Showing posts sorted by relevance for query Gemma Evans. Sort by date Show all posts
Showing posts sorted by relevance for query Gemma Evans. Sort by date Show all posts
Friday 22 June 2018
Daisy Pulls It Off, Charing Cross Theatre | Review
Daisy Pulls It Off
Charing Cross Theatre
Reviewed on Thursday 21st June 2018 by Shaun Dicks
★★★
With the name of Guildford School of Acting comes a vast and storied reputation. When you come across a show with GSA’s name on it, you go in with certain expectations. Their current venture is Daisy Pulls It Off, presented by it’s Actor Muso students at the Charing Cross Theatre. The show presents a story within a story based in an early 20th century private girls school where they admit their first elementary school scholarship student, Daisy. It follows her trials as she tries to integrate into a world that is far removed from her own.
The musicianship displayed on the stage is truly extraordinary, the combination of various instruments and the orchestrations by Niall Bailey was brilliant. Another top aspect of the show is the students faces. Their facial acting was so on the mark, stand outs being Katy Ellis as Trixie Martin and Gemma Evans as Monica Smithers, they stole the show for me. I also want to give a shout out to the staging/movement by Phyllida Crowley-Smith, it was all so stylised and of an era that was so pitch perfect for the piece.
The material that the students were given was nothing special but decent enough - the best moment being the Hockey Final sequence – some bits felt well-rehearsed, whereas others felt under rehearsed. There were stumbles with lines and a few technical issues. One thing that stayed with me as I watched the show was that it’s nice light entertainment, but it wasn’t anything new or special. It didn’t make me feel anything. It wasn’t quite the quality of top shows in the West End that this show is neighbouring during it’s run.
The show isn’t bad, but it also isn’t great, just somewhere in the middle. There are some wonderful moments to be proud of, but the show is inconsistent. It’s worth a watch if you want a little light entertainment on a summers evening but I wouldn’t say it should be your first choice.
Daisy Pulls If Off runs at the Charing Cross Theatre until 30th June
photo credit: Robert Workman
Friday 1 July 2022
Come From Away to Play Final Performance in West End on 7 January 2023
The multi award-winning London production of global hit musical Come From Away will extend in the West End from September until the end of the year before holding its final performance at the Phoenix Theatre on Saturday 7 January 2023.
By the time the West End company take their final bow, this critically acclaimed production will have played 1048 performances in London, 47 performances in Dublin and won many major UK theatre Awards including the Olivier, Critics’ Circle and What’s On Stage Awards for ‘Best Musical’.
The current London cast of Come From Away includes Jenna Boyd (Beulah and others), James Doherty (Claude and others), Mark Dugdale (Kevin T/Garth and others), Alice Fearn (Beverley/Annette and others), Kate Graham (Diane and others), Robert Hands (Nick/Doug and others), Jonathan Andrew Hume (Kevin J/Ali and others), Gemma Knight Jones (Hannah and others), Kirsty Malpass (Bonnie and others), Harry Morrison (Oz and others), Emma Salvo (Janice and others), Lejaun Sheppard (Bob and others), with Chiara Baronti, Ricardo Castro, Stuart Hickey, Alexander McMorran, Sarah Morrison, Lucy Park, Jennifer Tierney and Matthew Whennell-Clark.
The Come From Away band includes Alan Berry (Musical Director/UK Musical Supervisor), Matt Bashford (Whistles/Irish Flute/Uillean Pipes), Aoife Mairead Ní Bhriain (Fiddle), Oli Briant (Electric/Acoustic Guitar), Justin Quinn (Acoustic Guitars/Mandolins/Bouzouki), Joey Grant (Electric and Acoustic Bass), Ray Fean (Bodhrán/Percussion), Ian Whitehead (Drums/Percussion), Huw Evans (Associate Musical Director), Andrew Barrett for Lionella Music, LLC (Electronic Music Design), Phij Adams (Associate Keyboard Programmer), Ryan Driscoll (Music Preparation), and David Gallagher (Orchestral Management).
Come From Away shares the incredible real-life story of the 7,000 air passengers from all over the world who were grounded in Canada during the wake of 9/11, and the small Newfoundland community that invited these ‘come from aways’ into their lives.
Experience the joy, heartache and soaring music as the spirited locals and global passengers overcome their fears and a world of cultural differences to come together and forge friendships that will stay with them forever. The first female American Airlines captain, the quick-thinking town mayor, the mother of a New York firefighter and the eager local news reporter are among the many real characters caught at the start of the moment that changed the course of history, and whose stories became a true celebration of hope, humanity and unity.
The international hit musical has celebrated sold-out, record-breaking engagements on Broadway, in Canada, throughout Australia, and on a 60-city North American Tour.
The Come From Away creative team includes Irene Sankoff and David Hein (Book, Music and Lyrics), Christopher Ashley (Director), Kelly Devine (Musical Staging), Ian Eisendrath (Music Supervision and Arrangements), Beowulf Boritt (Scenic Design), Toni-Leslie James (Costume Design), Howell Binkley (Lighting Design), Gareth Owen (Sound Design), David Brian Brown (Hair Design), August Eriksmoen (Orchestrations), Pippa Ailion CDG and Natalie Gallacher CDG (Casting), Joel Goldes (Dialect Coach), Michael Rubinoff (Creative Consultant), Bob Hallett (Newfoundland Music Consultant), Shirley Fishman (Dramaturg) and Tara Overfield (Associate Director and Choreographer UK).
Come From Away is produced in the UK by Junkyard Dog Productions and Smith & Brant Theatricals. The European premiere of Come From Away was co-produced with the Abbey Theatre, Ireland’s National Theatre.
Subscribe to:
Posts (Atom)
Welcome to the BLOG
Into The Spotlight
