast about how they sing as well as they do. I'm sure I'm not alone in this so I'm starting a series called 'A Stagey Guide To Singing' where West End stars will answer a series of questions about singing! I hope you find it interesting. Let me know if you have any specific questions or people you'd like answers from!
So for our first instalment we have all of Gabriela Garcia's singing secrets! Gaby is currently starring as Nina in In The Heights and her voice is blowing away people every night so without any more rabble, here we go...
When did you realise you could sing? Did you have singing lessons?
I always liked singing since I can remember but I have videos of me being totally tone deaf all the way up to when I was 16! I started taking singing lessons at 16.
How do you keep your voice healthy, do you have any rituals before shows?
I go to singing lessons regularly (once a month maybe once every 2 months) and I do a short vocal warm up - I concentrate more on my breath warming up rather than my voice. I have to sing through 'BREATHE' before every show on my own just to make sure everything is in place lol
Have you always been able to belt? If not, when did you start belting?
hmmm belting...I guess I was always able to belt as I thought belting was just shouting...during my time at drama school my teachers started to teach me a safer way to 'belt' by mixing and making the sound a bit 'smaller' this is to be able to sing 8 shows a week safely.
What vowels do you find easiest to belt? Do you modify words to make them easier to sing?
Yes, its all about the vowel modification - keeping the vowels as narrow as possible work for me.
What tips do you have for singing and dancing at the same time?
hmm I'm still learning how to merge the two as the breathing is so different! I guess identifying the breathing moments in the choreography and being conscious of not 'pushing'
What's the best exercise to get your voice ready for belt/twang?
I just do witchy and baby sounds which works for me
Overall, what's your number one piece of advice for finding and developing your singing voice?
You never stop learning and you are always developing your technique I guess being open to different teachers advice and being able to identify what works for you and what doesn't.
Read our previous interview with Gabriela at: http://www.rewritethisstory.com/2016/07/in-conversation-with-gabriela-garcia.html
Wednesday 14 December 2016
Snow White, New Victoria Theatre | Review
A real laugh a minute show, with something for everyone
Snow White (Pantomime)
New Victoria Theatre
Reviewed on Tuesday 13th December 2016 by Melanie Mitchell
★★★★★
I have never been a great fan of pantomime’s, I haven’t seen one for years, in fact can’t remember the last time I saw one. So I have to say, this wasn’t my idea of a great night at the theatre: silly jokes, screaming kids and forced audience participation. How wrong could I have been! Snow White is an absolute treat and the most fun I’ve had at the theatre in a long time.
A real laugh a minute show, with something for everyone. The scenery is beautiful as are the spectacular costumes and choreography with one woodland scene, reminiscent of the Beatrix Potter ballet.
Melissa Potts makes a lovely Snow White: sweet and gentle but feisty all the same. Anne Smith as Queen Morgiana is suitably malevolent and evil but funny at the same time. Her accomplices are quite terrifying but the kids loved them! Chris Cox as Muddles really entranced the kids as well as the adults with his slapstick portrayal of the character- he played the part brilliantly. Warwick Davis as Prof is amazing, an accomplished actor and singer with great comedic timing.
Prince Wayne is played by Shaun Dalton. What can I say? Handsome, debonair and charming, he is so perfectly cast he could have been drawn by a Disney animator. He can sing too. Despite there being one dwarf less due to illness. The other six took over his role with such ease you didn’t even notice.
Andy Ford as Herman the Henchman steals the show. He is absolutely hilarious with wonderful jokes for the kids and just the right amount of smutty innuendo for the adults. He makes a great double act with Chris Cox (Muddles). Very silly but they get the comedy completely right for panto.
The whole audience were encouraged to participate all the way through the show which they did completely willingly, me included! There are lots of songs we all know, along with references to the locality which really made the audience members feel involved.
Snow White is a fun filled, festive treat for the whole family. Book now while you still can, it’ll really put you in the Christmas mood.
By the way check out the magic mirror by the grand piano in the bar, I’ll say no more!
Rent, St James Theatre | Review
Measure your life in love and measure this musical in love. A brilliant revival of a much loved show which will remind you to live and love.
Rent
St James Theatre
Reviewed on Tuesday 13th December 2016 by Olivia Mitchell
★★★★★
Rent is one of those iconic musicals which shaped a generation; its melodies and storyline are so touching that the show became a cultural phenomenon when it premiered 20 years ago off-Broadway. It tells the story of a group of people living in a New York, East Village squat who are all affected by HIV, drugs and homelessness. The show's prevailing theme is that of living in the moment: there's truly "No Day But Today."
Bruce Guthrie's production is gritty and industrial, with metal scaffolding, Christmas lights and boxes covered in graffiti creating the dim abrasive world in which the story is set. Lee Proud's choreography is fabulous, especially in La Vie Boheme and Contact. The quick, sharp movements add to the frenzied feeling of the show and add a slightly more modern feel to the show compared to other productions I've seen.
The whole company is impeccable. I cannot fault anyone; every lead and every ensemble member is completely committed to their character and the stunning voices allow Jonathan Larson's melodies to soar and dip, whilst causing the joy and pain of all those watching. Billy Cullum and Ross Hunter shine as the impoverished roommates bouncing off each other wonderfully and their performances give the base and heart to this amazing musical. Philippa Stefani as the club dancing Mimi is rough but vulnerable; I was in complete tears by the end of her performance and was just in awe of how committed to her role she was and how it clearly affected her until the very end- a mesmerising performance to watch. Ryan O'Gorman as Tom Collins is perfect casting. Ryan's voice is off the charts goose-bump inducing and he is fully emotive on every single note. The acting performances all round are faultless especially with Lucie's Jones' over the top performance as the struggling artist Maureen Johnson. Shanay Holmes as Joanne has the most incredible chemistry with Lucie- 'Take Me Or Leave Me' is certainly a standout moment. Angel played by Layton Williams is everything and more, I need sass lessons from this wonderfully talented man! I could go on about every other character but lets just leave it at them all being completely and utterly exemplary. The whole company is a tight unit and its clear how special this piece is to all of them.
Rent has lived on for 20 years and as we can see from the 'house full' signs outside the St James that it is still a booming and resonant success. Jonathan Larson's musical is as poignant as engaging as it ever has been. Rent is heartbreaking beautiful and will inspire a whole new generation 20 years on from its original production.
The run at the St James Theatre has currently sold out but make sure to go and see the show whilst it continues to tour around the country.
Rent Official Website: www.rentonstage.co.uk
Reasons You Should See Rent: http://www.rewritethisstory.com/2017/02/reasons-you-should-go-and-see-rent.html
Watch my Rent vlog: https://www.youtube.com/watch?v=X4WYv1d7h9Q&t=15s
Friday 9 December 2016
She Loves Me, Menier Chocolate Factory | Review
She Loves Me is a perfect mix of over the top sweetness and sincerity- pure joy to watch
She Loves Me
Menier Chocolate Factory
Reviewed on Thursday 8th December 2016 by Olivia Mitchell
★★★★★
Let's start this review by saying that She Loves Me at the Menier Chocolate Factory is definitely in my top 5 shows of 2016. I loved pretty much everything and really couldn't have asked for more from this idealistic but delightful show.
The basic idea of She Loves Me is that Amalia (Scarlett Strallen) and Georg (Mark Umbers) work together and detest each other but don't realise they are sending anonymous lonely hearts correspondences to one another whilst falling in love with the person on the page. There are also two sub-plots where we follow a heartbreaking time for the store owner Maraczek (Les Dennis) and the love trials of the giddy, Ilona (Katherine Kingsley).
Admittedly the story is cliched and somewhat predictable but that doesn't matter because for two and a half hours I escaped every day life to visit a sickly sweet and nostalgic world full of wonderful moments, sweet smells and fabulous music. Matthew White's revival of the 1963 show has the humour, wit, charm and above all sincerity to make it a truly great production.
The set by is fairly simple but super effective. The four small revolves which transition each scene to the next perfectly, fit so well in the intimate Menier Chocolate Factory but I can definitely see the beautiful set being easily transferred to a much bigger West End stage (which hopefully it will!) The shop design is especially beautiful with lots of intricate details which create a spectacle to look at.
Scarlett Strallen is outstanding as Amalia Balash, her beautiful soprano voice rings out effortlessly and her comedic timing is impeccable. She makes over the top and crazily idealistic Amalia, lovable and relatable- a positively dazzling performance. Mark Umbers as Georg Nowack is equally brilliant. Showing a number of different sides and gradually transitioning from a stiff, cold man to a romantic, caring gentleman. Each ensemble member gives an individual and memorable performance. Katherine Kingsley is hilarious as Ilona and had the audience laughing out loud throughout the show; every movement and facial expression is perfectly timed to create a fantastic character.
There's not a weak link in the cast and this whole production is a sweet as a music box's tune. I'm definitely hoping for a West End transfer as She Loves Me is sure to delight any audience member and make them fall in love with this sweet, festive, heart-warming musical.
She Loves Me runs at the Menier Chocolate Factory until 4th March
Friday 18 November 2016
Half a Sixpence, Noel Coward Theatre | Review
Half A Sixpence is just what the West End needs
Half a Sixpence is an oh so British musical which really packs a punch.
Half a Sixpence
Noel Coward Theatre
Reviewed on Thursday 17th November 2016 by Olivia Mitchell
Reviewed on Thursday 17th November 2016 by Olivia Mitchell
★★★★
Whilst this production, opening for the first time in 50 years, is technically described as a revival, I would say its more of a reinvention. With 80% new material including a new score by Stiles and Drewe and a new book by Julian Fellowes, the show is brought into the 21st century in a refreshing and exciting way.
We follow the story of Arthur Kipps who mysteriously inherits a large sum of money and suddenly finds himself flung into a world of garden parties and riches, a far cry from his childhood days in the countryside with his best girl Ann. Caught in between two worlds and two women, Arthur must decide whether he wants half a sixpence or a fortune.
The plot is somewhat simplistic and predictable which is beautiful but annoying at the same time. Of course simplicity is lovely because it makes it easy to follow and really puts the emphasis on the music and choreography but there were some moments which I would have liked to delve deeper into; such as the mysterious uncle, but overall its a sweet story full of joy and humour.
The set is very simple, with a revolving stage supplemented with decorative additions and projections throughout which work wonderfully to move seamlessly between the changing scenes of the show, from bar, to beach, to garden party and more! This simple staging allows Andrew Wright's choreography to be a focal point of the show. The energetic dances create absolute elation throughout and every fresh faced member of the 24 strong cast put their all into every step, creating a truly mesmorising sight. Of course the show favourite "Flash, Bang, Wallop" was a standout, with a standing ovation and smattering of applause beginning as soon as the last note was sung.
The entire cast are sublime and completely faultless. Ian Bartholomew is hilarious as the larger than life Mr Chitterlow, bringing out some of the biggest laughs of the night, especially through "The Joy of the Theatre" which felt like a big wink to all us press members sat in the audience! Bethany Huckle is fabulous as the sweet but strong-minded Flo who has fabulous chemistry with each character she interacts with. Helen Walshingham is vulnerable, graceful and tiny bit malicious but Emma Williams manages to make us understand why she makes every decision through her clear and well thought out portrayal.Obviously the ultimate stand out of the show is the exceptional Charlie Stemp who must have a Best Actor in a Musical award waiting for him in the near future. From the moment we witness his charming, boyish grin, we fall in love with Arthur Kipps. Charlie is a true triple threat star, and its a joy to see him shine on stage in moments of humour and love as well as more serious times. Charlie's voice is beautiful, his dancing is effortless and he is just charming. He makes each move quirky and charismatic and absolutely fantastic. Keep your eye on this man because he is going to be a star for a long time!
Half a Sixpence is exciting, infectious, joyful, glistening and a billion other things. Its most definitely a show you should go and see and a production worth far more than half a sixpence! Experience the joy of the theatre and book tickets for this show which is running at the Noel Coward theatre.
Thursday 10 November 2016
Chitty Chitty Bang Bang (UK Tour), New Victoria Theatre | Review
Chitty Chitty Bang Bang is a heartwarming, beautiful and triumphant tour full of joy.
Chitty Chitty Bang Bang (UK Tour)
New Victoria Theatre
Reviewed on Wednesday 9th November 2016 by Olivia Mitchell
Reviewed on Wednesday 9th November 2016 by Olivia Mitchell
★★★★★
Chitty Chitty Bang Bang is one of those musicals you feel like you've always known about. You could ask anyone and they'll be able to rattle off the title song without a moments thought. There's just something magical about it that can transport to back to your childhood in a moment. James Brining's production adapted for the stage by Jeremy Sams is delightful, enjoyable and exciting to watch. Based on the film of the same name Chitty Chitty Bang Bang tells the story of the struggling inventor Caractacus Potts who is carried away on a magical adventure with his children Jemima and Jeremy.
The production is a very beautiful one indeed, with very clever use of video designed by Simon Wainwright which alongside Simon Higlett's well constructed set design creates a melancholy sort of atmosphere whilst easily transition from scene to scene.
Jason Manford is charming and sweet as Caractacus Potts, bringing his own twist to Dick Van Dyke's iconic character. His voice shines throughout, especially in his heartfelt performance of 'Hushabye Mountain'. Charlotte Wakefield works alongside Mansfield as the beautiful Truly Scrumptious. Their chemistry is extremely natural and Charlotte's performance is sincere and heartfelt all the way through.
Jos Vantyler's childcatcher is suitably chilling, adding moments of darkness to the otherwise upbeat musical. Boris and Goran played by Sam Harrison and Scott Paige are absolutely fabulous, adding humour and lots of fun throughout- especially through their rendition of 'Act English'. They really hold the show together, interjecting with just the right amount of exaggeration and innuendo for the duration of the show.
This is a charming production which evokes childhood memories and joy whilst having you tapping your feet and singing the songs all the way home. It's Truly Scrumptious indeed and a must see for a sugary sweet night out!
Chitty Chitty Bang Bang is on at the New Victoria Theatre until November 19th, after which it will continue on its tour round the county. To book tickets visit ATG tickets.
Photographs by Alastair Muir
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