Posts with the label london
Showing posts with label london. Show all posts
Showing posts with label london. Show all posts
Saturday 13 July 2024
Unforgettable Moments at BST Hyde Park: Stevie Nicks and Harry Styles Live
Stevie Nicks
Hyde Park
To put it lightly, last night at BST Hyde Park was nothing short of magical. Like many, seeing Stevie Nicks perform was a bucket list event for me, so finally getting to see her was a dream come true and the night was a true testament to the enduring power and charisma of the legendary performer. The atmosphere was electric, filled with a sense of history and excitement that only intensified as the evening progressed. The fully female lineup for the day added an extra layer of significance and empowerment to the event which will go down in the memory of so many.
The day kicked off for me with the vibrant Catty on the Rainbow Stage. Her energy was infectious, and her vocals were stunningly strong. Each note she sang was filled with emotion, showcasing her undeniable talent. It's clear that this is just the beginning of an incredible career for her. I feel lucky to have witnessed her early steps and can't wait to see where she goes next.
Nina Nesbitt followed with a lovely set that provided a beautiful contrast to some of the other artists. Her performance showcased her as a talented singer-songwriter with a unique voice. Her heartfelt lyrics and soothing melodies were a delight to watch, and her songs added a perfect touch to the day's lineup.
As a longtime fan of Brandi Carlile, seeing her on the Great Oak Stage was another dream come true. I have to admit, I shed a tear. Her performance was nothing short of astounding, making her the perfect opener for Stevie. Hearing 'The Joke' and 'The Story' live was everything I hoped for and more. Her raspy, powerful vocals and brilliant audience interaction were captivating. Closing her set with 'We Are the Champions' in honour of the upcoming Euros final was a wonderful choice that had the audience fully on her side. From what I could hear around me, Brandi gained a lot of new fans through her performance!
And then, the moment we had all been waiting for: Stevie Nicks. From the moment she stepped on stage, the crowd was enraptured. Surrounded by fans united by their love for Stevie, there was an overwhelming sense of community and shared joy. Many, myself included, had made the effort to emulate Stevie's iconic style, with flowing shawls and layered jewellry. The lady next to me even had a ribbon-laden tambourine, a tribute to Stevie's signature accessory. As Stevie took the stage, the crowd was filled with sniffles and tears, a testament to the profound impact she has had on all of us. This was more than just a concert; it was a momentous event that celebrated the enduring magic of Stevie Nicks. The joy of music and the connection we all felt to her and to each other made it a night to remember, filled with heartfelt emotion and a sense of belonging.
Her setlist was a perfect mix of classics and deeper cuts, taking us on a journey through her incredible career. Starting with 'Outside the Rain', she immediately set the tone for an unforgettable night. 'Dreams' and 'If Anyone Falls' followed, showcasing her timeless voice that remains as strong and evocative as ever.
'Gypsy' and 'The Edge of Seventeen' were delivered with the kind of passion that only Stevie can bring. As she performed 'Bella Donna' and 'Gold Dust Woman,' the graphics on the screen behind her added a hypnotic visual element to the show, perfectly complementing the music and enhancing the overall experience.
Stevie's anecdotes between songs were like little gifts to the audience. Her Joan Didion-esque meandering Hollywood stories were fascinating; I could have listened to her regale us for hours. The way she spoke about her various shawls was delightful, adding a charming personal touch to the performance. It was evident she was thoroughly enjoying playing Hyde Park, and her joy was contagious.
A special highlight was when her vocal coach, Steve Real joined her for a song. It added an intimate and unique touch to the performance, showcasing Stevie's generosity and appreciation for her team. As she moved into 'Rhiannon,' the crowd sang along, united in their love for the music and the moment.
The night reached an unforgettable climax when Harry Styles joined Stevie on stage for the final two songs. As a huge Harry fan, I'd heard rumours he might be there, but nothing could prepare me for the sheer emotion of the moment when he appeared to sing 'Stop Draggin' My Heart Around.' Seeing him perform with Stevie on what would have been Christine McVie's 81st birthday was surreal; their rendition of 'Landslide,' accompanied by a beautiful slideshow of photos, was moving beyond words.
This concert was everything you could ask for and more. Stevie's voice is still incredibly strong, and her stage presence is unmatched. The graphics and visuals throughout the show were stunning, adding an extra layer of magic to the performance. I'm honoured to have witnessed such an icon perform in such an iconic setting. The memories of this night, especially that magical moment with Harry Styles, will stay with me forever. If you ever get the chance to see Stevie Nicks live, don't hesitate. It's an experience you'll treasure for a lifetime.
★★★★★
Reviewed on Friday 12th July 2024 by Olivia Mitchell
Photo Credit: Anthony Pham & Olivia Mitchell
Monday 8 July 2024
Concert Review: Shania Twain Wows Hyde Park with Iconic Hits and Audience Sing-Alongs
Shania Twain
BST Hyde Park
Closing out the second weekend of BST, Shania Twain looked unreal as she brought excellent, boot-stomping vibes and created an evening that was an absolute blast! Despite battling a cold, Shania still managed to put on a show that had everyone living their best lives. In perhaps an attempt to save her voice, Shania often encouraged the audience to take control so we really put our school assembly singing skills to good use whenever she passed the mic to the audience. It was like a giant, joyous karaoke session under the evening sky.
The fun graphics and visuals were another highlight, becoming even more effective as the sun set. It was the perfect backdrop for Shania's performance, creating a magical atmosphere that added to the excitement. Between songs, she chatted with the audience, sharing stories and warming herself to everyone. It felt like we were all just hanging out with an old friend. I really enjoyed her clever segues into each song, and she took moments to look out at the crowd and soak it all in which was lovely to witness.
Shania’s setlist was packed with hits. She kicked off with 'Don't Be Stupid (You Know I Love You)' which was perhaps not the best opener as a lot of the audience didn't seem familiar with it but things soon stepped up and over 17 songs, there was definitely something for everyone. Her performance of 'That Don’t Impress Me Much' was a nostalgic trip that had everyone singing at the top of their lungs and of course the iconic 'Man! I Feel Like a Woman!' was a true stand out moment. Despite her cold, Shania’s energy was infectious, and she gave a performance that seemed to enchant the audience, whether it was their first time seeing her, of whether they'd caught her before during her illustrious career. 'You're Still the One' had the entire park swaying, and 'Waking Up Dreaming' was a touching highlight that showcased her still-strong vocals. Donning her cowboy hat, Hyde Park embodied the spirit of country with renditions of 'Giddy Up' and 'Who's Bed Have Your Boots Been Under', with boot-scooting and toe tapping galore. Shania told us how she really feels that were in a country music renaissance and after this performance and Morgan Wallen earlier in the week, I certainly agree!
One of the most endearing parts of the night was how Shania interacted with us. She spoke candidly between songs, sharing personal anecdotes and making the massive 50,000 person strong crowd feel like an intimate gathering. Her warmth and charisma shone through, making her performance feel genuine and heartfelt.
Before Shania took the stage, I had the pleasure of catching Nell Mescal on the Rainbow Stage. Nell was simply wonderful, delivering a selection of her own music, including some beautiful pieces from her recent EP. Her stage presence was warm and charming, and her vocals were pin sharp! They mixed delicate emotion with a powerful belt that left me eagerly anticipating her rise to stardom. She’s definitely one to watch.
Later in the day, Anne Marie and The Corrs opened on the main Great Oak Stage, and they did not disappoint. Anne Marie, with her string of bangers, got everyone hyped up with her infectious pop vibes. The Corrs brought a different style, full of emotional depth and musical brilliance. Their set was particularly moving; you could see how astounded they were by the audience’s reaction. It was a lovely, memorable moment that added a special touch to the day.
All in all, Hyde Park was alive with incredible music and unforgettable performances. Shania truly shone and made sure we all had the time of our lives. Her show was a testament to her enduring talent and connection with her fans. I was impressed much!
★★★★
Reviewed on Sunday 7th July by Olivia Mitchell
Photo Credit: Dave Hogan
{AD PR Invite- tickets gifted in exchange for honest review}
Saturday 6 July 2024
Andrea Bocelli Hyde Park Concert: Rain Can't Dampen Stunning Performances
Andrea Bocelli
BST Hyde Park
Andrea Bocelli's performance at Hyde Park was a night of unforgettable music, incredible talent, and, unfortunately, a lot of rain. But let's dive into the highlights that made the evening truly special, despite the less-than-ideal weather.
First off, the support acts were fantastic! His son, Matteo Bocelli, opened with some of his own compositions, including a gorgeous piece he wrote for the Netflix show From Scratch. Matteo wooed the crowd with his suave performance and stunning vocals, setting the tone for the evening. Another highlight included some moments with Grammy award-winning singer Joaquina who's voice is absolutely glorious. Katherine Jenkins followed with a delightful set, including an impromptu rendition of 'Singing in the Rain', complete with a brolly! She later swapped her Manolos for Hunter wellies, embracing the weather with style. Her sparkly outfit matched her personality and shone brilliantly against the grey skies. A highlight of her performance was her duet with John Owen-Jones on Barcelona- truly a magical moment.
Now, let's talk about the weather. There's a reason the festival is called BST- British summers are notoriously unpredictable, and yesterday was no exception. The rain did put a bit of a dampener on the evening, both literally and figuratively. The performances were impeccable, but it was hard to fully enjoy while getting drenched. That said, the shared experience of braving the downpour added a unique camaraderie among the audience. Andrea himself called us heroes for sticking it out and rewarded us with a performance that was worth every soggy moment.
Act One began with a bang as Andrea performed 'La Donna è Mobile', supported by the Royal Philharmonic Orchestra. The first half of the concert featured a selection of opera pieces, with standout guests like soprano Nadine Sierra, mezzo Isabel Leonard, baritone Luca Micheletti, soprano Henna Munn, flautist Andrea Griminelli, violinist Rusanda Panfili, and the Crouch End Festival Chorus. Each piece was delivered with emotion, humour, and a touch of flirtation—perfect for both opera aficionados and newcomers. However, it would have been helpful to have subtitles like at Opera House performances, allowing everyone to engage more deeply with the lyrics, or perhaps just more introductions to the pieces giving a general theme.
Act Two shifted the mood with a mix of more recent songs and Andrea's beloved classics. Highlights included a stunning rendition of 'The Prayer' with Loren Allred and a powerful performance of 'Nessun Dorma' to close the night. The set list was further enriched by appearances from German film composer Hans Zimmer, legendary British singer-songwriter Seal, and Italian gospel and blues artist Zucchero. A heartwarming moment was Andrea's duet with his daughter Virginia on Hallelujah, showcasing the immense talent within the Bocelli family.
So, while the rain did affect the enjoyment a bit, the stellar performances and the communal spirit of the audience made it a memorable evening, especially as the largest outdoor classical concert in Europe in this century. Andrea Bocelli, with his incredible voice, delivered a concert that resonated deeply, despite the weather.
★★★★
Reviewed on Friday 5th July 2024 by Olivia
Photo Credit: Dave Hogan
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 5 July 2024
Morgan Wallen Lights Up BST Hyde Park: A Night of Country Magic | REVIEW
Morgan Wallen
BST Hyde Park
If there’s one thing that Morgan Wallen's concert at BST Hyde Park proved, it's that live music has a magical way of bringing people together. Having only dabbled in a few of Wallen's songs before attending, I wasn’t entirely sure what to expect. But by the end of the night, I was a converted fan, swept up in the collective joy and energy that only live music can create.
BST Hyde Park has a strict 10:30 pm curfew, which means performers have to make a tough choice: play as many songs as possible or spend time interacting with the crowd. Wallen masterfully did both. He packed his setlist with as many songs as he could, yet managed to sprinkle in some genuinely touching moments of interaction. Each brief pause felt intentional and heartfelt, winning over the audience every time.
One of the standout moments was when Wallen moved to a B-stage at the back of the golden circle. He explained he wanted to make eye contact with as many fans as possible, bringing an intimate feel to such a large-scale event. It was these little touches that made the evening feel special and sincere.
The music was a perfect mix of high-energy anthems and soulful ballads. Songs like 'Whiskey Glasses,' 'Last Night,' and '7 Summers' had the crowd singing along with infectious enthusiasm. Each track showcased Wallen's versatility, and it was clear that he poured his heart into every performance. It was a true celebration of country music, and the crowd couldn't get enough.
Visually, the show was a feast for the eyes. The lighting was spectacular, with lasers and wave-like smoke effects adding to the overall atmosphere. The graphics, while a bit random at times, used vibrant colour palettes that kept things interesting. The American-themed videos, featuring Wallen with a fish, a gun, and a golf club, added a fun and fitting touch, especially for a 4th of July performance, even if they were somewhat rogue choices.
Despite my initial unfamiliarity with his music, the sheer amount of joy I felt throughout the evening is a testament to Wallen's talent and the unifying power of live, communal music. The concert was not just a performance but a shared experience that brought people together, celebrating the joy of country music and live events.
Morgan Wallen's debut at BST Hyde Park was certainly a night to remember. His ability to blend energetic hits with heartfelt moments, combined with his genuine connection to the audience, made for an unforgettable experience. The quirky graphics and dazzling lighting only added to the charm. If you ever get the chance to see Morgan Wallen live, don’t hesitate – it’s an experience that will leave you with a smile on your face and a song in your heart.
★★★★
Reviewed on Thursday 4th July 2024 by Olivia
Photo Credit: Olivia Mitchell
{AD PR Invite- tickets gifted in exchange for honest review}
Sunday 17 March 2024
Instructions for a Teenage Armageddon at the Garrick Theatre REVIEW: Charithra Chandran makes a moving stage debut
Instructions for a Teenage Armageddon
Garrick Theatre
In a transfer from the Southwark Playhouse to to the Garrick Theatre, Instructions For a Teenage Armageddon sees Charithra Chandran making her stage debut after her notable appearance on screen in Bridgerton.
Written by Rosie Day (who previously starred as Girl), Teenage Armageddon revolves around a witty, introspective teenager coping with the loss of her sister amidst the tumult of teenage betrayal, manipulation, and trauma. Despite the dark undertones, Day lightens the mood by framing each section with the protagonist's quest for new scout badges. The story is moving, if at times predictable and is a good way of supporting teens and putting them at the forefront of a story.
In this 75-minute journey directed by Georgie Staight, Chandran deftly navigates through a poignant social satire, tackling a myriad of emotional themes. Her characterisation is good, breathing life into a variety of personas throughout the performance. While her comedic and emotional timing may not always deliver the biggest punch, Chandran's portrayal remains commendable, particularly given the emotional depths demanded by the role; and it's highly impressive that her first foray into theatre is with a one-girl-show.
Having seen the show in its previous iteration I knew what to expect but this version certainly felt different. Mainly in terms of staging, the show has moved away from the campfire setting as it's main framework and instead the action physically takes place in a muted bedroom which doubles as all the other locations. Video projections by Dan Light add depth and interest, especially with the extra on screen characters played by Shelley Conn (Mum), Philip Glenister (Dad) and Isabella Pappas (Ella). At times the show does feel a little too staged and as though its lost some of the real childishness which was so charming during its last run, however it retains it's heart and sincerity which really make it sparkle.
The show is adorned with quick, clever prose and such dark humour, you never quite feel certain you should be laughing as loudly as you are. The play is a poignant exploration of real childhood trauma, with relatable themes that will certainly resonate with audiences, particularly girls and women navigating societal pressures and concealing pain behind humour.
Instructions For a Teenage Armageddon serves as a cautionary tale, urging for open conversations about mental health and the importance of supporting one another. Chandran's performance is really admirable and the show's West End transfer is a testament to Rosie Day's brilliant writing.
★★★★
Reviewed on Sunday 17th March 2024 by Olivia
Photo Credit: Danny Kaan
{AD PR Invite- tickets gifted in exchange for honest review}
Monday 17 July 2023
Diva Exhibition at the V&A Museum Review: A Majestic Showcase of Feminine Power and Artistry
a treasure trove of memorabilia and artefacts, breathing life into the stories of these extraordinary divas"
Victoria and Albert Museum
★★★★★
The newest exhibition at the V&A, Diva is an absolute treat, immersing visitors in the captivating world of awe-inspiring women who have enchanted us with their extraordinary talents, strength, and charisma.
From the moment you step into the exhibition hall, you truly feel a part of the glamour and empowerment. Split into two acts, the first being historical context of diva’s and the second focussing on the modern day artists, this enchanting journey through the lives and legacies of iconic divas is really awe-inspiring.
The curation of Diva is exceptionally well done. Skilfully interweaving various disciplines such as music, film, fashion, and photography as well as showcasing objects alongside outfits to tell personal and intriguing stories. The exhibit creates a multi-dimensional experience that effortlessly transports visitors into the captivating world of these remarkable women. Every display is meticulously crafted, capturing the very essence of the divas, their defining moments, and their profound contributions to popular culture. With 60 costumes and 250 items spanning from the 19th century to today, there is so much to take in and a number of highlights to be found throughout. Some personal favourites included the various Bob Mackie designs, which are accompanied by original artwork, Elton John's Louis XIV-inspired 50th birthday party look and the fringed black dress worn by Marilyn Monroe in Some Like It Hot in 1959.
The exhibition is a treasure trove of memorabilia and artefacts, breathing life into the stories of these extraordinary divas. From the elaborate stage costumes that exude the flamboyance of performers like Madonna and Lady Gaga, to the intimate handwritten letters and personal diaries that offer a glimpse into the private lives of divas like Billie Holiday and Aretha Franklin, each piece on display serves as a testament to their unrivalled greatness.
What sets the Diva exhibition apart is its unwavering commitment to highlighting the immense cultural impact of these trailblazing women. It delves deep into how these divas challenged societal norms, shattered glass ceilings, and emerged as symbols of empowerment for generations of women. Through interactive displays and thought-provoking installations, visitors are invited to reflect on the ongoing struggle for equality and the profound power of self-expression.
The audiovisual elements of the exhibition are incredibly effective. As you stroll through the halls, you’re treated to a symphony of iconic performances and interviews playing on large screens, perfectly complementing the visual feast before you. The accompanying soundtrack, carefully curated from the divas' most unforgettable hits, transports you through time, allowing you to immerse yourself in the journey.
The meticulous attention to detail in every aspect of the exhibition is truly praiseworthy. From the thoughtfully crafted lighting and set design that immerses visitors in a captivating ambiance to the informative plaques offering historical context, the Diva exhibition ensures an enriching experience that not only entertains but also educates about the indelible impact these women have made on the world.
The V&A Museum has truly surpassed expectations with the Diva exhibition, serving as a remarkable tribute to the enduring influence of these extraordinary women. Whether you're an avid fan of a specific diva or simply intrigued by the diverse tapestry of female talent, this exhibition is an absolute must-see. Be prepared to be dazzled and inspired by the unwavering spirit and artistic brilliance of the divas who have left an indelible mark on our cultural landscape.
Seamlessly weaves together art, history, and music, paying homage to the iconic women who have redefined what it means to be a diva, this exhibition is a must visit. Get ready to be enthralled, uplifted, and deeply moved by this extraordinary showcase of feminine power and artistry.
Reviewed on Thursday 13th July by Olivia Mitchell
Photo Credit: Anna Gordon
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 22 June 2023
Groundhog Day at the Old Vic review: A Theatrical Gem That Transcends Time
the repetition never becomes tiresome, but rather serves as a tool for self-discovery and personal growth.
Groundhog Day
Old Vic
★★★★
Groundhog Day at the Old Vic Theatre is a delightful production that offers a hilarious and enchanting journey, filled with a talented ensemble, sleek quick changes and witty songs in the classic Tim Minchin style. This extraordinary production, breathes fresh life into the beloved story, delivering an experience that warms both the heart and the funny bone.
From the moment the curtains rise, we are transported to the enchanting world of Punxsutawney, Pennsylvania. The set design by Rob Howell, a skilful blend of simplicity and innovation, effortlessly captures the essence of small-town charm. Each scene change is flawlessly executed, seamlessly guiding the audience through the repetitive yet captivating cycle of Bill Murray's iconic character, Phil Connors, as he relives the same day over and over again.
The cast is a formidable force, with the incredibly talented Andy Karl at the helm, delivering a remarkable portrayal of Phil Connors. With impeccable comedic timing and a nuanced understanding of the character's emotional journey, Karl brings authenticity to every scene. His charisma and stage presence make it impossible to look away, keeping the audience fully engaged and invested in Phil's transformation, plus he delivers some killer vocals.
Alongside, each cast member delivers outstanding performances that enhance the overall narrative. From the endearing yet determined Rita, played by Tanisha Spring, to the versatile ensemble effortlessly transitioning between various characters, their energy and dedication create an immersive experience, making us feel like part of the Punxsutawney community. Amongst the solid cast, stand out's include Eve Norris who shines in her role as Nancy, bringing depth and charm to the stage and Billy Nevers who uses every solo line to his complete advantage to deliver some scene stealing moments.
The direction by Matthew Warchus, skilfully navigates the delicate balance between comedy and introspection. Demonstrating a deep understanding of the source material, whilst infusing it with fresh perspectives and surprising moments that keep the audience on the edge of their seats. Warchus expertly guides the pacing, ensuring that the repetition never becomes tiresome, but rather serves as a tool for self-discovery and personal growth.
The musical numbers, composed by Tim Minchin, are a delightful addition to the production. The songs are catchy, with lyrics that cleverly reflect the themes of self-reflection and seizing the day. The choreography (Lizzi Gee), executed with precision and flair, adds an extra layer of excitement and dynamism to the overall performance.
Groundhog Day at the Old Vic is a testament to the transformative power of live theatre. It serves as a reminder of the beauty found in life's simplest moments and the significance of embracing change. This production effortlessly balances humour and heart, leaving the audience with a renewed sense of joy and hope.
If you're seeking a theatrical experience that transcends time and leaves you with a warm, fuzzy feeling, Groundhog Day is an absolute must-see. This exceptional production will undoubtedly captivate audiences of all ages, reminding us that every day is an opportunity for growth, love, and second chances.
Reviewed on Wednesday 21st June 2023
photo credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 22 March 2023
The Way Old Friends Do, Park Theatre | Review
The Way Old Friends Do
Park Theatre
★★★★
The Way Old Friends Do is a heartwarming play set to the backdrop of ABBA, that has you feeling an array of emotions and having a really good time. Written by Ian Hallard and under the expert direction of Mark Gatiss we are taken on the journey of music, friendship and found family.
The talented ensemble cast that bring each character to life in a charming way. Rose Shalloo is a complete stand out, continually bringing an infectious energy and providing some of the most endearingly humourous moments. James Bradshaw and Ian Hallard give well thought out performances and have an excellently witty chemistry with one another.
Janet Bird's set design is simple but effective, allowing the focus to remain on the actors and their performances. The revolving set cleverly transforms to a number of rooms whilst maintaining the ABBA-ness of it all.
This is a heartfelt play explores themes of love, loss, and friendship in a way that feels both universal and deeply personal. The story is filled with moments of both joy and sadness, that feel mostly natural and have you invested in the lives of the characters. The second act does suddenly take a turn to drama and comes across somewhat rushed, without enough development to truly hit home but overall things are well paced, and it's a sweet tale that celebrates friendship.
Overall, The Way Old Friends Do is a production that I highly recommend. It's a touching, well-crafted play that will stay with you after the final curtain call and have you wanting to create your own ABBA tribute group!
Reviewed on Tuesday 21st March 2023
photo credit: Tristram Kenton
{AD PR Invite- tickets gifted in exchange for honest review}
Monday 13 March 2023
The Phase, The Vaults | Review
The Phase
The Vaults
★★★★
A new, British musical, The Phase follows four best friends and bandmates, Aziza, Rowan, Sage and Ava as they take on their Catholic school's oppressive rules which restrict them from expressing their queerness. The coming-of age musical tackles a number of issues in a short time and is a well written exploration of teenage life and identity.
The Vault Festival is a great event for shows to form and find audiences but the space, budget and time constraints don't always allow for much development. The team behind The Phase have done a great job working with these limitations and have created a musical that feels pretty well rounded and has design interest as well as great performances. The set comprises of large drawn out items such as rulers and pens that are transformed into various other things, and the band dressed as crayons complete the pencil case assortment and give the show a unique look and feel.
Led by musical director Amy Hsu, the band do a great job of leading the piece and accompanying the cast who provide consistently strong vocals. With Jocasta Almgill as Aziza, Ashley Goh as Rowan, Holly Ryan as Sage and Gracie McGonigal as Ava, the quad create a wholesome group who really support one another and give each other room to grow and be who they want to be. All four have well defined characteristics, and in a different setting there would certainly be room to flesh them out further. The occasional mic issue did mean some moments were lost at this performance but this is something that can be easily ironed out.
The Phase is a show which knows its identity and retains it throughout. Every moment is cohesive and feels quite genuinely like a school drama. There is a lot of angst and a whole host of personal struggles from anxiety to friendship, and although at times it feels a little too much, there is a sincerity sewn through which makes it a lovely piece.
Zoe Morris and Meg McGrady have created a great piece of musical theatre, that under Izzy Rabey's direction really gets to soar. It's lovely to see queer stories told that are not surrounded by trauma, and this show does a great job at highlighting the joy and community found, even when individuals are struggling. From body dysmorphia to relationship boundaries, there is so much packed into the hour long show. At times it comes across a little too dramatic, but at the same time it is very evocative of school life.
Mention must also go to how accessible the team have made the show. With sensory items available as well as chill out spaces, the whole experience embodies inclusivity and is certainly paving the way for others.
The show has just finished its run at the the Vault Festival, but there's sure to be a future life for The Phase and it will continue to spread joy via a touching storyline and absolutely killer vocals.
Reviewed on Sunday 12th March 2023 by Olivia Mitchell
{AD PR Invite- tickets gifted in exchange for honest review}
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