Posts with the label London Theatre
Showing posts with label London Theatre. Show all posts
Showing posts with label London Theatre. Show all posts
Wednesday 16 October 2024
Final cast announced for Jack and the Beanstalk: What a Whopper!
The full cast has been revealed for the highly anticipated adult pantomime Jack and the Beanstalk: What a Whopper!, written by Jon Bradfield and Martin Hooper, with songs by Bradfield. Directed by Andrew Beckett, the show will run from 23 November 2024 to 11 January 2025 at Charing Cross Theatre, following the record-breaking success of last year’s Sleeping Beauty Takes A Prick!, which sold over 14,000 tickets and became London’s biggest adults-only pantomime.
Leading the cast is Keanu Adolphus Johnson as the poor, gay, and extremely horny Jack Trott. Johnson, who recently made waves in Backstairs Billy and dazzled audiences in Kinky Boots, brings his vibrant energy to this outrageous role. He’ll be joined by Matthew Baldwin, the reigning “Queen of Adult Panto,” who returns to reprise his role as Dame Dolly Trott, the sharp-tongued, quick-witted matriarch with a heart of gold. Baldwin is renowned for his commanding panto performances, described by critics as “one of the classiest Dames in the business.” Also joining the cast is Chris Lane as Dale, the friendly fairy, and Jordan Stamatiadis as the wickedly lascivious landowner, Lady Fleshcreep.
New faces in the production include Laura Anna-Mead as the lovable Simple Simone, Joe Grundy making his professional debut as Reverend Tim, and ensemble members Laura Buhagiar, Caitlin Swanton, and Fin Walton, who returns after his performance in Sleeping Beauty Takes A Prick!.
The story follows Jack Trott, who lives with his scandalous mother, Dame Dolly, on a dilapidated dairy farm in the quaint Yorkshire village of Upper Bottom. As Jack embarks on his cheeky quest to find something truly “giant,” he must also contend with the evil Lady Fleshcreep, navigate a 10-mile drought of potential Grindr dates, and find hilarity along the way. With its outrageous songs, glittering choreography, fabulous set design by David Shields (winner of Best Set Design at the National Panto Awards), and more innuendos than you can swallow, this panto promises to deliver a night of side-splitting laughter and risqué fun.
The show’s creators, Bradfield and Hooper, are known for their string of acclaimed gay pantomimes, which found a loyal following at the now-closed Above The Stag Theatre. The team behind Jack and the Beanstalk: What a Whopper!—including director Andrew Beckett and set designer David Shields—are dedicated to keeping the tradition alive, now at a larger venue, with their unique brand of big-hearted, sophisticated smut.
Bradfield says, “It’s been a joy to work with this hilarious family of collaborators. We started in the smallest theatres, and last year it was thrilling to see that there’s a bigger audience out there for our particular brand of outrageous, queer fun.”
This new production is set to be the wildest adult pantomime in London this winter, offering a raucous night out with dazzling designs, saucy humour, and laugh-out-loud moments that you won’t forget. With all the fun of a traditional pantomime but with a deliciously naughty twist, Jack and the Beanstalk: What a Whopper! is not one for the kids, but it’s perfect for adults looking for a hilarious, queer night out during the festive season.
Tickets for this must-see show are on sale now—don’t miss the chance to experience the madness for yourself!
photo credit: Johan Persson
Monday 14 October 2024
Casting Complete for Craig Wright’s The Unseen at Riverside Studios
The highly anticipated London debut of Craig Wright’s gripping play, The Unseen, is set to premiere at Riverside Studios on November 15, 2024. Featuring a stellar cast, this intense drama explores themes of resilience, power, and survival under oppressive regimes.
The cast includes BAFTA Cymru Award-winner Richard Harrington (Fisherman’s Friends: One and All, Home I’m Darling) as Wallace, Waj Ali (Carnival Row, King Lear) as Valdez, and Ross Tomlinson (Allelujah, This Is Going to Hurt) as Smash, a conflicted prison guard. Directed by Iya Patarkatsishvili, with set and costume design by Simon Kenny, The Unseen promises to captivate London audiences.
First performed in 2007 at the Humana Festival, The Unseen focuses on two prisoners, Wallace and Valdez, who, trapped in a brutal totalitarian regime, communicate through the walls of their cells. Amidst cycles of hope and despair, they forge a bond and create personal philosophies to make sense of their confinement. Meanwhile, their torturer, Smash, wrestles with his conscience, setting the stage for an explosive conclusion.
The Unseen has lighting by Anna Watson and sound by Mike Walker. Danny Short serves as composer and executive producer alongside Peter Huntley and Callum Runciman for Smart Entertainment.
Post-Performance Discussions & Special Exhibition
Audiences will also have the chance to attend a series of post-performance discussions, featuring expert guest speakers on human rights and the play’s themes, supported by the Russian Democratic Society. Additionally, the UK premiere of Faces of Russian Resistance will be hosted at Riverside Studios, showcasing an international exhibition highlighting Russian citizens who have opposed the Putin regime and paid the price with their freedom.
Don’t miss this thought-provoking exploration of the human spirit, running from November 15, 2024, at Riverside Studios.
Friday 11 October 2024
Sinitta to join Chicago as Mama Morton in Bradford and Stoke
David Ian for Crossroads Live, in association with Barry and Fran Weissler, is thrilled to announce that international pop star Sinitta will join the UK and Ireland tour of Chicago as Mama Morton for a strictly limited run. Sinitta will perform at Bradford’s Alhambra Theatre (21–26 October 2024) and Stoke’s Regent Theatre (25–30 November 2024).
Sinitta expressed her excitement, saying: I’m so excited to be returning to Chicago. I jumped at the chance to step back into Mama Morton’s shoes for two weeks on the upcoming UK and Ireland tour. To return to the stage with these incredible musicians and a stunning company doing amazing choreography is a dream come true. The role of Mama has certainly been good to me, and I can’t wait to rub shoulders with my merry murderesses again!
Sinitta reprises her role as Mama Morton, joining a stellar cast that includes stage and soap star Faye Brookes as Roxie Hart, Strictly Come Dancing favourite Kevin Clifton as Billy Flynn, leading West End talent Djalenga Scott as Velma Kelly, alongside Joshua Lloyd as Amos Hart and Jordan Lee Davies as Mary Sunshine.
The ensemble cast features Bethany Adamson, Victoria Anderson, Josh Crowther, Joe Dale, Jessica Keable, Robin Kent, Annabelle Laing, Jacob McLay Reid, Jonathan Milton, George Olney, Oliver Ramsdale, Elly Shaw, Lucy Anne Stacey, Matthew Sweet, and Ria Tanaka.
Sinitta is an international recording artist known for hit songs like "So Macho," "Toyboy," and "Cross My Broken Heart." No stranger to the stage, she has appeared in West End productions of Cats, Little Shop of Horrors, Hair, Smokey Joe’s Café, and as the female lead in Mutiny! Recently, she starred in the UK and Ireland tour of Now That’s What I Call A Musical. Beyond her musical career, Sinitta has made a name for herself as Simon Cowell’s right-hand woman on The X Factor, mentoring emerging talent since the mid-2000s.
Set in the 1920s, amidst the glitz and glamour of the Jazz Age, Chicago tells the story of Roxie Hart, a housewife and nightclub dancer who murders her lover in a fit of rage. To avoid conviction, she hires the smooth-talking lawyer Billy Flynn, manipulating the public, the media, and her rival cellmate Velma Kelly to turn her crime into sensational headlines.
Created by the legendary John Kander (music), Fred Ebb (lyrics), and choreographer Bob Fosse, Chicago is filled with iconic, show-stopping numbers like "Razzle Dazzle," "Cell Block Tango," and "All That Jazz." Winner of six Tony Awards, two Olivier Awards, and a Grammy, CHICAGO is the longest-running American musical in Broadway and West End history.
Since its 1996 New York premiere, Chicago has been performed in 38 countries and translated into multiple languages. With over 35,000 performances and an estimated audience of 34 million people worldwide, the show has grossed over $1.7 billion globally.
Don't miss the chance to catch Sinitta and the incredible cast of Chicago in this limited run, bringing the sizzling and sensational story to life this autumn!
Thursday 11 July 2024
Mean Girls the Musical: A Fetch-Tacular West End Debut You Can't Miss | REVIEW
Mean Girls
Savoy Theatre
Mean Girls in the West End? That's fetch!
After much anticipation, Mean Girls the Musical has sashayed its way onto the West End stage, and it’s nothing short of a fetch-tacular extravaganza! Adapted from the iconic 2004 film penned by Tina Fey, this musical first dazzled Broadway audiences in 2018 and has now graced London with its fabulous presence, bringing all the drama, comedy, and high school hierarchies across the pond.
I first saw and reviewed Mean Girls at the August Wilson Theatre on Broadway in 2018, and I was blown away by the sharp wit, vibrant performances, and infectious energy. Seeing it again on the West End feels like a fabulous homecoming for this beloved show, and I can confidently say that it has lost none of its sparkle and charm in the transition.
For the uninitiated, Mean Girls follows the journey of Cady Heron (played with charm and sincerity by the supremely talented Charlie Burn), a previously homeschooled teenager who moves to the American suburbs from Africa. Navigating the treacherous waters of North Shore High School, she encounters the Plastics, led by the fabulously tyrannical Regina George (Georgina Castle), with her loyal sidekicks Gretchen Wieners (Elèna Gyasi) and Karen Smith (Grace Mouat). With the guidance of her quirky friends Janis Sarkisian (at this performance played by Baylie Carson) and Damian Hubbard (Tom Xander), Cady embarks on a mission to take down Regina, only to find herself transforming into the very thing she swore to destroy.
This vibrant production boasts an amazing cast, blending West End veterans with exciting new talents who are firmly cementing themselves as stars. Aaron Samuels (Daniel Bravo) steals hearts, while Ms Norbury, Ms Heron & Mrs George (Zöe Rainey) bring a delightful double dose of adult hilarity and warmth.
The performances are unanimously nothing short of wonderful. Each actor brings their unique flair, contributing to the high-energy, electrifying atmosphere that permeates the entire show and theatre. The ensemble, in particular, is incredible, delivering dance numbers with precision and enthusiasm that leaps from the stage and feels so exciting to watch. The performances are so captivating that I find myself wanting to return to the show again and again, just to focus on a different performer each time and appreciate their individual contributions to this vibrant production. Charlie Burn is infectiously charming as Cady and provides faultless, pin precise vocals to match. The commanding presence of Georgina Castle as she floats above it all as Regina George is all you could ask for from someone playing this iconic role, plus, Georgina absolutely provides a top theatre moment of the year with her rendition of World Burn. Elèna Gyasi is heartbreakingly desperate to fit in and does so in such a fun but still heartbreaking way, whilst Grace Mouat's Karen is just happy to be there. Grace's performance is laugh out loud funny and I loved her act two song 'I'm Blowing Up' which has been reworked and added back into the show to great effect. Baylie Carson and Tom Xander are the perfect double act as Janis and Damian, again bringing huge doses of humour as well as some of the strongest vocals in the musical. I also loved Lucca Chadwick-Patel as mathlete Kevin Ganatra and Daniel Bravo who brought a real sincerity to Aaron Samuels. I could go on all day about the cast because they're really all fantastic and as I say, every new visit is sure to offer a new layer of enjoyment and discovery, maybe Cady is right and the limit does not exist for how many times you could watch this show!
One of the standout features of this production is designer Scott Pask's ingenious use of screens and projections, which not only bring the hallways of North Shore High to life but also add an immersive, almost cinematic quality to the musical. This dynamic visual approach enhances the storytelling, making scenes pop with vibrancy and energy and allowing for a number of locations without the hassle of in depth scene changes, something which really allows the show to flow and maintain pace.
The West End production has seen some exciting changes from its Broadway counterpart. The creative team, led by director and choreographer Casey Nicholaw, has refined certain scenes and musical numbers to better suit the London audience. There are subtle changes in the dialogue and some new staging that add fresh layers to the beloved story, keeping it as sharp and hilarious as ever. Additionally, the musical's score has been tweaked slightly to enhance its already catchy and memorable tunes.
Let’s be real—Mean Girls the Musical may not be everyone’s cup of tea. If you’re not a fan of cheesy, over-the-top musicals, this might not be your thing. But for those who revel in fun, camp, and excellently performed music wrapped in a big pink bow, this show is pure joy. The musical numbers are infectious, with standout hits like 'Apex Predator', 'Revenge Party', and the empowering 'I’d Rather Be Me', each performed with gusto and flair by the cast.
The show captures the spirit of the original film while adding layers of depth through its songs and performances. It’s a fun, carefree romp that’s perfect for a night out with friends, a date night, or even a solo adventure to bask in its joyous glow. From the moment the curtain rises to the final bow, the audience is taken on a rollercoaster of laughter, nostalgia, and heartfelt moments.
Mean Girls in the West End is a pink-tinted, fabulously fun, spectacle that shouldn’t be missed- grab your tickets now and join the party at North Shore High!
★★★★★
Reviewed on Wednesday 10th July 2024 by Olivia Mitchell
Photo Credit: Brinkhoff / Moegenburg
{AD PR Invite- tickets gifted in exchange for honest review}
Mean Girls the Musical: A Fetch-Tacular West End Debut You Can't Miss | REVIEW
Thursday 11 July 2024
Thursday 27 June 2024
Next to Normal at Wyndham's Theatre: A Resonant Masterpiece 15 Years in the Making | REVIEW
Next to Normal
Wyndham's Theatre
London’s theatre scene is abuzz at the moment, with fan favourites returning, completely new works opening, and highly anticipated Broadway transfers finally making their way over. In Next to Normal’s case, "finally" is the operative word as it’s taken 15 years. Since debuting on Broadway in 2009 to critical and audience acclaim, fans have been eagerly awaiting its opening across the pond. After a brief stint at the Donmar Warehouse, it’s now officially open at the Wyndham’s Theatre in the heart of London’s West End. But was it worth the wait?
To put you out of your misery quickly, the answer is a resounding yes. This musical, which tells the story of a struggling family, is a poignant and punchy exploration of grief, drug therapies, and heartbreak. It doesn’t sound uplifting and for the most part, it isn’t, but it’s the trauma and intense emotions that make it such a special piece of theatre. The musical faces harsh realities with unflinching honesty that makes it genuinely affecting and truthful. Alongside this, there are moments of genuine humour, and like real life, there are highs and lows, mixed with dark humour to compensate for grief.
If you’re looking for the healthiest belting in the West End, you’ll find it with every member of the stellar five-person cast of Next to Normal. There’s not a note that doesn’t ring with clarity, support, and power. There are so many standout vocal moments that it’s impossible to pick favourites, and what’s brilliant is that not all of them are the big, loud, dramatic moments. Instead, the musical often thrives in its quieter moments. The belting is highly impressive and impactful, but frequently the smaller, supported moments are the most moving.
To put it lightly, Caissie Levy is a marvel. Her portrayal of Diana, the troubled mother at the centre of the story, is both heart-wrenching and electrifying. Levy’s vocal prowess is matched by her deep emotional delivery, making her performance one of the most memorable in recent West End history. Jamie Parker as Dan brings a grounded, heartfelt presence to the role of Diana’s supportive yet struggling husband. His performance is both tender and raw, capturing the complexities of a man trying to hold his family together.
Eleanor Worthington-Cox shines as Natalie, their overachieving yet deeply affected daughter. Her portrayal is layered and nuanced, capturing the teenage angst and longing for normalcy amidst chaos. Jack Wolfe as Gabe delivers a haunting performance with vocals that soar effortlessly, adding an ethereal quality to his character. Trevor Dion Nicholas as Dr. Madden/Dr. Fine brings a mix of authority and empathy to his roles as Diana’s doctors, his voice resonating powerfully through the theatre. Jack Ofrecio as Henry, Natalie's boyfriend, adds a touch of sweetness and earnestness, providing a much-needed sense of hope and grounding amidst the turmoil.
Thanks to the direction by Michael Longhurst, the cast is able to carry huge emotions throughout scenes, even when they're not at the forefront. The character work is clear, and you could watch this show ten times and notice a different intention or a new heartbreaking expression from any of the cast. Longhurst’s direction allows each actor to shine in their own right while maintaining a cohesive and emotionally charged ensemble performance.
The staging is both intimate and dynamic, perfectly capturing the fluctuating emotions of the characters. The set design by Chloe Lamford, lighting design by Lee Curran and video design by Tal Rosner create a visually stunning backdrop that enhances the storytelling without overwhelming it.
I don’t think this is a show for everyone. Aside from any triggers throughout, it’s a tough show to watch. In many ways, it feels more like a play with music because of the intensity and that’s personally why I enjoyed it so much. However, I can certainly see that it may not be quite as well-received by those who like more positive, “classically musical” musicals. Comparatively, it’s more on the wavelength of the Bridge Theatre revival of Oklahoma, rather than say, Six. Of course, that’s somewhat like comparing oranges and brussels sprouts; they are inherently different, but in a world where theatre is an expensive, occasional treat for many people, I think it’s important to know whether a show will be your vibe or not. And of course, all art is subjective so even if you’re hesitant, you may still love it.
All in all, just to say, Next to Normal isn’t like other shows in the West End. But it is a painful, beautiful, and impeccably performed show which many will love. So, if you’re ready for an emotional rollercoaster with stellar performances and thought-provoking themes, don’t miss Next to Normal at Wyndham’s Theatre. It’s a theatrical experience worth every moment of the 15-year wait.
★★★★
Reviewed on Wednesday 26th June 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Why Mrs Doubtfire in the West End is a Must-See: Celebrating The One Year Nan-iversary in Style!
Last week, I got to celebrate Mrs Doubtfire the Musical's One Year Nan-iversary (yes, that's a thing now!) It was an evening filled with laughter, nostalgia, and a few tears, all wrapped up in one incredible performance. Whether you're a long-time fan of the beloved film or just looking for a fantastic night out, here are five reasons why you absolutely must see Mrs Doubtfire on the West End!
Its a Heartwarming and Hilarious Story: Mrs Doubtfire the Musical is a perfect blend of comedy and heartfelt moments. The story follows the journey of Daniel Hillard, a loving but unconventional father who disguises himself as a Scottish nanny to stay close to his children after a messy divorce. The show's mix of laughter and touching scenes creates a memorable and emotional experience that appeals to all ages. Of course this is a well loved story and the show remains true enough to the source material to satisfy fans but it also has a number of changes that make it feel fresh and engaging.
It's Full of Stellar Performances: The West End production features an incredibly talented cast who bring the beloved characters to life with charm and depth. Gabriel Vick's transformation into Mrs. Doubtfire is a masterclass in physical comedy and character work, capturing the essence of the iconic role originally portrayed by Robin Williams, but again bringing a freshness that feels perfectly individual. The supporting cast members also shine, delivering strong performances that enhance the overall production. Laura Tebbutt as Miranda Hillard provides a lot of the story's heart and really vocally shines, especially during act 2. As the oldest daughter Lydia, Charlotte Fleming is absolutely wonderful, I'd love to see her take on the role of another Lydia if and when Beetlejuice makes its way across the pond!
The Stage Design is Wonderful: The show’s stage design and special effects are really brilliant and fitting for the show. The creative team have crafted a dynamic and visually engaging set that seamlessly transitions between scenes, bringing the world of Mrs. Doubtfire to life. The makeup and costume changes, particularly for the title character, are executed with impressive speed and precision, adding to the magic of the theatrical experience.
The Score if Full of Toe-Tappers: The musical score by Wayne Kirkpatrick and Karey Kirkpatrick is filled with catchy, original songs that really help to enhance and advance the story. The music ranges from upbeat, comedic numbers to moving ballads, each song perfectly capturing the emotions of the characters.
It Has Timeless Themes and Relatable Messages: At its core, Mrs Doubtfire is a story about family, love, and the lengths one will go to for those they care about. The show touches on themes of parenting, identity, and personal growth, all while maintaining a light-hearted and entertaining tone. Its messages about the importance of family and understanding resonate with audiences, making it a truly timeless piece that speaks to both adults and children alike.
All in all, Mrs Doubtfire is a fast paced, cracker of a show that features all the best elements of musical theatre. Lighthearted joy and laugh out loud humour fill the auditorium and make for a wonderful night at the theatre. Don't miss this fabulous show!
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 24 April 2024
Two Strangers (Carry a Cake Across New York) at the Criterion Theatre Review: A Warm Hug of a Musical
Two Strangers (Carry a Cake Across New York)
Criterion Theatre
Buckle up, because Two Strangers (Carry a Cake Across New York) at the Criterion Theatre is a rollercoaster of heartwarming goodness that’ll make you want to hug strangers on the tube home (maybe not advisable, but you get the vibe). The show, a recent transfer from the kiln Theatre is musical theatre romcom you've been waiting, like the best early 2000s rom-coms, but on stage, and with live-action vibes that'll have you grinning from ear to ear- it needs to be on your radar.
The story follows two total strangers, Robin and Dougal, who, by a twist of fate, find themselves on a wild journey through the bustling streets of New York City. Cue the quirky meet-cute, the awkward yet endearing conversations, and a whole lot of unexpected adventure. But what really sets this show apart is its knack for capturing the essence of the Big Apple. You'll feel like you're right there in the heart of NYC, dodging taxis and soaking in the neon lights.
Relentlessly optimistic Dougal heads across the pond to attend his father's wedding, and also to actually meet him for the first time. At the airport he's greeted by Robin, the bride's sister, who's job is to pick him up and then leave him be for the rest of the trip. Of course, that's not the case and the pair end up drawn to one another as they discover and rediscover the city, all whilst finding out about one another. It's as heartwarming as could be and is really just a hug of a musical.
The leading pair are like a perfect slice of New York pizza—full of flavour and impossible to resist. Their chemistry is off the charts, and you'll find yourself rooting for them every step of the way. As Robin, Dujonna Gift gives a brilliant performance, full of stereotypical New Yorker cynicism, but like us all, is soon charmed by her new British acquaintance Dougal. Her comedic timing is wonderful and she really draws us into her world and inner turmoil. In the role of the NYC Newbie, Sam Tutty is the embodiment of charismatic. His performance is hilariously funny and the undercurrent of deeper, darker emotions are wonderfully contrasted. A master of nuanced facial expressions that tell a thousand emotions, and vocals that soar and shine- Sam gives a top grade performance. The pair are perfectly matched and create some absolute theatrical magic on stage.
Aside from the story of the two characters altering each other's lives, this musical is, in every sense of the saying, a love letter to New York. Soutra Gilmour's design turns a revolving set of suitcases into a bustling city, where anything can happen and Tony Gayle's sound design highlights the ever present noise of Manhattan. Of course it's a romcom rose-coloured view, but there is some commentary on New York's darker side which helps ground the piece.
Musically, this show is like a playlist straight out of your favourite indie film, that's been musical theatre-ified. A mixture of styles create a soundtrack that feels genuinely unique and truly fun, setting the perfect mood for every scene. You'll laugh, you'll cry, and you'll probably leave the theatre humming a catchy tune or two. The opening number, New York! is especially joyous and really sums up the show with humour, sincerity, awe, joy and a little bit of tension.
But perhaps the real star of the show is the script. It's sharp, it's witty, and packed with enough heart to fill Times Square. You'll find yourself laughing out loud multiple times and swooning at not only the characters, but the city on stage. Jim Barne's and Kit Buchan's writing is wonderfully fast paced and the characterisation of each lead is so strong. You almost forget you're watching a two person show when such a rich tapestry of a world is created.
In short, Two Strangers (Carry a Cake Across New York) is a delightful romp through the city that never sleeps. It's charming, it's heartwarming, and it's everything you could want in a night out at the theatre. I loved the way it joyously celebrates the 'normal' people and reminds us that even the smallest of meetings, can change our lives. So grab your metro (Oyster) card and get ready for a ride—you won't regret it.
★★★★
Reviewed on Tuesday 23rd April 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Monday 25 March 2024
Priscilla the Party at HERE at Outernet REVIEW: A Glitzy, Camp Night Out
Priscilla the Party
HERE at Outernet
Priscilla the Party is like stepping into a glittering dreamland where every corner is bursting with energy and excitement. From the moment you walk through the doors of the venue, you're greeted by pulsating beats and dazzling lights that promise a uniquely camp and sparkling experience. Following the adventures of three friends as they journey across the Australian outback aboard the iconic Priscilla bus, the plot is a rollercoaster of emotions that has you grinning from ear ear and dancing your way back onto Tottenham Court Road.
The venue itself is impressive, with its adaptable layout and top-notch sound design, HERE at Outernet ensures that every moment of the performance is delivered with crystal clarity. However, if you're on the shorter side, finding the perfect spot to catch all the action might require a bit of manoeuvring, as the stages aren't particularly high. Pro tip: head towards the front near the non-moving stage at the front for a great view and minimal movement.
Now, let's talk costumes. Each sequin and feather is a work of art, adding an extra layer of sparkle to an already glitzy affair. Tim Chappel and Lizzie Gardiner's designs are wonderfully extra, often providing humour alongside shine. There are also full glitter wigs which are just spectacular.
Equally spectacular are the cast who bring all the good vibes and deliver the story of drag queens travelling the outback so well. Leading proceedings, Trevor Ashley, Reece Kerridge, Dakota Starr and Owain Williams are absolute delights, bringing their characters to life with a level of energy and enthusiasm that's infectious; as well as showing moments of vulnerability which really add to the story.
But, as with any show, there are a few bumps along the way. The constantly shifting perspectives of the stages can sometimes make it hard to fully immerse yourself in the storyline, leaving you feeling a bit disconnected. The immersive aspect of the show is exciting and fairly unique but it doesn't always feel necessary with this show, especially when it stands so strongly on its own. While the pre-show performances are entertaining, they do have a tendency to drag on a bit, delaying the main event's grand entrance, plus, the choice of slow songs might not have been the best for getting the party started.
Despite these hiccups, Priscilla the Party delivers on its promise of a night filled with laughter. So, if you're in the mood for a night of joy and unadulterated fun, Priscilla the Party is the place to be. Embrace the campy atmosphere, lose yourself in the dazzling costumes, and get ready for a ride you won't soon forget. Despite its flaws, this glittering extravaganza is guaranteed to leave you with a smile.
★★★
Reviewed on Monday 25th March 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 1 March 2024
Standing at the Sky's Edge at the Gillian Lynne Theatre REVIEW: A Perfect Tale of Hope and Connection
Gillian Lynne Theatre
Standing at the Sky's Edge is a captivating journey that swept me off my feet and left me utterly spellbound. From the moment the lights dimmed and the first notes filled the air, I was transported into a world where every emotion felt raw and real.
The story, set across three generations, unfolds with such grace and authenticity, drawing the audience into the lives of the characters living in Sheffield's iconic Park Hill estate. Through their joys and struggles, their dreams and disappointments, I found myself rooting for each one of them as if they were old friends.
Whilst this is technically a jukebox musical, it doesn't feel clunky as is so often the case. Richard Hawley's compositions, with Tom Deering's orchestrations are a beautiful fusion of rock, folk, and soul, each melody weaving its way into the narrative to really capture the essence of the musical. The lyrics are so poetic and heartfelt, they brought tears to my eyes and chills down my spine. This is a masterfully crafted musical that is so different to other West End offerings, in all the best ways.
Set wise, Ben Stones has done a glorious job, bringing the industrial feeling of Park Hill to life, but also capturing the warmth which filled it. Mark Henderson's fantastic lighting design also contributes to this realistic feeling, with even the first scene literally brining the sunrise to life. From the bustling streets of Sheffield to the towering heights of Park Hill, every detail is so meticulously crafted that I felt like I was actually there, witnessing the story unfold before my eyes. In my opinion this is a show which needs multiple visits because there's just so much to see, every nook of the stage is filled with action and there are so many stories going on that you could watch ten times and still spot something new!
But what truly struck me was the way this musical resonated with me on a personal level. Despite never having set foot in Sheffield, I felt a deep connection to the characters and their journey. Their struggles felt familiar, their triumphs felt like my own and whilst I didn't directly relate, the emotions portrayed are so genuine and truthful, you can't help but be moved by the tales of hurt and hope.
These intense feelings are a testament to the vast ensemble cast who are outstanding in every way. Elizabeth Ayodele as Joy brings subtle but effective character growth that melds to her surroundings, whilst Samuel Jordan is every level of charming as Jimmy, both also give brilliant vocal performances, a common theme throughout the cast. Opening the show, Jonathon Bentley sets the tone for the piece and showcases his beautiful voice which equally shines during his other solo moments. Perhaps the character with the biggest arc is Harry, portrayed with such nuance and integrity by Joel Harper-Jackson. Mesmerising is a word which gets thrown around a lot but Joel's performance is utterly the embodiment of it, as he brings to life a character that feels so multi-dimensional and showcases his innate acting ability. As his loving housewife partner who slowly finds her voice, Rachael Wooding is a powerhouse, with another slow burn performance that peaks in the second act and has sniffles filling the auditorium. Laura Pitt-Pulford gives one of my favourite vocal performances of the show with 'Naked in Pitsmoor' and again, brings to life her character Poppy perfectly. Lauryn Redding is her ideal counterpart, serving some wonderful vocals, especially during the title song and also bringing some lightness amongst the heavy themes of the show. The entirety of the cast bring this world to life and they're all stars. Mention must also go to the booming bassist who growls and grounds the Act two opening number 'Standing at the Sky's Edge'.
In the end, Standing at the Sky's Edge isn't just about the music or the set design – it's about the human experience. It's about love, loss, and the resilience of the human spirit. It's a reminder that no matter where we come from, we're all connected by our shared humanity.
Standing at the Sky's Edge touched me in a way that few musicals ever have. It's a testament to the power of storytelling and the magic of theatre. If you have the chance to see it, don't hesitate – it's an experience you won't soon forget, and the act one opening is one of the best theatrical moments possible to see on stage right now.
★★★★★
Reviewed on Thursday 29th February 2024 by Olivia
Photo Credit: Brinkhoff-Moegenburg
{AD PR Invite- tickets gifted in exchange for honest review}
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