Posts with the label london
Showing posts with label london. Show all posts
Showing posts with label london. Show all posts
Saturday 3 October 2020
The Theatre Channel, Episode One | Review
Innovation is coursing through the theatre community, as new ideas and ways to spread the joy of performance are brought to life everyday. One of these ways is the new brainchild of The Theatre Café and Adam Blanshay Productions: The Theatre Channel.
The channel is a series of musical episodes which celebrate the all-singing, all-dancing joy of theatre as well as showcasing fantastic performers and the café itself. Each episode is roughly half an hour long and features a different group of stage stars, as well as the Café Four (Alyn Hawke, Emily Langham, Sadie-Jean Shirley and Alex Woodward) who appear in each episode as a sort of omnipresent group of musical theatre muses. The performers are encouraged to perform songs or roles they've not previously had the chance to, which leads to an eclectic episode of musical excellence.
The first episode opens with the café four performing the very fitting Coffee in a Cardboard Cup, in which they use pretty much the entirety of the café to showcase their vocal, dance and acting skills; they're definitely a talented bunch! From then Tarinn Callender takes us on a soulful journey with On Broadway and Lucie Jones serves her stunning, clear-as-glass vocals with a brilliant rendition of Maybe This Time. Amongst an abundance of flowers, Carrie Hope Fletcher and Oliver Ormson bring the classic duet, Suddenly Seymour to life brilliantly. Jodie Steele takes things up an octave (and a level) as she gives a gender-switched version of Heaven on Their Minds from the roof of the cafe, which oozes sass and strength. Rounding off the episode, Matt Henry is smooth and oh so stirring with Let It Sing from Violet and Jenna Russell is completely excellent in every way with Sondheim's Ladies Who Lunch.
Whilst of course the performances are uniformly wonderful, it's the production value which really makes this series worth the hype. Ben Hewis' outstanding videography is sleek, high quality and just beautifully shot; and alongside Bill Deamer's choreography-which is astoundingly bold for happening in such a small space- the whole thing feels much more cinematic than any of the online theatrical offerings so far.
The creative team clearly have a strong vision and there's no doubt that each episode is going to be a step bigger and bolder. With themed episodes in the works including the upcoming Halloween episode, there are sure to be surprises galore. With everything from the vocals to the finished product being recorded on the premises, this really is a celebration of not only theatre and performance, but the Theatre Café itself where the arts still has the space to thrive, even when performances themselves are few and far between.
With a great team behind it, this series is a treat for those missing theatre and a gem of an online offering. Once purchased for £12 you have unlimited access to the episode so you can relive the stagey goodness time and time again. So grab your laptop and take yourself on a virtual trip to the theatre.
★★★★★
Saturday 19 September 2020
Pippin, Garden Theatre | Review
Pippin
Garden Theatre, Vauxhall
Reviewed on Friday 18th September 2020 by Olivia Mitchell
★★★★
After six months of a world with no in person theatre, it feels almost foreign to see a stage in front of you with real life performers, performing real life music, but ever so slowly it's becoming the norm again. Well, the new, socially distanced norm.
The Garden Theatre in Vauxhall are paving the way for the reopening and reconfiguring of venues as one of the first to put on productions in this post-lockdown world. The latest in their programme being Stephen Schwartz's Pippin; the tale of a boy trying to prove he's extraordinary as he finds his place in the world. A show which often excels by involving the audience could be a strange option given the regulations, but the cast do an outstanding job of making you feels as though you're getting a personal performance and that you're part of the story, without being too close. The team of "players" who are often shown as circus performers, are in this production, a hippie tribe who are telling the tale of young Pippin. Together they weave a story of drama and excitement which feels truly uplifting and joyous during these unpredictable times.
Thanks to Steven Dexter's Direction, this is a production which highlights all the wonderful parts of fringe theatre and Nick Winston's choreography is overwhelming in all the best ways. Bursting from all nooks and crannies every movement feels both precise and free and it's amazing how much power has been fit into such a small space. Plus, the way so many dance styles (including wonderful homages to Bob Fosse) flow into one another, is truly sensational to experience.
The title role is taken on expertly by Ryan Anderson who relentlessly showcases his brilliant vocals and outstanding dance ability, whilst making Pippin a multi-faceted, endearing, earnest and infuriating character. His renditions of Corner of The Sky and the motif versions which are consequently peppered throughout are beautiful and controlled oh so well.
Pippin's glamourous, manipulative "normal" step-mother is played excellently by Joanne Clifton who also takes on the role of the sweet and sassy Grandmother, Berthe. Each moment of Clifton's stage time is completely electrifying. Whether she's ad-libbing hilariously or leading the audience in a singalong she finds a way to completely draw the audience in.
It would be shameful to not mention the rest of the cast who bubble with energy throughout. Harry Francis is playfully enjoyable as the self-obsessed bother Lewis and sweet Theo who longs for a father figure and also provides vocals which stand out due to their exceptional power and mastery. As Charlemagne Dan Krikler is dominant and impressive and his Gilbert and Sullivan-esque solo is a right treat; he leaves you wanting more from him once his individual moments end . Tsemaye-Bob Egbeis takes on the role of the Leading Player with ease and freedom. Her vocals soaring above the sounds of passing busses and her movement around the stage oozing authority. Completing the cast, Tanisha-Mae Brown thrives in the intimate moments of the show and is in beautiful contrast to the more high-octane, over the top moments of the story.
The only downside to this production is the sometimes questionable approach to social distancing. While the staff are brilliant and it appears lots of measures have been put in place such as temperature checks, table service, copious amounts of hand sanitizer and social distancing before the show, the actual auditorium is somewhat cramped. Seats are very close together which it does feel strange when everything else is so organised. Whilst the audience does only seat 50, it would perhaps be better to have even fewer seats for the moment.
Despite this, the terrific cast of triple threats make this bittersweet, upbeat and consistently enjoyable musical a must see (covid permitting, of course). There's magic to do and the Garden Theatre are certainly doing the most they can in these crazy circumstances to do it.
Photos by Bonnie Britain Photography
Wednesday 2 September 2020
16 Her-storical Facts That Didn't Make it into Six The Musical
Six the Musical isn't only full of absolute boppage, but also a fair few facts about the Queens we know and love. However, the 75 minute musical can't cover everything so here are sixteen herstorical facts you may not know...
1. Twenty one years Henry’s junior, Catherine Parr was actually named after Henry’s first wife, Catherine of Aragon, to whom Catherine’s mother had been a lady-in-waiting.
2. Before marrying Henry VIII, Catherine of Aragon was married to his elder brother, Arthur. Arthur died of a mysterious “sweating sickness” shortly after their marriage, leaving Catherine a widow at just 16 years old.
3. Between Arthur’s death and her marriage to Henry, Catherine served Henry’s father (Henry VII) as the royal ambassador to Spain, making her the first female diplomat in European history.
4. The day after Anne Boleyn’s beheading, Henry got engaged to Jane Seymour, Anne Boleyn’s lady in waiting. While she was publicly proclaimed queen, her coronation never went ahead due to an outbreak of plague.
5. Catherine Parr was a dedicated patron of the arts, and she encouraged the spread of Renaissance humanism. When Spanish scholar Juan Luis Vives wrote a book arguing that women had the right to an education, he dedicated it to Catherine.
6. As a young woman, Jane Seymour almost married William Dormer, the son of Sir Robert and Lady Dormer. However, William’s mother canceled their engagement because she thought Jane wasn’t noble enough.
7. Two months before her execution, Anne Boleyn helped pass the poor law which said that “local officials should find work for the unemployed”
8. Contemporaries held Holbein’s pictures to be accurate depictions of the girls—not flattering misrepresentations, as the legend came to describe them. However, both Anne of Cleves and her sister Amalia wore veils covering their faces most of the time, so it is believed that it was a struggle to get them to reveal themselves for portraits.
9. Jane Seymour divided opinions, with one courtier saying she was “not of much beauty,” whilst another named her “the fairest of all the king’s wives.”
10. Henry’s treatment of Catherine of Aragon after their divorce caused a major rift between Henry and his daughter, Mary. To help curb Mary’s resentment, Henry forbid the mother and daughter from communicating, but sympathetic servants secretly carried letters back and forth between them.
11. According to one legend, Henry wrote the famous, anonymous “Greensleeves” to seduce the woman who would become his second wife, Anne Boleyn.
11. According to one legend, Henry wrote the famous, anonymous “Greensleeves” to seduce the woman who would become his second wife, Anne Boleyn.
12. Catherine of Aragon remained married to Henry VIII for 24 years. Their marriage lasted longer than all of Henry’s other marriages combined.
13. Catherine Howard was at least two, if not seven, years younger than Henry's daughter Mary, so she found it very hard to be a motherly figure
14. Catherine of Aragon spent her final days as the image of Catholic piety. Though she had access to all of Kimbleton Castle, she remained in a single room, fasting and praying.
15. During his courtship with Anne of Cleves, Henry also considered her sister, Amalia! After Holbein returned and Henry saw both portraits of the women, he went with Anne over Amalia. Many historians agree that the choice probably had less to do with looks, and more because as the younger daughter, Amalia had less hereditary rights than her sister.
16. Whilst still married to Anne, Henry began a flirtation with Jane Seymour, even giving her a locket with his own portrait inside!
15. During his courtship with Anne of Cleves, Henry also considered her sister, Amalia! After Holbein returned and Henry saw both portraits of the women, he went with Anne over Amalia. Many historians agree that the choice probably had less to do with looks, and more because as the younger daughter, Amalia had less hereditary rights than her sister.
16. Whilst still married to Anne, Henry began a flirtation with Jane Seymour, even giving her a locket with his own portrait inside!
So there you have it, sixteen facts about the Queens of the castle! Hopefully it won't be long until we can rock out like royalty at the theatre, but in the meantime, stay safe and channel your inner queen!
Monday 3 August 2020
A Stagey Guide to Singing... Rachel Tucker | Interview
Hello stagey people! Light seems to be shining at the end of the tunnel but there's still a distinct lack of theatre in our lives; so I thought today I would bring you a mini Q&A from the Rewrite This Story vaults. A while back I chatted to Rachel Tucker and asked her a few vocal technique related questions...
What are your go to warm ups?
I have a great warm up that a friend from New York introduced to me. A slow long warm up that slowly builds and is quite a classical warm up and it gets my break from my chest voice to head voice really smoothed out and warm.
You are the Queen of belting, do you have any tips? Do you change vowel shapes or anything like that?
It shouldn't really be the vowels you change it's the back of the throat. You can still sing the same vowel bright and belted with just some adjustment of the throat. It depends but I wouldn't really because it's nothing to do with the vowel shape, you should be able to belt any vowel or consonant. It's about the shape at the back of your throat. Space, space, space!
What are your tips for keeping your body and voice healthy?
Oh definitely to consume more water than you think is physically possible. Don't underestimate how much talking tires your voice, if you have a big sing just go on vocal rest, text friends and write things down.
And steaming after a big sing for sure- about 45 minutes with a facial steamer with a mouth piece and it'll bring down any swelling in your throat down, it should be for 30 minutes... at least!
And steaming after a big sing for sure- about 45 minutes with a facial steamer with a mouth piece and it'll bring down any swelling in your throat down, it should be for 30 minutes... at least!
Thanks so much to Rachel for answering these questions way back when! Stay safe and stay stagey!
-Olivia
Editor of Rewrite This Story
Wednesday 22 July 2020
Grease UK Tour starring Peter Andre to return in 2021
The producers of the first new production in 25 years of Jim Jacobs & Warren Casey’s iconic musical Grease, are delighted that the show will tour the UK and Ireland in 2021. The musical was due to tour in 2020 but had to be postponed due to COVID-19.
Following his success starring in the UK and Ireland tour in 2019, Peter Andre will star in the 2021 tour at certain venues and performances (Plymouth, Cardiff, Bristol, Milton Keynes, Dublin, Liverpool, Bromley, Southampton, Nottingham, Manchester, Dartford, Canterbury and Birmingham). As well as reprising the role of Teen Angel, Andre will also play Vince Fontaine.
The 2021 tour will begin at Theatre Royal Plymouth, running from 22 – 30 January, and will then play Wales Millennium Centre, Cardiff from 1 – 6 February, Bristol Hippodrome from 8 – 13 February, Edinburgh Festival Theatre from 16 – 20 February, Norwich Theatre Royal from 22 – 27 February, Milton Keynes Theatre from 1 – 6 March, Bord Gais Energy Theatre, Dublin from 16 – 27 March, The Alhambra Theatre, Bradford from 29 March – 3 April, Liverpool Empire from 5 – 10 April, Sheffield Lyceum from 12 – 17 April, Churchill Theatre, Bromley from 19 – 24 April, Stoke Regent Theatre from 3 – 8 May, Mayflower Theatre, Southampton from 11 – 15 May, Grand Opera House, Belfast from 18 – 22 May, Theatre Royal Nottingham from 24 – 29 May, Royal & Derngate Northampton from 31 May – 5 June, Palace Theatre Manchester from 7 – 19 June, The Orchard Theatre Dartford from 21 – 26 June, The Marlowe Canterbury from 28 June – 3 July, The Sands Centre, Carlisle from 6-10 July and The Alexandra, Birmingham from 12 – 17 July.
Andre said "I was so thrilled to have been returning to Grease this year as I had the most wonderful time last year working with our incredible cast and creative team. Sadly, this year's tour had to be postponed due to COVID-19 but I'm overjoyed that we can return in 2021. Grease is joyous and will truly allow you to escape to a different time, with show-stopping dance routines and some of the most iconic songs of all time. It's a show about solidarity and it celebrates friendship. As the song goes, We Go Together!"
Grease is directed by Nikolai Foster and choreographed by Arlene Phillips, with designs by Colin Richmond, orchestrations and musical supervision by Sarah Travis, lighting design by Ben Cracknell, sound design by Tom Marshall and 2021 tour casting by Kay Magson CDG, with original tour casting by David Grindrod CDG.
This new production of GREASE is produced by Colin Ingram, InTheatre Productions, Donovan Mannato, Playing Field, Hunter Arnold, Araca and Curve.
photo credit: Manuel Harlan
Monday 20 July 2020
Fanny and Stella musical to run at new open-air theatre in London
A brand new socially distanced open-air production of Fanny And Stella, a musical with Book and Lyrics by Glenn Chandler, the creator of ‘Taggart’, and Music by Charles Miller, is to be staged as the premiere production at The Garden Theatre in the newly refurbished beer garden of The Eagle.
Producer Peter Bull said: “We are taking baby steps as we venture into the brave new world of open-air socially distanced performances. We are only performing three shows a week initially but we aim to increase this after a successful launch.”
This hugely entertaining, relentlessly entertaining romp is based on bizarre events and real characters in Victorian London. Ernest Boulton and Frederick William Park were two young men who, in 1871, were put on trial in London for dressing as women and conspiracy to commit sodomy, a felony at the time. They dressed up as women (and were very good at it) for amateur theatricals, but when the show was over, and sometimes when there wasn’t even any show, as ‘Fanny and Stella’ they would frequent places of entertainment in the West End where men encountered men for sex and male prostitutes plied their trade. Park and Boulton were acquitted - an amazing victory for the time when sexual acts between men carried a sentence of two years - primarily because conspiracy could not be proved. Or perhaps it was because one had a father who was a judge, and the other a mother who swayed the court with her tears.
Upon their acquittal, Park and Boulton - as Fanny and Stella - along with their theatre company, take their story on the road. They hire a venue for “one night only” to tell their amazing true story of their lives, their trial, and their sensational acquittal. But are they in an ungiving age putting themselves on trial a second time?
The show will star Jed Berry as Ernest Boulton/Stella and Kane Verrall as Frederick William Park/Fanny. Further casting to be announced.
It has a first class creative team led by director Steven Dexter, with musical staging by Nick Winston, musical director Aaron Clingham, designer David Shields and casting by Anne Vosser. It is produced by Peter Bull for LAMBCO Productions.
Please note: face masks or coverings must be worn throughout the performance by socially-distanced audience members.
Concept album of new British musical Mascherato released on all streaming platforms
In the heart of 18th century Venice we meet Luca and Elena, and follow as they fall in love
against the backdrop of the thriving carnival. However, the pair are torn apart as Venice
sinks into war against the Ottoman Empire. When the conflict finally ends, and the empire
proves victorious, the two lovers must fight against fate to be reunited.
With music, lyrics, and original story by Michael Elderkin, and book by James Willett, this
sweeping epic is ready to be experienced.
Originally conceived by Elderkin in 2015, and following a successful workshop in 2017, the
show has proven to be hugely popular.
As such, and wanting to reach as wide an audience
as possible, the show has been transformed into a concept album. Recorded with a stellar West End cast (including Rob Houchen, Katy Treharne, Jeremy
Secomb, and Nathaniel Parker), a chorus of twelve, and a 22- piece orchestra in Abbey Road
Studios – this lush and colourful score will take you on a journey through the mystery and
magic that resides within the twisted labyrinth of Venice.
A new British musical, Mascherato is now available on all music streaming services (iTunes, Spotify, Amazon, etc).
Mascherato is a story of hope – of belief in something greater than ourselves and the
importance of having faith that all will be well in the end. A message that the world as whole
really needs right now.
Friday 17 July 2020
Indoor theatre performances allowed to resume from August 1st
It has been announced that from 1st August socially distanced audiences can return for indoor performances in theatres, music halls and other venues. Building on pilot success from a number of venues, including the London Palladium.
Talking at a press conference today, Prime Minister Boris Johnson said: "The timetable I am about to set out is conditional. It is contingent on all of us staying alert and continued success on controlling the virus."
"From 1 August, we will restart live indoor performances to a live audience subject to the success of pilots, and we will pilot larger gatherings, with a view to a wider reopening in the autumn...From October, we intend to bring back audiences in stadia and to allow conferences and other business events to recommence. These changes have to be made in a covid-secure way subject to pilots".
Johnson also announced new powers for local authorities, allowing them to cancel local events if there is a rising rate of transmission in specific areas.
The Prime Minister added: "We hope that by November at the earliest, if we continue to make progress, then it may conceivably be possible to move away from social distancing measures, such as the one metre rule. That is entirely conditional on our ability to keep the virus under control."
Culture Secretary Oliver Dowden echoed these plans on social media, explaining that this is a progression into stage four of the plan for culture.
"From 1 August, we will restart live indoor performances to a live audience subject to the success of pilots, and we will pilot larger gatherings, with a view to a wider reopening in the autumn...From October, we intend to bring back audiences in stadia and to allow conferences and other business events to recommence. These changes have to be made in a covid-secure way subject to pilots".
Johnson also announced new powers for local authorities, allowing them to cancel local events if there is a rising rate of transmission in specific areas.
The Prime Minister added: "We hope that by November at the earliest, if we continue to make progress, then it may conceivably be possible to move away from social distancing measures, such as the one metre rule. That is entirely conditional on our ability to keep the virus under control."
Culture Secretary Oliver Dowden echoed these plans on social media, explaining that this is a progression into stage four of the plan for culture.
Tuesday 14 April 2020
Keep Up Your Craft in Lockdown | Online Theatre Classes
We may be confined to our homes but thankfully the theatre community are coming together to create an abundance of online resources and classes to keep us entertained, fit and ready for our return to the real world... whenever that may be.
I've complied a list of some of these classes and activities which may peak your interest…
Musical Theatre
West End Bootcamp are providing Monday masterclasses at 7pm. These include choreographed routines, vocal classes performing arts masterclasses. Classes are £7.50 for 75 minutes and can be booked by emailing theteam@westendbookcamps.com (Insta: @westendbootcamp)
West End Bootcamp are providing Monday masterclasses at 7pm. These include choreographed routines, vocal classes performing arts masterclasses. Classes are £7.50 for 75 minutes and can be booked by emailing theteam@westendbookcamps.com (Insta: @westendbootcamp)
Pros From The Shows, directed by Layton Williams, are giving daily 30 minute workshops with 15 minute Q&As at the end. The workshops are run on a pay-what-you-can basis and have so far featured Marisha Wallace, Lucie Jones, Liam Mower and many more. To book, email info@prosfromtheshows.com (Insta: @prosfromtheshows)
London Singer Studio have free classes at 11am each day, focussing on all aspects of singing and vocal health. (Insta: @londonsingerstudio)
Kreate Academy are providing dance classes, challenges, live q and a’s and so much more. All their classes are free and there’s a whole variety to choose from. (Insta: @kreateacademyofperformingarts)
The Sing Space have a mixture of paid and free regular classes with industry professionals. These include breathing workshops and West End Fit classes. They also have free daily singing warm ups with West End vocal coach, Rachel Lynes, each morning at 10.30. Many of the classes take place on Zoom or Facebook at The Sing Space Singer’s Hub (Insta: @thesingspace)
MT Livestreamers is a group of musical theatre students who are teaching a variety of Instagram live classes, from tap to relaxation, MT and Bollywood. (Insta: @mt_livestreamers)
Live Stream Arts Fitness are providing a vast timetable of fitness and MT classes which are all free. Most take place on Instagram live, with some on YouTube, Facebook and Zoom. (Insta: @livestreamartsfitness)
Lockdown Live London hosts a daily 6pm workout with a West End star; these have include the Queens of Six, Kelly Mathieson, Sarah O Connor and Jonathan Bailey. They take place on instagram live and stay up for 24 hours. (@lockdownlivelondon)
Broadway Weekends at Home is a hub for all things MT and all the classes are free. All classes are taught by Broadway and West End Performers and there are ones for all ages. (Facebook: Broadway Weekends at Home)
Dance
Magnetic Movement are offering a whole timetable of weekly classes from industry professionals. From beginners tap to pilates and advanced jazz there's something for everyone. The classes take part live on Facebook and Instagram and there are also tutorials on the Instagram page. (Insta: @mageneticmovement_1)
LaDuca Shoes have a host of classes and Q&As, including musical theatre jazz, contemporary and ballet. (Insta: @laducashoesuk)
Sharpe Academy have daily instagram live routines, fitness classes and audition workshops with industry professionals. These have included a Six routine with Vicki Manser and a ballet barre masterclass with Bradley Shelver. (Insta: @sharpeacademy)
MXM have dance classes every Monday, Wednesday and Friday night and some children’s morning classes. They are 1 hour technique and routine classes which take place on instagram. (Insta: @mxmasterclass)
CLI Studios have regular live class events with renowned choreographers. Most classes are Intermediate/Advanced and are mainly Hip-Hop and contemporary. For any fans of The Ellen Show, this Sunday (19th) features a class with Twitch! (Insta: @clistudios)
Debbie Allen (Fame, Greys Anatomy) is holding weekly dance classes on Wednesdays and Saturdays (Insta: @therealdebbieallen) as well as offering Zoom classes through her dance academy, more information is available on www.debbieallendanceacademy.com
Capezio are offering a big timetable of instagram classes, with Body Conditioning, Locking and Tapping and Commercial just some of what’s available. (Insta: @capezio)
Ballet Specific
Tierney Heap is a current member of the Royal Ballet and a Bloch influencer, she is holding Instagram live classes on Tuesday and Thursday mornings at 10.30. (Insta: @tierneyheap)
Sander Blommaert is a former Royal Ballet dancer and is holding classes at 11am each morning on Instagram live. (Insta: @sanderblommaert)
Charise Logan (Renouf) is running barre focussed classes on Monday, Wednesday and Friday mornings at 10.30. (Insta: @charise_renouf_)
Sarah Du-Feu is running a whopping 18 Instagram live classes a week suitable for all ages with a mixture of basic and intermediate classes. (Insta: @theballetcoach)
Russian Pointe Brand are running classes for all levels on their instagram, including flexibility and pilates classes. (Insta: @russianpointebrand)
Q&As/Masterclasses
Beyond the Boards is a new theatre podcast which is holding weekly Q&As with performers about their advice for thriving and surviving during lockdown. Previous guests have included Arun Blair-Mangat, Richard Carson and Genesis Lynea. (Insta: @beyondtheboardspod)
SingEasy have launched the SingEasy Diaries where they chats to special guests each Monday, Wednesday and Friday at 8pm. Guests include Jodie Steele, Amy Hart and Jai McDowall. (Insta: @singeasywestend)
London Theatre Direct are hosting Q&As, takeovers, bake-alongs and more, with stars of the West End in their Stagey Lockdown. (Instagram: @londontheatredirect)
The Showbiz Clinic run by dancer and choreographer Xena Gusthart is currently doing a series called Pivot Through a Pandemic which is £5 a session and takes place Monday's at 10am. There are also free one to one's available as well as live instagram Q&As. (Insta: @theshowbizclinic)
Stage One have begun a series on online webinars with industry professionals. They take place on Zoom and participants have the chance to ask questions as well as hear stories and advice. (Insta: @stageonenewprod)
There are so many more classes than this but these are just some of the ones on my radar. If you know of anymore, please let me know and I’ll keep this list as updated and comprehensive as possible.
Stay safe and stay stagey!
Olivia x
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