Posts with the label concerts
Showing posts with label concerts. Show all posts
Showing posts with label concerts. Show all posts

Monday 31 October 2022

New dates added to Carrie Hope Fletcher's debut tour


More dates have been added to award-winning stage sensation Carrie Hope Fletcher’s debut solo tour due to phenomenal demand.

 

Carrie Hope Fletcher - An Open Book will see the musical theatre star, author and vlogger play a series of unmissable theatre shows in May and June 2023, with new shows added in Oxford, Liverpool, Leicester, Milton Keynes, Southend, Bath and Glasgow.

 

Performing songs from her incredible West End and touring career, fans can look forward to hits from Heathers, Les Misérables, The Addams Family and many more, interspersed with chat about Carrie’s fascinating life and career.

 

Tickets for the new dates are on general sale from 10am, on Friday, November 4 from www.cuffeandtaylor.com

 

Carrie Hope Fletcher - An Open Book 2023


18-May Bradford, St George’s Hall

19-May Oxford, New Theatre

21-May Southampton, Mayflower Theatre

22-May Norwich, Theatre Royal

25-May London, The London Palladium

27-May Llandudno, Venue Cymru

28-May Salford, The Lowry

29-May Birmingham, Symphony Hall

21-May Sheffield, City Hall

01-June  Liverpool, Empire Theatre

02-June Nottingham, Royal Concert Hall

03-June Newcastle, O2 City Hall

04-June Edinburgh, Festival Theatre

06-June  Leicester, De Montfort Hall

07-June  Milton Keynes, Milton Keynes Theatre

09-June  Southend, Cliffs Pavilion

10-June  Bath, The Forum

11-June  Glasgow, Theatre Royal


 

Speaking about Carrie Hope Fletcher - An Open Book, Carrie said: 


“I am so excited to be preparing for my first ever solo tour – and to be adding new dates is absolutely fantastic.


“A solo concert tour is something I have wanted to do for some time, and it’s great to be able to visit even more places and meet even more fans.

 

“I adore being on stage and am fortunate to have performed in so many theatres, but there’s something very special about being able to get out on the road and visit some beautiful theatres around the UK.”

 

Earlier this year, Carrie was named best performer in a female identifying role in a musical as the title role in Andrew Lloyd Webber’s Cinderella. Most recently, she has wowed critics in a new revival of Brecht’s The Caucasian Chalk Circle and is now preparing for her pantomime debut as the villain Carabosse in Sleeping Beauty at The Marlowe Theatre, Canterbury.

 

Carrie, who has an impressive three WhatsOnStage Awards to her name, has enjoyed a breath-taking career since her West End debut at the age of nine playing Young Éponine in Les Misérables.

 

Since then, Carrie’s theatre credits include Fantine in Les Misérables: The Concert, Veronica in Heathers, Wednesday in The Addams Family, Éponine in Les Misérables, both Truly Scrumptious and Jemima in Chitty Chitty Bang Bang, Beth in Jeff Wayne’s War of the Worlds and Jane Banks in Mary Poppins.

 

When she’s not treading the boards of the West End’s biggest stages, Carrie is also a best-selling novelist, Top 20 recording artist and respected vlogger with her popular self-titled music and vlog channel attracting more than a million views a month.

 

Carrie Hope Fletcher - An Open Book is presented by Lambert Jackson, Live Nation and Cuffe and Taylor.

 

Jamie Lambert, of Lambert Jackson, said: 

“Carrie Hope Fletcher - An Open Book presents an opportunity to take one of the West End’s most celebrated and successful leading stars to theatres across the UK.

 

“There has been a phenomenal demand for the tour so we are delighted to be adding extra dates so even more people will be wowed by the stunning voice of Carrie, while also getting an insight into her incredible career.”

 

Cuffe and Taylor Director of Theatre Touring Ben Hatton added: 

“We are very excited to be presenting Carrie’s debut UK tour, and it is testament to her great popularity that we’re adding these dates. Carrie is the most wonderful musical theatre talent and audiences will absolutely love this show.”

 

For more information about Carrie Hope Fletcher - An Open Book and to secure tickets head to www.cuffeandtaylor.com

 

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New dates added to Carrie Hope Fletcher's debut tour

Monday 31 October 2022

Tuesday 7 June 2022

Sam Ryder and Nathan Dawe join the star-studded line-up for Capital’s Summertime Ball with Barclaycard!


The UK’s biggest summer party just got even bigger! Capital Breakfast’s Roman Kemp, Sian Welby and Sonny Jay have confirmed on air this morning (Tuesday 7th June) that Sam Ryder and Nathan Dawe have joined the star-studded line-up for Capital’s Summertime Ball with Barclaycard, which takes place this Sunday 12th June at Wembley Stadium. 

 

The stratospheric rise of the UK’s Eurovision hero Sam Ryder continues, as he gets ready to take to the world-famous Wembley Stadium stage at Capital’s Summertime Ball with Barclaycard. Sam – who topped The Official Big Top 40 chart last month with ‘SPACE MAN’ - is one of the hottest acts in the country right now following his phenomenal success flying the flag for the UK at Eurovision 2022.

 

Nathan Dawe is also confirmed to play the Ball, where he’s guaranteed to bring major summer party vibes to 80,000 Capital listeners. The multi-platinum-selling DJ and producer is responsible for huge hits including ‘Lighter’ featuring KSI, ‘Flowers’ feat. Jaykae and MALIKA, and his most recent release, ‘21 Reasons’ with Ella Henderson.

 

Sam Ryder and Nathan Dawe join the bill after Capital Breakfast’s Roman Kemp, Sian Welby and Sonny Jay revealed on air yesterday that Maisie Peters, who is currently supporting Ed Sheeran on his ‘+ – = ÷ x Tour’, will play Capital’s Summertime Ball with Barclaycard. The singer-songwriter is one of this year’s most hotly tipped rising stars and her set is not to be missed.

 

The countdown to Capital’s Summertime Ball with Barclaycard is officially on, and the only way in is to win – listen to Capital for the chance to join the sold-out crowd of 80,000 Capital listeners at the UK’s biggest summer party this Sunday.

 

Yesterday Capital revealed four-time GRAMMY Award-winning and seven-time BRIT Award-winning superstar Ed Sheeran will open the show on Sunday. Live DJ sets from Capital’s Marvin Humes and MistaJam will get the crowd in party mode from midday onwards when the doors open, before Ed Sheeran takes to the world-famous Summertime Ball stage at 2pm for a very special set. For those watching at home the Global Player live stream starts from 2pm. 

 

Listen to Capital across the UK on FM, DAB digital radio, on Global Player on your smart speaker (“play Capital”), iOS or Android device and at capitalfm.com.


Watch Capital’s Summertime Ball with Barclaycard live on Global Player, this Sunday 12th June from 2pm.

 

Follow @CapitalOfficial and #CapitalSTB on TikTok, Instagram, Twitter and Facebook and keep it Capital for all the behind the scenes action and backstage gossip live from Wembley Stadium.


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Sam Ryder and Nathan Dawe join the star-studded line-up for Capital’s Summertime Ball with Barclaycard!

Tuesday 7 June 2022

Monday 24 February 2020

Zorro, Cadogan Hall | Review


Zorro
Cadogan Hall
Reviewed on Sunday 23rd February 2020 by Olivia Mitchell
★★★★

Fiery, Latin, wacky, soulful and brilliant, Zorro made a triumphant return to London last night, 12 years after its West End premiere. The story of Diego De La Vega who becomes the illusive Fox aka Zorro, to save his town from the tyrannical reign of his childhood friend Ramon, is the classic good vs evil that can't help but invest you with its sincerity and heart of gold. Add to this a score by the Gipsy Kings and a fantastic cast and you've got a great night on your hands.

The plot is wafer thin but in this concert setting, we really had the chance to go beyond that to focus on the fantastic Spanish music and the wonderful characterisation from the whole cast. Even in a full setting, I would imagine that the self-awareness of this show, means you can pretty much overlook the plot faults and just enjoy it for what it is- a heap of fun! There are many 'deep' moments peppered throughout the production, but they're equally balanced with camp humour and wit which lighten the tone and allow us to go on a pretty much carefree journey.

Ricardo Afonso was incredibly convincing and powerful as Zorro/Diego, giving a completely marvellous vocal performance and enrapturing the audience of Cadogan Hall. Delightfully tongue in cheek, with a great balance of sincerity, swagger and playfulness, there's not much more you could ask for from the debonair hero. In great contrast, Robert Tripolino was truly evil as the rapacious ruler Ramon and completely commanded the stage in every moment. Zubin Varla and Jo Parsons, gave solid performances and it's just a shame we didn't get the chance to see and hear more from them.


The love interest Luisa was performed with tenderness by Emma Williams, who revived her West End role and showcased her vocal dexterity, namely in her touching rendition of The Man Behind the Mask.

Also reviving her (Olivier Award Winning) role, was Lesli Margherita who deservedly garnered much applause as the vivacious, smouldering gypsy Inez. Lesli's rendition of Bamboleo will be a memorable moment for everyone at Cadogan Hall and we can only hope she'll be back on London soil soon!

Under the baton of Freddie Tapner, the LMTO orchestra brought vibrant energy to the Hall, with exceptional guitar and percussion woven throughout the entire score. The foot stomping music was fully realised thanks to Paul Smith's sound design which was wonderfully balanced and showcased every single performer and musician brilliantly.

Entertaining and enthusiastic, Zorro was a perfect way to spend a Sunday. Hopefully the rapturous reception is enough to bring this musical back to London very soon. Viva el Zorro!

photo credit: Darren Bell
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Zorro, Cadogan Hall | Review

Monday 24 February 2020

Monday 10 February 2020

Twisted, Trafalgar Studios | Review


Twisted (Concert)
Trafalgar Studios
Reviewed on Sunday 9th February 2020 by Olivia Mitchell 
★★★★

There weren't many reasons to leave the house on Sunday, as Storm Ciara battered the UK, but a dose of musical theatre and Disney were certainly two. The latest in Monsteers' concert series, Twisted provided a chance for performers to sing the Disney songs they've always wanted to, as well as those which they wouldn't typically be cast in. This led to an afternoon of uplifting numbers, belting galore and a great escape from mother nature.

Thirteen performers took to the stage to treat us to a selection of (mostly) contemporary songs, ranging from Poor Unfortunate Souls to Hellfire. Each performance brought something special to the stage and offered a chance for stripped back performances celebrating musicality, Disney, Pixar and general theatricality.

Everyone on stage gave top notch performances, with a mixture of upbeat, chilled and full-out stagey numbers. Emily Mae Walker's rendition of Let It Go, Charlotte Anne Steen's Zero To Hero (complete with super fast mic reflexes) and Cameron Burt's Go The Distance were particular standouts among a group of wonderful performers. Gender swapped numbers proved exceedingly entertaining, with Maiya Quansah-Breed's I'll Make a Man Out of You and Grace Mouat's Proud of Your Boy earning huge applause and showing the audience the songs in a different light.

Completing the male line-up were Aran McRae, Lewis Asquith and Christopher Cameron who all gave brilliantly entertaining performances. On the ladies side, it was Lauren Soley's exceptional performance of Tangled's Mother Knows Best that really impressed, as did Jessica Cervi (who stepped in last minute) giving a luminous rendition of Beauty and the Beast. Also stepping up to the plate just the day before was Esme Laudat who's version of Speechless, closed act one in the best way possible. Josie Kemp and Chloe Hazel also gave strong performances with Hazel's Poor Unfortunate Souls a real highlight.

Although the bare, minimalist approach was effective, perhaps future concerts could include some props just to make the fairly large space feel a little more welcoming and less of a 'stand up, sing and go' affair. I did find that occasionally the speakers were a little loud and the lighting somewhat abrupt, and whilst these issues did not detract from the performances, they are things which could be tweaked to step the next concert up a level. 

Twisted was a great way to spend a Sunday and I'd certainly recommend booking future Monsteers concerts.  Great songs, a fab theme and an outstanding band led by the incomparable Steve Corley made for a thoroughly entertaining afternoon.

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Twisted, Trafalgar Studios | Review

Monday 10 February 2020

Thursday 6 February 2020

Hannah Waddingham on Bringing a Queen to Life in The Pirate Queen | Interview


Based on the real-life story of history’s Grace O’Malley – an Irish Chieftain and notorious pirate, The Pirate Queen is an adventure chronicling the compelling, inspiring heroine who led an extraordinary life as a rogue, lover and mother in 16th-century Ireland. To protect her people and save her one true love, O’Malley must confront the one woman more powerful than her— her fierce rival, Queen Elizabeth I of England.

From the writers of Les Misérables and Miss Saigon, the show combines classic storytelling and a sweeping score, with the powerful, vibrant traditions of Irish dance and song, to create a modern musical event that is both historic romance and a timeless epic.

Playing Queen Elizabeth I in this one night only extravaganza is Hannah Waddingham, who told us what we can expect from the musical, what other historical figure she'd like to play and what her favourite moment of the musical is...

Tell us about The Pirate Queen, what can we expect?
Audiences can definitely expect an absolutely glorious wall of sound to hit them from the get go. Just sitting in on rehearsals the last few days I can’t quite believe what the ensemble have already achieved, quite irritatingly quickly really! It’s the most beautiful, expansive, atmospheric  piece and I can’t wait for us to unleash it on the London Coliseum. 


You're playing Queen Elizabeth, what's it like brining a royal to life?
What’s struck me most about trying to mould myself into Queen Elizabeth I is the sense of responsibility and how information received by her from her court must be firstly processed as Queen, not as a woman. 


What's your current favourite moment of the show?
My current favourite moment of the show is when she and Grace (Rachel Tucker) are in their own heads ruminating about the “other woman” in the duet She Who Has All. 

It’s that beautiful construct of the audience seeing and hearing their insecurities in life and about the other person before they see it in each other in the flesh. 


If you could star in a musical about any other historical figure, who would you choose?
If I were to take on the role of any other historical figure it would have to be a biblical one! Nothing touches Judas Iscariot for me. Both vocally and emotionally there could be no more satisfying a role for me than that. 


Why should people come and see The Pirate Queen?
People should come and see The Pirate Queen because it deserves to be heard in the beautiful, epic setting of The London Coliseum. They are such fitting bed fellows. 


The score is Alain Boublil and Claude-Michel Schönberg at their atmospheric best, and what greater cause could there be than for the Leukaemia Uk charity. The evening will be a great privilege for everyone to be part of, both on stage and off. 


The Pirate Queen plays at the London Coliseum on 23 February, 7pm

photo credit: Danny Kaan
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Hannah Waddingham on Bringing a Queen to Life in The Pirate Queen | Interview

Thursday 6 February 2020

Rachel Tucker on Starring in The Pirate Queen | Interview

Based on the real-life story of history’s Grace O’Malley – an Irish Chieftain and notorious pirate, The Pirate Queen is an adventure chronicling the compelling, inspiring heroine who led an extraordinary life as a rogue, lover and mother in 16th-century Ireland. 

From the writers of Les Misérables and Miss Saigon, the show combines classic storytelling and a sweeping score, with the powerful, vibrant traditions of Irish dance and song, to create a modern musical event that is both historic romance and a timeless epic.

Rachel Tucker is taking on the role of Grace O'Malley in the one night only London premiere of the musical. Rachel told us all about the show, her favourite moments and what it's like to bring real life characters to life on stage...


Tell us about The Pirate Queen, what can we expect?
The Pirate Queen is a very old, true Irish story about how the daughter of the O’Mally clan became the first woman Queen of in Ireland in 16th century. She was known for her fearlessness not just as a woman but as a leader and was known for her ruthlessness in political negotiations with Queen Elizabeth I and trying to get her peoples land back no matter what it took.

Today in rehearsals I sang two very powerful duets with Hannah Waddingham who plays Queen Elizabeth and we were both struck at how amazing it is that these two women back in the 1500s were the leaders of each of their own lands and negotiated with each other not just as chieftain & queen but woman to woman. 

Their dialogue together is fascinating, the lyrics are so graceful yet explosive! It’s been a long time since I’ve listened and sang through an known score with so much excitement! 


You're currently playing Beverley Bass and are now taking on Grace O'Malley for one night only. What's it like bringing real life people to life on stage? 
Well as a job, it’s blooming great! I love bringing my own take and as much as Rachel to each role. I am constantly looking to bring only truth to every line and character I get to play, whether it be a comedic, tragic or heroic role. What ever the room, I love to tell the truth. 


What's your current favourite moment of the show?
Can I say all of it?! Well today has been a first day rehearsals so my favourite moment of the day was hearing Queen Elizabeth sung like only Hannah could sing it! Just jaw dropping! 


Why should people come and see The Pirate Queen?
I think this is a piece of musical theatre that should be seen and heard in this day and age. It almost feels more relevant now than it was when it first was first conceived. 

You do not want to miss hearing the stunning choral ensemble of around 40 members and the orchestrations by Julian Kelly are going to transcend you to another level! The event of 2020 if you ask me!!! 


The Pirate Queen plays at the London Coliseum on 23 February, 7pm

photo credit: Danny Kaan
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Rachel Tucker on Starring in The Pirate Queen | Interview

Monday 21 October 2019

Cinderella, Cadogan Hall | Review


Cinderella
Cadogan Hall
Reviewed on Sunday 20th October 2017 by Olivia Mitchell 
★★★★

Yesterday, Cadogan Hall played host for a one-night-only staged concert of the much loved musical, Cinderella. Written in the 50s by Rodgers and Hammerstein for television, the musical has since been adapted for various stage productions but until now, hasn't been seen in London. Thanks to the exceptional London Musical Theatre Orchestra and stellar cast, that changed last night and those in attendance were treated to a sparkling night of magic.

Upon entering the auditorium bathed in purple light, the mystical scene was set and as the cast stepped out we were transported to a kingdom where kindness wins and anything is possible. Directed by Jonathan O'Boyle, this really was a stunning production which hopefully paves the way for future Cinderella-filled magic in the West End.

Thanks to the LMTO under the baton of Freddie Tapner, the sumptuous score was really the star of the night. Evoking fairytale vibes, causing laughter and creating a romantic atmosphere even before the stellar performers joined in, the performance just reminded us how excellently sumptuous Rodgers and Hammerstein's work is.

The semi-staged concert was brought to life by George Reeve's projections which fit the space exceptionally and looked as though they were drawn straight from a long lost storybook. They transported us from setting to setting and breathed life into moments which would be grand spectacles in a fully staged production.

With a group of some of the biggest names in the West End, it was expected that the performers would be top notch and boy they did not disappoint. The stunning cast took us on a romantic journey filled with socially relevant comments and a boat load of whimsy. Mazz Murray was fantastically malicious and biting as the evil stepmother, whilst Dianne Pilkington was her contrast and the crazy but magical and airy fairy godmother. Zoe Rainey gave a sweet performance as Ella's "kind" stepsister Gabrielle, and Jodie Jacobs completely blew everyone away with her killer vocals and fantastically characterised portrayal of Ella's other sister Charlotte. 

As our leading lady for the night, Christine Allado gave a beautifully strong performance. With a grace and elegance any Princess would be proud of, Allado was a joy to watch on stage and her pristinely clear vocals filled Cadogan Hall with ease, power and wonder. In the role of the royal suitor Jack Yarrow was perfection. With an absolutely astounding voice, it's clear why he has begun taking the West End by storm.

This production of Cinderella is very much for a modern audience as it showcases the need for kindness alongside social reform. Ella's alertness to injustices outside those she faces in her family home is moving to see and works well alongside the romantic plot that is not all roses and chocolates. The political slant feels highly relevant, as well as allowing for extra comedic moments and I don't doubt this show would have a welcome place in the West End.

photo credit: Darren Bell
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Cinderella, Cadogan Hall | Review

Monday 21 October 2019

Wednesday 14 August 2019

Refresh (Concert), Spiegeltent | Review


Refresh (Concert)
Spiegeltent
Reviewed on Tuesday 13th July 2019 by Olivia Mitchell 
★★★★

Refresh is a fantastically exciting cabaret series created by Ryan Carter. The idea is that a cast of talented, fresh west end performers, bring a set list to life that features re-worked versions of many well know musical songs.The concerts are designed to celebrate musical theatre and entertain fans of the genre, but also to provide a gateway experience for those less knowledgable or invested in it. After a selection of concerts, Refresh is taking a short residency at the Underbelly festival to captivate audiences in the intimate Spiegeltent setting.

The set features an eclectic and wholly enjoyable series of songs. From the beautifully haunting Kiss The Air by Scott Alan, to the Hamilton classic You'll Be Back, there's certainly something for everyone. The joy of Refresh is that even if a song is not your favourite originally, the inventive re-imaginings will have you seeing and hearing it in a new way. Highlights of Jo Noel-Hartley and Ryan Carter's arranging, include It Won't Be Long Now, My Favourite Things and the thrilling Rewind mash-up of the history of musical theatre.

The cast is made up of vocal powerhouses: Sam Carlyle, Kayla Carter, Linnéa Didrick, Ben Farrall, Adam Gillian, Abbi Hodgson, Charlotte Miranda Smith, Baker Mukasa and William Lloyd. Each performer brings something beautiful to the stage and even more magic is created when the team come together for their group pieces. The rapport between the cast is highly entertaining and it's clear that everyone's hearts are really into making Refresh as sleek and absorbing as it is. Stand out performances include the quartet rendition of Kiss The Air, Abbi Hodgson's There Once Was a Man, and the rousing opening Do You Hear The People Sing? The musicality and versatility of each performer is evident and it's fantastic to hear vocalists in a raw but professional and high quality performance. 

Mention must go to the brilliant lighting design which continually adds to the varying moods of the songs, as well as providing visual treats on its own, and making the experience more visceral. Ryan Carter's design of the graphics and videos which accompany must equally be applauded as they are lively, vibrant and entertaining, and also embody the ethos of Refresh as a whole.

For a night of musical theatre that is different to what you'd expect, pay a visit to see the Refresh gang. Not only are the performers fantastic, but the whole philosophy of the group is something which should be applauded and championed. It should also be noted that following Papa Can You Hear Me? my mum whispered "Babs would be proud" which is high praise indeed and a definite reason to experience these outstanding revitalised performances.

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Refresh (Concert), Spiegeltent | Review

Wednesday 14 August 2019

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