Posts with the label music
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Monday, 26 June 2023

Pink at BST Hyde Park review: An Electrifying Performance Which Soars to New Heights

truly showcased Pink's versatility and fearlessness as an artist, cementing her as one of the best in the business"

P!nk: Summer Carnival
BST Hyde Park
★★★★

In a stunning showcase of talent and entertainment, last night Pink took to the Great Oak Stage at Hyde Park, to perform a captivating show which closed her weekend at the BST festival. An awe-inspiring experience, her limitless energy, exceptional connection with the crowd, astonishing circus abilities, and unwavering vocals took the spotlight and created a really really entertaining evening. Although there were a few moments of slight lulls, the other exhilarating moments more than made up for them, resulting in a truly unforgettable evening of pure enjoyment.

Pink's natural ability to engage with her audience was truly extraordinary. From the moment she stepped onto the stage, she effortlessly commanded everyone's attention with her charming presence. She skilfully interacted with the crowd throughout the concert, making each person feel like an integral part of the performance. From taking various teddy bears, to celebrating first concert experiences and showcasing a fan's artwork, her interactions were authentic and heartfelt, creating a really welcoming atmosphere and some truly memorable audience experiences.

It's not a Pink show without some gravity defying circus acts and even at the vast open air venue she did not disappoint. Whether she was soaring high above the stage showing aerial silks or executing some beautiful choreography whilst suspended in the air, her talent left spectators in awe. These mesmerising moments added a dynamic element to the show, that truly showcased Pink's versatility and fearlessness as an artist, cementing her as one of the best in the business.

Pink's vocals remained flawless throughout the entire evening, delivering powerful performances filled with precision and emotion. Her voice effortlessly spanned a wide range of genres, captivating the audience with its raw power and vulnerability. Whether performing a song she'd written or one by someone else, each note was infused with passion and authenticity, leaving a lasting impact on everyone fortunate enough to witness her remarkable talent firsthand.

As the sun began to set, the lighting design flawlessly complemented the changing atmosphere, creating a visual spectacle that enhanced the overall experience. The lighting design effectively worked alongside the sun and shadows of nature, and the golden hue which accompanied the sunset was especially magical as it bathed the stage in a captivating glow.

Adding another layer of depth to the performance, the well-incorporated video elements were super effective. During the poignant song Irrelevant, large screens displayed videos highlighting female empowerment and the Black Lives Matter movement, creating a really significant and moving moment. These thoughtful additions not only showcased Pink's commitment to social justice but also deeply resonated with the audience, reminding everyone of the transformative power of music.

Pink's concert at Hyde Park was a remarkable demonstration of talent that left an enduring impression on all attendees. Her exceptional audience interaction, mind-blowing circus skills, and flawless vocals were the pillars of an evening that will be cherished. While there were fleeting moments of respite, they were quickly overshadowed by the sheer energy and excitement that filled the show. An undeniable triumph and a testament to her artistry, Pink and her team created a multi-sensory experience that was a treat for all in attendance.

Reviewed on Sunday 25th June by Olivia Mitchell
photo credit: Dave Hogan/Hogan Media

{AD PR Invite- tickets gifted in exchange for honest review}

Pink at BST Hyde Park review: An Electrifying Performance Which Soars to New Heights

Monday, 26 June 2023

Monday, 19 June 2023

Harry Styles at Wembley Stadium review: Where Strangers Become Friends and Fans Become Family

a life-changing experience, driven by exceptional musical talent, captivating stage presence, and a genuine commitment to building a community

Harry Styles Love on Tour
Wembley Stadium
★★★★★

Among the huge array of concerts on offer, some artists possess the unique ability to create an atmosphere that goes beyond a mere performance. Harry Styles, the British singer-songwriter and former One Direction member, is undoubtedly one such artist. His closing show of four sell out’s at Wembley Stadium, was a testament to his musical prowess and stage craft. The ambience he created allowed for a magical showcase of the power of friendship and community; under Harry’s command, pure, unfiltered joy permeated the evening, and made it so special to both audience and performer.

Leading up to the performance there was a frenetic energy filling every space. With bedazzled outfits, feather boas and cowboy hats filling the arena, the sea of colour was a visual indication of the bright and beautiful performance to come. From the moment Harry took the stage, the crowd came even more alive and from the moment he stepped out it was clear that the enthusiasm and genuine love was mutual between the audience and the star. He effortlessly took the role of the charismatic conductor of this extraordinary symphony and invited everyone to forget their troubles and be truly free for a few hours.

What struck me the most about the concert was the strong sense of friendship and community that Harry fostered throughout the night. From the get go Styles created an inclusive space where everyone felt accepted, loved, and celebrated for exactly who they are. The vigour with which the audience embraced this was a testament to Harry's commitment to creating an environment where diversity and individuality are not only accepted but embraced.

Throughout the evening, Harry’s music served as a catalyst, bringing people from different backgrounds together, forming an unbreakable bond. Whether it was the carefree sing-alongs to Watermelon Sugar, the semi-cultish bowing at the alter of Mitch Rowland’s guitar solo in She, the united screams of “leave America” during As It Was, the congas in Treat People With Kindness or the group hugs and tears during Fine Line, each song became a thread weaving a tapestry of emotions that bound us all. With surprise songs added, including fan favourite Medicine and Sweet Creature which Styles hasn't performed since 2018, it really was a treat to be in the room for this momentous concert that truly cemented Styles' icon status. There’s no other word to describe it than electric. If unadulterated joy could power the country, Harry Styles would be head of operations.

Beyond the music, Harry's heartfelt interactions with the audience showcased his genuine care for his fans. He took the time to engage in conversations, listen to their stories, and make each person feel seen and valued. It was a beautiful reminder that music can bridge the gap between strangers and create lasting connections.

Production wise the show was a treat, with great visuals that told a story, lighting that complemented the sun slowly going down and a fun stage design which allowed many to get almost within touching distance of Mr Styles. A sensory feast, the show really provided all you could ask for.

As the night came to an end, I couldn't help but feel an overwhelming sense of gratitude for the incredible impact that music has on our lives and the meaningful connections it brings. Harry Styles not only delivered an outstanding performance but also reminded us of the significance of finding people who allow you to be yourself. It was a night that broke down barriers, opened hearts, and created lasting memories.

This concert was a life-altering experience, driven by exceptional musical talent, captivating stage presence, and a genuine commitment to building a community. Styles' ability to deeply connect with his audience, fostered an atmosphere of inclusivity and acceptance, making the event a remarkable celebration of music and our shared humanity. It was an occasion where strangers quickly became friends, and fans collectively experienced the transformative power of music. As an artist who truly embodies his craft, Harry Styles continues to redefine the concert experience, leaving an unforgettable impact on the hearts of his fans.

Reviewed on Saturday 17th June 2023 by Olivia Mitchell
photo credit: Lloyd Wakefield

Harry Styles at Wembley Stadium review: Where Strangers Become Friends and Fans Become Family

Monday, 19 June 2023

Thursday, 4 May 2023

Pentatonix: The World Tour at the Eventim Apollo review: A shining celebration of musical talent


Pentatonix: The World Tour
Eventim Apollo

After having their concerts postponed in 2020, the Grammy Award winning group Pentatonix have finally made it to London with their world tour. Featuring the classics that made them popular such as Daft Punk and White Winter Hymnal, as well as soulful pieces from their most recent album, The Lucky Ones and some extra musical gems, the group proved that it was well worth the wait as they showcased their impressive range and versatility. As expected, their harmonies are spot-on and their ability to create complex sounds using only their voices continues to be astounding.

Having last seen them perform in 2016 what was immediately striking with this tour is just how amped up and emphasised the production value is; everything feels bolder and sleeker. This is in no small part thanks to the excellent lighting design by Damian Rogers which is so impeccably programmed to sync up with every beat and emotional inflection, it becomes a show all of its own. Equally the choreography perfectly complements each song and adds a real element of interest. The production team have done an incredible job of creating a concert experience that was not only musically impressive but also visually captivating.

What really makes the concert stand out is the energy and passion that Pentatonix bring to the procedings. The group have a palpable friendship and support network which shines from the stage and creates a really lovely atmosphere. Plus, they interact with the crowd, share stories and jokes, and make everyone feel like they are a part of the experience. It's clear that they genuinely love what they do and enjoy connecting with their fans.

Where before this could have been a 10/10 musical concert, now it’s a 10/10 musical spectacle. The bold elements don’t take away from the vocals, in fact they frame them perfectly and highlight just how tight and strong the vocal quintet are. It’s a matured and elevated experience and the talent and passion on stage make Pentatonix really shine. Hopefully it won't take seven years for the group to return to the UK because we need more!

★★★★
Reviewed on Wednesday 3rd May 2023 by Olivia Mitchell
photo credit: Ben Hausdorff

{AD PR Invite- tickets gifted in exchange for honest review}

Pentatonix: The World Tour at the Eventim Apollo review: A shining celebration of musical talent

Thursday, 4 May 2023

Wednesday, 26 April 2023

Toby Sebastian at Omeara review: A stellar first headline show


Toby Sebastian
Omeara 
★★★★

Since originally releasing music in 2013, Toby Sebastian has been firmly carving his name in the music industry and this year has embarked on his first ever headline tour, which last night reached London's Omeara in a spectacular fashion.

A wonderful showcase of Toby's vocals and stellar song writing, the evening provided a mixture of fan favourite songs, as well as material from his upcoming album; all of which was received with warmth by the crowd who bopped along throughout. Also well received was a surprise appearance by Bridgerton star, Simone Ashley who got to showcase her hauntingly beautiful vocals in a duet of Rusty Snare. Fingers crossed we'll see the duo pair up again in future.

Striking throughout the evening was Sebastian's innate musicality which shone through as he poured his heart into the performance. His unique blend of indie and rock perfectly matches the raw, emotional sound of his voice, which particularly soars in his falsetto moments. These virtuosic sections were some of the best and most captivating of the set. In a bigger venue, with a slightly better sound system, one can only imagine how spectacular Toby would sound.

Equally, the evening had some really high octane moments, especially in the closing rendition of Train To Mexico which felt like a party and was certainly a fan fave. Sebastian really lets the music speak for itself and doesn't interact a huge amount with the audience which means sometimes there's a feeling of disconnect, however, his charisma still shines through and he really gives his all musically.

The three piece band work together like a well oiled machine and everyone seems like they're genuinely having fun on stage which is a real treat to see. 

Mention must also go to Louis Oliver who performed a super solid opening set and really charmed the audience through his raspy, incredibly powerful vocals. 

Overall a well-curated set list, and a solid and evident appreciation for music and performing made this a really special night. Whilst there's no release date yet for Toby's next album, the sneak peeks say it's going to be a really enjoyable listen; and the next tour which will hopefully accompany it will be so worth attending!

Reviewed on Tuesday 25th April 2023 by Olivia Mitchell
Photo credit: Mike Palmer

{AD PR Invite- tickets gifted in exchange for honest review}

Toby Sebastian at Omeara review: A stellar first headline show

Wednesday, 26 April 2023

Tuesday, 7 June 2022

Sam Ryder and Nathan Dawe join the star-studded line-up for Capital’s Summertime Ball with Barclaycard!


The UK’s biggest summer party just got even bigger! Capital Breakfast’s Roman Kemp, Sian Welby and Sonny Jay have confirmed on air this morning (Tuesday 7th June) that Sam Ryder and Nathan Dawe have joined the star-studded line-up for Capital’s Summertime Ball with Barclaycard, which takes place this Sunday 12th June at Wembley Stadium. 

 

The stratospheric rise of the UK’s Eurovision hero Sam Ryder continues, as he gets ready to take to the world-famous Wembley Stadium stage at Capital’s Summertime Ball with Barclaycard. Sam – who topped The Official Big Top 40 chart last month with ‘SPACE MAN’ - is one of the hottest acts in the country right now following his phenomenal success flying the flag for the UK at Eurovision 2022.

 

Nathan Dawe is also confirmed to play the Ball, where he’s guaranteed to bring major summer party vibes to 80,000 Capital listeners. The multi-platinum-selling DJ and producer is responsible for huge hits including ‘Lighter’ featuring KSI, ‘Flowers’ feat. Jaykae and MALIKA, and his most recent release, ‘21 Reasons’ with Ella Henderson.

 

Sam Ryder and Nathan Dawe join the bill after Capital Breakfast’s Roman Kemp, Sian Welby and Sonny Jay revealed on air yesterday that Maisie Peters, who is currently supporting Ed Sheeran on his ‘+ – = ÷ x Tour’, will play Capital’s Summertime Ball with Barclaycard. The singer-songwriter is one of this year’s most hotly tipped rising stars and her set is not to be missed.

 

The countdown to Capital’s Summertime Ball with Barclaycard is officially on, and the only way in is to win – listen to Capital for the chance to join the sold-out crowd of 80,000 Capital listeners at the UK’s biggest summer party this Sunday.

 

Yesterday Capital revealed four-time GRAMMY Award-winning and seven-time BRIT Award-winning superstar Ed Sheeran will open the show on Sunday. Live DJ sets from Capital’s Marvin Humes and MistaJam will get the crowd in party mode from midday onwards when the doors open, before Ed Sheeran takes to the world-famous Summertime Ball stage at 2pm for a very special set. For those watching at home the Global Player live stream starts from 2pm. 

 

Listen to Capital across the UK on FM, DAB digital radio, on Global Player on your smart speaker (“play Capital”), iOS or Android device and at capitalfm.com.


Watch Capital’s Summertime Ball with Barclaycard live on Global Player, this Sunday 12th June from 2pm.

 

Follow @CapitalOfficial and #CapitalSTB on TikTok, Instagram, Twitter and Facebook and keep it Capital for all the behind the scenes action and backstage gossip live from Wembley Stadium.


Sam Ryder and Nathan Dawe join the star-studded line-up for Capital’s Summertime Ball with Barclaycard!

Tuesday, 7 June 2022

Friday, 25 March 2022

Lois Morgan Gay Releases Debut Single 'Don't Be That Guy'


Listen to the single ‘Don’t Be That Guy’ here

Lois Morgan Gay is so excited to release her debut single ‘Don’t Be That Guy' which will be available on all music streaming platforms from March 25th 2022. The track is influenced by a mix of performers including Lianne La Havas, Amy Winehouse and Aretha Franklin. 'Don’t Be That Guy' explores the inner monologue of yearning more from someone rather than just being friends.

"Have you ever gotten to that point in a relationship where it is going really well and you are hopeful that it's going to work then…BANG! They are not ready for anything “serious” and then end up being just another failed relationship? That's what this song is about haha” Lois says.

Lois crafted the single with musician/guitarist Jack Louis Rennie who helped with music arrangement and also plays guitar on the track alongside Meelie Traill on bass, and Max Blunos on drums. The track is produced by Ben Robbins.

The London based singer/songwriter was born and raised in Bristol, she delivers smooth R&B with a soulful feel to her voice, writing about heartbreak, relationships, and yearning. Her music is vocally led, having been heavily inspired by the likes of Adele, Aretha Franklin and YEBBA. Music has always been a huge part of Lois' life, there was always music playing in the house growing up. Lois began her performing career in theatre and then discovered her love for singing and writing at the age of 14. She states "Telling a story and expressing my feelings and inner thoughts through my music enables me to connect with the audience and that is the best feeling in the world”.

Lois is currently in the line-up of the final to win a £100,000 record deal with Alpha records, she will perform at the Indigo at the O2 Arena on March 30th where she will debut this song live for the very first time.

Lois Morgan Gay Releases Debut Single 'Don't Be That Guy'

Friday, 25 March 2022

Monday, 22 October 2018

In The Studio with Sharon Sexton and Rob Fowler | Vision of You


Stars of Bat Out of Hell the musical Rob Fowler and Sharon Sexton are currently in the process of recording their debut duets album, Vision of You. The album is not only a celebration and showcase of their glorious vocals, but tells the back story of Sloane and Falco, the characters they play in the show.

I went along to the recording studio for a sneak peek at the process and to chat to the pair about the album and how the journey has been so far:


Alongside Sharon and Rob is pianist extraordinaire, Steve Corley who provides the beautiful accompaniments for the pieces and brings a warmth and real feel to the music. Sharon describes the album as "a box of chocolates" which has something for everyone and the pair hope it will be a treat for both fans and non-fans of Bat Out of Hell.

Vision of You features music from a number of artists, including The Civil Wars, Lady Gaga, Jim Steinman and Glenn Hansard, all artists whom Sharon and Rob have been inspired by.



From what I've seen so far of Vision of You, I know that it's going to be an incredibly raw, heartfelt and moving piece of work. For updates on the album keep an eye on Rob and Sharon's social media accounts and be sure to pick up your copy, either digitally or at the Dominion Theatre when it's released!

Full video interview and sneak peek at Poison and Wine is available here

In The Studio with Sharon Sexton and Rob Fowler | Vision of You

Monday, 22 October 2018

Friday, 12 October 2018

Lucie Jones, Live at Zedel | Review


Lucie Jones (Concert) 
Crazy Coqs, Zedel
Reviewed on Friday 12th October 2017 by Olivia Mitchell 
★★★★★

One of my first ever reviews on Rewrite This Story, was of Lucie Jones' cabaret at Waterloo East where I completely fell in love with her insane voice and magnetic personality. In the two years since that concert, Lucie has  starred as Elle Woods in the UK tour of Legally Blonde, wowed as Maureen in Rent and was the UK's entry in the Eurovision contest... I guess you could say it's been a pretty quiet time for her?! I have been lucky enough to see Lucie in her various roles, but there's always something special about a solo concert.

The Zedel consistently provides the perfect atmosphere for a cosy, intimate night and allows the sole focus to be on the outstanding vocals of whoever is performing, so seeing such a talented vocalist take the stage there was a real treat. From the get-go Lucie commands the space and welcomes us into, what feels like, the inner circle. Her bouncy humour and infectious personality puts us completely in the palm of her hand and allows us to experience a carefree night of laughs and joy, whilst our attention never wavers. In my experience of musical theatre cabarets, there are only a number of performers who are able to capture a crowd so effortlessly and remain natural and unforced throughout, Lucie has truly mastered this and it's clear why she has so many loyal fans.

Despite only having about 24 hours to put this concert together, the entire thing felt sleek and polished. MD for the concert was the outstandingly wonderful, Sarah Travis who looked and sounded as if she was born to play the piano. The banter between the pair is hilarious and they work together so well, that even moments which go slightly wrong, almost feel as if they're scripted.


I would talk about each song on the set list, but every single one was a highlight. From the opening The Winner Takes it All to the closing Eurovision song, Never Give Up On You, Lucie showcased her incredibly well supported vocals  and ability to act through song. Particularly impressive, is the control in Lucie's voice; her well-honed technique is evident through her smooth mix of straight tone and vibrato, as well as her effortless mix and belt. A stand out moment for me was the mesmerising If I Loved You, where we got to see a more nuanced, gentler side to Lucie. She truly is a masterful performer and the hard work she puts into her craft is clear in every second she is on stage.

Although every song was outstanding, I will fangirl a bit more and mention a few of my other favourites... As a huge Anastasia fan, I adored the lyrical, Disney-esque rendition of Journey To The Past; the intensely beautiful, Nothing Stops Another Day pulled at my heart and That's Life is made for Lucie's voice. Alongside stellar vocals, Lucie provides some cracking anecdotes and ad libs which could be a comedy show of their own!

We were also treated to two special guests: Danny Mac and Rebecca Stenhouse. Rebecca Joined Lucie as they channeled Cady and Janis in the Mean Girls jam, Apex Predator, before Rebecca performed a fantastic version of Hopelessly Devoted To You, which she made feel contemporary with some added riffs and option ups. Danny took on the role of Dr. Pomatter in a sickly sweet performance of It Only Takes a Taste from Waitress and brought a beautiful stillness to the Zedel with his performance of It All Fades Away.

I could rave about Lucie's voice for approximately the next 400 hours but I'll wrap it up here and say that if you turn down the chance to see Lucie in any future performances, you are missing out big time. If you want to see a truthful artist who is so giving in her performance and able to magnetise a crowd toward her, then go and witness the star that is, Lucie Jones.

photo credit: Olivia Mitchell

Lucie Jones, Live at Zedel | Review

Friday, 12 October 2018

Wednesday, 18 April 2018

The Rat Pack- Live From Las Vegas (UK Tour), New Victoria Theatre | Review


The Rat Pack- Live From Las Vegas (UK Tour)
New Victoria Theatre 
Reviewed on Tuesday 17th April 2018 by Valerie Field
★★★★

The Rat Pack Live opens with Garrett Phillips who plays Sinatra introducing himself and the show and trying to get the audience participation go. Unfortunately this didn't quite work out as the theatre was very under-booked. 

Once this initial opening was over and the show got going everyone enjoyed his performance. He has a great voice and even the look of Frank Sinatra. In fact if you closed your eyes it could have been him. Philips really knows how to channel the musical master.

Nigel Casey also has a good voice but unfortunately doesn't come across as relaxed and cool as his character Dean Martin. There was a change of actor at the last minute for Sammy Davis Jr. He was played by last night by Darren Charles who I must say was a very good entertainer but didn't quite come across as his character.


Part way through the show we are introduced to the Burelli Sisters played by Laura Darton, Amelia Adams-Pearce and Joanna Walters. This brings glamour and a bit of pizzazz to the show as their performances are very, very good. 

The late appearance of Nicola Emmanuel as Ella Fitzgerald really lifts the show as she is fantastic- it's a shame she is not utilised more in the show.

The orchestra are great and all the music and songs are brilliantly and energetically performed. Unfortunately for the cast the theatre was fairly empty but the audience who were there were very appreciative and gave them a standing ovation after the rousing rendition of  My Way.

Anyone who is Sinatra fan will enjoy the show. The music is nostalgic, well performed and provides fantastic entertainment. The Rat Pack- Live From Las Vegas is well worth a visit and I had a very enjoyable evening.

The Rat Pack- Live at Las Vegas runs at the New Victoria Theatre until 21st April before continuing it's tour.

The Rat Pack- Live From Las Vegas (UK Tour), New Victoria Theatre | Review

Wednesday, 18 April 2018

Friday, 8 December 2017

Sinners Club, Soho Theatre | Review


Sinners Club
Soho Theatre
Reviewed on Thursday 7th December 2017 by Shaun Dicks 
★★★★

The Soho Theatre invites you to the Sinners Club. We find ourselves in the Upstairs space of this buzzing theatre in the heart of London’s West End. As we walk in we are welcomed by a room set in the round, decorated as an old school recording studio; many an old-fashioned rug, musical instruments and microphones, soundproofing on the wall as well as a few photographs. Scattered around the studio space are members of the band playing light Jazz music to set the mood. 

The concept of the album is simple, its based on the story of the last woman to be hanged in the UK. The original songs written and performed by Lucy Rivers and the band The Bad Mothers- tailored around the story of Ruth Ellis- are an eclectic mix of genres that seem to pulsate through Rivers as they affect her own character narrative as well as the albums. As Rivers enters to start the show, she is this fierce woman in black, taking control of the room. Rivers throughout the show is energetic and intriguing as she goes through the narrative of the concept album. 

However, one of her flaws was her reliance on the audience and audience interaction. The reliance on an audience is a double-edged sword dependant on the audience itself, it can be a struggle for an audience to lose inhibitions and join in. Rivers needs to pick her moments and judge the moments when she does or doesn’t interact. Another thing that needs altering within the show is the amount of dead air in-between songs. As a performer myself I appreciate the device of silence but when its long periods, it becomes a period of time for the audience to wander. 


Despite these flaws of the show, the music really made it- in a world of music made by computers in the mainstream and the jazz hands of the West End - this was a refreshing use of alternative types of music. The whole band was slick, and looked like they were having fun throughout the show. Rivers’ voice soared throughout, despite her over use of falsetto. What truly impressed this writer though was the musicianship packed within the show. The sheer volume of different instruments used was brilliant and to a very high quality. I personally appreciate musicians and musicianship, having worked with a few myself, so to have a live band and for it perform so well, it really brought a smile to my face. 

If you’re looking for something a little different, take up your invitation for the Sinners Club, because despite its flaws, there are many a good aspect of this show to enjoy. This show is the palate cleanser that the West End is craving. Try something different and enjoy a night of music that you will not forget in a hurry.

Sinners Club runs at the Soho Theatre until December 30th

photo credit: Kieran Cudlip

Sinners Club, Soho Theatre | Review

Friday, 8 December 2017

Monday, 4 December 2017

Marisha Wallace: Soul Holiday, Charing Cross Theatre | Review


Marisha Wallace: Soul Holiday (Concert) 
Charing Cross Theatre 
Reviewed on Sunday 3rd December 2017 by Olivia Mitchell 
★★★★★

There's no denying that Marisha Wallace is a powerhouse; in the short time she's been in London she's really made herself a feature of the West End and a must see star. Continuing her conquest of the West End theatre scene, Marisha recently released a Christmas album, Soul Holiday, full of festive treats to get us all in the Christmas spirit and yesterday performed these musical gems for us at the Charing Cross Theatre.

The concert included her jazzy Christmas re-imaginations, gospel songs and some musical theatre classics as well as her hilarious/motivational/all round brilliant interludes between songs. Her warm personality, outstanding vocals and ability to work a crowd had the audience in the palm of her hand within a matter of moments.

Personal highlights included 'O Come All Ye Faithful', the brilliantly upbeat 'Joyful, Joyful', and her heartfelt performance of 'I'll Be Home For Christmas' which she explained was particularly meaningful as she's been away from her family and friends for so long. 'He Chose Me' was vocally faultless and especially moving. Her stunning rendition of 'I'm Here' from The Colour Purple (she played Celie in the production at Cadogan Hall) was incredible and a testament to her vocal and acting skills.

Two fantastic guests joined the festive bliss with Tyrone Huntley showing off his smooth, glorious voice in 'Last Christmas' and 'What's Going On' and Rachel Tucker in the Christmas favourite, 'Winter Wonderland' and the hilarious, belt-tastic 'Take Me or Leave Me' from Rent. Both were great, their friendship with Marisha really shone through and contributed to the warm and cosy, festive feeling.

Marisha spoke candidly about a number of topics including her grandmother who inspired her to continue singing, food (a festive staple) and Jesus. Whilst she spoke a lot about her religion, it was not in a forceful way and she explained that "it doesn't matter who or what you believe in, just believe in you and that you can do anything". It was refreshing to hear such honesty and motivation.

Whilst the 5pm audience were not the most enthusiastic, everyone still seemed to enjoy the concert as they basked in the glory of Marisha's voice and talent.  The intimate setting with the four fantastic band members, three backup singers, two gorgeous gowns and one Marisha was all there needed to be to create an evening of festive magic. 

Marisha is charmismatic, charming, vocally outstanding and just a born performer. I have no doubt that Marisha's career will keep going up and up as she reaches wider audiences and shows people what a first-rate performer she is and I can't wait to see what's to come. To feel the festive vibes, be sure to grab your copy of Soul Holiday and get along to see Marisha whenever you can! 

Marisha Wallace: Soul Holiday, Charing Cross Theatre | Review

Monday, 4 December 2017

Wednesday, 28 June 2017

Scott Alan, Hippodrome Casino | Review


Scott Alan (Concert)
The Hippodrome Casino
Reviewed on Sunday June 25th 2017 by Olivia Mitchell

The Hippodrome Casino is fast becoming one of my favourite venues as I see more and more brilliant performances. Scott Alan's concert was no exception, with gorgeous music, brilliant singers and a hilarious commentary throughout, it was a perfect night. After spending the weekend covering West End Live for Stage Faves then heading to The Theatre Cafe to see Rachel Tucker and Marisha Wallace, I hot-footed it over to the casino for a night of music from one of my favourite musical theatre composers.

I have adored Scott's music for as long as I can remember, I don't recall exactly how I found it but it's been with me for most of my childhood and I've been scouring youtube for every version of each song for a long time and have fallen in love with every single one. Although Scott has performed in London a number of times, I have never been able to attend so when I reached out to Scott on twitter and he was kind enough to offer me a ticket, my stagey heart was ready to burst and I was ecstatic that I would finally hear his songs performed live by a host of incredible performers.

Both acts were a celebration of Scott's career with the stars taking the stage to perform theirs and Scott's favourite compositions.  Scott joked how each song he writes is depressing, even his happy songs are emotive ballads which is extremely true and for me, someone who thrives on emotional, depressing music (I have playlist just for it) it was all I could've asked for.

My personal favourites of the night were the stunning Lucie Jones, who dashed straight from West End Live to perform 'Never Neverland' and 'Home' both of which were devastatingly gorgeous. Jodie Jacobs who I've been lucky enough to see in 27 and Lizzie performed 'Stay' which showed off her epic voice and Kieran Brown gave a heart-wrenching, powerful performance of one of my favourites, 'Again'. 

Another favourite section of the concert was when Scott introduced three competition winners who were each going to perform. He encouraged the audience to be extremely supportive of them both in the concert and generally in the performing industry and explained how he loves showcasing new talent. Erin Caldwell was the first of the three winners, performing 'Always' so beautifully. Her tone, clarity and control was just incredible and you could've heard a pin drop. A masterclass in graceful performance. Secondly we had Sabrina Basile with 'And There It Is', Sabrina's acting throughout the song was impeccable, her voice is effortless and beautiful but her overall interpretation of the song really made it something special. The final of the three, Bill Harvey was introduced with a candid chat from Scott about depression and how it affected him, saying that he'd felt like he was the "only person to wake up heavy" and how dark things got for him but that we can all make our way out of the darkness and heaviness. Bill performed the beautiful and emotional 'Anything Worth Holding Onto' with a sincerity which shone through and drew the audience in. 

Scott's personality is just infectious and he carries the whole concert with his own unique brand of crass inappropriateness and self-deprecating humour. There were laugh out loud moments from start to finish and the entire concert, which of course overran it's anticipated hour and a half run time by almost an hour, flew by. Scott is candid and honest and whilst he is humorous and shocking, he quickly slips into his own world when performing himself and you can see how much music means to him. I especially loved 'Simpler' which was heartfelt and touching.

As I said before, each and every performance was absolutely brilliant and I could say fabulous things about all of them but that would mean we'd be here all day! Scott's music is touching and truthful and it's crazy that the whole world don't know about it and him. If you get the chance to see Scott or any of the performers in concert then take the opportunity up and you're guaranteed a fantastic night!

Scott Alan, Hippodrome Casino | Review

Wednesday, 28 June 2017

Thursday, 11 May 2017

Dreamgirls, Original London Cast Recording | Album Review


Dreamgirls

Original London Cast
Reviewed by Olivia Mitchell
★★

Recorded live at London's Savoy Theatre, backed by a fourteen piece band, this new recording of the well loved musical, Dreamgirls, gives you a wonderful opportunity to hear some of the finest voices on the West End singing one of the most high energy and belt heavy scores. And I Am Telling You that you need to get out and get a copy asap because it's a triumphant recording indeed.

The whole album feels like you're really watching the show and although there are probably far less swarovski crystals in your living room than on the stage of the Savoy, nothing is lost with the transition from stage to cd and with the recorded audience applause you can fully pretend you're in the show as you sing along in the shower! 

'The Dreams' are of course the stars of this show and the impeccable vocals from the three girls are fully shown off in this recording. Amber Riley's effortless belt and riffs are a joy to be heard at full volume through headphones, along with Liisi LaFontaine's beautiful smooth tones and Ibinabo Jack's huge voice and moments of complete hilarity. Overall they really are a Dream Team and it's clear to hear why the show is getting the rapturous praise that it is. Joe Aaron Reid (Curtis Taylor Jr), Tyrone Huntley (C.C. White), Lily Frazer (Michelle Morris)  and Adam J Bernard (Jimmy Early) are equally brilliant and provide fabulously dramatic vocal moments throughout. 

Personal highlights of the recording include 'It's All Over', 'Listen', 'Steppin' To The Bad Side', 'Ain't No Party' and 'Dreamgirls' which all pack a punch and a half. Each song is balanced well and comes across as it would on stage: with vibrance and emotion.

Overall the album provides a wonderful complement to seeing the stage show but is also brilliant in its own right. You can feel the energy and passion through your speakers and it's a really brilliant recording to add to any theatre lovers collection. The entire cast are faultless and the love for performing together really comes across. I will certainly be listening to this recording for more than One Night Only and highly urge you to download it and give it a Listen for yourself. If you haven't seen the show then definitely try and grab yourself a ticket because it's honestly one of the best things I've seen and this recording the best thing I've heard!


The Dreamgirls Original London Cast Recording is released Friday 12 May 2017.


Dreamgirls is currently booking at the Savoy Theatre until 21 October 2017.

Dreamgirls, Original London Cast Recording | Album Review

Thursday, 11 May 2017

Friday, 5 May 2017

Places, Lea Michele | Album Review


Places
Lea Michele
Reviewed by Olivia Mitchell
★★


Lea Michele's second solo album, Places was released on April 28th and flew to the top of the US pop charts, reaching number one almost as soon as it came out. It features a number of emotional ballads as well as some more upbeat songs which all flow together and scream emotion at every moment. In a recent interview Lea said that this album is more her true sound with both pop and musical theatre influences mixed in, it's not an album where she tries to fit a mould or sell to a certain market, it's just her.


Places is very slow-ballad heavy which could be a problem for some people but I thrive on those sorts of songs and honestly can't think of anything better than an all-out, belt for your life, dramatic album so I love it! The lyrics are theatrical and every song really plays to Lea's strengths as a singer, hitting each note with enough power and force to match Barbra and Celine.

This album flows very well indeed, each song holding its own and nothing is there just to fill space. Places is the perfect album for so many occasions, be it getting ready to go out, driving with the windows down, hiking or just while you're in the house living your best life. There's a song for everything and it's so personal and intimate that it feels like the exact album to accompany life and all its goings on.

The intimacy is what really makes Places special. Lea is baring her soul and showing us all her ups and downs through these songs. I want to tell you my favourite song but honestly it changes every five minutes so I can't but at the moment I am loving 'Run To You', 'Heavy Love' and 'Sentimental Memories'. The theme throughout the album is one of empowerment and pushing through whatever life throws at you. There is motivation beyond belief with 'Anything's Possible' especially, making you feel like you can conquer the world!

The amazing thing about Lea's voice is how it manages to be so strong but raw at the same time. She shows off her wide range well and moves between voice parts so smoothly it's just joyous to hear. Lea has always been an idol of mine and hearing this elegant piece of work made me even more inspired by her. 

Places refers to the call before starting a show where you're called to your place for the beginners call. The title seems very apt as it marks the start of a new chapter for Lea but to me I see the title as the sign to take my place, listen to this album, feel strong and motivated as hell and then to run at life full speed and live each moment to the fullest. So if you want to be inspired by both brilliant songs and flawless vocals then this is definitely an album you need in your collection. Lea really comes into her own and it's evident how much love and time has gone in to making this the best album it can be. Bravo!

Places, Lea Michele | Album Review

Friday, 5 May 2017