Showing posts sorted by relevance for query Kate Adams. Sort by date Show all posts
Showing posts sorted by relevance for query Kate Adams. Sort by date Show all posts

Friday 26 January 2018

Oranges and Elephants, Hoxton Hall | Review


Oranges and Elephants
Hoxton Hall 
Reviewed on Thursday 25th January 2017 by Nicola Louise
★★
Originally conceived in 2013 by Lil Warren, Oranges and Elephants tells the story of two female gangs in London in the Victorian Era. The 'Oranges', a girl gang in Brixton led by their boss, Flo played by Kate Adams, and the ‘Elephants’, an Irish girl gang bonded by the family code, based in Elephant and Castle’s Woolworth road.
Being shown in Hoxton Hall, London, the place brings some authenticity to the musical. The old music hall creates a great backdrop for the narrator, the Chair played by Susannah van den Berg and her piano player Doreen, played by one of the co-founders of the inclusive theatre pioneers of Chickenshed, Jo Collins.
Van den Berg had great energy and as soon as the show started she had the crowd laughing with her large personality, she had great chemistry with Collins and their witty banter was none stop.

The girls in the gang all played instruments and they were used throughout the show, the girls were either in the wings or on stage playing the violin, cello … there was even a flute involved, they used this very well and allowed the cast to be a part of the orchestra as well as the show.
As the show went on I thought Ada, second in command of the Oranges played by Rebecca Bainbridge tried a little to hard to bring her character to life. Ada is a psychopath and although that came across very well in Bainbridge’s performance, it became a bit uneasy to watch her bring manly ways to her character. Ada is still female, but every move Bainbridge took, I couldn’t figure out if Ada was meant to be in a girl gang or wanted to be apart of the male gangs that ran Soho and Piccadilly.
My other issue with the Oranges was their leader, Flo. Now Flo was mentioned in the show as the ‘worst female in London’, she was scary, people were frightened of her, unfortunately, Adams was neither. I wasn’t convinced of her leadership within the gang, she looked too soft and the delivery of her lines didn’t make me feel anything towards her.

The Elephants, led by Annie (Liz Kitchen) with second in command, Nellie (Christina Tedders) were great. Tedders was full of energy and made the role her own and diverse; playing the thief but also the lost little girl who just wanted to sing.
When Nellie meets Mary, a young girl from the black country played by Sinead Long who had been captured by the Oranges, you start to feel sorry for both girls, they want to sing in music halls but have somehow been caught up in a life of crime.
Both girls performances were very strong, Long, was very convincing as a scared girl, on her own for the first time in London.
This musical isn’t to everyone’s taste, but I can see why people enjoy it, there also an extra added bonus of the sing along, everyone got song sheets and Van der Berg got the audience singing with no hesitation.
Oranges and Elephants runs at Hoxton Hall until February 10th 2018

Thursday 2 February 2023

Full Tour Cast of Annie Revealed with Craig Revel Horwood, Paul O'Grady and Jodie Prenger and More



Michael Harrison and David Ian are delighted to announce full casting for the forthcoming UK and Ireland tour of their smash hit production of the musical ANNIE opening at Curve, Leicester on Saturday 25 February 2023. Joining the previously announced Craig Revel Horwood and Paul O’Grady, will be Scottish BAFTA winner Elaine C Smith and Jodie Prenger, all starring as ‘Miss Hannigan’ at various venues. Alongside them will be Alex Bourne as Oliver Warbucks, Paul French as Rooster, Amelia Adams as Grace Farrell, and Billie-Kay as Lily St. Regis. The title role of Annie is shared by Zoe Akinyosade, Harlie Barthram and Poppy Cunningham. They are joined by three teams of young performers who play the residents of Miss Hannigan’s orphanage.
 
Completing the cast will be Emily Barnett-Salter, Alistair Beattie, David BurrowsSergi Ibanez, Rosalind James, Belle Kizzy Green, Ellie May-Wilson, Martin McCarthy, Phoebe Roberts, Lukin Simmonds, Matthew Sweet, Dawn Williams, and Tommy Wade-Smith.
 
*Full tour dates, including details of at which venues Craig Revel Horwood, Paul O’Grady, Elaine C Smith and Jodie Prenger star, are in the listings below. www.anniethemusicaltour.uk
 
Craig Revel Horwood is probably best known as a judge on all 20 series of BBC1’s Strictly Come Dancing. He returns to the part of Miss Hannigan having played the role to critical acclaim in this production in both the West End and on tour. His other West End Theatre credits include Munkustrap in Cats, Miss Saigon at the Theatre Royal, Drury Lane and Harry in Crazy for You at the Prince Edward Theatre. Craig directed and choreographed Strictly Ballroom the Musical which is currently touring the UK and Ireland, and the 2016/17 tour of Sister Act the Musical, as well as the Strictly Come Dancing Live tour. He also choreographed the film Paddington 2.
 
BAFTA Award winning television, radio and stage star Paul O’Grady returns to Annie having first played the role of Miss Hannigan at the Victoria Palace Theatre in 1998. His other theatre credits include playing the Child Catcher in Chitty Chitty Bang Bang at the London Palladium and many pantomimes including Cinderella and Goldilocks and the Three Bears at the London Palladium. On television he is best known as the host of ITV’s Paul O’Grady: For the Love of Dogs, Paul O’Grady’s Great British Escape, The Paul O’Grady Show, Channel 4’s Blind Date and BBC One’s Blankety Blank. He is also a highly celebrated writer, having written both autobiographical and fictional books and recently completed a 14 year run as a presenter on BBC Radio 2.
 
Elaine C Smith is perhaps best known for playing Mary Doll in the BBC comedy Rab C Nesbitt, as well as her role as Christine in the BBC sitcom Two Doors Down, for which she won a Scottish BAFTA for Best Actress in 2018. On stage she consistently headlines major pantomimes, having just finished her 13th year at Glasgow King’s Theatre. She played Cora in the original UK Tour and West End run of Calendar Girls as well as playing Susan Boyle in the UK tour of I Dreamed A Dream which she co-write with Alan McHugh.
 
Jodie Prenger recently joined ITV’s Coronation Street as Glenda Shuttleworth. Her West End credits include A Taste of Honey at the Trafalgar Studios. Oliver! at Theatre Royal Drury Lane, One Man Two Guvnors at Theatre Royal Haymarket and Spamalot at the Playhouse Theatre. On tour she has appeared in Abigail’s Party, Shirley Valentine, Annie, Fat Friends, Tell Me on A Sunday and Calamity Jane. On television she has appeared in the BBC’s Shakespeare & Hathaway, Years and Years, Casualty and Waterloo Road.
 
Alex Bourne returns to Annie as Oliver Warbucks, having played the role both in the West End, Toronto and the UK Tour. His other theatre credits include Edna Turnblad in the UK Tour of Hairspray, Sam Carmichael in the UK Tour of Mamma Mia!, Khashoggi in We Will Rock You at the Dominion Theatre, Billy Flynn in Chicago at the Adelphi Theatre and Lex Hogan in Eugenius! at The Other Palace. On film he can be seen in Sony Pictures’ Cinderella.
 
Paul French was most recently seen as TinMan/Hickory in The Wizard of Oz at Curve, Leicester. His other theatre credits include Kenickie in Grease at the Dominion Theatre and in the production’s UK Tour and Double J in Saturday Night Fever at the Peacock Theatre. On film he can be seen in Visualize Films’ Tomorrow Morning.
 
Amelia Adams has most recently been seen in the UK Tour of Friends! The Musical Parody. Her previous theatre credits include Lois Lane/Bianca in Kiss Me, Kate for Welsh National Opera, Mary Delgado in Jersey Boys at the Piccadilly Theatre and on tour, Martha Burelli in The Rat Pack at the Haymarket Theatre and on tour. She has also appeared in the UK Tour of Hairspray and Spamalot both in the West End and on tour.
 
Billie-Kay recently appeared as Angel in Anything Goes at the Barbican and its UK and Ireland tour. She has also appeared as Dale Tremont in Top Hat at The Mill at Sonning and in 42nd Street at Theatre Royal Drury Lane. On film she has appeared in Disney’s Dis-Enchanted and Beauty and the Beast, and Sony Pictures’ Cinderella.
 
Set in 1930s New York during The Great Depression, brave young Annie is forced to live a life of misery and torment at Miss Hannigan’s orphanage. Determined to find her real parents, her luck changes when she is chosen to spend Christmas at the residence of famous billionaire, Oliver Warbucks. Spiteful Miss Hannigan has other ideas and hatches a plan to spoil Annie’s search…
 
With its award-winning book and score, this stunning production includes the unforgettable songs ‘It’s the Hard Knock Life’, ‘Easy Street’, ‘I Don’t Need Anything But You’ and ‘Tomorrow’.
 
ANNIE has Music by Charles Strouse, Lyrics by Martin Charnin and a Book by Thomas Meehan. It is directed by Curve’s Artistic Director Nikolai Foster with set and costume design by Colin Richmond, choreography by Nick Winston, lighting by Ben Cracknell and sound design by Richard Brooker.
 
The producers of Annie cannot guarantee the appearance of any particular artist, which is always subject to illness and holidays.

photo credit: Matt Crockett

Thursday 19 May 2022

Lift, Southwark Playhouse | Review


Lift 
Southwark Playhouse 
Reviewed on Wednesday 18th May 2022
★★★

Produced by Gartland Productions, Lift has returned to London after premiering in 2013. Set in a Covent Garden lift (if you've attempted the steps, you know how crucial this particular lift is) it looks at eight of the characters on the same under a minute journey. 

Played by Luke Friend, the busker (like many of us do while laying by the pool on holiday) imagines what his fellow lift-mates' stories and connections may be and the plot goes from there. Opening the musical alone on stage with a guitar, he is good at leading the show and seems at ease throughout. Sometimes his words get lost but his super strong vocals are great and he especially shines in the more angsty moments.

The rest of the cast share the names Sarah, Kate and Gabriel and you never quite know whether their stories are really happening or whether they're in the buskers head. Due to this the plot is somewhat confusing and hard to follow, and in fact it may have been better just to focus on one or two individual characters. Each character's story is interesting and intriguing but due to the structure you never truly get to delve into them so are left feeling a little short changed.

However, it's the first-rate performances that really bring this show to life. Hiba Elchikhe is a certified star in her role as the secretary; giving dreamy vocals and making the absolute most of all she's given to work with. Alongside her, Marco Titus gives a nice performance and the pair bounce off of one another very well. Kayleigh McKnight completely wows with her rendition of Lost in Translations which is a vocal marathon and Cameron Collins shows versatility in his various personas. Tamara Morgan is endearing and witty in her performance as well as working with Collins and McKnight well. Jordan Broatch and Chrissie Bhima are excellent together, bringing their virtual avatar characters together so impressively and entertainingly. 

As a whole, the cast are incredibly strong and it's in the ensemble, deeply harmonic moments where the musical really comes to life. It's also when the narratives intersect that things become interesting. The audience start to spot connections and are  forced to work out what's really true and linked. As well, the plot provides an interesting study on grief that has moments of revelation which are well approached.

Andrew Exeter's steel rig set is good at emphasising certain parts of the story and is a solid way of transforming the space to the various locations. The bright lighting is engaging and adds to Lift's fantastical, dreamlike setting. There's not a huge amount of diversity between Craig Adams' songs but each one does well to bring some story to each character, even if it is fairly surface level. 

Overall, Lift is a well-paced show which lacks real depth and cohesion but is carried exceptionally well by the eight person cast. As a cult favourite, it's worth catching it just for the powerhouse voices and strong visuals.

photo credit: Mark Senior

Friday 1 July 2022

Come From Away to Play Final Performance in West End on 7 January 2023

The multi award-winning London production of global hit musical Come From Away will extend in the West End from September until the end of the year before holding its final performance at the Phoenix Theatre on Saturday 7 January 2023.

By the time the West End company take their final bow, this critically acclaimed production will have played 1048 performances in London, 47 performances in Dublin and won many major UK theatre Awards including the Olivier, Critics’ Circle and What’s On Stage Awards for ‘Best Musical’.

The current London cast of Come From Away includes Jenna Boyd (Beulah and others), James Doherty (Claude and others), Mark Dugdale (Kevin T/Garth and others), Alice Fearn (Beverley/Annette and others), Kate Graham (Diane and others), Robert Hands (Nick/Doug and others), Jonathan Andrew Hume (Kevin J/Ali and others), Gemma Knight Jones (Hannah and others), Kirsty Malpass (Bonnie and others), Harry Morrison (Oz and others), Emma Salvo (Janice and others), Lejaun Sheppard (Bob and others), with Chiara Baronti, Ricardo Castro, Stuart Hickey, Alexander McMorran, Sarah MorrisonLucy ParkJennifer Tierney and Matthew Whennell-Clark.

The Come From Away band includes Alan Berry (Musical Director/UK Musical Supervisor), Matt Bashford (Whistles/Irish Flute/Uillean Pipes), Aoife Mairead Ní Bhriain (Fiddle), Oli Briant (Electric/Acoustic Guitar), Justin Quinn (Acoustic Guitars/Mandolins/Bouzouki), Joey Grant (Electric and Acoustic Bass),  Ray Fean (Bodhrán/Percussion), Ian Whitehead (Drums/Percussion), Huw Evans (Associate Musical Director), Andrew Barrett for Lionella Music, LLC (Electronic Music Design), Phij Adams (Associate Keyboard Programmer), Ryan Driscoll (Music Preparation), and David Gallagher (Orchestral Management).

Come From Away shares the incredible real-life story of the 7,000 air passengers from all over the world who were grounded in Canada during the wake of 9/11, and the small Newfoundland community that invited these ‘come from aways’ into their lives.

Experience the joy, heartache and soaring music as the spirited locals and global passengers overcome their fears and a world of cultural differences to come together and forge friendships that will stay with them forever. The first female American Airlines captain, the quick-thinking town mayor, the mother of a New York firefighter and the eager local news reporter are among the many real characters caught at the start of the moment that changed the course of history, and whose stories became a true celebration of hope, humanity and unity.

The international hit musical has celebrated sold-out, record-breaking engagements on Broadway, in Canada, throughout Australia, and on a 60-city North American Tour.

The Come From Away creative team includes Irene Sankoff and David Hein (Book, Music and Lyrics), Christopher Ashley (Director), Kelly Devine (Musical Staging), Ian Eisendrath (Music Supervision and Arrangements), Beowulf Boritt (Scenic Design), Toni-Leslie James (Costume Design), Howell Binkley (Lighting Design), Gareth Owen (Sound Design), David Brian Brown (Hair Design), August Eriksmoen (Orchestrations), Pippa Ailion CDG and Natalie Gallacher CDG (Casting), Joel Goldes (Dialect Coach), Michael Rubinoff (Creative Consultant), Bob Hallett (Newfoundland Music Consultant),  Shirley Fishman (Dramaturg) and Tara Overfield (Associate Director and Choreographer UK).

Come From Away is produced in the UK by Junkyard Dog Productions and Smith & Brant Theatricals. The European premiere of Come From Away was co-produced with the Abbey Theatre, Ireland’s National Theatre.

Tickets for Come From Away at the Phoenix Theatre are available via comefromawaylondon.co.uk.