Monday 12 December 2022

Rebecca to get its English Language Premiere


Following 12 hugely successful foreign language productions, critically acclaimed musical Rebecca by Michael Kunze and Sylvester Levay is to get its English language premiere in a new production at London’s Charing Cross Theatre in an English translation by Christopher Hampton
The hugely successful musical production by the Austrian musical producer VBW (Vereinigte Bühnen Wien) based on Daphne Du Maurier’s 1938 novel ‘Rebecca’ that has captivated more than 2 million people worldwide in 12 countries and 10 languages is to get its English language premiere in a new production at London’s Charing Cross Theatre.

Rebecca, by Michael Kunze and Sylvester Levay, two of the most successful German-language musical theatre composers, had its world premiere at the VBW-theatre Raimund Theater in Vienna, Austria, in September 2006, where it went on to play to sold-out houses in three seasons, and where it is currently enjoying a successful revival.

Rebecca will run at Charing Cross Theatre from 4 September - 18 November, 2023.

Press night is Monday 18 September, 2023 at 7.30pm.

Rebecca, with an orchestra of 18, will be directed by Alejandro Bonatto (director of the critically acclaimed production of Donizetti’s ‘Rita’ and the upcoming production of Francis Poulanc and Jean Cocteau’s ‘The Human Voice’ at Charing Cross Theatre later this month).

It has a new English translation by Christopher Hampton (two-time Tony Award winner Best Score & Best Book for ‘Sunset Boulevard’ and Oscar winner for Best Adapted Screenplay ‘Dangerous Liaisons’ & ‘The Father’) and Michael Kunze.

Cast to be announced.

New ITV Entertainment Show to find a Sophie & Sky for Mamma Mia! in London


A one-of-a-kind theatrical competition will launch a nationwide search to find the future musical theatre stars of global smash hit and feel-good musical MAMMA MIA!. Seen by 65 million people around the world, MAMMA MIA! has wowed audiences across the globe and continues to break box office records.

MAMMA MIA! I Have a Dream is a brand-new eight-part series from producers Thames, a Fremantle label, and Littlestar, with the stage set for its arrival on ITV1.

MAMMA MIA! I Have a Dream will search for two ingénues to play the roles of Sophie and Sky in MAMMA MIA! in London’s West End, as characterised by Amanda Seyfried and Dominic Cooper in the two films. Throughout the series, musical theatre hopefuls will be put through their paces as they navigate their way through challenges, masterclasses, and performances.


Filmed against the beautiful backdrop of the idyllic Greek islands, where the original MAMMA MIA! story is set, it will look and feel like no other talent show on television. Audiences will see the contestants mentored by guest industry stars through unique workshops and judged by a panel of well-known industry experts in both music and theatre. Contestants will have the full MAMMA MIA! experience and will get to see first-hand what it’s like to be part of a West End musical.

The competition will culminate in a live, dazzling grand-finale, broadcast from a theatre in London’s West End, where two winners will take it all and win the roles of Sophie and Sky in the musical.

MAMMA MIA! is the sunny, funny tale of a mother, a daughter and three possible dads on a Greek island idyll, all unfolding to the magic of ABBA’s timeless pop masterpieces.

The success of MAMMA MIA! has spawned two record-breaking blockbuster films, MAMMA MIA! The Movie and MAMMA MIA! Here We Go Again, starring a host of stars including Meryl Streep, Christine Baranski, Julie Walters, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Amanda Seyfried, Dominic Cooper, Lily James and Cher.

Creator and global producer of MAMMA MIA!, Judy Craymer will co-executive produce the show and will be on hand to help the contestants reach their full performing potential, every step of the way.

Judy Craymer says:  "MAMMA MIA! has always been a show that has encouraged young actors and given opportunities to those making their stage debuts - just as our current Sophie and Sky in London (Meg Hateley and Miles Henderson) are making their West End debuts - so it feels the perfect fit for a TV show that will seek out new talent for musical theatre.


“In the lead-up to the celebrations for the stage musical’s 25th birthday in 2024, we're really looking forward to working with Thames and ITV on this show and involving our well-loved musical as much as possible in the programme."


Amelia Brown, Managing Director of Thames, says: “The excitement we have for making this show is like no other - it’s a dream come true for so many of us at Thames. Merging the global brand of MAMMA MIA! and all the talent at Littlestar with the power behind the talent show juggernauts such as Britain’s Got Talent will mean it’s a show that can’t be missed.” 


Katie Rawcliffe, Head of Entertainment Comissioning at ITV adds: “MAMMA MIA! I Have A Dream is everything we could want in an entertainment show - legendary music, an iconic West End theatre show, high energy performances, and a brand new search for talent, set against the backdrop of a gorgeous island.”


MAMMA MIA! I Have a Dream is executive produced by Amelia Brown, Charlie Irwin and Ashley Whitehouse for Thames (a Fremantle label) and Judy Craymer for Littlestar. The show is commissioned by Katie Rawcliffe, Head of Entertainment Commissioning at ITV, Lily Wilson, Commissioning Editor for ITV and Louise Major, Commissioning Editor for ITV.

 

To apply: https://www.thames.tv/takepart

Friday 9 December 2022

Newsies, Troubadour Theatre | Review


Newsies 
Troubadour Theatre
Reviewed on Thursday 8th December 2022 by Olivia Mitchell 
★★★★

As temperatures soar below zero, the heat is definitely up at the Troubadour theatre in Wembley as their long awaited production of Newsies sizzles and soars.


The musical with a book by Harvey Fierstein has become somewhat of a cult classic in the musical theatre world, with many fans around the globe despite the show only previously being performed in America and Canada. The 2017 Broadway pro-shot brought the show within touching distance but now London finally get to see it in the flesh, and the good news is, it was completely worth the wait. 


Telling the story of the New York Newboys and Girls who went on strike over unfair work conditions, it’s an unlikely plot for a musical but it mostly works so well. More than anything this is a show with dance at its core and it’s quite astounding to see so many talented dancers on stage, even more so when you hear their divine vocals which accompany the moves. Matt Cole’s choreography is fierce, sharp and so so strong. The energy and precision is truly mesmerising to see and is so appreciated by the audience who give several standing ovations throughout.


It's the plot of this show which lets it down somewhat. The pretty formulaic story doesn't exactly thrill and whilst it does touch on important issues, there's a lack of depth so you don't fully connect with the characters and their plight. Due to this there are moments where the pacing feels a bit slow, however this is quickly fixed every time a big dance number is performed. 


What is great is that despite some stilted moments in the story, the show as a whole is continuously moving. Morgan Large's semi-immersive set allows for action to be taking place at all times, whether through actors walking along sides or quite literally soaring into the audience. The grey-toned backdrop somehow feels gloriously colourful as various shades leap across the stage. The multi-level design allows for varying sight lines and there's something to discover in every nook and cranny. Mark Henderson's lighting design works in complete harmony with all of this and really brings some wow moments to life; it's a very well oiled machine.


The incredibly strong cast who make up this show (and must have a physio bill to rival any other) are the beating heart of it all. The varying characters of the Newsies all get small moments to shine and their interactions are very touching to watch. Leading the pack Michael Ahomka-Lindsay is charming as Jack Kelly, at moments too cool for school, and others afraid of his circumstance, his performance is really moving. Alongside him Bronté Barbé is sparky and witty as Katherine Plumber; her performance of Watch What Happens is a real stand out (although it could be a touch faster) and her portrayal of the role allows you to really engage and connect with her. Ryan Kopel as new newsboy Davey is delightful too. 


This has got to be one of the strongest casts in theatre right now and the astounding performances really need to be seen to be believed. Newsies is a hugely welcome addition to the London theatre scene and it's sure to delight anyone who sees it!


photo credit: Johan Persson

Wednesday 7 December 2022

Cinderella (Panto), New Victoria Theatre | Review


Cinderella (Pantomime)
New Victoria Theatre
Reviewed on Tuesday 6th December 2022 
★★★★

It's that time of year again (oh yes it is) where audiences flock to their local theatres to see the seasonal panto, and this year the New Victoria Theatre, Woking are providing the glitziest of night's out with their version of Cinderella.

Getting the show off to a magical start, is Jenny Gayner as the Fairy Godmother, flying out into the audience and getting the children (and let's be fair the adults too) on the edge of their seats, ready for a fantastically festive night out. From then it's full-on, non-stop action, audience participation and slapstick humour. A complete maelstrom of energy, you wonder how the cast can consistently do two shows a week until December 31st!

With panto veteran Kathryn Rooney at the helm as Director, this is a show which has something for everyone including some great comedic, as well as theatrical moments. The best comedy comes from Brian Conley as Buttons who completely knows how to work the crowd, with just the right amount of audience participation and a great number of references to his own work as well as to the local area. The wonderful step sisters Claudia (Neal Wright) and Tess (Ben Stock) not only have an astounding wardrobe of over the top, ridiculous gowns, but they also have great chemistry with one another and are thoroughly entertaining throughout their time on stage.

What works so well with this production is that it truly feels luxurious and there is a whole lot of spectacle sprinkled in with the silliness. Aesthetically, the costumes are glorious; an array of sparkle and massive head pieces that look really great. Sarah Vaughan goes to the ball in dazzling glitz and even the Prince (Samuel Wilson-Freeman) gets some cracking costumes.  

Other "wow" moments also include the end of Act One snow (always a winner at Christmas) and the real life horses which are just adorable. Pyrotechnics and confetti also add to the drama and festivity of it all and the great vocals and choreography from the cast help make it more than just a laugh a minute, no substance show. 

Of course, like with any Panto, there are aspects which might not hit personally for every audience member, but you can't deny that there's at least a moment for everyone and hearing the children of the audience in fits of laughter is enough to make you feel the festive spirit. Cinderella provides exactly what you'd expect with a Christmas pantomime and you can't really ask for much more!