Showing posts sorted by date for query plays. Sort by relevance Show all posts
Showing posts sorted by date for query plays. Sort by relevance Show all posts

Friday 23 February 2024

Just For One Day at the Old Vic REVIEW: Pitch Perfect Peformances


Just For One Day: The Live Aid Musical
The Old Vic

Written by John O'Farrell, Just For One Day transports audiences back to 1985, to the historic Live Aid concert held simultaneously at Wembley Stadium and JFK Stadium. Through the eyes of various characters, including musicians, organisers, and fans, the musical captures the spirit of unity and hope that defined this iconic event. Against the backdrop of global issues and personal struggles, the show celebrates the power of music to inspire change and bring people together.

With direction by Luke Sheppard, the musical is a poignant homage to the legendary Live Aid concert, offering a nostalgic journey through one of music's most iconic moments. While the musical may not reach the heights of the original event, it nonetheless succeeds in capturing its essence and paying tribute to the artists and activists who made it possible. It's definitely a musical that can appeal to and appease a wide range of audiences; as someone who wasn't alive during the original concert, I completely felt the importance and excitement that surrounded it, whilst my mum who regaled her story of watching the concert on a tiny screen in Cyprus during her honeymoon, wholly felt the nostalgia and related in a different way.

The strength of Just For One Day lies in its stellar cast, who deliver powerful performances that breathe life into the characters they portray. Craig Els leads the show as Bob Geldof and does a stellar job, bringing a brilliant amount of humour but also a sense of gravitas when discussing the atrocities of the Ethiopian famine which put the whole thing in motion.

Danielle Steers shines every moment, bringing her usual astoundingly soulful vocals, whilst Jack Shalloo is a complete standout as Midge and Abiona Omonua is charming as Amara. At this performance Margaret Thatcher was played by Kerry Enright who is absolutely fantastic, providing some of the most hilarious and well characterised moments of the show. Vocally this is a cacophony of powerhouses, with everyone providing killer moments but special mention goes to Olly Dobson and Collette Guitart who really shine, I wish they got more solo moments! Rhys Wilkinson also brings fantastic characterisation to all of the roles he plays.

Unsurprisingly, the musical's soundtrack is another highlight, featuring an array of classic hits from the 1980s that have audiences tapping their feet and singing along. Accompanied by a talented live band, the music transports viewers back in time, evoking the same sense of excitement and camaraderie that defined the original Live Aid concert.

Where the show doesn't quite work is with it's book. The production takes a deliberate approach to steer clear of hero worship towards Geldof, opting instead to spotlight the unsung heroes who contributed behind the scenes. However, while the inclusion of fictionalised narratives aims to showcase the efforts of everyday individuals, these characters often come across as shallow and their dialogue occasionally falls into clichéd one-liners. The sentiment is lovely, but it's not hugely impactful. However, the way music is woven into these stories is really admirable; songs aren't just shoehorned in, they're used to develop the stories being told and even seem to take on new meaning in the context of the show.

Another aspect which falls flat is the actual trauma which prompted the concert. There are some attempts at highlighting the pain and horrors of the famine but it feels a bit sanitised and brushed over, so as not to detract from the feel-good feeling the show pushes. Of course no one wants to fetishise the suffering of others, but in omitting a lot of the horrors, it doesn't allow the show to have quite as strong of an emotional impact.

Visually, this show is a feast for the eyes, with dynamic staging (Soutra Gilmour) and vibrant costumes (Fay Fullerton) that capture the spirit of the 1980s. Creative use of multimedia elements (Andrzej Goulding) and striking lighting (Howard Hudson) further enhances the experience, immersing audiences in the sights and sounds of the era. This is a show that really lends itself to touring and could certainly thrive and develop in that capacity, it will be interesting to follow where it goes after this initial run.

Just For One Day may not be without its flaws, but it's a heartfelt tribute to Live Aid and its message of hope and solidarity make it a worthy addition to the stage. For fans of 1980s music and those who fondly remember the original concert, this musical is sure to strike a chord.

★★★
Reviewed on Thursday 22nd February 2024 by Olivia
Photo Credit: Manuel Harlan

{AD PR Invite- tickets gifted in exchange for honest review}

Monday 5 February 2024

Cara Delevingne and Luke Treadaway to join the cast of Cabaret | THEATRE NEWS


The award-winning West End production of Cabaret at the Kit Kat Club is thrilled to announce that actress and model Cara Delevingne will play Sally Bowles, and Olivier Award-winning actor Luke Treadaway will take on the role of The Emcee from March 11 to June 1, 2024. Delevingne expressed her excitement about making her stage debut, while Treadaway is thrilled to join the Kit Kat Club production.

The show is booking until February 2025, and Cara Delevingne will have specific dates when she won't be performing*. They join Michael Ahomka-Lindsay as Clifford Bradshaw, Beverley Klein as Fraulein Schneider and Teddy Kempner as Herr Schultz. Nic Myers plays the role of Sally Bowles once a week.

Completing the company are Wilf Scolding as Ernst Ludwig, Jessica Kirton as Fraulein Kost/Fritzie, Liv Alexander as Texas, Natalie Chua as Frenchie, Taite-Elliot Drew as Hans, Damon Gould as Victor, El Haq Latief as Helga, and Travis Ross as Bobby, joining Laura Delany as Rosie, Grant Neal as Herman/Max and Hicaro Nicolai as Lulu. The cast is completed by Rebecca Lisewski, Ela Lisondra, Nic Myers, Andy Rees, Toby Turpin and Patrick Wilden.

The prologue company are Rachel Benson, Ami Benton, Onyemachi Ejimofor, Joseph Hardy, Liz Kamille, Andrew Linnie, Aine McLoughlin, Jack William Parry, Jazmyn Raikes, Oliver Stockley and Ena Yamaguchi.

Cabaret, praised as the ultimate theatrical experience, opened in December 2021 and won seven Olivier Awards in April 2022. The Broadway production featuring Eddie Redmayne and Gayle Rankin is set to open at the Kit Kat Club in April.

Transforming the theatre with an in-the-round auditorium and reimagined spaces, the Kit Kat Club invites guests to enjoy pre-show entertainment, drinks, and dining. The musical, featuring iconic songs like "Wilkommen" and "Don’t Tell Mama," is directed by Rebecca Frecknall, with set and costume design by Tom Scutt and choreography by Julia Cheng. The production promises a unique and immersive experience for audiences.

*Cara will not be performing on the following dates - Wednesday 13 March (matinee), Thursday 21 March (evening), Wednesday 27 March (matinee), Thursday 4 April (evening), Tuesday 9 April (evening) Wednesday 10 April (matinee and evening), Thursday 11 April (evening), Friday 12 April (evening), Thursday 18 April (evening), Wednesday 24 April (matinee), Thursday 2 May (evening), Monday 6 May (evening), Tuesday 7 May (evening), Wednesday 8 May (matinee and evening), Thursday 16 May (evening), Friday 17 May (evening), Saturday 18 May (matinee and evening), Wednesday 22 May (matinee) and Thursday 30 May (evening).

Photo credit: Jay Brooks and Emilio Madrid

Tuesday 28 November 2023

Pretty Woman on Tour at the New Victoria Theatre Review: A Perfect Night Out


Pretty Woman (Tour) 
New Victoria Theatre 

A night of laughter; this sexy, fun and wonderfully performed musical grabs attention from the off! 

Based on the famous 1990 film, the show tells the story of Vivian, a prostitute falling on hard times in Beverly Hills. By pure chance, she catches the attention of a Billionaire, Edward. Their instant connection prompts Edward to offer residence to Vivian, in exchange for her services for one week whilst he stays at the famously opulent Beverly Wilshire Hotel. Both are certain that no feelings could grow during this business deal. It seems they are both to be proved wrong…

The leading role of Vivian Ward was of course made famous by Julia Roberts. Needless to say, this iconic role is a hard one to fill. Amber Davies, who gained public attention with her 2017 Love Island win plays the role with brilliance and proves she's much more than a reality star. Her acting, singing and dancing is on point, a true triple threat! Whilst delivering iconic lines from the movie, Amber makes the role her own and creates a charming character who the audience root for. 

Oliver Savile portrays the role of Edward Lewis excellently, which is no surprise considering his extensive theatre experience! Edward’s closed-off attitude and need to hold everyone at arms length, slowly wavers as Vivian wins his affection. The strong chemistry between Amber and Oliver is more than apparent, especially in the few raunchy moments throughout the show. It's a pleasure to see them act together. 

Natalie Paris, who plays Vivian’s best friend Kit De Luca is a true standout with the most incredible vocal range! A continual scene stealer, her ‘Rock and Roll’ style is effortless, and she brings the witty character to life superbly.  The rest of the killer ensemble do a fantastic job of keeping energy high with their multiple dance numbers and general presence. 

With music Bryan Adams and Jim Vallance, a book by Garry Marshall and the film’s screenwriter J.F. Lawton and direction and choreography Jerry Mitchell, the magic of the show is there from the start, and stays throughout. Pretty Woman on tour is a fantastic screen to stage adaptation that has all the moments the audience know and love from the smash hit film, with extra theatrical additions to make it an utterly engaging experience.

The overall design of the show fits the era and flavour of the musical well. The use of bright background lighting (Kenneth Posner and Philip S. Rosenberg) during song and dance numbers keep the overall feeling of the show light and fun. Equally Tom Rodgers's costume design really represents the story well; of course the iconic red ballgown from the movie makes its appearance alongside a number of other fun costumes. David Rockwell's set is simple but effective- one minute you are looking at dingy Hollywood street corner, the next you are in the Penthouse suite of the Beverly Wilshire! 

Overall, the lightheartedness of the story and the fantastic talent onstage makes for a  perfect, adult-only night out. I highly recommend a trip to Hollywood via Woking! 

★★★★★ 
Reviewed on Monday 27th November 2023 by Grace Dickinson
Photo Credit: Manuel Harlan

{AD PR Invite- tickets gifted in exchange for honest review}

Wednesday 15 November 2023

Give the Gift of Theatre with London Box Office | ad



*This post contains sponsored content*

With the holidays just around the corner and the frenzy of gift shopping kicking in, now's the perfect time to find some fantastic deals and savings. If you or someone you know loves the magic of theatre and entertainment, Black Friday is your chance to grab some awesome ticket deals for the best shows the West End has to offer.

This Black Friday, London Box Office have set the stage for remarkable savings, unveiling a treasure trove of discounted tickets spanning musicals, dramas, and comedies tailored to suit everyone on you present buying list.

What makes this year's Black Friday deals so great, is the incredible diversity of shows available at rates friendly to your pocket. Whether you're shopping for a seasoned theatre-goer or introducing someone to the wonders of live entertainment for the first time, London Box Office has curated a varied selection promising something enjoyable for everyone.

If you've got a musical theatre fan in your life, this is the perfect chance to snag tickets to some of the most sought-after musicals including Les Miserables and the magically immersive Guys and Dolls. Or, why not treat them to witnessing theatrical royalty on stage with Sondheim's Old Friends or look forward to upcoming productions like Bronco Billy which opens in April.

If a gripping drama is what you're after, you are in for a treat with discounts on an array of plays. Whether you're looking for intense contemporary pieces like Dear England or The Ocean at the End of the Lane, or the timeless allure of classics like Agatha Christie's The Mousetrap, London Box Office ensures there's a production to capture every niche.

For the comedy lovers in your life the Black Friday deals bring you hilarious performances that guarantee a night bursting with laughter. Including sidesplitting theatrical productions, from the hilariously chaotic Peter Pan Goes Wrong, which is perfect for family viewing, to the impeccably executed improv show Showstopper! that never fails to impress; the options to tickle your funny bone are boundless.

Thanks to London Box Office's Black Friday ticket deals, you not only get to experience these delights for yourself but also have the chance to treat your loved ones to a memorable night (or afternoon) at the theatre.

To dive into these excellent deals, simply venture over to London Box Office's dedicated Black Friday page at https://www.londonboxoffice.co.uk/black-friday. There, you can see the brilliant lineup of discounted shows, choose your preferred date and time, and effortlessly secure your tickets with just a few clicks. 

This is a golden ticket perfect opportunity to give the gift of live performance, so don't miss out and get booking to find a new favourite show.

Friday 3 November 2023

The Time Traveller's Wife at the Apollo Theatre Review: Time-Bending Spectacle with a Few Melodic Sparks


The Time Traveller's Wife
Apollo Theatre 

Step into the Time Warp with The Time Traveller's Wife, a production that brings Audrey Niffenegger's cherished novel to life on stage. The story revolves around the unconventional love story of Clare and Henry, complicated by his uncontrollable time-traveling abilities. While the show boasts remarkable technical feats, it occasionally stumbles when it comes to character development and narrative cohesion.

One of the standout features of the show is the exceptional use of projections and special effects to depict Henry's time-traveling journeys. The combination of Chris Fisher's illusions and Andrzej Goulding's video design and animation, along with Richard Brooker's sound design, creates a mesmerising experience that truly captures the essence of the novel. Lucy Carter and Rory Beaton's lighting design further enhances the visual impact, making the time-travel sequences truly outstanding.

Anna Fleischle's stage design, characterised by large partitions, may be relatively simplistic, but it proves effective in transforming the stage to the various places and time periods covered in the story. The quick transitions between different settings are seamless and help maintain the audience's engagement.

However, the primary drawback of the musical lies in its plot. The inherent nature of sudden time travel results in a narrative that often feels clunky and choppy, making it challenging to develop a strong connection with the characters. The central relationship between Henry and Clare, which should be the emotional core of the story, lacks depth due to their limited time together as a couple. Instead, most of their interactions consist of Henry visiting Clare throughout her childhood, which raises complex questions, and their adult lives seem marked by unhappiness. This lack of a strong emotional connection between the leads diminishes the impact of their quest to have their love transcend time.

On the flip side, Charisse and Gomez, portrayed by Tim Mahendran and Hiba Elchikhe, serve as the comic relief characters and offer a more compelling relationship with a clearer backstory. Their presence is easier to root for, and the chemistry between Mahendran and Elchikhe is a highlight of the show. The dinner party scene, in particular, stands out as one of the most enjoyable and energetic moments, filled with humour and lively performances.

Individually, the cast members deserve praise. David Hunter, who plays Henry, delivers a convincing portrayal of a man grappling with his unique abilities and provides killer vocals to go with it. Joanna Woodward's Clare exudes warmth and vulnerability, making her character endearing. Tim Mahendran and Hiba Elchikhe, as Charisse and Gomez, steal the show with their fun and charismatic on-stage presence, and their strong vocal performances only add to their appeal.

The costumes by Illona Karas and wigs by Susanna Peretz are a visual delight, successfully covering various time periods with outlandish and wonderful designs. The backstage dressers deserve applause for their efficient execution of numerous quick changes, which contribute to the show's smooth flow.

Joss Stone and Dave Stewart's music adds a unique dimension to the production, featuring a diverse mix of musical styles that range from country-inspired tunes to more conventional pop songs. The entire cast delivers these songs with outstanding performances, showcasing their musical talents. However, the musical score, while competently composed and executed, lacks truly memorable tunes. Most of the songs are lyrically predictable, serving the primary purpose of advancing the storyline. That said, there are moments in the second act that shine, such as "Journeyman," performed by Henry, and "A Woman's Intuition," a trio featuring Henry, Charisse, and Gomez. These standout moments provide a fresh and memorable musical experience within the production and leave a lasting impression. While the music may not be the show's strongest suit, it still contributes to the overall atmosphere and storytelling.

In spite of its narrative challenges and somewhat forgettable music, The Time Traveller's Wife succeeds in creating an engaging theatrical experience, thanks to its outstanding technical aspects, charismatic performances, and a handful of standout musical moments, making it a worthwhile and visually stunning night out at the theatre.

★★★
Reviewed on Thursday 3rd November 2023 by Olivia
Photo Credit: Johann Persson
 
{AD PR Invite- tickets gifted in exchange for honest review}

Tuesday 24 October 2023

The Bodyguard the Musical on Tour Review: Starts with a bang and thrills throughout!


The Bodyguard the Musical (Tour)
New Victoria Theatre

Demanding your focus from the very first second, The Bodyguard the Musical has it all! Romance, rivalry, and iconic music for all ages to enjoy. 

As per the 1992 movie of the same name, the show tells the story of a famous superstar finding herself to be the unwanted attention of a threatening stalker. As a solution, her team decided to hire a bodyguard to keep her and her family safe. It’s not long before he becomes more invested in his employer than he ever has before. 

The leading role of Rachel Marron was made famous by the legendary Whitney Houston. Needless to say, the bar has been set rather high. Multi-platinum recording artist, Emily Williams (also known as ‘Queen of the High C’s) performs the role with phenomenal ease. Her vocal range is staggering! Emily performs Whitney’s iconic songs so beautifully, whilst making sure to add her own touches here and there. 

Ayden Callaghan portrays the role of Frank Farmer (the Bodyguard) in a distinguishable manner. His character is stern and unwavering, yet begrudgingly, he shows a softer side as his feelings for Rachel grow. Ayden and Emily have fantastic chemistry together, making their romantic storyline so believable! 

Manasseh Mapira, who plays Rachel’s son Fletcher, is an absolute delight to watch. His dancing, vocals and overall charisma have the audience in love! A star in the making…

After a slower-paced first half, things really begin to move in Act Two. The ensemble have a larger part to play, which they do so well; whether it be whilst playing some tone-deaf karaoke singers, or Rachel’s back-up dancers, the energy lifts when they are on the stage. 

The set and costume design by Tim Hatley fit the era and flavour of the musical well. It would have been more effective to see the stage space utilised more, but the potential is definitely there! 

The use of dramatic sound effects and lighting/projections are what you would expect from a 1992 movie. Whilst the connection to the original movie rings true, some modernisation here may have been beneficial.

Overall, the vocal talent of the cast, the iconic music originally given to us by the one and only Whitney Houston, and the passionate storyline, sells this thrilling musical so well. Highly recommend!  

★★★★ 
Reviewed on Monday 23rd October 2023 by Grace Dickinson
Photo Credit: Paul Coltas

{AD PR Invite- tickets gifted in exchange for honest review}

Thursday 6 July 2023

Jersey Boys the Musical Extends Season at the Trafalgar Theatre


The Grammy, Tony, and Olivier award-winning musical Jersey Boys celebrates its 18th birthday after its Broadway debut in 2005. This captivating show takes you behind the music and delves into the story of Frankie Valli and The Four Seasons. The production is currently booking until January 28, 2024, with Christmas performances now available.

To mark the birthday celebrations, the London production is thrilled to announce its new cast starting from July 26 at the Trafalgar Theatre. Luke Suri continues as Frankie Valli, joined by Karl James Wilson as Nick Massi. Peter Nash takes on the role of Tommy De Vito, and Declan Egan plays Bob Gaudio, having previously portrayed the character at the Piccadilly Theatre and on the UK tour. Together, they complete the Four Seasons.

Additionally, a talented ensemble joins the cast, including Joey Cornish as Joe Pesci, Joseph Peters as Bob Crewe, Andy Barke as Gyp De Carlo, Kirsty Whelan as Mary Delgado, Oliver Tester as Norm Waxman/Hank Majewski, Jacob McIntosh as Barry Belson, Gracie Lai as Lorraine, Rosie Needham as Francine, and others.

This musical has received praise for its combination of tough guys, tender harmonies, a captivating story, and an endless repertoire of hit songs, as noted by The Guardian. The journey follows four guys from New Jersey who captivated audiences with their unique sound. From their humble beginnings to their induction into the Rock and Roll Hall of Fame, this musical is a captivating tale. The show features the beloved songs of The Four Seasons, including "Beggin'," "Sherry," "Walk Like A Man," "December, 1963 (Oh What a Night)," and many more.

Howard Panter, producer for Trafalgar Entertainment Productions, expresses excitement about reaching the milestone of 18 years for Jersey Boys. He looks forward to witnessing the incredible new cast deliver the legendary hits that have made the musical a smash hit.

Written by Marshall Brickman and Rick Elice, with music by Bob Gaudio and lyrics by Bob Crewe, Jersey Boys has garnered numerous prestigious awards and has been seen by millions of people worldwide. The show opened to rave reviews at the newly refurbished Trafalgar Theatre in July 2021.

Originally opening on Broadway in November 2005 and running for over 11 years, Jersey Boys became the 12th longest-running show in Broadway history. In London's West End, it ran for nine amazing years from 2008 to 2017, ranking as the sixth longest-running musical at the time. The musical has also completed three record-breaking tours in the UK and Ireland.

As a special offer in July, patrons can use the promo code 4JULY for any performance and enjoy a complimentary drink, such as a Frankie cocktail or Brooklyn Lager, with their Band A seat.

photo credit: Matt Crockett

Friday 9 June 2023

The Curious Case of Benjamin Button at the Southwark Playhouse review: A masterclass in storytelling


The Curious Case of Benjamin Button
Southwark Playhouse
★★★★★

If you're wanting to see arguably the most mesmerising production in London right now, then look no further than The Curious Case of Benjamin Button the musical at Southwark Playhouse. From the stunning writing to the exceptional performances, this production is a moving celebration of life and the boundless capacity to find joy in unexpected places.

The writing (book and lyrics by Jethro Compton and music and lyrics by Darren Clark) is nothing short of extraordinary. It beautifully captures the essence of F. Scott Fitzgerald's timeless story, seamlessly translating it into a theatrical masterpiece which sweeps you up and takes your heart on an incredible journey. The script is both poignant and thought-provoking, delving deep into the profound themes of aging, love, and the significance of every moment we encounter. The fast paced lyrics are witty and woven together so well. The musical tenderly tugs at the heartstrings, leaving the audience reflecting on their own lives and the choices that shape our existence.

One cannot help but be enthralled by this show which really is the whole package. Every single moment feels well thought out and you can't help but notice how much care has gone into creating this show. A very strong aspect of this musical is the attention to the sound and lighting which accompanies the story. Zoe Spurr's lighting design has whimsical elements and the interplay between light and shadow creates a really magical visual tapestry, accentuating the emotional depth of the narrative. Each scene is carefully crafted to transport the audience through the passage of time, immersing us in the ever-changing world of Benjamin Button. Luke Swaffield's sound design further enhances the atmosphere, adding depth and texture to the production, as well as being perfectly balanced so that the music packs a punch and hits you in the gut but doesn't come across too loud or over the top.

Cast wise, The Curious Case of Benjamin Button features universally delightful performances. Each member delivers stellar vocals, acting and music (each person plays various instruments throughout), bringing the characters to life with authenticity and charisma. Their vocal prowess and impeccable timing are truly commendable, adding another layer of brilliance to an already captivating production. The chemistry among the cast members is palpable, creating an enchanting dynamic that draws the audience deeper into the story.

It's hard to mention specific people because the cast are a constellation of stars but mention must go to Jamie Parker who is astounding as Benjamin Button. His performance is incredibly layered and transformative. It really is a masterclass in how physicality and subtle changes can completely make a performance. As his love interest, Molly Osbourne is glorious and also shows excellent growth and character development. Across the board the vocals are divine so hopefully a cast recording is on the way!

This is a perfectly wrapped show that delivers on every base. 

To sum it up, The Curious Case of Benjamin Button the musical at Southwark Playhouse is an absolute triumph. With its stunning writing, this production is a must-see for anyone who loves good storytelling. It's the sort of show you want to bottle up and bring out when you're feeling down. I wish I could see it again for the first time but I know that any subsequent visits will be just as endearing and wonderful. Don't miss your chance to embark on this enchanting journey of love, loss, and the beauty found in every moment of life.

Reviewed on Wednesday 7th June by Olivia Mitchell
photo credit: Juan Coolio

{AD PR Invite- tickets gifted in exchange for honest review}

Wednesday 31 May 2023

Unmissable Summer Theatre Ticket Sale From London Box Office | ad


*this post contains sponsored content*

As the days grow longer and the temperature rises, the vibrant spirit of summer fills the air. And what better way to embrace the season than by indulging in the magical world of theatre? London Box Office, the hub for all things stagey, and trusted ticket provider has announced an unmissable summer theatre ticket sale that will have you seeing your favourite shows for less. Whether you want to see something new or visit an old faithful, London Box Office's summer sale promises to get you there with the best prices.

The Summer Theatre Ticket Sale which runs from 29th May to 11th June brings you a host of incredible shows that promise to leave you spellbound. From iconic long-running musicals to critically acclaimed plays, they've curated a selection of the best performances the West End has to offer. Whether you're a fan of heartwarming stories, adrenaline-pumping dramas, or toe-tapping musical numbers, there's something for everyone.

London Box Office is committed to making theatre accessible to all, and their Summer Theatre Ticket Sale ensures that you can witness these world-class productions without breaking the bank. With exclusive discounts and tickets from £25, you can enjoy incredible savings. Don't miss out on this chance to experience the magic of the West End - book your tickets today and get ready for an unforgettable summer of entertainment!

To find out all the shows included in this stagey sale, click here

2:22 A Ghost Story at the Apollo Theatre review: A tremendously tense night out


2:22 A Ghost Story
Apollo Theatre 
★★★★

2:22 A Ghost Story is quickly carving its name out in the UK theatre scene. Having played a number of runs at various West End theatres to much acclaim and with a touring version coming up, it's certainly a show which knows how to spook and entertain audiences.

Based on experiences had by the play's writer, Danny Robbins, this haunting production takes you on a thrilling journey into the supernatural, exploring themes of love, loss, and the unbreakable bonds that transcend time. The storyline is quite masterfully crafted, keeping you on the edge of your seat but equally including lots of humour which really works well and in fact makes the whole thing feel even more realistic. The pacing is solid, with suspense building at the right moments, and unexpected twists that keep you guessing. Sometimes the sound effects are a bit over obvious and aren't particularly scary but as a whole this is a really solid production.

Set at a dinner party, with minimal set or moving pieces, this really is a character driven piece and the cast do well at creating a truthful atmosphere that perfectly portrays a boozy evening. Sophia Bush's performance as Lauren is a really wonderful one; she is effortlessly sarky and charming and also has some tender moments that bring layers of complexity to the role. Ricky Champ plays her partner, Ben and is absolutely fantastic, his comedic timing is perfect and his intriguing character is so enjoyable to watch and try to work out. Taking on the role of Jenny, the tormented protagonist, Jamie Winstone brings depth and vulnerability and comes across quite genuinely terrified, with Clifford Samuel as her husband Sam the pair showcase an interesting dynamic which really takes you on a journey and shows you that families aren't always what they seem on the outside. 

Whats great with this show is that it's more than a surface level thriller; it also comments on social and economic issues, as well as beliefs and science vs supernatural. There are times when the commentary comes across as a bit forced and out of left field but for the most part, topics are broached well and really elevate the production to be more socially nuanced and topical. The chemistry among the whole cast is palpable, adding an extra layer of realism to the relationships portrayed on stage.

Anna Fleischle's set design leaves space for lots of spooky moments but is also perfectly mundane and fitting for the setting of the show. The Apollo Theatre really looks like it's had an open plan kitchen dropped into it and the attention to detail really captures the essence of a family home. Combined with atmospheric lighting by Lucy Carter, the ghostly tale has a perfect backdrop.

If you're a fan of thought-provoking theatre 2:22 A Ghost Story is a definite must-see. From the superb performances to the captivating storyline, this play transports you to a realm where the lines between the living and the dead blur, and where love and loss intertwine in ways you never thought possible. Running for two hours which fly by, this is theatrical experience that will linger in your mind like a persistent ghost long after the final curtain falls.

Reviewed on Tuesday 30th May 2023
photo credit: Helen Murray

{AD PR Invite- tickets gifted in exchange for honest review}

Friday 10 March 2023

Jay Bryce on Taking Heathers on the Road | Heathers the Musical | Interview


Heathers is currently making its way around the country, on a high octane, 80s fuelled tour. Currently playing Veronica's Dad/Principal Gowan/Kurt's Dad, Jay Bryce tells us about his experience taking the show on the road and what it's like being part of a show with such a cult following...

How does it feel to be starring in such an iconic and well-loved show?
It feels such a privilege to be part of this great show and part of the Heathers Family. I’m so grateful to be working on this production. I didn’t realise the reach the show had until I joined and how much the show means to people. It is so heart-warming to be bringing this show to people around the UK and Ireland.

Which Heather would you most like to be friends with?
Definitely Heather Mac. I think she needs a good friend to look out for her and I think I could help bring out her kinder side. Plus, I’d want to get a yellow blazer to match with her.

Heathers has a really dedicated fan base, what are some of your favourite fan experiences from the tour so far?
Meeting the fans at stage door is always such a great experience. The Heathers fans are all so kind and lovely and we’ve been made to feel so welcome in the venues we’ve been to so far.

Something I’ve also LOVED is the scrunchy throw during the bows. It is so lovely and something that makes the show so unique.

What's your favourite line in Heathers?
I’m a big fan of my characters line “That was one hell of a fishing trip”. But I do love it when Veronica tells Heather Chandler to “Lick it up”. Definitely have been saying that in my everyday life now…!

Heather C is a big corn nut fan, what would your show snack of choice be?
I would love a Werther’s Original. Is that showing my age…?!

If you could bring any other film to stage, which would you choose?
I think American Pie on the stage would be absolutely brilliant. I’d love to play Jim. But I think my casting is now heading more towards playing Jim’s Dad…!

Why should people come and see Heathers on tour?
The show is just brilliant. It has energy, is fun, whilst also dealing with serious themes. Working with this cast has been such a joy and their energy and joy on and off stage is infectious.

You’ll want to come again and again to see this show.


Heathers The Musical plays at the New Victoria Theatre, Woking until 11th March 2023 and then continues its tour

photo credit: Pamela Raith

Wednesday 8 March 2023

Five Reasons to see Heathers the Musical on Tour


Since making its London debut in 2018, Heathers the Musical has gained a massive cult following and has gone on to do a number of London runs and touring productions. This current version takes the iconic show around the UK and features a fantastic cast who absolutely nail the roles. If you're still debating whether you should catch the show on tour, here are five reasons why we think you should...

The Soundtrack is Super Catchy
Kevin Murphy and Laurence O’Keefe’s book, music and lyrics have so many witty moments where you'll be laughing out loud and there are also some genuinely touching moments. The music is engaging and camp with so much 80s realness woven throughout. If you're remotely stagey, you've probably heard some of the songs, most likely Candy Store which is a definite stand out of the show. Aside from the humourous songs there are some very heartfelt moments like Kindergarten Boyfriend, a beautiful soliloquy performed by Martha aka Kingsley Morton, and some definite earworms such as Seventeen and Shine a Light.

The Cast are SO Talented
This touring cast are one of the strongest I've seen in Heathers with a number of standout performances and some great ensemble work. As Veronica Sawyer, Jenna Innes gives a really well developed performance and feels vocally strong throughout. Her chemistry with the brooding serial killer JD (Jacob Fowler) is pretty strong and the duo really shine in their moments together, especially when the drama really gets going. The Heathers themselves bring all the farce and sass you'd expect. Elise Zavou is enjoyable as Duke, Verity Thompson is hilarious and vocally dreamy as Chandler and Billie Bowman really highlights the reluctance of McNamara to go along with her 'friends' and gives a surprisingly nuanced and emotive performance, not always seen in Heathers.

The Production Value is Really Strong
This is a show which transfers so effectively to touring, David Shields' 80s design is bright and engaging whilst Ben Cracknell's lighting is super effective, especially when highlighting the cast in their signature colours. The fairly simple set is elevated by a number of special effects and costume quick changes, all of which really feel at home on a touring stage. The slow mo fight scene and clever sound effects (Dan Samson) for the croquet game work really well too, and the ensemble do so much to really embellish all the scenes, with individual characteristics and storylines shining through and adding a lot of interest.

It's Melodrama at its Finest
Whilst Heathers touches on some really sensitive topics, it does so in a way that is hilariously over the top. It's camp and angsty at the same time. With deep moments suddenly balanced with a gag; the more times I see this show, the more effective I think it is. Kurt Kelly (Alex Woodward) and Ram Sweeney (Morgan Jackson) are peak hilarity in their portrayals and really lean into the teen humour of the piece. The whole shebang, with the ott choreography and character entrances make the whole thing so dramatic you cant help but enjoy it. Once you get over the slight cringe of it all, it's a really fun night out!

The Audience Atmosphere Needs to be Experienced
Heathers is an absolute crowd pleaser that has made and retained so many fans over its time and the way these fans love and support the show is truly lovely to experience. Cheering and whooping as if their family members are on stage, the audience appreciation is so real and makes for a really warm feeling theatrical experience.


Heathers The Musical plays at the New Victoria Theatre, Woking until 11th March 2023 and then continues its tour

photo credit: Pamela Raith

Tuesday 28 February 2023

Oklahoma, Wyndham's Theatre | Review


Rodgers & Hammerstein's Oklahoma
Wyndham's Theatre
★★★★

One of the most exciting and invigorating productions of recent time, Oklahoma at the Wyndham's theatre is truly a spectacle of theatre which uses a number of engaging elements to transform this old school show, into something which feels fresh and bracing.

Directed by Daniel Fish, the reimagined musical has lot of interesting moments and is a deliberately unsettling and provocative piece of theatre. This is a show which delivers some interesting social commentaries and has been updated to be relevant for contemporary audiences. As a commentary on mob mentality and societal positions, it's very effective and well done; and the plot/character change to the end completely turns the show on its head and leaves the audience to draw its own conclusions on right and wrong- a very impressive ending.

Among the changes, are those to the score which is totally switched up from how it's classically been heard. Daniel Kluger's arrangements allow the music to soar in a completely different way and make it sound as though it was written today. Hearing it like this, it's quite unbelievable that this is one of the first ever book musicals and even more so that it feels so relatable. One of the biggest differences is the vocal style of leading lady Anoushka Lucas as Laurey who in contrast to the usual soprano performance, sings the songs like the singer/songwriter she is; and really grounds the music in reality. Alongside Arthur Darvill who also plays the guitar on stage, there is an incredible level of vulnerability and angst shown throughout.

The rest of the cast are astounding and do an excellent job of interpreting the musical in their own way. As Ado Annie Georgina Onuorah is incredibly witty as well as being a vocal powerhouse, her rendition of I Can’t Say No is an absolute stand out and highlight of the show. Liza Sadovy is a powerful presence on stage and gives Aunt Eller a lot more autonomy than usual, especially in her romantic endeavours. As Will Parker James Patrick Davis is gloriously clueless whilst Stavros Demetraki is his own worst enemy. There's also a moving section with the dream sequence dance which Marie-Astrid Mence performs excellently. You couldn't ask for a better gelled, and talented cast.

Whilst there are humourous moments, the show could lean into the comedy more and have some more ramped up moments. The subdued moments work very well and the tension is continually built up but there aren’t any hugely contrasting moments of joy. The cast are unanimously strong but due to the stylistic choices of the show, there’s rarely a truly positively moment and at times it feels like the cast are constrained by the intense nuance and darkness.  

The use of lighting (Scott Zielinski) is one of the most effective and exciting parts of the show. Beginning with the house lights up and the whole audience in plain view, the sudden changes to an eerie green hue and later on full blackouts, have an amazing influence on the story and how the audience feel about the characters. It’s quite incredible how a small lighting change can completely subvert a song and show it, both literally and figuratively, in a new light. The initial blackout which features Curly (Arthur Darvill) and Jud (Patrick Vaill) creates a theatrical atmosphere like no other.  In a sort of asmr style moment, the full darkness, with even the fire exit signs turned off, means you can’t help but focus completely on the actor’s voices as they boom out via handheld mics. The already tense scene becomes completely unnerving for the audience and is a theatrical moment that will stay with audiences for a long time.

This is a very different Oklahoma to the one your grandparents know so you may want to consider that before booking (especially if planning on taking children) but for the boldness and pure invigoration that this show brings, it’s definitely worth seeing. A non-traditional production which is jarringly dark, Oklahoma will give you a theatrical experience like no other and is a stunning addition to the West End.

Reviewed on Saturday 25th February
photo credit: Marc Brenner

{AD PR Invite- tickets gifted in exchange for honest review}

Thursday 19 January 2023

Allegiance, Charing Cross Theatre | Review


Allegiance
Charing Cross Theatre 
Reviewed on Wednesday 18th January 2023 by Olivia Mitchell 
★★★★

The Charing Cross Theatre is one of the best venues for showcasing a variety of interesting musicals, and thankfully it’s currently playing house to George Takei’s brilliant show, Allegiance. Having last visited the venue to see From Here To Eternity, which chronicles the lead up to the Pearl Harbour attacks, this moving musical felt like a very fitting follow on.

Inspired by Takei's life, Allegiance tells the story of over 120,000 Japanese Americans who were thrown into internment camps following the attacks on Pearl Harbour in 1941. The musical is a timely one indeed and really highlights an awful part of history. A "legacy project" for Takei, it's clear that a lot of time and love went into making it as sweet as it is.

Now this is by no means a flawless musical but it is full of emotion and drama that keeps you invested throughout. Marc Acito, Jay Kuo and Lorenzo Thione have written a book which is multi layered, taking into account history, family drama, romance, humour and heartbreak, and is well paced with a good amount of build up and tension. At times it gets a little bit confusing but is continually an easy show to watch.

Kuo's music is not particularly memorable but has some lovely moments as you're watching. Given the subject matter it's surprisingly upbeat, and despite not having any ear-worms, it is suitably stirring and enjoyable to listen to. Group numbers are especially effective and there's also a nice mix of styles and vocal inflections. Andrew Hilton and Charlie Ingles' orchestrations highlight the intense emotions well.

It's always a treat to see how the Charing Cross theatre is transformed and Tara Overfield Wilkinson's staging is extremely well done.  The stage becomes a variety of settings, from a moving train to a battlefield and each setting feels completely realistic. The continual motion of the set pieces and the actors throughout makes the whole thing flow so seamlessly and it's very impressive how large the stage feels.

Cast wise this show has a uniformly strong group of performers who completely give themselves over to the story and create some splendidly magical moments. Earning applause when he enters the stage Takei is an endearing and commanding stage presence who brings different shades to the characters he plays and does a stellar job of taking us through the family saga. As Takei's younger self (Sam) Telly Leung brings such warmth and charm. It's a treat to see him on a London stage and especially to hear his wonderful voice fill the arches of Charing Cross. 

Megan Gardiner showcases equally beautiful vocals as the nurse for the camp and there are also excellent performances by Aynrand Ferrer and Masashi Fujimoto who both bring great depth to their characters. Ferrer's voice is particularly stunning as she performs her solo moments with impeccable clarity.

Whilst this is a show about the atrocities which happened in 1941, it's surprisingly uplifting and often celebrates love and community. There are some tear-jerking moments at the end but overall this is a really heart-warming piece of theatre that deserves to be seen.

photo credit: Danny Kaan

{AD PR Invite- tickets gifted in exchange for honest review}

Monday 5 December 2022

Orlando, Garrick Theatre | Review


Orlando
Garrick Theatre
Reviewed on Monday 5th December 2022
★★★★

Thought to be inspired by Virginia Woolf's romance with Vita Sackville-West, Orlando depicts a boisterous protagonist whose journey spans five centuries and two genders. Its awareness of gender politics and expectations as well as the way is defies them is really something special, and it's astounding that Woolf wrote such a groundbreaking piece of work in 1928 and that it remains so relevant now.

Tilda Swinton famously took on the role in the 1992 film adaptation but it's the superb Emma Corrin who plays the title character in Neil Bartlett's production. As a non-binary performer, Corrin feels like the perfect fit for this gender fluid role and they do an outstanding job of bringing Orlando to life with wit and momentum. At 90 minutes, it's impressive how much range Corrin is able to show and as a whole, the production manages to really pack a punch.

Michael Grandage's intelligent direction gives the show a real buoyancy. The ensemble help to create the story as it goes and the narration is spread around to give a continual movement. This adaptation also sees Corrin's Orlando assisted by Deborah Findlay's Mrs Grimsditch who maintains the pace whilst adding comical insights on the predicaments faced throughout. Much of the script is mischievous and sharp, and there are also some really brilliant homages to other literary and theatrical moments, including a particularly witty nod to Cabaret. Despite not being full of content, Bartlett's adaptation does a good job of keeping the audience engaged and showcasing what's there to its fullest extent. The overall idea of personal identity and growth is key throughout.

Peter McKintosh's set design is superbly effective in demonstrating the various eras of Orlando's life, without being at all over the top or gimmicky. The use of banners, beds and boats is extremely well done and cleverly combined lighting choices (Howard Hudson) and projections not only help emphasise the plot and script, but also add an almost fairy-tale like feel to the whole piece.

That line between childlike dreams and theatrical astonishment is truly the heart of this play and it allows the audience to ponder some pretty deep topics, whilst also feeling swept along in the magic and mystery of it all. It may not be quite as groundbreaking as in 1928 but this is definitely a show that's been revived at the right time, with a stellar cast to boot!

photo credit: Marc Brenner

Friday 25 November 2022

Elf The Musical, Dominion Theatre | Review


Elf The Musical
Dominion Theatre
Reviewed on Thursday 24th November 2022 by Olivia Mitchell 
★★★★

If you're looking for some festive magic this year, look no further than the Dominion Theatre for their gloriously Christmassy, sparkly production of Elf The Musical. Based on the cult classic film, it tells the story of Buddy the Elf who finds out he's really a human, so makes the journey from the North Pole to New York City to meet his biological father and experience the world. This musical adaptation has all the most iconic parts of the film plus a heap of theatrical magic that makes it the perfect festive treat.

This version of the show does a superb job of being laugh out loud funny and completely joyous without overstepping into pantomime territory; it's entertaining for all the family but not in a way that has you cringing at the jokes. Of course it's saccharine and over the top but isn't that what Christmas is all about?! At the heart of the story and its success is Simon Lipkin as Buddy, who takes on the role with complete joy and authenticity. Having previously given a starring performance in Nativity The Musical,  Lipkin clearly has the Christmas magic which makes him such a dream to watch.  From shredding paper to create snow to joyfully rollerskating, Buddy is an exuberant and endearing character who you can't help but love. 

Alongside the humour, Lipkin also plays Buddy with a lovely vulnerability which comes across at various points, especially during his encounters with Jovie (played brilliantly by Georgina Castle) when he is completely overwhelmed by her "miraculous" self. His naivety comes across in an authentic and touching way, that doesn't stray into slapstick and gives a real depth to the plot. 

The rest of the cast are incredibly strong throughout. Rebecca Lock is treat as Buddy's step-mum who's heart is slowly opened to Christmas; her duet in Act Two with Buddy's brother (Logan Clark) is absolutely outstanding. Tom Chambers is good as the businessman, absent father whilst Kim Ismay has some really witty moments as his secretary and the pair are great together. Another stand out performance comes from Dermot Canavan who is hilariously entertaining as the Macy's Manager. The ensemble give a really punchy performance, especially when performing Liam Steel's choreography. There's great variety in the show from jaded Santa's giving an impassioned, Newsies-esque display to a full company tap number which is marvellous.

Philip WM. McKinley's direction brings abundant joy to the stage as well as a healthy dose of magic. Tim Goodchild's set is suitably whimsical and there are some certified wow moments through a recreation of the Rockefeller Centre ice rink and some real life snow.

As a whole Elf The Musical is a perfectly packaged Christmas show, which has commercial elements to appeal to the masses as well as some theatrical gems for regular theatre goers. It's a wonderfully enjoyable show that's well worth a visit. Take a trip to the Dominion Theatre, have your elf a very Merry Christmas and feel the festive spirit from your head to your mistletoes!

photo credit: Mark Senior

Wednesday 2 November 2022

Jayme-Lee Zanoncelli on Taking Rock and Roll On Tour | Bat Out Of Hell | Interview

It’s wild, it’s fun, it has everything

Bat Out Of Hell is rocking its way across the UK with its larger than life production values and stellar cast. Swing and Assistant Dance Captain Jayme-Lee Zanoncelli tells us about her experience in the show and why you should take a trip to see it!



For anyone that hasn’t seen Bat Out of Hell, can you explain a little bit about the show?


I would describe Bat out of Hell as a gothic love story. Shown musically, by the intricate and theatrical song writing by Jim Steinman as well as visually on stage. It’s unapologetically “out there.” There’s nothing else like it.


What do you think makes the show appeal you both old and new fans of Jim Steinman/Meatloaf? 

I think for the old fans, the show gives them a chance to reminisce and enjoy the music they love so much. Even for the newer fans, Jim & Meatloafs music is exciting and unique. The characters are vibrant, the set is epic of course, fire, lighting and explosions all add to the experience. 


What’s your favourite song to sing and what’s your favourite song that you don’t sing? 


So many to choose from! I love All Revved Up. It’s intense and fast paced; a great opening for this show. I think my favourite song in the show is What Part Of My Body Hurts The Most. It’s song-writing at its finest.


Is there a Meatloaf song that isn’t in the show, that you wish was?

Midnight At The Lost and Found! It’s a great song!


What’s your favourite tour memory so far? Are you keeping track of the places you visit in any way?


There have been so many great memories on this tour! Our Bat Halloween party was really cool! Everyone put so much effort in. 

I have kept a log of the places we have travelled to over the last 14 months. Plymouth and Edinburgh have both been memorable places for me.


In one sentence, why should people come and see the show?

Everyone should see this show. It’s wild, it’s fun, it has everything; you will not leave bored that’s for sure! 


Bat Out of Hell plays at the New Victoria Theatre until November 5th and then continues it's tour