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Monday 17 July 2023
The Wizard of Oz at the London Palladium review: A Delightfully Nostalgic Experience
a visual spectacle that fits so well with the whimsical and well-loved world of Oz"
The Wizard of Oz
London Palladium
★★★★
Magic, wonder, and unforgettable melodies reign supreme as you step into the mesmerising world of The Wizard of Oz at the London Palladium. This enchanting production, a transfer from the Leicester Curve, weaves a delightful experience that is sure to captivate audiences of all ages.
Thanks to Nikolai Foster’s direction, once the curtain rises you will find yourself immersed in a world of imagination and fantasy. The detailed costumes, effective sets and strong video effects seamlessly blend together to create a visual spectacle that fits so well with the whimsical and well-loved world of Oz. The semi-modern, steampunk aesthetic lends a unique twist to the classic tale, infusing it with a fresh and vibrant energy.
The cast of The Wizard of Oz delivers exceptional performances, breathing life into the beloved characters with charm and charisma. Dorothy, portrayed by the stunning Georgina Onuorah with innocence and determination, effortlessly captures our hearts as she embarks on her journey to find her way back home. Joining Dorothy on yellow brick road are three iconic friends she makes. Searching for courage, the Cowardly Lion is played superbly well by Jason Manford, who is perfectly evocative of Lahr in the film but with a spin of his own that really works. Looking for a heart the Tin Man is oiled by well by Ashley Banjo who creates some really brilliant moments; the vocals aren’t as stellar as they could be but his dance skills and charisma more than make up for it. Completing the quad is Louis Gaunt as the Scarecrow searching for a heart, who is utterly charming and a real triple threat. The chemistry between the group is well portrayed, however on stage you don’t feel as a strong of a connection to their journey and never root for them quite enough; their story is enjoyable but not as emotionally intense as it could be.
The other supporting cast members shine in their respective roles, each bringing their own unique flair and personality to the story. Christina Bianco’s Glinda and Dianne Pilkington’s Wicked Witch of the West are throughly entertaining, if a little underdeveloped but both provide some of the stand solos of the show. The musical numbers in The Wizard of Oz combine Andrew Lloyd Webber's new compositions with the beloved songs from the classic film and while Webber's additions may not steal the spotlight, they seamlessly blend with the original score, enriching the overall experience. The familiar melodies of ‘Somewhere Over the Rainbow’ and ‘Follow the Yellow Brick Road’ undoubtedly take centre stage, evoking a wave of nostalgia and bringing smiles to the faces of the audience.
This musical really does exactly what you’d expect it to in telling the story which so many love. All the classic moments are featured and there are also some fun things to spot such as Ozified show names (West Witch Story, Margaret Hamilton etc…) a hidden Olaf and some swanky costumes which are truly Ozian. However, act two is a little bit lacking as a whole, with the video aspect which is so effective in act one, becoming gimmicky and a little basic, especially when showing the wicked witch’s army and the flying monkeys. Moments which could have been really awe-inspiring are instead brushed over and there’s never a true wow moment.
A way the production does soar is in how it pays heartfelt homage to the original book by Frank L. Baum, incorporating references that will surely delight fans. The inclusion of Dorothy's return to Kansas in her Oz dress adds a touch of nostalgia, serving as a loving nod to the source material. These thoughtful gestures elevate the production, reminding us of the timeless charm that made the story a classic in the first place.
It’s not a faultless show but The Wizard of Oz offers a delightful escape into a world of fantasy and adventure. With its talented cast, striking visuals, and heartfelt nods to the original, this production is well worth seeing. Whether you are reliving cherished childhood memories or experiencing the magic for the very first time, this show will transport you to a place where dreams come true and a trip to Oz should definitely be part of your summer plans.
Reviewed on Wednesday 12th July 2023 by Olivia Mitchell
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Monday 26 June 2023
Pink at BST Hyde Park review: An Electrifying Performance Which Soars to New Heights
truly showcased Pink's versatility and fearlessness as an artist, cementing her as one of the best in the business"
P!nk: Summer Carnival
BST Hyde Park
★★★★
In a stunning showcase of talent and entertainment, last night Pink took to the Great Oak Stage at Hyde Park, to perform a captivating show which closed her weekend at the BST festival. An awe-inspiring experience, her limitless energy, exceptional connection with the crowd, astonishing circus abilities, and unwavering vocals took the spotlight and created a really really entertaining evening. Although there were a few moments of slight lulls, the other exhilarating moments more than made up for them, resulting in a truly unforgettable evening of pure enjoyment.
Pink's natural ability to engage with her audience was truly extraordinary. From the moment she stepped onto the stage, she effortlessly commanded everyone's attention with her charming presence. She skilfully interacted with the crowd throughout the concert, making each person feel like an integral part of the performance. From taking various teddy bears, to celebrating first concert experiences and showcasing a fan's artwork, her interactions were authentic and heartfelt, creating a really welcoming atmosphere and some truly memorable audience experiences.
It's not a Pink show without some gravity defying circus acts and even at the vast open air venue she did not disappoint. Whether she was soaring high above the stage showing aerial silks or executing some beautiful choreography whilst suspended in the air, her talent left spectators in awe. These mesmerising moments added a dynamic element to the show, that truly showcased Pink's versatility and fearlessness as an artist, cementing her as one of the best in the business.
Pink's vocals remained flawless throughout the entire evening, delivering powerful performances filled with precision and emotion. Her voice effortlessly spanned a wide range of genres, captivating the audience with its raw power and vulnerability. Whether performing a song she'd written or one by someone else, each note was infused with passion and authenticity, leaving a lasting impact on everyone fortunate enough to witness her remarkable talent firsthand.
As the sun began to set, the lighting design flawlessly complemented the changing atmosphere, creating a visual spectacle that enhanced the overall experience. The lighting design effectively worked alongside the sun and shadows of nature, and the golden hue which accompanied the sunset was especially magical as it bathed the stage in a captivating glow.
Adding another layer of depth to the performance, the well-incorporated video elements were super effective. During the poignant song Irrelevant, large screens displayed videos highlighting female empowerment and the Black Lives Matter movement, creating a really significant and moving moment. These thoughtful additions not only showcased Pink's commitment to social justice but also deeply resonated with the audience, reminding everyone of the transformative power of music.
Pink's concert at Hyde Park was a remarkable demonstration of talent that left an enduring impression on all attendees. Her exceptional audience interaction, mind-blowing circus skills, and flawless vocals were the pillars of an evening that will be cherished. While there were fleeting moments of respite, they were quickly overshadowed by the sheer energy and excitement that filled the show. An undeniable triumph and a testament to her artistry, Pink and her team created a multi-sensory experience that was a treat for all in attendance.
Reviewed on Sunday 25th June by Olivia Mitchell
photo credit: Dave Hogan/Hogan Media
{AD PR Invite- tickets gifted in exchange for honest review}
Monday 19 June 2023
Harry Styles at Wembley Stadium review: Where Strangers Become Friends and Fans Become Family
a life-changing experience, driven by exceptional musical talent, captivating stage presence, and a genuine commitment to building a community
Harry Styles Love on Tour
Wembley Stadium
★★★★★
Among the huge array of concerts on offer, some artists possess the unique ability to create an atmosphere that goes beyond a mere performance. Harry Styles, the British singer-songwriter and former One Direction member, is undoubtedly one such artist. His closing show of four sell out’s at Wembley Stadium, was a testament to his musical prowess and stage craft. The ambience he created allowed for a magical showcase of the power of friendship and community; under Harry’s command, pure, unfiltered joy permeated the evening, and made it so special to both audience and performer.
Leading up to the performance there was a frenetic energy filling every space. With bedazzled outfits, feather boas and cowboy hats filling the arena, the sea of colour was a visual indication of the bright and beautiful performance to come. From the moment Harry took the stage, the crowd came even more alive and from the moment he stepped out it was clear that the enthusiasm and genuine love was mutual between the audience and the star. He effortlessly took the role of the charismatic conductor of this extraordinary symphony and invited everyone to forget their troubles and be truly free for a few hours.
What struck me the most about the concert was the strong sense of friendship and community that Harry fostered throughout the night. From the get go Styles created an inclusive space where everyone felt accepted, loved, and celebrated for exactly who they are. The vigour with which the audience embraced this was a testament to Harry's commitment to creating an environment where diversity and individuality are not only accepted but embraced.
Throughout the evening, Harry’s music served as a catalyst, bringing people from different backgrounds together, forming an unbreakable bond. Whether it was the carefree sing-alongs to Watermelon Sugar, the semi-cultish bowing at the alter of Mitch Rowland’s guitar solo in She, the united screams of “leave America” during As It Was, the congas in Treat People With Kindness or the group hugs and tears during Fine Line, each song became a thread weaving a tapestry of emotions that bound us all. With surprise songs added, including fan favourite Medicine and Sweet Creature which Styles hasn't performed since 2018, it really was a treat to be in the room for this momentous concert that truly cemented Styles' icon status. There’s no other word to describe it than electric. If unadulterated joy could power the country, Harry Styles would be head of operations.
Beyond the music, Harry's heartfelt interactions with the audience showcased his genuine care for his fans. He took the time to engage in conversations, listen to their stories, and make each person feel seen and valued. It was a beautiful reminder that music can bridge the gap between strangers and create lasting connections.
Production wise the show was a treat, with great visuals that told a story, lighting that complemented the sun slowly going down and a fun stage design which allowed many to get almost within touching distance of Mr Styles. A sensory feast, the show really provided all you could ask for.
As the night came to an end, I couldn't help but feel an overwhelming sense of gratitude for the incredible impact that music has on our lives and the meaningful connections it brings. Harry Styles not only delivered an outstanding performance but also reminded us of the significance of finding people who allow you to be yourself. It was a night that broke down barriers, opened hearts, and created lasting memories.
This concert was a life-altering experience, driven by exceptional musical talent, captivating stage presence, and a genuine commitment to building a community. Styles' ability to deeply connect with his audience, fostered an atmosphere of inclusivity and acceptance, making the event a remarkable celebration of music and our shared humanity. It was an occasion where strangers quickly became friends, and fans collectively experienced the transformative power of music. As an artist who truly embodies his craft, Harry Styles continues to redefine the concert experience, leaving an unforgettable impact on the hearts of his fans.
Reviewed on Saturday 17th June 2023 by Olivia Mitchell
photo credit: Lloyd Wakefield
Friday 9 June 2023
The Curious Case of Benjamin Button at the Southwark Playhouse review: A masterclass in storytelling
Southwark Playhouse
★★★★★
If you're wanting to see arguably the most mesmerising production in London right now, then look no further than The Curious Case of Benjamin Button the musical at Southwark Playhouse. From the stunning writing to the exceptional performances, this production is a moving celebration of life and the boundless capacity to find joy in unexpected places.
The writing (book and lyrics by Jethro Compton and music and lyrics by Darren Clark) is nothing short of extraordinary. It beautifully captures the essence of F. Scott Fitzgerald's timeless story, seamlessly translating it into a theatrical masterpiece which sweeps you up and takes your heart on an incredible journey. The script is both poignant and thought-provoking, delving deep into the profound themes of aging, love, and the significance of every moment we encounter. The fast paced lyrics are witty and woven together so well. The musical tenderly tugs at the heartstrings, leaving the audience reflecting on their own lives and the choices that shape our existence.
One cannot help but be enthralled by this show which really is the whole package. Every single moment feels well thought out and you can't help but notice how much care has gone into creating this show. A very strong aspect of this musical is the attention to the sound and lighting which accompanies the story. Zoe Spurr's lighting design has whimsical elements and the interplay between light and shadow creates a really magical visual tapestry, accentuating the emotional depth of the narrative. Each scene is carefully crafted to transport the audience through the passage of time, immersing us in the ever-changing world of Benjamin Button. Luke Swaffield's sound design further enhances the atmosphere, adding depth and texture to the production, as well as being perfectly balanced so that the music packs a punch and hits you in the gut but doesn't come across too loud or over the top.
Cast wise, The Curious Case of Benjamin Button features universally delightful performances. Each member delivers stellar vocals, acting and music (each person plays various instruments throughout), bringing the characters to life with authenticity and charisma. Their vocal prowess and impeccable timing are truly commendable, adding another layer of brilliance to an already captivating production. The chemistry among the cast members is palpable, creating an enchanting dynamic that draws the audience deeper into the story.
It's hard to mention specific people because the cast are a constellation of stars but mention must go to Jamie Parker who is astounding as Benjamin Button. His performance is incredibly layered and transformative. It really is a masterclass in how physicality and subtle changes can completely make a performance. As his love interest, Molly Osbourne is glorious and also shows excellent growth and character development. Across the board the vocals are divine so hopefully a cast recording is on the way!
This is a perfectly wrapped show that delivers on every base.
To sum it up, The Curious Case of Benjamin Button the musical at Southwark Playhouse is an absolute triumph. With its stunning writing, this production is a must-see for anyone who loves good storytelling. It's the sort of show you want to bottle up and bring out when you're feeling down. I wish I could see it again for the first time but I know that any subsequent visits will be just as endearing and wonderful. Don't miss your chance to embark on this enchanting journey of love, loss, and the beauty found in every moment of life.
Reviewed on Wednesday 7th June by Olivia Mitchell
photo credit: Juan Coolio
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 9 May 2023
Operation Mincemeat at the Fortune Theatre a review: The must see musical of 2023
Operation Mincemeat
Fortune Theatre
★★★★★
If you're looking for a unique and intriguing musical, then look no further than Operation Mincemeat in its West End transfer to the Fortune Theatre. This production tells the incredible true story of a WWII deception operation, that although morally grey, helped Britain win the war and it does so with style, charm and heart in spades.
The star of this exciting musical is undoubtedly the music which manages to be both catchy and poignant, with some of the wittiest lyrics in the West End right now. The book, music and lyrics are expertly constructed by SpitLip founders David Cumming, Natasha Hodgson, Zoë Roberts and Felix Hagan (four of whom also star) and the whole show is maelstrom of musical magic. You'll find yourself continually laughing out loud and then all of a sudden wiping tears from your eyes as this hug of a musical manages to wrap you around its theatrical finger.
Every performance from the talented cast -completed at this performance by Claire Marie Hall, Jak Malone and Geri Allen (in her cover debut)- is a standout one. The precision with which they perform is just astounding and thanks to the script, there's a perfect balance between humour, satire and drama.
Aesthetically, Operation Mincemeat is a sleek mission. Ben Stones' set and costumes are perfectly evocative of MI5 and wartime London, as well as having a healthy dose of camp dramatics. One scene in particular features costumes perfect for a bedazzled version of Sweeney Todd! Really clever direction by Robert Hastie and joyous choreography by Jenny Arnold both let the story and performances to soar and ideally balance the line between allowing the performances to be genuinely funny without being cringe inducing. Shoutout must also go to Publicity Designer Bob King Creative for the genius artwork which accompanies the show. Once you see it, you won't un-see it!
In summary, this show is the epitome of fun. Poking fun at everyone and everything it is a satirical, stupendous, stomper of a show that will have you entertained and inspired. The new must-see musical, it needs to be booked immediately!
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 4 May 2023
Pentatonix: The World Tour at the Eventim Apollo review: A shining celebration of musical talent
Pentatonix: The World Tour
Eventim Apollo
After having their concerts postponed in 2020, the Grammy Award winning group Pentatonix have finally made it to London with their world tour. Featuring the classics that made them popular such as Daft Punk and White Winter Hymnal, as well as soulful pieces from their most recent album, The Lucky Ones and some extra musical gems, the group proved that it was well worth the wait as they showcased their impressive range and versatility. As expected, their harmonies are spot-on and their ability to create complex sounds using only their voices continues to be astounding.
Having last seen them perform in 2016 what was immediately striking with this tour is just how amped up and emphasised the production value is; everything feels bolder and sleeker. This is in no small part thanks to the excellent lighting design by Damian Rogers which is so impeccably programmed to sync up with every beat and emotional inflection, it becomes a show all of its own. Equally the choreography perfectly complements each song and adds a real element of interest. The production team have done an incredible job of creating a concert experience that was not only musically impressive but also visually captivating.
What really makes the concert stand out is the energy and passion that Pentatonix bring to the procedings. The group have a palpable friendship and support network which shines from the stage and creates a really lovely atmosphere. Plus, they interact with the crowd, share stories and jokes, and make everyone feel like they are a part of the experience. It's clear that they genuinely love what they do and enjoy connecting with their fans.
Where before this could have been a 10/10 musical concert, now it’s a 10/10 musical spectacle. The bold elements don’t take away from the vocals, in fact they frame them perfectly and highlight just how tight and strong the vocal quintet are. It’s a matured and elevated experience and the talent and passion on stage make Pentatonix really shine. Hopefully it won't take seven years for the group to return to the UK because we need more!
★★★★
Reviewed on Wednesday 3rd May 2023 by Olivia Mitchell
photo credit: Ben Hausdorff
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 26 April 2023
Toby Sebastian at Omeara review: A stellar first headline show
Omeara
★★★★
Since originally releasing music in 2013, Toby Sebastian has been firmly carving his name in the music industry and this year has embarked on his first ever headline tour, which last night reached London's Omeara in a spectacular fashion.
A wonderful showcase of Toby's vocals and stellar song writing, the evening provided a mixture of fan favourite songs, as well as material from his upcoming album; all of which was received with warmth by the crowd who bopped along throughout. Also well received was a surprise appearance by Bridgerton star, Simone Ashley who got to showcase her hauntingly beautiful vocals in a duet of Rusty Snare. Fingers crossed we'll see the duo pair up again in future.
Striking throughout the evening was Sebastian's innate musicality which shone through as he poured his heart into the performance. His unique blend of indie and rock perfectly matches the raw, emotional sound of his voice, which particularly soars in his falsetto moments. These virtuosic sections were some of the best and most captivating of the set. In a bigger venue, with a slightly better sound system, one can only imagine how spectacular Toby would sound.
Equally, the evening had some really high octane moments, especially in the closing rendition of Train To Mexico which felt like a party and was certainly a fan fave. Sebastian really lets the music speak for itself and doesn't interact a huge amount with the audience which means sometimes there's a feeling of disconnect, however, his charisma still shines through and he really gives his all musically.
The three piece band work together like a well oiled machine and everyone seems like they're genuinely having fun on stage which is a real treat to see.
Mention must also go to Louis Oliver who performed a super solid opening set and really charmed the audience through his raspy, incredibly powerful vocals.
Overall a well-curated set list, and a solid and evident appreciation for music and performing made this a really special night. Whilst there's no release date yet for Toby's next album, the sneak peeks say it's going to be a really enjoyable listen; and the next tour which will hopefully accompany it will be so worth attending!
Reviewed on Tuesday 25th April 2023 by Olivia Mitchell
Photo credit: Mike Palmer
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 21 April 2023
Ain't Too Proud at the Prince Edward Theatre review: A tumultuous tale told through stellar performances
Prince Edward Theatre
A hit on Broadway, Ain't Too Proud: The Life and Times of The Temptations, has finally opened in the West End and is a thoroughly entertaining, charismatic and soulful journey. The musical, with a book by Dominique Morisseau is a breathtaking celebration of the legendary Motown group, The Temptations, and their iconic music. Taking you on a journey through the highs and lows of stardom, it showcases how some of the most famous music was created and provides a really really fun night out.
★★★★
A hit on Broadway, Ain't Too Proud: The Life and Times of The Temptations, has finally opened in the West End and is a thoroughly entertaining, charismatic and soulful journey. The musical, with a book by Dominique Morisseau is a breathtaking celebration of the legendary Motown group, The Temptations, and their iconic music. Taking you on a journey through the highs and lows of stardom, it showcases how some of the most famous music was created and provides a really really fun night out.
The heart and soul of this musical are the performances which are unanimously nothing short of spectacular. The cast deliver powerhouse vocals that charm and mesmerise throughout and there are so many standout moments. The whole cast are spectacularly strong but mention must go to Cameron Bernard Jones, Tosh Wanogho-Maud, Ryan Carter and Michael James Stewart who really shine in their solo and ensemble moments. Each member who becomes part of The Temptations, does so with a real sense of nuance and the varying personalities and talents are showcased throughout; really capturing the essence and ethos of the original group.
Above all this is an ensemble piece, with some of the strongest moments coming when the cast unite both vocally and choreographically. Sergio Trujillo's choreography is some of the best in the West End right now, the sheer slickness and precision is a wonder to behold and the energy created on stage is supremely infectious. Featuring iconic hits like My Girl, Papa Was a Rolling Stone, and Ain't Too Proud to Beg, the show is a top-tapping fest of gusto and spirit.
The storytelling is mostly compelling, and the narrative (led by Sifiso Mazibuko) is engaging from the start. Spanning the long and tumultuous history of The Temptations, from their humble beginnings to their rise to stardom the show has a lot to fit in, and especially in the first act it feels a bit too much. Whilst every performance is engaging, it does feel a little too long and seems to keep going even when there's a natural break point. However, the story is a poignant and emotional one that delves into the personal struggles, triumphs, and dynamics of the group and includes some powerful messages. Alongside the musical elements, the show touches on themes of friendship and brotherhood, as well as shedding light on the social and political challenges faced by The Temptations and African American artists during that era. A poignant reminder of their impact on American music history and the enduring legacy they left behind, Ain't Too Proud is a strong celebration of The Temptations.
Ain't Too Proud is a wonderful addition to the West End that features dazzling production value, and timeless music. A celebration of The Temptations and their impact on Motown, it will leave you humming their hits long after the curtain falls.
Reviewed on Wednesday 19th April 2023 by Olivia Mitchell
photo credit: Johan Persson
{AD PR Invite- tickets gifted in exchange for honest review}
Sunday 2 April 2023
For Black Boys..., Apollo Theatre | Review
For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy
Apollo Theatre
★★★★
For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy is powerful and thought-provoking production which offers a unique perspective on the challenges faced by young black men in today's society. The exceptionally strong play tackles heavy topics such as mental health, racism, and police profiling, all with a skilful blend of humour and heart that keeps the audience engaged from start to finish. For Black Boys... is a must see in its limited run.
The performances from the cast, made up of Mark Akintimehin, Emmanuel Akwafo, Nnabiko Ejimofor, Darragh Hand, Aruna Jalloh and Kaine Lawrence are universally strong, with each actor bringing a unique and enticing angle to their role. Ryan Calais Cameron's writing is equally impressive, with sharp dialogue and powerful monologues that strike you whilst watching and also stay with you long after the play has ended. What's so effective is how the show flawlessly integrates spoken word, music, and dance to create an immersive and multifaceted experience. The whole thing is utterly seamless and flows with such a strong balance of urgency and intimacy.
The set design (Anna Reid) and lighting (Rory Beaton) add to the immersive experience, transporting the audience to the therapy room, without feeling basic; and the use of multimedia elements and striking choreography (Theophilus O. Bailey) add extra layers of depth to the production. As a whole it feels incredibly modern, relevant and powerful; a stunning representation of why new British Theatre is so necessary.
The show tackles important and sometimes taboo topics surrounding mental health, masculinity, and the experiences of young Black men and it's often incredibly moving; but what works so well is how these important social issues are balanced with humour and light. The authenticity which runs through the piece makes it feel so personal, and the audience really go through the journey with the performers.
For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy is a deeply moving and important work of art that, is a must-see for those interested in social justice, mental health, and ultimately, the power of storytelling. When the ensemble come together, they create some of the most powerful theatre seen in the West End in a long time.
Reviewed on Saturday 1st April 2023 by Olivia Mitchell
photo credit: Ali Wright
{AD PR Invite- tickets gifted in exchange for honest review}
Monday 13 March 2023
The Phase, The Vaults | Review
The Phase
The Vaults
★★★★
A new, British musical, The Phase follows four best friends and bandmates, Aziza, Rowan, Sage and Ava as they take on their Catholic school's oppressive rules which restrict them from expressing their queerness. The coming-of age musical tackles a number of issues in a short time and is a well written exploration of teenage life and identity.
The Vault Festival is a great event for shows to form and find audiences but the space, budget and time constraints don't always allow for much development. The team behind The Phase have done a great job working with these limitations and have created a musical that feels pretty well rounded and has design interest as well as great performances. The set comprises of large drawn out items such as rulers and pens that are transformed into various other things, and the band dressed as crayons complete the pencil case assortment and give the show a unique look and feel.
Led by musical director Amy Hsu, the band do a great job of leading the piece and accompanying the cast who provide consistently strong vocals. With Jocasta Almgill as Aziza, Ashley Goh as Rowan, Holly Ryan as Sage and Gracie McGonigal as Ava, the quad create a wholesome group who really support one another and give each other room to grow and be who they want to be. All four have well defined characteristics, and in a different setting there would certainly be room to flesh them out further. The occasional mic issue did mean some moments were lost at this performance but this is something that can be easily ironed out.
The Phase is a show which knows its identity and retains it throughout. Every moment is cohesive and feels quite genuinely like a school drama. There is a lot of angst and a whole host of personal struggles from anxiety to friendship, and although at times it feels a little too much, there is a sincerity sewn through which makes it a lovely piece.
Zoe Morris and Meg McGrady have created a great piece of musical theatre, that under Izzy Rabey's direction really gets to soar. It's lovely to see queer stories told that are not surrounded by trauma, and this show does a great job at highlighting the joy and community found, even when individuals are struggling. From body dysmorphia to relationship boundaries, there is so much packed into the hour long show. At times it comes across a little too dramatic, but at the same time it is very evocative of school life.
Mention must also go to how accessible the team have made the show. With sensory items available as well as chill out spaces, the whole experience embodies inclusivity and is certainly paving the way for others.
The show has just finished its run at the the Vault Festival, but there's sure to be a future life for The Phase and it will continue to spread joy via a touching storyline and absolutely killer vocals.
Reviewed on Sunday 12th March 2023 by Olivia Mitchell
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 9 March 2023
Bonnie and Clyde, Garrick Theatre | Review
Bonnie and Clyde
Garrick Theatre
★★★★
First seen in the UK as a concert version and then subsequently a full production at the intimate Arts Theatre, Bonnie and Clyde has now upgraded to the larger Garrick Theatre as it continues its riotous reign.
After the show flopped on Broadway, it's nice to see that the creative team are taking risks and switching things up. In this new venue, there are clear changes and the larger space is used to create more drama and help the development of scenes. Paul Whitcomb's set has lots more going on, with everything feeling more developed and bolder than before. Zoe Spurr effectively lights the scenes, creating some very effective moments during the various robberies and shoot outs. Nina Dunn's video design covers the set in historical photos as well as helping back up the on stage drama. These projections alongside the forceful tableau's created throughout, make the whole musical feel far more cinematic than its previous iteration.
In the titular roles as the West End's favourite felons, Frances Mayli McCann and Jordan Luke Gage excel. McCann really encapsulates the dreamer quality of Bonnie Parker as she is swept off her feet, whilst later on contrasting with a woman hardened by her life on the run. Vocally, her portrayal is dynamic and melancholy, with her rendition of Dyin' Ain't So Bad providing the perfect amount of emotional impact needed in the show. Gage is suitably menacing, whilst also bringing spades of charm to the role of Clyde Barrow and he performs the soaring score with seeming ease. The pair have excellent chemistry, often balancing one another well. This is a sultry, sexy show which leans heavily into the romance, and the duo do a really thrilling job at bringing their all encompassing passion to life; their fiery partnership ringing out until the very last shot.
In contrast to Clyde's intense hostility, Ted as a character is pretty underdeveloped but Cleve September performs the role with great intention and uses the material well; especially when he really lets his voice soar in act two. As Buck Barrow, George Maguire gives a very engaging performance and creates a dynamic partnership with newcomer to the cast, Jodie Steele, who's performance as Blanche is utterly brilliant. Full of humour and heart in equally wonderful measure, Steele's performance is a definite highlight. Dom Hartley Harris also joins the cast and gives a rousing performance as the Preacher; whilst Barney Wilkinson and Julie Yammanee have some real stand out moments in their tracks.
The story of Bonnie and Clyde's journey to being outlaws is a fascinating one, and Ivan Menchell's book begins to look deeper at their motives and aspirations and it's interesting to see how the pair took their desire for fame and turned it on its head. But perhaps more compelling is when their story is paralleled with the economic and emotional turmoil of America at the time. The Barrow brothers discuss how they've been profiled by police since they were young and there's some exploration on why people turned to crime, when their lives were torn apart by poverty. Made in America is one of the most striking numbers in the show and really brings another layer to proceedings but unfortunately it's not developed much further. Whilst the romance is the heart of the show, it would maybe be improved if there was more analysis of the socio-economic climate and its effects. This version of the show also cuts out a few of the scenes where the duo commit their crimes which hinders the development of Bonnie and Clyde as villains, meaning we don't see the full extent of their misdeeds and therefore the stakes never quite feel high enough.
The musical has its faults and the book could certainly use some editing but this still remains an incredibly enjoyable show that is feisty and thrilling. Don Black and Frank Wildhorn's pacy, engaging score is a treat to hear live. A law-breakingly good cast make Bonnie and Clyde a show that's well worth seeing and hearing.
Reviewed on Wednesday 8th March 2023 by Olivia Mitchell
photo credit: The Other Richard
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 7 March 2023
The Bodyguard the Musical (Tour), New Wimbledon Theatre | Review
The Bodyguard the Musical (Tour)
New Wimbledon Theatre
★★★★
Literally opening with a bang, The Bodyguard the Musical takes you on an exciting and exhilarating journey of glorious music and a sweet romance, which will have you engaged throughout.
Based on the 1992 movie of the same name, the show tells the story of a Secret Service bodyguard hired to protect a world famous singer/actress from a threatening stalker. When released the movie became one of the highest grossing of all time and this stage adaptation includes all the memorable moments as well as retaining the original 90s vibes which so many love.
The leading role of Rachel Marron was made famous by Whitney Houston and is a huge role to fill. Taking the cup and stepping into the glitzy boots for this production is Melody Thornton of The Pussycat Dolls. Melody absolutely nails the role and provides some killer vocals throughout, really coming into her own and becoming the star in act two. Thornton performs the iconic songs incredibly well, keeping close enough to the originals that the audience are satisfied but also putting her own small twist on them.
As her love interest and bodyguard Frank Farmer, Ayden Callaghan is an imposing but charming character, easily gaining empathy from the audience through his serious and stern but sensitive portrayal. The chemistry between the pair is pretty strong with some touching moments, especially when the drama really amps up. They're sure to become even more comfortable with each other throughout the tour!
A stand out performance comes from Emily-Mae as Rachel's sister, Nicki. Not only does she portray her unrequited love and upset at constantly being overshadowed extremely well. But her vocal moments are some of the most memorable in the show.
Reneo Kusi-Appauh is equally delightful as Rachel's son Fletcher, especially during act two and the bows when he shows off some killer vocals. Definitely a performer to keep an eye on!
The second act is where things really get going, including the audience getting to see more of the ensemble who are absolutely fantastic. They don't get a massive amount of stage time but when they do, they are outstanding; full of energy they really elevate the show.
The set and costume design by Tim Hatley fit the vibe of the musical well and for a touring production are very effective but at times the space does feel underused and there could certainly be some more wow factor added throughout.
The overly dramatic sound effects and scene transformations are very telenovela/soap opera-esque and the intense thriller aspect doesn't quite transfer, but mostly the show is effective and is a faithful screen to stage adaptation.
The story is well paced and you can't help but revel in the brilliance of Whitney Houston's music from start to finish. The Bodyguard is a well performed show that works well on tour. Run To You-r closest touring venue to see this sparkling production for yourself.
Reviewed on Monday 6th March 2023 by Olivia Mitchell
photo credit: Paul Coltas
{AD PR Invite- tickets gifted in exchange for honest review}
The Great British Bake Off Musical, Noel Coward Theatre | Review
The Great British Bake Off Musical
Noel Coward Theatre
★★★★
A British institution, Bake Off may not seem like the most likely source for a musical but thankfully, it's musical adaptation works incredibly well and is an easily digestible, heart-warming show and a love letter to the series so many love.
Surprisingly sincere, the musical with book and lyrics by Jake Brunger and music and lyrics by Pippa Cleary is legitimately earnest in its portrayal of the characters and their stories but also includes excellent humour and always manages to stay on the right side of being a parody or caricature of itself. Moments that could be overplayed are often reigned in and you're always laughing with the show rather than at it. That's not to say there aren't some cringe moments and the odd line that doesn't quite hit correctly but none of them take away from the pure joy and sweetness of this musical and it really is a delight of a show.
Pacing wise, it's pretty perfect. It never feels like it drags and really you could do with a second helping of the brilliance on stage because it's just so lovely. It's quite surprisingly just how well everything works. From colour coded bowl choreography (Georgina Lamb) to the incredibly effective set by Alice Power there's not much to fault. Of course you could nitpick, but for the sheer sentimentality and wholesomeness, this musical is a showstopper.
The cast are incredibly strong and there's so much connection between them that shines on stage. As the presenters Zoe Birkett (Kim) and Scott Paige (Jim) are wondrously witty and have excellent chemistry, as if they've been genuine presenters for years. Taking on the job of the judges, Haydn Gwynne and John Owen-Jones are dynamic and somehow retain their individuality whilst bringing the iconic double act to life (in the show Prue Leith becomes Pam Lee and Phil Hollywood becomes Phil Hollinghurst). All of the contestants have stand out moments and are so solid in their portrayals. Charlotte Wakefield especially has some touching scenes and provides some of the top vocals of the show. Grace Mouat's character is also incredibly engaging and is a great contrast to the rest of the bakers. Michael Cahill, Claire Moore, Damian Humbley, Aharon Rayner, Jay Saighal, Aanya Shah and Cat Sandison all bring such humanity to their roles and are so wonderful to watch.
Every aspect of Bake Off makes the cut to the musical, from the challenges to the general structure and joke format. Like the tv show, there are innuendos galore and more baking puns than you could fit in the oven, but above that, it really encapsulates the warmth and community feeling that The Great British Bake Off provides. The contestants each get a bit of development and there's even a romance and some social commentary; all elements feel well thought out and it's really just a well structured, well oiled (greased?) musical. You couldn't really ask for a more genuinely touching show. It truly has all the ingredients to be a hit and is so worth seeing!
Reviewed on Friday 3rd March 2023 by Olivia Mitchell
photo credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 3 March 2023
Fisherman's Friends The Musical (Tour), Richmond Theatre | Review
Fisherman's Friends The Musical (Tour)
Richmond Theatre
★★★★
When a group of Cornish fisherman got together to sing for fun, little did they know they'd become successful professional musicians, or that they'd be the subject of a film and now a musical. Fisherman's Friends The Musical is based on the lives of the people in that group, and the community around them in Port Isaac. It's a story about friendship, family, the sea and those who spend their lives working on it.
When former record company employer Danny (Jason Langley) visits the village and hears the men's singing, he makes it his mission to get them a record label, and restore his own reputation in the music industry. Aside from a few minor plots, that's really all the show is about and as it's pretty predictable at times it can drag. However, in lulled moments there's always a rousing sea shanty round the corner to buoy you back up.
Whilst the show is definitely more song than script, under the direction of James Grieve the cast do a fabulous job of conveying the emotions and bringing the Cornish community to life. James Gaddas takes the wheel as the un-appointed boss and voice of reason; often interacting with witty one liners and providing a path for the story to take. On the opposite end of the spectrum, Jason Langley is the cheeky chappy full of swagger and is so entertaining as well as endearing. As his love interest Alwyn, Parisa Shahmir is a vocal siren. Her voice is hauntingly melodic and she has the nuanced acting chops to match it.
Lucy Osborne's dockside set with Johanna Town's atmospheric lighting perfectly brings to life the seaside town, seamlessly transforming into the inside of the pub and later. The rocking sea feels completely realistic and there are some very impressive moments when the men are out fishing.
Fisherman's Friends the Musical is not the most exciting piece of theatre but it's got heart in heaps and is a very wholesome way to spend a couple of hours. A story about community and friendship, the whole piece is really down to earth and is a real feel good show.
Reviewed on Thursday 2nd March 2023 by Olivia Mitchell
photo credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday 2 March 2023
Sylvia, The Old Vic | Review
Sylvia
The Old Vic
★★★★
Following its 2018 'work in progress' run, Sylvia has returned to The Old Vic, this time as a fully staged production. Telling the story of Sylvia Pankhurst- the daughter of the supreme Emmeline Pankhurst, leader of the Suffragette movement- the show is a fresh look at history, that feels inherently British in all the best ways.
The titular role is played by the utterly charming Sharon Rose, who gives a masterfully intimate performance, as well as showcasing her fantastic vocals. Sharon is really impressive at showing the gradual growth of Sylvia, as she finds her voice and what she stands for and feels continually authentic throughout. The character of Sylvia come across in a very relatable, endearing way and really allows the audience to root for her- a very special feeling.
This performance saw the debut of Hannah Khemoh as Emmeline Pankhurst. Really coming into her own towards the end, Hannah gave a commanding performance, with great vocals and really shone in moments when the whole family came together.
Completing the Pankhurst family are Ellena Vincent as Christabel and Kirstie Skivington as Adela, both of whom give impressive performances and show some wonderful character development. Kelly Agbowu is absolutely fantastic as Mrs Flora 'The General' Drummond, giving a truly commanding performance that's superbly entertaining.
A complete standout role, is Jay Perry as Winston Churchill, giving a performance which is so so enjoyable and witty that you can't help but side with him, even when he's stamping on the Suffragette movement! As his wife Clementine, Verity Blyth is a dream. Her beautiful voice soars around the auditorium and her witty, sweetly conniving performance is so enjoyable to watch. Rounding out the Churchill trio is the matriarch, Lady Jennie, played at this performance by Jade Hackett who is equally as strong, and provides some really unexpected moments that have the audience in the palm of her hand. Both Alex Gaumond and Sweeney provide vocal moments as Kier Hardie and Silvio Corio respectively.
This is definitely a show where the cast really take the forefront, with costuming and sets that are fairly simplistic, but that work exceptionally well. Andrzej Goulding's animation and video brilliantly add dimension to the show, whilst Natasha Chivers' lighting is both emotive and exciting. Combined with Ben Stones' set and costume, the show is a visual delight; at times almost feeling like a film. The black and white majority, combined with splashes of red is incredibly striking.
Whilst this is a musical which excels in many aspects, there are parts which don't quite hit the spot. At times the dialogue is somewhat clunky and some characters don't get enough development to be truly effective. Even Sylvia herself, only really comes into her own towards the end and it takes a bit too much time for her story to get going. The end of the show comes across rushed, with loose ends suddenly being tied up and Emmeline's character doing a complete 180. Of course the show is based on real events, but as it covers so many years, some moments don't get the justice they deserve, whilst others get a bit too much. However, musically the show is choc-a-block with fun, fiery moments. Kate Prince, Josh Cohen, and DJ Walde's score is exciting and multifaceted. The lyrics and musical styles, paired with the great humour that's woven in, feel perfectly British and are truly effective.
Sylvia is an innovative production which does a mostly great job at telling the story of some really powerful women. There are parts which come out of nowhere and moments when you feel a bit awkward, but at the same time you can't help but enjoy yourself! For the faults it has, this show remains a really fun night out, that boats a top notch cast and has a lot of charm.
Reviewed on Monday 27th February 2023 by Olivia Mitchell
Photo credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Shirley Valentine, Duke of York's Theatre | Review
Shirley Valentine
Duke of York's Theatre
★★★★★
From the audience at the Duke of York's Theatre, it's clear that Shirley Valentine is a much loved story and after seeing Sheridan Smith's performance, I think it's only going to receive further love and praise. The one woman show follows disillusioned mother and wife Shirley as she reminisces on her "unused life" and wonders how she can really find herself and her happiness again. The show is a glorious manifesto on being a woman and is so incredibly moving in all the best ways. It celebrates the small things and highlights hardships so many people go through in such a seamless and engaging way. You truly couldn't ask for more.
Sheridan Smith has had many star turns in her career and is a hugely celebrated actress for good reason and this production completely hammers that home. Smith is completely born for this role, giving into it and making the audience feel like she's truly lived the life she talks about; and also making the audience feel like they've lived it with her. There's no way to not sound overly gushy, because Sheridan is just that good; her performance is an absolute dream and truly couldn't be better.
Watching this show, it's quite amazing to realise that, without being condescending, it was written by a man. Willy Russell has completely nailed the female spirit and the entire script feels incredibly natural. For a show written over thirty years ago, it remains as fresh and sadly relevant as ever.
Paul Wills' set is completely fitting for the story and allows the story to shine, almost becoming a character of its own, especially given the personification of the kitchen wall. The simplistic staging works perfectly as does the gorgeous lighting design from Lucy Carter. Understated lighting changes parallel the emotions Shirley is feeling and work well to really emphasise the most emotive moments.
What's so wonderful about this show, and I'm sure why it resonates with so many, is that it's all about a normal person. There's no larger than life drama or swooping romantic relationships, instead there's a genuine character discussing real life issues. In a way it's sad that so many can relate to Shirley's feelings but hopefully this show will help people realise that they are not alone and that your life, however small it may feel, is a glorious, stage worthy one too!
Under Matthew Dunster's excellent direction, with Sheridan Smith at her absolute best, this is perhaps one of the most grounded and well performed productions in the West End and I just wish everyone could see it. Stunning, stunning work.
Photo Credit: John Wilson
Reviewed on Saturday 25th February 2023 by Olivia Mitchell
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 1 February 2023
My Son's a Queer (But what can you do?), Ambassadors Theatre | Review
Ambassadors Theatre
Reviewed on Wednesday 1st February 2023 by Olivia Mitchell
★★★★★
Let’s start off by saying that this show is the most joyous and heartfelt 75 minutes I’ve maybe ever experienced in the theatre. Rob Madge has taken the highs and lows of their childhood to create a show which celebrates individuality in the most spectacularly jubilant way.
During lockdown, Rob became an online sensation after sharing their childhood home videos of the shows they’d put on with the help of family, and now these performances have been brought to stage in a flawless way. The show is a manifesto on being authentically who you are, and really couldn't do a better job at highlighting the joy and freedom that the Arts can bring.
There are a number of incredibly poignant parts to the show, especially when Rob discusses the harsh way they were treated growing up by both pupils and teachers. They showcase how incredible their family have been and put forth such a strong message of acceptance. Whilst not everyone may have such a positive experience, the show has the lovely message that found family can be even better than those related by blood and if we all support one another, the world will be a much brighter place.
The great writing (Pippa Cleary), outstanding comedic timing, brilliant direction from Luke Sheppard and insurmountable talent of Rob Madge mean there truly aren’t enough adjectives to describe how moving and entertaining My Son’s a Queer is. Not only is it narratively successful, it also includes some wonderful vocal moments, as well as a spectacular array of costumes by Ryan Dawson Laight and the whole package is faultless; every element just works.
Rob is a natural storyteller and entertainer who has the audience in the palm of their hand from the get go. They'll have your cheeks hurting from laughing and your nose running from crying and it’s all worth it to experience this gem in the crown of brilliant British theatre. My Son's a Queer (But what can you do?) is everything theatre should be.
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 27 January 2023
In Clay, The Vaults | Review
The Vaults
Reviewed on Friday 27th January 2023 by Olivia Mitchell
★★★★
A sweet tale of a female artist, specifically a potter/clay creator, in 1930s France, In Clay follows our protagonist Marie-Berthe developing her love of creating as well as looking at a few of her relationships and ultimately, the way she strives for and eventually defines, success.
Rosalind Ford takes the helm of this one woman show and does so with glorious affect. Not only does Ford play Marie-Berthe, but also a number of side characters such as her best friend Henrietta and her teacher Jean-Charles, all of whom you truly feel have entered the stage. With the noise of next door's performance and the rattling trains overhead, your attention could easily wander but Rosalind does a stellar job of keeping you engaged throughout. Her vocals are also gorgeous and an absolute treat to listen to.
Aside from the performance, the star of this show is the lovely music that is typically and gloriously French. Jack Miles and Rebecca Simmonds's songs completely embody French-cafe, pre/post war vibes and are so fitting to the story, with an especially wonderful scat section that really mirrors the freedom of art. A couple of the songs feel abruptly/imperfectly ended and could do with a slight rework but overall they're very smooth and the clever lyrics are so witty and compelling.
It's also impressive that there's a live four-piece band on stage, a sight not regularly seen at the Vaults, but Matt Herbert on keyboard, Rhiannon Hopkins on bass, Daniel Kemshell on guitar and Auguste Janonyte on violin do a great job and add even more to the feeling of being in France in the throngs of the creative, artistic circles.
For a 60-minute show, Rebecca Simmonds' book is surprisingly detailed and sleek; telling Marie-Berthe's story in a pacey fashion that never loses momentum or lacks emotion. From love to the pain of loss, a whole spectrum of life is explored and there's a wonderful celebration of fragility and putting yourself back together after you fall. Grace Taylor's direction allows the story to be told in a way that still feels free and spacious given the confines of the Vaults and Sorcha Corcoran's set design adds visual interest as well as mirroring the emotional turmoil on display in the piece.
All in all In Clay is a short, sweet, well-moulded show that with a few more tweaks on the potters wheel could be perfect. A great opener to the 2023 Vault Festival, it will be a treat to see how this musical progresses.
{AD PR Invite- tickets gifted in exchange for honest review}
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