Showing posts sorted by relevance for query book. Sort by date Show all posts
Showing posts sorted by relevance for query book. Sort by date Show all posts

Wednesday 16 May 2018

The Book of Mormon, Sydney's Lyric Theatre | Review


The Book of Mormon
Lyric Theatre, Sydney
Reviewed on Tuesday 10th March 2018 by Amy Mitchell
★★★★

The Book of Mormon opened on Broadway in 2011 and since then has been showered with Tony Awards, international re-runs and widespread critical acclaim. Now, I’m a self-confessed sucker for show tunes, but to my own surprise I had little to no idea what this mammoth in musical theatre was all about before I took my seat (3 rows from the front- smug!) in Sydney’s Lyric Theatre last week… 

Writers Trey Parker and Matt Stone (creators of South Park) and songwriter Robert Lopez (Disney’s Frozen ring any bells?) joined forces to concoct a joyous melange of politically incorrect subject matter, riotous stereotyping and unapologetically crass humour all tied up in an oddly charming, toe tappingly melodic bow. 

Book of Mormon follows the journey of two young Mormons and their quest to spread the word of the Church of the Latter Day Saints. Elder Price is a cookie cutter Mormon poster boy while Elder Cunningham is a hyperactive, loveable dork with a penchant for lying and Sci-fi movies. This unlikely duo is sent to a remote Ugandan village on a quest to convert its inhabitants to the Latter Day Saints. Their visions of an Africa a la Lion King are abruptly shattered as they encounter AIDS, female genital mutilation and a tyrannical warlord with an unprintable moniker. 


As Elder Cunningham, Broadway’s own A.J. Holmes dominated the stage with his enormous presence and side splitting physical comedy. It was one of those performances where it’s nigh on impossible to imagine there being an actor behind the character. 

Elder Price was played by understudy Steve Danielsen. Danielsen was superb, his all Australian good looks and strong vocal performances managed to make the audience warm to an obnoxious and potentially unlikeable character. 

In fact, the entire cast was stellar. It’s impossible to decipher who stole the show. Aside from our two main Missionaries, the best performance title could equally have gone to PJ Adzima who played Mission Leader Elder McKinley. His energy could genuinely take your breath away. Also a close contender was Aussie local, Zahra Newman who played Nabulungi, daughter of the village chief. Her vocals in Sal Tlay Ka Siti (Salt Lake City) were nothing short of heavenly. 


The Book of Mormon score/lyrics are brilliant and will have you cringing in half delight at the controversial lyrics peppered with comedic hooks. Spooky Mormon Hell had the audience erupting in laughter and Joseph Smith American Moses is equally hysterical. 

Each song draws inspiration from well-known musicals, e.g. Hasa Diga Eebowai is reminiscent of the Lion King’s Hakuna Matata. Challenge – try and guess the parody. Hint – think West Side Story, Avenue Q, Fiddler on the Roof, Wicked and Hairspray. 

There’s been a certain amount of hullabaloo surrounding the religious and racial overtones of the show. I’m actually surprised Book of Mormon got the go ahead (and unsure if it would if it was pitched in 2018!) but I’m not surprised it went onto become a smash hit. To me, it delivers on so many levels and the delightfully distasteful satire (in true Trey Parker and Matt Stone style) has a palpable social conscience.


Wickedly witty, The Book of Mormon pokes fun at the seemingly un-pokeable and ultimately manages to leave the audience with the cheerfully uncomfortable warm fuzzies. It’s also fantastic to see homegrown Australian talent holding their own (and killing it) alongside the Broadway greats.

The Book of Mormon runs at the Lyric Theatre, Sydney until 2nd September

photo credit: Jeff Busby

Monday 28 February 2022

Meet Me In The Margins by Melissa Ferguson Book Review


Meet Me In The Margins by Melissa Ferguson
Published: 15th February 2022 by Thomas Nelson
★★★★

Meet Me in the Margins is an absolute treat of a book. Featuring workplace romance, publishing, loveable characters and a sort of love triangle, it has all the ingredients for a bookish lovers ideal read.

Savannah Cade is a low-level editor at Pennington Publishing, a prestigious publisher producing only the highest of highbrow titles. And while editing the latest edition of The Anthology of Medieval Didactic Poetry may be her day job, she has two secrets she’s hiding.

One: She’s writing a romance novel.

Two: She’s discovered the Book Nook—a secret room in the publishing house where she finds inspiration for her “lowbrow” hobby.

After leaving her manuscript behind one afternoon, she returns to the nook only to discover someone has written notes in the margins. Savannah’s first response to the criticism is defensive, but events transpire that force her to admit that she needs the help of this shadowy editor after all. As the notes take a turn for the romantic, and as Savannah’s madcap life gets more complicated than ever, she uses the process of elimination to identify her mysterious editor—only to discover that what she truly wants and what she should want just might not be the same. Melissa Ferguson’s latest—a love letter to books, readers, and romance—will leave fans laughing out loud and swooning in the same breath.

I loved the plot of this story and was engaged from the moment I started reading, right until the last page. The mystery and romance was cute, quirky and funny but the book also featured some really interesting discussions on family, as well as the publishing world. What's also great is how slowly the romance developed. There was no insta-love in sight and instead the pair unknowingly build up a really strong emotional connection. It's a bit like Love is Blind really!

There are all the classic features of a rom-com, of course starting with a meet-cute! But what's so great about this book is that it's very self aware and acknowledges the cliches in a way that is humourous and entertaining.

Character wise I really rooted for the main protagonist, Savannah. In a family of overachievers she constantly felt inferior and like she wasn't achieving enough in her life. I found myself sympathising with her and willing her on throughout. I loved reading about her strong work ethic and also how she managed her social life as well. Her best friend Lyla is a brilliant character too, I could definitely read a spin-off book about her adventures! Overall I found all the characters to be pretty well rounded and there was a good level of development and back story to make you understand their actions and the motivations behind them.

If you want a wonderful romance with great tension and references to make your bookish heart soar, then this is definitely the book for you.

{AD PR product- book gifted in exchange for honest review}

Thursday 26 July 2018

Theatrical, Maggie Harcourt (Book) | Review


Theatrical by Maggie Harcourt
Published: 28th June 2018 by Usborne Publishing ltd
★★★★

Unless you've stumbled across this blog by an unexpected twister of fate (10 points if you get that reference) then I'm assuming you love or at least, like, theatre, so you'll more than likely be a fan of the book I'm talking about today: Theatrical.

The latest release from Maggie Harcourt, is Theatrical which takes us behind the scenes of the theatre and transports us to a world of romance and performance.

Our lead character Hope, dreams of working as a stage manager; her mother is a renowned costume designer who could easily get her daughter any job she wants but Hope wants to do it herself. When she lands an internship at the Earl's Theatre working on one of the biggest openings of the year, her secrets begin and she starts a journey she'll never forget. Now the story itself is fairly predictable and typical of contemporary novels but I'm a sucker for a cheesy romance so it's right up my street. What makes this book stand out is the theatre itself. Maggie highlights the world of theatre and makes it the heart of the story, showing the ups, downs and pressures of working on a production, especially one with a huge name attached and a lot of money invested into it! Of course the characters and their stories are crucial but throughout it feels as if the theatre is it's own character.



What I love about theatre is how it brings people together, not only the cast and crew, but audience members who know nothing about one another but are more than happy to launch into full conversations in the interval. There's also the pure magic of theatre when the perfect combination of great acting, stellar lighting, beautiful makeup, costumes and sets and every other aspect of a production come together to truly transport you to another world. As someone who goes to the theatre roughly 1-4 times a week I do find myself falling into a routine of going into London, picking my ticket up, watching the show and rushing home to write my review and I end up forgetting how special theatre is. Maggie has perfectly captured the magic of theatre and I found myself welling up towards the end when her writing reminded me of it and brought to the forefront why I put so much time into seeing as much theatre as I can. 

Now back to Theatrical! It's just so cute. The romance between Hope and Luke had me swooning and I really felt as though I was standing alongside Hope and she worked and worked to help get the show open. Hope's determination is inspiration for anyone hoping to get into theatre and she shows us just how much hard work goes on behind the scenes. So much of what makes a great production is the work that's gone on in the rehearsal room which of course an audience never see, so this book is not only a celebration of theatre but of the unsung hero's of the stage.

Theatrical is a brilliant read for any stagey, romance lover. You'll find yourself willing everything to run smoothly with the show and will definitely finish the book with a newfound appreciation for the crew who work tirelessly behind the scenes. If you want a swoon-filled summer read then pick up Theatrical and if you're not already a theatre fan then this might just be the book to make you truly stagey!

Theatrical is available now, more information can be found here.

Maggie gave us an exclusive and very interesting deep dive into her research for this book which can be found here.

Review by Editor, Olivia Mitchell

{AD PR Invite- tickets gifted in exchange for honest review}

Monday 23 November 2020

The Digi Creative release Theatrical Coffee Table Book


The Digi Creative release Dear Audience, a theatrical coffee table book filled with over 140 pages showcasing the Arts industry. With exclusive imagery, personalised letters to the Audiences, and more, this book is a celebration of Theatre and everyone who works in it.  

Featuring Lucie Jones, Carrie Hope Fletcher, Cedric Neal, Lambert Jackson Productions,  Layton Williams, Alice Fearn, Nicole Raquel Dennis, Rachel Tucker, Carl Man, Paul Taylor-Mills, Sejal Keshwala, Frances Ruffelle and so many more. 

15% of profits will be donated to Applause For Thought a triple award-winning organisation that facilitates lower-cost Mental Health; support, talks, accredited courses, and bespoke Mental Health and Well-being Consultancy for all those working within the Arts and Entertainment Industry.


Digi Creative co-founder, Sophie Ross says: “We hope that this coffee table book will bring joy in a time when the Arts industry needs to be celebrated the most. Theatre is made up of so many people, (this being just a small percentage) and it’s important to showcase that at every given opportunity. I’m so proud of Danny and I for creating something that is an homage to this year and something we can look back on in years to come. Super grateful for everyone who gave up their time to be involved and can’t wait to share the book with everyone.”

 

Digi Creative co-founder, Danny Kaan says: I’ve always wanted to make a coffee table book but making it in 2020 feels even more special. The number of people that were willing to be involved was overwhelming and shows how supportive this industry is and how passionate we all are for the Arts. Combining Photography and my love for this industry has been a joy and I’ve honestly had the best time. Seeing so many faces in a time where human contact has been so limited has been heartwarming and wonderful”.

 

Pre-order the book here: www.dearaudiencebook.com (Christmas guarantee)

General on-sale Wednesday 25th November 10am (second batch delivery)

Pricing £35 with worldwide shipping available

Sunday 11 July 2021

Hamilton and Me, Giles Terera | Book Review


Hamilton and Me by Giles Terera
Published: 1st July 2021 by Nick Hern Book
★★★★

While working to bring the smash hit musical Hamilton to the West End stage, Giles Terera kept a journal which chronicled the journey and now provides a wonderfully moving insight into the process that so few get to be part of. However, instead of just being a diary which looks at the day to day process of putting on a show, this book is an honest and academic look at what it takes physically and mentally.

Throughout the rehearsal period, Terera takes a methodical approach to playing the role of Aaron Burr; he looks at what made Burr do the things he did, as well as comparing his own journey and life experiences to the character. It's quite amazing to see just how much mental work goes into making Burr as well-rounded as he comes across in the musical. 


What is also striking about this book is how humble Terera seems. The way he openly discusses his fears, weaknesses and struggles comes across very genuinely and as an outsider, it's particularly interesting to see how he overcomes his struggles and pushes through the intense process without breaking down. His rawness clearly comes across in his portrayal of Burr and it's no surprise that he received rave reviews and praise when the show opened in London.

Hamilton and Me: An Actor's Journal serves as a snapshot of time and masterfully takes readers on a journey they would rarely get to go on, of even really understand. Terera offers an exhilarating look at a musical stripped down to its simple roots and lets us be both in the room where it happens as well as watching the room be formed. This is a real treat of a book and a must-read for theatre lovers and aspiring performers.

Reviewed by Olivia Mitchell

{AD PR Product- book gifted in exchange for honest review}

Monday 21 February 2022

Carrie Hope Fletcher Announces Debut UK Tour


Actress, author, vlogger and award-winning West End sensation Carrie Hope Fletcher is heading out on her first ever UK tour.

Carrie Hope Fletcher - An Open Book will see the musical theatre star play a series of unmissable theatre shows in May and June 2023.

Performing songs from her incredible career expect fan favourites including hits from Heathers, Les Miserables, The Addams Family and many more interspersed with chat about Carrie’s fascinating life and career.

Tickets go on sale at 10am Friday and are available from www.cuffeandtaylor.com

Carrie Hope Fletcher - An Open Book 2023
18-May Bradford, St George's Hall
21-May Southampton, Mayflower Theatre
22-May Norwich, Theatre Royal
25-May London, The London Palladium
27-May Llandudno, Venue Cymru
28-May Salford, The Lowry
29-May Birmingham, Symphony Hall
31-May Sheffield, City Hall
02-Jun Nottingham, Royal Concert Hall
03-Jun Newcastle, O2 City Hall
04-Jun Edinburgh, Festival Theatre

Speaking about Carrie Hope Fletcher - An Open Book, Carrie said: “I am absolutely thrilled to be taking on my first ever UK tour.

“This is something I have wanted to do for some time and next year presents the perfect opportunity.

I absolutely adore being on stage and am fortunate to have performed across the West End and overseas, but there’s something very special about theatres around the UK so I can’t wait to get out on the road and visit these absolutely fantastic and beautiful venues.”

Currently wowing West End audiences in the title role of Andrew Lloyd Webber’s Cinderella, Carrie - who has an impressive three WhatsOnStage Awards - has enjoyed a breath-taking career since her West End debut at the age of nine playing Young Éponine in Les Misérables. Since then Carrie’s theatre credits include Fantine in Les Miserables: The Concert, Veronica in Heathers, Wednesday in The Addams Family, Eponine in Les Misérables, both Truly Scrumptious and Jemima in Chitty Chitty Bang Bang, Beth in Jeff Wayne’s War of the Worlds and Jane Banks in Mary Poppins.

And when she’s not treading the boards of the West End’s biggest stages Carrie is also a best-selling novelist, Top 20 recording artist and respected vlogger with her popular self-titled music and vlog channel attracting more than a million views a month.

Carrie Hope Fletcher - An Open Book is presented by Lambert Jackson, Live Nation and Cuffe and Taylor.

Jamie Lambert, of Lambert Jackson, said: “Carrie Hope Fletcher - An Open Book presents an opportunity to take one of the West End’s most celebrated and successful leading stars to theatres across the UK.

“Not only will audiences be wowed by the stunning voice of Carrie, they will also get an insight into her incredible career and that is not to be missed.”

Cuffe and Taylor Director of Theatre Touring Ben Hatton added: “We are very excited to be presenting Carrie’s debut UK tour.

“She is the most wonderful musical theatre talent and so much more. Audiences will absolutely love this show.”

For more information about Carrie Hope Fletcher - An Open Book and to secure tickets head to www.cuffeandtaylor.com

photo credit: Michael Wharley

Thursday 3 June 2021

Becoming Mila by Estelle Maskame Book Review


Becoming Mila by Estelle Maskame
Published: 3rd June 2021 by Ink Road
★★★★

Estelle Maskame is a writing fiend, having had her first book published at age seventeen, she has gone onto publish a further five books, all of which received critical acclaim and huge love and support from her fanbase. Becoming Mila is the latest offering and the first instalment in a new trilogy about a teenage girl who is sent back to her off the grid Tennessee place of birth, so she doesn't show her film star father up close to the premiere of his new movie.

This is a great coming of age story as well as a romance and like Estelle's other books, it reads incredibly well and has you hooked from the get go. Estelle is brilliant at getting the angst and tension of new relationships on the page and from the first encounter between love interests Blake and Mila, there is a frisson of energy that starts and never lets up. The romance itself is very cute and I love how developed the characters are not only as a pair, but individually too. A lot of layers are added even to the side characters and there's so much scope for the subsequent books in the series.

I did however, find a slight disconnect at times between the writing and the characters. Mila and Blake sometimes come across much more mature than sixteen year olds whilst, the writing feels aimed at younger teens. This had no negative impact on the story but I do think it would be really interesting and exciting to read a more grown up, New Adult style book from Estelle. I'm sure it's only a matter of time!

As lead characters, Blake and Mila are extremely likeable. Mila is multi-faceted and really sure of her own mind, she faces problems head on and it's really refreshing to see a couple who communicate so well. Blake is a semi-bad-boy who you can't help but fall for. A lover of country music, he's pretty swoon worthy from the moment he nicknames Mila. The friendships are also incredibly sweet (I have a suspicious things may be not quite as they seem as the series continues) with Savannah playing a big role. There are also some lovely familial aspects, especially between Mila, her aunt and her grandpa- very wholesome.

Becoming Mila is a treat of a book though and the carefree, contemporary vibes are perfect for a quick beach read. Sizzling levels of angst, musical interludes and a couple you really root for make it a surefire summer hit... just be ready to need the second book as soon as you finish.

{AD PR product- book gifted in exchange for honest review}

Thursday 26 July 2018

Theatrical, Maggie Harcourt (Book) | Things I Read Whilst Writing


A bit of a different post for you today, as you know I love theatre and books so when I heard about Maggie Harcourt's newest book release, Theatrical which is all about the stage, I was very excited to get my hands on it!

Maggie did a huge amount of research for this book, not only on shows but also a lot about what goes on behind the scenes as our lead character, Hope, is working as an intern backstage. This book is all things adorable and you can read my full review here, but without further ado lets set the stage for Maggie Harcourt's deep-dive into the DNA of Theatrical...

Maggie Harcourt: One of the best things about writing Theatrical was getting the chance to spend time completely immersed in the theatre world: not just writing about it but thinking about it, reading about it – and, of course, visiting it! 

Here’s my deep-dive list of everything that went on behind the scenes. Not everything is obviously part of the world of the finished book, but it’s still part of the story… 

Things I read: 
  • All About Theatre: the National Theatre
  • Unseen London (especially the ‘backstage’ section): Mark Daly and Peter Dazeley 
  • London Theatres: Michael Coveney, Peter Dazeley and Mark Rylance 
  • Stage Management – The Essential Handbook: Gail Pallin 
  • Stage Management and Theatre Administration: Pauline Menear, Amanda Saunders and Terry Hawkins 
  • Untold Stories: Alan Bennett 
  • Simon Stephens – A Working Diary: Simon Stephens 
  • The Oberon Glossary of Theatrical Terms: Colin Winslow 
  • Harry Potter and the Cursed Child (black cover) souvenir brochure, which is full of detail about putting a big show together. 



I also read a lot of plays: not only for research, but because I was also taking a theatre writing class, and because I just enjoy reading them. Here’s a few of my favourites, which I know I was reading at the same time as writing the book. A couple of them make cameo appearances in Theatrical as Luke’s scripts or as things Hope has seen… 
  • Rope: Patrick Hamilton 
  • The History Boys: Alan Bennett 
  • And Then Come the Nightjars: Bea Roberts 
  • The Ferryman: Jez Butterworth 
  • Misterman: Enda Walsh 
  • The Hairy Ape: Eugene O’Neill 
  • The Dazzle: Richard Greenberg 
  • Sea Wall: Simon Stephens 
  • The Habit of Art: Alan Bennett 
  • Ink: James Graham 
  • Harry Potter and the Cursed Child: JK Rowling, John Tiffany and Jack Thorne 

Like Hope, I also read The Stage, which is the weekly theatre trade paper– especially the technical columns, and particularly Jess Gow’s stage management columns. And Usborne’s Slot Together Theatre was an invaluable tool for helping me picture the Earl’s Theatre! 

I hope you enjoyed this amazing peek at all the research Maggie did for Theatrical, I know I'll definitely be picking up some of the books to fulfil my thirst for all things stagey. Theatrical is out now, more information can be found here and my full review can be read here.

This review for Theatrical is a part of the official blog tour, be sure to check out the other blog stops for more reviews, personal stories and guest posts from Maggie.

Post by Editor, Olivia Mitchell



Monday 20 April 2020

A Good Girl's Guide to Murder by Holly Jackson Book Review


A Good Girl's Guide to Murder by Holly Jackson
Published: 2nd May 2019 by Electric Monkey
★★★★★

For no particular reason, I've never really been into crime YA. I love me a true crime podcast and YouTube video but I'd never transferred that love to books. This is why it's taken a lockdown to make me read A Good Girl's Guide to Murder! I was very kindly sent a proof copy back before the release but it had never spiked my interest  (and I was also being a lame book blogger) but good lord I'm glad I finally picked it up; it's fast paced, multi-layered excellence that just delivers in every way.

Pippa Fitz-Amobi is a true crime loving teen who aspires to study English and become a journalist one day. So, she decides to begin honing her journalistic abilities early by focussing her sixth form EPQ on the big unsolved murder that took over her town five years ago, that of Andie Bell. What starts as a simple idea, soon becomes a full-scale investigation full of twists and turns, as well as beautifully done character studies. Teaming up with the alleged murderer's brother, the duo go on a journey of obsession and danger that could lead them many ways.


This debut is exceptionally written, with multimedia formatting that is engaging from page one. The book allows the reader to feel like they are investigating alongside the characters with police transcripts, maps, diary entries and more, truly immersing us into the world of Andie Bell. 


Not only is this a truly captivating mystery, but it also features a diverse cast with discussions about racial injustice, corruption and the importance of friends and family, be those natural or found. Ravi and Pip's friendship is touching and it's amazing how strong both these characters are. Back when I was at sixth form, I wrote my EPQ on the importance of strong female leads in YA fiction and I would certainly add the brilliant, dedicated, powerful Pippa to the ranks.


I can't recommend this book highly enough, the characters are superbly defined and the structure is so well thought out, that you are hit with information in a way that never feels overwhelming or confusing. This is just a great edge of your seat read, that is sure to be enjoyed by children and adults alike.

(ps. in the proof copy I received, the last pages were ripped out. I thought these were just for effect and that the story really did end on a complete cliffhanger but I WAS WRONG. The final chapters of this book are a complete roller coaster and I can't believe I almost missed them! What a spectacular read!)

 {AD PR product- book gifted in exchange for honest review}

Monday 31 October 2022

New dates added to Carrie Hope Fletcher's debut tour


More dates have been added to award-winning stage sensation Carrie Hope Fletcher’s debut solo tour due to phenomenal demand.

 

Carrie Hope Fletcher - An Open Book will see the musical theatre star, author and vlogger play a series of unmissable theatre shows in May and June 2023, with new shows added in Oxford, Liverpool, Leicester, Milton Keynes, Southend, Bath and Glasgow.

 

Performing songs from her incredible West End and touring career, fans can look forward to hits from HeathersLes MisérablesThe Addams Family and many more, interspersed with chat about Carrie’s fascinating life and career.

 

Tickets for the new dates are on general sale from 10am, on Friday, November 4 from www.cuffeandtaylor.com

 

Carrie Hope Fletcher - An Open Book 2023


18-May Bradford, St George’s Hall

19-May Oxford, New Theatre

21-May Southampton, Mayflower Theatre

22-May Norwich, Theatre Royal

25-May London, The London Palladium

27-May Llandudno, Venue Cymru

28-May Salford, The Lowry

29-May Birmingham, Symphony Hall

21-May Sheffield, City Hall

01-June  Liverpool, Empire Theatre

02-June Nottingham, Royal Concert Hall

03-June Newcastle, O2 City Hall

04-June Edinburgh, Festival Theatre

06-June  Leicester, De Montfort Hall

07-June  Milton Keynes, Milton Keynes Theatre

09-June  Southend, Cliffs Pavilion

10-June  Bath, The Forum

11-June  Glasgow, Theatre Royal


 

Speaking about Carrie Hope Fletcher - An Open Book, Carrie said


“I am so excited to be preparing for my first ever solo tour – and to be adding new dates is absolutely fantastic.


“A solo concert tour is something I have wanted to do for some time, and it’s great to be able to visit even more places and meet even more fans.

 

“I adore being on stage and am fortunate to have performed in so many theatres, but there’s something very special about being able to get out on the road and visit some beautiful theatres around the UK.”

 

Earlier this year, Carrie was named best performer in a female identifying role in a musical as the title role in Andrew Lloyd Webber’s Cinderella. Most recently, she has wowed critics in a new revival of Brecht’s The Caucasian Chalk Circle and is now preparing for her pantomime debut as the villain Carabosse in Sleeping Beauty at The Marlowe Theatre, Canterbury.

 

Carrie, who has an impressive three WhatsOnStage Awards to her name, has enjoyed a breath-taking career since her West End debut at the age of nine playing Young Éponine in Les Misérables.

 

Since then, Carrie’s theatre credits include Fantine in Les Misérables: The Concert, Veronica in Heathers, Wednesday in The Addams FamilyÉponine in Les Misérables, both Truly Scrumptious and Jemima in Chitty Chitty Bang Bang, Beth in Jeff Wayne’s War of the Worlds and Jane Banks in Mary Poppins.

 

When she’s not treading the boards of the West End’s biggest stages, Carrie is also a best-selling novelist, Top 20 recording artist and respected vlogger with her popular self-titled music and vlog channel attracting more than a million views a month.

 

Carrie Hope Fletcher - An Open Book is presented by Lambert Jackson, Live Nation and Cuffe and Taylor.

 

Jamie Lambert, of Lambert Jackson, said: 

Carrie Hope Fletcher - An Open Book presents an opportunity to take one of the West End’s most celebrated and successful leading stars to theatres across the UK.

 

“There has been a phenomenal demand for the tour so we are delighted to be adding extra dates so even more people will be wowed by the stunning voice of Carrie, while also getting an insight into her incredible career.”

 

Cuffe and Taylor Director of Theatre Touring Ben Hatton added: 

“We are very excited to be presenting Carrie’s debut UK tour, and it is testament to her great popularity that we’re adding these dates. Carrie is the most wonderful musical theatre talent and audiences will absolutely love this show.”

 

For more information about Carrie Hope Fletcher - An Open Book and to secure tickets head to www.cuffeandtaylor.com