Posts with the label London Theatre
Showing posts with label London Theatre. Show all posts
Showing posts with label London Theatre. Show all posts
Wednesday 4 October 2023
Sondheim's Old Friends at the Gielgud Theatre Review: A Magical Piece of Theatre History
Sondheim's Old Friends
Gielgud Theatre
★★★★★
Musical theatre is what it is today, in no small part thanks to the brilliance of Stephen Sondheim, and this musical revue gloriously celebrates that whilst also providing an amazing memorial of Stephen and his melodic legacy. Devised by Cameron Mackintosh, the show like opening a musical time capsule which whisks you back to a bygone era, and a theatrical peak; showcasing a selection of the well known and lesser known Sondheim pieces.
Every aspect of the show is like a trip down memory lane, capturing the essence of a glamorous past. Jill Parker's costumes are simplistic enough for the setting whilst really elevating the story telling necessary to truly do Sondheim's work justice. Particularly impressive are the wolf ensemble and Mrs Lovett's get up which both have a refreshing modern feel. Set wise, Matt Kinley's design cleverly uses the Les Miserables moving pieces to create visual interest and bring some real wow moments to the stage. The entire Sweeney Todd section is impeccable. Thanks to Matthew Bourne's staging and direction, you find yourself lost in the magic, engulfed in the nostalgic beauty of a time that lives on through this production.
The show features the creme de la creme of the musical theatre world, with Broadway royalty Lea Salonga and Bernadette Peters taking the helm, and proving why they are so beloved- it feels like an out of body experience seeing such wonders. The whole cast give standout performances and there are truly too many to name but mention must go to Bradley Jaden's Wolf, Joanna Riding's 'Not Getting Married Today' and Jeremy Secomb's Sweeney Todd. Christine Allado and Bonnie Langford, are also wonderful and the cast really doesn't have a weak link. Universally their voices, movements and energy are enchanting- conjuring a musical spell that leaves you mesmerised. Each song feels like a little piece of history, beautifully presented and cherished. Stephen Mear's choreography adds to this magical experience, bringing a further touch of grace and finesse to proceedings.
Conducted by Alfonso Casado Trigo the orchestra are humungous aspect of the success of this show. Faultlessly performing every note, their music lingers long after the final bow.
Sondheim's Old Friends at the Gielgud Theatre is a magical trip through musical history. It's a celebration of Sondheim's genius and the enchantment of the stage. If you're seeking a dose of wonder and a reminder of the magic that live performances bring, don't miss this truly magical experience.
Reviewed on Thursday 28th September 2023 by Olivia Mitchell
Photo Credit: Danny Kaan
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 20 September 2023
Police Cops: The Musical at the Southwark Playhouse Review: A Hilarious Riot of a Show
Southwark Playhouse (Borough)
★★★★
Who'd have thought a comedy musical about the US police force could be so entertaining? Well, Police Cops: The Musical proves it's possible. Fresh from wowing crowds at the Edinburgh Fringe, this lively spoof of 80s American action films has now hit London.
Created by Zachary Hunt, Nathan Parkinson, and Tom Roe, this musical takes you on a wild ride through all the clichés of action movies. It follows Jimmy Johnson, a regular teenager turned aspiring 'best damn police cop ever' after a tragic loss. He sets off on a mission to take down the big bad criminals, teaming up with a retired rogue cop, jetting off to Mexico and reconnecting with his high school crush. And all of this is delivered with a relentless dose of stupendously silly comedy.
In this latest iteration of Police Cops, the original team have penned some brilliantly witty lyrics, set to a catchy score by Ben Adams of Eugenius, drawing on musical theatre tropes and classic 80s hits. Andrew Exeter's set and lighting work is magical once again, contributing to a high-energy, high-budget production.
Police Cops: The Musical is outrageously ridiculous yet impressively slick, excellently performed, and keeps you engaged throughout. The humour is silly and over the top, and the cast and crew showcase their real skill in blending comic satire with musical theatre and improv, hitting every comedic and musical beat perfectly. Through the recurring gags, hilarious stage craft and show-stopping numbers it's clear this team understands their genres and have created something uniquely entertaining by merging them. Plus, the writing is really self-aware, touching on outrageous ideas but never crossing the line.
Melinda Orengo, Natassia Bustamente and at this performance Mychele Lebrun as well, all deliver standout performances. All three seamlessly blend polished musical theatre with offbeat character comedy. Zachary Hunt, Nathan Parkinson, and Tom Roe, the masterminds behind this show, also star in it, showcasing their versatility. Hunt, as the leading man, pours endless energy and enthusiasm into his role, while Roe's sharp comic timing and Parkinson's unhinged characters add to the laughter.
One of the most delightful aspects of Police Cops is how evident it is that the entire team is having a blast. You can often catch cast members trying to stifle their laughter, and the musical director, Gabriel Chernick, exudes such joy, especially during a hilarious improv section involving sweets!
In Ameri-conclusion, Police Cops: The Musical is an unexpected treasure, blending zany satire with polished, professional musical theatre. It's hard not to have a grin plastered on your face throughout the performance—it's an absolute blast!
Reviewed on Tuesday 19th September by Olivia Mitchell
Photo Credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 15 September 2023
The Little Big Things at Soho Place Review: Shines as a Celebration of Disability
The Little Big Things
Soho Place
★★★★
The Little Big Things at Soho Place presents an emotional journey that triumphs in depicting the resilience of the human spirit. Based on the story of Henry Fraser as told in his 2017 memoir of the same name, the musical tracks his journey from a budding rugby player, to being paralysed from the neck down after a freak diving accident on holiday in Portugal. This production is a testament to the power of adaptation and determination, and instead of being a somewhat patronising portrayal of becoming an inspiration after a life trauma, it showcases the transition from the person Henry was pre-accident to who he became post-accident. It also looks at how Henry's family deal with the changes and features the work of the NHS as well as a small romantic subplot. Each aspect makes this a truly uplifting and charmingly British musical, which feels like it's actively trying to shy away from the typical style of storytelling that often surrounds the stories of disabled people.
Nick Butcher (music) and Tom Ling (music and lyrics) clearly have a talent for writing high energy songs and ballads that tug at your heartstrings. The music is primarily upbeat and big however, while deeply engaging during the performance, the songs don't engrave themselves into memory once the curtains fall. The performances are undoubtedly and unanimously captivating, enriching the scenes and evoking a range of emotions. However, a few standout, memorable tunes would have elevated the overall experience and resonated long after leaving the theatre.
The integration of projections and lighting (Howard Hudson) in The Little Big Things is nothing short of remarkable. The creative use of light and visuals immerses the audience into the heart of the story, enhancing the emotional impact of the narrative. The play of light and shadows amplifies the depth of the characters' struggles and triumphs, leaving a lasting visual impression.
Director Luke Sheppard fearlessly pushes the limits of accessible theatre, infusing innovation, vitality, and charisma into an already poignant narrative. The staging is in constant motion, driven by Mark Smith's lively choreography, which ingeniously integrates moments of BSL (British Sign Language) and embodies the joy and celebration which is infused throughout the show.
Despite the undeniable power of the narrative, there are moments when the production grapples with sudden transitions and dialogues that could benefit from a smoother flow. The pacing occasionally feels a bit clunky, disrupting the overall rhythm. However, this doesn't detract significantly from the musical's poignant message of resilience and adaptation.
The cast's performances are stellar, embodying the characters with authenticity and dedication. Their portrayals breathe life into the story, allowing the audience to connect deeply with the struggles and triumphs of the characters. The musical shines as a celebration of disability, showcasing the strength and adaptability required to navigate a new life.
The Little Big Things is a moving musical that speaks to the resilience of the human spirit. The impeccable use of projections and lighting, along with a talented cast, creates a poignant theatrical experience. Despite minor pacing and memorability concerns, the musical stands as a heartfelt celebration of perseverance and a glowing portrayal of adapting to life's challenges. The little faults don't take away from the big things that make this show as glowing and special as it is and I wholeheartedly recommend it to anyone seeking a meaningful and uplifting night at the theatre, just make sure you take some tissues with you!
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 22 August 2023
Death Note the Musical in Concert at the London Palladium Review: An Ambitious and Engaging Evening
a testament to the creative team's dedication to translating the essence of Death Note to the stage"
Death Note the Musical (Concert)
London Palladium
★★★★
In its first ever English language performance Death Note the Musical in Concert provides an engaging experience, that beautifully combines a concert style show with the allure of a full-fledged production, including captivating staging, meticulously designed costumes, and expertly executed choreography. Drawing inspiration from the iconic Death Note franchise, which originated as a manga series written by Tsugumi Ohba and illustrated by Takeshi Obata, this musical adaptation pays homage to the rich history and context of the source material.
The exceptional cast, which include remarkable talents such as Frances Mayli McCann as Misa Amane, Dean John Wilson as L, Aimie Atkinson as Rem and Adam Pascal as Ryuk, deliver performances that breathe life into the characters. Their portrayal of the characters showcasing both their impressive vocal prowess and their deep understanding of the emotional complexities within the story which questions morality, justice and power.
While the storyline can be a bit challenging to follow, particularly for those not acquainted with the original Manga, the production's sleek execution manages to pack in a lot without feeling overwhelming. The adaptation skilfully navigates the intricate plot points, a testament to the creative team's dedication to translating the essence of Death Note to the stage.
The translation of various elements from the manga to the stage is nothing short of impressive in this truly ambitious concert debut. The show's director, Nick Winston, and the rest of the creative team, including choreographer Alexzandra Sarmiento and costume designer Will Skeet, deserve commendation for their remarkable work in seamlessly integrating these elements into the live performance. The audience's palpable elation is a testament to the success of this collaborative creative endeavour.
The pre and post-show buzz, along with the audience's enthusiastic reactions, clearly indicate that Death Note the Musical has found its niche. Wonderfully, it manages to attract those who might not typically be drawn to musicals, thanks to its connection to the established Death Note franchise and the efforts of the cast and creatives. This broad appeal speaks volumes about the production's ability to engage and captivate diverse audiences.
Admittedly, the sound balance did exhibit some issues on opening night, which can be expected with such an ambitious score. While it occasionally detracted from the overall experience, it's understandable for a complex production. Once the sound balance is finely tuned, there's no doubt that this show will achieve the impactful resonance it aims for.
Death Note the Musical in Concert at the London Palladium showcases the successful fusion of storytelling, outstanding performances, and production design. By highlighting the talents of the cast, and thanks to the creative vision, the musical celebrates the legacy of the Death Note franchise while crafting a unique and captivating theatrical experience. The show's potential to become an unforgettable sensation is evident, and with further refinements, it's poised to leave a lasting mark on the world of musical theatre and is a must see for fans of the source manga.
Reviewed on Monday 21st August 2023 by Olivia Mitchell
Photo Credit: Mark Senior
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 28 July 2023
The Choir of Man at the Arts Theatre Review: A Musical Celebration of Humanity
a true testament to the power of music and its ability to bring people together"
The Choir of Man
Arts Theatre
★★★★
I recently had the pleasure of making a return visit to see The Choir of Man at the Arts theatre, a show which celebrates humanity, pubs and music in a truly joyous way.
Although the onstage beer wasn't working at this particular performance, the setup of the Arts for this show is so well done. The audience are truly made to feel like they've entered a community hub and the pre-show interactions perfectly pave the way for the impressive show that's to follow.
The show's concept is simple, it portrays a group of men coming together in a pub setting, sharing their stories and bonding through music. The songs are a bit random and there's not much of a through line but the seamless blend of humour, heartfelt moments, and raw emotions make this a truly memorable show, perfect for a lighthearted, fun night out.
This really is a show about friendship and the cast's camaraderie is evident throughout, with little interactions throughout coming across as truly genuine. There's also a really special connection created with the audience. The interactions with spectators, make you feel like you're part of the lively gathering, further enhancing the immersive experience.
The set and lighting design (Richard Dinnen) perfectly complement the show's no frills ambiance, transporting us to the cozy pub atmosphere where the magic unfolds. It's simple yet effective, allowing the spotlight to remain on the performers and their exceptional talents. The whole show is a vocal treat, with handfuls of glorious harmonies as well as some great dance and movement moments.
The Choir of Man is a true testament to the power of music and its ability to bring people together. It not only showcases the incredible vocal abilities of the cast but also celebrates the sense of community and brotherhood, leaving the audience with a heartwarming feeling. It's not the most cohesive or polished show, and it probably won't change your life but the overall joyous experience is exactly what we all need right now.
This show is the perfect embodiment of live theatre. It's a really unique show that has rightfully carved out a space in the West End and deserves to be seen and celebrated. If you love music and want an hour and a half of feel-good-fun then this is the show for you!
Reviewed on Wednesday 26th July 2023 by Olivia Mitchell
Photo Credit: The Other Richard
{AD PR Invite- tickets gifted in exchange for honest review}
Monday 17 July 2023
A Strange Loop at the Barbican review: An Unflinchingly Honest Journey of Self-Discovery
a deeply relevant and relatable experience for audiences of all backgrounds."
A Strange Loop
Barbican Centre
★★★★
A Strange Loop at Barbican is an absolutely remarkable production that pushes the boundaries of theatre and delves deep into the complexities of identity, self-worth, and the human experience. From the moment the curtains opened, I was captivated by the raw and unapologetic exploration of the protagonist, Usher’s psyche.
This is a show which is really reliant on a united and strong cast and thankfully the performances throughout are super strong. The entire cast deliver powerful, emotionally charged portrayals. Due to the nature of the show, it may not directly resonate with the audience but the cast do an astounding job of making you feel for Usher’s story and really connect on a profound level. Each actor skilfully brings their character to life, blending humour, vulnerability, and intense introspection in perfect harmony. The energy on stage is infectious, and you really find yourself absorbed in the story.
The writing by Michael R. Jackson is truly effective. With a script that flawlessly combines witty dialogue, thought-provoking monologues, and catchy musical numbers to create a narrative which effectively mirrors the issues broached throughout. A Strange Loop tackles themes of race, sexuality, self-doubt, and societal expectations with unflinching honesty, making it a deeply relevant and relatable experience for audiences of all backgrounds.
The staging and set design (Arnulfo Maldonado) are brilliantly executed, utilising minimalistic elements to create a visually striking and versatile backdrop for the story. There are times when the stage feels underused but toward the end of the musical, it’s really stretched to its limits and is so impactful. The imaginative use of lighting (Jen Schriever) adds another layer of depth to the production, enhancing the emotional impact of each scene.
Furthermore, the direction by Stephen Brackett brings out the best in the cast and the material. The pacing ensures that every moment lands with the intended impact, at times causing a collective gasp from the audience. Brackett's vision seamlessly integrates the music, choreography, and storytelling, resulting in a cohesive and thought-provoking theatrical experience.
While A Strange Loop may not resonate with everyone, it has the power to profoundly impact those who are open to engaging with challenging themes. This production serves as a powerful testament to the transformative nature of theatre, as it encourages introspection, sparks meaningful conversations, and fosters empathy among its viewers.
If I were to have any reservation in giving it a perfect five-star rating, it would be that the complexity of the narrative and the rapid pace of the production might make it slightly difficult for some audience members to fully grasp the subtleties of the story. However, I firmly believe that this should not dissuade anyone from experiencing this groundbreaking piece of theatre during its limited run.
A Strange Loop at Barbican is an audacious and unforgettable production that dares to push the boundaries of what theatre can achieve. In just an hour and forty minutes, it fearlessly challenges societal norms, delves deep into internal struggles, and ultimately celebrates the triumphant journey of self-discovery. Prepare to be moved, thoroughly entertained, and enlightened as you embark on this hypnotic exploration of the human psyche.
Reviewed on Thursday 13th July 2023 by Olivia Mitchell
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 7 July 2023
New Cast Announced for The Phantom of the Opera at His Majesty's Theatre
Cameron Mackintosh is pleased to announce new cast members for Andrew Lloyd Webber's The Phantom of the Opera at His Majesty's Theatre from July 31, 2023. The show is currently scheduled until March 2, 2024.
Lily Kerhoas joins as Christine Daaé, Joe Griffiths-Brown as Raoul, David Kristopher-Brown as Ubaldo Piangi, and Maiya Hikasa as Meg Giry. Jon Robyns continues in the role of The Phantom, along with Kelly Glyptis as Carlotta Giudicelli, Adam Linstead as Monsieur André, Matt Harrop as Monsieur Firmin and Francesca Ellis as Madame Giry. At certain performances the role of Christine Daaé will be played by Paige Blankson.
The cast is completed by Hollie Aires, Federica Basile, Corina Clark, Michael Colbourne, Leonard Cook, Colleen Rose Curran, Lily De-La-Haye, Hywel Dowsell, Connor Ewing, Serina Faull, Florence Fowler, James Gant, Melanie Gowie, Eilish Harmon-Beglan, Yukina Hasebe, Samuel Haughton, Thomas Holdsworth, Jacob Hughes, Grace Hume, Tim Morgan, Eve Shanu-Wilson, Tim Southgate, Zoë Soleil Vallée, Jasmine Wallis, Victoria Ward, Ralph Watts, Simon Whitaker, and Andrew York.
Lily Kerhoas previously appeared in Les Misérables and trained at the Royal Academy of Music. Joe Griffiths-Brown was part of the West End company of Hamilton, while David Kristopher-Brown has past experience in The Phantom of the Opera and other productions. Maiya Hikasa's credits include Billy Elliot and the international Tour of Cats.
The Phantom of the Opera is produced by Cameron Mackintosh and The Really Useful Group Ltd. The music is by Andrew Lloyd Webber, with lyrics by Charles Hart and additional lyrics by Richard Stilgoe. The production is based on Gaston Leroux's novel 'Le Fantôme de l'Opera'. The show has been a global sensation, playing to millions of people worldwide.
The London production underwent a creative overhaul after the COVID-related shutdown and has received rave reviews. The legendary musical, celebrating its 37th birthday in October 2023, will continue its successful run at His Majesty's Theatre.
Beyond London, The Phantom of the Opera continues to captivate audiences globally, with productions in Japan, Korea, and on a world tour. Cameron Mackintosh's new production recently concluded a record-breaking run in Australia and will open in Vienna in March 2024. Other exciting productions are also underway in Greece, Italy, and Spain.
Police Cops: The Musical to transfer to The Large at Southwark Playhouse Borough
After their successful performances at the Edinburgh Fringe Festival in August, Police Cops: The Musical, will be moving to The Large theatre at Southwark Playhouse Borough for a limited run. The show will be running from September 8, 2023, to October 14, 2023.
After achieving five years of sold-out shows at the Edinburgh Fringe, the internationally acclaimed comedy troupe Police Cops returns with an updated version of their very first musical. With an exciting new score composed by the Brit Award-winning Ben Adams (known for his work on "Eugenius! The Musical"), the Police Cops are bringing their high-energy, action-packed physical comedy to the stage in their most ambitious production yet.
The creators of the show, Zachary Hunt, Nathan Parkinson, and Tom Roe, are joined by Melinda Orengo and Natassia Bustamante. The cast is completed by Mychele Lebrun and Ben Lancaster.
Follow rookie Police Cop Jimmy Johnson as he enters the force with the intention to protect and serve. However, Jimmy finds himself in deep trouble, paired up with a rebellious Police Cop and under the pressure of a racist Chief. With guns at the ready and safety catches off, Jimmy embarks on a thrilling adventure from the tough streets of America to Mexico, where his destiny awaits in the form of the seasoned ex-Police Cop, Juanita Gonzalez.
The creative team behind the production includes Rich Morris (Musical Supervision, Arrangements, and Orchestrations), Andrew Exeter (Set & Lighting), Charlie Smith (Sound), and Pearson Casting (Casting Director).
Welcome to the U.S.Eighties.
Thursday 6 July 2023
Jersey Boys the Musical Extends Season at the Trafalgar Theatre
The Grammy, Tony, and Olivier award-winning musical Jersey Boys celebrates its 18th birthday after its Broadway debut in 2005. This captivating show takes you behind the music and delves into the story of Frankie Valli and The Four Seasons. The production is currently booking until January 28, 2024, with Christmas performances now available.
To mark the birthday celebrations, the London production is thrilled to announce its new cast starting from July 26 at the Trafalgar Theatre. Luke Suri continues as Frankie Valli, joined by Karl James Wilson as Nick Massi. Peter Nash takes on the role of Tommy De Vito, and Declan Egan plays Bob Gaudio, having previously portrayed the character at the Piccadilly Theatre and on the UK tour. Together, they complete the Four Seasons.
Additionally, a talented ensemble joins the cast, including Joey Cornish as Joe Pesci, Joseph Peters as Bob Crewe, Andy Barke as Gyp De Carlo, Kirsty Whelan as Mary Delgado, Oliver Tester as Norm Waxman/Hank Majewski, Jacob McIntosh as Barry Belson, Gracie Lai as Lorraine, Rosie Needham as Francine, and others.
This musical has received praise for its combination of tough guys, tender harmonies, a captivating story, and an endless repertoire of hit songs, as noted by The Guardian. The journey follows four guys from New Jersey who captivated audiences with their unique sound. From their humble beginnings to their induction into the Rock and Roll Hall of Fame, this musical is a captivating tale. The show features the beloved songs of The Four Seasons, including "Beggin'," "Sherry," "Walk Like A Man," "December, 1963 (Oh What a Night)," and many more.
Howard Panter, producer for Trafalgar Entertainment Productions, expresses excitement about reaching the milestone of 18 years for Jersey Boys. He looks forward to witnessing the incredible new cast deliver the legendary hits that have made the musical a smash hit.
Written by Marshall Brickman and Rick Elice, with music by Bob Gaudio and lyrics by Bob Crewe, Jersey Boys has garnered numerous prestigious awards and has been seen by millions of people worldwide. The show opened to rave reviews at the newly refurbished Trafalgar Theatre in July 2021.
Originally opening on Broadway in November 2005 and running for over 11 years, Jersey Boys became the 12th longest-running show in Broadway history. In London's West End, it ran for nine amazing years from 2008 to 2017, ranking as the sixth longest-running musical at the time. The musical has also completed three record-breaking tours in the UK and Ireland.
As a special offer in July, patrons can use the promo code 4JULY for any performance and enjoy a complimentary drink, such as a Frankie cocktail or Brooklyn Lager, with their Band A seat.
photo credit: Matt Crockett
Friday 9 June 2023
The Curious Case of Benjamin Button at the Southwark Playhouse review: A masterclass in storytelling
Southwark Playhouse
★★★★★
If you're wanting to see arguably the most mesmerising production in London right now, then look no further than The Curious Case of Benjamin Button the musical at Southwark Playhouse. From the stunning writing to the exceptional performances, this production is a moving celebration of life and the boundless capacity to find joy in unexpected places.
The writing (book and lyrics by Jethro Compton and music and lyrics by Darren Clark) is nothing short of extraordinary. It beautifully captures the essence of F. Scott Fitzgerald's timeless story, seamlessly translating it into a theatrical masterpiece which sweeps you up and takes your heart on an incredible journey. The script is both poignant and thought-provoking, delving deep into the profound themes of aging, love, and the significance of every moment we encounter. The fast paced lyrics are witty and woven together so well. The musical tenderly tugs at the heartstrings, leaving the audience reflecting on their own lives and the choices that shape our existence.
One cannot help but be enthralled by this show which really is the whole package. Every single moment feels well thought out and you can't help but notice how much care has gone into creating this show. A very strong aspect of this musical is the attention to the sound and lighting which accompanies the story. Zoe Spurr's lighting design has whimsical elements and the interplay between light and shadow creates a really magical visual tapestry, accentuating the emotional depth of the narrative. Each scene is carefully crafted to transport the audience through the passage of time, immersing us in the ever-changing world of Benjamin Button. Luke Swaffield's sound design further enhances the atmosphere, adding depth and texture to the production, as well as being perfectly balanced so that the music packs a punch and hits you in the gut but doesn't come across too loud or over the top.
Cast wise, The Curious Case of Benjamin Button features universally delightful performances. Each member delivers stellar vocals, acting and music (each person plays various instruments throughout), bringing the characters to life with authenticity and charisma. Their vocal prowess and impeccable timing are truly commendable, adding another layer of brilliance to an already captivating production. The chemistry among the cast members is palpable, creating an enchanting dynamic that draws the audience deeper into the story.
It's hard to mention specific people because the cast are a constellation of stars but mention must go to Jamie Parker who is astounding as Benjamin Button. His performance is incredibly layered and transformative. It really is a masterclass in how physicality and subtle changes can completely make a performance. As his love interest, Molly Osbourne is glorious and also shows excellent growth and character development. Across the board the vocals are divine so hopefully a cast recording is on the way!
This is a perfectly wrapped show that delivers on every base.
To sum it up, The Curious Case of Benjamin Button the musical at Southwark Playhouse is an absolute triumph. With its stunning writing, this production is a must-see for anyone who loves good storytelling. It's the sort of show you want to bottle up and bring out when you're feeling down. I wish I could see it again for the first time but I know that any subsequent visits will be just as endearing and wonderful. Don't miss your chance to embark on this enchanting journey of love, loss, and the beauty found in every moment of life.
Reviewed on Wednesday 7th June by Olivia Mitchell
photo credit: Juan Coolio
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 6 June 2023
Greatest Days at the New Victoria Theatre review: A fun watch for Take That fans
Greatest Days (Tour)
New Victoria Theatre
★★★
The Official Take That Musical: Greatest Days (formerly The Band) written by Tim Firth with music by Take That, offers a heartwarming story that will resonate with those who have been part of a fandom and experienced the highs and lows of a friendship with so much history. The plot's utilisation of a double timeline is effective, and the show is likely a trip down memory lane for some but overall it falls short of delivering a fully impactful emotional punch.
Made up of Kalifa Burton, Jamie Corner, Archie Durrant, Regan Gascoigne and Alexanda O'Reilly, The Band's presence in the musical, acting as a Greek chorus supporting the girls, is a clever concept. They contribute to the story through well-placed songs, although there are instances where songs do feel a bit forced. While the band's performances are good, they don't exude world domination star quality, and although each band member has their shining second, they lack standout, memorable moments considering their significant role in the show.
Greatest Days has the potential to be a great show, but it falls slightly short of achieving that status. It taps into 90s nostalgia and Take That references, making it a must-see for fans of the era. However, the overall energy of the production could use a boost. The choreography by Aaron Renfree captures the boyband aesthetic and has its impressive moments, but there is a lack of precision and unity among the cast at times which leaves things feeling flat.
The lighting design by Rob Casey stands out as a strong element, effectively evoking the feeling of being at a concert. On the other hand, while Lucy Osborne's set design works well with the show and offers adequate levels for mirroring, it doesn't offer much to visually engage the audience beyond the surface.
The chemistry between the girls, both the younger (Emilie Cunliffee, Kitty Harris, Hannah Brown, Mari McGinlay and Mary Moore) and older versions (Kym Marsh, Rachel Marwood, Holly Ashton and Jamie-Rose Monk), is commendable. Their well-defined personalities contribute to the plot, creating a strong through line which has some heart-wrenching moments. However, there are some of jokes and lines which feel outdated and unnecessary, and detract from the overall experience.
Despite its flaws, Greatest Days manages to provide some humorous moments and an ending that will have you on your feet. It caters to its target audience who will undoubtedly appreciate the 90s nostalgia and Take That references. As a fun night out, it delivers an enjoyable experience, but it doesn't leave a lasting impression worthy of raving about.
Reviewed on Monday 5th June 2023
photo credit: Alastair Muir
{AD PR Invite- tickets gifted in exchange for honest review}
Greatest Days at the New Victoria Theatre review: A fun watch for Take That fans
Tuesday 6 June 2023
Wednesday 31 May 2023
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*this post contains sponsored content*
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The Summer Theatre Ticket Sale which runs from 29th May to 11th June brings you a host of incredible shows that promise to leave you spellbound. From iconic long-running musicals to critically acclaimed plays, they've curated a selection of the best performances the West End has to offer. Whether you're a fan of heartwarming stories, adrenaline-pumping dramas, or toe-tapping musical numbers, there's something for everyone.
London Box Office is committed to making theatre accessible to all, and their Summer Theatre Ticket Sale ensures that you can witness these world-class productions without breaking the bank. With exclusive discounts and tickets from £25, you can enjoy incredible savings. Don't miss out on this chance to experience the magic of the West End - book your tickets today and get ready for an unforgettable summer of entertainment!
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2:22 A Ghost Story at the Apollo Theatre review: A tremendously tense night out
2:22 A Ghost Story
Apollo Theatre
★★★★
2:22 A Ghost Story is quickly carving its name out in the UK theatre scene. Having played a number of runs at various West End theatres to much acclaim and with a touring version coming up, it's certainly a show which knows how to spook and entertain audiences.
Based on experiences had by the play's writer, Danny Robbins, this haunting production takes you on a thrilling journey into the supernatural, exploring themes of love, loss, and the unbreakable bonds that transcend time. The storyline is quite masterfully crafted, keeping you on the edge of your seat but equally including lots of humour which really works well and in fact makes the whole thing feel even more realistic. The pacing is solid, with suspense building at the right moments, and unexpected twists that keep you guessing. Sometimes the sound effects are a bit over obvious and aren't particularly scary but as a whole this is a really solid production.
Set at a dinner party, with minimal set or moving pieces, this really is a character driven piece and the cast do well at creating a truthful atmosphere that perfectly portrays a boozy evening. Sophia Bush's performance as Lauren is a really wonderful one; she is effortlessly sarky and charming and also has some tender moments that bring layers of complexity to the role. Ricky Champ plays her partner, Ben and is absolutely fantastic, his comedic timing is perfect and his intriguing character is so enjoyable to watch and try to work out. Taking on the role of Jenny, the tormented protagonist, Jamie Winstone brings depth and vulnerability and comes across quite genuinely terrified, with Clifford Samuel as her husband Sam the pair showcase an interesting dynamic which really takes you on a journey and shows you that families aren't always what they seem on the outside.
Whats great with this show is that it's more than a surface level thriller; it also comments on social and economic issues, as well as beliefs and science vs supernatural. There are times when the commentary comes across as a bit forced and out of left field but for the most part, topics are broached well and really elevate the production to be more socially nuanced and topical. The chemistry among the whole cast is palpable, adding an extra layer of realism to the relationships portrayed on stage.
Anna Fleischle's set design leaves space for lots of spooky moments but is also perfectly mundane and fitting for the setting of the show. The Apollo Theatre really looks like it's had an open plan kitchen dropped into it and the attention to detail really captures the essence of a family home. Combined with atmospheric lighting by Lucy Carter, the ghostly tale has a perfect backdrop.
If you're a fan of thought-provoking theatre 2:22 A Ghost Story is a definite must-see. From the superb performances to the captivating storyline, this play transports you to a realm where the lines between the living and the dead blur, and where love and loss intertwine in ways you never thought possible. Running for two hours which fly by, this is theatrical experience that will linger in your mind like a persistent ghost long after the final curtain falls.
Reviewed on Tuesday 30th May 2023
photo credit: Helen Murray
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 9 May 2023
Operation Mincemeat at the Fortune Theatre a review: The must see musical of 2023
Operation Mincemeat
Fortune Theatre
★★★★★
If you're looking for a unique and intriguing musical, then look no further than Operation Mincemeat in its West End transfer to the Fortune Theatre. This production tells the incredible true story of a WWII deception operation, that although morally grey, helped Britain win the war and it does so with style, charm and heart in spades.
The star of this exciting musical is undoubtedly the music which manages to be both catchy and poignant, with some of the wittiest lyrics in the West End right now. The book, music and lyrics are expertly constructed by SpitLip founders David Cumming, Natasha Hodgson, Zoë Roberts and Felix Hagan (four of whom also star) and the whole show is maelstrom of musical magic. You'll find yourself continually laughing out loud and then all of a sudden wiping tears from your eyes as this hug of a musical manages to wrap you around its theatrical finger.
Every performance from the talented cast -completed at this performance by Claire Marie Hall, Jak Malone and Geri Allen (in her cover debut)- is a standout one. The precision with which they perform is just astounding and thanks to the script, there's a perfect balance between humour, satire and drama.
Aesthetically, Operation Mincemeat is a sleek mission. Ben Stones' set and costumes are perfectly evocative of MI5 and wartime London, as well as having a healthy dose of camp dramatics. One scene in particular features costumes perfect for a bedazzled version of Sweeney Todd! Really clever direction by Robert Hastie and joyous choreography by Jenny Arnold both let the story and performances to soar and ideally balance the line between allowing the performances to be genuinely funny without being cringe inducing. Shoutout must also go to Publicity Designer Bob King Creative for the genius artwork which accompanies the show. Once you see it, you won't un-see it!
In summary, this show is the epitome of fun. Poking fun at everyone and everything it is a satirical, stupendous, stomper of a show that will have you entertained and inspired. The new must-see musical, it needs to be booked immediately!
{AD PR Invite- tickets gifted in exchange for honest review}
Operation Mincemeat at the Fortune Theatre a review: The must see musical of 2023
Tuesday 9 May 2023
Friday 21 April 2023
Ain't Too Proud at the Prince Edward Theatre review: A tumultuous tale told through stellar performances
Prince Edward Theatre
A hit on Broadway, Ain't Too Proud: The Life and Times of The Temptations, has finally opened in the West End and is a thoroughly entertaining, charismatic and soulful journey. The musical, with a book by Dominique Morisseau is a breathtaking celebration of the legendary Motown group, The Temptations, and their iconic music. Taking you on a journey through the highs and lows of stardom, it showcases how some of the most famous music was created and provides a really really fun night out.
★★★★
A hit on Broadway, Ain't Too Proud: The Life and Times of The Temptations, has finally opened in the West End and is a thoroughly entertaining, charismatic and soulful journey. The musical, with a book by Dominique Morisseau is a breathtaking celebration of the legendary Motown group, The Temptations, and their iconic music. Taking you on a journey through the highs and lows of stardom, it showcases how some of the most famous music was created and provides a really really fun night out.
The heart and soul of this musical are the performances which are unanimously nothing short of spectacular. The cast deliver powerhouse vocals that charm and mesmerise throughout and there are so many standout moments. The whole cast are spectacularly strong but mention must go to Cameron Bernard Jones, Tosh Wanogho-Maud, Ryan Carter and Michael James Stewart who really shine in their solo and ensemble moments. Each member who becomes part of The Temptations, does so with a real sense of nuance and the varying personalities and talents are showcased throughout; really capturing the essence and ethos of the original group.
Above all this is an ensemble piece, with some of the strongest moments coming when the cast unite both vocally and choreographically. Sergio Trujillo's choreography is some of the best in the West End right now, the sheer slickness and precision is a wonder to behold and the energy created on stage is supremely infectious. Featuring iconic hits like My Girl, Papa Was a Rolling Stone, and Ain't Too Proud to Beg, the show is a top-tapping fest of gusto and spirit.
The storytelling is mostly compelling, and the narrative (led by Sifiso Mazibuko) is engaging from the start. Spanning the long and tumultuous history of The Temptations, from their humble beginnings to their rise to stardom the show has a lot to fit in, and especially in the first act it feels a bit too much. Whilst every performance is engaging, it does feel a little too long and seems to keep going even when there's a natural break point. However, the story is a poignant and emotional one that delves into the personal struggles, triumphs, and dynamics of the group and includes some powerful messages. Alongside the musical elements, the show touches on themes of friendship and brotherhood, as well as shedding light on the social and political challenges faced by The Temptations and African American artists during that era. A poignant reminder of their impact on American music history and the enduring legacy they left behind, Ain't Too Proud is a strong celebration of The Temptations.
Ain't Too Proud is a wonderful addition to the West End that features dazzling production value, and timeless music. A celebration of The Temptations and their impact on Motown, it will leave you humming their hits long after the curtain falls.
Reviewed on Wednesday 19th April 2023 by Olivia Mitchell
photo credit: Johan Persson
{AD PR Invite- tickets gifted in exchange for honest review}
Sunday 2 April 2023
For Black Boys..., Apollo Theatre | Review
For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy
Apollo Theatre
★★★★
For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy is powerful and thought-provoking production which offers a unique perspective on the challenges faced by young black men in today's society. The exceptionally strong play tackles heavy topics such as mental health, racism, and police profiling, all with a skilful blend of humour and heart that keeps the audience engaged from start to finish. For Black Boys... is a must see in its limited run.
The performances from the cast, made up of Mark Akintimehin, Emmanuel Akwafo, Nnabiko Ejimofor, Darragh Hand, Aruna Jalloh and Kaine Lawrence are universally strong, with each actor bringing a unique and enticing angle to their role. Ryan Calais Cameron's writing is equally impressive, with sharp dialogue and powerful monologues that strike you whilst watching and also stay with you long after the play has ended. What's so effective is how the show flawlessly integrates spoken word, music, and dance to create an immersive and multifaceted experience. The whole thing is utterly seamless and flows with such a strong balance of urgency and intimacy.
The set design (Anna Reid) and lighting (Rory Beaton) add to the immersive experience, transporting the audience to the therapy room, without feeling basic; and the use of multimedia elements and striking choreography (Theophilus O. Bailey) add extra layers of depth to the production. As a whole it feels incredibly modern, relevant and powerful; a stunning representation of why new British Theatre is so necessary.
The show tackles important and sometimes taboo topics surrounding mental health, masculinity, and the experiences of young Black men and it's often incredibly moving; but what works so well is how these important social issues are balanced with humour and light. The authenticity which runs through the piece makes it feel so personal, and the audience really go through the journey with the performers.
For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy is a deeply moving and important work of art that, is a must-see for those interested in social justice, mental health, and ultimately, the power of storytelling. When the ensemble come together, they create some of the most powerful theatre seen in the West End in a long time.
Reviewed on Saturday 1st April 2023 by Olivia Mitchell
photo credit: Ali Wright
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 31 March 2023
Cast Announced for 42nd Street Tour
David Ian for Crossroads Live and Jonathan Church Theatre Productions are thrilled to announce that Samantha Womack will star as Dorothy Brock, alongside Michael Praed as Julian Marsh, Faye Tozer as Maggie Jones, Les Dennis as Bert Barry and Nicole-Lily Baisden as Peggy Sawyer in the UK tour of 42nd Street.
The cast will be completed by Sam Lips as Billy Lawlor, with Erica-Jayne Alden, George Beet, Charlie Bishop, Kevin Brewis, Olly Christopher, Briana Craig, Jordan Crouch, Rhianna Dorris, Ashleigh Graham, Alyn Hawke, Aimee Hodnett, Connor Hughes, Deja Linton, Sarah-Marie Maxwell, Greta McKinnon, Ben Middleton, Benjamin Mundy, Anthony Ofoegbu and Jessica Wright.
Following its run at the Marlowe Theatre, Canterbury, the production will visit Leeds, Bristol, Plymouth, Cardiff, Glasgow, Milton Keynes, Liverpool, Manchester, Southampton, Newcastle, Woking and Belfast. Current tour schedule below, with further dates to be announced. 42ndstreettour.com
Samantha Womack most recently starred as the White Witch in The Lion, The Witch and The Wardrobe at the Gillian Lynne Theatre. Her other credits include the role of Rachel in The Girl on the Train both in the West End and on tour, Morticia Addams in The Addams Family UK tour, Nellie Forbush in the Lincoln Center’s production of South Pacific at the Barbican and on tour, and Miss Adelaide in Michael Grandage’s production of Guys and Dolls alongside Patrick Swayze. Her screen credits include Ronni Mitchell in EastEnders, Mandy in Game On, the titular role in Imogen’s Face and The Kingsman franchise.
Michael Praed’s theatre credits include Tom Beauregard in Darker Shores at Theatre Royal Windsor and on tour, George in War of the Worlds at the Dominion Theatre, Alex in Aspects of Love at the Prince of Wales Theatre, Lawrence Jameson in Dirty Rotten Scoundrels, Dexter Haven in High Society and Captain Von Trapp in The Sound of Music all on UK tours. His television credits include the role of Frank Clayton in Emmerdale, Prince Michael in Dynasty and the titular role in Robin of Sherwood.
Faye Tozer is best known as a member of BRIT Award winning pop band Steps. Her theatrical credits include Singin’ In The Rain at Sadler’s Wells and on tour in the UK and Canada, Everybody’s Talking About Jamie at the Apollo Theatre, and touring productions of In The Spotlight, Over The Rainbow, Me And My Girl, Love Shack and Tell Me On A Sunday. Faye was also a runner-up in BBC1’s Strictly Come Dancing in 2018.
Les Dennis most recently starred as Grandad Trotter in Only Fools and Horses The Musical. His other West End credits include Wilbur in Hairspray opposite Michael Ball at the London Coliseum, Amos Hart in Chicago and Bill in Me and My Girl. His touring theatre credits include Art, Legally Blonde, High School Musical 2 and Uncle Fester in the musical comedy The Addams Family. His many TV credits include Michael Rodwell in Coronation Street and a fictional version of himself in Extras.
Nicole-Lily Baisden’s theatre credits include the role of Nabulungi in The Book of Mormon, both in the West End and on tour, and Hope Harcourt in Anything Goes at the Barbican Theatre and on tour.
Sam Lips’ theatre credits include the role of Don Lockwood in Singin’ In The Rain and Scott Hastings in Strictly Ballroom, both in the UK and Canada. His Broadway credits Cats, Chicago, Pippin, Rodgers and Hammerstein’s Cinderella and The Cher Show.
This new production will be directed by Jonathan Church (Singin’ in the Rain, The Drifters Girl) with choreography and design by Olivier Award winners Bill Deamer and Rob Jones, lighting design by Ben Cracknell, sound design by Ian Dickinson and Gareth Tucker, video design by Jon Driscoll, musical supervision by Jennifer Whyte and orchestrations by Larry Blank.
This iconic song-and-dance spectacular features a hit parade of toe-tapping songs, including the title number, “We’re In The Money”, “Lullaby of Broadway”, “Shuffle Off To Buffalo” and “I Only Have Eyes For You”. 42nd Street is a timeless and inspiring showbiz fairy tale that combines breath-taking tap dance routines, backstage intrigue, classic romance and delightful comedy to dazzling effect.
Fresh off the bus from small-town America, young and beautiful Peggy Sawyer arrives in New York City dreaming of her name in lights. She quickly catches the eye of a big-time director and lands a spot in the chorus line of Broadway’s newest show…and when the leading lady gets injured, Peggy gets her shot at stardom.
42nd Street is a larger-than-life, massively entertaining celebration of musicals and the irrepressible spirit of Broadway that’s guaranteed to lift anyone’s spirits.
42nd Street has music by Harry Warren, lyrics by Al Dubin, and book by Michael Stewart and Mark Bramble, based on the novel by Bradford Ropes. Original direction and dances were by Gower Champion. The show was originally produced on Broadway by David Merrick.
The use of all songs is by arrangement with Warner Bros. and EMI Publishing Ltd.
Thursday 23 March 2023
Eugenius!, Turbine Theatre | Review
Eugenius!
Turbine Theatre
★★★
After a London Palladium concert and subsequent runs at The Other Palace, the comic book tale of Eugenius! has been on the radar of many theatre lovers, and fans were thrilled to hear of the show's reworked return at the Turbine Theatre. The sweet characters and over the top tale are back like before, but somewhere along the way, the musical has lost some of the sparkle and infectious joy that previously made it such a charming production.
Eugenius! tells the story of Eugene, a self proclaimed geek who creates a comic book and gets thrown into a world of Hollywood movies and space dramas. Alongside him are his best friends Janey and Feris who are all trying to make it through school and retain their identities and friendship. With a number of witty side plots and caricature characters, there's lots to be enjoyed, but compared to previous versions of the show, there's not as much of a wholesome, uplifting vibe.
The small Turbine space which works so well for other shows, feels like a hinderance for Eugenius. There's not enough space for the show to reach its soaring potential and some of the bigger moments are squashed. This is through no fault of Andrew Exeter's set design which effectively brings the comic book world to life, as does Andy Walton's excellent video design which is wonderfully aesthetic and in keeping with the show; but nothing fully takes away from the feeling of the show longing for a larger space. Mention must also go to the really well thought out design of the foyer and entrance to the theatre which is adorned in every space with Tough Man posters, as well as comic book memorabilia and neon lights, all of which help to create an immersive experience and are a treat to explore.
Cast wise, the production is bursting with talent. Elliot Evans is endearing as Eugene, and brings a really lovely sense of vulnerability to the role whilst also providing stunning vocals, which especially soar in act two. As his partner in crime (who feels firmly in the friend zone) Jaina Brock-Patel gives a humourous performance and really leans into the comedy which is fun to watch. Equally humourous is James Hameed as Feris who is a funny character for the most part, but sometimes a bit one dimensional. The trio are strong and there are some touching moments. Their chemistry isn't bursting off the stage but they certainly do a good job and really come into their own towards the end of the show.
Dominic Andersen is fabulous in all his roles, especially as the movie star Gerhard who has some of the most laugh out loud moments in the show. As Super Hot Lady, Maddison Firth is great and her solo number is very high octane, although it's somewhat overpowered by so much happening on stage, so she doesn't truly get a chance to shine. There are also some sound issues which plague the show and mean a fair bit of dialogue is lost. The show as a whole is loud, perhaps too much so at points, but the vocals are often too quiet so we miss the talent of the cast.
The 80s-esque music that has references to lots of iconic songs, is really wonderful and you can't help but bop along to the self-aware, hilariously literal tunes. Ben Adams and Chris Wilkins have written some incredibly catchy pieces that continue to shine in this rendition of the show. They also have some sneaky cameos on bedroom posters and music videos which are a nice touch.
It's definitely nostalgic and energetic but this isn't the best Eugenius! has been. There are some great moments but the musical never evokes the same feelings of feel good empowerment and unity that it did previously. Hopefully there will be future iterations of the show where are the stars can align to create the ultimate version.
Reviewed on Wednesday 22nd March 2023
photo credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
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