Posts with the label play
Showing posts with label play. Show all posts
Showing posts with label play. Show all posts
Friday, 24 January 2025
2025 Theatre: West End and Broadway Shows Opening This Year
2025 is set to be another brilliant one for theatre fans, with both Broadway and the West End set to welcome a host of exciting new productions. From fresh adaptations of beloved classics to innovative original works, the stages are primed to dazzle audiences worldwide.
Here's a list of seven shows we're excited to see open in 2025:
1. The Great Gatsby- West End Premiere
F. Scott Fitzgerald's timeless novel, The Great Gatsby, is set to dazzle the West End in a new musical adaptation. Following a successful Broadway run, this production will grace London's London Coliseum from 11th April. Audiences can expect a lavish portrayal of the Roaring Twenties, complete with opulent sets, period costumes, and a jazz-infused score that brings the enigmatic Jay Gatsby and his world to life. This adaptation promises to capture the essence of the classic tale, exploring themes of love, ambition, and the American Dream.
2. Hercules- Disney's Mythical Musical
After a long wait, Disney's animated favorite, Hercules, is making its way to the West End stage in a grand musical way. Set to open at the Theatre Royal Drury Lane on 6th June, this production reimagines the legendary tale of the demigod Hercules on his quest for heroism. Directed and choreographed by Casey Nicholaw, with music by Alan Menken and lyrics by David Zippel, the show promises a blend of humour, heart, and high-energy numbers. Audiences can look forward to beloved songs from the original film, such as Go the Distance, alongside new compositions crafted for the stage.
3. Dirty Dancing- A Classic Reimagined
For film fans, the iconic love story of Dirty Dancing returns to the stage, offering fans a fresh take on the beloved 1987 film. Opening on 23rd October, 2025, at the newly established Capital Theatre in Westfield London, this production invites audiences to relive the romance of Baby and Johnny, whilst experiencing a new theatre too. With its memorable dance sequences and a soundtrack featuring hits like (I've Had) The Time of My Life, the show captures the essence of the original while introducing innovative choreography and staging. The Capital Theatre, a state-of-the-art venue, promises an intimate experience, ensuring every seat offers a prime view of the performance.
4. The Picture of Dorian Gray- Broadway's Bold Adaptation
After a hugely successful West End run, Oscar Wilde's classic novel, The Picture of Dorian Gray, receives a contemporary twist in this bold Broadway adaptation. Previews begin on March 10th, 2025, at the Music Box Theatre, with an official opening on 27th March. Starring Sarah Snook, renowned for her role in Succession, the production features her in an impressive 26 roles, showcasing her versatility and depth as a performer. Directed by Kip Williams, the play delves into themes of vanity, morality, and the consequences of eternal youth, offering a poignant reflection on society's obsession with appearance.
5. Buena Vista Social Club- A Musical Journey to Cuba
Transporting audiences to the vibrant streets of Havana, Buena Vista Social Club is a new musical inspired by the Grammy Award-winning album of the same name. Set to begin previews on 21st February, 2025, at the Gerald Schoenfeld Theatre, with an official opening on March 19th, the production celebrates the rich musical heritage of Cuba. Produced by John Leguizamo, the show features a live Afro-Cuban band and a cast that brings to life the stories of the legendary musicians who made the album a global sensation. Audiences can expect a rhythmic journey filled with soulful melodies, vibrant dance, and a narrative that honours the resilience and passion of Cuban artists.
6. Operation Mincemeat- The Little Show That Could
Making its Broadway debut after a successful run in London's West End, Operation Mincemeat is a musical comedy that brings to light one of World War II's most audacious deceptions. Previews commence on 15th February, 2025, at the Golden Theatre, with an opening night on 20th March. The story follows a daring British intelligence operation that aimed to deceive the opposition, turning the tide of the war. With a blend of sharp wit, engaging music, and historical intrigue, the production offers a fresh perspective on a remarkable true story, making it a must-see for history buffs and theatre lovers alike.
7. Stereophonic- A Rock 'n' Roll Stage Experience
After garnering critical acclaim and multiple Tony Awards on Broadway, Stereophonic is set to electrify London's West End in May 2025 at the Duke of York’s Theatre. Written by David Adjmi, the play immerses audiences in the dynamic world of a 1970s rock band as they navigate the tumultuous process of recording their second album. Featuring original music by Will Butler of Arcade Fire, the production delves into themes of ambition, creativity, and the personal struggles that come with fame. The show's innovative staging and compelling narrative promise an unforgettable theatrical experience that resonates with music enthusiasts and theatre-goers alike.
This is just a small taste of what's on offer this year, and there's so much more across the UK and USA. Whether you're a fan of dramatic storytelling, musical extravaganzas, or historical tales brought to life, the stages of Broadway, the West End and beyond are set to offer something truly special this year. And of course, we'll be covering as much as we can on Rewrite This Story.
Stay Stagey!
Wednesday, 15 January 2025
Galloping Through the Heart: War Horse Stirs the Soul
War Horse (Tour)
New Victoria Theatre
War Horse returns to the stage with all the emotional resonance and technical mastery that have solidified its place as an iconic theatrical experience. Directed by Tom Morris, with revival direction by Katie Henry, this production feels especially poignant in today’s world, where themes of resilience, connection, and hope resonate more profoundly than ever.
The centrepiece of this production is the breathtaking puppetry, crafted by the visionary Handspring Puppet Company. Joey and Topthorn are engineering marvels, made from lightweight materials that allow for lifelike movements while retaining a skeletal elegance. Each flick of an ear, swish of a tail, and laboured breath is brought to life by the outstanding puppeteers. Matthew Lawrence (Joey- Head), Rafe Young (Heart), and Felicity Donnelly (Hind) infuse Joey with a remarkable blend of power and vulnerability, while Rianna Ash (Head), Chris Milford (Heart), and Thomas Goodridge (Hind) give Topthorn a commanding presence that is as awe-inspiring as it is poignant. It's quite amazing how quickly you fall in love with these animals, and just shows how effective the puppetry is.
The lighting design (Rob Casey), masterfully executed, plays a crucial role in elevating the production’s emotional intensity. Harsh, angular beams during battle sequences evoke the chaos of war, while softer, golden hues in pastoral scenes create a sense of peace and nostalgia. The transitions are seamless, guiding the audience’s emotions as effectively as the narrative itself.
The atmospheric sound design and Adrian Sutton’s stirring score further immerse the audience, evoking the thundering hooves of cavalry charges and the haunting quiet of the battlefield. The interplay of sound and visuals heightens the emotional impact, ensuring each scene lands with maximum resonance. While there are moments where the graphics feel a little basic, they do fit with the general vibe and can't really detract from such a wonderful production.
Joey’s foalhood is depicted with exquisite charm by Eloise Beaumont-Wood (Head), Diany Samba-Bandza (Heart), and Jordan Paris (Hind), whose synchronised movements perfectly capture the playful innocence of a young horse.
Another heart of this emotionally charged production is Tom Sturgess as Albert Narracott, whose heartfelt performance anchors the story with warmth and authenticity. Sturgess masterfully captures Albert’s unyielding determination and deep bond with Joey, imbuing the character with a raw vulnerability that resonates throughout the play. Whether he’s expressing tender affection for his beloved horse or grappling with the horrors of war, Sturgess commands the stage with a magnetic presence that keeps the audience firmly invested in Albert’s journey. His portrayal adds an essential human dimension to the sweeping narrative, making the connection between man and horse all the more poignant.
This production transcends traditional storytelling, blending artistry and innovation into a truly immersive experience. As one character wisely observes, “Where there’s life, there’s hope.” In a world fraught with uncertainty, War Horse is a timely reminder of our shared humanity, perseverance, and capacity for love.
From the remarkable puppetry to the evocative lighting and sound, War Horse is a technical and emotional triumph that gallops straight into your heart. This is theatre at its finest- unmissable and unforgettable.
★★★★★
Reviewed on Tuesday 14th January 2025 by Olivia
Photo Credit: Brinkhoff-Moegenburg
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday, 5 November 2024
Full Cast Announced for The Lonely Londoners at Kiln Theatre; Extended Run Due to High Demand
Kiln Theatre and Jermyn Street Theatre have announced the full cast for the highly anticipated run of The Lonely Londoners, adapted by Roy Williams from Sam Selvon's iconic novel. Directed by Ebenezer Bamgboye, the production features a stellar ensemble cast including Tobi Bakare, Shannon Hayes, Solomon Israel, Gilbert Kyem Jnr, Carol Moses, Aimée Powell, and Romario Simpson. Due to popular demand, the run has been extended, with performances now scheduled from 10th January to 22nd February 2025, at Kiln Theatre, with the official press night set for 16th January.
Bamgboye, returning to direct this critically acclaimed adaptation, remarked:
Sam Selvon’s novel, The Lonely Londoners, is a timeless masterpiece... I feel doubly lucky for the opportunity to return back to it a second time, at a perfect venue, alongside a truly stellar group of actors and creatives.”
Set in 1950s London, The Lonely Londoners tells the story of Henry ‘Sir Galahad’ Oliver, a Trinidadian immigrant who arrives in London with dreams and optimism, only to encounter the harsh realities faced by a generation of Caribbean migrants. As he meets others from the Windrush generation, he is confronted with the challenges and complexities of building a home in a city that often views him as an outsider. This adaptation explores the Windrush generation’s hopes, resilience, and camaraderie in a society shaped by prejudice.
Creative Team:
Director: Ebenezer Bamgboye
Set Designer: Laura Ann Price
Costume Designer: Anett Black
Lighting Designer: Elliot Griggs
Sound Designer: Tony Gayle
Movement Director: Nevena Stojkov
Voice and Dialect Coach: Hazel Holder
Casting Director: Abby Galvin
Kiln-Mackintosh Resident Assistant Director: Imy Wyatt Corner
Associate Sound Designer: Bella Kear
Literary Consultant: Susheila Nasta
Stockard Channing Joins Brie Larson and Star-Studded Cast for the Thrilling West End Revival of Elektra
The timeless power of Greek tragedy is set to take the West End stage as Empire Street Productions announces additional casting for Elektra, Sophokles’s renowned drama, featuring a new, visceral translation by the award-winning poet Anne Carson. Academy Award-winner Brie Larson, previously announced as the lead, will make her West End debut alongside an impressive lineup: the internationally celebrated Stockard Channing (The West Wing, The Good Wife), Marième Diouf (Romeo and Juliet, The Globe), Greg Hicks (Grapes of Wrath, Coriolanus), and Evening Standard Award-winner Patrick Vaill, fresh off his acclaimed performance in Oklahoma! and Stranger Things: The First Shadow.
Directed by the visionary Daniel Fish, known for his groundbreaking Tony and Olivier Award-winning revival of Oklahoma!, this production of Elektra promises a powerful, haunting experience. Fish's return to Sophokles’s masterpiece marks the first major revival of the classic Greek tragedy in over a decade. The creative team behind Elektra features Annie-B Parson (Choreography), Jeremy Herbert (Set Design), Doey Lüthi (Costume Design), Adam Silverman (Lighting Design), Max & Ben Ringham (Sound Design), and Ted Hearne (Composer), with Kate Godfrey (Voice & Dialect) and casting by Heather Basten CDG.
The production begins its journey at Theatre Royal Brighton on January 13, 2025, before moving to London’s Duke of York’s Theatre for an exclusive 11-week season starting January 24, with a press night scheduled for February 5. This staging of Elektra promises an intense exploration of vengeance, grief, and survival, as Elektra, haunted by her father’s murder, awaits the return of her brother Orestes, who she urges toward a harrowing and irreversible act of revenge.
Empire Street Productions brings this much-anticipated Elektra revival to life following their acclaimed projects like Prima Facie with Jodie Comer and The Pillowman starring Lily Allen. The full cast lineup for Elektra will be announced soon. For tickets and more information, visit ElektraPlay.com.
Friday, 1 November 2024
2:22 - A Ghost Story Returns for Spine-Chilling 2025 UK Tour: Thrills Await Across the Nation!
This Halloween season brings a thrilling announcement for supernatural theatre fans: 2:22 A Ghost Story will embark on an extended UK tour starting August 4, 2025, at the Manchester Opera House, sweeping across the nation until June 2026. With its gripping blend of suspense and paranormal intrigue, this award-winning play by Danny Robins has captivated audiences worldwide, having premiered in London’s West End with seven seasons of sold-out performances and reaching over a million viewers in 17 countries. Following its highly successful first UK tour in 2023-24, 2:22 is back to haunt theatres, revisiting previous cities and venturing into new ones to thrill fresh audiences with its chilling narrative.
2:22 A Ghost Story follows Jenny, who’s convinced her new home is haunted, and her skeptical husband, Sam. Their argument with dinner guests Lauren and Ben about the existence of ghosts leads to a night of tension and fear, with the group vowing to stay up until the mysterious hour of 2:22 to finally uncover the truth. This paranormal thriller first premiered at London’s Noël Coward Theatre in 2021 with Lily Allen, Julia Chan, Hadley Fraser, and Jake Wood, quickly garnering critical acclaim and a loyal fanbase. Since then, the play has attracted top actors including Stephanie Beatriz, Tom Felton, Laura Whitmore, Sophia Bush, and Joe McFadden, each adding unique depth to Robins’ chilling story.
Written by Danny Robins, the acclaimed creator behind BBC’s Uncanny, and directed by Matthew Dunster, 2:22 immerses audiences in a suspenseful exploration of belief versus skepticism, set against a backdrop of eerie sound and lighting design by Ian Dickinson and Lucy Carter, with expert illusions from Chris Fisher. Designer Anna Fleischle’s atmospheric set and Cindy Lin’s costume design contribute to the haunting ambiance, intensifying every moment as secrets unfold.
Reflecting on the overwhelming reception, Robins expressed his excitement for the upcoming tour, saying:
I am genuinely humbled by how well the production continues to be received… Hopefully this new tour will bring 2:22 A Ghost Story to new people, as well as those who are hungry for more.”
For those daring enough to confront the unknown, tickets for the 2025 2:22 A Ghost Story tour are a chance to experience the unforgettable thrill that only live theatre can deliver. Get ready to uncover the truth- if you dare.
The Last Laugh Brings Comedy Legends to London’s West End: Don’t Miss This Unforgettable New Play!
Following a successful, sold-out run at the Edinburgh Fringe Festival, The Last Laugh is heading to London’s West End for a limited engagement at the Noël Coward Theatre, running from 25 February to 22 March 2025, with tickets available now.
Written and directed by Paul Hendy, this unique production reimagines the lives and legacies of three of Britain’s greatest comedic legends: Tommy Cooper, Eric Morecambe, and Bob Monkhouse. Audiences will experience a blend of classic humour and heartwarming stories as the show revives the wit and charisma of these beloved icons. Portraying the three comedy greats, Bob Golding (as Eric Morecambe), Damian Williams (as Tommy Cooper), and Simon Cartwright (as Bob Monkhouse) will reprise their critically acclaimed roles from Edinburgh.
Producer Jamie Wilson shares his enthusiasm:
The timeless appeal of these comedy legends captivated us in Edinburgh, and we knew more audiences needed to experience their genius. This play allows long-time fans to revisit these icons while introducing them to a new generation.”
With its blend of nostalgia and humour, The Last Laugh is poised to become a must-see in London before heading to New York and on a UK tour. Be ready for a moving, laugh-out-loud performance that celebrates the enduring legacy of Britain’s comedic treasures.
photo credit: Pamela Raith
Bush Theatre Announces 2025 Season: Showcasing New Talent and Unmissable Stories on Stage
Bush Theatre has unveiled an exciting 2025 lineup filled with world premieres, returning stars, and original plays that bring fresh voices and unheard stories to the stage. Committed to launching, establishing, and sustaining careers for emerging writers, Bush Theatre’s new season promises innovative storytelling and compelling performances. Tickets for the new season, available today, start at £15, offering theatre fans an accessible way to experience ground-breaking shows at the forefront of modern theatre.
Kicking off in the Holloway Theatre, the Bush Theatre’s main house, is Lavender, Hyacinth, Violet, Yew by Bush Theatre’s Emerging Writers’ Group alum Coral Wylie. Directed by Debbie Hannan, this world premiere follows one family’s journey of reconciliation. Starring Omari Douglas (of It’s a Sin and Constellations), alongside Wil Johnson and Pooky Quesnel, the play is both moving and unapologetically queer. Later in April, Speed, written by Mohamed-Zain Dada and directed by Olivier-nominated Milli Bhatia, explores the secrets and absurdities of daily life with humour and warmth.
In Bush Theatre’s Studio, the January debut of ...blackbird hour by babirye bukilwa, directed by malakaï sergeant, promises to be a standout. A raw look at self-love, belonging, and identity, this play features creative captioning and audio description for an inclusive experience. For those looking for more stories that explore human connection, Tender, directed by Emily Aboud, will run in November and highlights the serendipitous bond between two people searching for meaning.
The Bush Theatre’s 2025 season showcases its dedication to fresh perspectives and inclusivity, supported by its new Bush Theatre Producers' Circle, which aims to foster the next generation of playwriting talent. Artistic Director Lynette Linton reflects on the season, saying:
It’s a bitter-sweet feeling to announce my penultimate season as Artistic Director of The Bush, though exciting as it shows just what we’re all about, developing new writers and creatives and inviting them into the Bush family."
For fans and newcomers alike, Bush Theatre’s 2025 season is a must-see for those looking to experience the best of modern theatre with stories that resonate.
Wednesday, 30 October 2024
Critically Acclaimed Production The Years Transfers to the West End’s Harold Pinter Theatre
Sonia Friedman Productions has announced the West End transfer of The Years, a critically acclaimed adaptation of Nobel Prize winner Annie Ernaux’s semi-autobiographical novel Les Années. Directed and adapted by Eline Arbo with an English version by Stephanie Bain, this production captivated audiences in its sold-out run at the Almeida Theatre, following a successful premiere at Internationaal Theater Amsterdam. The Years will run at the Harold Pinter Theatre from 24 January to 19 April 2025.
Critics have praised The Years as a “masterpiece” (The Guardian) and an experience that “moves in ways theatre often tries to but rarely achieves” (The Independent). The production features powerful performances from Deborah Findlay, Romola Garai*, Gina McKee, Anjli Mohindra, and Harmony Rose-Bremner, who collectively portray the life of one woman, capturing her experiences against the evolving landscape of the 20th and 21st centuries.
With each “click” of memory, Ernaux’s story unfolds: a child growing up amidst post-war ruins, a student exploring new freedoms, an activist championing rights, a wife, mother, lover, and grandmother – each phase of life layered with personal and political significance. This staging captures Ernaux’s meditation on memory with depth, surprise, and theatrical virtuosity, leading audiences through a journey that pairs “the dead with the living, real with imaginary beings, dreams with history.”
The creative team includes Music Supervisor and Sound Designer Thijs van Vuure, Set Designer Juul Dekker, Costume Designer Rebekka Wörmann, Lighting Designer Varja Klosse, and Casting Director Amy Ball CDG. Associate direction is by Yasmin Hafesji. Originally produced by Het Nationale Theater as De Jaren in 2022, The Years has gained acclaim across Europe and is poised to offer a poignant theatrical experience in its West End debut.
Note: Romola Garai will perform until 8 March, with additional casting to be announced.
Casting Announced for Cyrano at Park Theatre
Cyrano, the Fringe First award-winning, gender-flipped retelling of Cyrano de Bergerac, is set to light up Park Theatre, London, from December 11, 2024, to January 11, 2025, following a sold-out European premiere at Edinburgh’s Traverse Theatre. Written and performed by Australian actress and playwright Virginia Gay (Colin from Accounts, Winners & Losers), this reimagining redefines the classic with bold humour, heartfelt romance, and a fresh modern sensibility. Joining Gay as Cyrano are Jessica Whitehurst (Ridley, The Comedy of Errors) as Roxanne and Joseph Evans (Coronation Street) in his stage debut as Yan, alongside Tessa Wong, David Tarkenter, and Tanvi Virmani.
Directed by Clare Watson, Cyrano combines humour, aching romance, and musical interludes to tell the story of Cyrano, a witty wordsmith who conceals a personal shame behind her sparkling intelligence and charm. Cyrano, captivated by the brilliant and beautiful Roxanne, finds herself in a love triangle when Roxanne falls for Yan, a man with looks but few words. As Cyrano pours her heart out under the guise of Yan’s voice, she creates an unforgettable rom-com for the ages- filled with wit, longing, and the undeniable magic of theatre.
Described as “big-hearted, irreverent, and joyous,” Gay’s Cyrano is a tribute to hope, the search for connection, and the beauty of language. It’s an ode to the timeless power of theatre and its ability to draw out both laughter and tears.
Thursday, 24 October 2024
: Louis McCartney Returns as Henry Creel in Stranger Things: The First Shadow for His Broadway Debut
Louis McCartney, the breakout star from the West End production of Stranger Things: The First Shadow, is set to reprise his role as Henry Creel for his highly anticipated Broadway debut. McCartney's performance in the West End earned him widespread acclaim, including The Stage 2024 Debut Award for Best Performer in a Play and the Critics’ Circle Award for Most Promising Newcomer. Praised by top publications as "spellbinding" (Daily Telegraph) and "breathtaking" (Deadline),
McCartney’s portrayal of the complex character Henry Creel has firmly established him as a rising star in the theatre world. He will take his final bow in the West End on November 10, 2024, before heading to Broadway to continue his run in this Olivier Award-winning production.
The Broadway adaptation of Stranger Things: The First Shadow will begin performances on March 28, 2025, at the iconic Marquis Theatre. Directed by the acclaimed Stephen Daldry (The Crown, Billy Elliot) and co-directed by Justin Martin (Prima Facie), this gripping prequel transports audiences back to 1959 Hawkins, where a young Henry Creel arrives in town, setting off a series of dark events that connect deeply to the mythology of the global Netflix sensation. With an original story co-created by the Duffer Brothers, Jack Thorne, and Kate Trefry, the production offers fans an enthralling, fresh narrative with stunning visual effects and heart-pounding performances that dive deep into the origins of the Stranger Things universe.
With a star-studded creative team, the Broadway run promises to be just as mesmerising as its West End counterpart, with many eagerly awaiting McCartney’s U.S. stage debut. Ticket sales are already underway for this must-see event, and theatre fans and Stranger Things devotees alike are excited to experience the early days of Hawkins on Broadway.
Stranger Things: The First Shadow has already proven to be a massive success in London, winning two Olivier Awards, including Best Entertainment. This thrilling theatrical event is set to captivate new audiences with its intricate set design, haunting soundtrack, and McCartney’s unforgettable performance as Henry Creel.
photo credit: Polk & Co
Wednesday, 16 October 2024
New Cast Joins Harry Potter and the Cursed Child at the Palace Theatre
The producers of Harry Potter and the Cursed Child- Sonia Friedman Productions, Colin Callender, and Harry Potter Theatrical Productions—are thrilled to welcome a new cast that begins performances at the Palace Theatre this week. This acclaimed, multi-award-winning London production continues to enchant audiences, with bookings now open until 29 June 2025.
The new cast features Claire Lams as Ginny Potter, alongside David Ricardo-Pearce reprising his role as Harry Potter and Ellis Rae returning as their son Albus Potter. Eve de Leon Allen will make her debut as Rose Granger-Weasley, daughter of Ron Weasley and Hermione Granger, with Thomas Aldridge and Jade Ogugua continuing in their roles as Ron and Hermione, respectively. Steve John Shepherd remains as Draco Malfoy, joined by Harry Acklowe as his son Scorpius Malfoy.
In addition to the core cast, the ensemble includes Ishmail Aaron, David Annen, Nicole-Lily Baisden, Sabina Cameron, Rob Curtis, Zijuan Elsol, Gabriel Fleary, Rory Fraser, Tim Hibberd, Sally Jayne Hind, Max Hunter, Dewayne Jameson Adams, Emma Louise Jones, Julia Kass, Debra Lawrance, Tasha Lim, Matty Loane, Sophie Matthew, Jaden Oshenye, Helen Power, Jocelyn Prah, Conor Quinn, Ian Redford, Catherine Russell, Martin de los Santos, Adam Slynn, Benjamin Stratton, Alex Tomkins, Jake Tuesley, Sam Varley and Katie Wimpenny. Oliver Dawson, Layla Duke, Aubrey Hayes, Rhiannon Parry, Aljosa Radosavljevic, Sienna Sibley and Ethan Webster alternate two children’s roles.
Set 19 years after Harry, Ron, and Hermione’s legendary battle against dark forces, this new chapter invites audiences to join them on an extraordinary adventure with a brave new generation arriving at Hogwarts School of Witchcraft and Wizardry. Spectacular spells, a breathtaking race through time, and an epic showdown against mysterious forces await as the characters grapple with the weight of the future.
Tickets for Harry Potter and the Cursed Child are currently available, with prices starting at £15 per part. The regular performance schedule is Monday, Tuesday, and Thursday—no performance; Wednesday, Friday, and Saturday at 2 PM for Part One and 7 PM for Part Two; and Sunday at 1 PM for Part One and 6 PM for Part Two. Access performances are scheduled, including an Audio Described show on Saturday, 9 November 2024, and a Captioned Performance on Saturday, 16 November 2024, with more access performances planned for 2025.
Harry Potter and the Cursed Child is the first story from the Harry Potter universe to be adapted for the stage and serves as the eighth story in the series. Now in its ninth year at the Palace Theatre, the production has captivated over 1.7 million people in the West End and over 11 million globally, boasting an impressive collection of 60 major awards, including nine Laurence Olivier Awards and six Tony Awards for Best New Play. Currently, there are five productions running worldwide, including those in New York, Hamburg, and Tokyo. A North American tour began in September at Chicago’s James M. Nederlander Theatre and will move to Los Angeles’ Hollywood Pantages from February to June 2025, before continuing to Washington DC’s Broadway At The National starting on 8 July 2025.
Based on an original new story by J.K. Rowling, Jack Thorne, and John Tiffany, Harry Potter and the Cursed Child is crafted into a play by Jack Thorne, directed by John Tiffany, featuring movement by Steven Hoggett, set design by Christine Jones, and an impressive array of creative talents including Imogen Heap, Neil Austin, and Jamie Harrison. Produced by Sonia Friedman Productions, Colin Callender, and Harry Potter Theatrical Productions, this magical experience continues to be a must-see event for fans of all ages.
photo credit: Manuel Harlan
Orange Tree Theatre Announces Exciting 2025 Season Featuring World Premieres and Classic Revivals
Orange Tree Theatre (OT) has announced its highly anticipated 2025 season, packed with a dynamic lineup of six new plays, including four world premieres, two rediscoveries, and a beloved classic comedy. Artistic Director Tom Littler and Executive Director Hanna Streeter have curated a season that blends cutting-edge new writing with timeless stories, exploring powerful themes such as war, power, privilege, and the human condition.
The season launches with Churchill in Moscow, an imagined meeting between Winston Churchill and Joseph Stalin in 1942, reuniting playwright Howard Brenton and Littler for their sixth collaboration. The production stars Roger Allam in the titular role and promises to be a standout event. Following this, the theatre will revive April De Angelis’ acclaimed Playhouse Creatures, starring Anna Chancellor and directed by Michael Oakley, before transferring to the Yvonne Arnaud Theatre and Theatre Royal Bath. Next, the London premiere of Mark Ravenhill’s Ben and Imo, produced in collaboration with the RSC and directed by Erica Whyman, will feature Samuel Barnett and Victoria Yeates reprising their original roles. The spring season concludes with a revival of Terence Rattigan’s In Praise of Love, directed by Amelia Sears.
The summer and autumn months promise even more excitement with Chiara Atik's Poor Clare, directed by Blanche McIntyre, and world premieres of two eagerly anticipated adaptations: Dance of Death, adapted and directed by Richard Eyre from the play by August Strindberg, and Hedda, a fresh take on Ibsen’s Hedda Gabler by Tanika Gupta. Tom Littler will also helm a special 250th-anniversary production of Richard Brinsley Sheridan’s classic comedy The Rivals. Additionally, the OT Young Company will present Alice in Wonderland, a new adaptation by Chinonyerem Odimba based on Lewis Carroll’s iconic novel.
As part of OT's ongoing commitment to engaging younger audiences, the theatre is launching OT Under 30 Nights, offering 18-29-year-olds the chance to see shows for just £15, complete with a post-show talk and a social event. The inaugural event will take place on 8 November, featuring the JMK Award-winning production Guards at the Taj. Cast members Usaamah Ibraheem Hussain and Maanuv Thiara will participate in the post-show panel, alongside creatives Roisin Jenner and Priya Virdee, with the discussion chaired by Kalungi Ssebandeke, the 2023 JMK award winner.
In addition to the main stage programming, the OT’s Community team will continue their work with young people, offering educational performances of Julius Caesar and Romeo & Juliet for primary and secondary school audiences, as well as participation in the National Theatre’s Connections festival for teenagers.
Priority booking for Churchill in Moscow, Playhouse Creatures, Ben and Imo, and In Praise of Love opens on 16 October, with general sales starting on 28 October. On-sale dates for the rest of the season will be announced soon.
Photo Credit: Rebecca Need Menear
Monday, 14 October 2024
Casting Complete for Craig Wright’s The Unseen at Riverside Studios
The highly anticipated London debut of Craig Wright’s gripping play, The Unseen, is set to premiere at Riverside Studios on November 15, 2024. Featuring a stellar cast, this intense drama explores themes of resilience, power, and survival under oppressive regimes.
The cast includes BAFTA Cymru Award-winner Richard Harrington (Fisherman’s Friends: One and All, Home I’m Darling) as Wallace, Waj Ali (Carnival Row, King Lear) as Valdez, and Ross Tomlinson (Allelujah, This Is Going to Hurt) as Smash, a conflicted prison guard. Directed by Iya Patarkatsishvili, with set and costume design by Simon Kenny, The Unseen promises to captivate London audiences.
First performed in 2007 at the Humana Festival, The Unseen focuses on two prisoners, Wallace and Valdez, who, trapped in a brutal totalitarian regime, communicate through the walls of their cells. Amidst cycles of hope and despair, they forge a bond and create personal philosophies to make sense of their confinement. Meanwhile, their torturer, Smash, wrestles with his conscience, setting the stage for an explosive conclusion.
The Unseen has lighting by Anna Watson and sound by Mike Walker. Danny Short serves as composer and executive producer alongside Peter Huntley and Callum Runciman for Smart Entertainment.
Post-Performance Discussions & Special Exhibition
Audiences will also have the chance to attend a series of post-performance discussions, featuring expert guest speakers on human rights and the play’s themes, supported by the Russian Democratic Society. Additionally, the UK premiere of Faces of Russian Resistance will be hosted at Riverside Studios, showcasing an international exhibition highlighting Russian citizens who have opposed the Putin regime and paid the price with their freedom.
Don’t miss this thought-provoking exploration of the human spirit, running from November 15, 2024, at Riverside Studios.
Wednesday, 9 October 2024
David Tennant and Cush Jumbo’s Macbeth to be Released in Cinemas
Trafalgar Releasing, in collaboration with the Donmar Warehouse, has announced the cinema release of Macbeth, starring David Tennant and Cush Jumbo. This sold-out production, currently playing in London's West End, will be screened in cinemas across the UK, US, Australia, and select international locations starting February 5, 2025. Directed by Max Webster, this critically acclaimed performance was filmed live at the Donmar Warehouse.
Tickets for the cinema release go on sale October 16 at MacbethDonmarCinema.com.
Tim Sheader, Artistic Director of the Donmar, and Executive Director Henny Finch expressed excitement over the production's expanded reach, saying, “We are thrilled that this innovative staging of Macbeth will reach even more audiences beyond its original run. It’s exciting to think that thousands of viewers globally will get to experience this unique, immersive production in cinemas.”
Trafalgar Releasing’s CEO, Marc Allenby, highlighted the continued success of theatre in cinemas, remarking that, “Theatre remains a key driver of cinema box office, and working with the Donmar to bring Macbeth to global audiences further broadens our cultural content portfolio.”
The production, with David Tennant (Doctor Who, Broadchurch) as Macbeth and Cush Jumbo (The Good Wife, Criminal Record) as Lady Macbeth, has garnered rave reviews. The Daily Telegraph called it "enthralling," while The Guardian praised its "wolfish imagination and alarming surprise." The live cinema screening will capture the intense and brutal pace of this tragic tale of ambition, power, and fate, enhanced by immersive 5.1 surround sound.
The production also features Moyo Akandé as Ross, Cal MacAninch as Banquo, and Rona Morison as Lady Macduff, along with a host of seasoned performers, many with extensive theatre, television, and film credits.
The Donmar Warehouse, renowned for its intimate staging and groundbreaking productions, has teamed up once again with Trafalgar Releasing to bring theatre to a global audience. The company has previously collaborated with Trafalgar on successful cinema releases, and Macbeth promises to be no exception.
For more information and tickets, visit MacbethDonmarCinema.com.
Monday, 7 October 2024
Ncuti Gatwa and Sharon D. Clarke Lead The Importance of Being Earnest at the National Theatre
The National Theatre has announced the complete cast for its highly anticipated revival of Oscar Wilde’s classic comedy, The Importance of Being Earnest. Directed by Max Webster, this production marks his debut at the National Theatre and is set to run at the Lyttelton Theatre from November 20, 2024, to January 25, 2025.
The stellar cast features Sharon D Clarke as the formidable Lady Bracknell, Ncuti Gatwa as the charming Algernon Moncrieff, and Hugh Skinner as the earnest Jack Worthing. Ronkẹ Adékọluẹ́jọ́ will portray Gwendolen Fairfax, while Eliza Scanlen takes on the role of Cecily Cardew. The cast is rounded out by Richard Cant as Reverend Canon Chasuble, Amanda Lawrence as Miss Prism, and Julian Bleach as Merriman/Lane.
Joining this impressive lineup are ensemble members Shereener Browne (The Effect), Jasmine Kerr (Follies), Gillian McCafferty (The Rise and Fall of Little Voice), Elliot Pritchard (Museum of Austerity), and John Vernon (Coriolanus).
This production will also be filmed live for a worldwide cinema release starting February 20, 2025. The creative team behind this revival includes set and costume designer Rae Smith, lighting designer Jon Clark, and sound designer Nicola T. Chang. Other members of the creative team include movement director Carrie-Anne Ingrouille, composer DJ Walde, and intimacy coordinator Ingrid Mackinnon.
Audiences can expect a fresh interpretation of Wilde’s sharp wit and social commentary, delivered by a dynamic cast. This revival is poised to bring new life to a classic that continues to resonate with contemporary themes of identity and societal expectations.
Wednesday, 10 April 2024
2:22 A Ghost Story on Tour REVIEW: A Spooky Night Out
2:22 A Ghost Story (Tour)
New Victoria Theatre
Since premiering in the West End and playing at a number of theatres, 2:22 A Ghost Story has established itself as a must-see spooky night out. It's a production that promises to thrill and entertain audiences, and definitely does just that.
Drawing from the personal experiences of playwright Danny Robbins, this haunting journey into the supernatural explores themes of love, loss, and enduring connections. The storyline is skilfully crafted, keeping viewers on the edge of their seats while infusing humour that enhances the realism. However, amidst the solid pacing and unexpected twists, the abundance of overacting in this touring version detracts from the authenticity, making it challenging to fully engage with the narrative.
Set against the backdrop of a dinner party with minimal set changes, the focus remains on the characters so there's a lot riding on them. This cast, made up of Vera Chok, Jay McGuiness, George Rainsford and Fiona Wade, mostly succeed in creating a believable atmosphere, capturing the essence of a boozy evening, however at times, it really feels like you can see some of the performers acting and the line delivery is too over the top to be realistic. When I last saw the show, it almost felt as if you were a fly on the wall during the haunted dinner party, but this time everything is a bit more forced and over performed. The dynamics between the characters are there and you can understand the boiling pot of traumas and emotions that are sewn throughout, but they're not as impactful as when the play is performed with more nuance.
Additionally, while the sound effects aim to heighten the tension, they often feel conspicuous and unnecessary, failing to enhance the overall atmosphere. However, beyond these surface-level thrills, 2:22 A Ghost Story delves into social and economic issues, as well as the dichotomy between belief and science. This commentary adds depth to the production, and helps to create a genuinely good play.
Anna Fleischle's set design allows for spooky moments while maintaining the mundane setting of a family home. The attention to detail, combined with Lucy Carter's atmospheric lighting, provides a perfect backdrop for this ghostly tale.
2:22 A Ghost Story is definitely worth seeing. Despite its flaws, including excessive theatrics and unnecessary jump scares, the play offers moments of genuine suspense and an interesting array commentary.
★★★
Reviewed on Tuesday 9th April 2024 by Olivia
{AD PR Invite- tickets gifted in exchange for honest review}
Sunday, 17 March 2024
Instructions for a Teenage Armageddon at the Garrick Theatre REVIEW: Charithra Chandran makes a moving stage debut
Instructions for a Teenage Armageddon
Garrick Theatre
In a transfer from the Southwark Playhouse to to the Garrick Theatre, Instructions For a Teenage Armageddon sees Charithra Chandran making her stage debut after her notable appearance on screen in Bridgerton.
Written by Rosie Day (who previously starred as Girl), Teenage Armageddon revolves around a witty, introspective teenager coping with the loss of her sister amidst the tumult of teenage betrayal, manipulation, and trauma. Despite the dark undertones, Day lightens the mood by framing each section with the protagonist's quest for new scout badges. The story is moving, if at times predictable and is a good way of supporting teens and putting them at the forefront of a story.
In this 75-minute journey directed by Georgie Staight, Chandran deftly navigates through a poignant social satire, tackling a myriad of emotional themes. Her characterisation is good, breathing life into a variety of personas throughout the performance. While her comedic and emotional timing may not always deliver the biggest punch, Chandran's portrayal remains commendable, particularly given the emotional depths demanded by the role; and it's highly impressive that her first foray into theatre is with a one-girl-show.
Having seen the show in its previous iteration I knew what to expect but this version certainly felt different. Mainly in terms of staging, the show has moved away from the campfire setting as it's main framework and instead the action physically takes place in a muted bedroom which doubles as all the other locations. Video projections by Dan Light add depth and interest, especially with the extra on screen characters played by Shelley Conn (Mum), Philip Glenister (Dad) and Isabella Pappas (Ella). At times the show does feel a little too staged and as though its lost some of the real childishness which was so charming during its last run, however it retains it's heart and sincerity which really make it sparkle.
The show is adorned with quick, clever prose and such dark humour, you never quite feel certain you should be laughing as loudly as you are. The play is a poignant exploration of real childhood trauma, with relatable themes that will certainly resonate with audiences, particularly girls and women navigating societal pressures and concealing pain behind humour.
Instructions For a Teenage Armageddon serves as a cautionary tale, urging for open conversations about mental health and the importance of supporting one another. Chandran's performance is really admirable and the show's West End transfer is a testament to Rosie Day's brilliant writing.
★★★★
Reviewed on Sunday 17th March 2024 by Olivia
Photo Credit: Danny Kaan
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday, 8 February 2024
War House to Embark on New UK Tour
The acclaimed War Horse production, adapted from Michael Morpurgo's beloved novel and originally directed by Marianne Elliott and Tom Morris, is set to embark on an extensive 18-month UK Tour starting from September 5, 2024, and continuing until 2026.
Opening at the New Wimbledon Theatre from September 5 to 14, the tour will then move to various venues including The Lowry in Salford (September 18 to 28), Mayflower Theatre in Southampton (October 8 to 19), The Marlowe in Canterbury (October 22 to November 2), Sunderland Empire (November 5 to 16), Theatre Royal Plymouth (November 26 to December 7), and New Theatre Oxford (December 10, 2024, to January 4, 2025), with additional dates and locations to be announced.
Led by Tom Morris and revival director Katie Henry, with redesigned sets by Rae Smith and additional music by Adrian Sutton, the production features puppetry by Basil Jones and Adrian Kohler, lighting design by Rob Casey, and movement choreography by Toby Sedgwick. Animation and projection design are by Nicol Scott, while John Tams provides musical contributions and Christopher Shutt manages sound design. Casting details are yet to be announced.
Having premiered at the National Theatre in 2007, War Horse has since captivated audiences worldwide, with productions spanning across continents. For more information and ticket bookings, visit WarHorseOnStage.com. The tour will also include visits to Theatre Nation Partner venues, such as The Lowry in Salford and Sunderland Empire, with assisted performances available throughout the run at each venue.
Tuesday, 6 February 2024
Tom Holland to Play Romeo in Jamie Lloyd's Romeo and Juliet
The Jamie Lloyd Company today announces its new West End production of Shakespeare’s Romeo & Juliet, starring Tom Holland as Romeo, and directed by Jamie Lloyd. Romeo & Juliet runs at the Duke of York’s Theatre, Saturday 11 May – Saturday 3 August 2024.
Further casting to be announced. Tickets go on sale to those signed up for priority booking and ATG+ members on Tuesday 13 February at 8am; general booking opens on Tuesday 13 February at 12pm.
Sign up for priority booking here: www.romeoandjulietLDN.com
The Jamie Lloyd Company also continues its commitment to accessibility, offering 10,000 tickets priced at £25 and under, with 5,000 of these exclusively for under 30s, key workers and those receiving government benefits. Further information to be announced.
Jamie Lloyd said today:
“Tom Holland is one of the greatest, most exciting young actors in the world. It is an honour to welcome him back to the West End.”
Text edited by Nima Taleghani; Set and Costume Design: Soutra Gilmour; Lighting Design: Jon Clark; Sound Design; Ben and Max Ringham; Video Design and Cinematography: Nathan Amzi and Joe Ransom; Composer: Michael 'Mikey J’ Asante; Casting Director: Stuart Burt CDG; Movement Directors: Sarah Golding & Yukiko Masui (SAY); Intimacy Coordinator: Ingrid Mackinnon; Associate Director: Jonathan Glew; Associate Designer: Rachel Wingate
Violent delights have violent ends.
Violent delights have violent ends.
Photo Credit: Isaac Anthony / AUGUST
Sunday, 17 December 2023
Stranger Things: The First Shadow, Phoenix Theatre London | REVIEW
Stranger Things: The First Shadow
Phoenix Theatre
As someone who ventured into the realm of Stranger Things: The First Shadow without much prior experience with the series, aside from watching a few episodes and a recap, I was pleasantly surprised and thoroughly captivated by this spectacular supernatural spectacle. The Duffer Brothers, with Jack Thorne and Kate Trefry have crafted a story that effortlessly drew me into the mysterious world of Hawkins, Indiana, even as a newcomer to the Stranger Things universe.
From the very first applause inducing scenes, I found myself immersed in the gripping narrative that skilfully combines elements of suspense, nostalgia, and the supernatural. The show's ability to seamlessly introduce me to its characters and the intricacies of their relationships made it easy to connect with the story, and I was quickly invested in the fates of these intriguing personalities.
The prequel introduces both beloved characters and fresh faces, each receiving substantial development and individuality. The performances are exceptional, characterised by universally nuanced and emotionally charged portrayals. Louis McCartney, in his striking West End debut as Henry Creel, delivers a chilling performance that combines twisted actions with an alarming charm. McCartney's masterful physicality, full of spasms and contortions, adds an extra layer of intensity to the role- I can only imagine how much physio he'll need during the run! Isabella Pappas embodies Joyce with fierce brilliance, seamlessly incorporating Winona Ryder's iconic traits while infusing the character with her own spin. Pappas creates a captivating, headstrong persona that garners unwavering support. Alongside her, Oscar Lloyd portrays James Hopper Jr. with suave charisma, delivering witty one-liners and exuding an aura that captivates throughout.
The brilliance of this show lies in the meticulous attention and craftsmanship dedicated to shaping the intricate backstories of every character. Each member is endowed with distinct intentions and personality traits, allowing for intrigue at every turn. There isn't a single weak link to be discovered, but special recognition is deserved for the performances of Christopher Buckley as the endearing Bob Newby and Michael Jibson, who delivers haunting moments as the tormented Victor Creel. Max Harwood as Alan Munson, injects copious amounts of humour, energy, and vitality into the narrative, fashioning a persona that practically begs for its own enthralling spin-off storyline; whilst Patrick Vaill brings eerie menace to the stage as Dr Brenner.
In the hands of Stephen Daldry and Justin Martin, the play unfolds like a blooming flower, or more aptly, the opening mouth of a demogorgon. It moves seamlessly between the whirlwind of action and the rich tapestry of each thoughtfully crafted scene. High-school hallways and bathrooms, the mundane backdrop of everyday life, transform into breathtaking alternate worlds in the blink of an eye, all thanks to the nimble touch of Miriam Buether's set design. Jon Clark's lighting is like a choreographed dance, shifting between mysterious shadows and warm sunlight, mirroring the transformative journey of the characters.
The story takes a deep dive into the shadows, embracing a genuinely dark undertone with jumps and eerie sounds reminiscent of horror films, all expertly blended into the production by Paul Arditti's exceptional sound design. Yet, within the darkness, there's a contrasting brightness—a nostalgic, retro Americana that permeates the air. Sprinkled with snippets of song, it adds layers of emotion and complexity to this multidimensional theatrical experience, making it a journey that feels both supernatural and believable.
Stranger Things: The First Shadow is a testament to the storytelling prowess of its creators. As someone unfamiliar with the series, I can confidently say that this instalment stands alone as a brilliant and engaging piece of theatre. It has ignited my curiosity about the series as a whole, and I am now eager to explore the it to uncover the mysteries that follow this captivating chapter. Whether you're a seasoned fan or a newcomer like myself, this show is a spectacle that you must see. Full of drama, amazing performances and genuine sincerity, it's a Creel-y Creel-y great piece of theatre.
★★★★★
Reviewed on Friday 15th December 2023 by Olivia Mitchell
Photo Credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
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